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Childhood holidays... Oh-ho! The anticipation seemed endless. | 0:00:02 | 0:00:05 | |
The holiday itself... Well, it was over too quickly. | 0:00:05 | 0:00:08 | |
So, in this series, | 0:00:08 | 0:00:09 | |
I'm going to be reliving those wonderful times | 0:00:09 | 0:00:12 | |
with some much-loved famous faces. | 0:00:12 | 0:00:14 | |
THEY SCREAM | 0:00:14 | 0:00:17 | |
Every day, I'll be arranging a few surprises | 0:00:17 | 0:00:20 | |
to transport them back in time. | 0:00:20 | 0:00:22 | |
Oh, look! It's just as I remember. | 0:00:22 | 0:00:26 | |
We'll relive the fun... | 0:00:28 | 0:00:29 | |
THEY LAUGH | 0:00:29 | 0:00:31 | |
..the games... | 0:00:31 | 0:00:32 | |
-BOTH: Yes! -We got it! | 0:00:32 | 0:00:34 | |
..and the food of years gone by. | 0:00:34 | 0:00:37 | |
Yummy! | 0:00:37 | 0:00:38 | |
Welcome to 1959. | 0:00:38 | 0:00:41 | |
-Total happiness. -Yes, perfect. | 0:00:41 | 0:00:44 | |
..to find out how those holidays around the UK | 0:00:44 | 0:00:47 | |
helped shape the people we know so well today. | 0:00:47 | 0:00:50 | |
Bruce Forsyth. | 0:00:50 | 0:00:52 | |
His mother said, "You're still my favourite." | 0:00:52 | 0:00:54 | |
So, buckle up for Holiday Of My Lifetime. | 0:00:54 | 0:00:57 | |
You know, Len, I'm quite enjoying being on my holidays with you. | 0:00:57 | 0:01:00 | |
If this vintage car had seat belts, | 0:01:03 | 0:01:05 | |
I'd be strapping myself in for another holiday adventure. | 0:01:05 | 0:01:08 | |
But don't worry, I'll drive safely, kids | 0:01:08 | 0:01:10 | |
and today's guest has asked me to pick her up at Southport station. | 0:01:10 | 0:01:14 | |
I'm on my way to meet a lady, who just like me, | 0:01:17 | 0:01:19 | |
knows all about fancy footwork. | 0:01:19 | 0:01:22 | |
She was born in Prestwich, Lancashire in 1943. | 0:01:22 | 0:01:28 | |
Here she is as a baby. Look at those feet! | 0:01:28 | 0:01:31 | |
They were made for dancing. | 0:01:31 | 0:01:33 | |
After heading for the bright lights of London in the '70s, | 0:01:33 | 0:01:37 | |
she formed her own dance troupe | 0:01:37 | 0:01:39 | |
and she lost her heart to a starship trooper. | 0:01:39 | 0:01:42 | |
Oh, bless her! | 0:01:42 | 0:01:43 | |
In the 1980s, she was the queen of choreography | 0:01:43 | 0:01:46 | |
when she worked with pop royalty | 0:01:46 | 0:01:49 | |
like Freddie Mercury, Elton John, George Michael! | 0:01:49 | 0:01:53 | |
(Oh, yes!) Her moves have been seen on stage and screen. | 0:01:53 | 0:01:56 | |
And I tell you what, she might have done a few high kicks herself | 0:01:56 | 0:01:59 | |
when she was awarded an OBE in 2001 for her services to dance. | 0:01:59 | 0:02:05 | |
You're getting it now, aren't you? You know who's coming. | 0:02:05 | 0:02:08 | |
And strictly speaking, she's never one to mince her words, | 0:02:08 | 0:02:13 | |
but who am I to judge? | 0:02:13 | 0:02:15 | |
You got it yet? Of course, you have. | 0:02:15 | 0:02:17 | |
It's my dear friend and world-renown director and choreographer, | 0:02:17 | 0:02:22 | |
the fabulous Arlene Phillips. | 0:02:22 | 0:02:26 | |
Oh! Arlene, I'm turning left to meet you! | 0:02:26 | 0:02:29 | |
Lancashire lass Arlene was born in 1943 | 0:02:33 | 0:02:36 | |
to mum Rita and dad Abraham, who worked as a barber. | 0:02:36 | 0:02:40 | |
She grew up with her older brother, Ian and younger sister, Karen. | 0:02:40 | 0:02:44 | |
In the early part of the 70's, | 0:02:44 | 0:02:46 | |
she headed for the bright lights of London | 0:02:46 | 0:02:49 | |
where she began developing her own style of jazz dancing, | 0:02:49 | 0:02:52 | |
which she taught | 0:02:52 | 0:02:54 | |
in some of the capital's most prominent dance studios. | 0:02:54 | 0:02:57 | |
Since then, Arlene has spent the last 40 odd years | 0:02:57 | 0:03:00 | |
as an internationally-renowned choreographer. | 0:03:00 | 0:03:03 | |
Going to run in a circle. | 0:03:03 | 0:03:04 | |
Got to jump at the end, ready the right leg. Right, two, three. | 0:03:04 | 0:03:07 | |
-OK! -One, two, three, kick. | 0:03:07 | 0:03:09 | |
She's worked on West End and Broadway musicals, pop videos, | 0:03:09 | 0:03:14 | |
live productions and films. | 0:03:14 | 0:03:15 | |
She used her expertise to judge various dance shows, | 0:03:15 | 0:03:19 | |
but she is probably best known as one of the original judges | 0:03:19 | 0:03:23 | |
on Strictly Come Dancing. | 0:03:23 | 0:03:26 | |
The glamour of Hollywood was brought to our floor. | 0:03:26 | 0:03:28 | |
What an opening for Strictly Come Dancing! | 0:03:28 | 0:03:31 | |
I'm on my way to pick Arlene up | 0:03:33 | 0:03:34 | |
from Southport train station in this vintage Hillman Motor, | 0:03:34 | 0:03:38 | |
which is what would have happened | 0:03:38 | 0:03:40 | |
at the beginning of her family holiday all those years ago. | 0:03:40 | 0:03:46 | |
CAR HORN HONKS | 0:03:46 | 0:03:49 | |
Ha-ha! | 0:03:49 | 0:03:51 | |
-Hello! -Arlene! Wait a minute, I'm getting out. -OK. | 0:03:51 | 0:03:55 | |
-Give us a...give us a cuddle. -Oh... | 0:03:55 | 0:03:58 | |
-We are a couple of swells. -How are you? | 0:03:58 | 0:04:01 | |
-We go to all of the best places. -Of course, we do! | 0:04:01 | 0:04:03 | |
-Well, do you...do you recognise this? -I do recognise this. | 0:04:03 | 0:04:07 | |
Oh. My. Goodness. | 0:04:07 | 0:04:09 | |
So, where are we off to? | 0:04:09 | 0:04:11 | |
-Well, we are going to Churchtown. -Churchtown? | 0:04:11 | 0:04:14 | |
-Have you ever heard of Churchtown? -No, never heard of it. | 0:04:14 | 0:04:17 | |
-Well, I can tell you an awful lot about it, Len. -Right. | 0:04:17 | 0:04:19 | |
-I can teach you something. -Ooh! And what year is it? | 0:04:19 | 0:04:23 | |
1954. | 0:04:23 | 0:04:25 | |
'50... Elvis Presley released his first single. | 0:04:25 | 0:04:29 | |
# Da-da! # | 0:04:29 | 0:04:30 | |
A little less conversation, a bit more action. | 0:04:30 | 0:04:33 | |
-So, let's get in the car. -Yeah. OK. -And off we go to Churchtown. -Yes. | 0:04:33 | 0:04:37 | |
-Now... -Yeah? -Let me warn you. -Yeah? -No seat belt back in '54. | 0:04:37 | 0:04:41 | |
-And it's legal! -And it's legal. | 0:04:41 | 0:04:43 | |
-And it only takes me 10 minutes to get my legs in. -Bum first. | 0:04:45 | 0:04:49 | |
-Yeah, bum, then... -Bum first. Shoulders, then your knees. | 0:04:49 | 0:04:52 | |
-Then drag the other leg in. -Aha! I'm in. -Oh, perfect. -Wa-ho! | 0:04:52 | 0:04:56 | |
On the northwest coast of England, | 0:04:58 | 0:05:00 | |
north of Liverpool and south of Blackpool lies Southport. | 0:05:00 | 0:05:03 | |
And the suburb of Churchtown is just a 5-minute drive northeast | 0:05:03 | 0:05:08 | |
from the centre. | 0:05:08 | 0:05:10 | |
Southport is a Victorian seaside resort, | 0:05:10 | 0:05:13 | |
which gained a reputation in the 19th century | 0:05:13 | 0:05:16 | |
for being more refined than its neighbour up the coast, Blackpool. | 0:05:16 | 0:05:21 | |
With its sprawling beaches, restaurants, | 0:05:21 | 0:05:23 | |
world-class golf courses, shopping and family attractions, | 0:05:23 | 0:05:27 | |
it remains popular with 8 million tourists a year. | 0:05:27 | 0:05:29 | |
Today, I'm taking Arlene back 60 years | 0:05:29 | 0:05:35 | |
to try and re-live those wonderful seaside memories. | 0:05:35 | 0:05:39 | |
Enjoy the sights... | 0:05:39 | 0:05:40 | |
-Who was the first one to spot the sea? -Me! -You, Len Goodman. | 0:05:40 | 0:05:44 | |
Of course, of course. | 0:05:44 | 0:05:45 | |
..tastes... | 0:05:45 | 0:05:46 | |
Feed your face, Philips. | 0:05:46 | 0:05:49 | |
..and everything Southport has to offer. | 0:05:49 | 0:05:52 | |
Please, please, please, give me time to raid this shop. I love it! | 0:05:52 | 0:05:58 | |
And then burning off the calories in style... | 0:05:58 | 0:06:01 | |
HE HUMS | 0:06:01 | 0:06:04 | |
..as we lord it up... | 0:06:04 | 0:06:06 | |
-Lord Len of Dartford. -Thank you. Curtsy, if you will. | 0:06:06 | 0:06:11 | |
..and see how precious those days spent in Southport really were. | 0:06:11 | 0:06:16 | |
It's really lovely to come back | 0:06:16 | 0:06:18 | |
and remember all those happy memories, | 0:06:18 | 0:06:21 | |
but for me it was also tinged with an awful lot of sadness. | 0:06:21 | 0:06:24 | |
Before any holiday truly begins, | 0:06:30 | 0:06:32 | |
first you must set out on a journey. | 0:06:32 | 0:06:35 | |
Whether by plane, train or automobile, | 0:06:35 | 0:06:37 | |
we've all experienced those hours of anticipation, | 0:06:37 | 0:06:41 | |
just waiting to get to the promised destination you've been dreaming of. | 0:06:41 | 0:06:46 | |
Arlene and her family would have boarded the train in Manchester | 0:06:46 | 0:06:50 | |
and travelled about 46 miles northwest to be met by her uncle | 0:06:50 | 0:06:53 | |
from the station before excitedly heading to Churchtown | 0:06:53 | 0:06:58 | |
to see her cousins. | 0:06:58 | 0:07:01 | |
What made you come up to Churchtown and Southport? | 0:07:01 | 0:07:04 | |
-Well, my... -Hi, Len! -Ha-ha! | 0:07:04 | 0:07:07 | |
My mother was the youngest of 11 children | 0:07:07 | 0:07:09 | |
and the sister that was older than her, | 0:07:09 | 0:07:12 | |
she got married and moved to Southport. | 0:07:12 | 0:07:15 | |
-And this is where we spent our holidays... -Oh, right. | 0:07:15 | 0:07:18 | |
At my auntie's house. She was my rich auntie. | 0:07:18 | 0:07:21 | |
Erm, she married a very successful businessman. | 0:07:21 | 0:07:24 | |
Would you have come with your mum and dad and... | 0:07:24 | 0:07:26 | |
-Did you have brothers and sisters? -Yeah. | 0:07:26 | 0:07:28 | |
My mother would come with my brother, sister and myself | 0:07:28 | 0:07:32 | |
and we'd all stay at my auntie's, | 0:07:32 | 0:07:34 | |
but my dad rarely came. | 0:07:34 | 0:07:37 | |
He was at home. | 0:07:37 | 0:07:39 | |
He was working. | 0:07:39 | 0:07:40 | |
And I remember the sun always shining. | 0:07:40 | 0:07:44 | |
Well, that's what you think... | 0:07:44 | 0:07:45 | |
You know, when I was a kid and we had school holiday, | 0:07:45 | 0:07:48 | |
I could never remember it raining. | 0:07:48 | 0:07:50 | |
-I can't remember it raining. -No. -It was perfection. | 0:07:50 | 0:07:54 | |
-Did you play any games sitting in the back? -Oh, we played memory games. | 0:07:54 | 0:07:58 | |
-Oh, right. So, you had to... -Memory games. | 0:07:58 | 0:08:00 | |
You'd say, "Apples," and I'd have to say, "Apples and pears." | 0:08:00 | 0:08:03 | |
And I say, "Apples, pears, bananas." | 0:08:03 | 0:08:05 | |
And I'd say, "Apples, pears, bananas and an orange." | 0:08:05 | 0:08:09 | |
Apples, pears, bananas, and orange and plums. | 0:08:09 | 0:08:11 | |
Apples, pears, bananas, plums... | 0:08:11 | 0:08:14 | |
-Orange and plums. -Oh! See! | 0:08:14 | 0:08:16 | |
And grapes. And I got very good at the game, | 0:08:16 | 0:08:19 | |
but in the car, we didn't even have a radio. | 0:08:19 | 0:08:22 | |
-No. Well, like this car. -Yeah. -Yeah. | 0:08:22 | 0:08:26 | |
When Arlene arrived in Southport in the summer of 1954, | 0:08:26 | 0:08:29 | |
she was hoping for excitement. | 0:08:29 | 0:08:32 | |
Unfortunately, April 11th of that year has been identified | 0:08:32 | 0:08:37 | |
by experts as the most boring of the 20th century, | 0:08:37 | 0:08:41 | |
which can't be said for the rest of 1954. | 0:08:41 | 0:08:44 | |
Tolkien's The Lord of the Rings was first published, | 0:08:44 | 0:08:47 | |
Roger Bannister made a run for it, | 0:08:47 | 0:08:49 | |
notching up the first sub-four minute mile at Oxford university. | 0:08:49 | 0:08:53 | |
And talking about good runs, | 0:08:53 | 0:08:55 | |
Winston Churchill celebrated his 80th birthday whilst in office | 0:08:55 | 0:09:00 | |
the only British Prime minster ever to do so. | 0:09:00 | 0:09:03 | |
In the world of music, The King had released his first single, | 0:09:03 | 0:09:08 | |
but 1954 was all about Doris Day, | 0:09:08 | 0:09:12 | |
who topped the charts that year with music originally featured | 0:09:12 | 0:09:16 | |
in the film Calamity Jane. Whoa ho ho! | 0:09:16 | 0:09:19 | |
# We'll be home tonight by the... | 0:09:19 | 0:09:20 | |
# Light of the silvery moon | 0:09:20 | 0:09:23 | |
# And my heart's a-thumping like a mandolin a-plunking a tune. | 0:09:23 | 0:09:25 | |
# Plucking a tune. | 0:09:25 | 0:09:27 | |
# When we get home, | 0:09:27 | 0:09:29 | |
# We're fixing to stay | 0:09:29 | 0:09:31 | |
# So, whip crack-away, Whip crack-away!, Whip crack-away! # | 0:09:31 | 0:09:35 | |
We all loved to play The Air Is The Sea. Look! | 0:09:35 | 0:09:38 | |
-Who was the first one to spot the sea? -Me! | 0:09:38 | 0:09:40 | |
-You, Len Goodman. -Of course, of course. There it was looking at me. | 0:09:40 | 0:09:45 | |
Before heading to Churchtown, we have a couple of stops to make. | 0:09:45 | 0:09:49 | |
Who can miss an opportunity to get a first glimpse of the sea, | 0:09:49 | 0:09:53 | |
which in Southport can be a bit of a mission. | 0:09:53 | 0:09:56 | |
Well, Arlene, look at the sea. | 0:09:56 | 0:09:58 | |
Let me tell you, walking out to the sea... | 0:09:58 | 0:10:03 | |
-Yeah. -..it was painful. | 0:10:03 | 0:10:04 | |
-You thought you would never, ever, ever get there. -Yeah. | 0:10:04 | 0:10:07 | |
And would you come down here on the beach | 0:10:07 | 0:10:09 | |
with your buckets and spades and stuff? | 0:10:09 | 0:10:11 | |
Yeah, we had buckets and spades and a picnic. | 0:10:11 | 0:10:13 | |
-We always had a picnic. We had cucumber sandwiches. -Nice. | 0:10:13 | 0:10:17 | |
-And we felt very lucky we had pop, you know? -Yeah. | 0:10:17 | 0:10:20 | |
You know, Dandelion and Burdock or cream soda. | 0:10:20 | 0:10:24 | |
-Cream soda was my favourite. -I loved it. | 0:10:24 | 0:10:27 | |
It'd take you half the day, wouldn't it, to walk down to the sea? | 0:10:27 | 0:10:31 | |
It's a good walk. You ready? | 0:10:31 | 0:10:33 | |
-No, I'm not! Ha-ha! -We could stroll, Len. | 0:10:33 | 0:10:35 | |
Yes, ye... Oh, we could dance our way. A couple of quicksteps. | 0:10:35 | 0:10:38 | |
-Yeah. -Yeah. | 0:10:38 | 0:10:39 | |
Quickstep and quick sharp as I have a day full of surprises lined up | 0:10:39 | 0:10:43 | |
and before heading to Arlene's holiday haunt in Churchtown, | 0:10:43 | 0:10:47 | |
we've time for a quick trip into Southport town centre, | 0:10:47 | 0:10:51 | |
which in 1954 was the place to be seen. | 0:10:51 | 0:10:55 | |
Gladys Rimmer-Armstrong runs a family history help desk | 0:11:01 | 0:11:05 | |
in Southport library and knows all about the town's appeal back then. | 0:11:05 | 0:11:09 | |
Southport in the 1950s was the place to be | 0:11:10 | 0:11:12 | |
because there was everything here for the perfect holiday. | 0:11:12 | 0:11:15 | |
We had the sun, the sand, the sea, the sea bathing lake, | 0:11:15 | 0:11:20 | |
the zoo, Pleasureland. | 0:11:20 | 0:11:23 | |
It had everything for every member of every family. | 0:11:23 | 0:11:26 | |
But for the fashion-conscious and clothes-caring | 0:11:26 | 0:11:29 | |
and our 11-year-old Arlene, there was one must-go-to place in town... | 0:11:29 | 0:11:33 | |
Lord Street. | 0:11:33 | 0:11:35 | |
When visiting Lord Street, | 0:11:35 | 0:11:36 | |
you always put on your Sunday best even if it was Saturday | 0:11:36 | 0:11:39 | |
because you just did not go down Lord Street in your work clothes. | 0:11:39 | 0:11:43 | |
And if you had children, | 0:11:43 | 0:11:44 | |
you put their best clothes on and you would just... | 0:11:44 | 0:11:48 | |
It was more window-shopping than a shopping day. | 0:11:48 | 0:11:51 | |
Which is exactly how Arlene would spend her day. | 0:11:51 | 0:11:54 | |
Now, what was it about Lord Street that was so fantastic for you? | 0:11:56 | 0:12:00 | |
Well, I think this was a place where people got dressed up | 0:12:00 | 0:12:04 | |
and strolled and looked in shop windows. | 0:12:04 | 0:12:06 | |
-Yeah. -And it was very, very stylish. | 0:12:06 | 0:12:11 | |
Yeah, well, there is an elegance about the place. | 0:12:11 | 0:12:13 | |
I wanted black patent shoes so badly | 0:12:13 | 0:12:18 | |
and I had to wear my school shoes. | 0:12:18 | 0:12:21 | |
And I can remember... | 0:12:21 | 0:12:22 | |
-You know how you walk when you're shy about your feet? -Yeah, yeah. | 0:12:22 | 0:12:25 | |
You know, I once did a videoshoot with Whitney Houston | 0:12:25 | 0:12:29 | |
and I choreographed some of her videos. | 0:12:29 | 0:12:32 | |
In one of them, she said, "I don't like my feet. | 0:12:32 | 0:12:34 | |
"I've got very large feet." | 0:12:34 | 0:12:36 | |
And she walked like she was trying to hide her feet and I think back, | 0:12:36 | 0:12:40 | |
"That was me," because I wanted black patent shoes. | 0:12:40 | 0:12:44 | |
What would have been the fashions of the day? | 0:12:44 | 0:12:46 | |
What would've been the sort of outfits you would have seen? | 0:12:46 | 0:12:49 | |
Well, '50s dresses, you know? | 0:12:49 | 0:12:51 | |
Sticking outskirts, tight waists and I wanted a net petticoat. | 0:12:51 | 0:12:57 | |
Oh, yeah! | 0:12:57 | 0:12:58 | |
All you needed was the petticoat, you could put anything on top. | 0:12:58 | 0:13:01 | |
-And it would make your skirt stick out. -Yeah. | 0:13:01 | 0:13:04 | |
-And my dream was of red net petticoat. -Wow! | 0:13:04 | 0:13:10 | |
I think I was thinking cancan even when I was 11 years old. | 0:13:10 | 0:13:14 | |
But I just thought that would be so wonderful. | 0:13:14 | 0:13:17 | |
-Well, let me just tell you, there's a shop up this arcade... -Yeah. | 0:13:17 | 0:13:21 | |
-..that I would like to just show you. -OK. -So, come with me. | 0:13:21 | 0:13:25 | |
With the ending of clothes rationing, | 0:13:27 | 0:13:29 | |
people in the '50s had more freedom over what clothes they wore. | 0:13:29 | 0:13:33 | |
Teenage girls started dressing differently from their mothers, | 0:13:33 | 0:13:37 | |
preferring bright, patterned dresses with tight waists and wide skirts. | 0:13:37 | 0:13:42 | |
This style suited rock 'n' roll as the skirt would twirl up | 0:13:42 | 0:13:45 | |
reflecting the energy of the dance, | 0:13:45 | 0:13:48 | |
which in 1954 was about to take the UK by storm. | 0:13:48 | 0:13:54 | |
Now... | 0:13:54 | 0:13:55 | |
-..would this have been the '50s... -Oh... | 0:13:56 | 0:14:00 | |
My... OK. | 0:14:00 | 0:14:03 | |
Please, please, please, give me time to raid this shop. | 0:14:03 | 0:14:07 | |
I love it! I didn't remember it. | 0:14:07 | 0:14:10 | |
-Well, they've set this window up just for you. -Really? | 0:14:10 | 0:14:14 | |
-Yes, really. -Oh! | 0:14:14 | 0:14:16 | |
-Going back in time. -Yes! -This was the '50s. -Yeah. | 0:14:16 | 0:14:21 | |
This would've been the dress that I wanted. | 0:14:21 | 0:14:24 | |
Yeah, it's absolutely gorgeous, eh? | 0:14:24 | 0:14:27 | |
The glamour of Southport struck a chord with our Arlene, | 0:14:27 | 0:14:30 | |
who a few years later headed to London | 0:14:30 | 0:14:33 | |
where a fortuitous meeting with the man | 0:14:33 | 0:14:36 | |
who would become one of Britain's most successful film directors, | 0:14:36 | 0:14:39 | |
led to her first big break. | 0:14:39 | 0:14:42 | |
What happened to get you into the world of showbiz? | 0:14:43 | 0:14:47 | |
Well, I was very lucky. | 0:14:47 | 0:14:50 | |
I met a wonderful dance teacher called Molly Molloy, | 0:14:50 | 0:14:53 | |
who was teaching American jazz, and she was a friend of Ridley Scott | 0:14:53 | 0:14:56 | |
and Ridley Scott asked her does she know anyone | 0:14:56 | 0:15:01 | |
that could do some baby-sitting and a bit of housekeeping. | 0:15:01 | 0:15:04 | |
So, I helped Ridley Scott. | 0:15:04 | 0:15:07 | |
One day, Ridley Scott said, "Well, you dance all the time. | 0:15:07 | 0:15:10 | |
"I've got a TV commercial I need it choreographed. | 0:15:10 | 0:15:13 | |
"Can you put it all together?" | 0:15:13 | 0:15:15 | |
Big success and he asked me to do Dr Pepper. | 0:15:15 | 0:15:18 | |
Massive commercials! And off I was going to America. | 0:15:18 | 0:15:22 | |
That was over 40 years ago | 0:15:22 | 0:15:24 | |
and Arlene has been toing and froing across the pond ever since. | 0:15:24 | 0:15:28 | |
Good on her! | 0:15:28 | 0:15:30 | |
It's not just Lord Street | 0:15:32 | 0:15:34 | |
that puts Southport on the map as the-place-to-go. | 0:15:34 | 0:15:37 | |
Nowadays, there's plenty to see and do. | 0:15:37 | 0:15:40 | |
At the north end of Lord street is Hesketh Park, | 0:15:42 | 0:15:45 | |
the largest park in Southport. | 0:15:45 | 0:15:48 | |
It features a Victorian glasshouse, ornate fountain and a floral clock. | 0:15:48 | 0:15:53 | |
It was made by James Ritchie of Edinburgh in 1936. | 0:15:53 | 0:15:57 | |
It was Ritchie and John McHattie | 0:15:57 | 0:15:59 | |
who first had the idea of a flowerbed-embedded clock in 1903. | 0:15:59 | 0:16:05 | |
At the end of the pier is The Pavilion | 0:16:07 | 0:16:09 | |
where tourists can still spend a penny | 0:16:09 | 0:16:12 | |
at a penny arcade museum. | 0:16:12 | 0:16:14 | |
Change your pounds to old pennies | 0:16:14 | 0:16:16 | |
and use them playing on the old arcade machines. | 0:16:16 | 0:16:19 | |
You don't even have to walk all the way to the end of the pier | 0:16:19 | 0:16:22 | |
as there's been a tram here since 1863. | 0:16:22 | 0:16:26 | |
It used to be a way to get people's luggage to and from the steamers, | 0:16:26 | 0:16:30 | |
which once called at the end of the pier. | 0:16:30 | 0:16:33 | |
Over the years, it's progressed to the electric passenger tram | 0:16:33 | 0:16:37 | |
they have today, which runs every day except for Christmas Day. | 0:16:37 | 0:16:40 | |
And if you don't fancy that, hop onto the Pier Road Train. | 0:16:40 | 0:16:44 | |
Now, it's time for us to make tracks | 0:16:46 | 0:16:48 | |
as I've lined up a very special place for Arlene to visit... | 0:16:48 | 0:16:52 | |
Uncle Morris and Auntie Myriam's old house | 0:16:52 | 0:16:55 | |
where she used to stay. | 0:16:55 | 0:16:57 | |
-This is where you used to come to your uncle and aunt's. -Absolutely. | 0:16:57 | 0:17:00 | |
-I used to... -And this is it number 13. | 0:17:00 | 0:17:03 | |
But where's the tree, the tree in the middle of the garden? | 0:17:03 | 0:17:06 | |
Well, I suppose, you know, it is a few years back since you were here. | 0:17:06 | 0:17:10 | |
It's a long time. And we would dance round the tree. | 0:17:10 | 0:17:14 | |
Yeah? | 0:17:14 | 0:17:15 | |
And how does this house compare to the one that you lived in? | 0:17:15 | 0:17:19 | |
Well, this is the thing that makes me, kind of, quite emotional | 0:17:19 | 0:17:23 | |
is that I'm looking at this now | 0:17:23 | 0:17:25 | |
and it's a nice, little house on a nice, little street. | 0:17:25 | 0:17:29 | |
-I thought it was so posh. -Yeah. | 0:17:29 | 0:17:32 | |
I thought it was much, much bigger. | 0:17:32 | 0:17:35 | |
And now I realise that's because my house was so small. | 0:17:35 | 0:17:39 | |
-It was a little terrace with a stone step and two up, two down... -Yeah. | 0:17:39 | 0:17:44 | |
And there you are, here. And where was your room? | 0:17:44 | 0:17:47 | |
I had a little room at the back, which I would share with my cousins. | 0:17:47 | 0:17:53 | |
Oh, right. Yeah. Right, I'll tell you what. | 0:17:53 | 0:17:55 | |
Let's go in and try and find it. | 0:17:55 | 0:17:57 | |
-Are you serious? -Yes. -I can't believe it. -Yeah. | 0:17:57 | 0:18:01 | |
Six decades after an 11-year-old Arlene holidayed here, | 0:18:01 | 0:18:05 | |
I'm unlocking the memories of her time in this house. | 0:18:05 | 0:18:09 | |
Enter. | 0:18:09 | 0:18:11 | |
-Uncle Morris. -Oh, my God. | 0:18:11 | 0:18:13 | |
Eh. | 0:18:13 | 0:18:14 | |
What do you think? | 0:18:16 | 0:18:18 | |
Erm, it's so funny coming back and seeing all of this | 0:18:18 | 0:18:21 | |
because where I actually lived as a child doesn't exist anymore. | 0:18:21 | 0:18:25 | |
The entire area was flattened, | 0:18:25 | 0:18:28 | |
so coming back here and seeing this | 0:18:28 | 0:18:31 | |
and kind of going back to my childhood | 0:18:31 | 0:18:33 | |
and reminding myself what it was like. | 0:18:33 | 0:18:36 | |
-It's really touching. -Yeah, I bet it is. | 0:18:36 | 0:18:39 | |
It's fantastic. | 0:18:39 | 0:18:41 | |
-It's a proper...proper posh house. -Yeah. | 0:18:41 | 0:18:44 | |
Well, I think... Shall we go up the stairs? | 0:18:44 | 0:18:46 | |
We'll try and find your bedroom. | 0:18:46 | 0:18:48 | |
-Lovely. Where was it, this one? -At the back. | 0:18:50 | 0:18:54 | |
This was the room. | 0:18:54 | 0:18:57 | |
Oh, this must bring back such lovely memories. | 0:18:57 | 0:18:59 | |
This was the room at the back and we could look over the orchard. | 0:18:59 | 0:19:02 | |
-And the orchard is still there. -Yeah. | 0:19:02 | 0:19:05 | |
-And the other thing I remember is they had a record player. -Oh! | 0:19:05 | 0:19:08 | |
You know, the old kind of open-it-up-and-put-the-record-on? | 0:19:08 | 0:19:13 | |
-Dance to records. -It would have been like Elvis and stuff. | 0:19:13 | 0:19:16 | |
Yeah. Whatever. Yeah, yeah. | 0:19:16 | 0:19:18 | |
Most historians trace the beginning of rock back to 1954 | 0:19:18 | 0:19:21 | |
when rock 'n' roll appeared and revolutionized musical tastes. | 0:19:21 | 0:19:26 | |
While the sound was developing so was the technology, | 0:19:26 | 0:19:29 | |
changing the way we listen to it, | 0:19:29 | 0:19:32 | |
which led to both the 33 rpm and the 45 rpm record. | 0:19:32 | 0:19:36 | |
This meant a better quality of sound and more music on one disc | 0:19:36 | 0:19:40 | |
for Arlene to dance to inside and outside of the house. Wa ho! | 0:19:40 | 0:19:45 | |
So, here it is, the orchard. | 0:19:45 | 0:19:48 | |
-This hasn't changed at all. -Yeah? | 0:19:48 | 0:19:51 | |
-Just as it was a bit ramshackled, rough and tumble. -Fantastic. | 0:19:51 | 0:19:56 | |
-It's pretty, isn't it? -It's lovely. -Isn't it pretty? | 0:19:56 | 0:19:58 | |
And did you do a bit of dancing when you're out here? | 0:19:58 | 0:20:01 | |
Len, I never stopped dancing. I made everybody dance. I put on shows. | 0:20:01 | 0:20:04 | |
-Really? -My cousins had to be in the shows whether they liked it or not. | 0:20:04 | 0:20:09 | |
I think at the time, I would... You know, I think... | 0:20:09 | 0:20:11 | |
What, it just be a bit of...? Well, I couldn't...I couldn't click at 11. | 0:20:13 | 0:20:17 | |
THEY HUM: Da da da da. | 0:20:17 | 0:20:20 | |
Oh, yeah! | 0:20:20 | 0:20:21 | |
You were the director? | 0:20:21 | 0:20:22 | |
I was the director. I was the choreographer. | 0:20:22 | 0:20:25 | |
I was she-who-must-be-obeyed. | 0:20:25 | 0:20:27 | |
-They had to do what I wanted them to do. -Yeah. | 0:20:27 | 0:20:30 | |
And inevitably, I got upset | 0:20:30 | 0:20:32 | |
because nobody was doing quite what I wanted. | 0:20:32 | 0:20:35 | |
Well, nothing's changed then. | 0:20:35 | 0:20:37 | |
And I would go off and sulk, | 0:20:37 | 0:20:39 | |
but it didn't take me long to get back and smile. | 0:20:39 | 0:20:43 | |
Right. Well, that's always the best way. | 0:20:43 | 0:20:46 | |
When Arlene wasn't dancing in the garden | 0:20:46 | 0:20:49 | |
in the her uncle and aunt's house, | 0:20:49 | 0:20:50 | |
she would be heading into Southport itself. | 0:20:50 | 0:20:53 | |
So, I'm taking her for a ride back down memory lane | 0:20:53 | 0:20:56 | |
or in this case, on the Pier Road Train. | 0:20:56 | 0:20:59 | |
Here we go, Arlene. Ha-ha! On the train in the train. | 0:21:01 | 0:21:04 | |
-In the train. -Hey, hey! | 0:21:04 | 0:21:06 | |
Oh, lovely. Eh? | 0:21:08 | 0:21:11 | |
I loved to get on this train and ride down this pier. | 0:21:11 | 0:21:15 | |
It's such a long pier, so getting on this little train, | 0:21:15 | 0:21:19 | |
we'd all packed in and... | 0:21:19 | 0:21:22 | |
I don't know, it must've been very expensive | 0:21:22 | 0:21:25 | |
because we couldn't always get the train. | 0:21:25 | 0:21:28 | |
Southport Pier is a famous landmark in the town with a turbulent past. | 0:21:33 | 0:21:37 | |
Southport Pier was opened in 1860 | 0:21:38 | 0:21:41 | |
and at the time, | 0:21:41 | 0:21:44 | |
it was the first pier ever to be built purely for pleasure. | 0:21:44 | 0:21:47 | |
It was not for the steamboats for dropping people off | 0:21:47 | 0:21:51 | |
or the fishing boats to anchor, although they did do in later years. | 0:21:51 | 0:21:54 | |
Four years later, it was extended, | 0:21:54 | 0:21:56 | |
which then made it the second longest pier in Britain. | 0:21:56 | 0:21:58 | |
The pier did burn down on more than one occasion. | 0:21:58 | 0:22:01 | |
It also got badly damaged by fishing boats in storms | 0:22:01 | 0:22:05 | |
because the local fishermen used to tie their boats up to the pier. | 0:22:05 | 0:22:09 | |
The end of the pier disappeared into the water | 0:22:09 | 0:22:11 | |
so it's no longer the second longest in Britain, | 0:22:11 | 0:22:14 | |
but we still hold the record for the only one built purely for pleasure. | 0:22:14 | 0:22:17 | |
Tell me about your first big project, Hot Gossip. | 0:22:20 | 0:22:23 | |
Hot Gossip was born out of frustration. | 0:22:23 | 0:22:26 | |
Every time I switched my TV on, every dancer was doing grin, grin, grin. | 0:22:26 | 0:22:33 | |
It's like, "What are they doing?" | 0:22:33 | 0:22:35 | |
Dancing is about your heart, your soul, your body, your balls. | 0:22:35 | 0:22:40 | |
So I created a dance group that was to do with everything | 0:22:40 | 0:22:45 | |
-that was going on in the outside world. -Yeah. | 0:22:45 | 0:22:47 | |
-You know, the clubs, the vibrancy of London in the late '70s. -Yeah. | 0:22:47 | 0:22:53 | |
I decided I was going to have a group everyone was going to talk about, | 0:22:53 | 0:22:56 | |
so the name had to be Hot Gossip, cos they were sexy. | 0:22:56 | 0:23:00 | |
Yeah, they were. | 0:23:00 | 0:23:01 | |
Hot Gossip started out performing in London nightclubs | 0:23:01 | 0:23:04 | |
until they got their big break | 0:23:04 | 0:23:06 | |
when they appeared regularly on the Kenny Everett Video Show. | 0:23:06 | 0:23:10 | |
I guess that really propelled your career on. | 0:23:10 | 0:23:13 | |
Once Hot Gossip broke out on TV in the Kenny Everett show, | 0:23:13 | 0:23:19 | |
which actually was three years after I first started the group, | 0:23:19 | 0:23:23 | |
that was it. | 0:23:23 | 0:23:24 | |
-I mean, when I say Hollywood called, Hollywood called. -Right. | 0:23:24 | 0:23:28 | |
My next project was a huge film. | 0:23:28 | 0:23:30 | |
And the films kept rolling in. | 0:23:31 | 0:23:34 | |
Can't Stop The Music with the Village People, | 0:23:34 | 0:23:37 | |
Monty Python's The Meaning Of Life, | 0:23:37 | 0:23:39 | |
and the film version of the musical, Annie. | 0:23:39 | 0:23:41 | |
But we aren't talking about 'Tomorrow,' | 0:23:43 | 0:23:45 | |
we're talking about 1954 when a pint of milk | 0:23:45 | 0:23:48 | |
and a loaf of bread cost sixpence farthing in old money. | 0:23:48 | 0:23:51 | |
Local resident, Bev Gregory, was 16 at the time | 0:23:52 | 0:23:56 | |
and made the most of this summers by working the holiday season. | 0:23:56 | 0:23:59 | |
Well, Arlene, I'd like you to meet Bev. | 0:24:01 | 0:24:04 | |
-Hi, Bev. -Pleased to meet you, Arlene. -Nice to meet you. | 0:24:04 | 0:24:07 | |
Now, Bev has lived all of his life in Southport | 0:24:07 | 0:24:10 | |
-and he was here in '54 when you came as a little kid. -Right. | 0:24:10 | 0:24:15 | |
Now what was you doing then, Bev? | 0:24:15 | 0:24:16 | |
I was working on the fairgrounds over there. | 0:24:16 | 0:24:19 | |
I was working on the Cake Walk which I don't know | 0:24:19 | 0:24:21 | |
-if you're remember? -Yeah, yeah, I do. -It used to go... | 0:24:21 | 0:24:23 | |
Forward and back, and the River Caves. | 0:24:23 | 0:24:25 | |
Are the River Caves still there? Or have they gone? | 0:24:25 | 0:24:28 | |
I loved the River Caves. | 0:24:28 | 0:24:29 | |
It's so... You could just float along and it was quiet and peaceful. | 0:24:29 | 0:24:32 | |
Very quiet. | 0:24:32 | 0:24:33 | |
And you could have a necking session with your girlfriend. | 0:24:33 | 0:24:36 | |
I'm thinking of taking Arlene up there. | 0:24:36 | 0:24:38 | |
Is there still the Tunnel of Love? | 0:24:38 | 0:24:40 | |
Unfortunately, I don't think there is. | 0:24:40 | 0:24:42 | |
You'll have to make your own tunnel. | 0:24:42 | 0:24:44 | |
This is lovely. This little area where you can get out a boat or... | 0:24:46 | 0:24:51 | |
That's right. These little boats have been here since I was a lad. | 0:24:51 | 0:24:55 | |
I remember the motorboats. | 0:24:55 | 0:24:57 | |
What did you get, 20 minutes before they called you in? | 0:24:57 | 0:25:00 | |
Yeah, something like that. | 0:25:00 | 0:25:01 | |
-We should go up to the Pleasure... What was it called? -Pleasureland. | 0:25:01 | 0:25:05 | |
-Pleasureland. -Pleasureland. -Yes. | 0:25:05 | 0:25:07 | |
Did you fancy little walk along to Pleasureland? | 0:25:07 | 0:25:09 | |
-I would love a walk to Pleasureland. Candyfloss, toffee apples. -Ice cream. | 0:25:09 | 0:25:15 | |
-Ice cream. -Bev, it's been great. -OK. -Thanks a lot. -OK, fantastic. | 0:25:15 | 0:25:19 | |
-Lovely to meet you. -And you. | 0:25:19 | 0:25:21 | |
As we wave goodbye to Bev, we're also leaving behind | 0:25:26 | 0:25:29 | |
Southport Marine Lake where there's a whole host of water sports | 0:25:29 | 0:25:33 | |
for the whole family. | 0:25:33 | 0:25:35 | |
From paddling under your own steam to someone else's. | 0:25:35 | 0:25:39 | |
But the park also be viewed from dry land | 0:25:39 | 0:25:42 | |
as it's got its own miniature railway. | 0:25:42 | 0:25:45 | |
On the other side of the bridge smack bang on the promenade | 0:25:46 | 0:25:50 | |
are the 17 acres of Kings Gardens. | 0:25:50 | 0:25:53 | |
In 2012, they were awarded £5.5 million | 0:25:53 | 0:25:57 | |
from the Heritage Lottery Fund in Sefton Council | 0:25:57 | 0:26:00 | |
to restore the gardens to their former glories. | 0:26:00 | 0:26:04 | |
They've managed to conserve the historical features | 0:26:04 | 0:26:07 | |
as well as providing new, more contemporary additions. | 0:26:07 | 0:26:11 | |
Southport's war memorial was built in 1923 | 0:26:12 | 0:26:16 | |
and consists of a central obelisk | 0:26:16 | 0:26:19 | |
which stands in the centre of a traffic island | 0:26:19 | 0:26:22 | |
with colonnades to the northeast and southwest. | 0:26:22 | 0:26:24 | |
Outside these colonnades are gardens which contain | 0:26:25 | 0:26:29 | |
a pool of remembrance and fountains, | 0:26:29 | 0:26:31 | |
the perfect place to sit and contemplate. | 0:26:31 | 0:26:34 | |
And contemplation is the name of the game | 0:26:40 | 0:26:42 | |
as I'm taking Arlene to an ice cream shop run by an Italian family, | 0:26:42 | 0:26:46 | |
just as it was in 1954. | 0:26:46 | 0:26:49 | |
Well, Arlene, when you're on your holidays, | 0:26:51 | 0:26:53 | |
you've got to have an ice cream. | 0:26:53 | 0:26:55 | |
-Absolutely. -Here we go. | 0:26:55 | 0:26:57 | |
So, does this place bring back many happy memories? | 0:27:02 | 0:27:05 | |
Many happy memories of eating the best, creamiest ice cream. | 0:27:05 | 0:27:12 | |
-Nothing like it! -Yeah, and what was it, a daily event or...? | 0:27:12 | 0:27:17 | |
No, it was a once-a-week treat if I was here for a week. | 0:27:17 | 0:27:22 | |
It couldn't be a daily event, but then that made it more special. | 0:27:22 | 0:27:26 | |
-That's what was exciting. -Yeah. | 0:27:26 | 0:27:28 | |
On the taste of it, I've never, ever captured that taste ever | 0:27:29 | 0:27:35 | |
since I came here as a kid. I'll tell you something else I used to do | 0:27:35 | 0:27:39 | |
which we had to share between the three of us, | 0:27:39 | 0:27:42 | |
-knickerbocker glories. -Oh! | 0:27:42 | 0:27:44 | |
Oh, Arlene, don't. No, don't. Don't get me started. | 0:27:44 | 0:27:48 | |
'Oh, the knickerbocker glory! It's been around since the 1930s. | 0:27:48 | 0:27:53 | |
'Although typically British, | 0:27:53 | 0:27:55 | |
'many think it may have started in America as the name pays homage | 0:27:55 | 0:27:59 | |
'to the striped sports garments called knickerbockers. | 0:27:59 | 0:28:03 | |
'The word itself comes from Dutch settlers in the New York area. | 0:28:03 | 0:28:07 | |
'One thing I do know, they taste blooming gorgeous.' | 0:28:07 | 0:28:12 | |
Come back, Len. Come back to earth. | 0:28:12 | 0:28:15 | |
Now this place has been here since you came in the '50s, | 0:28:15 | 0:28:17 | |
and they've told me that the recipe has never changed. | 0:28:17 | 0:28:21 | |
SHE GASPS | 0:28:21 | 0:28:23 | |
This is the knickerbocker glory, the famous one. | 0:28:23 | 0:28:25 | |
That's the traditional vanilla. | 0:28:25 | 0:28:27 | |
Oh, my gosh. | 0:28:27 | 0:28:28 | |
Well, I'll tell you what, first of all, close you eyes, Arlene, | 0:28:28 | 0:28:31 | |
and I'm going to spoon-feed you. | 0:28:31 | 0:28:33 | |
Here it comes. | 0:28:33 | 0:28:34 | |
Is that the taste of '54? | 0:28:39 | 0:28:41 | |
Oh, my gosh. | 0:28:43 | 0:28:44 | |
That is the taste of '54. | 0:28:46 | 0:28:52 | |
-Delicious. -There you are. Ooh. | 0:28:52 | 0:28:55 | |
So how does it feel to come back? Is it a nice feeling? | 0:28:55 | 0:28:59 | |
Poignant or...? | 0:28:59 | 0:29:01 | |
You know, Len, it's really lovely to come back | 0:29:02 | 0:29:05 | |
and to remember all those happy memories, | 0:29:05 | 0:29:08 | |
but for me it was all so tinged with an awful lot of sadness. | 0:29:08 | 0:29:12 | |
And... | 0:29:12 | 0:29:14 | |
the memories that come flooding back have been here with my mother | 0:29:14 | 0:29:18 | |
and sort of losing her at the age of...15. | 0:29:18 | 0:29:23 | |
I was suddenly this bewildered teenager that was really lost | 0:29:23 | 0:29:27 | |
and it reminds me all of that, too. | 0:29:27 | 0:29:29 | |
-But the joys of taste. -Yeah. -The joys of sight, and the joys of... | 0:29:30 | 0:29:37 | |
Just the experience of being here | 0:29:37 | 0:29:38 | |
and the reason I wanted to do it was for me, to bring back those memories. | 0:29:38 | 0:29:42 | |
Lovely. | 0:29:42 | 0:29:44 | |
-I'm letting you into a secret, there's lots more to come. -More? | 0:29:44 | 0:29:48 | |
Oh, yeah. We've not scratched the surface yet. | 0:29:48 | 0:29:50 | |
-Come on, Len, leave that knickerbocker glory. -No. | 0:29:50 | 0:29:53 | |
-I want to see more. Come on! -Let me just have one more bit. | 0:29:53 | 0:29:55 | |
One more bit. | 0:29:55 | 0:29:57 | |
-Seven. -Seven. -Keep going. -No. | 0:29:57 | 0:30:01 | |
-Well, lovely. -That was great. Thank you. | 0:30:02 | 0:30:06 | |
-Lovely. -Love the ice cream. | 0:30:06 | 0:30:09 | |
'Time for another stroll along the beach, me thinks.' | 0:30:13 | 0:30:15 | |
Would you know, standing here reminds me a little bit | 0:30:15 | 0:30:19 | |
-of the beach in Nice. -The south of France. -Yes. | 0:30:19 | 0:30:23 | |
-I'm still standing. -Yeah, Elton John and of course... Bruno. -Bruno! | 0:30:23 | 0:30:28 | |
Part of the video was coming up from the mountains | 0:30:28 | 0:30:33 | |
and riding down in a car, Elton in the front of the car, | 0:30:33 | 0:30:38 | |
plate glass window, sugar glass, | 0:30:38 | 0:30:41 | |
Elton driving through the glass window... | 0:30:41 | 0:30:43 | |
Suddenly, the police said it was too dangerous | 0:30:44 | 0:30:47 | |
and so the whole story of the video was gone. | 0:30:47 | 0:30:50 | |
I went, "Oh, what were going to do? What are going to do?" | 0:30:50 | 0:30:53 | |
They said, "Well, think of something!" | 0:30:53 | 0:30:54 | |
I said, "Well, my friend has got a dance school. | 0:30:54 | 0:30:56 | |
"Let's get loads of dancers and we'll dance everywhere." | 0:30:56 | 0:30:59 | |
So they got permission to dance everywhere and Bruno was saying, | 0:30:59 | 0:31:03 | |
"What am I going to do? What to my going to do? | 0:31:03 | 0:31:06 | |
"I was doing the catching." | 0:31:06 | 0:31:08 | |
And I said, "OK, Bruno, we'll find something." You know,? | 0:31:08 | 0:31:11 | |
We got costumes from the shop, we got a body paint artist. | 0:31:11 | 0:31:14 | |
I'll tell you, to work all that out, you know, almost on your feet, | 0:31:14 | 0:31:19 | |
just, "Well, what we going to do?" | 0:31:19 | 0:31:21 | |
And just doing it, it turned out to be a terrific video. | 0:31:21 | 0:31:25 | |
-It was so much fun. -Fantastic. So, how does that walk go? Show me. | 0:31:25 | 0:31:29 | |
I'm just going to do something now sort of Bruno-esque. | 0:31:31 | 0:31:34 | |
And then I'll carry on. There we go. Ha-ha! | 0:31:36 | 0:31:40 | |
And that wasn't the only one she made. | 0:31:43 | 0:31:45 | |
As the pop video became popular in the '80s, | 0:31:45 | 0:31:48 | |
Arlene worked with musical royalty | 0:31:48 | 0:31:50 | |
from AC/DC to Whitney Houston's I Wanna Dance With Somebody. | 0:31:50 | 0:31:54 | |
# I wanna dance with somebody | 0:31:54 | 0:31:58 | |
# With somebody who loves me. # | 0:31:58 | 0:32:01 | |
Via Diana Ross' Chain Reaction, Duran Duran's Wild Boys, | 0:32:01 | 0:32:06 | |
and Robbie Williams' controversial Rock DJ video. | 0:32:06 | 0:32:09 | |
It's a day full of treats and I have another surprise awaiting Arlene | 0:32:15 | 0:32:20 | |
back at Uncle Morris and Auntie Miriam's old house. | 0:32:20 | 0:32:23 | |
Oh, my gosh. | 0:32:23 | 0:32:24 | |
-Boiled potatoes. -Yeah. -Roast chicken. -Yeah. | 0:32:24 | 0:32:28 | |
-Lots and lots of cucumber, and cabbage. -Yeah, have a seat. | 0:32:28 | 0:32:32 | |
-And what about the plates? Were they... -The plates are gorgeous. | 0:32:32 | 0:32:36 | |
-Were they the sort of posh plates? -These were the posh plates | 0:32:36 | 0:32:39 | |
with gold round the edges. | 0:32:39 | 0:32:40 | |
So you'd all be sitting here, you know, five or six of you. | 0:32:40 | 0:32:44 | |
What was it, like a smash and grab? | 0:32:44 | 0:32:46 | |
Or was Uncle Morris in charge of dishing it out? | 0:32:46 | 0:32:50 | |
It was take the plates around and you all took a bit of this. | 0:32:50 | 0:32:54 | |
You are aware of how many people would have to eat, | 0:32:54 | 0:32:57 | |
and there wasn't the Hellmann's real mayonnaise. | 0:32:57 | 0:33:01 | |
There was Crosse & Blackwell Salad Cream. | 0:33:01 | 0:33:04 | |
Can I tell you something? I prefer salad cream to mayonnaise. | 0:33:04 | 0:33:08 | |
-It's because I grew up with salad cream. -I'm saying. | 0:33:08 | 0:33:12 | |
-Would you like a bit of chicken? -I'd love a slice of chicken. | 0:33:12 | 0:33:16 | |
-What about the cucumbers? -Cucumbers, I loved cucumber. | 0:33:16 | 0:33:20 | |
-Would you like some potato? -I'll have potato. | 0:33:20 | 0:33:22 | |
-Well, bon appetit. -Bon appetit. | 0:33:22 | 0:33:25 | |
-Tuck in. -Tuck in. Is it chicken? -Mm! | 0:33:25 | 0:33:29 | |
By the start of 1954, food choices were still limited. | 0:33:29 | 0:33:34 | |
Despite the second world war having ended nine years earlier, | 0:33:34 | 0:33:37 | |
food rationing in Britain only ended at midnight on July 4 of that year, | 0:33:37 | 0:33:43 | |
when restrictions on meat and bacon were finally lifted. | 0:33:43 | 0:33:47 | |
Yum, Yum. | 0:33:47 | 0:33:49 | |
What would you have for pudding? | 0:33:51 | 0:33:54 | |
I have a memory of there being a cake shop. | 0:33:54 | 0:33:58 | |
There would be cream puffs, choux pastry full of cream. | 0:33:58 | 0:34:04 | |
-There'd be chocolate eclairs. -Something along the lines... | 0:34:04 | 0:34:08 | |
-of that. -Gasp! | 0:34:08 | 0:34:10 | |
Feed your face, Philips! | 0:34:11 | 0:34:14 | |
Len, that is the hugest chocolate eclair I've ever seen. | 0:34:14 | 0:34:19 | |
We haven't skimped. Now, I'm going to cut you a piece like this. | 0:34:19 | 0:34:23 | |
-That's a family eclair. -It certainly is. | 0:34:23 | 0:34:26 | |
Not a family affair, a family eclair. | 0:34:26 | 0:34:28 | |
There is your bit and, of course, I better have the rest. | 0:34:28 | 0:34:31 | |
-Of course you better. -It was better 50-50. | 0:34:31 | 0:34:34 | |
-Mm! -Oh! | 0:34:36 | 0:34:38 | |
Oh, I'll tell you what. | 0:34:39 | 0:34:41 | |
Smack me with the damp chamois leather, will you? This is heaven. | 0:34:43 | 0:34:46 | |
Getting this in my mouth... | 0:34:47 | 0:34:52 | |
is too good. | 0:34:52 | 0:34:54 | |
Don't eat too much. | 0:34:56 | 0:34:58 | |
-OK, Len, here goes. -Going for one of them? | 0:34:58 | 0:35:01 | |
In for a penny, in for a pound. | 0:35:01 | 0:35:04 | |
THEY LAUGH | 0:35:05 | 0:35:08 | |
Southport has something for everyone and culture plays an important role. | 0:35:11 | 0:35:16 | |
The Atkinson is a multi-artform venue | 0:35:16 | 0:35:19 | |
set in a grade II listed building in the heart of the town. | 0:35:19 | 0:35:23 | |
In 1875, William Atkinson offered Southport Corporation | 0:35:23 | 0:35:28 | |
£6,000 to build an art gallery and library. | 0:35:28 | 0:35:31 | |
Almost a century and a half later, a multimillion-pound makeover | 0:35:31 | 0:35:36 | |
is nearly complete with its beautifully restored galleries | 0:35:36 | 0:35:39 | |
and theatre, it promises to host the very best in visual | 0:35:39 | 0:35:44 | |
and performing arts throughout the year. | 0:35:44 | 0:35:47 | |
And venues don't come much bigger | 0:35:47 | 0:35:49 | |
than the Southport Theatre & Convention Centre. | 0:35:49 | 0:35:53 | |
It's the town's main live entertainment venue | 0:35:53 | 0:35:56 | |
and includes a 1,631 seat auditorium. | 0:35:56 | 0:36:01 | |
The Beatles from just down the coast even perform tier. | 0:36:01 | 0:36:04 | |
Their first appearance was in 1962 | 0:36:04 | 0:36:07 | |
on a bill advertised as a "Rock 'n' Trad Spectacular." | 0:36:07 | 0:36:11 | |
Owned and managed by the Defty family for 35 years, | 0:36:13 | 0:36:17 | |
the Swan Restaurant and Takeaway is the oldest established | 0:36:17 | 0:36:21 | |
fish and chip restaurant in Southport. | 0:36:21 | 0:36:23 | |
They serve a wide range of fresh fish delivered | 0:36:23 | 0:36:27 | |
from nearby Fleetwood every day, | 0:36:27 | 0:36:29 | |
giving this place a reputation second to none. | 0:36:29 | 0:36:33 | |
Aimed at the under 12s, Farmer Ted's is a family-run business | 0:36:34 | 0:36:38 | |
which aims to combine farming fun and education. | 0:36:38 | 0:36:42 | |
Children get to enjoy all the fun of the farm, | 0:36:43 | 0:36:45 | |
whether it's milking cows, driving tractors, | 0:36:45 | 0:36:48 | |
or visiting the local watering hole. | 0:36:48 | 0:36:50 | |
It's just completed a major face-lift | 0:36:51 | 0:36:54 | |
so there's even more to do. | 0:36:54 | 0:36:56 | |
'It's time for a final visit to Southport Beach | 0:36:58 | 0:37:01 | |
'where Arlene spent so much of her holiday back in 1954. | 0:37:01 | 0:37:05 | |
'I want to find out just how after all these years she continues | 0:37:05 | 0:37:08 | |
'to deal with the ups and downs of life in the showbiz fast lane.' | 0:37:08 | 0:37:13 | |
-Now, we got to know each other via Strictly. -Indeed we did, Len. | 0:37:13 | 0:37:19 | |
Ten years ago, and it was a wonderful, wonderful experience. | 0:37:19 | 0:37:23 | |
How was that experience being on Strictly for you? | 0:37:23 | 0:37:27 | |
-There I met Len Goodman. -Yes. | 0:37:27 | 0:37:30 | |
We sat next to each other | 0:37:30 | 0:37:32 | |
and we looked at each other and we went, "This will never fly." | 0:37:32 | 0:37:36 | |
And then we said to each other, "Well, if you do it, I'll do it." | 0:37:36 | 0:37:41 | |
And you said, "Yeah, yeah, yeah. Same." You know? | 0:37:41 | 0:37:44 | |
And so we decided together to do it, | 0:37:44 | 0:37:47 | |
but we didn't think it was going to be a success until week one | 0:37:47 | 0:37:53 | |
when Natasha danced with Brendan and I suddenly thought, | 0:37:53 | 0:37:57 | |
"You know what? Maybe this will be a hit." And... | 0:37:57 | 0:38:01 | |
Because I remember saying to you, "This won't last one series." | 0:38:01 | 0:38:05 | |
-I know. -I said no-one is interested in ballroom and Latin dancing. | 0:38:05 | 0:38:09 | |
Then we had all those marvellous series together | 0:38:09 | 0:38:12 | |
and suddenly they decide they're going to change around the judges | 0:38:12 | 0:38:15 | |
and I just couldn't understand it. | 0:38:15 | 0:38:17 | |
It must've been a terrible wrench. | 0:38:17 | 0:38:20 | |
It was. | 0:38:20 | 0:38:21 | |
But there was a gut-wrenching thing was that my wonderful manager | 0:38:21 | 0:38:26 | |
passed away the day before. | 0:38:26 | 0:38:28 | |
So the blows...came at me. | 0:38:28 | 0:38:33 | |
And so happening on top of one another has made me | 0:38:33 | 0:38:38 | |
kind of put Strictly locked away inside me. | 0:38:38 | 0:38:42 | |
Do you think your time spent in Southport at your uncle's garden | 0:38:42 | 0:38:48 | |
making up little dances with your cousins your brothers and sisters... | 0:38:48 | 0:38:52 | |
Do you think that sort of was the foundation | 0:38:52 | 0:38:55 | |
-for what came in the future? -There's no question. | 0:38:55 | 0:38:59 | |
Everything I did as a kid in Southport helped my future. | 0:38:59 | 0:39:06 | |
I never stopped imagining. | 0:39:06 | 0:39:09 | |
I never stopped believing. | 0:39:09 | 0:39:11 | |
I never stopped fighting. | 0:39:11 | 0:39:14 | |
I never stopped working hard. | 0:39:14 | 0:39:16 | |
And, of course, you must have been so proud when the OBE, the Queen... | 0:39:16 | 0:39:23 | |
What was that like? What was that day like? | 0:39:23 | 0:39:26 | |
Let me tell you, the OBE was pretty grand, but the CB was legendary! | 0:39:26 | 0:39:33 | |
-So you've got one... -I've had two. -Never! | 0:39:33 | 0:39:37 | |
-Len, I have had two. -For services to dance, I guess? | 0:39:37 | 0:39:41 | |
For services to dance, but my CB also was for services to charity. | 0:39:41 | 0:39:47 | |
Seems a little unfair you've got a CB and in OBE, and poor old Len... | 0:39:47 | 0:39:53 | |
-You've not got an OBE, have you? -I've got nothing. -Oh, Len! | 0:39:53 | 0:39:57 | |
-And I don't suppose I ever will. -No. | 0:39:57 | 0:40:00 | |
Your services to Britain | 0:40:00 | 0:40:02 | |
-and to the world of ballroom dancing are legendary. -Keep it coming. | 0:40:02 | 0:40:07 | |
Len, they are truly legendary and you have brought ballroom back, | 0:40:07 | 0:40:12 | |
not just here in the UK, not just in the USA, but around the world. | 0:40:12 | 0:40:18 | |
-So my goodness. -Keep it coming, dear. It could be a knight. | 0:40:18 | 0:40:21 | |
-Is it a knight? -That's what I'm thinking. | 0:40:21 | 0:40:24 | |
-It could be Lord Len of Dartford. -It could. | 0:40:24 | 0:40:27 | |
-Who knows where it could stop. -Lord Len of Dartford. -Thank you. | 0:40:27 | 0:40:31 | |
Curtsy if you will. | 0:40:31 | 0:40:33 | |
It's been just wonderful to spend time with my old mucker, Arlene, | 0:40:33 | 0:40:37 | |
and to learn more about her family | 0:40:37 | 0:40:39 | |
and the precious time she spent in Southport all those years ago. | 0:40:39 | 0:40:43 | |
Seeing the birth of a diva... | 0:40:43 | 0:40:46 | |
And I would go off and sulk, but it didn't take me long to get back | 0:40:46 | 0:40:50 | |
-and smile. -Right. | 0:40:50 | 0:40:53 | |
With her disco fever... | 0:40:53 | 0:40:55 | |
Dancing is about your heart, your soul, your body, your balls... | 0:40:55 | 0:41:00 | |
An expert ice cream retriever... | 0:41:00 | 0:41:02 | |
I want to get down there and dig deep. | 0:41:02 | 0:41:06 | |
-And a true believer... -I never stopped imagining. | 0:41:07 | 0:41:12 | |
And I never stopped believing. I never stopped fighting. | 0:41:12 | 0:41:16 | |
I have enormous admiration for my chum. | 0:41:16 | 0:41:19 | |
It is been wonderful, and to think of you and your uncle Morris | 0:41:19 | 0:41:24 | |
back in 1954 coming here as a little girl. | 0:41:24 | 0:41:27 | |
It's been an absolute pleasure and I've enjoyed it so much. | 0:41:27 | 0:41:31 | |
It's been lovely to be with you, Len, and spend the day with you. | 0:41:31 | 0:41:35 | |
-It's been great, eh? -Yeah. | 0:41:35 | 0:41:36 | |
Now, I want to remember this day, | 0:41:36 | 0:41:38 | |
so I've got a little thing for you here. | 0:41:38 | 0:41:41 | |
It's a scrapbook of memories of our day spent together. | 0:41:43 | 0:41:49 | |
Oh, how lovely. | 0:41:49 | 0:41:52 | |
A scrapbook of memories of Arlene's time spent in Southport | 0:41:54 | 0:41:58 | |
and bearing in mind how this beach holiday | 0:41:58 | 0:42:01 | |
has rekindled those memories, I have one last surprise. | 0:42:01 | 0:42:06 | |
One more thing. | 0:42:06 | 0:42:08 | |
You see, this is an aerial view taken the early '50s of Southport. | 0:42:08 | 0:42:15 | |
Oh, my goodness. So this was to Big Dipper at Pleasureland. | 0:42:15 | 0:42:20 | |
-Yeah, a little bit like your career. -Yeah. | 0:42:20 | 0:42:23 | |
A few downs, but lots and lots of ups. | 0:42:23 | 0:42:26 | |
-Yeah, more ups than downs there, Len. -Exactly. -More ups than downs. | 0:42:26 | 0:42:30 | |
You know what, Len? Just here, just looking at that bridge... | 0:42:30 | 0:42:35 | |
My gosh, I can see Fred Astaire | 0:42:35 | 0:42:37 | |
-and Ginger Rogers dancing over it right now. -Yeah. | 0:42:37 | 0:42:40 | |
Thank you. | 0:42:44 | 0:42:46 | |
-Ha-ha! Len and Arlene... Ooh! -You know what, Len? | 0:42:46 | 0:42:51 | |
-You are no seven, you are a ten. -Oh! On we go! | 0:42:51 | 0:42:57 | |
Today, I've seen why Arlene was attracted to the glamour | 0:42:59 | 0:43:03 | |
of 1950s Southport, which led her to the bright lights | 0:43:03 | 0:43:06 | |
of the showbiz world in which she has well and truly made her home. | 0:43:06 | 0:43:11 |