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Childhood holidays. Oh, the anticipation seemed endless. | 0:00:02 | 0:00:05 | |
The holiday itself, well, it was over too quickly. | 0:00:05 | 0:00:08 | |
So, in this series, I'm going to be reliving those wonderful times | 0:00:08 | 0:00:11 | |
with some much loved famous faces. | 0:00:11 | 0:00:14 | |
THEY SCREAM | 0:00:14 | 0:00:17 | |
Every day, I'll be arranging a few surprises | 0:00:17 | 0:00:20 | |
to transport them back in time. | 0:00:20 | 0:00:22 | |
Oh, look! It's just as I remember. | 0:00:22 | 0:00:27 | |
'We'll relive the fun...' | 0:00:28 | 0:00:29 | |
THEY LAUGH | 0:00:29 | 0:00:31 | |
'..the games...' | 0:00:31 | 0:00:32 | |
-Yes! -We got them! | 0:00:32 | 0:00:34 | |
'..and the food of years gone by...' | 0:00:34 | 0:00:36 | |
Yummy! | 0:00:36 | 0:00:38 | |
Welcome to 1959. | 0:00:38 | 0:00:41 | |
-Total happiness. -Yes, perfect. | 0:00:41 | 0:00:44 | |
'..to find out how those holidays around the UK | 0:00:44 | 0:00:47 | |
'helped shape the people we know so well today.' | 0:00:47 | 0:00:50 | |
Bruce Forsyth. | 0:00:50 | 0:00:51 | |
-IMPERSONATES BRUCE FORSYTH: -Marvellous. You're my favourite. | 0:00:51 | 0:00:54 | |
'So buckle up for Holiday Of My Lifetime.' | 0:00:54 | 0:00:57 | |
You know, Len, I'm quite enjoying being on my holidays with you. | 0:00:57 | 0:01:00 | |
On today's trip down memory lane, I'm in the sunny southwest, | 0:01:06 | 0:01:10 | |
heading to meet our mystery holidaymaker. | 0:01:10 | 0:01:12 | |
Hello. Here's the news - Len Goodman is catching the ferry | 0:01:14 | 0:01:17 | |
to meet a lady whose illustrious career spans over 45 years. | 0:01:17 | 0:01:23 | |
Here she is practising her first smile for the camera. Hey! | 0:01:23 | 0:01:27 | |
Born in 1944, | 0:01:28 | 0:01:30 | |
this lovely lass was destined to make headline news herself one day | 0:01:30 | 0:01:34 | |
when she became the first woman journalist | 0:01:34 | 0:01:37 | |
to read the news on national TV. | 0:01:37 | 0:01:39 | |
In 1976, she broke out from behind the news desk | 0:01:40 | 0:01:45 | |
to high kick her way through a dance routine | 0:01:45 | 0:01:47 | |
with comedy greats Morecambe and Wise. | 0:01:47 | 0:01:50 | |
Oh, yes! | 0:01:50 | 0:01:51 | |
Recently, she has been championing the causes of the consumer, | 0:01:51 | 0:01:55 | |
stopping those people from getting ripped off. | 0:01:55 | 0:01:58 | |
You must know who it is. | 0:01:58 | 0:02:00 | |
You must have got it. | 0:02:00 | 0:02:01 | |
It's the Ginger Rogers of news reading. It's Angela Rippon! | 0:02:01 | 0:02:05 | |
An only child, Angela comes from modest roots. | 0:02:09 | 0:02:13 | |
Her dad, John, was a Royal Marine, and her mum, Edna, a seamstress. | 0:02:13 | 0:02:18 | |
When she left school, | 0:02:18 | 0:02:19 | |
she worked in newspapers before moving into radio and television. | 0:02:19 | 0:02:23 | |
She's tried her hand at just about everything in the world of telly, | 0:02:23 | 0:02:26 | |
but I remember her presenting Come Dancing in the '80s, | 0:02:26 | 0:02:30 | |
and she's still strutting her stuff all these years later. | 0:02:30 | 0:02:33 | |
-Welcome to my world! -Lovely. Oh, what a lovely day. -It's not bad, is it? | 0:02:35 | 0:02:40 | |
You realise, you've crossed the border there, don't you? | 0:02:40 | 0:02:42 | |
You've come from my hometown of Plymouth in Devon, | 0:02:42 | 0:02:45 | |
but in the middle of the River Tamar here, | 0:02:45 | 0:02:46 | |
is the border between Devon and Cornwall. | 0:02:46 | 0:02:48 | |
And when you got off the boat, you stepped into Cornwall. | 0:02:48 | 0:02:51 | |
-Cornwall, here we are. -Yeah! | 0:02:51 | 0:02:52 | |
So where are we going? | 0:02:52 | 0:02:54 | |
Mount Edgcumbe, but we're going to start in Maker Camp, | 0:02:54 | 0:02:57 | |
which is where all the kids from Plymouth used to go | 0:02:57 | 0:03:00 | |
for a sort of summer boot camp in their school holidays. | 0:03:00 | 0:03:03 | |
-Fabulous. And what year is it? -1952. | 0:03:03 | 0:03:07 | |
-I was eight years old. -Do you know something? So was I. -I know. | 0:03:07 | 0:03:11 | |
-Darling, we're the same generation. -Yeah, we are. | 0:03:12 | 0:03:15 | |
So back then, in '52, how would you have arrived here in Cornwall? | 0:03:15 | 0:03:19 | |
When I was with the school, | 0:03:19 | 0:03:21 | |
we came over. And we'd get to here and then we'd get on a bus. | 0:03:21 | 0:03:25 | |
So it would have been a bus something like this one? | 0:03:25 | 0:03:27 | |
-Oh, my goodness. -Here it is. | 0:03:27 | 0:03:30 | |
An original 1952 bus. | 0:03:30 | 0:03:33 | |
SHE LAUGHS | 0:03:33 | 0:03:35 | |
Which would have taken a whole load of us screaming schoolkids | 0:03:35 | 0:03:37 | |
off to an adventure. | 0:03:37 | 0:03:40 | |
Yes! Oh, yes. | 0:03:40 | 0:03:42 | |
So let's get on board. | 0:03:42 | 0:03:44 | |
# We're all going on a summer holiday. # | 0:03:44 | 0:03:47 | |
On the south coast of England, Mount Edgcumbe Country Park | 0:03:57 | 0:04:00 | |
sits on the Rame Peninsula. | 0:04:00 | 0:04:03 | |
It's on the border between Cornwall and Devon | 0:04:03 | 0:04:05 | |
and across the River Tamar from the city of Plymouth. | 0:04:05 | 0:04:08 | |
It's nearly 900 acres of beautiful lawns, gardens and woodland | 0:04:08 | 0:04:12 | |
and is also home to the Grade 1 listed Mount Edgcumbe House, | 0:04:12 | 0:04:16 | |
which was formerly the seat of earls and countesses. | 0:04:16 | 0:04:20 | |
This area is known as Cornwall's forgotten corner, | 0:04:20 | 0:04:23 | |
but still attracts thousands of visitors every year. | 0:04:23 | 0:04:26 | |
Today, I'm taking Angela back to relive that memorable holiday, | 0:04:26 | 0:04:31 | |
when she set off with her school chums for a week away from home... | 0:04:31 | 0:04:35 | |
Oh. That's the taste of childhood. | 0:04:35 | 0:04:37 | |
..leaving behind the port of Plymouth | 0:04:37 | 0:04:40 | |
for a countryside adventure. | 0:04:40 | 0:04:43 | |
With our jam jars and our nets | 0:04:43 | 0:04:45 | |
and our bare feet in rock pools like this, having the time of our lives. | 0:04:45 | 0:04:50 | |
'And I'll find out just how formative | 0:04:50 | 0:04:52 | |
'this first childhood vacation was for Angela.' | 0:04:52 | 0:04:56 | |
From that holiday, I got that sense of adventure, | 0:04:56 | 0:04:59 | |
I got the curiosity, and I think that's probably what stayed with me. | 0:04:59 | 0:05:03 | |
Before any holiday truly begins, | 0:05:10 | 0:05:12 | |
first you must set out on a journey. | 0:05:12 | 0:05:15 | |
Whether by plane, train or automobile, | 0:05:15 | 0:05:18 | |
we've all experienced those hours of anticipation, | 0:05:18 | 0:05:21 | |
just waiting to get to the promised destination you've been dreaming of. | 0:05:21 | 0:05:26 | |
In the years following the Second World War, | 0:05:26 | 0:05:29 | |
holidays were very different to today. | 0:05:29 | 0:05:32 | |
Back then, less than half of us could afford one | 0:05:32 | 0:05:35 | |
so there were no low-cost airline trips to the Mediterranean | 0:05:35 | 0:05:38 | |
for our Angela. | 0:05:38 | 0:05:40 | |
When she hopped off the ferry with her school friends in 1952, | 0:05:40 | 0:05:44 | |
an original '50s bus, like this one, | 0:05:44 | 0:05:47 | |
whisked them away for a week of fun and activities in a summer camp. | 0:05:47 | 0:05:52 | |
So, does this take you back to 1952? | 0:05:53 | 0:05:56 | |
Well, it does, and even beyond that | 0:05:56 | 0:05:58 | |
because I was born in the city of Plymouth, | 0:05:58 | 0:05:59 | |
which during the war, was bombed. | 0:05:59 | 0:06:02 | |
Right, yes. | 0:06:02 | 0:06:03 | |
It was blitzed by the Germans. And my family were not wealthy - | 0:06:03 | 0:06:08 | |
we were like most people in Plymouth, | 0:06:08 | 0:06:10 | |
struggling after the war, very poor. | 0:06:10 | 0:06:12 | |
We couldn't actually afford to go on holiday anywhere, | 0:06:12 | 0:06:15 | |
so we used to go on day trips. | 0:06:15 | 0:06:17 | |
And then going to primary school | 0:06:17 | 0:06:19 | |
-and suddenly to have the opportunity to go to a camp, a holiday camp. -Yes. | 0:06:19 | 0:06:23 | |
That was the excitement. | 0:06:23 | 0:06:25 | |
So getting on a bus, as we would have done like this, | 0:06:25 | 0:06:28 | |
with all the screaming schoolkids, you know, say 40 of us in the back, | 0:06:28 | 0:06:31 | |
sitting with our little suitcases... | 0:06:31 | 0:06:33 | |
-Singing along. -Singing along. | 0:06:33 | 0:06:35 | |
-Without our parents. -Wow! -That was the thing - without Mum and Dad. | 0:06:35 | 0:06:39 | |
That was the adventure. | 0:06:39 | 0:06:41 | |
So we're going to Maker Camp. | 0:06:41 | 0:06:42 | |
Now, what am I going to look forward to seeing? | 0:06:42 | 0:06:45 | |
My memory is that it was a lot of sort of wooden huts | 0:06:45 | 0:06:49 | |
that did look like an army camp. | 0:06:49 | 0:06:51 | |
-I mean, it was basic. -Did you have a scrapbook? | 0:06:51 | 0:06:55 | |
Did you keep a diary? | 0:06:55 | 0:06:56 | |
Were you writing things about your time at Maker Camp? | 0:06:56 | 0:07:00 | |
No, I wasn't. | 0:07:00 | 0:07:02 | |
I suppose, although I never knew I was going to be | 0:07:02 | 0:07:05 | |
a television journalist | 0:07:05 | 0:07:07 | |
because, you know, again, living in the West Country, | 0:07:07 | 0:07:10 | |
poor family background, the thought of working on television | 0:07:10 | 0:07:13 | |
was not something that would have gone into my head. | 0:07:13 | 0:07:15 | |
I wanted to be a photojournalist and fortunately, | 0:07:15 | 0:07:18 | |
I've been born with almost a photographic memory. | 0:07:18 | 0:07:21 | |
So my diary, Len, is up here. | 0:07:21 | 0:07:24 | |
I actually have pictures in my mind. | 0:07:24 | 0:07:27 | |
Stories, words, situations are all in my mind. | 0:07:27 | 0:07:30 | |
So no, I didn't keep a scrapbook at all, no. | 0:07:30 | 0:07:33 | |
The journey from the dock to the camp took just 15 minutes, | 0:07:33 | 0:07:37 | |
but by the time Angela arrived, excitement was at fever pitch. | 0:07:37 | 0:07:42 | |
We're nearly here at Maker Camp. Have you been back since 1952? | 0:07:42 | 0:07:46 | |
Good Lord, no. It was a one-off holiday. Never been since. | 0:07:46 | 0:07:51 | |
Oh, look! It's just as I remember. | 0:07:51 | 0:07:57 | |
Corrugated iron huts. Look at that. | 0:07:57 | 0:08:00 | |
SHE LAUGHS | 0:08:00 | 0:08:02 | |
Back in 1952, Great Britain was a very different place. | 0:08:04 | 0:08:08 | |
It was the last time we had a king. | 0:08:08 | 0:08:10 | |
George VI reigned for 14 years | 0:08:10 | 0:08:13 | |
and was just 56 when he passed away in his sleep. | 0:08:13 | 0:08:16 | |
After 12 years, our national drink | 0:08:17 | 0:08:20 | |
was no longer subject to wartime rationing. | 0:08:20 | 0:08:23 | |
At that time, the UK consumed almost a third | 0:08:23 | 0:08:26 | |
of the entire world's tea production. | 0:08:26 | 0:08:29 | |
Talking of big productions, Agatha Christie's play The Mousetrap | 0:08:29 | 0:08:33 | |
started its run at the New Ambassadors Theatre in London, | 0:08:33 | 0:08:37 | |
a play that still runs to the present day, over 60 years later. | 0:08:37 | 0:08:42 | |
And 1952 saw the introduction of the music charts. | 0:08:42 | 0:08:46 | |
The country had its first-ever number one hit single! | 0:08:46 | 0:08:50 | |
American crooner Al Martino made history with... | 0:08:50 | 0:08:52 | |
# Here in my heart I'm alone and so lonely. # | 0:08:52 | 0:08:59 | |
# And stay here... # | 0:08:59 | 0:09:04 | |
He had to fight off competition for the coveted spot | 0:09:04 | 0:09:07 | |
from Nat King Cole and national hero Vera Lynn. | 0:09:07 | 0:09:10 | |
To begin Angela's Holiday Of Her Lifetime, | 0:09:16 | 0:09:18 | |
I've brought her to the place it all began - Maker Camp. | 0:09:18 | 0:09:22 | |
It was a former outpost for American soldiers in World War II, | 0:09:22 | 0:09:26 | |
but after the war, | 0:09:26 | 0:09:27 | |
it was transformed for use as a summer camp for children, | 0:09:27 | 0:09:31 | |
and Angela took full advantage. | 0:09:31 | 0:09:33 | |
Here we are. Can you manage? | 0:09:34 | 0:09:36 | |
-Look at the view from here. -The view. | 0:09:36 | 0:09:37 | |
Can you imagine a gang of kids getting off a coach, | 0:09:37 | 0:09:40 | |
coming up here and saying, "Come and look at this"? | 0:09:40 | 0:09:44 | |
Coming out of Plymouth, 1952... | 0:09:44 | 0:09:47 | |
They'd kind of, I think, started rebuilding the city. | 0:09:47 | 0:09:50 | |
But coming out of that, never having been away from Mum and Dad before. | 0:09:50 | 0:09:55 | |
Freedom! | 0:09:55 | 0:09:57 | |
-You've arrived and you know you've got a whole week. -I know. | 0:09:57 | 0:10:01 | |
A whole week away from Mum and Dad with your mates, in the sunshine, | 0:10:01 | 0:10:06 | |
on holiday. What's not to like? | 0:10:06 | 0:10:09 | |
I'd love to have a little look. | 0:10:09 | 0:10:10 | |
-Shall we go inside and see what it's like? -See if it's changed. | 0:10:10 | 0:10:13 | |
Well, I hope it has. | 0:10:13 | 0:10:14 | |
SHE LAUGHS | 0:10:14 | 0:10:16 | |
Part of the magic of any childhood holiday | 0:10:18 | 0:10:21 | |
is the excitement of staying somewhere new. | 0:10:21 | 0:10:23 | |
In 1952, Angela and her classmates stayed on site | 0:10:23 | 0:10:28 | |
in one of five converted Nissen huts. | 0:10:28 | 0:10:31 | |
Each hut had 20 iron beds | 0:10:31 | 0:10:33 | |
and the boys and girls slept in separate dorms. | 0:10:33 | 0:10:36 | |
Angela hasn't been back in over 60 years. | 0:10:36 | 0:10:40 | |
Oh, my gosh! | 0:10:40 | 0:10:42 | |
So this would have been it? | 0:10:42 | 0:10:44 | |
This would have been it. | 0:10:44 | 0:10:46 | |
Iron bedsteads. Oh, yes, I remember this. | 0:10:46 | 0:10:50 | |
Oh! | 0:10:50 | 0:10:52 | |
-Oh, not too bad actually. -There you are. -Not too bad. | 0:10:52 | 0:10:54 | |
Do you remember which bed you slept in? | 0:10:54 | 0:10:57 | |
I know I was on... Coming in, I was on the left-hand side. | 0:10:57 | 0:11:01 | |
-I would have been down here somewhere. -Right. | 0:11:01 | 0:11:04 | |
I know I was kind of in the middle, | 0:11:04 | 0:11:06 | |
because we came with our teacher, Mrs Adams, | 0:11:06 | 0:11:09 | |
and like a lot of teachers at that time, | 0:11:09 | 0:11:12 | |
she had her favourites, and I was not one of them. | 0:11:12 | 0:11:15 | |
But when we came here, | 0:11:15 | 0:11:16 | |
we had to make our own beds. And I shall never forget... | 0:11:16 | 0:11:19 | |
Actually, it was a lesson well learned. | 0:11:19 | 0:11:21 | |
..that I made my bed, and Mrs Adams | 0:11:21 | 0:11:23 | |
went round like the regimental sergeant major, | 0:11:23 | 0:11:25 | |
you know, looking at that. | 0:11:25 | 0:11:27 | |
"Rippon! | 0:11:27 | 0:11:29 | |
"What have you done?" she said. | 0:11:29 | 0:11:31 | |
-And I had just sort of pushed it round. -Yeah, pushed it all in. | 0:11:31 | 0:11:33 | |
And she said, "No, hospital corners," | 0:11:33 | 0:11:35 | |
and I learnt how to do hospital corners, and I've done it ever since. | 0:11:35 | 0:11:39 | |
The bed-making technique of hospital corners | 0:11:39 | 0:11:41 | |
is common in boarding schools and the military | 0:11:41 | 0:11:44 | |
as well as hospitals. | 0:11:44 | 0:11:45 | |
It involves folding sheets tightly and neatly | 0:11:45 | 0:11:48 | |
in order to make the bed presentable to look at | 0:11:48 | 0:11:51 | |
and comfortable to lie in. | 0:11:51 | 0:11:53 | |
-I'll have a go at this one. -And I'll have a go at this one. -OK. | 0:11:54 | 0:11:58 | |
And we'll compare. | 0:11:58 | 0:11:59 | |
I wish Mrs Adams was still around, cos she could decide... | 0:11:59 | 0:12:03 | |
She could decide who did the best hospital corners? Yeah. | 0:12:03 | 0:12:07 | |
I tell you why it sticks in my memory. | 0:12:07 | 0:12:09 | |
Not only because I had to learn how to do this, | 0:12:09 | 0:12:12 | |
but also because I was halfway down and I really was... | 0:12:12 | 0:12:16 | |
She sort of made an exhibition of me. | 0:12:16 | 0:12:18 | |
Oh, she said, "This is how not to do it." | 0:12:18 | 0:12:21 | |
Oh, she shouted at me. Oh, gosh, yes, didn't I get shouted at? | 0:12:21 | 0:12:24 | |
Cos what I did was... | 0:12:24 | 0:12:26 | |
Cos I came in never having done it, I just went like that, you see. | 0:12:26 | 0:12:30 | |
And she said, "Rippon, do it again!" | 0:12:30 | 0:12:32 | |
And then showed me how to do it. | 0:12:32 | 0:12:35 | |
And I've never forgotten. | 0:12:36 | 0:12:37 | |
I still do all the sheets in the house at home... | 0:12:37 | 0:12:39 | |
When I'm making the bed, I still have to do hospital corners, | 0:12:39 | 0:12:44 | |
Len, just like that. | 0:12:44 | 0:12:45 | |
Still do it. | 0:12:48 | 0:12:50 | |
'Who'd have thought it? | 0:12:50 | 0:12:52 | |
'TV's golden girl getting told off by her teacher!' | 0:12:52 | 0:12:55 | |
Angela grew up in Plymouth, | 0:12:57 | 0:12:59 | |
born into the rubble of the Second World War. | 0:12:59 | 0:13:02 | |
Food was rationed, money was scarce | 0:13:02 | 0:13:04 | |
and much of the city had been destroyed by German bombers, | 0:13:04 | 0:13:08 | |
so escaping the war-torn ruins must have been a great relief. | 0:13:08 | 0:13:13 | |
Plymouth, a bit like where I grew up in the East End, | 0:13:13 | 0:13:16 | |
did take the full brunt of the Blitz. | 0:13:16 | 0:13:20 | |
It was absolutely flattened, absolutely flattened. | 0:13:20 | 0:13:22 | |
We had the dockyard, we had the Navy here, the Army, the Air Force. | 0:13:22 | 0:13:26 | |
We were a prime target. | 0:13:26 | 0:13:27 | |
I can remember walking around the city, with my father | 0:13:27 | 0:13:30 | |
walking me up through what is now Royal Parade, | 0:13:30 | 0:13:32 | |
and that was all flattened, | 0:13:32 | 0:13:33 | |
walking me into St Andrews Church, which is... | 0:13:33 | 0:13:37 | |
We always think of it as the parish church of the city of Plymouth. | 0:13:37 | 0:13:40 | |
..a beautiful, beautiful old building. | 0:13:40 | 0:13:42 | |
It was completely destroyed in the war. Lost its roof, lost everything. | 0:13:42 | 0:13:46 | |
And very famously, | 0:13:46 | 0:13:48 | |
a schoolteacher found a piece of wood, | 0:13:48 | 0:13:51 | |
which had been one of the beams presumably, | 0:13:51 | 0:13:53 | |
and with chalk, as a teacher, | 0:13:53 | 0:13:54 | |
she wrote "resurgam", which is Latin for... | 0:13:54 | 0:13:59 | |
-"Rise again." -"..I will rise again." | 0:13:59 | 0:14:01 | |
And she put it in front of the church. And it was a sort of... | 0:14:01 | 0:14:05 | |
That really sort of summed up the spirit, | 0:14:05 | 0:14:08 | |
I think, of the people of Plymouth. | 0:14:08 | 0:14:10 | |
"We don't care that these bombs are coming | 0:14:10 | 0:14:12 | |
"and absolutely trying to beat us into submission. | 0:14:12 | 0:14:15 | |
"We will rise again." | 0:14:15 | 0:14:18 | |
And the church did. And in fact, | 0:14:18 | 0:14:19 | |
that's the church that I was married in. | 0:14:19 | 0:14:22 | |
These days, Maker Camp is a residential community centre. | 0:14:22 | 0:14:25 | |
But back in the '50s and '60s, | 0:14:25 | 0:14:27 | |
it was a place for children to let their hair down, | 0:14:27 | 0:14:30 | |
as local girl and former Plymouth councillor Gloria Bragg recalls. | 0:14:30 | 0:14:35 | |
The boys were | 0:14:35 | 0:14:37 | |
up to all their tricks. | 0:14:37 | 0:14:39 | |
They were away on holiday as well. | 0:14:39 | 0:14:41 | |
And they decided that they would spook the girls, | 0:14:41 | 0:14:44 | |
trick the girls. | 0:14:44 | 0:14:45 | |
They used to make noises like it would be an owl or a fox or a dog, | 0:14:45 | 0:14:51 | |
everything. They would do that. | 0:14:51 | 0:14:53 | |
They would have a bang on the windows and run away. | 0:14:53 | 0:14:55 | |
But it was all part of fun. | 0:14:55 | 0:14:57 | |
Night-times, we would make sure, the teacher would go away and say, | 0:14:57 | 0:15:00 | |
"Goodnight, girls," and, "See you in the morning. | 0:15:00 | 0:15:04 | |
"You'd better go to bed early and have a nice rest after today." | 0:15:04 | 0:15:07 | |
And we would jump on the beds and we would have pillow fights. | 0:15:07 | 0:15:12 | |
And we had the best pillow fights and we were jumping around the beds. | 0:15:12 | 0:15:15 | |
We were really having some fun. | 0:15:15 | 0:15:18 | |
And my head was pretty sore at that time because, don't forget, | 0:15:18 | 0:15:23 | |
the pillows at that time, they were real feathers | 0:15:23 | 0:15:26 | |
and they were pretty hard. | 0:15:26 | 0:15:28 | |
No holiday experience is complete without sampling the local food. | 0:15:32 | 0:15:37 | |
The memories of those tastes, | 0:15:37 | 0:15:39 | |
smells and textures stay with us forever. | 0:15:39 | 0:15:42 | |
Angela came to Maker Camp just seven years | 0:15:42 | 0:15:45 | |
after the end of World War II. | 0:15:45 | 0:15:47 | |
Millions of Britons had grown up with food rationing, | 0:15:47 | 0:15:50 | |
and basic provisions that we now take for granted | 0:15:50 | 0:15:53 | |
were seen as treats. | 0:15:53 | 0:15:55 | |
-Well, this looks like a typical 1952 feast. -It does, doesn't it? | 0:15:55 | 0:16:01 | |
-When did rationing end? -'54, I think. | 0:16:01 | 0:16:03 | |
'54, so it was rationing, yeah. This would have been staple food. | 0:16:03 | 0:16:08 | |
And I don't think you'd have got as much butter as that. | 0:16:08 | 0:16:10 | |
-No, nothing like that. -You'd have got the loaf. -Yes. | 0:16:10 | 0:16:14 | |
-Jam. -Got the bread and the jam. -Yeah, mums used to make jam. | 0:16:14 | 0:16:17 | |
And I'll tell you what we used to have - | 0:16:17 | 0:16:19 | |
lettuce leaves with sugar on them. Oh, that was luxury. | 0:16:19 | 0:16:23 | |
So I'm going to go for a nice slice of bread and jam. | 0:16:23 | 0:16:26 | |
Are you going to do the same | 0:16:26 | 0:16:27 | |
or are you going to go for the lettuce and sugar sandwich? | 0:16:27 | 0:16:30 | |
-I think I'm going to have the lettuce and the sugar. -Go on, then. | 0:16:30 | 0:16:33 | |
-Piece of bread. -Yeah, piece of bread. -Cut it in half then. -Yes. | 0:16:33 | 0:16:37 | |
And I'm not going to have the butter | 0:16:37 | 0:16:39 | |
cos I have an intolerance of dairy foods now, unfortunately. | 0:16:39 | 0:16:44 | |
When I was little, I could eat anything. Anything. | 0:16:44 | 0:16:48 | |
And of course, being in the West Country | 0:16:48 | 0:16:50 | |
with all the wonderful dairy products down here, | 0:16:50 | 0:16:52 | |
we used to have clotted cream on everything - | 0:16:52 | 0:16:56 | |
on the cornflakes, everything. | 0:16:56 | 0:16:58 | |
'There was no clotted cream at Maker Camp, though. | 0:16:58 | 0:17:01 | |
'Instead, Angela is having her favourite childhood meal, | 0:17:01 | 0:17:05 | |
'although I can't say it sounds too appetising. | 0:17:05 | 0:17:08 | |
'Lettuce and sugar? Oh, no!' | 0:17:08 | 0:17:10 | |
What's it like? | 0:17:10 | 0:17:11 | |
Oh, that's the taste of childhood. | 0:17:13 | 0:17:17 | |
Have a bit of it. Remember there's no butter on it. | 0:17:17 | 0:17:19 | |
That's all right. | 0:17:19 | 0:17:21 | |
That's all right because it doesn't matter. You don't actually need it. | 0:17:21 | 0:17:24 | |
Here we go. | 0:17:24 | 0:17:25 | |
I would imagine that all different areas, | 0:17:25 | 0:17:29 | |
you basically fed your kids what was in ready supply. | 0:17:29 | 0:17:33 | |
-What you could afford. -And what you could afford. -Mm. -Yeah. | 0:17:33 | 0:17:36 | |
-It's lovely. -Not bad, is it, Len? | 0:17:40 | 0:17:44 | |
-No. -Lettuce and sugar. | 0:17:44 | 0:17:46 | |
We lived with my grandparents until I was about six, I think. | 0:17:46 | 0:17:49 | |
-He would have grown lettuce in the back garden... -Yeah. | 0:17:49 | 0:17:52 | |
..because he would have grown lettuce, tomatoes. | 0:17:52 | 0:17:54 | |
-We had chickens in the back garden. -We had chickens. | 0:17:54 | 0:17:58 | |
We had chickens. And, you know, if I was naughty, | 0:17:58 | 0:18:01 | |
I used to hide in the chicken coop. | 0:18:01 | 0:18:03 | |
-You and the eggs. -Yeah, right up the back. | 0:18:03 | 0:18:06 | |
Despite its proximity to bomb-damaged Plymouth, | 0:18:07 | 0:18:10 | |
Mount Edgcumbe in the early '50s | 0:18:10 | 0:18:12 | |
must have felt a world away to children like Angela. | 0:18:12 | 0:18:15 | |
So, growing up, money was tight. | 0:18:17 | 0:18:19 | |
Did that spur you on to want to get out of that? | 0:18:19 | 0:18:22 | |
I don't think money was then, or is now, | 0:18:22 | 0:18:26 | |
the driving force in my life. | 0:18:26 | 0:18:29 | |
I tell you what was. | 0:18:29 | 0:18:31 | |
My dad bought me a little Box Brownie camera. | 0:18:31 | 0:18:35 | |
And in fact, I brought it here, to Maker Camp. | 0:18:35 | 0:18:39 | |
And it had a white plastic thing on the top, | 0:18:39 | 0:18:43 | |
you know, to wind the film. | 0:18:43 | 0:18:45 | |
From the age of about six or seven, I took photographs, | 0:18:45 | 0:18:49 | |
and still do in fact, | 0:18:49 | 0:18:52 | |
and I wanted to be a photographer. | 0:18:52 | 0:18:54 | |
Then I wanted to be a photojournalist, | 0:18:54 | 0:18:56 | |
and that was my ambition. | 0:18:56 | 0:18:58 | |
I'd seen an advertisement in the local newspaper | 0:18:58 | 0:19:01 | |
for a job in the photographic department of the newspaper, | 0:19:01 | 0:19:03 | |
and I applied for that and got the job, and that was it. | 0:19:03 | 0:19:06 | |
And I did two years of photography | 0:19:06 | 0:19:08 | |
and then joined the local Sunday newspaper as a journalist, | 0:19:08 | 0:19:11 | |
photojournalist. | 0:19:11 | 0:19:12 | |
I suspect it all came from that little plastic camera | 0:19:12 | 0:19:15 | |
that my dad gave me that I actually brought here | 0:19:15 | 0:19:17 | |
and remember taking photographs. | 0:19:17 | 0:19:19 | |
I wish I could find some of the pictures that I had taken! | 0:19:19 | 0:19:21 | |
But that was my first camera. | 0:19:21 | 0:19:23 | |
The city of Plymouth, and the surrounding areas, | 0:19:25 | 0:19:28 | |
is very popular with British holidaymakers. | 0:19:28 | 0:19:31 | |
Over four million visits every year. | 0:19:31 | 0:19:33 | |
There's so much to enjoy here, and I've chosen ten of my favourites. | 0:19:33 | 0:19:38 | |
Plymouth is brimming with historical reminders | 0:19:39 | 0:19:42 | |
of its military past. | 0:19:42 | 0:19:43 | |
The Crownhill Fort was built in the 1860s | 0:19:43 | 0:19:46 | |
to repel any potential French invasion. | 0:19:46 | 0:19:49 | |
At the time, its moat and ramparts were seen as advanced. | 0:19:49 | 0:19:53 | |
And today, it serves partly as a museum, | 0:19:53 | 0:19:55 | |
open to the public once a month. | 0:19:55 | 0:19:58 | |
Older still is the Merchant's House, | 0:19:58 | 0:20:00 | |
a 16th-century building still standing tall. | 0:20:00 | 0:20:04 | |
A former home to mayors and other wealthy locals, | 0:20:04 | 0:20:07 | |
this mostly limestone house was restored in the 1970s | 0:20:07 | 0:20:11 | |
and now serves as a museum. | 0:20:11 | 0:20:13 | |
On the waterfront, sits one of the best outdoor | 0:20:14 | 0:20:17 | |
swimming pools in Europe - | 0:20:17 | 0:20:18 | |
the Art Deco Tinside Lido opened in 1935, | 0:20:18 | 0:20:22 | |
allowing swimmers to comfortably bathe in the sea water. | 0:20:22 | 0:20:26 | |
Despite falling into neglect, it's undergone a recent renovation | 0:20:26 | 0:20:30 | |
back to its former glories, and is open from May to September. | 0:20:30 | 0:20:34 | |
Plymouth has a proud reputation for seafaring. | 0:20:41 | 0:20:44 | |
It was from here that Sir Francis Drake embarked | 0:20:44 | 0:20:47 | |
with the English fleet | 0:20:47 | 0:20:49 | |
to defeat the Spanish Armada in 1588. | 0:20:49 | 0:20:53 | |
Plymouth prodigy, Chris Robinson, | 0:20:53 | 0:20:55 | |
knows all about this great British hero. | 0:20:55 | 0:20:58 | |
The story of Drake is a fun one, really, | 0:20:58 | 0:21:01 | |
because people have got it wrong down the years. | 0:21:01 | 0:21:03 | |
The Armada was sighted, and somebody came running to tell him. | 0:21:03 | 0:21:06 | |
And he was playing bowls. | 0:21:06 | 0:21:08 | |
But Drake would have known the state of the tide | 0:21:08 | 0:21:10 | |
and he knew his ships were ready, | 0:21:10 | 0:21:12 | |
so he knew that there was no chance of him moving out of the harbour | 0:21:12 | 0:21:16 | |
for at least a couple of hours, so he said, | 0:21:16 | 0:21:18 | |
"I'm going to finish my game of bowls, | 0:21:18 | 0:21:20 | |
"then I'll deal with the Spanish Armada." | 0:21:20 | 0:21:21 | |
And thankfully, | 0:21:21 | 0:21:23 | |
he did deal with it effectively, and we're not speaking Spanish today. | 0:21:23 | 0:21:26 | |
Hooray. | 0:21:26 | 0:21:28 | |
Mount Edgcumbe sits atop the Rame Peninsula, | 0:21:31 | 0:21:34 | |
looking across the Plymouth Sound. | 0:21:34 | 0:21:36 | |
Three miles to the south lie the coastal villages | 0:21:36 | 0:21:39 | |
Kingsand and Cawsand. | 0:21:39 | 0:21:41 | |
With three beaches between them, | 0:21:41 | 0:21:43 | |
this is where Angela and her school friends | 0:21:43 | 0:21:45 | |
came in search of adventure in 1952. | 0:21:45 | 0:21:48 | |
Now I'm bringing her back to Kingsand | 0:21:48 | 0:21:51 | |
to see if this is where | 0:21:51 | 0:21:53 | |
she discovered her thirst for knowledge. | 0:21:53 | 0:21:56 | |
-This is lovely. -It's pretty, isn't it? -It's really pretty. | 0:21:56 | 0:21:58 | |
-This is classic kind of Cornish fishing village. -Yeah. | 0:21:58 | 0:22:02 | |
-Tiny little roads, never built for cars, of course. -Of course not. | 0:22:02 | 0:22:05 | |
And all these lovely little cottages. | 0:22:05 | 0:22:07 | |
-Charming, isn't it? -Yeah, charming is the word. | 0:22:07 | 0:22:11 | |
There we go. There's the sea. And the little beach. | 0:22:11 | 0:22:14 | |
It's absolutely fabulous. | 0:22:14 | 0:22:16 | |
A small sand and shingle beach appears at low tide | 0:22:16 | 0:22:19 | |
and fascinating rock pools are revealed | 0:22:19 | 0:22:22 | |
to inquisitive young holidaymakers like eight-year-old Angela | 0:22:22 | 0:22:25 | |
all those years ago. | 0:22:25 | 0:22:27 | |
They're doing exactly what we used to do | 0:22:27 | 0:22:30 | |
when we came down here to Kingsand and Cawsand. | 0:22:30 | 0:22:33 | |
They've got their nets, they're in a little rock pool | 0:22:33 | 0:22:35 | |
and seeing what they can find. | 0:22:35 | 0:22:37 | |
Look at that little boy out there, look, with a net. | 0:22:37 | 0:22:39 | |
We used to do all of that. | 0:22:39 | 0:22:41 | |
Isn't it lovely that we can see kids doing what | 0:22:41 | 0:22:43 | |
we used to do 50 years ago, | 0:22:43 | 0:22:44 | |
still getting pleasure out of it? | 0:22:44 | 0:22:46 | |
Not sitting at home with their laptops and this, | 0:22:46 | 0:22:48 | |
that and the other. It's great. | 0:22:48 | 0:22:50 | |
I'm going to roll my trousers up | 0:22:50 | 0:22:52 | |
because we might get a bit wet down here. | 0:22:52 | 0:22:55 | |
Actually, of course, we would have taken our shoes off. | 0:22:55 | 0:22:58 | |
And I can see you now - 1952, all you little girls, | 0:22:58 | 0:23:02 | |
with your frocks tucked into your knickers. | 0:23:02 | 0:23:04 | |
Oh, yeah, with our jam jars and our nets | 0:23:04 | 0:23:07 | |
and our bare feet in rock pools like this, having the time of our lives. | 0:23:07 | 0:23:12 | |
This little pool, it's actually quite... | 0:23:12 | 0:23:15 | |
Look, we've got lots of little winkle shells down here. | 0:23:15 | 0:23:18 | |
-And these are all live. -Live winkle. -Little live winkles. | 0:23:18 | 0:23:22 | |
-We used to have them Sundays. -Yeah? -Yeah, round my nan's. | 0:23:22 | 0:23:26 | |
Tiny, tiny little shells. I can't see any sea anemones. | 0:23:26 | 0:23:30 | |
Look at these. Look at these little limpets stuck. | 0:23:30 | 0:23:32 | |
-Limpets. -Not coming off. | 0:23:32 | 0:23:35 | |
Look at that. Solid. | 0:23:35 | 0:23:37 | |
Do you think that was the start of your being inquisitive | 0:23:37 | 0:23:41 | |
-and wanting to find out things? -Probably. | 0:23:41 | 0:23:43 | |
It was being out in the country, bird-watching, | 0:23:43 | 0:23:45 | |
being able to say, "Oh, look, there's a woodpecker, | 0:23:45 | 0:23:48 | |
"that's a...whatever," | 0:23:48 | 0:23:50 | |
you know, "tree creeper or a starling or whatever." | 0:23:50 | 0:23:53 | |
-Yeah. -I tell you what it also was. | 0:23:53 | 0:23:55 | |
It was part of my love of the countryside | 0:23:55 | 0:24:00 | |
and natural history. | 0:24:00 | 0:24:01 | |
Angela's parents encouraged her interest in the natural world. | 0:24:01 | 0:24:05 | |
She was very close to her father, who was away from home | 0:24:05 | 0:24:09 | |
fighting in the war for the first three years of her life. | 0:24:09 | 0:24:12 | |
Was you a bit of a daddy's girl? | 0:24:13 | 0:24:15 | |
Very much so because my father was a Royal Marine, as I said, | 0:24:15 | 0:24:19 | |
very much a macho man, | 0:24:19 | 0:24:21 | |
and my mum couldn't have any children after me, so I was the only one. | 0:24:21 | 0:24:25 | |
But my dad imparted to me | 0:24:25 | 0:24:28 | |
a lot of the things that he would have done to a son - | 0:24:28 | 0:24:30 | |
things like standing up for yourself, self-reliance, believing in yourself, | 0:24:30 | 0:24:34 | |
all of those things, which haven't half stood me in good stead | 0:24:34 | 0:24:38 | |
working in television, I can tell you. | 0:24:38 | 0:24:40 | |
So, there you were, one of the first female journalists | 0:24:40 | 0:24:43 | |
ever to be on the news, the proper nationwide news. | 0:24:43 | 0:24:48 | |
Did you get advice from your dad? | 0:24:48 | 0:24:50 | |
My very first day in television was at BBC Plymouth. | 0:24:50 | 0:24:54 | |
My father said to me, "When you look at the camera, talk to me. | 0:24:54 | 0:24:59 | |
"Just pretend I'm the camera." | 0:24:59 | 0:25:01 | |
And my dad was so right, | 0:25:01 | 0:25:04 | |
because I've now spent 48 years talking to my dad. | 0:25:04 | 0:25:07 | |
He was a special guy, my dad. | 0:25:07 | 0:25:09 | |
Tourism is a major industry here in the southwest of England. | 0:25:11 | 0:25:15 | |
In Plymouth alone, visitors spend over £250 million | 0:25:15 | 0:25:18 | |
every year exploring this historic naval city. | 0:25:18 | 0:25:22 | |
Sailors have always been well-catered for down here, | 0:25:22 | 0:25:26 | |
and the city is home to the oldest gin distillery in the world - | 0:25:26 | 0:25:30 | |
Black Friars. | 0:25:30 | 0:25:32 | |
This 18th-century building once produced more gin | 0:25:32 | 0:25:35 | |
than anywhere else on earth, and now hosts distilling demonstrations. | 0:25:35 | 0:25:40 | |
Older still, the Minerva pub | 0:25:40 | 0:25:42 | |
has been serving for over 450 years. | 0:25:42 | 0:25:46 | |
It's said that Sir Francis Drake himself drank here. | 0:25:46 | 0:25:49 | |
And the building's wooden framing is taken from the Spanish Armada | 0:25:49 | 0:25:53 | |
he helped to defeat. | 0:25:53 | 0:25:54 | |
Nine miles outside the city is an altogether different attraction. | 0:25:56 | 0:26:00 | |
On the edge of Dartmoor, in 33 acres of woodland, | 0:26:00 | 0:26:04 | |
is a family-owned zoo. | 0:26:04 | 0:26:06 | |
It's home to a lion, tigers and even a bear, | 0:26:06 | 0:26:09 | |
and was featured in the 2011 film We Bought A Zoo. | 0:26:09 | 0:26:13 | |
Without doubt, the main attraction at Mount Edgcumbe | 0:26:18 | 0:26:21 | |
is the Grade 1 listed house and its spectacular gardens. | 0:26:21 | 0:26:25 | |
Angela didn't come here with her school, | 0:26:25 | 0:26:27 | |
but she did come with her parents, | 0:26:27 | 0:26:29 | |
a time which holds some very precious memories, | 0:26:29 | 0:26:32 | |
so I'm taking her back in style. | 0:26:32 | 0:26:34 | |
All aboard! | 0:26:34 | 0:26:36 | |
Come on, Andrew! | 0:26:36 | 0:26:38 | |
So, Angela, you used to go off to Edgcumbe House. | 0:26:38 | 0:26:42 | |
As a day trip, yes. It was so easy, you see. | 0:26:42 | 0:26:44 | |
Come over on the ferry, walk up that lovely driveway to the house, | 0:26:44 | 0:26:48 | |
have a picnic in the grounds and then walk around the headland | 0:26:48 | 0:26:51 | |
and, if you were really energetic, come as far as Kingsand and Cawsand. | 0:26:51 | 0:26:55 | |
This place holds such formative memories for Angela, | 0:26:55 | 0:26:59 | |
the eight-year-old girl who grew into a national treasure. | 0:26:59 | 0:27:02 | |
Now I want to know how she's managed to transform herself | 0:27:02 | 0:27:05 | |
so many times through almost 50 years on our TV screens. | 0:27:05 | 0:27:10 | |
Well, you're certainly one of those people that loves | 0:27:10 | 0:27:13 | |
to spread their wings. | 0:27:13 | 0:27:14 | |
You've done so many different things. Why is that? | 0:27:14 | 0:27:17 | |
I always think, Len, I've been uniquely privileged | 0:27:17 | 0:27:20 | |
that... "I'm a broadcaster," I always say, | 0:27:20 | 0:27:22 | |
"and not a nanocaster, I'm a broadcaster." | 0:27:22 | 0:27:24 | |
But I've been given the opportunity as a broadcaster | 0:27:24 | 0:27:28 | |
and a communicator | 0:27:28 | 0:27:29 | |
to work on everything from Top Gear... | 0:27:29 | 0:27:31 | |
I was the first presenter of that on national television. | 0:27:31 | 0:27:34 | |
..Come Dancing, of course, What's My Line? | 0:27:34 | 0:27:37 | |
Of course, now using my journalistic skills in consumer affairs | 0:27:37 | 0:27:41 | |
as one of the presenters on Rip-Off Britain on the BBC. | 0:27:41 | 0:27:44 | |
The first time I really saw you spread your wings | 0:27:44 | 0:27:48 | |
was when you came away from the news desk | 0:27:48 | 0:27:51 | |
onto that fantastic Morecambe and Wise programme. | 0:27:51 | 0:27:55 | |
That was enormous fun, it really was, | 0:27:55 | 0:27:58 | |
and a huge compliment because, of course, at the time, | 0:27:58 | 0:28:01 | |
Eric and Ern were THE names on British television. | 0:28:01 | 0:28:04 | |
And to be asked to do that | 0:28:04 | 0:28:06 | |
sort of plum spot at the end of their Christmas special, | 0:28:06 | 0:28:10 | |
that was such an accolade when you think of all the people | 0:28:10 | 0:28:12 | |
that did it before me - | 0:28:12 | 0:28:13 | |
like Andre Previn, Elton John - big, big names. | 0:28:13 | 0:28:16 | |
So to be asked to do it was huge | 0:28:16 | 0:28:19 | |
and such a compliment. | 0:28:19 | 0:28:21 | |
And weren't they just the loveliest people to work with? | 0:28:21 | 0:28:24 | |
Set within nearly 900 acres, | 0:28:26 | 0:28:28 | |
Mount Edgcumbe House was built in the middle of the 16th century | 0:28:28 | 0:28:32 | |
and has been the seat of seven earls. | 0:28:32 | 0:28:35 | |
Thanks, Andrew. Thanks for bringing us back in the bus. There we go. | 0:28:35 | 0:28:40 | |
'Angela first came here as a young girl | 0:28:40 | 0:28:42 | |
'and hasn't been back in over 20 years | 0:28:42 | 0:28:45 | |
'so I've arranged for manager Ian Berry | 0:28:45 | 0:28:48 | |
'to give us a special tour of this splendid building.' | 0:28:48 | 0:28:51 | |
-This is fascinating. -It's lovely, isn't it? | 0:28:51 | 0:28:54 | |
I guess back in '52, | 0:28:54 | 0:28:55 | |
because there'd been a lot of damage during the war, | 0:28:55 | 0:28:58 | |
it wasn't quite how we see it now. | 0:28:58 | 0:29:00 | |
No, it was not. | 0:29:00 | 0:29:01 | |
It had been severely damaged | 0:29:01 | 0:29:03 | |
-and in fact caught fire, didn't it, Ian? -It did. | 0:29:03 | 0:29:05 | |
And there was no roof. | 0:29:05 | 0:29:07 | |
-We're talking about a building what, Tudor? -Tudor building. | 0:29:07 | 0:29:09 | |
Stood all that time and then the German bombers came along | 0:29:09 | 0:29:13 | |
and puff - off it went. | 0:29:13 | 0:29:14 | |
Two small incendiary bombs on the roof burned through the roof, | 0:29:14 | 0:29:17 | |
set fire to it all. | 0:29:17 | 0:29:19 | |
There was a big wing just along here. | 0:29:19 | 0:29:21 | |
That all went up in smoke and it was left as a shell. | 0:29:21 | 0:29:24 | |
And my first real kind of memory of this place | 0:29:24 | 0:29:27 | |
was coming here with my parents and getting bored on a Sunday afternoon. | 0:29:27 | 0:29:32 | |
And I came up and snuck through the wire | 0:29:32 | 0:29:36 | |
to where I shouldn't be, | 0:29:36 | 0:29:37 | |
to come in and kind of explore all around the garden, | 0:29:37 | 0:29:41 | |
which is over there to the other side of the house, | 0:29:41 | 0:29:43 | |
and I was having a great time. | 0:29:43 | 0:29:45 | |
I thought, "I'm here and there's nobody else here." | 0:29:45 | 0:29:47 | |
And then I saw a lady in the garden over there with a hat | 0:29:47 | 0:29:50 | |
and secateurs and a trug, | 0:29:50 | 0:29:53 | |
and I thought, "I'm going to be caught," | 0:29:53 | 0:29:55 | |
and I just hightailed it out of here and went back down there | 0:29:55 | 0:29:58 | |
and thought that would be the last time I'd ever go into the house, | 0:29:58 | 0:30:01 | |
but of course it wasn't. | 0:30:01 | 0:30:02 | |
'After being devastated in the Second World War, | 0:30:02 | 0:30:05 | |
'this magnificent house has been restored | 0:30:05 | 0:30:08 | |
'in a classic 18th-century neo-Georgian style.' | 0:30:08 | 0:30:12 | |
-Look at this. -Wow. -Isn't it lovely? -Fantastic. | 0:30:12 | 0:30:15 | |
-And I suppose, when you was a young girl, there was no roof. -No, no. | 0:30:15 | 0:30:21 | |
-When I was little and came here, the roof was gone, wasn't it, Ian? -Yeah. | 0:30:21 | 0:30:24 | |
It was just a shell then. And they started a rebuild in the 1950s, | 0:30:24 | 0:30:29 | |
which in itself is a fascinating story. | 0:30:29 | 0:30:31 | |
-We need to look at this painting up here. -Oh, right. | 0:30:31 | 0:30:34 | |
This is of Kenelm Edgcumbe and his wife, Lillian. | 0:30:34 | 0:30:38 | |
Kenelm was the Sixth Earl of Mount Edgcumbe | 0:30:38 | 0:30:41 | |
and it was Kenelm who had the inspiration to rebuild the house. | 0:30:41 | 0:30:44 | |
The family had been through a pretty rough time. | 0:30:44 | 0:30:46 | |
Their son had been killed at Dunkirk. | 0:30:46 | 0:30:48 | |
The house had burnt down in 1941. | 0:30:48 | 0:30:50 | |
The Fifth Earl died in 1944. | 0:30:50 | 0:30:53 | |
That's when Kenelm came into the title. | 0:30:53 | 0:30:56 | |
So that's the lady I saw | 0:30:56 | 0:30:57 | |
in the garden with the secateurs and the trug. | 0:30:57 | 0:30:59 | |
-That's the one, Lillian. -Fantastic. | 0:30:59 | 0:31:01 | |
'Just being in such grandeur is making me feel kind of regal. | 0:31:01 | 0:31:05 | |
'I could see myself as the lord of the manor here.' | 0:31:05 | 0:31:09 | |
-I tell you what, Len. -What? -Talk about Fred and Ginger. | 0:31:09 | 0:31:11 | |
-We've got the steps. -Oh, yes. -We've got the ballroom. | 0:31:11 | 0:31:13 | |
We could have our little dance, couldn't we? | 0:31:13 | 0:31:16 | |
SHE LAUGHS | 0:31:16 | 0:31:18 | |
-We can just... -We can go across, can't we? | 0:31:18 | 0:31:20 | |
We can just swan across. | 0:31:20 | 0:31:21 | |
THEY LAUGH | 0:31:21 | 0:31:23 | |
Angela's television career began in 1966, | 0:31:25 | 0:31:28 | |
when, aged 21, she worked as a news reporter for BBC South West. | 0:31:28 | 0:31:33 | |
She returned to Edgcumbe House | 0:31:33 | 0:31:35 | |
to make a film about the restoration of the gardens here. | 0:31:35 | 0:31:39 | |
Now I've done some digging, and dusted down the old film | 0:31:39 | 0:31:43 | |
that Angela hasn't seen for nearly 40 years. | 0:31:43 | 0:31:46 | |
Ah. Vivaldi. | 0:31:46 | 0:31:49 | |
I know what you're going to show. | 0:31:50 | 0:31:53 | |
Well, just sit back and enjoy it. | 0:31:53 | 0:31:55 | |
The beauty of the house was so widespread | 0:31:55 | 0:31:57 | |
that it was claimed as prize in war. | 0:31:57 | 0:32:00 | |
'We were told that the Duke of Medina, | 0:32:00 | 0:32:03 | |
'who commanded the Spanish Armada,' | 0:32:03 | 0:32:05 | |
had decided that Mount Edgcumbe would be his home | 0:32:05 | 0:32:07 | |
after he conquered the British fleet. | 0:32:07 | 0:32:09 | |
-It's fantastic. -Good Lord. | 0:32:09 | 0:32:10 | |
So, how long is it since you've seen that footage? | 0:32:10 | 0:32:13 | |
Oh, Len, I haven't seen that probably since I made the film, | 0:32:13 | 0:32:17 | |
which would have been, what, in the late '60s. | 0:32:17 | 0:32:20 | |
-Really? -Yes. | 0:32:20 | 0:32:22 | |
And you talk about having a photographic memory. | 0:32:22 | 0:32:25 | |
That piece to camera I did from memory. | 0:32:25 | 0:32:28 | |
-There was no autocue in those days. -No, of course not. | 0:32:28 | 0:32:31 | |
Now, going on to your time as a newsreader, | 0:32:31 | 0:32:35 | |
one of the ventures that you went into | 0:32:35 | 0:32:39 | |
was TV-am with four others. | 0:32:39 | 0:32:42 | |
It was a revolution and there was so much, I remember, criticism. | 0:32:42 | 0:32:46 | |
-"News in the morning?" -"On telly?" -"On telly? No, we can't have that." | 0:32:46 | 0:32:50 | |
We were actually... | 0:32:50 | 0:32:51 | |
It was me, Anna Ford, Robert Kee, | 0:32:51 | 0:32:55 | |
Michael Parkinson and David Frost. | 0:32:55 | 0:32:59 | |
We were the famous five. | 0:32:59 | 0:33:00 | |
The ratings battles between rival breakfast shows | 0:33:00 | 0:33:03 | |
made headline news in the '80s, | 0:33:03 | 0:33:05 | |
but TVam struggled to win viewers | 0:33:05 | 0:33:07 | |
and was mired in internal politics, | 0:33:07 | 0:33:10 | |
leading to difficult times for its under-pressure presenters. | 0:33:10 | 0:33:14 | |
Anna Ford and I were very publicly sacked, | 0:33:14 | 0:33:17 | |
which was... | 0:33:17 | 0:33:19 | |
Did that knock my confidence? | 0:33:19 | 0:33:20 | |
I thought that was the end of my broadcasting career, I really did. | 0:33:20 | 0:33:24 | |
But I was given the opportunity to go and work for CBS in Boston | 0:33:24 | 0:33:27 | |
as their arts and entertainments correspondent. | 0:33:27 | 0:33:30 | |
I went to America, absolutely on a flyer for a year. | 0:33:30 | 0:33:34 | |
From then on, I've just continued to work in television. | 0:33:34 | 0:33:37 | |
And I actually think, in a very funny way, | 0:33:37 | 0:33:39 | |
rather like this building that we're in, | 0:33:39 | 0:33:41 | |
that, you know, Mount Edgcumbe House, | 0:33:41 | 0:33:43 | |
like a phoenix, rose from the ashes from that destruction, | 0:33:43 | 0:33:46 | |
that from that moment of destruction, actually going to America | 0:33:46 | 0:33:50 | |
and working on American television for CBS for a year | 0:33:50 | 0:33:54 | |
was one of the best things that could have happened to me. | 0:33:54 | 0:33:57 | |
And it wouldn't have happened had it not been for the debacle at TV-am. | 0:33:57 | 0:34:01 | |
It could have destroyed me, but it didn't. | 0:34:01 | 0:34:03 | |
It actually, out of the ashes, | 0:34:03 | 0:34:04 | |
gave me an opportunity to do something quite different, | 0:34:04 | 0:34:07 | |
and 48 years later, still be here, working in television. | 0:34:07 | 0:34:10 | |
You know, the thing is, you turned | 0:34:10 | 0:34:12 | |
-a negative into a positive. -Into a positive. | 0:34:12 | 0:34:14 | |
And just like that little eight-year-old, you know, | 0:34:14 | 0:34:17 | |
if you fall over, you get up, | 0:34:17 | 0:34:20 | |
-you dust yourself off and you start... -Yes. | 0:34:20 | 0:34:22 | |
Pick yourself up. | 0:34:22 | 0:34:23 | |
BOTH: You dust yourself off and you start all over again. | 0:34:23 | 0:34:27 | |
The house and gardens at Mount Edgcumbe | 0:34:27 | 0:34:30 | |
date back nearly 500 years. | 0:34:30 | 0:34:33 | |
But today, I've roped in Richard Toy | 0:34:33 | 0:34:35 | |
to help me find a more modern way | 0:34:35 | 0:34:38 | |
to enjoy these peaceful surroundings. | 0:34:38 | 0:34:40 | |
-Look out. -Hey? | 0:34:40 | 0:34:42 | |
-That's smooth. -That's what you call a pair of wheels. | 0:34:42 | 0:34:44 | |
-That is, isn't it? Yeah. -Excellent. | 0:34:44 | 0:34:46 | |
-Are we going to go on one of these? -Absolutely. | 0:34:46 | 0:34:48 | |
-Yeah. -Oh right. -Let's give it a go. | 0:34:48 | 0:34:50 | |
'These things look a bit too nippy for me. | 0:34:50 | 0:34:52 | |
'I'll wait and see how Angela gets on.' | 0:34:52 | 0:34:54 | |
Richard, I want you to watch both of us individually. | 0:34:56 | 0:34:59 | |
I want you to decide which one is the more elegant. | 0:34:59 | 0:35:03 | |
I'll score you out of ten if you'd like. | 0:35:03 | 0:35:05 | |
I would like that, please. And don't start all that seven business. | 0:35:05 | 0:35:09 | |
All right, let's get you started. | 0:35:09 | 0:35:11 | |
So when you're ready, two hands on the handlebars. There you go. | 0:35:11 | 0:35:14 | |
Just place one foot on for the moment. | 0:35:14 | 0:35:16 | |
Lift yourself up with your leg onto the second foot platform. | 0:35:16 | 0:35:19 | |
There you go. You might wobble around a little bit. | 0:35:19 | 0:35:21 | |
You're a pro already. | 0:35:21 | 0:35:23 | |
As you start to lean forward, you're going to start to crawl. | 0:35:23 | 0:35:26 | |
Excellent. When you lean back slightly... And then you'll stop. | 0:35:26 | 0:35:29 | |
-Oh, no. -Do we have The Blue Danube? -No. You're showing off now. | 0:35:29 | 0:35:33 | |
I don't think I need to have a go, Richard, really. | 0:35:33 | 0:35:37 | |
I think Angela has shown us. Whoa! Hey! | 0:35:37 | 0:35:40 | |
Well, I have to say, you picked that up really quickly. | 0:35:40 | 0:35:43 | |
Marks out of ten? | 0:35:43 | 0:35:44 | |
It would have to be at least a nine. Let's make that 9.5. | 0:35:44 | 0:35:48 | |
-Not bad for a novice. -Absolutely. -You going to have a go? -Well, yes, I am. | 0:35:48 | 0:35:52 | |
-Go for a ten? -I'm going for a ten. -Going for a ten. | 0:35:52 | 0:35:54 | |
Let's see a supreme performance. | 0:35:56 | 0:35:58 | |
-Start leaning your entire body... -No, don't. I don't like it. No. | 0:35:58 | 0:36:03 | |
Oh, no, give over. Why is it going over there? | 0:36:03 | 0:36:06 | |
-You're steering it that way. -I don't mess about. Here I go. | 0:36:06 | 0:36:12 | |
I must be doing three miles an hour now. | 0:36:12 | 0:36:14 | |
See if you can stop right there. | 0:36:14 | 0:36:16 | |
-Stop right there? -Stop right there. | 0:36:16 | 0:36:18 | |
-Perfect. -Where are you going? -Shut up. | 0:36:24 | 0:36:26 | |
-No, I'm going to dismount. -OK. | 0:36:28 | 0:36:31 | |
Ten for Len or not? | 0:36:31 | 0:36:33 | |
Not quite, no. It was nearly a nine. | 0:36:33 | 0:36:37 | |
-I must say, Angela, you did have a more professional approach. -Did I? | 0:36:37 | 0:36:41 | |
-Yes. -They're fun! -They are fun. -They're a lot of fun, absolutely. | 0:36:41 | 0:36:44 | |
-Can I have another go? -Yes, of course you can. -Want a lift, Len? | 0:36:44 | 0:36:48 | |
Carry on. | 0:36:48 | 0:36:49 | |
That's the trouble - | 0:36:49 | 0:36:51 | |
Angela is good at everything. | 0:36:51 | 0:36:53 | |
She is. | 0:36:53 | 0:36:54 | |
She's humiliated me in front of millions of people. Look at her now. | 0:36:54 | 0:36:59 | |
Look at her. Look at her go. | 0:36:59 | 0:37:01 | |
-SHE LAUGHS -Shut up, Angela. | 0:37:01 | 0:37:04 | |
SHE LAUGHS | 0:37:05 | 0:37:08 | |
Plymouth and the surrounding area has a wealth of history | 0:37:12 | 0:37:15 | |
that keeps millions of tourists coming every year. | 0:37:15 | 0:37:19 | |
Visitors can climb aboard one of these Segways | 0:37:19 | 0:37:21 | |
for a guided adventure 300 feet to the top of Mount Edgcumbe. | 0:37:21 | 0:37:26 | |
The vista from the summit is spectacular, | 0:37:26 | 0:37:29 | |
with views across the Plymouth Sound and the River Tamar. | 0:37:29 | 0:37:34 | |
The best way to get about the city is by hiring a bike. | 0:37:34 | 0:37:37 | |
Cyclists can head to the waterfront, | 0:37:37 | 0:37:39 | |
and take in the Grade 1 listed Royal William Yard, | 0:37:39 | 0:37:43 | |
or the Mayflower Steps, | 0:37:43 | 0:37:44 | |
where America's Founding Fathers set off on a voyage of discovery. | 0:37:44 | 0:37:48 | |
Plymouth has been home to the Royal Navy for over 300 years, | 0:37:50 | 0:37:54 | |
and many have died in defence of the country. | 0:37:54 | 0:37:56 | |
Completed in 1924, the spectacular Naval War Memorial | 0:37:56 | 0:38:01 | |
commemorates the lives of over 23,000 personnel lost in battle. | 0:38:01 | 0:38:06 | |
And the most iconic attraction has to be Smeaton's Tower. | 0:38:07 | 0:38:12 | |
This 18th-century lighthouse stood 72 feet high | 0:38:12 | 0:38:16 | |
and was originally lit with just 24 candles. | 0:38:16 | 0:38:20 | |
Now visitors can now climb the 93 steps | 0:38:20 | 0:38:23 | |
to witness spectacular views across the Plymouth Sound. | 0:38:23 | 0:38:27 | |
Angela Rippon has had a most prolific and varied career. | 0:38:31 | 0:38:35 | |
She's brought us the news. She's travelled far and wide. | 0:38:35 | 0:38:38 | |
And she's even done a spot of dancing. | 0:38:38 | 0:38:41 | |
Her time spent on Mount Edgcumbe helped shape | 0:38:41 | 0:38:43 | |
that wide-eyed eight-year-old into the national treasure we know today. | 0:38:43 | 0:38:48 | |
But I want to know the secret to her success. | 0:38:48 | 0:38:51 | |
Well, your career has spanned getting on for 50 years. | 0:38:52 | 0:38:56 | |
What is the secret to longevity? | 0:38:56 | 0:38:59 | |
Well, I don't actually know. | 0:38:59 | 0:39:02 | |
I always feel that my theme song | 0:39:02 | 0:39:05 | |
should be the one from Follies, Stephen Sondheim - | 0:39:05 | 0:39:08 | |
I'm Still Here. Don't ask me how. | 0:39:08 | 0:39:10 | |
I hope it's because people quite like working with me. | 0:39:12 | 0:39:16 | |
I hope it's because the viewers | 0:39:17 | 0:39:19 | |
enjoy the kind of programmes that I get involved in. | 0:39:19 | 0:39:22 | |
Or maybe it's just because I'm stubborn and won't go away. | 0:39:22 | 0:39:25 | |
THEY BOTH LAUGH | 0:39:25 | 0:39:27 | |
Well, you know, of all those things, and the list is endless - | 0:39:27 | 0:39:30 | |
documentaries, quiz shows, Come Dancing, on and on, | 0:39:30 | 0:39:34 | |
newsreader - what one has given you the most pleasure | 0:39:34 | 0:39:37 | |
or which one are you most proud of? | 0:39:37 | 0:39:39 | |
I think probably... | 0:39:39 | 0:39:41 | |
When I get young women coming up to me | 0:39:41 | 0:39:44 | |
and saying, "You were my role model," when I was reading the news. | 0:39:44 | 0:39:48 | |
"You were the person that made me | 0:39:48 | 0:39:50 | |
"want to get into journalism or broadcasting." | 0:39:50 | 0:39:55 | |
That, I think, is what gives me... | 0:39:55 | 0:39:57 | |
I get kind of tingly just talking about it now. | 0:39:57 | 0:40:00 | |
I think that probably makes me... | 0:40:00 | 0:40:03 | |
I feel good about that. | 0:40:03 | 0:40:04 | |
Of all the people you have interviewed, | 0:40:04 | 0:40:07 | |
who has been the one that has impressed you the most | 0:40:07 | 0:40:11 | |
and was just fantastic? | 0:40:11 | 0:40:13 | |
Oh, I tell you who is quite outstanding for a lot of reasons - | 0:40:13 | 0:40:18 | |
Yul Brynner. I was a fan of Yul Brynner since I can't remember. | 0:40:18 | 0:40:22 | |
That voice, sexiest voice on the silver screen. | 0:40:22 | 0:40:26 | |
And to actually meet him and interview him | 0:40:26 | 0:40:28 | |
and get an interview towards the end of his life | 0:40:28 | 0:40:31 | |
when he knew he was dying of cancer, | 0:40:31 | 0:40:33 | |
the things that he said stayed with me forever. | 0:40:33 | 0:40:36 | |
How do you think your holiday in 1952 | 0:40:36 | 0:40:39 | |
has helped you to become the person that you are today? | 0:40:39 | 0:40:43 | |
I think probably from that holiday, I got that sense of adventure, | 0:40:43 | 0:40:48 | |
I got the curiosity. And I also knew, | 0:40:48 | 0:40:51 | |
because it was the first holiday I'd ever had away from my parents, | 0:40:51 | 0:40:54 | |
a proper holiday, | 0:40:54 | 0:40:56 | |
to stand on my own two feet and to trust my judgement | 0:40:56 | 0:41:01 | |
and to be able to go out and do things on my own. | 0:41:01 | 0:41:05 | |
-Yeah, not to be afraid. -No. | 0:41:05 | 0:41:07 | |
And I think that is probably what stayed with me. | 0:41:07 | 0:41:11 | |
'It's been an honour to take Angela back to a place | 0:41:11 | 0:41:14 | |
'which holds such very special memories...' | 0:41:14 | 0:41:17 | |
Oh, look! It's just as I remember. | 0:41:17 | 0:41:21 | |
'..reliving the times she spent here as a schoolgirl 60 years ago...' | 0:41:21 | 0:41:25 | |
I'm going to roll my trousers up cos we might get wet down here. | 0:41:25 | 0:41:29 | |
'..and seeing that a few things have changed in all that time.' | 0:41:29 | 0:41:32 | |
That's the taste of childhood. | 0:41:32 | 0:41:33 | |
'It's clear that Mount Edgcumbe | 0:41:33 | 0:41:36 | |
'is still a very special place for Angela even now.' | 0:41:36 | 0:41:40 | |
-I've got a little gift for you. Don't get excited. -Right. Oh. | 0:41:40 | 0:41:44 | |
Here we go. | 0:41:44 | 0:41:46 | |
What's this? | 0:41:46 | 0:41:48 | |
This is Holiday Of My Lifetime With Len Goodman. | 0:41:48 | 0:41:51 | |
It's a little keepsake of memories of our time together. | 0:41:51 | 0:41:57 | |
'A photo album capturing all the fun we've had | 0:41:57 | 0:42:00 | |
'on a wonderful day together.' | 0:42:00 | 0:42:02 | |
I tell you why that's really brilliant, Len. | 0:42:08 | 0:42:10 | |
I cannot find any photographs at all of that original holiday in 1952. | 0:42:10 | 0:42:15 | |
So to have this, reliving it with you as my mate, | 0:42:15 | 0:42:19 | |
as my companion, | 0:42:19 | 0:42:21 | |
is really, really special. | 0:42:21 | 0:42:23 | |
Thank you so much. Thank you. | 0:42:23 | 0:42:25 | |
-The excitement hasn't finished. -Oh, my goodness. Can I take any more? | 0:42:25 | 0:42:30 | |
Because when we were watching the film of you, | 0:42:30 | 0:42:33 | |
you said, "I'd love to have that." | 0:42:33 | 0:42:36 | |
-Oh, my gosh, there it is. -There it is. | 0:42:36 | 0:42:40 | |
There's the film. Good heavens above. | 0:42:40 | 0:42:44 | |
Me at Mount Edgcumbe. | 0:42:44 | 0:42:45 | |
Oh, Len, the old film can. | 0:42:45 | 0:42:48 | |
There's not a film in there. | 0:42:49 | 0:42:50 | |
Oh, it's a DVD. Oh, thanks. | 0:42:50 | 0:42:54 | |
That's Christmas and birthday all rolled into one. Oh, thank you. | 0:42:54 | 0:42:58 | |
So that's Mount Edgcumbe. | 0:42:59 | 0:43:01 | |
Wonderful beaches, spectacular gardens, breathtaking views | 0:43:01 | 0:43:04 | |
and historic hall - all in one spot. | 0:43:04 | 0:43:08 | |
No wonder it's a place that means so much to Angela Rippon. | 0:43:08 | 0:43:11 |