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I'm approaching the city of Gdansk from the Baltic Sea. | 0:00:38 | 0:00:41 | |
This unremarkable stretch of waterway has seen two seismic events in recent history. | 0:00:41 | 0:00:48 | |
On September 1st 1939, World War II began over there on Westerplatte, | 0:00:48 | 0:00:54 | |
when the German warship Schleswig-Holstein opened fire on the Polish garrison. | 0:00:54 | 0:00:59 | |
They held out very gamely, but within a matter of weeks, all of Poland was overrun. | 0:00:59 | 0:01:05 | |
By the end of the war, the Poles had lost 20% of their population, | 0:01:08 | 0:01:12 | |
a higher proportion than any other European country. | 0:01:12 | 0:01:16 | |
Even when the Nazis were finally driven out of Poland by Stalin's Red Army, | 0:01:16 | 0:01:20 | |
things didn't really get much better. | 0:01:20 | 0:01:22 | |
The Poles merely exchanged one tyranny for another. | 0:01:22 | 0:01:26 | |
So it went on through the '40s, '50s, '60s and '70s, until something quite remarkable happened | 0:01:26 | 0:01:32 | |
here at the Gdansk shipyards, not 10 minutes by small boat from where World War II began. | 0:01:32 | 0:01:38 | |
CHANTING | 0:01:38 | 0:01:42 | |
An electrician called Lech Walesa led a series of strikes | 0:01:44 | 0:01:48 | |
that were the beginning of the end of Communism in Europe. | 0:01:48 | 0:01:51 | |
Under the agreement that followed, | 0:01:56 | 0:01:58 | |
free trade unions became legal for the first time in any of the Soviet bloc countries. | 0:01:58 | 0:02:03 | |
The famous gates of what was then the Lenin Shipyard | 0:02:04 | 0:02:07 | |
are still decorated as they were in the days of defiance, | 0:02:07 | 0:02:11 | |
with the name of Walesa's union, Solidarity, and his inspiration, the Polish Pope John Paul II. | 0:02:11 | 0:02:19 | |
Lech Walesa helped maintain a fleet of electronic buggies like this one, | 0:02:20 | 0:02:25 | |
a job which kept him in contact with workers all over the yard. | 0:02:25 | 0:02:28 | |
The shipyards themselves, shorn of their socialist subsidies, later went bust. | 0:02:30 | 0:02:36 | |
They were bailed out, but the workforce today is a shadow of what it once was. | 0:02:36 | 0:02:41 | |
'I ask the manager if there's still a sense of pride about what happened here.' | 0:02:45 | 0:02:50 | |
What do the workforce here today think about Lech Walesa? | 0:02:52 | 0:02:56 | |
Well, they are very proud, | 0:02:56 | 0:02:58 | |
knowing that Mr Walesa was for a long time | 0:02:58 | 0:03:01 | |
employed here in Gdansk shipyard | 0:03:01 | 0:03:05 | |
and he was trying to help afterwards while being a president of Poland, for example. | 0:03:05 | 0:03:11 | |
And they still have good links, knowing some friendships were still maintained. | 0:03:11 | 0:03:18 | |
Do they regard him as a good president? | 0:03:18 | 0:03:21 | |
-Definitely, yes. -Yeah, yeah. | 0:03:21 | 0:03:23 | |
Gdansk, reduced to rubble in the war, has been restored to its former glories, | 0:03:23 | 0:03:29 | |
and ex-President Walesa has been granted a grace and favour office | 0:03:29 | 0:03:33 | |
in this imposing former royal residence. | 0:03:33 | 0:03:36 | |
It's here that he's agreed to see me. | 0:03:38 | 0:03:41 | |
Few living Europeans are as illustrious as Lech Walesa. | 0:03:43 | 0:03:47 | |
Married to Danuta, eight children, loves computers, has a Nobel Prize, an airport named after him, | 0:03:47 | 0:03:53 | |
a daughter doing well in Poland's Celebrity Come Dancing, is serious and hates small talk. | 0:03:53 | 0:04:00 | |
Mr President, what is the best thing about your life now? | 0:04:00 | 0:04:04 | |
TRANSLATION: The best things are good food, good wine and women. | 0:04:07 | 0:04:14 | |
But I must remember that I am 63. | 0:04:14 | 0:04:17 | |
So I have to watch myself. | 0:04:17 | 0:04:19 | |
Well, I'd like to say I'm 63 and much inspired! | 0:04:21 | 0:04:26 | |
Remember what Churchill said, "The things we like are either immoral or bad for us." | 0:04:30 | 0:04:38 | |
Comparing Poland then and now, what has improved? | 0:04:38 | 0:04:45 | |
It depends how you look at it, how you look at the benefits. | 0:04:51 | 0:04:56 | |
For me, the main benefits are freedom and democracy, | 0:04:56 | 0:05:01 | |
that people can travel freely, | 0:05:01 | 0:05:06 | |
that you can go to church. | 0:05:06 | 0:05:08 | |
That I can be president. | 0:05:08 | 0:05:09 | |
Anyone can become president. | 0:05:09 | 0:05:11 | |
I think that these things are worth dying for, but there are other people. | 0:05:16 | 0:05:22 | |
For them, the important thing is jobs... | 0:05:22 | 0:05:25 | |
..how much money they have. | 0:05:28 | 0:05:31 | |
They see the benefit in a different light from me. | 0:05:31 | 0:05:33 | |
Trade made Gdansk rich. | 0:05:43 | 0:05:46 | |
It shows in the harmonious grace of its Dutch-influenced squares. | 0:05:46 | 0:05:50 | |
Down by the canal, the largest medieval crane in Europe still stands, but no longer lifts. | 0:05:50 | 0:05:57 | |
An hour's drive away and I'm at another waterfront. | 0:06:00 | 0:06:03 | |
This is Elblag, equally war-battered but less well restored than Gdansk. | 0:06:08 | 0:06:14 | |
It's the starting point for what is to be a most remarkable journey on the Elblag-Ostroda Canal. | 0:06:14 | 0:06:20 | |
Our boat is called Labedz, the Swan. | 0:06:33 | 0:06:36 | |
It's functional rather than elegant and Ugly Duckling might have been better. | 0:06:36 | 0:06:40 | |
Either would be quite suitable as we make our way through a nature reserve of marsh and woodland | 0:06:44 | 0:06:50 | |
that's a haven for birdwatchers. | 0:06:50 | 0:06:51 | |
Oh. He's found one. | 0:06:53 | 0:06:55 | |
The canal opened in 1872, just before the railway that took away most of its trade. | 0:07:10 | 0:07:16 | |
It has to cope with a rise of 360 feet from one end to the other. | 0:07:17 | 0:07:22 | |
The engineers solved the problem in a most spectacular way. | 0:07:24 | 0:07:27 | |
As we enter the lock, the Swan slides into an underwater cradle. | 0:07:35 | 0:07:39 | |
In an engine-room built beside the canal, | 0:07:45 | 0:07:48 | |
mighty wheels are slowly powered into action which turn a drive wheel, | 0:07:48 | 0:07:52 | |
which turns a cable, which will slowly draw the boat, | 0:07:52 | 0:07:56 | |
secure in its watery hammock, out of the water and up the hill. | 0:07:56 | 0:08:01 | |
This is pretty remarkable | 0:08:13 | 0:08:15 | |
because we've been dragged out of the canal onto dry land. | 0:08:15 | 0:08:19 | |
It's not a lock system, it's a slipway system. | 0:08:19 | 0:08:23 | |
Basically, the boat has to be raised 100 metres in the course of the canal | 0:08:23 | 0:08:27 | |
and this is one of these locks and I've never seen anything quite like this, | 0:08:27 | 0:08:31 | |
so instead of just being in a water lock, you are actually taken out of the water and up the hill. | 0:08:31 | 0:08:36 | |
What amazes me is that no one bats an eyelid at the sight of a boat going up a hill. | 0:09:19 | 0:09:25 | |
Well, it has been doing this for a 140 years, I suppose. | 0:09:25 | 0:09:28 | |
Once over the hill, we're eased gently back into the water. | 0:09:54 | 0:09:57 | |
This whole wonderful Heath Robinson process will happen four more times before they reach Ostroda. | 0:10:04 | 0:10:09 | |
Amazing. We've come over the hill, the rails have led us up and we're now back in the water again. | 0:10:11 | 0:10:16 | |
We have ceased to be a railway. | 0:10:16 | 0:10:18 | |
We're now a boat again. | 0:10:18 | 0:10:21 | |
Extraordinary! | 0:10:21 | 0:10:22 | |
Really delightful, if cumbersome machinery. | 0:10:25 | 0:10:29 | |
Raised above the countryside. | 0:10:29 | 0:10:31 | |
I'm not going all the way to the end as I have to be back in Elblag | 0:10:36 | 0:10:40 | |
for a professional engagement. | 0:10:40 | 0:10:42 | |
With a top cabaret! | 0:10:42 | 0:10:45 | |
Well, this could be another career break. I've been asked by a group called Ani Mru Mru. | 0:10:45 | 0:10:50 | |
They are a Polish group. They're very popular, very successful. Ani Mru Mru means, "Shh!" | 0:10:50 | 0:10:55 | |
Don't worry, or something like that, which I quite like. | 0:10:55 | 0:10:58 | |
Anyway, they know of Python. They know I'm in town and asked me to come and do a small part. | 0:10:58 | 0:11:03 | |
I'll do my best. | 0:11:03 | 0:11:04 | |
I'm rushed to wardrobe to discuss my costume with one of the stars. | 0:11:10 | 0:11:14 | |
What do you think? Shorts? | 0:11:14 | 0:11:17 | |
-Yes, it's very nice. -Yeah, I knew they would come in useful somewhere on my trip to Poland. | 0:11:17 | 0:11:22 | |
-Yeah, they're very nice, those. -OK. And what with the... | 0:11:22 | 0:11:25 | |
-From Milan or... -From Milan, yes, especially with that... | 0:11:25 | 0:11:29 | |
-Jean-Paul Gaultier. -Jean-Paul Gaultier. | 0:11:29 | 0:11:32 | |
It's like a codpiece coming out of your hip. | 0:11:32 | 0:11:34 | |
-Yeah, it looks like it. -Kooky? Yeah, kind of weird, anyway. | 0:11:34 | 0:11:39 | |
When you do these shows, is the humour satirical? I mean, what makes the audience laugh? | 0:11:39 | 0:11:46 | |
You never know. It's like... | 0:11:46 | 0:11:48 | |
-Well, you know Monty Python, you must have seen it. -Yeah, I know it. | 0:11:48 | 0:11:52 | |
Lots of people in Poland know you cos of Monty Python. | 0:11:52 | 0:11:56 | |
I'm now joining a Polish group. | 0:11:57 | 0:11:59 | |
So there, Cleese, Idle, Jones and the other one! | 0:11:59 | 0:12:04 | |
I've been given the role of a five-year-old boy, | 0:12:06 | 0:12:09 | |
a big test for any method actor. | 0:12:09 | 0:12:12 | |
Oh dear! | 0:12:12 | 0:12:14 | |
I still can't decide. | 0:12:15 | 0:12:18 | |
That's too grown up, that's too silly. | 0:12:18 | 0:12:20 | |
I suppose silly's what it's all about. | 0:12:22 | 0:12:25 | |
Oh dear! | 0:12:28 | 0:12:29 | |
Maybe... I don't know. | 0:12:29 | 0:12:31 | |
HE SPEAKS IN POLISH | 0:12:31 | 0:12:34 | |
Anyway, darlings, if you'd just give me a moment. Give me a moment. | 0:12:47 | 0:12:53 | |
Just give me a moment. Yes. | 0:12:53 | 0:12:58 | |
I'm ready. | 0:12:58 | 0:12:59 | |
The sketch is a satire on pop stars who use sweet little children in their act. | 0:13:03 | 0:13:08 | |
HE SINGS IN POLISH | 0:13:08 | 0:13:12 | |
I've modelled my performance on the theme of over-excitement... | 0:13:20 | 0:13:24 | |
..and incontinence. | 0:13:27 | 0:13:30 | |
Fortunately, I don't know the Polish for "get off!" | 0:13:35 | 0:13:37 | |
Michael Palin! | 0:13:56 | 0:13:57 | |
CHEERING AND APPLAUSE | 0:13:57 | 0:14:02 | |
I hung around in Elblag for a while, but the phone didn't ring. | 0:14:17 | 0:14:20 | |
So I'm off to Warsaw. | 0:14:20 | 0:14:22 | |
Warsaw, the Polish capital, will be the mid-point of my journey, | 0:14:25 | 0:14:29 | |
before carrying on to Poznan, then south to Krakow and the Slovakian border. | 0:14:29 | 0:14:34 | |
Warsaw suffered dreadfully in World War II. | 0:14:44 | 0:14:47 | |
In his fury at the uprising of 1944, Hitler ordered the city removed from the map. | 0:14:47 | 0:14:54 | |
Over 800,000 citizens died or disappeared. | 0:14:54 | 0:14:58 | |
After the war, Poland's capital was rebuilt by the Communists. | 0:14:58 | 0:15:02 | |
'Stalin gave this Palace of Culture to the Poles to show how much they meant to the USSR.' | 0:15:17 | 0:15:22 | |
Did you want it? | 0:15:22 | 0:15:24 | |
Apparently, he gave us a choice - "You either get a Metro system or a palace of culture." | 0:15:24 | 0:15:28 | |
We said, "Oh, can we have the Metro, please"? He said, "OK, I'll give you the palace." | 0:15:28 | 0:15:33 | |
That's how it started. | 0:15:33 | 0:15:34 | |
'Perverse. My guide is Polish journalist, Monica Richardson.' | 0:15:34 | 0:15:37 | |
It sort of plonks itself down right in the middle of the city like some alien creature. | 0:15:37 | 0:15:43 | |
Like a scar. Absolutely. | 0:15:43 | 0:15:45 | |
It does cut the city right in half. | 0:15:45 | 0:15:49 | |
When you look out at your city from here, do you find it a little grey? | 0:15:49 | 0:15:56 | |
Do you think it's a beautiful city? | 0:15:56 | 0:15:58 | |
No, it's not a beautiful city. But it's a working city. I have a lot of respect for it. | 0:15:58 | 0:16:03 | |
It's a good, down to earth city of people who have busy lives. | 0:16:03 | 0:16:07 | |
Yes. You get a great view of the city without having to see the Palace of Culture. | 0:16:07 | 0:16:11 | |
-I suppose in that way, it's kind of... -It's a blessing in disguise. | 0:16:11 | 0:16:15 | |
-It's better being in it than being out there looking at it. -Absolutely. It's an awful place. | 0:16:15 | 0:16:19 | |
Well, it's got a certain grandeur. | 0:16:19 | 0:16:23 | |
An edifice like this brings to mind some form of architectural imperialism, | 0:16:23 | 0:16:28 | |
plonked down to dominate the subjugated people. | 0:16:28 | 0:16:32 | |
Very true, but it's become a symbol of Warsaw, whether we're happy about this or not, | 0:16:32 | 0:16:37 | |
just like the fact that Warsaw is such an old new city. | 0:16:37 | 0:16:40 | |
An old new city? Yes, that's a good way of seeing it. | 0:16:40 | 0:16:43 | |
Kind of like an Eiffel Tower in a sense, it's on all the postcards. | 0:16:43 | 0:16:47 | |
Love it or loathe it. | 0:16:47 | 0:16:49 | |
This is the Congress Hall. | 0:16:50 | 0:16:52 | |
This is where the Communist Party would have its congresses every so many years, | 0:16:52 | 0:16:57 | |
just to explain to people why things hadn't turned out quite as beautifully as they were going to. | 0:16:57 | 0:17:02 | |
All of the delegates would be sitting here from all over Poland | 0:17:02 | 0:17:05 | |
and the leaders would be up the top there, talking for hours on end, | 0:17:05 | 0:17:10 | |
with people sort of dozing away as it's all televised live for days and days. | 0:17:10 | 0:17:15 | |
The irony is that people like Bob Dylan have come and performed here now. | 0:17:15 | 0:17:19 | |
I'm sure they knew nothing about the history of this place. | 0:17:19 | 0:17:22 | |
It reflects the history. Of course, a few days ago, | 0:17:22 | 0:17:25 | |
Miss World took place on the same stage that the fiery communist leaders were giving their rhetoric. | 0:17:25 | 0:17:32 | |
-How bizarre! -What would Stalin make of that? | 0:17:32 | 0:17:34 | |
-I'm sure he's turning in his grave. -Oh, that would make a sound. | 0:17:34 | 0:17:38 | |
That would be a sort of 10.6 on the Richter scale - Stalin turning in his grave. | 0:17:38 | 0:17:43 | |
-NEWSREEL: -Left in the wake of the onrushing Reds is the ruined city of Warsaw, | 0:17:43 | 0:17:47 | |
scene of an indescribable five-year reign of terror. | 0:17:47 | 0:17:51 | |
But at last, the exiled population, those still alive, | 0:17:51 | 0:17:55 | |
are able to return to the shells of their former homes. | 0:17:55 | 0:17:58 | |
For once more, the Polish flag flies over Warsaw. | 0:17:58 | 0:18:01 | |
It's remarkable that this was rebuilt after the war. | 0:18:05 | 0:18:09 | |
-It was complete rubble. -This has been built in my lifetime, rather than 300 years ago. | 0:18:09 | 0:18:14 | |
Yes, it was rebuilt to the exact specifications of the way it had been in the 18th century, | 0:18:14 | 0:18:20 | |
rather than directly after the war. | 0:18:20 | 0:18:22 | |
For some reason, the architects decided that the 18th century | 0:18:22 | 0:18:26 | |
was when the old town in Warsaw was at its biggest glory, the highest glory. | 0:18:26 | 0:18:30 | |
That's how they did it. But in a sense, it's completely artificial. | 0:18:30 | 0:18:34 | |
But it was supposed to be very beautiful, wasn't it? People compared it with Paris. | 0:18:34 | 0:18:38 | |
-Yes. -Around here is really lovely. | 0:18:38 | 0:18:40 | |
Actually, it's a testimony to the amazing efforts of those people | 0:18:40 | 0:18:44 | |
who, in 1945-46, decided to actually keep this the capital of Poland. | 0:18:44 | 0:18:50 | |
It wasn't, if you think about it, all that obvious at all. | 0:18:50 | 0:18:54 | |
85% of it was in rubble. | 0:18:54 | 0:18:56 | |
Do you think that places like this, these squares, | 0:18:56 | 0:18:59 | |
that have been beautifully restored, | 0:18:59 | 0:19:02 | |
is that sort of helping to remind Poland of a past, a golden past? | 0:19:02 | 0:19:08 | |
After all, there was a time when Poland was a big player in Europe, | 0:19:08 | 0:19:13 | |
much bigger than Russia or Germany. | 0:19:13 | 0:19:15 | |
Do people hark back to that? | 0:19:15 | 0:19:17 | |
No. I think I can see where you're coming from asking that question, | 0:19:17 | 0:19:22 | |
but no, I don't think we've got any illusions of grandeur past or present or future dreams of it. | 0:19:22 | 0:19:28 | |
I think we just want to be taken seriously, | 0:19:28 | 0:19:32 | |
as a nation that's a force in Europe, | 0:19:32 | 0:19:35 | |
as a nation that's got a fantastic history to it, | 0:19:35 | 0:19:38 | |
as a brave nation that however has something to offer here and now, | 0:19:38 | 0:19:42 | |
rather than being a martyr for generations and generations. | 0:19:42 | 0:19:46 | |
Plenty of Poles have come to work in the UK. | 0:19:49 | 0:19:52 | |
But I'm off to meet an Englishman who's happier working in Poland. | 0:19:52 | 0:19:56 | |
He's a cockney called Kevin Aiston. | 0:19:56 | 0:19:58 | |
He came here 15 years ago, without a visa, doing whatever jobs he could find | 0:19:58 | 0:20:03 | |
and picking up the language along the way. | 0:20:03 | 0:20:05 | |
He's ended up in the Polish fire brigade. | 0:20:05 | 0:20:09 | |
When I got the hang of the Polish language and I felt confident enough, | 0:20:09 | 0:20:14 | |
I knocked on the doors of the Polish fire brigade and said, "Hi, I want to be a fireman, can I?" | 0:20:14 | 0:20:19 | |
I passed all the tests and everything and they said, "Come on in." | 0:20:19 | 0:20:22 | |
I'm a section leader in the Polish fire brigade. | 0:20:22 | 0:20:24 | |
You're saying lightly that, "Oh, I learned the language," but it must have been very, very difficult. | 0:20:24 | 0:20:30 | |
I find it a very difficult language indeed. | 0:20:30 | 0:20:32 | |
Polish actually is amongst five of the most difficult languages in the world. | 0:20:32 | 0:20:38 | |
I don't know how I've done it. | 0:20:38 | 0:20:39 | |
-How do you do it? Did you do it from books? -No books. | 0:20:39 | 0:20:42 | |
At one point, Michael, I wouldn't even like to think about it, | 0:20:42 | 0:20:47 | |
cos I'm sure I've drunk a car learning this Polish language, | 0:20:47 | 0:20:50 | |
but the best way to learn Polish really is buy a beer, buy a Polish guy a beer, | 0:20:50 | 0:20:54 | |
sit down and chat with him. | 0:20:54 | 0:20:56 | |
How similar are the Poles to the English? Or how different? | 0:20:56 | 0:21:00 | |
They're very different. I wouldn't say similar. | 0:21:00 | 0:21:03 | |
They're not similar at all. They're very, very opposite, I'd say. | 0:21:03 | 0:21:06 | |
But they're opposites which attract. The Poles like the English, the English like the Poles. | 0:21:06 | 0:21:11 | |
The Poles, for example, they're very gallant, if you're talking about women. | 0:21:11 | 0:21:16 | |
They kiss women on the hand for hello and goodbye. | 0:21:16 | 0:21:19 | |
English guy does this, "Hi, how are you?" It's a little bit cold. | 0:21:19 | 0:21:23 | |
The Poles are very hospitable - if you go to their house, they will empty out the fridge | 0:21:23 | 0:21:27 | |
and knock on the neighbour's door to get their fridge emptied to entertain you. | 0:21:27 | 0:21:31 | |
What about your love life here, if it's not a rude question? Are the girls easy to meet? | 0:21:31 | 0:21:36 | |
Yes. Yes, I did. When I came out here, I was 21. | 0:21:36 | 0:21:40 | |
21, 22. | 0:21:40 | 0:21:43 | |
Not married. | 0:21:43 | 0:21:44 | |
The Polish women are really beautiful. | 0:21:44 | 0:21:47 | |
They really are. | 0:21:47 | 0:21:49 | |
Also, very hospitable. | 0:21:49 | 0:21:51 | |
They love English. | 0:21:51 | 0:21:52 | |
They love the Englishman as well, not only their language. | 0:21:52 | 0:21:56 | |
But I'm married so I can't say too much now. | 0:21:56 | 0:22:00 | |
I'm sure my wife is going to watch this. | 0:22:00 | 0:22:03 | |
I'm married to a Polish woman. | 0:22:03 | 0:22:04 | |
We're building a house now in the forest, which is coming on very nicely. | 0:22:04 | 0:22:08 | |
I would not be able to do that in Great Britain, I'm sure of it. | 0:22:08 | 0:22:11 | |
And we have a lovely daughter whose name actually by the way is Chelsea. | 0:22:11 | 0:22:15 | |
So there's a nice piece of English heritage still being implanted in Poland | 0:22:15 | 0:22:20 | |
and it's being raised in Poland so... | 0:22:20 | 0:22:23 | |
I've still got Great Britain close to my heart and everything, even though I'm a long way away. | 0:22:23 | 0:22:28 | |
But I would say this one thing for the Poles that are in my country | 0:22:28 | 0:22:32 | |
is that I hope that Great Britain treats them as well as Poland has treated me here. | 0:22:32 | 0:22:36 | |
That's the best that I could ever wish them, really. | 0:22:36 | 0:22:39 | |
There's something I've always wanted to do. | 0:22:39 | 0:22:41 | |
-Michael. -I don't like these gates, they look very serious. | 0:22:41 | 0:22:44 | |
-This one is quite serious. -It's a long way down from here. | 0:22:44 | 0:22:47 | |
It certainly looks a lot further from here. | 0:22:47 | 0:22:50 | |
But we're going to get you down there safely. | 0:22:50 | 0:22:52 | |
What you've got to on this fire pole is first... | 0:22:52 | 0:22:58 | |
throw that into your shoulder. | 0:22:58 | 0:23:01 | |
Here, here. Do not hold it with your hands, because you'll burn them going down. | 0:23:01 | 0:23:06 | |
Do it with your sleeves, one leg, two legs. | 0:23:06 | 0:23:09 | |
And you go. Got it? | 0:23:09 | 0:23:11 | |
-You nearly went then. -Nearly. | 0:23:12 | 0:23:14 | |
I'll go after you. | 0:23:14 | 0:23:16 | |
So, in like that. Woah! | 0:23:16 | 0:23:18 | |
No arms. One leg. Then the other. | 0:23:18 | 0:23:20 | |
And then you go down. Let gravity take over. | 0:23:20 | 0:23:23 | |
That's brilliant. Whoa! | 0:23:23 | 0:23:26 | |
-Not so bad, eh? -Ah! | 0:23:26 | 0:23:29 | |
It's like sandpaper. | 0:23:29 | 0:23:31 | |
Now let go of the pole, Michael. | 0:23:31 | 0:23:33 | |
Let go of the pole? Oh, I don't take it with me? | 0:23:33 | 0:23:37 | |
How was that? Deux points? | 0:23:37 | 0:23:39 | |
Absolute Mont Blanc. | 0:23:39 | 0:23:42 | |
So simple. | 0:23:42 | 0:23:44 | |
'I can't wait to try it again.' | 0:23:44 | 0:23:46 | |
LOUD BEEPING | 0:23:46 | 0:23:50 | |
'This could be my chance.' | 0:23:50 | 0:23:52 | |
Wait! | 0:24:07 | 0:24:09 | |
Hang on! | 0:24:09 | 0:24:10 | |
I eventually catch up with Kevin at Polish Television, where he's something of a star. | 0:24:18 | 0:24:23 | |
He says he can get me on a top morning TV show. | 0:24:23 | 0:24:26 | |
This could be the break I've been waiting for. | 0:24:26 | 0:24:28 | |
THEY SPEAK IN POLISH | 0:24:28 | 0:24:31 | |
'He thinks it would be a good wheeze | 0:24:45 | 0:24:47 | |
'to test my Polish pronunciation on camera.' | 0:24:47 | 0:24:50 | |
THEY SPEAK IN POLISH | 0:24:50 | 0:24:54 | |
We're going to be on after an item about ladies' hairdressing. | 0:24:54 | 0:24:58 | |
Back in make-up, I asked Kevin how on earth he got into all this. | 0:25:04 | 0:25:09 | |
I signed a contract for three episodes. | 0:25:09 | 0:25:12 | |
-What of? A comedy show? -Yeah. | 0:25:12 | 0:25:16 | |
That was four years ago. | 0:25:16 | 0:25:18 | |
On Friday, we're recording the 100th episode. | 0:25:18 | 0:25:22 | |
Amazing. You do stage stuff as well? | 0:25:22 | 0:25:24 | |
Stand-up comedy as well. | 0:25:24 | 0:25:26 | |
In Polish, to a Polish audience? | 0:25:26 | 0:25:29 | |
Yes, my hero in Great Britain, heroes - are Jimmy Jones... | 0:25:29 | 0:25:33 | |
Jimmy Jones. Roy Chubby Brown? | 0:25:33 | 0:25:35 | |
No, Lee Evans. I love Lee Evans. | 0:25:35 | 0:25:39 | |
-Shall we go, Michael? -We're done, OK. | 0:25:40 | 0:25:42 | |
Hello, Michael Palin. | 0:25:58 | 0:26:00 | |
This is my honour, really. I never thought I can shake your hand. | 0:26:05 | 0:26:09 | |
You've created my sense of humour, really. | 0:26:09 | 0:26:12 | |
Is that a good thing? | 0:26:12 | 0:26:14 | |
That's your fault! | 0:26:14 | 0:26:15 | |
THEY SPEAK IN POLISH | 0:26:15 | 0:26:18 | |
Thank you for being here with us. | 0:26:18 | 0:26:20 | |
HE SPEAKS IN POLISH | 0:26:20 | 0:26:22 | |
We're going to try and do some Polish. | 0:26:22 | 0:26:24 | |
MICHAEL SPEAKS IN POLISH | 0:26:26 | 0:26:29 | |
Very good. | 0:26:29 | 0:26:30 | |
MICHAEL SPEAKS IN POLISH | 0:26:30 | 0:26:35 | |
That's a difficult one. | 0:26:39 | 0:26:42 | |
MICHAEL SPEAKS IN POLISH | 0:26:42 | 0:26:44 | |
Very good! | 0:26:44 | 0:26:45 | |
It's your handwriting that's so bad. | 0:26:47 | 0:26:49 | |
MICHAEL SPEAKS IN POLISH | 0:26:49 | 0:26:51 | |
Very good, almost, almost. | 0:26:51 | 0:26:53 | |
This is going to be one of your favourites. | 0:26:55 | 0:26:58 | |
I'll show this to the camera first. We've got this. | 0:26:58 | 0:27:04 | |
What is that, Michael? | 0:27:04 | 0:27:05 | |
MICHAEL SPEAKS IN POLISH | 0:27:05 | 0:27:08 | |
-Close. -THEY SPEAK IN POLISH | 0:27:08 | 0:27:12 | |
Can he just say goodbye to the viewers? | 0:27:12 | 0:27:16 | |
-Of course. -Right here. | 0:27:16 | 0:27:18 | |
THEY SPEAK IN POLISH | 0:27:18 | 0:27:21 | |
-Thank you. -Thank you, Michael. | 0:27:22 | 0:27:24 | |
Now it's just back to normal life. | 0:27:28 | 0:27:30 | |
My moment of glory is over. | 0:27:31 | 0:27:34 | |
Polish Television conquered. | 0:27:34 | 0:27:36 | |
Tomorrow, the world. | 0:27:36 | 0:27:38 | |
The world in this case being the Great European Plain, where Poland was forged over 1,000 years ago. | 0:27:41 | 0:27:47 | |
It grew strong and successful until the Russians, the Austrians and then the Germans swallowed up their land. | 0:27:47 | 0:27:54 | |
It's only now, in the new Europe, | 0:27:54 | 0:27:56 | |
that Poland is regaining its stability, confidence and its history. | 0:27:56 | 0:28:00 | |
Poznan is another picture postcard piece of restoration. | 0:28:04 | 0:28:07 | |
Its Old Square, where past meets the present, | 0:28:14 | 0:28:18 | |
is the perfect place to watch the world go by and sort out the mobile phone offers. | 0:28:18 | 0:28:23 | |
No, no. The thing is, I was on your two for one | 0:28:24 | 0:28:28 | |
and I now want to change to the four for three, | 0:28:28 | 0:28:31 | |
which is tariff five. | 0:28:31 | 0:28:35 | |
So four for three on tariff five and I'm going on to Krakow, southern Poland, | 0:28:35 | 0:28:42 | |
so I believe that changes to the special offer then, | 0:28:42 | 0:28:49 | |
which is like... | 0:28:49 | 0:28:51 | |
I only want it for a week there. I don't want it for the full three months. I see. | 0:28:51 | 0:28:55 | |
That would be ... Oh, do you? | 0:28:55 | 0:28:58 | |
That's interesting. That's interesting. OK. Right. | 0:28:58 | 0:29:02 | |
So this is the ten for one. | 0:29:02 | 0:29:05 | |
That's wonderful. | 0:29:05 | 0:29:06 | |
That's only in this part? Right. | 0:29:06 | 0:29:11 | |
That's in where? That's in Moscow. | 0:29:11 | 0:29:14 | |
No, I'm not going to Moscow. | 0:29:14 | 0:29:17 | |
But that's a fantastic rate. | 0:29:17 | 0:29:20 | |
Ten for one. I think I might go to Moscow. | 0:29:20 | 0:29:22 | |
I'll have a word with the director, anyway. | 0:29:22 | 0:29:24 | |
'The highlight here is the midday display on the town hall clock. | 0:29:28 | 0:29:31 | |
'It commemorates a legend by which two rams, or is it goats, | 0:29:31 | 0:29:36 | |
'locked horns outside the town hall, | 0:29:36 | 0:29:38 | |
'alerting everyone to the fact that it was on fire at the time. | 0:29:38 | 0:29:42 | |
'This is something not to be missed.' | 0:29:42 | 0:29:45 | |
BELL TOLLS | 0:29:45 | 0:29:47 | |
Sorry, I've got to stop now, the two rams are coming out. | 0:29:47 | 0:29:51 | |
CLOCK CHIMES | 0:29:51 | 0:29:53 | |
TRUMPET PLAYS | 0:29:57 | 0:29:59 | |
Butting completed, the rams or goats, retire till midday tomorrow. | 0:30:17 | 0:30:22 | |
I wouldn't say the place was gripped with excitement, | 0:30:24 | 0:30:27 | |
but it's given everyone something to do apart from shopping. | 0:30:27 | 0:30:29 | |
I've got a terrific deal from Japanese Telecom. | 0:30:29 | 0:30:32 | |
Posnan Central Station. | 0:30:39 | 0:30:41 | |
The 8.58 to Wolsztyn prepares to leave, with a very new driver. | 0:30:41 | 0:30:46 | |
This is it, this is the mighty, oily beast that I shall be driving, and I've got the outfit. | 0:30:46 | 0:30:52 | |
I might look a bit like a gents' hairdressser but this is actually the PKP drivers' jacket. | 0:30:52 | 0:30:57 | |
PKP meaning Polish Regional Railways. | 0:30:57 | 0:31:01 | |
The great thing is, this is a scheduled service. | 0:31:01 | 0:31:03 | |
There will be passengers on board. | 0:31:03 | 0:31:05 | |
They haven't been told that | 0:31:05 | 0:31:08 | |
a member of a comedy troupe from England is actually going to be driving. Probably just as well. | 0:31:08 | 0:31:12 | |
Anyway, I can't wait to get on, so here we go. See you later. | 0:31:12 | 0:31:16 | |
Englishman Bob Wyatt was one of the inspirations behind a very bold | 0:31:16 | 0:31:20 | |
operation, an Anglo-Polish engine driving school. | 0:31:20 | 0:31:24 | |
-Morning. -Michael. | 0:31:24 | 0:31:26 | |
OK, great. Thank you. So... | 0:31:27 | 0:31:30 | |
-So, Michael, are you going to drive to Wolsztyn? -So I'm told. | 0:31:32 | 0:31:35 | |
If you'd let me drive to Wolsztyn. | 0:31:35 | 0:31:37 | |
It seems a dangerously big thing for me to be in charge of, so... OK. | 0:31:38 | 0:31:43 | |
I can also be a fireman if I want to but I've been allowed to practise getting the coal on. | 0:31:49 | 0:31:56 | |
That's why you have to practise! | 0:32:00 | 0:32:02 | |
It's 8.58, and as the commuters pour into Posnan, it's time to go. | 0:32:10 | 0:32:16 | |
Regulator goes down. There's always a gap between the regulator moving and the train moving off. | 0:32:16 | 0:32:21 | |
There we are, the crowd swarming into Posnan. | 0:32:29 | 0:32:31 | |
Now, I'd better just concentrate. | 0:32:34 | 0:32:36 | |
This isn't Thomas The Tank Engine. | 0:32:48 | 0:32:50 | |
-This is the real thing on a real railway... -WHISTLE BLOWS | 0:32:50 | 0:32:53 | |
..with real passengers. | 0:32:55 | 0:32:57 | |
Once we're clear of the main line, Janos puts me into the driving seat. | 0:33:00 | 0:33:04 | |
Is that a station ahead? | 0:33:04 | 0:33:06 | |
Lift the break. Lift the break. | 0:33:06 | 0:33:09 | |
TRAIN WHISTLE BLOWS | 0:33:11 | 0:33:14 | |
STEAM HISSES | 0:33:14 | 0:33:17 | |
All right, it's not Grand Central, but it's my first station. | 0:33:19 | 0:33:23 | |
I'm rather proud of it. | 0:33:23 | 0:33:25 | |
Beautiful. | 0:33:28 | 0:33:31 | |
This is just stopping! | 0:33:43 | 0:33:45 | |
Stopping! | 0:33:45 | 0:33:47 | |
Starting's the bit I like. | 0:33:47 | 0:33:49 | |
There we go. Ooh! | 0:33:58 | 0:33:59 | |
WORDS DROWNED OUT BY ENGINE | 0:34:07 | 0:34:10 | |
OK... No, no, Michael. | 0:34:17 | 0:34:22 | |
There we are. | 0:34:22 | 0:34:26 | |
TRAIN WHISTLE BLOWS | 0:34:26 | 0:34:30 | |
-I'm beginning to get the hang of it. -TOOTS WHISTLE | 0:34:34 | 0:34:38 | |
Phew! We're in the depot of Wolsztyn. | 0:36:13 | 0:36:16 | |
We're back and almost on time. | 0:36:16 | 0:36:19 | |
I think we're about two minutes late. | 0:36:19 | 0:36:22 | |
Once you get over the actual fear of being on the footplate | 0:36:22 | 0:36:25 | |
of this enormous hurtling bit of mass of metal, | 0:36:25 | 0:36:28 | |
once you get over that it's very exhilarating. | 0:36:28 | 0:36:33 | |
But normally now we just press buttons and things happen. | 0:36:33 | 0:36:36 | |
On this you have to pull a lever which presses a flange, | 0:36:36 | 0:36:38 | |
which pulls another valve which turns some wheels, and it's really hard physical work. | 0:36:38 | 0:36:43 | |
So, I've great respect for these guys. | 0:36:43 | 0:36:45 | |
I suppose they are a bit dodos like this, but it was a great run, and I do apologise to any passengers | 0:36:45 | 0:36:51 | |
who had heart attacks. We'll refund the money. | 0:36:51 | 0:36:53 | |
I'm just going to help out greasing down the old beast. | 0:36:53 | 0:36:57 | |
I always wanted to be an engine driver and now my dream's come true. | 0:37:02 | 0:37:06 | |
It'll be a real anti-climax being a TV presenter again. | 0:37:06 | 0:37:10 | |
This is Jasna Gora monastery in Czestochowa, | 0:37:20 | 0:37:22 | |
the most important religious site in a deeply religious country. | 0:37:22 | 0:37:26 | |
At the entrance is the powerful figure of Cardinal Wyszynski, | 0:37:37 | 0:37:40 | |
the Catholic primate who refused to compromise with the Communists. | 0:37:40 | 0:37:44 | |
So many hundreds of thousands of pilgrims come here every year | 0:37:48 | 0:37:51 | |
that special days have to be organised for them. | 0:37:51 | 0:37:54 | |
This is interesting. Throughout the year, the various pilgrim groups have their own special days. | 0:37:56 | 0:38:01 | |
The year is almost packed with different groups coming in. | 0:38:01 | 0:38:05 | |
We are... That's ours. | 0:38:05 | 0:38:07 | |
25th to the 28th, Kapelani WP. | 0:38:07 | 0:38:10 | |
Chaplains of the Polish army. | 0:38:10 | 0:38:13 | |
That, I'm told, Lesnicy, are Forest Guards. | 0:38:13 | 0:38:16 | |
So, they all have their special day of pilgrimage. | 0:38:16 | 0:38:20 | |
Doesn't say BBC. | 0:38:21 | 0:38:23 | |
What they've all come to see is the mysterious black Madonna, | 0:38:23 | 0:38:29 | |
a likeness of the Virgin Mary said to have been painted by St Luke on a beam from Jesus' home in Nazareth. | 0:38:29 | 0:38:36 | |
Pilgrims process on their knees around the chapel where it's displayed. | 0:38:40 | 0:38:45 | |
The Madonna has been associated with some great Polish victories over | 0:38:45 | 0:38:49 | |
the years and is believed to have miraculous powers. | 0:38:49 | 0:38:53 | |
Monks of the Pauline order, whose monastery this is, celebrate Mass almost non-stop throughout the day. | 0:38:57 | 0:39:03 | |
The climax is always the moment when the Madonna is revealed. | 0:39:03 | 0:39:06 | |
SINGING | 0:39:06 | 0:39:10 | |
The great moment is announced with a drum roll. | 0:39:32 | 0:39:35 | |
A screen of beaten gold slowly rises. | 0:39:49 | 0:39:51 | |
And the black Madonna, nestling in jewel-encrusted robes, is at last revealed. | 0:40:03 | 0:40:08 | |
My guide Father Tomon tells me what it means. | 0:40:14 | 0:40:18 | |
It's meaning the queen of Poland, Mary, | 0:40:18 | 0:40:23 | |
was elected | 0:40:23 | 0:40:25 | |
proclaimed queen of Polish nation, and after the...wars, | 0:40:25 | 0:40:31 | |
martial law proclaimed by General Jaruzelski, | 0:40:31 | 0:40:34 | |
after this period of Communism we have this place where we were free. | 0:40:34 | 0:40:40 | |
This holy icon is a sign of presence, her presence here. | 0:40:40 | 0:40:46 | |
She is here and we believe that she is a mother, a queen of the Polish nation, of course. | 0:40:46 | 0:40:52 | |
Then the time comes for the queen of Poland to be hidden again. | 0:41:03 | 0:41:07 | |
Two hours from the monastery is one of the most infamous places in Europe. | 0:41:44 | 0:41:48 | |
Occupied Poland was where the Nazis put their most notorious concentration camps. | 0:41:48 | 0:41:53 | |
This, one of the earliest, is in the town of Oswiecim. | 0:41:55 | 0:41:59 | |
In German, Auschwitz. | 0:41:59 | 0:42:01 | |
Converted in 1940 from a Polish army barracks, Auschwitz One | 0:42:08 | 0:42:12 | |
is where the techniques of mass killing were honed. | 0:42:12 | 0:42:15 | |
This was one of the gas chambers. | 0:42:19 | 0:42:22 | |
And these are some of the first ovens developed to destroy | 0:42:22 | 0:42:26 | |
quickly and efficiently all traces of organised murder. | 0:42:26 | 0:42:30 | |
In the rooms where men, women and children were incarcerated | 0:42:35 | 0:42:39 | |
are displays of what was found when the camp was finally liberated. | 0:42:39 | 0:42:43 | |
Canisters of the killing gas, Zyklon B. | 0:42:49 | 0:42:51 | |
Piles of human hair. | 0:43:14 | 0:43:17 | |
And, somehow most moving of all for me, the bags and suitcases | 0:43:37 | 0:43:41 | |
that once contained someone's last possessions. | 0:43:41 | 0:43:45 | |
And on them, the names of their owners, written in hope. | 0:43:48 | 0:43:53 | |
I suppose it's good that places like this are still here, | 0:44:10 | 0:44:14 | |
with the evidence of brutality kept in good condition. | 0:44:14 | 0:44:17 | |
But I wish I could believe that people will never be like this again. | 0:44:17 | 0:44:21 | |
Now here's something the Poles are proud of and which every schoolchild has to see. | 0:44:26 | 0:44:31 | |
-A salt mine. -We start our way down to the mine. | 0:44:31 | 0:44:35 | |
-Yep. -To the first level only. | 0:44:35 | 0:44:38 | |
64 metres, about 200 feet below the surface. | 0:44:38 | 0:44:42 | |
It will be 380 steps. | 0:44:42 | 0:44:44 | |
If you look down into the shaft, you will see the way to the first level is 64 metres... | 0:44:44 | 0:44:50 | |
'People flock to the mine not just to see, well, salt, | 0:44:50 | 0:44:57 | |
'but to see what can be done with salt if you've a bit of spare time, | 0:44:57 | 0:45:01 | |
'a fair amount of talent, and a lot of dedication. | 0:45:01 | 0:45:04 | |
'For this is where all these steps lead to... | 0:45:04 | 0:45:07 | |
'St Kinga's Chapel, where everything, | 0:45:09 | 0:45:11 | |
'walls, floor, ceiling, | 0:45:11 | 0:45:14 | |
'even the crystal on the chandeliers, | 0:45:14 | 0:45:16 | |
'is made out of salt.' | 0:45:16 | 0:45:18 | |
That's beautifully done, isn't it, really? | 0:45:21 | 0:45:24 | |
It's the Last Supper. | 0:45:24 | 0:45:27 | |
-It's almost like a marble. -Is it really? -Yes, it's hard. | 0:45:27 | 0:45:30 | |
In order to have such smooth surfaces of faces, hands, | 0:45:30 | 0:45:34 | |
-they could polish it by something wet. -Yeah. | 0:45:34 | 0:45:36 | |
So that's the difference between salt carving and wooden carving, | 0:45:36 | 0:45:41 | |
-that they could use the water to polish salt. -Yeah. | 0:45:41 | 0:45:44 | |
This is the side altar, | 0:45:46 | 0:45:49 | |
of Sacred Heart Of Maria. | 0:45:49 | 0:45:52 | |
It's a nice salt, very clean kind of salt. Very translucent. | 0:45:52 | 0:45:57 | |
And the relief called Miracle Incarna, | 0:45:57 | 0:46:01 | |
Jesus changing water into wine during the party. | 0:46:01 | 0:46:05 | |
It has beautiful perspective. | 0:46:05 | 0:46:07 | |
-It digs so deep in the wall. -Yes. | 0:46:07 | 0:46:11 | |
It all looks so exceptional. Of course, they're lucky to have the cyrstals too - | 0:46:12 | 0:46:16 | |
adds that touch. Like the chandeliers. | 0:46:16 | 0:46:19 | |
Yeah, chandeliers, they are made of salt cyrstals. Of course, the frame is wooden. | 0:46:19 | 0:46:24 | |
Same cyrstals, they are behind the statue of Kinga. | 0:46:24 | 0:46:28 | |
These are crystals of halite, that's the name of the mineral. Pure salt. | 0:46:28 | 0:46:32 | |
I mean, these guys who carved all this, were they artists already? | 0:46:32 | 0:46:37 | |
Did they do other work, or any other carvings, | 0:46:37 | 0:46:39 | |
any sculptures around the area or they just worked here? | 0:46:39 | 0:46:42 | |
-Just ordinary miners. -They were just miners! | 0:46:42 | 0:46:44 | |
In their spare time, after their work, after their shift, | 0:46:44 | 0:46:49 | |
they carved salt figures, so it wasn't them doing their regular shift, | 0:46:49 | 0:46:53 | |
-just doing eight hours after it. -They had to do a day's work in the mines too? | 0:46:53 | 0:46:56 | |
Yes. And then after one or two hours, not every day, | 0:46:56 | 0:47:00 | |
as a kind of passion, they carved here. | 0:47:00 | 0:47:03 | |
This must have been very recent. | 0:47:03 | 0:47:06 | |
This statue of the Pope John Paul II | 0:47:06 | 0:47:09 | |
was finished seven years ago, also by the miner. | 0:47:09 | 0:47:12 | |
-Very clever. -We still have miners, they continue the tradition of carving. | 0:47:12 | 0:47:17 | |
Seven of them, they do it, still. | 0:47:17 | 0:47:20 | |
-Same families, is it? -No. -No? | 0:47:20 | 0:47:22 | |
'I've reached Krakow. | 0:47:22 | 0:47:25 | |
'My conveyance this morning is the Trabant. | 0:47:25 | 0:47:28 | |
'Made in East Germany, it was the people's car of Communist Europe.' | 0:47:28 | 0:47:33 | |
Thank you. Thanks very much. | 0:47:33 | 0:47:35 | |
Hello there. Good morning. | 0:47:37 | 0:47:39 | |
I'm Michael. | 0:47:39 | 0:47:40 | |
Let's go! | 0:47:42 | 0:47:44 | |
Oh, reverse! | 0:47:44 | 0:47:46 | |
-Great. -Woah! | 0:47:48 | 0:47:50 | |
'Among some young Poles, the humble Trabant has aquired cult status. | 0:47:50 | 0:47:55 | |
'Entrepreneurs, like my driver Kuba, | 0:47:55 | 0:47:57 | |
'are using them to offer less conventional city tours.' | 0:47:57 | 0:48:01 | |
Tell me about the car, the great Trabant. | 0:48:01 | 0:48:06 | |
Well, here we've just got the speed meter, yep. | 0:48:06 | 0:48:09 | |
There is temperature of oil, which, of course, doesn't work! | 0:48:09 | 0:48:13 | |
And the most tricky thing about Trabants is that it doesn't have a fuel gauge. | 0:48:13 | 0:48:18 | |
-No fuel gauge? -And the gas tank is under the hood. | 0:48:18 | 0:48:22 | |
So, we've got the hood, the engine, and the gas tank. | 0:48:22 | 0:48:25 | |
-Yeah. -The gas tank is just by the engine, you know, | 0:48:25 | 0:48:28 | |
-so some people claim that it's not too safe. -Yeah. | 0:48:28 | 0:48:32 | |
-And what are those over there? -This, er...? | 0:48:32 | 0:48:36 | |
-Yeah. -This? -That knob, yeah! | 0:48:36 | 0:48:38 | |
-This knob is to turn on the light. -I see. | 0:48:38 | 0:48:40 | |
Well, you better have that, because I don't know quite where it goes. | 0:48:40 | 0:48:44 | |
-Well, me either, so...! -OK. | 0:48:44 | 0:48:47 | |
Well, we'll just... | 0:48:47 | 0:48:49 | |
-Keep that in your pocket for later. -Yeah, maybe... Maybe... | 0:48:49 | 0:48:53 | |
-..I'll hang onto it for you. -OK. OK. -So what are the ones next to it? | 0:48:53 | 0:48:56 | |
The next is for the windscreen, er... | 0:48:56 | 0:49:01 | |
-This is for lights, I think. -Yeah, this one is for lights, yeah. | 0:49:01 | 0:49:05 | |
That's good. Windscreen wipers - that's fine. | 0:49:05 | 0:49:07 | |
But the lights don't work properly, so I just don't use them... | 0:49:07 | 0:49:11 | |
until it's dark, it's too dark. | 0:49:11 | 0:49:14 | |
So, there's the heating. It's not air conditioned, it's just basic heating. | 0:49:14 | 0:49:18 | |
But the thing is, I've been doing these tours for six months and I've no idea how it works. | 0:49:18 | 0:49:23 | |
-Yeah. -So, er... we don't know how it works. | 0:49:23 | 0:49:27 | |
'For a small car, the Trabant leaves a hell of a carboon footprint. | 0:49:27 | 0:49:31 | |
'But Kuba seems undettered. | 0:49:35 | 0:49:37 | |
'It's a minor worry compared to SOME of his problems.' | 0:49:37 | 0:49:40 | |
Quite often, I mean, once in a month or something like that, | 0:49:40 | 0:49:44 | |
er...the wheels...they fell off. | 0:49:44 | 0:49:47 | |
I mean, not all of the wheels... | 0:49:47 | 0:49:49 | |
it's just the one wheel. | 0:49:49 | 0:49:52 | |
But we've got four of them, and in two of them, the wheels fell off three times. | 0:49:52 | 0:49:56 | |
So, of course, it happened during the tour. | 0:49:56 | 0:49:58 | |
So, you drive a Trabant like now, 60 or something, | 0:49:58 | 0:50:03 | |
and suddenly you are without the wheel. | 0:50:03 | 0:50:06 | |
So you are in the middle of the road, in the middle of the traffic, | 0:50:06 | 0:50:10 | |
and you have big problem, cos it's not so easy | 0:50:10 | 0:50:13 | |
to keep it running straight with three wheels! | 0:50:13 | 0:50:16 | |
'It's not just the car that's different on the tour. | 0:50:18 | 0:50:21 | |
'It's the destination. | 0:50:21 | 0:50:23 | |
'The suburb called Nowa Huta, built in the 1950s | 0:50:23 | 0:50:26 | |
'as the ideal Socialist city.' | 0:50:26 | 0:50:29 | |
So, here we are, old part of Nowa Huta. | 0:50:31 | 0:50:33 | |
Shape of the semi-circle, yeah? Like a fan. | 0:50:35 | 0:50:37 | |
I can show you a few photos... | 0:50:37 | 0:50:40 | |
cos...it's good to see | 0:50:40 | 0:50:43 | |
how big an achievement it was. Cos, back in the '50s, | 0:50:43 | 0:50:46 | |
so, please remember, 1949, | 0:50:46 | 0:50:50 | |
beginning of the whole construction, first settlers. | 0:50:50 | 0:50:54 | |
-That's just farmland, as it was then. -Just the farmland. | 0:50:54 | 0:50:58 | |
Exactly. Green field, nothing on it. | 0:50:58 | 0:51:00 | |
-But in the ten years, well, take a look what they did. -Oh, yeah. | 0:51:00 | 0:51:04 | |
-We've got this central square that we can see on the map. It's here. -Yes. | 0:51:04 | 0:51:09 | |
-And you see how grand it is. -Very formal. -Very formal. | 0:51:09 | 0:51:13 | |
'Kuba shows me the grand arcades of Nowa Huta, | 0:51:17 | 0:51:20 | |
'designed to prove that the proletariat could have a city just as beautiful | 0:51:20 | 0:51:24 | |
'as anything in snobby, priest-ridden Krakow. | 0:51:24 | 0:51:27 | |
'But in the 1980s, he tells me, it all went wrong. | 0:51:27 | 0:51:31 | |
'Like the shipyard workers of Gdansk, the steelworkers of Nowa Huta | 0:51:31 | 0:51:34 | |
'rose in protest, turning on the party and looking instead to the West. | 0:51:34 | 0:51:40 | |
'The sight of mountain peaks comes as quite a shock after weeks on the plain. | 0:51:45 | 0:51:50 | |
'Ahead are the high Tatras, half in Poland, half in Slovakia. | 0:51:50 | 0:51:54 | |
'I'm in a village where a highland wedding is about to take place. | 0:51:54 | 0:51:59 | |
THEY SING IN POLISH | 0:52:04 | 0:52:07 | |
'Two all-singing masters of ceremonies are delivering the bridegroom, | 0:52:07 | 0:52:11 | |
'a ski instructor, to the home of his bride-to-be, | 0:52:11 | 0:52:15 | |
'also a ski instructor. He is escorted by two bridesmaids, | 0:52:15 | 0:52:19 | |
'quite possibly ski instructors. | 0:52:19 | 0:52:22 | |
'On arrival at the house, Marius is welcomed by his bride Berta, | 0:52:27 | 0:52:31 | |
'wearing a heavy metre-long head-dress | 0:52:31 | 0:52:33 | |
'she's not allowed to take off until the end of the wedding day. | 0:52:33 | 0:52:36 | |
'They're serenaded into the house and up to the bride's bedroom. | 0:52:44 | 0:52:48 | |
'Here, amidst a total lack of privacy, he has to take off his shirt | 0:53:02 | 0:53:07 | |
'and put on one prepared by his bride. | 0:53:07 | 0:53:09 | |
'No fumbling goes unrecorded.' | 0:53:16 | 0:53:19 | |
Oh! | 0:53:24 | 0:53:26 | |
'At some point in the day's crowded programme, | 0:53:49 | 0:53:52 | |
'the bride and groom actually get to church and marry each other. | 0:53:52 | 0:53:56 | |
'After the wedding, I take a walk in the hills, | 0:54:12 | 0:54:15 | |
'only to find the photographer's got them up here as well!' | 0:54:15 | 0:54:19 | |
THEY LAUGH AND TALK EXCITEDLY | 0:54:20 | 0:54:23 | |
'Berta's being photographed with all the men she HASN'T married today. | 0:54:26 | 0:54:30 | |
'She seems to be rather enjoying it! | 0:54:34 | 0:54:37 | |
'But who am I to talk?' | 0:54:41 | 0:54:43 | |
Woah, lovely! | 0:54:59 | 0:55:01 | |
Ah! Oh, don't...! | 0:55:01 | 0:55:02 | |
Oh, this is lovely! This is heaven! | 0:55:02 | 0:55:05 | |
'I keep trying to get away, but the photographer is insatiable!' | 0:55:05 | 0:55:09 | |
OK, legs together! | 0:55:11 | 0:55:13 | |
'Now the wedding action shifts bizarrely to the local fire station. | 0:55:15 | 0:55:20 | |
'In small villages like this, | 0:55:22 | 0:55:23 | |
'it's often the only place with a room big enough for a party. | 0:55:23 | 0:55:27 | |
'I really feel for Berta. Ski instructing must be a doddle after this!' | 0:55:31 | 0:55:35 | |
It's very hard to dance when you're drunk! | 0:55:41 | 0:55:44 | |
Yeah, exactly. We're not doing too badly! | 0:55:44 | 0:55:46 | |
Quite... Quite dainty. | 0:55:48 | 0:55:50 | |
'A supercharged vodka, especially bottled for this great day, keeps the 200 guests going. | 0:55:52 | 0:55:57 | |
'And going!' | 0:55:58 | 0:56:00 | |
This is supposed to be a bit of a comedy performance, or is it supposed to be serious?! | 0:56:01 | 0:56:06 | |
We also have wedding vodka. | 0:56:11 | 0:56:17 | |
What is wedding vodka? Is it different from normal vodka? | 0:56:21 | 0:56:24 | |
It's much stronger, I have to say. It's almost 90%. | 0:56:24 | 0:56:28 | |
This is what these people have been drinking | 0:56:28 | 0:56:30 | |
-for the last six hours? -Yes. Two bottles per head. | 0:56:30 | 0:56:34 | |
-Wow. -They prepared 1,600 bottles for this wedding. | 0:56:34 | 0:56:42 | |
And they come back tomorrow, don't they, some of them? Two more days. | 0:56:42 | 0:56:46 | |
Tomorrow is the after-party, | 0:56:46 | 0:56:48 | |
and the day after tomorrow is another after-party. | 0:56:48 | 0:56:52 | |
They have to drink all those bottles they prepared. | 0:56:52 | 0:56:55 | |
They know how to get married, these Poles, don't they? | 0:56:55 | 0:56:57 | |
'I'm very happy for Marius and Berta. | 0:57:00 | 0:57:03 | |
'This is a night they will never forget. | 0:57:03 | 0:57:06 | |
'And probably never remember! | 0:57:06 | 0:57:08 | |
'I'm in the gorge of the Dunajec River, | 0:57:13 | 0:57:15 | |
'which, after my long journey through the country, | 0:57:15 | 0:57:18 | |
'will take me out of Poland. | 0:57:18 | 0:57:21 | |
'And as I've learnt here in the Tatras, | 0:57:21 | 0:57:23 | |
'mountain people have a special way of doing things.' | 0:57:23 | 0:57:26 | |
THEY SING | 0:57:29 | 0:57:33 | |
Well, this for me is the last of Poland. | 0:57:48 | 0:57:50 | |
And I mean literally the last of Poland, | 0:57:50 | 0:57:52 | |
because this river marks the southern border of the country. | 0:57:52 | 0:57:56 | |
So it's farewell and thank you for everything to Poland, | 0:57:56 | 0:58:00 | |
and...here we come Slovakia! | 0:58:00 | 0:58:03 | |
Subtitles by Red Bee Media Ltd | 0:58:33 | 0:58:36 | |
E-mail [email protected] | 0:58:36 | 0:58:39 |