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This week in testing out the waters in Tokyo ahead of 2020. Were taking | :00:00. | :00:17. | |
the lens cap off for a photographic Tour of South Africa. It's the | :00:18. | :00:25. | |
moment, it's the perfect moment. And Tommy's getting his movie set head | :00:26. | :00:28. | |
on for the very latest in travel gadgets. I've just need the drinks | :00:29. | :00:33. | |
trolley. No sign of it yet. Tokyo is teeming with tourists right | :00:34. | :01:11. | |
now. On the streets of Aceh Kucera it is shoulder to shoulder with | :01:12. | :01:20. | |
barely room for a selfie stick. -- Asakusa. The yen is weak and | :01:21. | :01:26. | |
travellers are taking advantage. Last year an estimated 50 million | :01:27. | :01:29. | |
foreign tourists came to Japan. And if you think it's busy now, industry | :01:30. | :01:34. | |
insiders say it's only going to get more manic in the lead up to the | :01:35. | :01:38. | |
Olympic Games in 2020. Tokyo will build a number of the 37 Olympic | :01:39. | :01:43. | |
venues from scratch and spend an estimated $1 billion refurbishing | :01:44. | :01:49. | |
the old national Olympic stadium, centre of events back in 1964. | :01:50. | :01:56. | |
From August this year the exposure of Tokyo and Japan itself will | :01:57. | :02:06. | |
increase dramatically, and a lot of people all over the world are going | :02:07. | :02:12. | |
to pay attention to Japan or Tokyo. So it's a very good business | :02:13. | :02:18. | |
opportunity. Always at the forefront of innovation, the country is keen | :02:19. | :02:22. | |
to put its best technical article foot forward for all those potential | :02:23. | :02:29. | |
Olympic tourists -- technological. Back in 1964, the Japanese unveil | :02:30. | :02:33. | |
version cans in, then the fastest train in the world. This time round | :02:34. | :02:39. | |
prepare yourself for the robot taxi. TRANSLATION: If you were | :02:40. | :02:50. | |
coming from the UK then you could book a robot taxi just like you | :02:51. | :02:54. | |
would book your hotel over the Internet. And I'm assuming there | :02:55. | :02:58. | |
will be a lot of foreign tourists coming to Tokyo for the Olympics and | :02:59. | :03:02. | |
I'd like to think they could use this robot taxi daily while they're | :03:03. | :03:07. | |
here. But it's not only for the Olympics. I'd like it to be used by | :03:08. | :03:11. | |
tourists well after the Games are over. So from the outside it looks | :03:12. | :03:17. | |
like an ordinary car but once you get inside there's so many cables, | :03:18. | :03:21. | |
computers, cameras, how does it work? TRANSLATION: This monitor | :03:22. | :03:27. | |
tells you if the sensors are working properly or not. All you need to do | :03:28. | :03:31. | |
is press this button to start or stop. What is this? Emergency stop? | :03:32. | :03:42. | |
That's good to know. Obviously these robot taxis will only be allowed on | :03:43. | :03:46. | |
set routes, and of course there's the minor technicality that they | :03:47. | :03:50. | |
have to change the law to allow driverless cars on the road. And | :03:51. | :03:55. | |
come 2020, there could be rain what's to carry your bags. I'm going | :03:56. | :04:00. | |
to put on this rather nifty belt here and it's equipped with an | :04:01. | :04:03. | |
infrared beacon at the back. So clip it on like this and this will talk | :04:04. | :04:09. | |
to these carts here which are carrying my suitcases. | :04:10. | :04:20. | |
These carts can carry up to 100 kilograms each, making light work in | :04:21. | :04:26. | |
a country faced with a chronic labour shortage due to an ageing | :04:27. | :04:30. | |
population and degreasing birthrate. It's like I've got my own | :04:31. | :04:36. | |
robotic minions. Its inventors hope they can be used to transport heavy | :04:37. | :04:41. | |
goods to and from the Olympic villages and stadiums, and possibly | :04:42. | :04:47. | |
airport and hotels in the future. It's all about making life easier | :04:48. | :04:50. | |
for tourists and breaking down that language barrier. English is more | :04:51. | :04:55. | |
prevalent now on public transport, particularly in Tokyo. So far away | :04:56. | :05:00. | |
from the maddening crowds we're about to get onto a boat. It's a | :05:01. | :05:15. | |
dinner cruise down the river that passes a number of iconic sites as | :05:16. | :05:19. | |
well as the plot of land set aside for the Olympic village. I love | :05:20. | :05:27. | |
these lights. This is such a spectacular view, something that you | :05:28. | :05:29. | |
don't really see everyday. Downstairs on the traditional maths | :05:30. | :05:38. | |
there is space for more than 100 passengers. But they are mostly | :05:39. | :05:44. | |
Japanese. So I really love the idea of coming on an evening cruise with | :05:45. | :05:49. | |
dinner. It's a unique and different way to see Tokyo. But as you can | :05:50. | :05:54. | |
hear, all the commentary is in Japanese. So I guess this is | :05:55. | :05:58. | |
probably one of the reasons why these sorts of threats aren't so | :05:59. | :06:03. | |
popular at the moment. I spoke with a group of expats on the cruise | :06:04. | :06:08. | |
about what can be done to make Tokyo more accessible for foreigners in | :06:09. | :06:12. | |
the lead up to 2020. We're talking about the beer, we've been here ten | :06:13. | :06:17. | |
years, ten, ten, six, but you never see the Tokyo you see from the | :06:18. | :06:22. | |
river. It's a different view of Tokyo you get when you're in the | :06:23. | :06:27. | |
city, which is pretty cool. For me the Japanese commentary was a bit of | :06:28. | :06:31. | |
a problem, I didn't really know what was going on or what the sites were, | :06:32. | :06:35. | |
I have to rely on my Japanese friend. We talked about it | :06:36. | :06:47. | |
actually. You want a little bit of guidance, but on the other hand, if | :06:48. | :06:52. | |
you're a tourist in a city, a bit of that mystery... Foreign environment, | :06:53. | :06:57. | |
not knowing what's going on. It's all a part of it. To be honest, the | :06:58. | :07:03. | |
commentary's not that interesting. Of course there's no shortage of | :07:04. | :07:06. | |
translation apps on the market now to help you muddle your way | :07:07. | :07:09. | |
through. We're getting better and better. At the stations, in the | :07:10. | :07:18. | |
trains, the restaurants, the hotels, and also we are now thinking of | :07:19. | :07:23. | |
developing some unique technology, like the translation system using | :07:24. | :07:32. | |
AI, and we want to trial those technologies in the hotels and the | :07:33. | :07:35. | |
restaurants so that we can see how it works and try to use it actually | :07:36. | :07:44. | |
for the tourists in the future. I've lived here two years and | :07:45. | :07:47. | |
Japanese is a difficult language to master. But a few basic words and | :07:48. | :07:54. | |
phrases will help you on your way. Excuse me is incredibly polite and | :07:55. | :08:00. | |
the locals here love that. Thank you never goes astray. And if you're | :08:01. | :08:05. | |
feeling hugely confident, is it oh K2 speaking of definitely comes in | :08:06. | :08:15. | |
handy -- is it OK to speak English. Chris broad move to years ago to | :08:16. | :08:19. | |
work as an English teacher. Since then he's set up his own YouTube | :08:20. | :08:22. | |
channel where he's been helping visitors learn the basics of | :08:23. | :08:27. | |
Japanese. He even claims you can learn a good standard of the | :08:28. | :08:30. | |
language in less than six months. One of the most difficult hurdles | :08:31. | :08:34. | |
with Japanese is there are three writing systems. The first two, | :08:35. | :08:39. | |
there is about 90 characters or so, they can be learned in a week or | :08:40. | :08:46. | |
two. As for the third one, there's 2200 characters and that's the | :08:47. | :08:50. | |
slightly more daunting task, especially as it takes Japanese | :08:51. | :08:54. | |
people about 15 or 16 years at school and learning to actually | :08:55. | :08:58. | |
learn themselves. It takes Japanese people that long, it certainly takes | :08:59. | :09:02. | |
us foreigners a heck of a lot longer. But it is possible. It is | :09:03. | :09:07. | |
possible, it just takes a lot of time and a lot of study to get | :09:08. | :09:16. | |
there. Learning the language and | :09:17. | :09:18. | |
experiencing new technology will definitely enhance your time here. | :09:19. | :09:23. | |
But to operators are already warning that the place is going to become | :09:24. | :09:27. | |
very crowded and expensive once Olympic fever hits post Brazil, so | :09:28. | :09:32. | |
the advice is to book early, spread the net wider than just Tokyo and | :09:33. | :09:37. | |
maybe start brushing up on your Japanese Right now. After all, you | :09:38. | :09:46. | |
will have four years to practise. Next our regular look at the people | :09:47. | :09:51. | |
who make a place with Citizens. This week we're heading to London to meet | :09:52. | :09:56. | |
a man who looks after the city's 1500 gas lamps which unbelievably | :09:57. | :10:00. | |
200 years after they were first installed are still lighting up the | :10:01. | :10:15. | |
capital's streets after dark. On an operations manager, part of my | :10:16. | :10:19. | |
responsibility is to maintain, repair and lovingly cherished the | :10:20. | :10:24. | |
gas lamps we have here in London -- I'm an. The first lamps went in on | :10:25. | :10:28. | |
the 31st of December 1813. It is part of the fabric if you like of | :10:29. | :10:39. | |
London. The difference between electric lamps and the gas lamps is | :10:40. | :10:43. | |
the actual light that it emits. As we're travelling down the Mall here, | :10:44. | :10:47. | |
on the right-hand side you've got the harsh, bright electric lights. | :10:48. | :10:52. | |
And if you look to your left down the Mall slips, it's more of a | :10:53. | :10:58. | |
calming, mellow, yellow light that emanates off a gaslamp. The feedback | :10:59. | :11:05. | |
we get from the public is when we come out and do a repair to a lamp, | :11:06. | :11:09. | |
the first thing that they want to make sure is that we're not taking | :11:10. | :11:14. | |
it away. What we will do is go around and clean the glass, we | :11:15. | :11:19. | |
replace the mantles, that's what gives it the nice yellow soft light | :11:20. | :11:27. | |
that you see. The gas travels up through this very thin pipe here | :11:28. | :11:31. | |
which keeps a pilot light lit. Inside we've got a clock, the clocks | :11:32. | :11:37. | |
have been here since 1865. The clock spins round, hits a lever, the lever | :11:38. | :11:42. | |
then comes up and then makes the gas pass up through the valve up the | :11:43. | :11:47. | |
main pipe and down into the four mantles. The clock will last 14 | :11:48. | :11:52. | |
days, so when a lamp attendant comes around he might, on Monday morning. | :11:53. | :11:56. | |
Two weeks later he is back at this lamp again having to wind it. It | :11:57. | :12:05. | |
might sound crazy to some people but, you know, myself, Gary and the | :12:06. | :12:11. | |
team, we would consider ourselves custodians of these gas lamps. I | :12:12. | :12:16. | |
make no bones about it or embarrass about it, hopefully they are here | :12:17. | :12:20. | |
long after we are here and somebody else will be looking after them. | :12:21. | :12:34. | |
Still to come on the Travel Show... Tommy's out and about trying his | :12:35. | :12:38. | |
hand at the latest travel gadgets. This week the tests out a throwback | :12:39. | :12:43. | |
to the 1980s with a hand-held retro computer. And we're in Cape Town in | :12:44. | :12:48. | |
South Africa to meet the man who's taking travellers on a township Tour | :12:49. | :12:52. | |
with a difference with the help of this camera. So stay with us for | :12:53. | :12:54. | |
that. Welcome to BBC Travel Airways | :12:55. | :13:16. | |
weather service and food are rubbish but the in-flight entertainment is | :13:17. | :13:19. | |
whatever you it to be, with this. The makers claim it is the world 's | :13:20. | :13:24. | |
first personal Cinema system. They look like an enormous pair of over | :13:25. | :13:30. | |
ear headphones with built-in screens in the headband, and that is | :13:31. | :13:34. | |
basically what they are. This device projects light of 2 million micro- | :13:35. | :13:40. | |
mirrors directly into your highs. Now that sounds terrifying, but the | :13:41. | :13:43. | |
idea isn't much different from the technology used in the early days of | :13:44. | :13:48. | |
HDTV. These are incredibly comfortable and very light weight as | :13:49. | :13:52. | |
well. We have reviewed others that have just been too heavy to wear on | :13:53. | :13:55. | |
the bridge of your nose. Obviously I would love it if it didn't have a | :13:56. | :14:00. | |
wire plugged into my device, but what's nice is I can still see what | :14:01. | :14:05. | |
is going on around me while I've got these on so I can keep a little eye | :14:06. | :14:09. | |
out for the drinks trolley. There is no sign of it yet. It's always good | :14:10. | :14:15. | |
to be ahead of the game when it comes to gadgets, and with this we | :14:16. | :14:20. | |
really are. Because it is a prototype, but while it represents | :14:21. | :14:24. | |
the future of gaming, it is a prototype, but while it represents | :14:25. | :14:30. | |
the future of gaming, its the Sinclair Vega Plus looks a little | :14:31. | :14:35. | |
like a PlayStation Vita. It's got its own screen so you can play games | :14:36. | :14:39. | |
on the bus or the Tube or even a long haul flight. It comes with 1000 | :14:40. | :14:43. | |
officially games preloaded so there is plenty to keep you busy. The | :14:44. | :14:48. | |
nostalgia levels on this go through the roof. I mean, it is great to | :14:49. | :14:52. | |
reminisce. But for the muggy that you pay for these old school games | :14:53. | :14:56. | |
and all the little glitches that they have got, the novelty just | :14:57. | :14:59. | |
wears off really quickly. Maybe some things in the past are just that | :15:00. | :15:05. | |
left there. -- better left their. The market for fitness bans and | :15:06. | :15:12. | |
smart watches is crazy right now. There is so much to choose from. And | :15:13. | :15:17. | |
guess what, it just got that little bit bigger because of very famous | :15:18. | :15:21. | |
sat nav brand wants to get in on the action with this. The Tomtom smart | :15:22. | :15:27. | |
watch has GPS, heartrate monitoring and built-in music playback all in | :15:28. | :15:32. | |
one. It is aimed at runners, cyclists and Jim -goers who are | :15:33. | :15:37. | |
tired of taking their smartphone with them. However, it is not a new | :15:38. | :15:42. | |
idea and there are a few other brands doing the same thing already. | :15:43. | :15:46. | |
Yes, I know. There is no real need for GPS on my stationary bike in a | :15:47. | :15:50. | |
gym but imagine if you are in a brand-new city somewhere around the | :15:51. | :15:55. | |
world and you want to roam around on a bike and this will keep an eye on | :15:56. | :15:58. | |
where you have been. It will also allow you to continually monitor | :15:59. | :16:00. | |
your heart rate and a workout. And let's not forget, this is a fraction | :16:01. | :16:05. | |
of the price of a smart watch. They say big is beautiful, but small can | :16:06. | :16:09. | |
be pretty slick as well. This is the brand-new addition to the go | :16:10. | :16:17. | |
profamily. The simple square box style has been growing in popularity | :16:18. | :16:21. | |
for action cameras for a while, with the hero for session GoPro becoming | :16:22. | :16:25. | |
one of the latest to launch a camera of this style. The design certainly | :16:26. | :16:31. | |
has its advantages. It is 50% smaller than previous cameras and | :16:32. | :16:35. | |
has a simple one button operation. My only criticism is the battery is | :16:36. | :16:39. | |
not removable, so you would need a power back or laptop to recharge it | :16:40. | :16:46. | |
if you run out of juice -- powerpack. This can capture great | :16:47. | :16:50. | |
pictures, plus it's got a wonderful panoramic lands which are superb if | :16:51. | :16:54. | |
you are at the top of a mountain or even in your favourite city. But | :16:55. | :16:58. | |
because the device is so small, there is no actual screen on it | :16:59. | :17:02. | |
itself, you do that with other models, which you will need your | :17:03. | :17:07. | |
phone and the app. The beauty that is you can use your phone to upload | :17:08. | :17:10. | |
whatever you film straight onto social media and share it with the | :17:11. | :17:20. | |
world. Thanks, Tommy. Well, the Finnish this week we are continuing | :17:21. | :17:25. | |
our special season of Travel Show stories from South Africa, meeting | :17:26. | :17:28. | |
some of the amazing people who call a country home and learning a bit | :17:29. | :17:32. | |
more about life there. Today we met the man who has taken this passion | :17:33. | :17:38. | |
for photography into the townships of Cape Town and is encouraging | :17:39. | :17:39. | |
tourists to tag along. It is basically photographers from | :17:40. | :18:01. | |
the township, and we use photography as the medium showcasing the beauty | :18:02. | :18:10. | |
of life in the township. The project is an open invite to anyone, really. | :18:11. | :18:17. | |
Anyone can come in and be a part. Everytime you see the township, the | :18:18. | :18:24. | |
people are always taking the bus and they are viewing through protective | :18:25. | :18:29. | |
windows and there is an virginity for them to walk through the streets | :18:30. | :18:33. | |
and experience the life and touch the soil, and taste the taste. I | :18:34. | :18:39. | |
think that is the uniqueness that we are hoping to bring. So every month | :18:40. | :18:44. | |
we choose a township and take a walk and just me, have a good time. | :18:45. | :18:48. | |
Ultimately it is about having a good time. Most of us are born in | :18:49. | :19:01. | |
townships, and we live in townships today. It is the only place that we | :19:02. | :19:05. | |
call home, and I think it is important for us to feel positive | :19:06. | :19:09. | |
about ourselves. If we feel positive about ourselves, and where we come | :19:10. | :19:18. | |
from, and where we find ourselves. Townships are a beautiful place. You | :19:19. | :19:22. | |
walk around in the middle of a shack town, and you worry about the state | :19:23. | :19:26. | |
that these people are living in but once you see their faces you see | :19:27. | :19:31. | |
smiles, you see kids running around playing in the street, you see dogs. | :19:32. | :19:33. | |
It is happiness, it is high. When you walk down the street, I | :19:34. | :19:55. | |
mean, as we are walking together here, people are giving your | :19:56. | :19:58. | |
high-fives randomly, just because people are curious. It gives us an | :19:59. | :20:03. | |
extra edge from a photographic sense, when you take pictures of | :20:04. | :20:05. | |
people who want to be taken pictures. Yes, there is always a bit | :20:06. | :20:16. | |
of a threat, as when you walk down any street, be it in the city centre | :20:17. | :20:23. | |
or be at here. The same is here. So we have been working for over a year | :20:24. | :20:28. | |
now, and we have been working in various townships across Cape Town | :20:29. | :20:31. | |
and all of those townships, we have never had a single incident. | :20:32. | :20:43. | |
These local models, young models, young photographers, young | :20:44. | :20:50. | |
designers, and we help each other out in the sense that the | :20:51. | :20:54. | |
photographers need content. You know, spaces where people can just | :20:55. | :20:57. | |
collaborate on the spot and take awesome pictures. Go with me, | :20:58. | :21:06. | |
without me telling you anything, right now. All they need is a good | :21:07. | :21:12. | |
photo. It is the moment, I think. It is a perfectly captured moment. Most | :21:13. | :21:18. | |
of the time unplanned. For me that is like the perfect picture. You can | :21:19. | :21:32. | |
create upon with every picture. -- create a poem. We don't call it out | :21:33. | :21:37. | |
reach, we call it in reach. Because you take more than you give, and we | :21:38. | :21:42. | |
go out with local kids, and we can teach them how to take photographs | :21:43. | :21:48. | |
and that kind of vibe. I want you to do the side does. Yes, there we go. | :21:49. | :21:55. | |
I think it is about time we call it a day. I think it's been a good day. | :21:56. | :21:59. | |
The weather has been on our side, the conditions have been on our | :22:00. | :22:06. | |
side. Nyanga prove to us that the streets are not as dangerous as | :22:07. | :22:08. | |
people made them out to be. We didn't have any threats, or | :22:09. | :22:16. | |
incidents. We are fine. Exploring South Africa through a | :22:17. | :22:20. | |
photographer's eye. That's all we've got time for this week. Coming up | :22:21. | :22:31. | |
next week: Christa heads to Hungary and takes to the track as they | :22:32. | :22:35. | |
prepare to celebrate the 30th anniversary of the first-ever Grand | :22:36. | :22:38. | |
Prix to take place behind the Iron Curtain in 1986. I hope you can join | :22:39. | :22:44. | |
us for that, if you can. You can also catch us on social media. All | :22:45. | :22:49. | |
the details are on your screen now. And from all of us here in Tokyo, | :22:50. | :22:51. | |
it's goodbye. Well, this weekend is once | :22:52. | :23:15. | |
again going to be very mixed. One minute it is going to be too | :23:16. | :23:18. | |
cold, Very changeable from | :23:19. | :23:20. | |
the sparkling and clear blue skies, Behind this cold front that we are | :23:21. | :23:25. | |
seeing on the satellite picture | :23:26. | :23:29. |