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we visit the memorial site, 75 years after the Japanese bombing | :00:00. | :00:09. | |
raid that drew the Americans into World War II. | :00:10. | :00:15. | |
Also coming up, we're in rattlesnake country, | :00:16. | :00:17. | |
on the trail of ancient Native American art. | :00:18. | :00:25. | |
Simon's looking for guaranteed snow for a four-year-old | :00:26. | :00:27. | |
We're starting this week in the Pacific Ocean, | :00:28. | :01:01. | |
in the beautiful volcanic archipelago of Hawaii. | :01:02. | :01:10. | |
Below me, Oahu, the state's third biggest island | :01:11. | :01:13. | |
and home to its capital, Honolulu. | :01:14. | :01:17. | |
American pilots would have practised in one of these before graduating | :01:18. | :01:25. | |
to the fighters and bombers of the Second World War. | :01:26. | :01:29. | |
This one's been restored for tourists. | :01:30. | :01:34. | |
But 75 years ago this December, Japanese pilots approach the US | :01:35. | :01:42. | |
naval base here with very different intentions. | :01:43. | :01:51. | |
At 7:55am on December 7th, the first of two waves of Japanese | :01:52. | :01:54. | |
aircraft began their devastating assault on Pearl Harbor. | :01:55. | :01:59. | |
Within two hours, five battleships had been sunk, | :02:00. | :02:02. | |
and more than 2,400 Americans killed. | :02:03. | :02:07. | |
That attack drew the United States into World War II. | :02:08. | :02:15. | |
These days, the site is still an active naval base, | :02:16. | :02:19. | |
as well as being a museum, a national monument to those killed | :02:20. | :02:22. | |
Ironically, many of those who come are from Japan. | :02:23. | :02:33. | |
I wanted to learn from the history, and my stepfather, it was his dream | :02:34. | :02:36. | |
to come here, to pray, to thank to the world. | :02:37. | :03:19. | |
She is three football fields long, 20 stories tall. | :03:20. | :03:24. | |
The primary visitor to Hawaii, especially when I first came | :03:25. | :03:28. | |
here in the late 1980s, was predominantly Japanese. | :03:29. | :03:32. | |
There were also some Japanese who would not come because they felt | :03:33. | :03:34. | |
ashamed or they felt they would be somehow mistreated. | :03:35. | :03:38. | |
We have worked very hard toward reconciliation. | :03:39. | :03:42. | |
In 1991, I was actively engaged along with others in exercising | :03:43. | :03:48. | |
But it had to come from the veterans as well, | :03:49. | :03:55. | |
The main event for many visitors here is a boat ride out | :03:56. | :04:00. | |
to the sunken wreck of the USS Arizona. | :04:01. | :04:05. | |
The crowd size is kept as small and dignified as possible. | :04:06. | :04:12. | |
The memorial straddles the hull of the Arizona, | :04:13. | :04:14. | |
Around 900 servicemen killed on the attack remain on the ship. | :04:15. | :04:28. | |
On December 7th, as part of the commemoration, | :04:29. | :04:30. | |
two American Pearl Harbor veterans who have recently died | :04:31. | :04:32. | |
There are thought to be around 2,000 survivors still remaining. | :04:33. | :04:43. | |
The youngest military survivor will be 93 now. | :04:44. | :04:49. | |
But, despite their advancing years, some still visit the base, | :04:50. | :04:52. | |
I enjoy coming down here, I meet people from just | :04:53. | :05:01. | |
It was all in the morning, of course. | :05:02. | :05:10. | |
I had a 30 calibre rifle, shooting at the planes. | :05:11. | :05:13. | |
When the first officers came aboard, they took my gun away and told me | :05:14. | :05:17. | |
to go to the warehouse, because I was in supplies. | :05:18. | :05:20. | |
At that time I felt real naked, like I didn't have anything | :05:21. | :05:23. | |
It was scary, I'll be honest with you. | :05:24. | :05:29. | |
But after a while, you have to ignore it and try | :05:30. | :05:31. | |
There are a number of services and events in the week leading up | :05:32. | :05:49. | |
to the 75th anniversary on December 7th. | :05:50. | :05:52. | |
Some are quiet, private events, but there are also concerts | :05:53. | :05:54. | |
and parades planned that are free for everyone to go and see. | :05:55. | :06:05. | |
And if you're thinking of coming to Hawaii in the near future, | :06:06. | :06:08. | |
here are things that you will need to know. | :06:09. | :06:15. | |
Even away from the big memorial events, it's worth booking ahead | :06:16. | :06:18. | |
You can pick up tickets on the day but there is often a massive queue, | :06:19. | :06:23. | |
Hawaii is home to three active volcanoes, one of which has been | :06:24. | :06:28. | |
It is often difficult to get close to see much, | :06:29. | :06:34. | |
so try and time your visit to the national park at dusk, | :06:35. | :06:37. | |
so you can see the eerie glow from Kilauea more clearly. | :06:38. | :06:45. | |
The lava tubes made up from a dried up river of red lava | :06:46. | :06:48. | |
And the Kona coast on the west side of Hawaii's big island is the best | :06:49. | :06:55. | |
place locally to swim with one of the world's most accessible | :06:56. | :06:58. | |
You will have an 80% to 90% chance of seeing them and, after dark, | :06:59. | :07:07. | |
Next this week, our thirsty explorer is off to Paris, to tackle a drink | :07:08. | :07:17. | |
I set out to find the truth about the spirit that caused so much | :07:18. | :07:25. | |
trouble in Europe at the start of the 20th century. | :07:26. | :07:29. | |
Our first stop was the Combier distillery, in the town of Saumur. | :07:30. | :07:36. | |
This place is amazing, it looks like the home of a mad | :07:37. | :07:39. | |
scientist or something, when is this from? | :07:40. | :07:40. | |
It is made from two basic ingredients, which are | :07:41. | :07:51. | |
Wormwood, said to be a plant that grew in the Garden of Eden, | :07:52. | :08:00. | |
was used for a host of medicinal purposes and believed | :08:01. | :08:03. | |
But most people know it falsely for its mythical | :08:04. | :08:06. | |
You can drink today a real absinthe, with the same taste | :08:07. | :08:13. | |
Yes, yes, we did not change the recipe. | :08:14. | :08:19. | |
At the height of its popularity, Parisians were drinking roughly six | :08:20. | :08:22. | |
The conspiracy goes that the wine industry used its power | :08:23. | :08:29. | |
to sensationalise and murder, and spark the beginning | :08:30. | :08:31. | |
Today, nowadays, you can prove that it is not true. | :08:32. | :08:37. | |
The thujone level is very low, although we respected | :08:38. | :08:40. | |
But the levels of thujone, the chemical in wormwood, | :08:41. | :08:46. | |
were always too low to cause hallucinations, and so France | :08:47. | :08:49. | |
repealed in 1915 absinthe prohibition, starting in 1988. | :08:50. | :08:59. | |
I hit the road, curious to find out if absinthe had | :09:00. | :09:02. | |
I headed to the neighbourhood of Bastille. | :09:03. | :09:23. | |
Here is where most of the absinthe bars are located. | :09:24. | :09:25. | |
This is all about the absinthe, it is a French tradition, for me. | :09:26. | :09:30. | |
First, fill the fountain with ice-cold water, next, | :09:31. | :09:32. | |
pour two centrelitres of flavoured absinthe, ranging from | :09:33. | :09:34. | |
Finally open the tap to drip the water very slowly over the sugar | :09:35. | :09:40. | |
You have this tradition, the families, sometimes, | :09:41. | :09:47. | |
It was amazing to see how misunderstood the spirit still is, | :09:48. | :09:52. | |
even in the country where absinthe is inextricably linked with history | :09:53. | :10:02. | |
and art, most people drinking it did so out of nostalgia. | :10:03. | :10:04. | |
At the end of the night, no magical creatures rose | :10:05. | :10:08. | |
from my spoon, but watching the fountain drip throughout the night | :10:09. | :10:10. | |
was an as vertically beautiful, extremely social ritual, | :10:11. | :10:13. | |
it was easy to see why Parisians fell in love with absinthe more | :10:14. | :10:16. | |
With life moving so fast these days, I hope they can find the time to sit | :10:17. | :10:21. | |
Still to come on the Travel Show: Simon is here, with tips for a dream | :10:22. | :10:38. | |
And we braved the heat of the desert, in search of art. | :10:39. | :10:42. | |
Welcome to the slice of the show which tackles your | :10:43. | :11:00. | |
questions about getting the best out of travel. | :11:01. | :11:02. | |
Coming up shortly, my tip for the ideal Canadian rail journey, | :11:03. | :11:06. | |
and where to find guaranteed snow to provide fun for a four-year-old. | :11:07. | :11:11. | |
But first, a lot of excitement among European train fans | :11:12. | :11:14. | |
about the impending opening of the longest railway | :11:15. | :11:18. | |
tunnel in the world, the 57 kilometre Gotthart Base | :11:19. | :11:26. | |
From mid-December, expresses between Zurich and Milan | :11:27. | :11:35. | |
will be 37 minutes faster, but rest assured, if, like me, | :11:36. | :11:38. | |
for scenery, the old route through the mountains will still be | :11:39. | :11:42. | |
I want to book a hotel in Sydney for New Year 2017/18. | :11:43. | :11:48. | |
Are there any websites that book more than 12 months ahead? | :11:49. | :11:52. | |
Unlike airlines, which rarely sell seats as far as a year ahead, | :11:53. | :11:55. | |
hotels don't have hard and fast rules about when bookings | :11:56. | :11:57. | |
open but many of them limit their booking window | :11:58. | :11:59. | |
Even when their systems appear to allow more distant reservations, | :12:00. | :12:07. | |
you will often see it sold out for any night over one year ahead, | :12:08. | :12:11. | |
partly to prevent online bookers from selecting in error | :12:12. | :12:13. | |
Of course, you could wait for the booking window | :12:14. | :12:19. | |
of your chosen hotel to open, but I suggest you talk directly | :12:20. | :12:21. | |
to the hotel reservation staff, to make sure you get the room | :12:22. | :12:24. | |
They'll probably ask for a deposit now and the remainder | :12:25. | :12:32. | |
Rachel Shaw has a concise request about a vast country. | :12:33. | :12:44. | |
Vancouver is the start and end of what I regard | :12:45. | :12:47. | |
as the optimum trip, the Rocky Mountaineer Rainforest | :12:48. | :12:49. | |
to Gold Rush Route, from North Vancouver station. | :12:50. | :12:52. | |
It runs via the ski resort of Whistler, | :12:53. | :12:56. | |
and beside the Fraser River Canyon, and some incredible desert | :12:57. | :12:58. | |
scenery, to Prince George, and the town of Jasper, | :12:59. | :13:01. | |
From here, switch to the Canadian, the transcontinental | :13:02. | :13:07. | |
service from Toronto, which uses the original 1955 | :13:08. | :13:10. | |
Go west through some dreamy Rocky Mountains scenery, | :13:11. | :13:18. | |
then slumber overnight to Vancouver, where you will arrive | :13:19. | :13:20. | |
Finally, Seb is evidently a generous grandfather. | :13:21. | :13:36. | |
My four-year-old grandson's dream is to spend three to four days over | :13:37. | :13:39. | |
Christmas in the place where snow is guaranteed. | :13:40. | :13:41. | |
So I reckon for absolute certainty, you need easy access to a ski | :13:42. | :13:45. | |
resort, where there are snowmaking facilities. | :13:46. | :13:48. | |
The ideal location is Zell am See in north-west Austria, | :13:49. | :13:57. | |
a beautiful town set magnificently beside a lake. | :13:58. | :13:59. | |
from where the train takes about 90 minutes, | :14:00. | :14:02. | |
make sure it is daytime, because it is one of Austria's | :14:03. | :14:05. | |
From December to April, there is a very good | :14:06. | :14:10. | |
chance of snow here, but if for some reason it | :14:11. | :14:13. | |
does not materialise, bus 680 will take you in less | :14:14. | :14:15. | |
than half an hour to the result of Saalbach, which I know | :14:16. | :14:18. | |
from experience last New Year makes prodigious amounts of snow, | :14:19. | :14:21. | |
Whether you are looking for snow or sun, the Travel | :14:22. | :14:31. | |
E-mail your question to the Travel Show. | :14:32. | :14:40. | |
I will do my very best to find you an answer. | :14:41. | :14:42. | |
From me, Simon Calder, global guru, goodbye for now, | :14:43. | :14:45. | |
Now for a country always eager to celebrate its history, | :14:46. | :14:52. | |
there is remarkably little commemoration of the USA's olddest | :14:53. | :14:54. | |
heritage, art created by its Indigenous Peoples. | :14:55. | :14:58. | |
Some may say that is not surprising, given the particularly brutal way | :14:59. | :15:01. | |
many Native Americans were treated during settlement | :15:02. | :15:02. | |
Here in Arizona, in the south of the US, you can find some | :15:03. | :15:15. | |
of the biggest collections of historical Native American art. | :15:16. | :15:22. | |
The famous tribes of Navajo, Hopi and Pueblo Indians settled | :15:23. | :15:25. | |
here, and today they help make up the second largest total | :15:26. | :15:28. | |
Native American population of any American state. | :15:29. | :15:33. | |
In fact, a quarter of the state is reservation land. | :15:34. | :15:42. | |
We drove deep into the desert, 90 miles south-west | :15:43. | :15:44. | |
It's here, in the middle of nowhere, that you suddenly | :15:45. | :15:55. | |
find 800 or so examples of ancient petroglyphic art. | :15:56. | :15:58. | |
Some of these etchings go back as far as 7000 years. | :15:59. | :16:05. | |
It's mostly created by the chipping and scraping away of the top surface | :16:06. | :16:12. | |
of the boulders, to expose a lighter layer underneath. | :16:13. | :16:18. | |
The patterns that you see are patterns that you would see | :16:19. | :16:20. | |
Christopher Short is a passionate student | :16:21. | :16:23. | |
They are all beautiful, they are all connections | :16:24. | :16:27. | |
Remember that these people did not have any written tradition, | :16:28. | :16:37. | |
they have oral histories, oral storytelling, and they had | :16:38. | :16:39. | |
That is the history we have to work with. | :16:40. | :16:44. | |
Christopher photographed traditional petroglyphss | :16:45. | :16:46. | |
He is descended on his mother's side from an Indian tribe | :16:47. | :16:59. | |
but he did not feel connected to his roots until he moved | :17:00. | :17:02. | |
from Oklahoma to live here, in Arizona. | :17:03. | :17:04. | |
I am a citizen of the Potawatomi nation. | :17:05. | :17:17. | |
My native name means source of light. quite appropriate | :17:18. | :17:19. | |
The work is both symbolic and naturalistic, and goes back | :17:20. | :17:24. | |
They are believed to have been remnants of the Hohokam community; | :17:25. | :17:30. | |
hohokam literally means "the people who came before." | :17:31. | :17:33. | |
Native American culture is very important. | :17:34. | :17:34. | |
It is the history of this country, and the undercurrent | :17:35. | :17:37. | |
Before there were settlers, there was this culture, | :17:38. | :17:44. | |
and there were these people, eating and surviving and thriving | :17:45. | :17:46. | |
and telling stories and singing songs and making their artwork. | :17:47. | :17:50. | |
That is something that is important enough that it has to be preserved. | :17:51. | :17:58. | |
There is a really profound sense of whimsy in some | :17:59. | :18:00. | |
You see representations of people with what looks like | :18:01. | :18:06. | |
To me, that makes me laugh, that is the spirit of whimsy | :18:07. | :18:11. | |
and the spirit of play, which I think is important in any | :18:12. | :18:14. | |
But this site, like many others, is under threat, and the degrading | :18:15. | :18:22. | |
of the ancient art is not just because of age or the weather. | :18:23. | :18:28. | |
We have everything from people shooting at cultural sites | :18:29. | :18:30. | |
like this, especially petroglyphs, shooting them | :18:31. | :18:33. | |
Throwing paint on something, the paint does not go away, | :18:34. | :18:47. | |
it absorbs into the rock and it is very hard | :18:48. | :18:50. | |
Even the oils in our hands can destroy the surfaces | :18:51. | :18:57. | |
Cheryl's job is to help in the management and protection | :18:58. | :19:00. | |
of ancient sites like this, and in educating the wider American | :19:01. | :19:03. | |
The modern Indigenous Peoples regard this as a very special place. | :19:04. | :19:12. | |
It is also part of our shared heritage. | :19:13. | :19:14. | |
A lot of these rocks are a very dark colour, | :19:15. | :19:17. | |
The elements in this exposed landscape are an obvious problem | :19:18. | :19:23. | |
in the preservation of the sites, but then, there is also vandalism. | :19:24. | :19:26. | |
That is the part that becomes interesting, because there is even | :19:27. | :19:39. | |
Some of the historians get very interested in that, | :19:40. | :19:43. | |
and they will try to do searches on those names, | :19:44. | :19:47. | |
to see if they were connected with some historic trails, for instance. | :19:48. | :19:52. | |
That division between graffiti and historic is sometimes | :19:53. | :19:54. | |
So there are real issues about preservation of | :19:55. | :19:59. | |
But this is where Christopher steps back in. | :20:00. | :20:07. | |
He photographs and then recreates the petroglyphs, | :20:08. | :20:09. | |
What symbols, what artwork are you looking for, | :20:10. | :20:18. | |
I look for stuff that is stylistically interesting but also, | :20:19. | :20:26. | |
simple enough that when I project it, it is not | :20:27. | :20:29. | |
These individual shapes here, like this lizard, absolutely | :20:30. | :20:32. | |
I have taken pictures, I have added them to a library. | :20:33. | :20:42. | |
Then it is back to his place, to photoshop the images | :20:43. | :20:44. | |
I have put a selection there, so I can isolate it | :20:45. | :20:58. | |
from the background, and in doing so, I am finding lines | :20:59. | :21:01. | |
Stage three is the clever and artistic bit. | :21:02. | :21:09. | |
Using laser projection of digitised images onto sandstone rock, | :21:10. | :21:15. | |
which Chris has gathered from the desert. | :21:16. | :21:17. | |
This looks like a jumble of rocks but it is very carefully set | :21:18. | :21:20. | |
The purpose is to create what he calls impressionistic dreamscapes. | :21:21. | :21:24. | |
Everything is set up, we are ready to go. | :21:25. | :21:27. | |
Basically, I'm turning rock art into science fiction. | :21:28. | :21:42. | |
This is spirit, and science, and art, all intersecting | :21:43. | :21:46. | |
Christopher is doing more than that, he is showing how this much | :21:47. | :21:54. | |
neglected jewel of American heritage can live on, | :21:55. | :22:00. | |
and inform and enrich the lives of generations to come. | :22:01. | :22:09. | |
That's it for this week, join us next week, when... | :22:10. | :22:12. | |
There is another chance to see the journey through Bavaria, | :22:13. | :22:15. | |
from surfing in Munich to sleeping deep underneath a mountain range. | :22:16. | :22:27. | |
It is way past 1am, they are playing these big drums. | :22:28. | :22:30. | |
To seeing one of the world's strangest and most noisy festivals. | :22:31. | :22:36. | |
Don't forget, you can follow us in real time | :22:37. | :22:41. | |
on our social media feeds, the detail should be | :22:42. | :22:43. | |
Until next time, from me, Carmen Roberts, and the rest | :22:44. | :22:47. | |
of The Travel Show team in Hawaii, it is goodbye. | :22:48. | :23:16. | |
Early on this week it was pretty miserable, with heavy, persistent | :23:17. | :23:18. |