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Now on BBC News - The Travel Show. | 0:00:00 | 0:00:03 | |
Cuba is at a turning point. | 0:00:08 | 0:00:10 | |
Decades of isolation from the USA are set to end and tourism | 0:00:10 | 0:00:13 | |
is leading a new spirit of enterprise here. | 0:00:13 | 0:00:17 | |
The wheels are in motion. | 0:00:17 | 0:00:19 | |
But everyone is wondering exactly where is Cuba headed right now. | 0:00:19 | 0:00:26 | |
The economy may benefit, but is this country in danger | 0:00:27 | 0:00:30 | |
of losing its soul? | 0:00:30 | 0:00:33 | |
Those precious assets that make this place, well, | 0:00:33 | 0:00:35 | |
Cuba. | 0:00:35 | 0:00:40 | |
On my first trip here for nearly 20 years I'm on a mission to find out. | 0:00:40 | 0:00:45 | |
It may be a small island 90 miles off the coast of Florida, | 0:00:55 | 0:00:59 | |
but Cuba has a unique story to tell. | 0:00:59 | 0:01:03 | |
Ever since Fidel Castro and his band of revolutionaries seized control | 0:01:03 | 0:01:06 | |
in 1959, the country has followed its own Socialist path. | 0:01:06 | 0:01:15 | |
The USA imposed a trade embargo on Cuba in the early '60s, | 0:01:15 | 0:01:19 | |
and Americans here were told to return home immediately. | 0:01:19 | 0:01:24 | |
MUSIC | 0:01:34 | 0:01:35 | |
MUSIC PLAYS | 0:01:35 | 0:01:37 | |
Classic cars like this were left behind when the rich | 0:01:38 | 0:01:40 | |
American playboys left town after the revolution. | 0:01:40 | 0:01:45 | |
Now it looks like they are on their way back. | 0:01:45 | 0:01:49 | |
Because relations have thawed between the two countries | 0:02:07 | 0:02:10 | |
and vintage cars are a hit amongst tourists who are here already. | 0:02:10 | 0:02:18 | |
You're restoring this 1958 Chevrolet Bel Air car. | 0:02:18 | 0:02:20 | |
Lovely car, can I help? | 0:02:20 | 0:02:23 | |
OK, come on, please. | 0:02:23 | 0:02:27 | |
At the moment check it, the wipers. | 0:02:27 | 0:02:29 | |
The windscreen wipers? | 0:02:29 | 0:02:31 | |
Yes, check it. | 0:02:31 | 0:02:32 | |
Is it turning? | 0:02:32 | 0:02:34 | |
OK. | 0:02:34 | 0:02:35 | |
Open. | 0:02:35 | 0:02:37 | |
Is that enough? | 0:02:37 | 0:02:38 | |
Open, OK. | 0:02:38 | 0:02:40 | |
That's perfect. OK. | 0:02:40 | 0:02:42 | |
It's incredible going inside these old cars, they are beautiful | 0:02:42 | 0:02:44 | |
cars, aren't they? | 0:02:44 | 0:02:45 | |
All of these wires, made in the 1940s and 50s, incredible. | 0:02:45 | 0:02:49 | |
I feel like a master craftsman, even though I was doing | 0:02:49 | 0:02:53 | |
this and this. | 0:02:53 | 0:02:54 | |
Nonetheless, wow. | 0:02:54 | 0:02:58 | |
SPEAKS SPANISH | 0:03:03 | 0:03:05 | |
OK. | 0:03:07 | 0:03:08 | |
And you? | 0:03:08 | 0:03:09 | |
Yes? | 0:03:09 | 0:03:13 | |
Julio was a taxi driver five years ago with his beloved | 0:03:13 | 0:03:16 | |
1955 Chevrolet Bel Air. | 0:03:16 | 0:03:17 | |
Now he's taking advantage of government reforms | 0:03:17 | 0:03:19 | |
and is a partner in a business that restores and hires out | 0:03:19 | 0:03:21 | |
classic vehicles to tourists. | 0:03:21 | 0:03:24 | |
There are now 22 cars in total under the Nostalgicar banner. | 0:03:24 | 0:03:33 | |
This is such a rewarding thing to do. | 0:03:33 | 0:03:35 | |
It's already getting cleaner. | 0:03:35 | 0:03:38 | |
I haven't even started painting yet. | 0:03:38 | 0:03:41 | |
It will be very important for us, for this business particularly. | 0:03:49 | 0:03:52 | |
The business brain behind Nostalgicars is Julio's wife, | 0:03:52 | 0:03:54 | |
Nidialys, who has already been invited to Washington by the US vice | 0:03:54 | 0:03:57 | |
president in recognition of her entrepreneurial acumen. | 0:03:57 | 0:04:01 | |
She's lucky, most Cubans can't travel. | 0:04:01 | 0:04:05 | |
For us it's very important when we finish this restoration | 0:04:05 | 0:04:08 | |
to get money for that work. | 0:04:08 | 0:04:11 | |
So you do get more money? | 0:04:11 | 0:04:12 | |
We live much better. | 0:04:12 | 0:04:15 | |
We can travel, we live like capitalists, but we work a lot | 0:04:15 | 0:04:20 | |
but we live better too. | 0:04:20 | 0:04:24 | |
Only three in Cuba. | 0:04:24 | 0:04:25 | |
Only three of them in the whole of Cuba? | 0:04:25 | 0:04:28 | |
Yes, yes, yes. | 0:04:28 | 0:04:29 | |
In a country where even a brain surgeon can earn only $30 a month, | 0:04:29 | 0:04:33 | |
running a private enterprise like this can be | 0:04:33 | 0:04:35 | |
relatively lucrative. | 0:04:35 | 0:04:38 | |
It was Nidialys who was quick to see the appeal of vintage | 0:04:38 | 0:04:41 | |
Chevrolets to foreigners. | 0:04:41 | 0:04:44 | |
Beautiful car, beautiful. | 0:04:44 | 0:04:45 | |
Can we go for a drive? | 0:04:45 | 0:04:50 | |
Nidialys wasn't always a fan of these vintage vehicles. | 0:04:50 | 0:04:54 | |
Now she has names for all of them, including her favourite Lola. | 0:04:54 | 0:05:00 | |
At the beginning I didn't like to drive. | 0:05:00 | 0:05:03 | |
But now I love to drive. | 0:05:03 | 0:05:06 | |
It's very easy and it's not very common to see a woman | 0:05:06 | 0:05:09 | |
driving this kind of car. | 0:05:09 | 0:05:13 | |
What's happening here? | 0:05:19 | 0:05:21 | |
There is a Wi-Fi area in this park and they are connecting | 0:05:21 | 0:05:24 | |
with the Internet. | 0:05:24 | 0:05:27 | |
So it's like a hot spot where everyone comes to get online? | 0:05:27 | 0:05:30 | |
Yes. | 0:05:30 | 0:05:34 | |
The Internet is the revolution that passed Cuba by. | 0:05:34 | 0:05:40 | |
For most, it's unaffordable and restricted. | 0:05:40 | 0:05:45 | |
Take a stroll around town and you see more evidence | 0:05:47 | 0:05:50 | |
of a gulf in wealth. | 0:05:50 | 0:05:52 | |
Ration shops, poor housing conditions and two parallel | 0:05:52 | 0:05:55 | |
currencies, one for locals and one for tourists. | 0:05:55 | 0:06:00 | |
You should buy this one. | 0:06:00 | 0:06:01 | |
I should buy this one? | 0:06:01 | 0:06:03 | |
This market trader tried to explain it to me. | 0:06:03 | 0:06:05 | |
This is what? | 0:06:05 | 0:06:08 | |
This is convertible pesos and this is Cuban pesos, normal pesos. | 0:06:08 | 0:06:12 | |
Why have two different types of currency? | 0:06:12 | 0:06:14 | |
We have to find a way to beat the blockade. | 0:06:14 | 0:06:17 | |
OK. | 0:06:24 | 0:06:26 | |
Soon that will happen? | 0:06:30 | 0:06:31 | |
Soon. | 0:06:31 | 0:06:32 | |
When the embargo lifts? | 0:06:32 | 0:06:33 | |
I hope so. | 0:06:33 | 0:06:34 | |
You hope so. | 0:06:34 | 0:06:35 | |
Listen, for that explanation I'm going to give you a tip. | 0:06:35 | 0:06:38 | |
Thank you very much. | 0:06:38 | 0:06:39 | |
There you are, you can keep that. | 0:06:39 | 0:06:41 | |
You are very kind. | 0:06:41 | 0:06:42 | |
Thank you very much. | 0:06:42 | 0:06:43 | |
Take care. | 0:06:43 | 0:06:45 | |
On the flip side, there is a strong sense of national pride here, | 0:06:52 | 0:06:55 | |
of pulling through. | 0:06:55 | 0:06:56 | |
And many local communities have thriving cultural scenes. | 0:06:56 | 0:07:04 | |
The Callejon de Hamel, complete with murals and crazy | 0:07:10 | 0:07:14 | |
artworks, is a shrine to Cuba's African roots. | 0:07:14 | 0:07:18 | |
This is the voice of black Cuba. | 0:07:18 | 0:07:21 | |
Raw, intense, even sometimes angry. | 0:07:21 | 0:07:25 | |
But always emotional and passionate. | 0:07:25 | 0:07:29 | |
The street is the brainchild of local artist Salvador. | 0:07:33 | 0:07:37 | |
He encountered opposition from the authorities | 0:07:37 | 0:07:39 | |
who accused him of promoting dangerous mystical beliefs. | 0:07:39 | 0:07:44 | |
SPEAKS SPANISH | 0:07:44 | 0:07:46 | |
And then, rather rashly perhaps, the performers let me join in. | 0:08:12 | 0:08:17 | |
From the raw and passionate to the sublime. | 0:08:30 | 0:08:39 | |
The Cuban National Ballet School, founded in 1962, today with some | 0:08:41 | 0:08:45 | |
3000 students is the biggest of its kind in the world. | 0:08:45 | 0:08:50 | |
This couple are partners on and offstage. | 0:08:54 | 0:08:57 | |
And they feel ballet has a unique place in the Cuban | 0:08:57 | 0:09:00 | |
way of life. | 0:09:00 | 0:09:01 | |
As rising stars, Anette and Dani live in a nice part of town | 0:09:29 | 0:09:32 | |
with their young daughter. | 0:09:32 | 0:09:33 | |
But they say there is no sense of celebrity here. | 0:09:33 | 0:09:36 | |
But people recognise new you 'la calle'. | 0:09:57 | 0:10:00 | |
People go, "Ah, es Dani, es Anette"? | 0:10:00 | 0:10:02 | |
And as night falls in the city, Old Havana loves to | 0:10:08 | 0:10:11 | |
celebrate its artistic side. | 0:10:11 | 0:10:18 | |
The Gran Teatro de La Habana, a Havana landmark since 1838. | 0:10:18 | 0:10:27 | |
But with the Castro government's belief in arts for all, | 0:10:27 | 0:10:30 | |
it's become a theatre for the people, not | 0:10:30 | 0:10:32 | |
just the privileged. | 0:10:32 | 0:10:36 | |
It's a big charity gala tonight, the talk of the town, | 0:10:36 | 0:10:39 | |
and choreographed by the living legend of Cuban ballet, | 0:10:39 | 0:10:41 | |
Alicia Alonso. | 0:10:41 | 0:10:45 | |
Dani and Anette get themselves ready. | 0:10:45 | 0:10:50 | |
And so to the centrepiece of tonight'sshow. | 0:10:58 | 0:11:01 | |
Anette and Dani perform a sequence from the ballet Giselle. | 0:11:01 | 0:11:11 | |
It may look effortless, but this is the result of years | 0:11:11 | 0:11:15 | |
of dedication and a passion that I've already noticed so many | 0:11:15 | 0:11:18 | |
Cubans share. | 0:11:18 | 0:11:23 | |
APPLAUSE | 0:11:27 | 0:11:31 | |
UPBEAT LATIN MUSIC | 0:11:31 | 0:11:36 | |
Head out of Havana and there is an awful lot more to do discover | 0:11:40 | 0:11:44 | |
about the Cuban archipelago. | 0:11:44 | 0:11:47 | |
My next destination is Trinidad, the sugar town, halfway along | 0:11:49 | 0:11:51 | |
the coast of the main island, some 350 kilometres from the capital. | 0:11:51 | 0:12:02 | |
One really cool thing I've noticed about Cuba is there's hardly any | 0:12:02 | 0:12:06 | |
traffic, we've been driving down some of the main arteries | 0:12:06 | 0:12:18 | |
in the island on our way to Trinidad and I feel like I haven't | 0:12:18 | 0:12:22 | |
seen any cars. | 0:12:22 | 0:12:22 | |
This is what perpetuates the notion that Cuba is stuck in a time warp. | 0:12:22 | 0:12:26 | |
A perfectly preserved Spanish era colonial settlement. | 0:12:26 | 0:12:34 | |
Tourism is Cuba's biggest industry and it's currently booming, | 0:12:34 | 0:12:36 | |
fuelled by the rush of people anticipating the end of an era | 0:12:36 | 0:12:46 | |
with the lifting of US sanctions. | 0:12:46 | 0:12:48 | |
Hotel rooms in the capital especially are now very heavily | 0:12:48 | 0:12:51 | |
booked, which leaves traveller on a limited budget with a very | 0:12:51 | 0:12:53 | |
Cuban option of casas particulares. | 0:12:53 | 0:12:57 | |
This is basically the Airbnb prototype, whereby people lease | 0:12:57 | 0:12:59 | |
out their spare rooms to tourists, and for many this is a lifeline | 0:12:59 | 0:13:04 | |
out of poverty. | 0:13:04 | 0:13:07 | |
But where is the man who actually runs this B? | 0:13:07 | 0:13:10 | |
Hola! | 0:13:10 | 0:13:15 | |
How are you? | 0:13:15 | 0:13:16 | |
I'm very well. | 0:13:16 | 0:13:17 | |
Welcome. | 0:13:17 | 0:13:22 | |
Hello, Julio. | 0:13:22 | 0:13:23 | |
Nice to meet you. | 0:13:23 | 0:13:24 | |
And who is this? | 0:13:24 | 0:13:26 | |
Let me introduce you to Luna de Miel. | 0:13:26 | 0:13:28 | |
My favourite horse. | 0:13:28 | 0:13:34 | |
It turns out Julio has several strings to his bow, | 0:13:34 | 0:13:37 | |
not just a hotelier, at also a horse whisperer. | 0:13:37 | 0:13:39 | |
And you're going to show me exactly how to keep the horse can't | 0:13:39 | 0:13:44 | |
and make her trained? | 0:13:44 | 0:13:45 | |
Is that right? | 0:13:45 | 0:13:45 | |
Yes, I will show you right now. | 0:13:45 | 0:13:47 | |
Fantastic. | 0:13:47 | 0:13:53 | |
You see she has started to be nervous? | 0:13:53 | 0:13:55 | |
Is that because the neck goes up? | 0:13:55 | 0:13:57 | |
Yes. | 0:13:57 | 0:13:57 | |
And of course, Luna's restlessness can reveal itself in other ways. | 0:13:57 | 0:14:10 | |
Oh my God! | 0:14:10 | 0:14:12 | |
This is really, really nice. | 0:14:12 | 0:14:13 | |
You actually talk into the air, or not? | 0:14:13 | 0:14:15 | |
No, no, no. | 0:14:16 | 0:14:16 | |
No whispering? | 0:14:16 | 0:14:17 | |
This is the funny thing, we never whisper, we never | 0:14:17 | 0:14:19 | |
whisper at all. | 0:14:19 | 0:14:20 | |
What we do is first establish leadership, and then | 0:14:20 | 0:14:22 | |
using the body language. | 0:14:22 | 0:14:23 | |
I have a solution for you, you and me, we lose their hair. | 0:14:23 | 0:14:26 | |
I know that a hair transplant can be very expensive | 0:14:26 | 0:14:29 | |
but you can do this. | 0:14:29 | 0:14:33 | |
CHUCKLES You see? | 0:14:33 | 0:14:35 | |
Yes, you look like a heavy metal rock star. | 0:14:35 | 0:14:37 | |
Which is appropriate as Julio's favourite band is Iron Maiden. | 0:14:37 | 0:14:44 | |
The only thing you need is a horse and a cheap hat. | 0:14:44 | 0:14:47 | |
On a more serious note, Julio and his wife who is a trained | 0:14:47 | 0:14:50 | |
accountant are more proof on my trip of the entrepreneurial spirit | 0:14:50 | 0:14:53 | |
that is blossoming all around the island. | 0:14:53 | 0:14:55 | |
He's an ambitious man. | 0:14:55 | 0:15:03 | |
What I expect, I need, because it's my way to be more | 0:15:03 | 0:15:06 | |
free to do business. | 0:15:06 | 0:15:07 | |
I'm not afraid of too many things because I know Cubans are smart | 0:15:07 | 0:15:11 | |
enough and they won't lose the Cuban identity. | 0:15:11 | 0:15:13 | |
Some Americans, because I work a lot with American people, | 0:15:13 | 0:15:15 | |
they say soon you will have McDonald's. | 0:15:15 | 0:15:24 | |
Starbucks. | 0:15:24 | 0:15:25 | |
Yes, and things like this. | 0:15:25 | 0:15:26 | |
But maybe we can have things similar but in our style, | 0:15:26 | 0:15:29 | |
in our Cuban style because I like hamburgers and I like coffee, | 0:15:29 | 0:15:32 | |
I like to enjoy good coffee but it will be our style. | 0:15:32 | 0:15:34 | |
Julio took me on a trip around Trinidad, by horse | 0:15:34 | 0:15:37 | |
and cart of course. | 0:15:37 | 0:15:38 | |
On the town's cobbled streets it's the most practical way. | 0:15:38 | 0:15:54 | |
Would you like to try? | 0:15:54 | 0:15:56 | |
Sure, absolutely. | 0:15:56 | 0:15:58 | |
It's not a Mercedes but it's really good anyway. | 0:15:58 | 0:16:02 | |
You are doing very well. | 0:16:02 | 0:16:04 | |
Common sense will tell you what to do. | 0:16:04 | 0:16:06 | |
Common sense is everything. | 0:16:06 | 0:16:10 | |
I think the trick is soft hands. | 0:16:10 | 0:16:14 | |
Soft hands. | 0:16:14 | 0:16:23 | |
And our man of many talents isn't finished yet. | 0:16:23 | 0:16:27 | |
Julio runs photography courses for tourists too. | 0:16:27 | 0:16:28 | |
Here is an interesting location, what do you like about here? | 0:16:28 | 0:16:35 | |
The conception of this kind of photography is like hunting. | 0:16:35 | 0:16:37 | |
Hunting but instead of using a gun or a rifle you are using the camera. | 0:16:37 | 0:16:44 | |
Julio likens his style to a gunslinger, the John Wayne | 0:16:44 | 0:16:46 | |
technique, he calls it. | 0:16:46 | 0:17:07 | |
In the cowboy movies before shooting they do this with their fingers. | 0:17:07 | 0:17:09 | |
Yes. | 0:17:09 | 0:17:10 | |
This is the feel you should have, feel the adrenaline. | 0:17:10 | 0:17:12 | |
Feel the adrenaline? | 0:17:12 | 0:17:13 | |
The adrenaline and the movements, this is the way to keep the camera. | 0:17:13 | 0:17:16 | |
The move is like this. | 0:17:16 | 0:17:17 | |
Very good. | 0:17:17 | 0:17:18 | |
Julio finds his perfect shot. | 0:17:18 | 0:17:26 | |
The beautiful tower is the symbol of Trinidad, so I will shoot | 0:17:26 | 0:17:29 | |
when it reaches that point. | 0:17:29 | 0:17:36 | |
OK, show me. | 0:17:36 | 0:17:38 | |
One shot is enough. Wow. | 0:17:38 | 0:17:39 | |
Bang. He's a roll here. | 0:17:39 | 0:17:46 | |
Don't chase the picture, the picture will come to you. | 0:17:46 | 0:17:49 | |
You love who? | 0:17:49 | 0:17:59 | |
Iron Maiden. | 0:17:59 | 0:18:00 | |
CHUCKLES | 0:18:00 | 0:18:02 | |
What's your favourite song by Iron Maiden? | 0:18:02 | 0:18:03 | |
I think all of them, but Run To The Hills. | 0:18:03 | 0:18:08 | |
Run To The Hills, remind me how that goes again. | 0:18:08 | 0:18:10 | |
# Run to the hills. | 0:18:10 | 0:18:15 | |
# Run for your life # | 0:18:15 | 0:18:17 | |
Run to the hills. | 0:18:17 | 0:18:18 | |
Like that, yeah? | 0:18:18 | 0:18:19 | |
Yes, that was wonderful. | 0:18:19 | 0:18:20 | |
And Fear of the Dark. | 0:18:20 | 0:18:29 | |
Just down the coast and about 180 kilometres south-east of Havana | 0:18:37 | 0:18:40 | |
is Cienaga de Zapata. | 0:18:40 | 0:18:41 | |
This is where you find the historically significant Bay | 0:18:41 | 0:18:44 | |
of Pigs, the scene of the failed invasion by Cuban opponents | 0:18:44 | 0:18:47 | |
to Castro in 1961, which was backed by the US government. | 0:18:47 | 0:18:49 | |
Any invasion these days is from a new rush of tourists | 0:18:49 | 0:18:52 | |
to sample the island's nature, which potentially itself creates | 0:18:52 | 0:18:54 | |
a new problem. | 0:18:54 | 0:18:55 | |
Because, up until now Cuba has been fiercely protective | 0:18:55 | 0:18:57 | |
of its environment and wildlife. | 0:18:57 | 0:18:59 | |
And that includes protecting this fellow. | 0:18:59 | 0:19:09 | |
The critically endangered Cuban crocodile. | 0:19:09 | 0:19:11 | |
This breeding farm was created at the behest of Fidel Castro in 1962. | 0:19:11 | 0:19:43 | |
There are some 4000 crocs here in total, separated by age | 0:19:43 | 0:19:46 | |
and then the size. | 0:19:46 | 0:19:47 | |
Wow, check this out. | 0:19:47 | 0:19:52 | |
Obviously they can't bite it now. | 0:19:52 | 0:19:53 | |
Yes. | 0:19:53 | 0:19:54 | |
But the markings, are they distinctive? | 0:19:54 | 0:19:56 | |
The colours and the markings of the skin? | 0:19:56 | 0:20:04 | |
Yes it's one of the characteristics of the Cuban crocodile. | 0:20:04 | 0:20:07 | |
That makes them unique. | 0:20:07 | 0:20:14 | |
One of the differences between Cuban and American. | 0:20:14 | 0:20:16 | |
Look at that, one movement from me. | 0:20:16 | 0:20:17 | |
When they get bigger I'll be the one that's jumping. | 0:20:17 | 0:20:20 | |
Crossbreeding with the thriving American crocodile is the biggest | 0:20:20 | 0:20:22 | |
current threat from the Cuban croc's survival. | 0:20:22 | 0:20:28 | |
This area we prepared for re-population. | 0:20:28 | 0:20:29 | |
They need the area for warmth, for the sun and for shade. | 0:20:29 | 0:20:32 | |
They need water and land. | 0:20:32 | 0:20:38 | |
And this is what makes the Cuban crocodile so unique. | 0:20:38 | 0:20:41 | |
They jump for their food. | 0:20:41 | 0:20:45 | |
They can jump this high using the tail. | 0:20:45 | 0:20:47 | |
And all this is to protect the species of the Cuban crocodile? | 0:20:47 | 0:20:51 | |
Yes. | 0:20:51 | 0:20:54 | |
And to stop it from being overrun by American crocodiles. | 0:20:54 | 0:21:04 | |
Do you think there is something symbolic here? | 0:21:04 | 0:21:07 | |
I don't know. Maybe! | 0:21:07 | 0:21:16 | |
My time in Cuba is about to end. | 0:21:16 | 0:21:20 | |
But sunrise the next morning gives me one more special glimpse | 0:21:20 | 0:21:22 | |
of this island's wildlife. | 0:21:23 | 0:21:31 | |
This is Salinas de Brito, the biggest swampland | 0:21:31 | 0:21:33 | |
in the Caribbean. | 0:21:33 | 0:21:34 | |
It's also home to 33 kinds of aquatic birds, | 0:21:34 | 0:21:39 | |
including one of the most glamorous, the pink flamingo who come and go | 0:21:39 | 0:21:42 | |
as they please. | 0:21:42 | 0:21:54 | |
Not all residents of Cuba enjoy that kind of freedom, of course, | 0:21:54 | 0:21:57 | |
and certainly not over how the country is run. | 0:21:57 | 0:22:05 | |
But who knows where the current path of reform and change may lead? | 0:22:05 | 0:22:08 | |
There is no turning back now for Cuba and the rest of the world | 0:22:08 | 0:22:12 | |
will watch with keen interest to see how this feisty proud island | 0:22:12 | 0:22:15 | |
negotiates its journey into the unknown. | 0:22:15 | 0:22:25 | |
Hello there. | 0:22:44 | 0:22:48 |