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Tourists have unofficially been leaving their mark here for years. | 0:00:05 | 0:00:09 | |
But now, in a bid to protect the Great Wall of China, | 0:00:09 | 0:00:12 | |
visitors are actually being encouraged | 0:00:12 | 0:00:14 | |
to get creative with a spray can. | 0:00:14 | 0:00:16 | |
On this week's programme, | 0:00:40 | 0:00:42 | |
I'm exploring China's most famous landmark. | 0:00:42 | 0:00:45 | |
Henry gets eyeball-to-eyeball with Borneo's tropical marine life. | 0:00:47 | 0:00:51 | |
We're dicing with death at the Grand Canyon. | 0:00:53 | 0:00:56 | |
And Tommy's camping out in Global Gadgets. | 0:00:58 | 0:01:01 | |
Hello and welcome to The Travel Show, coming to you this week from Beijing. | 0:01:07 | 0:01:12 | |
Well, as you might have guessed, | 0:01:12 | 0:01:14 | |
we're on the Great Wall of China and, each year, | 0:01:14 | 0:01:16 | |
thousands of tourists come here to see one of the wonders of the world. | 0:01:16 | 0:01:20 | |
But not all visitors are respectful and many have left their mark. | 0:01:20 | 0:01:25 | |
So now, the Chinese government is actually letting tourists | 0:01:25 | 0:01:28 | |
graffiti their ancient wall in a bid to stop more widespread scrawlings. | 0:01:28 | 0:01:33 | |
But will it work? | 0:01:33 | 0:01:35 | |
It's a breathtaking site. | 0:01:39 | 0:01:41 | |
An historic wall stretching as far as the eye can see. | 0:01:41 | 0:01:45 | |
It spans almost 9,000km from the east to the west of China. | 0:01:46 | 0:01:52 | |
Built over more than 2,000 years, | 0:01:52 | 0:01:54 | |
construction first began around 220 BC | 0:01:54 | 0:01:57 | |
and continued up until the Ming Dynasty, | 0:01:57 | 0:02:00 | |
when the Wall became known as the world's largest military structure. | 0:02:00 | 0:02:05 | |
It was key to protecting agriculture | 0:02:05 | 0:02:07 | |
and resisting the cavalry of the Huns | 0:02:07 | 0:02:10 | |
and other warrior tribes from the north. | 0:02:10 | 0:02:12 | |
Today, The Great Wall is recognised as one of the most impressive | 0:02:12 | 0:02:16 | |
architectural feats in history and is known as | 0:02:16 | 0:02:19 | |
the most common emblem of China for the western world. | 0:02:19 | 0:02:23 | |
But look closely and you will see that the Wall | 0:02:23 | 0:02:26 | |
is under attack again from visiting vandals. | 0:02:26 | 0:02:30 | |
These bricks here are 600 years old, | 0:02:30 | 0:02:35 | |
and I think the bricks... | 0:02:35 | 0:02:37 | |
Because they are the smallest building blocks | 0:02:37 | 0:02:40 | |
of this mega monument, they are very significant. | 0:02:40 | 0:02:44 | |
So it's fingerprinted with the Great Wall's construction history. | 0:02:44 | 0:02:49 | |
And for someone to come along here and whip out a magic marker, | 0:02:49 | 0:02:54 | |
or a knife, and carve their name on, is a terrible loss. | 0:02:54 | 0:02:58 | |
The Chinese government has adopted | 0:02:59 | 0:03:01 | |
a "if-you-can't-beat-them-join-them" type of approach. | 0:03:01 | 0:03:05 | |
Here at tower number 14, tourists have been given free rein to graffiti | 0:03:05 | 0:03:09 | |
the walls in the hope that it will stop other areas being defaced. | 0:03:09 | 0:03:13 | |
The Chinese tradition of writing messages on bricks, | 0:03:15 | 0:03:19 | |
rocks and trees is almost as old as the wall itself. | 0:03:19 | 0:03:22 | |
The technique was used by scholars in the Han Dynasty in 206 BC. | 0:03:22 | 0:03:26 | |
But modern-day graffiti is relatively new and China's first dedicated | 0:03:28 | 0:03:34 | |
shop opened in here in Beijing's hip 798 Art District just two years ago. | 0:03:34 | 0:03:39 | |
Graffiti in China is very young. | 0:03:42 | 0:03:46 | |
I start graffiti from 2005, and the more graffiti on the street now. | 0:03:46 | 0:03:52 | |
But it is very hard painting in China | 0:03:52 | 0:03:54 | |
because the cans a little... A little bit expensive. | 0:03:54 | 0:03:59 | |
While China's authorities have been known to censor other forms of art, | 0:04:01 | 0:04:05 | |
they've largely turned a blind eye to graffiti on the streets | 0:04:05 | 0:04:09 | |
as long as it's not on government buildings. | 0:04:09 | 0:04:12 | |
Streetwise artists know to toe the line. | 0:04:12 | 0:04:15 | |
And although some touch on sensitive issues like inflation | 0:04:15 | 0:04:18 | |
and pollution, they avoid direct censure of the government. | 0:04:18 | 0:04:22 | |
But for the most part, inspiration is drawn from American hip-hop culture. | 0:04:22 | 0:04:27 | |
A local graffer will usually leave his tag - | 0:04:28 | 0:04:31 | |
a shortened version of their name - in English, | 0:04:31 | 0:04:34 | |
like Andy is teaching me now. | 0:04:34 | 0:04:36 | |
-I've never used a spray can like this before. -It's OK. | 0:04:37 | 0:04:40 | |
I feel so devious. SHE LAUGHS | 0:04:42 | 0:04:45 | |
'So now I'm ready to write my name on the Great Wall of China.' | 0:04:48 | 0:04:52 | |
So I think the spray can is a bit overkill. | 0:04:56 | 0:04:58 | |
I probably would have been better with a felt-tip pen, but here goes. | 0:04:58 | 0:05:02 | |
'Well, I've certainly left my mark, but what do other tourists | 0:05:06 | 0:05:10 | |
'think of this dedicated graffiti zone?' | 0:05:10 | 0:05:12 | |
-I think it's fantastic. -Why? | 0:05:12 | 0:05:15 | |
Because it's beautiful to leave your mark on someplace special that | 0:05:15 | 0:05:19 | |
you can maybe even take down and put somewhere in a museum or something, | 0:05:19 | 0:05:24 | |
but never to desecrate the wall. | 0:05:24 | 0:05:26 | |
-TRANSLATED FROM CHINESE: -This is a way to let everybody | 0:05:26 | 0:05:29 | |
communicate with each other. | 0:05:29 | 0:05:31 | |
Both foreign and domestic tourists can write on these walls | 0:05:31 | 0:05:35 | |
and they can speak with each other. | 0:05:35 | 0:05:37 | |
William Lindesay was the first foreigner | 0:05:39 | 0:05:41 | |
to walk the entire length of the Great Wall | 0:05:41 | 0:05:44 | |
and conservation of this site has become a passion. | 0:05:44 | 0:05:47 | |
I think it's very ugly and I know... | 0:05:47 | 0:05:50 | |
I actually escort many people to the Great Wall, | 0:05:50 | 0:05:54 | |
and on the way out on the bus they tell me for often a lifetime | 0:05:54 | 0:05:59 | |
they've wanted to visit the Great Wall of China. | 0:05:59 | 0:06:02 | |
It's right up there with the pyramids, the Taj Mahal, | 0:06:02 | 0:06:06 | |
Petra, the Colosseum - all of these wonderful historical sites. | 0:06:06 | 0:06:11 | |
And you just think, they come up here, | 0:06:11 | 0:06:14 | |
they ascend the wall, they see this beautiful view. | 0:06:14 | 0:06:18 | |
And it's not just a wall - there are towers, yeah? | 0:06:18 | 0:06:21 | |
And the first tower they go into has white walls, | 0:06:21 | 0:06:26 | |
and it's covered in graffiti and, quite frankly, | 0:06:26 | 0:06:28 | |
it reminds me of the lavatories in a railway station in Britain. | 0:06:28 | 0:06:33 | |
You go to one of the great museums, the British Museum or the Met, | 0:06:33 | 0:06:36 | |
and... | 0:06:36 | 0:06:38 | |
..you step inside and it's just a complete let-down. | 0:06:39 | 0:06:42 | |
'I don't dare tell him | 0:06:42 | 0:06:44 | |
'that I'm responsible for the purple monstrosity over my shoulder.' | 0:06:44 | 0:06:48 | |
The Chinese government is monitoring the project and, if it's a success, | 0:06:49 | 0:06:53 | |
they plan to open more graffiti zones. | 0:06:53 | 0:06:56 | |
Well, if you are thinking of heading here to Beijing, | 0:06:59 | 0:07:02 | |
here are some Travel Show tips to help you plan your trip. | 0:07:02 | 0:07:05 | |
Visitors to China will require a visa. | 0:07:06 | 0:07:09 | |
But if you are planning on being in the country for less than three days, | 0:07:09 | 0:07:13 | |
you may be exempt. | 0:07:13 | 0:07:15 | |
The visa waiver covers citizens from 51 countries, | 0:07:15 | 0:07:19 | |
but make sure you check the rules before you travel, | 0:07:19 | 0:07:22 | |
as a 72-hour exemption can only be obtained at certain airports. | 0:07:22 | 0:07:27 | |
If you want to live like a local in Beijing, | 0:07:27 | 0:07:30 | |
you'll have to forgo a lie-in. | 0:07:30 | 0:07:32 | |
The city's parks are liveliest before 9am, | 0:07:32 | 0:07:35 | |
with locals practising t'ai chi and line dancing. | 0:07:35 | 0:07:39 | |
On a Sunday morning you will find groups of locals | 0:07:39 | 0:07:41 | |
gathered in the city's parks belting out traditional songs. | 0:07:41 | 0:07:45 | |
Food and sharing food is at the heart of Chinese culture. | 0:07:45 | 0:07:49 | |
Huddle around a hotpot to get a taste | 0:07:49 | 0:07:52 | |
of Beijing's sociable dining ritual. | 0:07:52 | 0:07:54 | |
You will be given thinly sliced pieces of lamb, noodles | 0:07:54 | 0:07:57 | |
and lettuce to drop into your communal bowl of simmering stock. | 0:07:57 | 0:08:02 | |
Let the pieces cook for a couple of minutes, | 0:08:02 | 0:08:04 | |
then fish it out with your chopsticks and dip into sesame sauce. | 0:08:04 | 0:08:08 | |
Next up, the first in an animated series | 0:08:10 | 0:08:13 | |
where you share your best travel tales with us. | 0:08:13 | 0:08:16 | |
This true story comes from Darren Brent in Reading. | 0:08:16 | 0:08:19 | |
It was 1988 and we were four 21-year-old blokes | 0:08:19 | 0:08:22 | |
from Reading, England, off on a classic month-long adventure | 0:08:22 | 0:08:26 | |
around the USA. The soft top was down, | 0:08:26 | 0:08:28 | |
the wind was in our hair, the sunshine was blazing. | 0:08:28 | 0:08:30 | |
We thought we were the bees' knees. | 0:08:30 | 0:08:32 | |
Not being familiar with the wide-open American Southwest, | 0:08:32 | 0:08:34 | |
we quickly found ourselves driving blindly | 0:08:34 | 0:08:37 | |
somewhere between Las Vegas and Monument Valley, Utah, | 0:08:37 | 0:08:40 | |
not a city, town, village, or even a shack in sight, | 0:08:40 | 0:08:43 | |
and darkness was setting in. | 0:08:43 | 0:08:45 | |
After about seven hours of solid driving, | 0:08:45 | 0:08:47 | |
a flickering light appeared in the distance. | 0:08:47 | 0:08:49 | |
It was a small classic American-style bar. | 0:08:49 | 0:08:53 | |
Country and western music, colourful locals - the perfect pit stop | 0:08:53 | 0:08:56 | |
for starving, thirsty English blokes. | 0:08:56 | 0:08:58 | |
After polishing off a mountain of fries | 0:08:58 | 0:09:01 | |
and a couple of crates of the local beer, | 0:09:01 | 0:09:03 | |
we asked the barman where we could sleep for the night. | 0:09:03 | 0:09:06 | |
There's nothing round here for miles, | 0:09:06 | 0:09:07 | |
but you're welcome to camp out back for nothing if you like. | 0:09:07 | 0:09:10 | |
When they finally got round to turning off the lights, | 0:09:12 | 0:09:15 | |
we fell off the bar and hauled the tent out of the boot. | 0:09:15 | 0:09:18 | |
It was eerie, and the wind sounded like a hurricane | 0:09:18 | 0:09:20 | |
to our English ears, whistling and howling loudly, | 0:09:20 | 0:09:24 | |
and a high-pitched squeak and flapping sound | 0:09:24 | 0:09:27 | |
which we assumed were bats. | 0:09:27 | 0:09:28 | |
We staggered all over the place searching for rocks, | 0:09:30 | 0:09:33 | |
or anything really to help bang the tent pegs in. | 0:09:33 | 0:09:35 | |
We were walking bigger and bigger circles. It was pitch black. | 0:09:35 | 0:09:38 | |
I couldn't even see my hands. | 0:09:38 | 0:09:40 | |
Eventually we gave up. Two of us just crawled into | 0:09:40 | 0:09:42 | |
the two-man tent and let the canvas collapse on top of us. | 0:09:42 | 0:09:45 | |
The other two slept in the car. | 0:09:45 | 0:09:47 | |
When morning broke, Gary and I awoke | 0:09:47 | 0:09:50 | |
to Jono and Raef laughing uncontrollably outside our tent. | 0:09:50 | 0:09:53 | |
About 20 yards away was a sheer 500-foot drop | 0:09:55 | 0:09:59 | |
to what looked like the start of the Grand Canon. | 0:09:59 | 0:10:02 | |
There were no fences, no barriers, nothing - | 0:10:02 | 0:10:04 | |
just a load of our footprints from the previous night | 0:10:04 | 0:10:06 | |
as we'd staggered towards the edge and back again. | 0:10:06 | 0:10:09 | |
We'd been so close to the edge it was terrifying. | 0:10:09 | 0:10:11 | |
When the drinks started to wear off, we all agreed sheepishly | 0:10:11 | 0:10:14 | |
that we'd been very lucky and we should try to find a proper campsite | 0:10:14 | 0:10:18 | |
for the rest of the trip. In hindsight it was a ridiculous idea. | 0:10:18 | 0:10:21 | |
Camp behind a bar? | 0:10:21 | 0:10:23 | |
At the same time, given the combination of sheer exhaustion | 0:10:23 | 0:10:26 | |
and inebriation, it sounded like the best idea in the world. | 0:10:26 | 0:10:29 | |
After all, we'd come on this trip wanting to experience | 0:10:29 | 0:10:32 | |
everything America had to offer, and that certainly included | 0:10:32 | 0:10:35 | |
camping in the American Southwest. | 0:10:35 | 0:10:37 | |
The President of the Tourist Council in Thailand | 0:10:43 | 0:10:46 | |
has expressed concerns about the impact of a curfew | 0:10:46 | 0:10:49 | |
that was put in place after the military seized power last week. | 0:10:49 | 0:10:53 | |
Since the army took control of the country, locals and tourists | 0:10:53 | 0:10:56 | |
have been banned from going outside at certain times during the night. | 0:10:56 | 0:11:00 | |
If you're planning a trip, the Tourism Authority of Thailand | 0:11:00 | 0:11:03 | |
says it will provide the latest information on their website. | 0:11:03 | 0:11:06 | |
You should also check that your travel insurance covers you | 0:11:06 | 0:11:10 | |
during periods of martial law. | 0:11:10 | 0:11:12 | |
Two major travel companies have announced that they will no longer | 0:11:12 | 0:11:15 | |
be including elephant rides as part of their tours. | 0:11:15 | 0:11:19 | |
STA Travel and Intrepid Travel said separately | 0:11:19 | 0:11:22 | |
that they were responding to concerns about animal welfare. | 0:11:22 | 0:11:26 | |
Tourists wanting to get up close | 0:11:26 | 0:11:28 | |
to these incredible mammals need not fear. | 0:11:28 | 0:11:30 | |
The companies have said that they will work instead | 0:11:30 | 0:11:33 | |
with elephant sanctuaries and rehabilitation centres. | 0:11:33 | 0:11:36 | |
A campaign group in Qatar is encouraging visitors | 0:11:36 | 0:11:39 | |
and foreign residents to cover up | 0:11:39 | 0:11:42 | |
and respect their culture of modest clothing. | 0:11:42 | 0:11:45 | |
The Reflect Your Respect campaign will hand out leaflets | 0:11:45 | 0:11:48 | |
ahead of Ramadan, asking both men and women to cover themselves | 0:11:48 | 0:11:52 | |
from shoulder to knee. The leaflets also specify | 0:11:52 | 0:11:55 | |
that leggings "are not pants". | 0:11:55 | 0:11:57 | |
The campaign is not officially endorsed by the state of Qatar | 0:11:57 | 0:12:00 | |
although the country's tourist board does advise | 0:12:00 | 0:12:03 | |
that visitors should dress modestly. | 0:12:03 | 0:12:05 | |
Tourism Ireland is hoping to see an increase in visitors | 0:12:05 | 0:12:08 | |
after two of the US's biggest names | 0:12:08 | 0:12:11 | |
chose the Emerald Isle as their honeymoon destination. | 0:12:11 | 0:12:15 | |
Reality TV star Kim Kardashian and her rapper husband Kanye West | 0:12:15 | 0:12:19 | |
are said to have chosen a castle in Cork | 0:12:19 | 0:12:22 | |
for their romantic getaway. | 0:12:22 | 0:12:23 | |
The Irish tourist board responded by welcoming the couple on Twitter | 0:12:23 | 0:12:27 | |
and posting a promotional video. | 0:12:27 | 0:12:30 | |
We believe that she is in the castle as we speak! | 0:12:30 | 0:12:33 | |
We're like, "Oh, my God!" | 0:12:33 | 0:12:35 | |
Great for the village. | 0:12:35 | 0:12:38 | |
They might be having coffee up there. | 0:12:38 | 0:12:40 | |
They could go up to Leahy's Farm, which is very nice. | 0:12:40 | 0:12:43 | |
They can go down to Trabolgan. | 0:12:43 | 0:12:45 | |
They can go for a swim in Ballycotton! | 0:12:45 | 0:12:48 | |
And there's a new attraction in Hungary - | 0:12:48 | 0:12:50 | |
the world's tallest toy brick tower. | 0:12:50 | 0:12:53 | |
Standing at almost 35m high outside St Stephen's Basilica in Budapest, | 0:12:53 | 0:12:58 | |
this Lego tower climbed into the record books | 0:12:58 | 0:13:01 | |
with the help of local primary school children. | 0:13:01 | 0:13:03 | |
The tower was topped with a Rubik's Cube, | 0:13:03 | 0:13:05 | |
which was invented by Hungarian sculptor Erno Rubik. | 0:13:05 | 0:13:08 | |
Still to come on this week's Travel Show... | 0:13:12 | 0:13:15 | |
I'll take you for a stroll under the water in the oceans of Borneo. | 0:13:17 | 0:13:22 | |
This week, I'm in the Great British outdoors | 0:13:40 | 0:13:42 | |
to bring you some eco-friendly gadgets | 0:13:42 | 0:13:45 | |
that might just add a little bit of home comfort | 0:13:45 | 0:13:47 | |
to your camping experience. | 0:13:47 | 0:13:48 | |
First up, have you ever been out and about | 0:13:48 | 0:13:50 | |
and needed to charge your mobile phone, | 0:13:50 | 0:13:53 | |
and at the same time had an overwhelming desire for a hot snack? | 0:13:53 | 0:13:56 | |
I know it sounds crazy, but with this contraption you can do both. | 0:13:56 | 0:14:01 | |
The Biolite CampStove burns kindling | 0:14:01 | 0:14:03 | |
and leftover wood to generate thermoelectric power | 0:14:03 | 0:14:07 | |
that can then be used to charge your devices. | 0:14:07 | 0:14:09 | |
Let's get cooking! Right, first up, | 0:14:09 | 0:14:11 | |
you stick in the twigs into the bottom, | 0:14:11 | 0:14:14 | |
and then you've got to turn the fan on at the side. | 0:14:14 | 0:14:16 | |
And what the fan does is allow air to circulate around the bottom | 0:14:16 | 0:14:20 | |
of the twigs, which will then help fan your flames. | 0:14:20 | 0:14:23 | |
You plug your USB cable into the side and then, | 0:14:23 | 0:14:25 | |
when there's enough heat stored up, | 0:14:25 | 0:14:27 | |
the phone will start powering. | 0:14:27 | 0:14:29 | |
As a stove, it works perfectly. | 0:14:29 | 0:14:31 | |
It's warmed my beans up, it's portable and it's lightweight. | 0:14:31 | 0:14:34 | |
But in terms of using that thermo energy to charge up | 0:14:34 | 0:14:38 | |
my mobile phone, we found it to be a little bit inconsistent. | 0:14:38 | 0:14:41 | |
Now it might not look like it right now, with my baked beans, | 0:14:41 | 0:14:44 | |
but I am a man who lives a wild and dangerous lifestyle. | 0:14:44 | 0:14:48 | |
Yeah, I'm a man on the go. | 0:14:48 | 0:14:49 | |
And when I need my caffeine hit, I need my caffeine hit! | 0:14:49 | 0:14:53 | |
I don't care whether there's not a kettle around for miles... | 0:14:53 | 0:14:56 | |
I'll find a way. | 0:14:56 | 0:14:58 | |
This might look like a rocket, but it's actually a Solar Kettle. | 0:14:58 | 0:15:01 | |
Now, it does take a while to get going. | 0:15:01 | 0:15:04 | |
The temperature now is just coming up to 90 degrees, | 0:15:04 | 0:15:07 | |
which is good, but we've had it open | 0:15:07 | 0:15:08 | |
for a good two, two and a half hours, | 0:15:08 | 0:15:10 | |
which is a long time to wait for a cup of tea or coffee. | 0:15:10 | 0:15:13 | |
But perhaps you are at a festival which doesn't allow campfires, | 0:15:13 | 0:15:17 | |
then having this nearby is a good way of knowing | 0:15:17 | 0:15:20 | |
that a hot cuppa isn't far away. | 0:15:20 | 0:15:23 | |
Right, it's a good thing that I got that solar power energy when | 0:15:24 | 0:15:27 | |
I needed it because, in true British fashion, it's started to rain. | 0:15:27 | 0:15:31 | |
But that won't stop me having my coffee. | 0:15:31 | 0:15:34 | |
I will have a double espresso and I'm going to use this to make it. | 0:15:34 | 0:15:39 | |
The Handpresso uses the pressure generated from the in-built | 0:15:39 | 0:15:43 | |
hand pump to filter your coffee. | 0:15:43 | 0:15:45 | |
You can use ground coffee or espresso pods in the device. | 0:15:45 | 0:15:48 | |
First things first, I need to pump it up. | 0:15:48 | 0:15:51 | |
The gauge in the front will show me when I've generated enough pressure. | 0:15:51 | 0:15:55 | |
Then all I do is pop in a coffee pod and some hot water. | 0:15:55 | 0:15:58 | |
And here goes. We should have hot coffee. | 0:15:59 | 0:16:02 | |
Hey! | 0:16:02 | 0:16:04 | |
All that pressure is what's pushing the coffee out. | 0:16:04 | 0:16:07 | |
Oh, look at that. | 0:16:07 | 0:16:08 | |
This is dead simple to use and it's a great way of being able to take | 0:16:08 | 0:16:13 | |
your favourite brand of coffee with you wherever you are in the world. | 0:16:13 | 0:16:16 | |
Yeah, there are other types of mobile espresso makers, | 0:16:16 | 0:16:19 | |
and some of them run off of gas canisters | 0:16:19 | 0:16:22 | |
so you don't have to pump them up, but this? | 0:16:22 | 0:16:25 | |
This runs on good old-fashioned elbow grease | 0:16:25 | 0:16:27 | |
and me being the manly type that I am, that's absolutely fine by me. | 0:16:27 | 0:16:31 | |
Cheers! | 0:16:31 | 0:16:32 | |
No camp trip or visit to the outdoors would be complete | 0:16:32 | 0:16:35 | |
without setting up base overnight. | 0:16:35 | 0:16:38 | |
And who needs all these fancy tents? | 0:16:38 | 0:16:40 | |
I'm going to survive using the clothes on my back. | 0:16:40 | 0:16:43 | |
I mean, literally, this. | 0:16:43 | 0:16:45 | |
The Jakpak is a waterproof jacket that has an integrated tent, | 0:16:46 | 0:16:50 | |
mosquito net and sleeping bag. | 0:16:50 | 0:16:52 | |
OK, so it is a little bit fiddly to get into, | 0:17:05 | 0:17:07 | |
and there is no padding between me | 0:17:07 | 0:17:09 | |
and the ground, so you feel every bump. | 0:17:09 | 0:17:12 | |
But with this, there's no danger of losing your tent | 0:17:12 | 0:17:16 | |
if you're at a festival, | 0:17:16 | 0:17:17 | |
or if you are mad One Direction fan and you're camping | 0:17:17 | 0:17:19 | |
outside their hotel, just to get a little glimpse of the boys, | 0:17:19 | 0:17:22 | |
then you could make use of something like this. | 0:17:22 | 0:17:25 | |
And I've heard that Harry | 0:17:25 | 0:17:26 | |
and the lads are staying quite close to this campsite, | 0:17:26 | 0:17:29 | |
so I'll just wait here for them. | 0:17:29 | 0:17:30 | |
# You don't know you're beautiful | 0:17:30 | 0:17:32 | |
# Oh-oh | 0:17:32 | 0:17:34 | |
# That's what makes you beautiful. # | 0:17:34 | 0:17:36 | |
Next, we catch up with Henry, | 0:17:40 | 0:17:42 | |
who's exploring one of Borneo's marine national parks. | 0:17:42 | 0:17:46 | |
Summer in Malaysia is synonymous | 0:17:48 | 0:17:50 | |
with some of the greatest diving in the world - | 0:17:50 | 0:17:52 | |
take, for instance, the islands of Sipadan, Kapalai and Mabul - | 0:17:52 | 0:17:56 | |
but what happens if you're not a qualified diver? | 0:17:56 | 0:17:59 | |
What can you do? You've got the options of snorkelling | 0:17:59 | 0:18:02 | |
and perhaps free diving, but there's limits to that. | 0:18:02 | 0:18:04 | |
How can you get as close to the sea life as possible without | 0:18:04 | 0:18:08 | |
being a scuba diver? | 0:18:08 | 0:18:09 | |
Well, I've come here to find out. | 0:18:09 | 0:18:11 | |
Hi. | 0:18:13 | 0:18:14 | |
'At the end of 2013, there was | 0:18:14 | 0:18:17 | |
well over 22 million licensed divers in the world, | 0:18:17 | 0:18:20 | |
making the underwater tourism industry a huge draw to | 0:18:20 | 0:18:24 | |
places with naturally beautiful marine ecosystems such as Subba. | 0:18:24 | 0:18:28 | |
People fly from all over the world to see these waters, | 0:18:29 | 0:18:32 | |
to experience life under the sea. | 0:18:32 | 0:18:35 | |
Very close to Kota Kinabalu city is Tunku Ahdu Raman Marine Park. | 0:18:35 | 0:18:39 | |
There's about five islands and the one we're heading to is called Sabi. | 0:18:39 | 0:18:43 | |
-Hi. -Hello. -You're Henry, right? -Yes. | 0:18:48 | 0:18:51 | |
-Hi, I'm Lionel. -Hi, Lionel. | 0:18:51 | 0:18:53 | |
OK. Henry, I believe that you are doing sea walking. | 0:18:53 | 0:18:55 | |
Yes, I really want to do it. It looks so cool. | 0:18:55 | 0:18:57 | |
Before you start your sea walking... | 0:18:57 | 0:18:59 | |
OK, let me introduce you to marine life, | 0:18:59 | 0:19:01 | |
so you get an idea later on what you're going to do. | 0:19:01 | 0:19:03 | |
-That sounds good. -OK, good? -Yeah, yeah, yeah. -Let's go. | 0:19:03 | 0:19:07 | |
All right, Henry, this is the observatory room here. | 0:19:09 | 0:19:11 | |
-Look at that. It's like being in a submarine. -Mini submarine. | 0:19:11 | 0:19:16 | |
The reason that why we build this one here to get to know... | 0:19:16 | 0:19:19 | |
-I mean, some people, they don't know about marine life. -Yeah. | 0:19:19 | 0:19:23 | |
So we want to get connected to them. | 0:19:23 | 0:19:26 | |
So this is almost like a classroom. | 0:19:26 | 0:19:28 | |
Yes, it's part of to educate people as well. | 0:19:28 | 0:19:31 | |
-This is the sea walking area. -Look at that. | 0:19:31 | 0:19:33 | |
You can see the helmet here. | 0:19:33 | 0:19:35 | |
They look like astronaut helmets. | 0:19:35 | 0:19:37 | |
So this what I'm going to be putting over my head? | 0:19:37 | 0:19:39 | |
Yes, this is the helmet that you are going to use later on. | 0:19:39 | 0:19:42 | |
-They look really heavy. -OK, this helmet weighs 20kg. | 0:19:42 | 0:19:46 | |
-20kg? -Yes. | 0:19:46 | 0:19:48 | |
Will I not sink to the bottom of the ocean with that? | 0:19:48 | 0:19:50 | |
-Underwater you will be lighter. You will be buoyant. -OK. | 0:19:50 | 0:19:54 | |
Finally, it comes the time to brave these funny-looking contraptions, | 0:19:54 | 0:19:58 | |
as Lionel leads me down to the sea walking platform. | 0:19:58 | 0:20:02 | |
Whoa! | 0:20:04 | 0:20:05 | |
Oh, my God, that is heavy. | 0:20:05 | 0:20:07 | |
That is super heavy. | 0:20:07 | 0:20:09 | |
Oh, my gosh! | 0:20:14 | 0:20:16 | |
This is so weird. | 0:20:16 | 0:20:18 | |
This is so strange. | 0:20:18 | 0:20:21 | |
My ears are popping. | 0:20:21 | 0:20:23 | |
We're definitely below the ocean, and just looking up... | 0:20:23 | 0:20:27 | |
This is another world. | 0:20:27 | 0:20:29 | |
Oh, my gosh. | 0:20:35 | 0:20:36 | |
So what do I need to be careful of here? | 0:20:36 | 0:20:40 | |
First thing, you need to hold the rail. | 0:20:40 | 0:20:43 | |
Hold the rail and move slowly. | 0:20:43 | 0:20:45 | |
No swimming, no jumping, just sea walking. | 0:20:45 | 0:20:50 | |
So what happens if I get into trouble? | 0:20:50 | 0:20:53 | |
What's the safety procedures? | 0:20:53 | 0:20:54 | |
We have 70 divers. | 0:20:54 | 0:20:56 | |
We have two divers around here who come towards you. | 0:20:56 | 0:20:59 | |
And don't be panicked, just relax. | 0:20:59 | 0:21:03 | |
The diver will pull us absolutely going up. | 0:21:03 | 0:21:06 | |
Still they're pumping air for us inside for emergency breathing. | 0:21:06 | 0:21:10 | |
There's a constant supply of air being pumped into my helmet | 0:21:15 | 0:21:18 | |
to allow me to breathe normally. | 0:21:18 | 0:21:20 | |
With that I get about 15 minutes to experience | 0:21:20 | 0:21:23 | |
what it's really like to walk on the ocean floor. | 0:21:23 | 0:21:26 | |
Those are beautiful. | 0:21:28 | 0:21:30 | |
Look at these coral, right there. | 0:21:30 | 0:21:32 | |
Beautiful coral garden here, | 0:21:32 | 0:21:34 | |
and all of these fish are just swimming around. | 0:21:34 | 0:21:38 | |
There's one really close to my helmet. | 0:21:38 | 0:21:40 | |
# And they call it magic... # | 0:21:41 | 0:21:44 | |
Up top, this weighs an absolute ton. | 0:21:44 | 0:21:48 | |
But down here, actually, the buoyancy is pretty much dead on, | 0:21:48 | 0:21:53 | |
so it doesn't feel as though I'm holding anything over my head. | 0:21:53 | 0:21:56 | |
All I know is I've got a big bubble surrounding my entire skull here. | 0:21:56 | 0:22:03 | |
OK, so it's not quite the same thrill as having the freedom | 0:22:08 | 0:22:11 | |
to explore the reef on a dive, | 0:22:11 | 0:22:13 | |
but these crazy-looking helmets mean non-divers, or even non-swimmers, | 0:22:13 | 0:22:17 | |
can get a look at what lurks beneath the surface of the water. | 0:22:17 | 0:22:21 | |
Well, that's it for this week. | 0:22:30 | 0:22:32 | |
Join us next week, if you can, when... | 0:22:32 | 0:22:33 | |
Ade's in Rome looking at the eternal city's efforts to preserve | 0:22:38 | 0:22:42 | |
ancient monuments in a time of economic crisis. | 0:22:42 | 0:22:45 | |
Thanks to a huge cash injection, | 0:22:48 | 0:22:51 | |
the Trevi Fountain is looking as spectacular as ever, | 0:22:51 | 0:22:54 | |
but would have happened without the help from big business? | 0:22:54 | 0:22:58 | |
That's next week. But in the meantime, don't forget, | 0:22:59 | 0:23:02 | |
you can follow us on our travels online on our website | 0:23:02 | 0:23:05 | |
or on our social media feeds. | 0:23:05 | 0:23:07 | |
The details are on the screen now. | 0:23:07 | 0:23:09 | |
But in the meantime, from me, Carmen Roberts, | 0:23:09 | 0:23:11 | |
and the rest of the Travel Show team here in Beijing, it's goodbye. | 0:23:11 | 0:23:15 |