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The Philippines - like no other country, | 0:00:02 | 0:00:05 | |
a unique blend of indigenous, Asian, Spanish and American influences. | 0:00:05 | 0:00:08 | |
Recently in the eye of one of the worst storms ever, | 0:00:08 | 0:00:12 | |
yet, like no other country, perhaps, still smiling through adversity. | 0:00:12 | 0:00:17 | |
On my journey from the capital to the idyllic islands, | 0:00:22 | 0:00:26 | |
I travel through the lush landscape | 0:00:26 | 0:00:28 | |
and have a close encounter with the world's oldest primate... | 0:00:28 | 0:00:32 | |
(Eyes are astonishing. Psyching me out now, staring at me.) | 0:00:32 | 0:00:37 | |
..before being healed by a shaman, | 0:00:38 | 0:00:41 | |
and getting a taste of how people here are addicted to entertainment. | 0:00:41 | 0:00:44 | |
Illusion! CROWD LAUGHS | 0:00:44 | 0:00:47 | |
We smile, and that's part of our therapy. | 0:00:47 | 0:00:50 | |
We like to make other people smile. | 0:00:50 | 0:00:53 | |
They get me literally dancing in the streets. | 0:00:53 | 0:00:55 | |
I can't dance! Let alone in traffic. | 0:00:55 | 0:01:00 | |
So, join me as I island hop, skip and jump | 0:01:00 | 0:01:02 | |
through the country in search of the Filipino factor. | 0:01:02 | 0:01:06 | |
The Philippines is one of the | 0:01:47 | 0:01:48 | |
fastest-growing economies in the world. | 0:01:48 | 0:01:51 | |
With its diverse landscape and stunning array of wildlife, | 0:01:51 | 0:01:54 | |
most tourists tend to head straight out of the city | 0:01:54 | 0:01:57 | |
towards the countryside and tropical beaches. | 0:01:57 | 0:02:00 | |
The capital, Manila, does not enjoy the best reputation. | 0:02:03 | 0:02:08 | |
An urban jungle, they call it, with very little to show for itself. | 0:02:09 | 0:02:12 | |
Well, let's see if we can't prove them wrong, | 0:02:12 | 0:02:15 | |
and we're going to start by hitting the road | 0:02:15 | 0:02:18 | |
in one of the most iconic vehicles in the world, the Jeepney. | 0:02:18 | 0:02:22 | |
And what fine specimens they are, these garishly pimped-up relics | 0:02:25 | 0:02:29 | |
from the American occupation after the Second World War. | 0:02:29 | 0:02:33 | |
Metro Manila is actually four cities stuck together to make up | 0:02:40 | 0:02:43 | |
the world's most densely populated mega city... | 0:02:43 | 0:02:47 | |
joined together by huge, clogged up multi-lane highways. | 0:02:48 | 0:02:52 | |
SIRENS BLARE, HORNS HONK TYRES SCREECH | 0:02:52 | 0:02:56 | |
Sometimes you are just desperate for some light relief. | 0:03:00 | 0:03:04 | |
MUSIC: "Dance Wiv Me" by Dizzee Rascal | 0:03:04 | 0:03:08 | |
# Why you all over there on your Jack Jones? | 0:03:08 | 0:03:10 | |
# You need to let me get behind your backbone | 0:03:10 | 0:03:12 | |
# Cos I'm the man for the job Let me work it | 0:03:12 | 0:03:14 | |
# I won't waste no time I'll make it worth it... # | 0:03:14 | 0:03:17 | |
For the past ten years, five days a week, under the blazing sun, | 0:03:17 | 0:03:20 | |
Ramiro Hinojas has been strutting, spinning, duck-walking and beckoning | 0:03:20 | 0:03:25 | |
in the midst of the huge onslaught of traffic | 0:03:25 | 0:03:28 | |
coming from all directions. | 0:03:28 | 0:03:30 | |
HE CHUCKLES | 0:03:30 | 0:03:32 | |
It would just put the driver off, if you ask me. | 0:03:32 | 0:03:36 | |
They get so distracted they start to crash! | 0:03:36 | 0:03:39 | |
Oh, and he doubles up as a traffic cop, too. | 0:03:41 | 0:03:43 | |
Some of them horn. They horn, they honk their horn. | 0:03:45 | 0:03:47 | |
And then some of them sign the thumb. | 0:03:47 | 0:03:51 | |
And some of them clap their hands | 0:03:51 | 0:03:55 | |
We'll try in the middle. Yes. I will follow you. | 0:04:05 | 0:04:09 | |
This, hands. | 0:04:13 | 0:04:15 | |
Then back. | 0:04:15 | 0:04:17 | |
I'd like to blame my dodgy dance moves on the fact I'm facing | 0:04:21 | 0:04:24 | |
traffic coming at me from four different directions. | 0:04:24 | 0:04:27 | |
But you can make up your own minds. | 0:04:27 | 0:04:30 | |
This was to be the first of many times in my trip | 0:04:32 | 0:04:35 | |
when I realised that Filipinos live to entertain and be entertained. | 0:04:35 | 0:04:39 | |
# Get away from the bar Tell your boyfriend hold your jar | 0:04:39 | 0:04:44 | |
# And dance with me. # | 0:04:44 | 0:04:47 | |
If you look hard enough in the city | 0:04:47 | 0:04:49 | |
there are serene little havens of greenery, | 0:04:49 | 0:04:51 | |
and, in fact, if it hadn't been for | 0:04:51 | 0:04:53 | |
the mass destruction of World War II, | 0:04:53 | 0:04:56 | |
this city could still be clinging on to its title as the Paris of Asia. | 0:04:56 | 0:05:01 | |
And it's here in the beautiful gardens of the Intramuros district | 0:05:08 | 0:05:12 | |
in the old city you find monuments to Manila's colonial splendour. | 0:05:12 | 0:05:17 | |
Ladies and gentlemen, walk this way! | 0:05:17 | 0:05:23 | |
And the city's most entertaining advocate. | 0:05:24 | 0:05:27 | |
I wouldn't say it's an attractive city - | 0:05:27 | 0:05:29 | |
I'd say it's an exciting city. | 0:05:29 | 0:05:30 | |
I'd say it's a different kind of city. | 0:05:30 | 0:05:32 | |
I'd say it's a city worth taking time for. | 0:05:32 | 0:05:34 | |
I mean, really, if you want to experience something | 0:05:34 | 0:05:36 | |
that's nothing like anything in our neighbourhood, | 0:05:36 | 0:05:39 | |
then you've got to take a little risk. | 0:05:39 | 0:05:40 | |
You've got to take a little time. | 0:05:40 | 0:05:42 | |
One, two, three, and... | 0:05:42 | 0:05:44 | |
HE SINGS THE PHILIPPINE NATIONAL ANTHEM | 0:05:44 | 0:05:48 | |
Carlos is sensitive to the accusation that after | 0:05:48 | 0:05:51 | |
three centuries of Spanish and then 60 years of American occupation, | 0:05:51 | 0:05:55 | |
the Philippines is a country without its own identity. | 0:05:55 | 0:05:59 | |
The lack of identity IS the Philippine identity. We're hybrid. | 0:06:00 | 0:06:04 | |
I wouldn't say that we're particularly exotic. | 0:06:04 | 0:06:06 | |
Don't come to the Philippines... | 0:06:06 | 0:06:08 | |
Ladies and gentlemen, please take a seat. | 0:06:08 | 0:06:11 | |
Don't come to the Philippines if you want to go for noodles, | 0:06:11 | 0:06:13 | |
if you want to find temples, | 0:06:13 | 0:06:15 | |
if you want to find, sort of, your typical Asia. | 0:06:15 | 0:06:17 | |
I mean, all of our neighbours have got that over there. | 0:06:17 | 0:06:19 | |
Come to the Philippines for its arts and culture, | 0:06:19 | 0:06:22 | |
cos you'll really be surprised by the quality, | 0:06:22 | 0:06:24 | |
the home-grown quality of arts and culture that you're going to find. | 0:06:24 | 0:06:28 | |
And talking of hybrids, here's one cultural influence | 0:06:36 | 0:06:39 | |
dating back nearly 2,000 years that's very close to home. | 0:06:39 | 0:06:42 | |
Now, while most people might associate | 0:06:44 | 0:06:46 | |
the Americans and the Spanish | 0:06:46 | 0:06:48 | |
as having most sway over Filipino culture, | 0:06:48 | 0:06:50 | |
let's not forget the Chinese. | 0:06:50 | 0:06:53 | |
Both historically and in the modern sense, | 0:06:53 | 0:06:55 | |
they have a big hold over this country, | 0:06:55 | 0:06:58 | |
and in fact, this area is the oldest Chinatown in the world. | 0:06:58 | 0:07:03 | |
It dates back to the late 16th century. | 0:07:08 | 0:07:11 | |
Gerik's great-grandfather opened a delicatessen here in Manila | 0:07:11 | 0:07:14 | |
more than a century ago, and followed that up with a restaurant, | 0:07:14 | 0:07:18 | |
coffee shop and bakery. | 0:07:18 | 0:07:20 | |
Filipinos and the Chinese have been in transaction, in barter, | 0:07:22 | 0:07:26 | |
even before the Spaniards came to the Philippines. | 0:07:26 | 0:07:28 | |
So actually we have a longer relationship with the Filipinos | 0:07:28 | 0:07:31 | |
than any other culture. | 0:07:31 | 0:07:33 | |
But the sense of community between the Chinese and Filipinos today | 0:07:33 | 0:07:37 | |
goes far deeper than culinary exchange. | 0:07:37 | 0:07:40 | |
Gerik's family bought ten fire engines to serve the city, | 0:07:42 | 0:07:46 | |
and enrolled 4,500 volunteers. | 0:07:46 | 0:07:51 | |
All the profits from the coffee shop go towards this service. | 0:07:51 | 0:07:55 | |
And guess who's tagging along for a ride today? | 0:07:55 | 0:07:58 | |
I tell you what - it's going to be | 0:08:00 | 0:08:02 | |
a pretty unique way of seeing this city. | 0:08:02 | 0:08:04 | |
OK, let's do it. | 0:08:08 | 0:08:10 | |
SIREN BLARES | 0:08:10 | 0:08:11 | |
HORN HONKS | 0:08:11 | 0:08:14 | |
Manila is notoriously difficult to drive around, | 0:08:18 | 0:08:21 | |
so how on earth do you manage it in a massive fire truck like this? | 0:08:21 | 0:08:25 | |
Well, I've been driving a fire truck since I was 17, 18 years old. | 0:08:25 | 0:08:29 | |
I started being a fire volunteer when I was 12. | 0:08:29 | 0:08:32 | |
HE HONKS HORN | 0:08:32 | 0:08:34 | |
Back in a regular vehicle, | 0:08:42 | 0:08:45 | |
and a reminder of the other health hazard of driving in this city... | 0:08:45 | 0:08:48 | |
RADIO PLAYS LOVE SONG | 0:08:49 | 0:08:53 | |
..the Filipino addiction to the cheesy power ballad. | 0:08:57 | 0:09:01 | |
Luckily, an antidote is at hand. | 0:09:03 | 0:09:07 | |
HE SINGS IN OWN LANGUAGE | 0:09:07 | 0:09:11 | |
This man's a bit of a legend around these parts - | 0:09:25 | 0:09:28 | |
and indigenous music, not American pop radio, is what inspires him. | 0:09:28 | 0:09:32 | |
APPLAUSE We have an audience! | 0:09:38 | 0:09:41 | |
Indigenous music would be considered, usually, pre-Spanish. | 0:09:41 | 0:09:46 | |
Before the Spanish came, | 0:09:46 | 0:09:48 | |
the musics that were here were the tribal people, | 0:09:48 | 0:09:51 | |
the Chinese were here, the Arabs were here, the Indians were here, | 0:09:51 | 0:09:56 | |
but they were not colonisers the way the Spanish were. | 0:09:56 | 0:09:59 | |
You've got a instrument here. Give me an example of how that works. | 0:09:59 | 0:10:02 | |
This is called a tubing. | 0:10:02 | 0:10:04 | |
Want to try it? Yeah. | 0:10:07 | 0:10:09 | |
Open a little bit wider. Turn your lips in. | 0:10:09 | 0:10:12 | |
Give it a go. Ayyy, ayyy, ayyy. | 0:10:12 | 0:10:14 | |
You don't actually vocalise! Just the shape. | 0:10:14 | 0:10:18 | |
We like to make other people smile. I guess we are like natural therapists. | 0:10:18 | 0:10:23 | |
We are natural therapists, that's probably one reason | 0:10:23 | 0:10:27 | |
why the OFWs, the overseas Filipino workers, carry that. | 0:10:27 | 0:10:31 | |
You have a lot of teachers, therapists... | 0:10:31 | 0:10:33 | |
And both therapy, of sorts, and entertainment can be found | 0:10:40 | 0:10:45 | |
even in the rougher ends of town, like the red light district. | 0:10:45 | 0:10:49 | |
The Hobbit House, founded by a fan of Tolkien | 0:10:52 | 0:10:55 | |
and The Lord Of The Rings more than 40 years ago. | 0:10:55 | 0:10:58 | |
A novelty bar where most people have forgotten the novelty | 0:10:58 | 0:11:01 | |
within a few minutes of walking in... | 0:11:01 | 0:11:04 | |
which suits the staff perfectly! | 0:11:04 | 0:11:07 | |
Some people might say that this is like a freak show, | 0:11:07 | 0:11:09 | |
that in a way the little people are being exploited. | 0:11:09 | 0:11:13 | |
What do you say to that? I think, no, it's not a freak show. | 0:11:13 | 0:11:17 | |
Because this bar, the owner of this bar, | 0:11:17 | 0:11:21 | |
wants to help little people, like me, to have normal work. | 0:11:21 | 0:11:27 | |
They have their own work where they belong. | 0:11:27 | 0:11:31 | |
And outside the glitzy, expensive clubs | 0:11:36 | 0:11:38 | |
that you can find in any major city, | 0:11:38 | 0:11:40 | |
when it comes to creating an edgier scene, | 0:11:40 | 0:11:43 | |
Manila is finding its pioneers. | 0:11:43 | 0:11:45 | |
This used to be a second-hand car parts warehouse. | 0:11:45 | 0:11:49 | |
Now it's an urban collective. | 0:11:49 | 0:11:51 | |
Manila's got a lot of potential, especially music-wise. | 0:11:51 | 0:11:56 | |
There's definitely a lot of upcoming kids, you know, | 0:11:56 | 0:12:00 | |
like making music, producing. | 0:12:00 | 0:12:03 | |
HIGH-SPEED DANCE MUSIC PLAYS | 0:12:03 | 0:12:06 | |
And younger artists are keen to | 0:12:09 | 0:12:11 | |
explode the cliched image of their country. | 0:12:11 | 0:12:14 | |
At first it was a little bit... | 0:12:14 | 0:12:16 | |
It was quite a struggle. It was a struggle, you know. | 0:12:16 | 0:12:20 | |
We're female artists and DJs. | 0:12:20 | 0:12:23 | |
DANCE MUSIC PLAYS | 0:12:23 | 0:12:26 | |
When we were starting, it was really hard because first of all, | 0:12:34 | 0:12:38 | |
the music scene here in the Philippines | 0:12:38 | 0:12:41 | |
is still dominated by men. | 0:12:41 | 0:12:42 | |
So, when we came on the scene, | 0:12:42 | 0:12:45 | |
we were just like another one of those like, | 0:12:45 | 0:12:48 | |
"Oh, it's just going to pass." | 0:12:48 | 0:12:50 | |
Like, "Oh, let's give them a couple of months or a year, | 0:12:50 | 0:12:52 | |
"they're going to pass." | 0:12:52 | 0:12:54 | |
I think with us combined, because when we play, we spin together, | 0:12:57 | 0:13:01 | |
the logic is like this - a DJ with two hands can do a lot | 0:13:01 | 0:13:06 | |
but a DJ, a duo with four hands can do so much more. Yeah. | 0:13:06 | 0:13:11 | |
DANCE MUSIC PLAYS | 0:13:11 | 0:13:14 | |
Manila mania goes on well into the small hours | 0:13:14 | 0:13:17 | |
but it's time for us to leave the big city | 0:13:17 | 0:13:20 | |
and head out for some fresh sea air. | 0:13:20 | 0:13:22 | |
Early the next morning, | 0:13:30 | 0:13:32 | |
and it's time to do the hop, skip and jump from island to island | 0:13:32 | 0:13:36 | |
that makes the Philippines so unique. | 0:13:36 | 0:13:39 | |
This is the fast catamaran that takes you from Cebu | 0:13:39 | 0:13:43 | |
to the island of Bohol. | 0:13:43 | 0:13:45 | |
At two hours, it still slower than a plane, | 0:13:45 | 0:13:48 | |
but so much more a scenic way to island hop. | 0:13:48 | 0:13:51 | |
The Philippines have never made claims to any kind of exoticism | 0:13:59 | 0:14:02 | |
that their neighbours like Malaysia and Thailand boast of. | 0:14:02 | 0:14:06 | |
But that belies the fact they have some of the most beautiful | 0:14:06 | 0:14:09 | |
and pure white sand beaches in the world. | 0:14:09 | 0:14:12 | |
But towards the end of 2013, a twin natural disaster struck | 0:14:20 | 0:14:25 | |
with a force that the world has rarely witnessed. | 0:14:25 | 0:14:28 | |
First, a 7.2 magnitude earthquake in central Philippines, hitting Cebu. | 0:14:31 | 0:14:37 | |
But neighbouring Bohol bore the brunt of it | 0:14:37 | 0:14:40 | |
and was literally torn apart. | 0:14:40 | 0:14:43 | |
And then weeks later, | 0:14:44 | 0:14:46 | |
the most powerful typhoon in human history to hit landfall - | 0:14:46 | 0:14:50 | |
super typhoon Haiyan, or Yolanda as it's known locally, | 0:14:50 | 0:14:55 | |
left a trail of destruction and more than 6,000 people dead. | 0:14:55 | 0:14:59 | |
3.5 million people were displaced by winds of up to 330km per hour. | 0:14:59 | 0:15:05 | |
But what followed pays testimony | 0:15:08 | 0:15:10 | |
to the resilience of the people of the Philippines. | 0:15:10 | 0:15:14 | |
Hi. Hi, sir. Welcome to Baclayon Church. Thank you. | 0:15:17 | 0:15:20 | |
Would you like to help us? I would love to help you, of course. | 0:15:20 | 0:15:22 | |
Thank you very much, sir. Wow, you're working hard in this searing heat. | 0:15:22 | 0:15:26 | |
Yes, very hot. It's really hot. | 0:15:26 | 0:15:28 | |
'Agnes, who works in the Baclayon Church, | 0:15:28 | 0:15:31 | |
'came as soon as she heard about the quake.' | 0:15:31 | 0:15:34 | |
How did you feel when you first came here and you saw that? | 0:15:34 | 0:15:39 | |
We were so sad, because, well, | 0:15:39 | 0:15:41 | |
this is the one of the tourist attractions in our province | 0:15:41 | 0:15:44 | |
and this is the oldest stone church, | 0:15:44 | 0:15:46 | |
so we felt very sad for what happened to our church. | 0:15:46 | 0:15:50 | |
At that time we didn't know | 0:15:50 | 0:15:52 | |
if we were going to restore | 0:15:52 | 0:15:55 | |
or if we had funding for the restoration of our church. | 0:15:55 | 0:15:59 | |
This is just phase one of a project that they estimate | 0:16:03 | 0:16:06 | |
will take ten years to complete. | 0:16:06 | 0:16:08 | |
In a sense they were lucky - | 0:16:08 | 0:16:09 | |
two other churches actually built on the fault line | 0:16:09 | 0:16:12 | |
were completely destroyed and some buildings unrecognisable. | 0:16:12 | 0:16:17 | |
Has it undermined, has it lessened your faith? | 0:16:17 | 0:16:19 | |
Or does it increase your faith? | 0:16:19 | 0:16:20 | |
No, no, it strengthened our faith to God, actually, | 0:16:20 | 0:16:23 | |
because Bohol islanders, as many people know, | 0:16:23 | 0:16:26 | |
we are a very religious people and we have this deep faith to God. | 0:16:26 | 0:16:32 | |
Tourism stopped completely after the church... Yes. | 0:16:41 | 0:16:44 | |
How bad was that for you and how much do you need tourists? | 0:16:44 | 0:16:48 | |
We need them very badly because, you know, it can really help us, | 0:16:48 | 0:16:55 | |
tourism, because the truth is we need the financial support. | 0:16:55 | 0:17:00 | |
The earthquake was so strong, Bohol's most famous and unique | 0:17:09 | 0:17:13 | |
land formation, the Chocolate Hills, have been fundamentally altered. | 0:17:13 | 0:17:17 | |
But here, they're turning a disaster into an opportunity | 0:17:17 | 0:17:21 | |
by developing something called geo-tourism - | 0:17:21 | 0:17:24 | |
witnessing first-hand our ever-changing landscapes. | 0:17:24 | 0:17:29 | |
All this damage was caused by the earthquake? Yes. | 0:17:29 | 0:17:32 | |
Essentially, prior to the earthquake last October 2013, | 0:17:32 | 0:17:35 | |
the platform was much, much wider. | 0:17:35 | 0:17:39 | |
The central part of Bohol moved 55cm, or slightly more than half a metre, | 0:17:44 | 0:17:48 | |
closer to Cebu immediately during the earthquake. | 0:17:48 | 0:17:51 | |
So essentially, we're here at the foot of one of the hills... | 0:17:54 | 0:17:57 | |
And Rene showed me something rarely seen before - | 0:17:57 | 0:18:00 | |
the inside of a Chocolate Hill, split open by the quake. | 0:18:00 | 0:18:04 | |
During the earthquake, the shaking or the shock | 0:18:04 | 0:18:07 | |
was so strong here that landslides affected many hills. | 0:18:07 | 0:18:11 | |
So either half or at least a third of the hills | 0:18:11 | 0:18:15 | |
would be brought down by the strong ground shaking. | 0:18:15 | 0:18:18 | |
And if you want to get the most panoramic view of these | 0:18:18 | 0:18:22 | |
almost identical freaks of nature, try this view from on high. | 0:18:22 | 0:18:27 | |
This is one of only two bicycle zip-lines in the world. | 0:18:34 | 0:18:37 | |
Both are in the Philippines and both only opened this year. | 0:18:37 | 0:18:40 | |
Another example of turning natural disaster into opportunity here. | 0:18:40 | 0:18:46 | |
This one's especially for thrill-seekers. | 0:18:46 | 0:18:49 | |
Floating restaurants on Bohol are a staple of the tourist itinerary | 0:19:02 | 0:19:06 | |
and rightly so - a chance to sample some local food. | 0:19:06 | 0:19:10 | |
The crab is from the river we're sailing on. | 0:19:10 | 0:19:13 | |
But only now are they recovering here from the fallout from the quake | 0:19:13 | 0:19:16 | |
after a 50% drop in tourist arrivals. | 0:19:16 | 0:19:20 | |
November and December was really very slow | 0:19:20 | 0:19:25 | |
and then it's just overcoming the fear factor. | 0:19:25 | 0:19:30 | |
We just have to show that we're still safe to be here. | 0:19:31 | 0:19:38 | |
# I will survive | 0:19:38 | 0:19:39 | |
# Oh, as long as I know how to love... # | 0:19:39 | 0:19:41 | |
And Lourdes says there's something in the national psyche | 0:19:41 | 0:19:44 | |
that can handle no matter what is thrown at Filipinos. | 0:19:44 | 0:19:48 | |
They always believe that there's really | 0:19:50 | 0:19:52 | |
a light at the end of the tunnel. | 0:19:52 | 0:19:55 | |
You really just have to work hard and crawl out to reach the light. | 0:19:55 | 0:20:00 | |
# ..I've got all my life to live | 0:20:00 | 0:20:02 | |
# I've got all my love to give | 0:20:02 | 0:20:04 | |
# I will survive | 0:20:04 | 0:20:08 | |
# Hey-ey... # | 0:20:08 | 0:20:09 | |
INSECTS CHIRP | 0:20:12 | 0:20:14 | |
Oh, yeah, there it is. | 0:20:17 | 0:20:19 | |
And talking of survival, maybe inspiration comes from | 0:20:20 | 0:20:24 | |
one resident of Bohol who knows all about that - the tarsier... | 0:20:24 | 0:20:28 | |
..the oldest surviving primate in the world. | 0:20:32 | 0:20:35 | |
We're talking 45 million years on this planet. | 0:20:35 | 0:20:38 | |
And for some reason, this incredibly reclusive | 0:20:38 | 0:20:41 | |
and endangered creature decided it would stick around for us. | 0:20:41 | 0:20:45 | |
This is an incredibly lucky moment. | 0:20:45 | 0:20:49 | |
I am inches away from this tarsier. | 0:20:49 | 0:20:52 | |
These animals are really solitary, shy, sensitive. | 0:20:52 | 0:20:55 | |
If he or she was scared of me, they'd go for me like that. | 0:20:55 | 0:20:59 | |
So far, so good. | 0:20:59 | 0:21:01 | |
The eyes are astonishing - psyching me out now, staring at me. | 0:21:03 | 0:21:07 | |
Actually, this guy, the world's leading expert on the animal, | 0:21:09 | 0:21:12 | |
is the reason the tarsier is hanging around. | 0:21:12 | 0:21:14 | |
Once himself a poacher in the 1970s, now gamekeeper and protector. | 0:21:14 | 0:21:20 | |
Why is it in danger of being extinct? | 0:21:20 | 0:21:23 | |
Because of the destruction of the habitat. | 0:21:23 | 0:21:26 | |
Mostly the farmer here - slash and burn farming. | 0:21:26 | 0:21:30 | |
My next stop - the pure white beaches | 0:21:44 | 0:21:47 | |
of the tiny island of Panglao. | 0:21:47 | 0:21:50 | |
Unlike racier resorts in more commercialised countries | 0:21:50 | 0:21:53 | |
like Thailand and Malaysia nearby, | 0:21:53 | 0:21:56 | |
it's blissfully undeveloped. | 0:21:56 | 0:21:58 | |
SPEAKS OWN LANGUAGE | 0:21:58 | 0:22:01 | |
And clinging on to some of its ancient rituals too, | 0:22:03 | 0:22:05 | |
like shamanic healing. | 0:22:05 | 0:22:08 | |
SPEAKS OWN LANGUAGE | 0:22:20 | 0:22:23 | |
As salaam alaikum. Thank you. | 0:22:29 | 0:22:32 | |
As my journey comes to an end, a chance to reflect. | 0:22:39 | 0:22:43 | |
The Filipinos, well, they're an incredibly generous people - | 0:22:49 | 0:22:52 | |
always welcoming, always entertaining, | 0:22:52 | 0:22:55 | |
and happy to give of their time to outsiders. | 0:22:55 | 0:22:58 | |
BRASS BAND PLAYS | 0:22:58 | 0:23:02 | |
And with its love of music, ceremony and religion, | 0:23:05 | 0:23:08 | |
this country is more akin, I would say, | 0:23:08 | 0:23:11 | |
to South America than the rest of Southeast Asia. | 0:23:11 | 0:23:14 | |
Hopes are high that international tourism to here | 0:23:15 | 0:23:18 | |
will be boosted over the next few years and, let's face it, | 0:23:18 | 0:23:21 | |
this country has got some in-built advantages - | 0:23:21 | 0:23:24 | |
English is widely spoken, | 0:23:24 | 0:23:26 | |
there's an incredible natural environment here. | 0:23:26 | 0:23:29 | |
And for the Filipinos, the whole world is a stage - | 0:23:29 | 0:23:32 | |
an all-dancing, all-smiling, all-singing spectacle, | 0:23:32 | 0:23:35 | |
and they want you to join in. | 0:23:35 | 0:23:37 | |
And just maybe, THAT is the Filipino factor. | 0:23:37 | 0:23:40 | |
Ted, I wondered if... I'm not interested | 0:24:15 | 0:24:16 | |
in coming to see Lady Gaga, sir. | 0:24:16 | 0:24:18 | |
The Fast Show Special - | 0:24:18 | 0:24:19 | |
part of the big bumper bank holiday comedy 50th birthday weekend. | 0:24:19 | 0:24:22 |