Browse content similar to New York City. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Now it's time for The Travel Show. | 0:00:01 | 0:00:03 | |
This week, the American guidebook that may have helped save lives. | 0:00:03 | 0:00:14 | |
It took a lot of courage for a black family to get in their car | 0:00:14 | 0:00:18 | |
and hit the open road. | 0:00:18 | 0:00:19 | |
Lighting up Jordan's most treasured monument. | 0:00:19 | 0:00:21 | |
And dressing up in a Polish castle. | 0:00:21 | 0:00:26 | |
If you have misplaced your ties, I'm sure Mr Derbyshire | 0:00:26 | 0:00:29 | |
can be of assistance. | 0:00:29 | 0:00:40 | |
We are starting this week in the United States of America. | 0:00:58 | 0:01:01 | |
Nowadays, a largely safe place to visit, no matter | 0:01:01 | 0:01:04 | |
who you are all what you look like. | 0:01:04 | 0:01:06 | |
80 years ago, travelling around some parts of the country could be | 0:01:06 | 0:01:09 | |
a dangerous prospect if you were African-American. | 0:01:09 | 0:01:18 | |
But, help was on hand, from one very special guidebook. | 0:01:18 | 0:01:34 | |
Travelling on the road if you were black during this time, | 0:01:47 | 0:01:50 | |
you were taking your life in your hands. | 0:01:50 | 0:01:55 | |
We estimate that there were over 10,000 Sundown towns. | 0:01:55 | 0:02:01 | |
Sundown towns were all white towns, they could have a sign at the border | 0:02:01 | 0:02:07 | |
saying they would run out all the black people. | 0:02:07 | 0:02:10 | |
It took a lot of courage for a black family to get in their car and just | 0:02:10 | 0:02:15 | |
hit the open road, which is something that in America | 0:02:15 | 0:02:17 | |
we take for granted. | 0:02:17 | 0:02:22 | |
They called and Jim Crow laws, and those laws make it illegal | 0:02:23 | 0:02:29 | |
for people of colour to stay, to eat in restaurants, | 0:02:29 | 0:02:34 | |
to stay in hotels, to use bathrooms, they have separate bathrooms. | 0:02:34 | 0:02:42 | |
Some places, you couldn't walk on the sidewalk with a white person, | 0:02:42 | 0:02:45 | |
you had to get off the sidewalk and walk in the street. | 0:02:45 | 0:02:55 | |
The green book was an historic travel guide published for black | 0:02:55 | 0:03:00 | |
people during the Jim Crow era. | 0:03:00 | 0:03:02 | |
It was more than just gas-food-lodging, there | 0:03:02 | 0:03:12 | |
there was everything for anything you might need on the road, | 0:03:12 | 0:03:15 | |
whether it was a doctor, or churches or department stores. | 0:03:15 | 0:03:18 | |
Haberdashers, tailors, drugstores. | 0:03:18 | 0:03:19 | |
There were golf courses. | 0:03:19 | 0:03:20 | |
Disneyland was listed in the green book. | 0:03:20 | 0:03:22 | |
It was a pretty major guide by the 1960s we estimated it had | 0:03:22 | 0:03:26 | |
been sold to over 2 million people. | 0:03:26 | 0:03:32 | |
My mother is from Kansas, my father is from North Carolina, | 0:03:32 | 0:03:35 | |
so we travelled mainly back and fourth to those places. | 0:03:35 | 0:03:38 | |
My parent would use the green book to plan places where we might stop, | 0:03:38 | 0:03:44 | |
without it, it would have been far more difficult, | 0:03:44 | 0:03:47 | |
if not practically impossible. | 0:03:47 | 0:03:50 | |
Because people used to pack food, for us to get to Kansas, | 0:03:50 | 0:03:55 | |
we had to pack food that is going to last us for two or three days! | 0:03:55 | 0:04:01 | |
Where are you going to stay? | 0:04:01 | 0:04:04 | |
My grandmother owned the only hotel in Charlottesville, | 0:04:14 | 0:04:16 | |
Virginia that black people could stay in in the 1940s, | 0:04:16 | 0:04:19 | |
1950s and 1960s. | 0:04:19 | 0:04:22 | |
The Green Book listing was very important to the business | 0:04:22 | 0:04:25 | |
because people travelling through the south, and even places | 0:04:25 | 0:04:29 | |
in the North, really relied on that book to figure out | 0:04:29 | 0:04:32 | |
where they were going to stop. | 0:04:32 | 0:04:36 | |
The Inn was just this fantastic vibrant place filled with relatives | 0:04:36 | 0:04:39 | |
and people that I've never met. | 0:04:39 | 0:04:45 | |
Because the University of Virginia is located in Charlottesville, | 0:04:45 | 0:04:48 | |
many entertainers, famous entertainers and figures would come | 0:04:48 | 0:04:50 | |
to the University. | 0:04:50 | 0:04:51 | |
If they were African-American, they had to stay at my grandmother's | 0:04:51 | 0:04:54 | |
place. | 0:04:54 | 0:05:04 | |
One of the things that I am very proud of is this picture | 0:05:04 | 0:05:08 | |
of Louis Armstrong, that he autographed former grandmother. | 0:05:08 | 0:05:10 | |
It's an artefact in my family that I hope will be passed down | 0:05:10 | 0:05:13 | |
from generation to generation. | 0:05:14 | 0:05:15 | |
It was a great moment but in the early 1960s, | 0:05:15 | 0:05:17 | |
when desegregation began, the business started to fail. | 0:05:17 | 0:05:19 | |
My grandmother was getting older. | 0:05:19 | 0:05:21 | |
Was not as well. | 0:05:21 | 0:05:30 | |
Had some health problems. | 0:05:30 | 0:05:32 | |
Most people, when they had a choice of staying in the Holiday Inn down | 0:05:32 | 0:05:43 | |
the street or the Motel 6, or whatever, they decided | 0:05:43 | 0:05:46 | |
they would rather stay there. | 0:05:46 | 0:05:47 | |
It was modern. | 0:05:47 | 0:05:48 | |
It was different. | 0:05:48 | 0:05:49 | |
For many black people, it was a point of pride to be able | 0:05:49 | 0:05:53 | |
to go where they had been denied access before. | 0:05:53 | 0:06:06 | |
It closed in 1967 or so when my grandmother got ill. | 0:06:06 | 0:06:09 | |
It doesn't exist any more. | 0:06:09 | 0:06:11 | |
It's sad. | 0:06:11 | 0:06:11 | |
I don't think it would have been able to have been sustained. | 0:06:11 | 0:06:15 | |
We've made progress but we lose something when we make progress. | 0:06:15 | 0:06:19 | |
I stumbled on the green book by accident, I was writing a book | 0:06:41 | 0:06:44 | |
on Route 66 and found that it was in Beirut 66 exhibit, | 0:06:44 | 0:06:47 | |
and there was a Green Book, under glass, tucked away | 0:06:47 | 0:06:50 | |
in the corner. | 0:06:50 | 0:06:51 | |
When I first put my hands on a Green Book, it was magical. | 0:06:51 | 0:06:55 | |
It's this feeling of you too can enjoy America. | 0:06:55 | 0:06:59 | |
It was a very hopeful, positive guide. | 0:06:59 | 0:07:05 | |
I'm in New York because I am a scholar in residence | 0:07:16 | 0:07:19 | |
at the Schoenberg Centre for black research. | 0:07:19 | 0:07:26 | |
And it's amazing because they have the largest collection | 0:07:26 | 0:07:28 | |
of Green Books in the world. | 0:07:28 | 0:07:30 | |
I have scouted about 1600 Green Book sites so far, | 0:07:30 | 0:07:33 | |
and of those, less than a quarter are still standing. | 0:07:33 | 0:07:37 | |
But I'm also working with city planners to have them recognise | 0:07:37 | 0:07:40 | |
these sites as culturally significant. | 0:07:40 | 0:07:43 | |
And historic sites. | 0:07:43 | 0:07:46 | |
The Green Book was an innovative and resourceful solution | 0:07:46 | 0:07:49 | |
to an horrific problem. | 0:07:49 | 0:07:54 | |
For me it is a source of pride. | 0:07:54 | 0:07:56 | |
That African-Americans, that black people were resilient, | 0:07:56 | 0:08:01 | |
they were resourceful. | 0:08:01 | 0:08:03 | |
I think our ancestors would be proud of the green book, | 0:08:03 | 0:08:06 | |
that we survived and came up with these tools. | 0:08:06 | 0:08:09 | |
They had a lot of courage, a lot of drive. | 0:08:09 | 0:08:11 | |
And were not going to be denied. | 0:08:11 | 0:08:17 | |
I think those lesson should be a comfort to people facing today's | 0:08:17 | 0:08:20 | |
America. | 0:08:20 | 0:08:28 | |
Next up, we are in Petra, in Jordan, meeting a man who guides tourists | 0:08:28 | 0:08:32 | |
in the ancient city after dark. | 0:08:32 | 0:08:38 | |
Petra by night... | 0:08:38 | 0:08:39 | |
I love it. | 0:08:39 | 0:08:43 | |
Petra by night, we started to do this programme 17 years ago. | 0:08:45 | 0:08:51 | |
In order to give a chance for our visitors to see Petra | 0:08:51 | 0:08:55 | |
during the night. | 0:08:55 | 0:08:58 | |
To enjoy the atmosphere. | 0:08:58 | 0:09:05 | |
And we start from the main gate here. | 0:09:05 | 0:09:12 | |
About two kilometres through the city. | 0:09:12 | 0:09:18 | |
And we light more than 1500 candles. | 0:09:19 | 0:09:22 | |
Soon, we arrive here. | 0:09:22 | 0:09:25 | |
We start the show. | 0:09:25 | 0:09:28 | |
We have two Jordanian instruments, ancient instruments, | 0:09:28 | 0:09:37 | |
the first one we call it shababa. | 0:09:37 | 0:09:39 | |
Shababa the flute. | 0:09:39 | 0:09:40 | |
The other one we call it rebaba. | 0:09:40 | 0:09:42 | |
We sing about the Bedouin. | 0:09:42 | 0:09:55 | |
The Bedouin live in the tents. | 0:09:55 | 0:09:57 | |
The caves. | 0:09:57 | 0:09:57 | |
They breed horses. | 0:09:57 | 0:09:58 | |
Goats. | 0:09:58 | 0:09:58 | |
Raise camels. | 0:09:58 | 0:09:59 | |
In the desert. | 0:09:59 | 0:10:00 | |
APPLAUSE | 0:10:00 | 0:10:05 | |
Before the Arab Spring, before the problems, | 0:10:05 | 0:10:07 | |
many tourists, I remember, 1000 in a Christmas time. | 0:10:07 | 0:10:13 | |
But after, for five years, six years, slowed down. | 0:10:13 | 0:10:17 | |
Sometimes 30, 70, not many tourists. | 0:10:17 | 0:10:26 | |
The best thing for me, when the tourists sit together, | 0:10:26 | 0:10:31 | |
friendly, I tell them to keep their camera ready to take | 0:10:31 | 0:10:36 | |
a photo together. | 0:10:36 | 0:10:41 | |
It means we are one heart, one eye. | 0:10:45 | 0:10:49 | |
When I can, every night, it is like a dream. | 0:10:49 | 0:10:52 | |
When I can, every night, it is like a dream. | 0:10:57 | 0:11:00 | |
I like it. | 0:11:00 | 0:11:01 | |
It is an honour for me to ride through all the countries. | 0:11:01 | 0:11:04 | |
To make them happy, to see Petra. | 0:11:04 | 0:11:29 | |
Still to come: | 0:11:29 | 0:11:31 | |
I'm role-playing in Poland, trying to get some | 0:11:31 | 0:11:34 | |
answers out of this. | 0:11:34 | 0:11:36 | |
Where were you last night? | 0:11:36 | 0:11:37 | |
I've had reports that they saw you quite late in the evening, | 0:11:37 | 0:11:42 | |
with a mysterious young lady. | 0:11:43 | 0:11:45 | |
Mysterious? | 0:11:45 | 0:11:47 | |
The Travel Show, your essential guide wherever you are headed. | 0:11:50 | 0:11:54 | |
Next this week, my travels take me to a part of Poland that is well off | 0:11:54 | 0:11:58 | |
the beaten track. | 0:11:58 | 0:12:00 | |
This is Lower Silesia, about an hour and a half's drive | 0:12:00 | 0:12:03 | |
from the regional capital Wroc?aw, not far from the Czech border. | 0:12:03 | 0:12:06 | |
What a beautiful place. | 0:12:07 | 0:12:08 | |
It's been here for a long time. | 0:12:26 | 0:12:28 | |
Absolutely stunning. | 0:12:28 | 0:12:28 | |
Really sets the scene for what I'm going to be in full for the next | 0:12:28 | 0:12:32 | |
couple of days. | 0:12:32 | 0:12:33 | |
I've come to this Gothic palace to take part in a live action | 0:12:33 | 0:12:37 | |
role-play, or larp. | 0:12:37 | 0:12:38 | |
next three for the next three days this is not much in a castle, | 0:12:38 | 0:12:41 | |
but Fairweather Manor, an English country house, | 0:12:41 | 0:12:43 | |
and the year is 1917. | 0:12:43 | 0:12:45 | |
Right in the middle of the First World War. | 0:12:45 | 0:12:47 | |
This is the costume room. | 0:12:47 | 0:12:49 | |
This man is the brains behind it all. | 0:12:49 | 0:12:53 | |
What is larp? | 0:12:53 | 0:12:57 | |
Have you ever played house, as a kid, Henry? | 0:12:57 | 0:12:59 | |
Yes. | 0:12:59 | 0:12:59 | |
You played a father who is angry and scolding of his children | 0:12:59 | 0:13:03 | |
because they did not do their homework, or maybe | 0:13:03 | 0:13:05 | |
you played one of the kids, not wanting to do homework | 0:13:05 | 0:13:08 | |
and wanting to play soccer instead. | 0:13:08 | 0:13:10 | |
This is that, just with more complex stories, better costumes | 0:13:10 | 0:13:12 | |
and hopefully a little bit more interesting locations. | 0:13:12 | 0:13:15 | |
It's pretend play for adults. | 0:13:15 | 0:13:16 | |
Larping grew out of the Dungeons Dragons scene in the 1980s. | 0:13:20 | 0:13:24 | |
As some of his players got older, their ambition grew, | 0:13:24 | 0:13:26 | |
and these days, some events can attract huge crowds. | 0:13:26 | 0:13:29 | |
In Germany, for instance, 7500 people play this, | 0:13:29 | 0:13:31 | |
the most recent game of conquest. | 0:13:31 | 0:13:36 | |
Its organisers claim it is the world biggest larp. | 0:13:36 | 0:13:39 | |
Klaus creates elaborate games mainly in Poland and Denmark, | 0:13:39 | 0:13:42 | |
people have travelled from as far afield as the US and Canada | 0:13:42 | 0:13:46 | |
for this. | 0:13:46 | 0:13:50 | |
Tickets start at ?330, or $420, including | 0:13:50 | 0:13:52 | |
food and accommodation. | 0:13:52 | 0:13:57 | |
So, I need some tips, because I am obviously going to be | 0:13:57 | 0:14:01 | |
diving headfirst into this. | 0:14:01 | 0:14:02 | |
I'd say some of it is character portrayal, you want to be believable | 0:14:02 | 0:14:05 | |
as what you are, first off, but secondly, you also want it | 0:14:05 | 0:14:08 | |
to be interesting. | 0:14:09 | 0:14:09 | |
It is pretty easy to be a believable old grumpy man sitting | 0:14:09 | 0:14:12 | |
in the corner not talking to anybody but it is also boring, | 0:14:13 | 0:14:16 | |
it is boring for you and boring for everybody else. | 0:14:16 | 0:14:19 | |
The night before the action begins, we are all given the laws | 0:14:19 | 0:14:22 | |
of the house... | 0:14:22 | 0:14:26 | |
A few ballroom dancing lessons... | 0:14:26 | 0:14:28 | |
Europe is burning. | 0:14:28 | 0:14:35 | |
And then, the sombre opening speech is delivered, | 0:14:35 | 0:14:39 | |
in character, "in game," as the larpers put it. | 0:14:39 | 0:14:42 | |
All over Europe, brother fight brother. | 0:14:42 | 0:14:43 | |
The stage is set. | 0:14:43 | 0:14:46 | |
Welcome to Fairweather Manor. | 0:14:46 | 0:14:48 | |
APPLAUSE. | 0:14:48 | 0:14:55 | |
So, this is the morning of the larp, and I have my outfit | 0:14:55 | 0:14:59 | |
for my character, I have my character details, | 0:14:59 | 0:15:01 | |
my name is Robert Adam, I am a former war correspondent, | 0:15:01 | 0:15:04 | |
a journalist, and I have seen all the atrocities that have been | 0:15:04 | 0:15:07 | |
happening on the front line. | 0:15:07 | 0:15:10 | |
"You are short tempered. | 0:15:10 | 0:15:12 | |
"You won't always this way but war has changed you and not entirely | 0:15:12 | 0:15:15 | |
for the better." | 0:15:15 | 0:15:16 | |
"Your sense of being lost in a world that no longer makes sense and a job | 0:15:16 | 0:15:20 | |
"Your sense of being lost in a world that no longer makes sense and a job | 0:15:27 | 0:15:31 | |
which seems insufficient to the task given to you, | 0:15:31 | 0:15:34 | |
and leads you to easily become | 0:15:34 | 0:15:35 | |
frustrated and lash out at the people around you." | 0:15:35 | 0:15:38 | |
"You have met too many people who simply do not want to see | 0:15:38 | 0:15:41 | |
the truth that is in front of them. | 0:15:41 | 0:15:43 | |
And their wilful ignorance infuriates you." | 0:15:43 | 0:15:45 | |
The first challenge is to actually find the other guests. | 0:15:45 | 0:15:48 | |
I think we're a bit late for breakfast... | 0:15:48 | 0:15:50 | |
Am I the only person in the castle?! | 0:15:50 | 0:15:52 | |
Huh! | 0:15:52 | 0:15:52 | |
Nobody. | 0:15:52 | 0:15:57 | |
I don't think I've kind of got into it yet. | 0:15:57 | 0:16:07 | |
How is the easing into it? | 0:16:07 | 0:16:11 | |
Do you just jump in? | 0:16:11 | 0:16:13 | |
That's a good question. | 0:16:13 | 0:16:14 | |
Is it safe to say that it is all in game right now? | 0:16:14 | 0:16:17 | |
You must believe that everything is in game. | 0:16:18 | 0:16:20 | |
If it is not, then you would know in some way. | 0:16:20 | 0:16:23 | |
People would do something. | 0:16:23 | 0:16:24 | |
I hope so! | 0:16:24 | 0:16:30 | |
Because these ladies here... | 0:16:30 | 0:16:31 | |
The one on the right is crying. | 0:16:31 | 0:16:33 | |
I want to ask her if she is OK... | 0:16:33 | 0:16:35 | |
But I shouldn't? | 0:16:35 | 0:16:36 | |
Nope. | 0:16:36 | 0:16:48 | |
Unless you are in character, if you want to do something | 0:16:48 | 0:16:51 | |
about it, in game, of course it is all right. | 0:16:51 | 0:16:54 | |
But it is a trial. | 0:16:54 | 0:16:56 | |
I do want to feel that. | 0:16:56 | 0:16:58 | |
But I'm quite conscious, because I've got these | 0:16:58 | 0:17:00 | |
guys following me... | 0:17:00 | 0:17:01 | |
All of a sudden I am handed a lifeline, a mission in the form | 0:17:01 | 0:17:05 | |
of a little scandal. | 0:17:05 | 0:17:07 | |
So it seems like one of the young maids was spotted alone | 0:17:07 | 0:17:10 | |
in the forest with one of the German nobles. | 0:17:10 | 0:17:12 | |
Ruffled hair and everything. | 0:17:12 | 0:17:13 | |
And in a state of undress? | 0:17:13 | 0:17:15 | |
I wouldn't quite say so... | 0:17:15 | 0:17:16 | |
But... | 0:17:16 | 0:17:17 | |
LAUGHTER. | 0:17:17 | 0:17:17 | |
I'm sure it was not far away! | 0:17:17 | 0:17:30 | |
Not all the characters are welcoming me with open arms. | 0:17:30 | 0:17:32 | |
Robert, from the Sunday Times. | 0:17:32 | 0:17:35 | |
Nice to have you with us. | 0:17:35 | 0:17:37 | |
Thank you very much. | 0:17:37 | 0:17:39 | |
If you have misplaced your ties, I'm sure that Mr Derbyshire can be | 0:17:39 | 0:17:43 | |
of assistance, so that you can look proper, | 0:17:43 | 0:17:45 | |
at least for the rest of the day. | 0:17:45 | 0:17:48 | |
From my impressions, this could be perceived as very | 0:17:48 | 0:17:51 | |
geeky and a little weird. | 0:17:51 | 0:17:58 | |
Somebody that sits there and knows every single football stat of every | 0:17:59 | 0:18:02 | |
single player ever, yeah, would also be considered | 0:18:02 | 0:18:04 | |
a little bit geeky. | 0:18:04 | 0:18:08 | |
It is no different. | 0:18:08 | 0:18:10 | |
For this particular type of larp, a lot of research has gone | 0:18:10 | 0:18:13 | |
into the time period, the costumes, everything. | 0:18:13 | 0:18:19 | |
If you've a hobby where there is a passion involved, | 0:18:19 | 0:18:21 | |
doesn't matter whether it is a sport, something more indoors, | 0:18:22 | 0:18:24 | |
something more intellectual, or something like this. | 0:18:24 | 0:18:32 | |
the people involved have an aspect of geekiness to them. | 0:18:32 | 0:18:35 | |
Because that passion drives them to be very focused. | 0:18:35 | 0:18:41 | |
Excuse me, ladies. | 0:18:41 | 0:18:45 | |
Could I have a moment of your time? | 0:18:45 | 0:18:47 | |
I feel like it's down to me to expose the shady baron | 0:18:47 | 0:18:50 | |
for what he is, and slowly but surely, actually begin | 0:18:50 | 0:18:53 | |
to have fun. | 0:18:53 | 0:18:54 | |
I don't know which maid... | 0:18:54 | 0:18:55 | |
Probably for the best. | 0:18:55 | 0:19:00 | |
Do you know which baron...? | 0:19:00 | 0:19:01 | |
Everyone seems to be getting a different name. | 0:19:01 | 0:19:03 | |
A German baron. | 0:19:03 | 0:19:08 | |
Where were you last night...? | 0:19:08 | 0:19:11 | |
I've had reports that they saw you quite late in the evening... | 0:19:11 | 0:19:14 | |
You were there with a mysterious young lady... | 0:19:14 | 0:19:16 | |
Mysterious? | 0:19:16 | 0:19:17 | |
That is what they said. | 0:19:17 | 0:19:19 | |
It's nothing mysterious, it's the lady and me talking | 0:19:19 | 0:19:21 | |
about family relations. | 0:19:22 | 0:19:25 | |
We talk about the war. | 0:19:25 | 0:19:29 | |
I can't get anything out of the baron himself, | 0:19:30 | 0:19:35 | |
so my only other route is to head down to the servants quarters | 0:19:35 | 0:19:38 | |
to find his mistress. | 0:19:38 | 0:19:40 | |
But I find my way barred. | 0:19:40 | 0:19:44 | |
For us it's just getting down to the bottom... | 0:19:53 | 0:19:57 | |
Larps are still usually high fantasy events with wizards and elves | 0:20:11 | 0:20:14 | |
and the like, | 0:20:14 | 0:20:15 | |
but Fairweather Manor is billed as an emotional larp. | 0:20:15 | 0:20:18 | |
Players here want to be moved. | 0:20:18 | 0:20:20 | |
I think, to me, when I design larps, I want to give people | 0:20:20 | 0:20:23 | |
an emotional journey. | 0:20:23 | 0:20:24 | |
I hate when you are like, you see talking heads, | 0:20:24 | 0:20:27 | |
"some more tea for you." | 0:20:27 | 0:20:28 | |
I want them to feel something. | 0:20:28 | 0:20:30 | |
So that's what I try to decipher. | 0:20:30 | 0:20:32 | |
And then of course having a war, death! | 0:20:32 | 0:20:35 | |
That is like, love may have been sucked out of things | 0:20:35 | 0:20:38 | |
but there is a big passion that you can make people feel. | 0:20:38 | 0:20:41 | |
Love and war. | 0:20:41 | 0:20:42 | |
And changes in society. | 0:20:42 | 0:20:43 | |
Still pondering my next move, I get dressed for dinner. | 0:20:43 | 0:20:57 | |
The actor was heard shouting, "No, Alexander, I am not your man." | 0:20:57 | 0:21:00 | |
The nuggets of gossip I have been given delight my dinner mates. | 0:21:00 | 0:21:03 | |
I would not lie! | 0:21:03 | 0:21:04 | |
But little do I know, there is a plan in store for me. | 0:21:04 | 0:21:08 | |
OK, so what we have here is a telegram which will be sent | 0:21:08 | 0:21:12 | |
in the game to be delivered to Robert Abbott, at 7:30pm. | 0:21:12 | 0:21:17 | |
What this telegram says is: | 0:21:17 | 0:21:19 | |
"To Robert Abbott, | 0:21:19 | 0:21:20 | |
Robert, your correspondence accreditation has been revoked | 0:21:20 | 0:21:21 | |
by the War office. | 0:21:21 | 0:21:23 | |
We did everything we could but they wouldn't budge." | 0:21:23 | 0:21:27 | |
"I'm sorry, you won't be going back to the front, | 0:21:27 | 0:21:29 | |
come back to London, we will sort out what comes next." | 0:21:29 | 0:21:34 | |
This is preposterous! | 0:21:34 | 0:21:38 | |
I came here with integrity of journalism and you throw it | 0:21:38 | 0:21:41 | |
in my face! | 0:21:41 | 0:21:42 | |
All of you! | 0:21:42 | 0:21:46 | |
It's not my fault that the baron can't keep his hands of women, | 0:21:46 | 0:21:50 | |
a servant, nonetheless. | 0:21:50 | 0:21:51 | |
So away with your press pass, away with your nobility! | 0:21:51 | 0:22:01 | |
And I still don't know if the baron was telling me | 0:22:06 | 0:22:09 | |
the truth, but anyway... | 0:22:09 | 0:22:10 | |
Next time, there's a chance to catch up with some of our best trips | 0:22:10 | 0:22:14 | |
from the past year. | 0:22:14 | 0:22:20 | |
We went to more than 70 countries in 2016, did everything from ninja | 0:22:20 | 0:22:23 | |
training in Japan to penguin spotting in Australia, | 0:22:23 | 0:22:25 | |
to attempting one of India's most traditional dances. | 0:22:25 | 0:22:28 | |
Don't forget, you can join us on all of our travels wherever | 0:22:28 | 0:22:31 | |
we are in the world by signing on to the social media feeds. | 0:22:31 | 0:22:35 | |
If you want to see what it was like behind-the-scenes at this week's | 0:22:35 | 0:22:38 | |
larping adventure, you can look at the website. | 0:22:38 | 0:22:40 | |
But from me, Henry Golding, and the rest of The Travel Show team | 0:22:41 | 0:22:44 | |
here in Lower Silesia, in Poland, it is goodbye. | 0:22:44 | 0:23:14 | |
Good morning. | 0:23:14 | 0:23:14 | |
It is very quiet weather at the moment. | 0:23:14 | 0:23:16 | |
Even our Weather Watchers found it difficult to find any sunshine. | 0:23:16 | 0:23:19 |