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As ever, leave plenty of time before you head off, and doublecheck | 0:00:01 | 0:00:01 | |
As ever, leave plenty of time before you head off, and doublecheck your | 0:00:01 | 0:00:02 | |
you head off, and doublecheck your train | 0:00:02 | 0:00:02 | |
you head off, and doublecheck your train is | 0:00:02 | 0:00:02 | |
you head off, and doublecheck your train is even | 0:00:02 | 0:00:02 | |
you head off, and doublecheck your train is even running. | 0:00:02 | 0:00:11 | |
Hello, and welcome to the last Travel Show of 2016 - | 0:00:11 | 0:00:13 | |
with me, Ade Adepitan, coming from the amazing monuments | 0:00:14 | 0:00:16 | |
of Petra in Jordan. | 0:00:16 | 0:00:27 | |
Exploring the ancient city was one of the highlights of my year - | 0:00:27 | 0:00:31 | |
and what a year it's been. | 0:00:31 | 0:00:32 | |
The team has visited over 70 countries and had some incredible | 0:00:32 | 0:00:35 | |
adventures, so why don't you sit back, relax, | 0:00:35 | 0:00:37 | |
and see if we've picked one of your favourites, | 0:00:38 | 0:00:40 | |
as we look back on 2016... | 0:00:40 | 0:00:47 | |
Now we get to have so much fun working on the Travel Show. | 0:01:12 | 0:01:15 | |
We fly all over the world, we meet incredible people, | 0:01:15 | 0:01:18 | |
do cool stuff, but most importantly we get to share our adventures | 0:01:18 | 0:01:26 | |
with you, and those adventures don't get much more spectacular | 0:01:26 | 0:01:29 | |
than Rajan's trip to China back in June - | 0:01:29 | 0:01:31 | |
where he got to explore some amazing destinations that even | 0:01:32 | 0:01:34 | |
the guidebooks don't seem to know about. | 0:01:34 | 0:01:46 | |
500 square kilometres of sandstone and minerals, | 0:01:46 | 0:01:48 | |
the dazzling colours were formed by water erosion. | 0:01:48 | 0:01:55 | |
They were created during the same geological shift that formed | 0:01:55 | 0:01:57 | |
the Himalayas some 80 million years ago. | 0:01:57 | 0:02:01 | |
As spectacular as the Rainbow Mountain Range is, what is almost | 0:02:01 | 0:02:04 | |
as incredible is that until the turn of the millennium, | 0:02:05 | 0:02:07 | |
hardly anybody in China, let alone the rest of the world, | 0:02:07 | 0:02:10 | |
had even heard of it. | 0:02:10 | 0:02:15 | |
And that is an unlikely story in itself, which begins | 0:02:15 | 0:02:18 | |
at this man's house. | 0:02:18 | 0:02:29 | |
One day, a photographer passed by Mr Lei | 0:02:41 | 0:02:43 | |
as he was carrying out his normal farmer's chores. | 0:02:43 | 0:02:47 | |
So before 2000, then, no one recognised that this | 0:03:18 | 0:03:20 | |
was a beautiful natural wonder? | 0:03:20 | 0:03:21 | |
Soon, other photographers latched onto this undiscovered gem, | 0:03:43 | 0:03:45 | |
and their photos caught the eye of famous film director Zhang Yimou. | 0:03:45 | 0:03:52 | |
He shot a remake of the Coen Brothers film Blood Simple here, | 0:04:03 | 0:04:07 | |
and its success in China made the mountains famous. | 0:04:07 | 0:04:10 | |
That was Rajan there getting off the beaten track | 0:04:10 | 0:04:12 | |
in China - fantastic. | 0:04:12 | 0:04:14 | |
Now, the rest of us have been busy all year bringing you the best | 0:04:14 | 0:04:18 | |
stories in travel, and here's some of my favourites... | 0:04:18 | 0:04:21 | |
First up, a story from right here in Petra, where I was lucky | 0:04:21 | 0:04:26 | |
enough to join a team of archaeologists searching | 0:04:26 | 0:04:31 | |
for ancient treasures. | 0:04:31 | 0:04:33 | |
This is the Temple of Winged Lions, a religious complex built | 0:04:33 | 0:04:36 | |
in around AD 27. | 0:04:36 | 0:04:42 | |
I'm liking your office, Glen - I like what you've done with it. | 0:04:43 | 0:04:47 | |
No, this is a beautiful place, this is... | 0:04:47 | 0:04:49 | |
Glenn is in charge of the site, and tells me how the problems | 0:04:50 | 0:04:53 | |
here started in the 1970s when the temple was first excavated. | 0:04:53 | 0:04:57 | |
They uncovered this cool monument, but didn't do a wonderful job | 0:04:57 | 0:05:01 | |
with doing the things necessary to preserve it | 0:05:01 | 0:05:03 | |
for future generations. | 0:05:03 | 0:05:06 | |
Whenever you excavate a monument, you have to pull a lot of the earth | 0:05:06 | 0:05:10 | |
out of the ground in order to reveal it. | 0:05:10 | 0:05:12 | |
And so the earlier project dumped a lot of that earth and so, | 0:05:13 | 0:05:17 | |
as you'll see, we're trying to re-excavate those | 0:05:17 | 0:05:19 | |
earlier archaeological dumps. | 0:05:19 | 0:05:21 | |
We have specialists who come and actually work and train and work | 0:05:21 | 0:05:24 | |
with the local community. | 0:05:25 | 0:05:26 | |
And the idea is that the locals then train tourists to help out too. | 0:05:26 | 0:05:30 | |
OK, I've got some skills, man. | 0:05:30 | 0:05:33 | |
Have you got a digger here or something? | 0:05:33 | 0:05:35 | |
Yeah, we're ready to go. | 0:05:35 | 0:05:36 | |
Ready? | 0:05:36 | 0:05:38 | |
OK, stand back - let the master get to work! | 0:05:38 | 0:05:41 | |
Any scorpions? | 0:05:41 | 0:05:44 | |
Is that cool? | 0:05:49 | 0:05:52 | |
I'm terrible - I can't find anything! | 0:05:52 | 0:05:56 | |
Well, I might not be having much luck, but over the last few years | 0:05:56 | 0:05:59 | |
they've found all sorts here. | 0:05:59 | 0:06:03 | |
Painted pottery, coins, lamps and decorations | 0:06:03 | 0:06:05 | |
from the temple. | 0:06:05 | 0:06:14 | |
It's crazy to think that these amazing bits of jewellery | 0:06:14 | 0:06:19 | |
and pottery have just been lying forgotten in a pile of earth. | 0:06:19 | 0:06:25 | |
Now, as more pieces are retrieved and catalogued, it's hoped we can | 0:06:25 | 0:06:28 | |
learn more about the everyday lives of the people who built this | 0:06:28 | 0:06:31 | |
incredible city more than 2000 years ago. | 0:06:31 | 0:06:42 | |
Next, the waterways of Kerala in India. | 0:06:42 | 0:06:46 | |
Henry headed there in January to explore the labyrinth of canals, | 0:06:46 | 0:06:50 | |
rivers and lakes that twist through the state. | 0:06:50 | 0:06:55 | |
Kerala's calling card is its unique backwaters. | 0:06:55 | 0:07:00 | |
25 years ago, the houseboat industry didn't exist, | 0:07:00 | 0:07:02 | |
but in 1991 a tour operator saw the potential in modifying defunct | 0:07:02 | 0:07:05 | |
cargo boats for tourists. | 0:07:05 | 0:07:06 | |
It was an instant hit and revolutionised tourism here. | 0:07:06 | 0:07:18 | |
From just a handful of boats in the 90s, there are now more | 0:07:18 | 0:07:22 | |
than 1000, offering people a unique insight into village life | 0:07:22 | 0:07:24 | |
along the waterways. | 0:07:24 | 0:07:29 | |
Time for me to take the helm... | 0:07:30 | 0:07:32 | |
A little bit of throttle... | 0:07:32 | 0:07:36 | |
There we go. | 0:07:36 | 0:07:37 | |
I've noticed it's quite loose but then there's | 0:07:37 | 0:07:39 | |
a little biting point. | 0:07:39 | 0:07:40 | |
It's not that easy. | 0:07:40 | 0:07:41 | |
It isn't. | 0:07:41 | 0:07:45 | |
SITAR MUSIC. | 0:07:45 | 0:07:50 | |
In October, Carmen headed deep into the Andes in search of one | 0:08:01 | 0:08:04 | |
of Peru's best kept secrets. | 0:08:04 | 0:08:11 | |
Tucked away in the eastern Andes, Cuispes didn't feature | 0:08:11 | 0:08:14 | |
on the tourist map until fairly recently. | 0:08:14 | 0:08:22 | |
But a few kilometres away lies a spectacular discovery that has | 0:08:22 | 0:08:25 | |
changed all that. | 0:08:25 | 0:08:30 | |
Hidden in these rainforests are some of the tallest waterfalls | 0:08:30 | 0:08:32 | |
in the world. | 0:08:32 | 0:08:36 | |
Yumbilla is split into four almost sheer drops, and I'm going to try | 0:08:36 | 0:08:39 | |
an abseil down the bottom section - with a lot of help. | 0:08:39 | 0:08:44 | |
So this is where it starts. | 0:08:44 | 0:08:45 | |
I'm going to rappel down here, into this little waterfall, | 0:08:45 | 0:08:49 | |
about ten or 12 metres into a pool, and then from there we'll abseil | 0:08:49 | 0:08:54 | |
down the rest of the waterfall, which is about a 70-metre drop. | 0:08:54 | 0:08:57 | |
And I'm one of the first people to do this. | 0:08:57 | 0:09:05 | |
I'm attached to a harness and instructed on the safety | 0:09:05 | 0:09:07 | |
apparatus that will allow me to control my descent. | 0:09:07 | 0:09:13 | |
Your legs, Carmen - 90 degrees. | 0:09:13 | 0:09:15 | |
OK. | 0:09:15 | 0:09:16 | |
Hold them, but lean backwards. | 0:09:16 | 0:09:18 | |
Taking off is terrifying. | 0:09:18 | 0:09:26 | |
So far, so good, but halfway down I'm in for a shock. | 0:09:26 | 0:09:30 | |
It is slightly unnerving that we're going to lose the rock now - | 0:09:30 | 0:09:33 | |
we're going to go into freefall. | 0:09:33 | 0:09:35 | |
OK, I can do this... | 0:09:35 | 0:09:44 | |
We reach the last part of the descent, and I'm so relieved | 0:09:44 | 0:09:47 | |
to finally get to the bottom. | 0:09:47 | 0:09:53 | |
I know it's crazy. | 0:09:53 | 0:09:55 | |
I didn't expect quite so much water! | 0:09:55 | 0:10:00 | |
That was amazing - what a rush! | 0:10:00 | 0:10:06 | |
Carmen there in Peru, back in October. | 0:10:06 | 0:10:10 | |
Well, stay with us as we continue our look back at 2016 | 0:10:10 | 0:10:13 | |
here on the Travel Show - the year that I got to play one | 0:10:13 | 0:10:17 | |
of Shakespeare's most famous characters. | 0:10:17 | 0:10:18 | |
At last! | 0:10:18 | 0:10:22 | |
But soft, what light through yonder window breaks? | 0:10:22 | 0:10:27 | |
It is the east, and Juliet is the sun. | 0:10:27 | 0:10:38 | |
One of the nicest things about being a Travel Show presenter | 0:10:38 | 0:10:41 | |
is that you get the chance often to get really close to some amazing | 0:10:41 | 0:10:46 | |
wildlife, and 2016 was no exception. | 0:10:46 | 0:10:50 | |
So here are some of our favourite animal encounters of the year... | 0:10:50 | 0:10:58 | |
In April, Henry headed into the rainforests of the Cardamom | 0:10:58 | 0:11:01 | |
mountain range in Cambodia to join an anti-poaching squad that's | 0:11:01 | 0:11:05 | |
on the front line of wildlife conservation. | 0:11:05 | 0:11:10 | |
This ride is getting bumpier and bumpier - | 0:11:10 | 0:11:13 | |
it's almost like trying to stay on a bucking bronco! | 0:11:13 | 0:11:17 | |
Woah! | 0:11:17 | 0:11:20 | |
Deforestation is destroying animals' habitats. | 0:11:21 | 0:11:25 | |
That's not the only man-made dangers they face here. | 0:11:25 | 0:11:28 | |
The remains of snares can be found all around. | 0:11:28 | 0:11:32 | |
It's a strong piece of stick, OK, planted underground, | 0:11:32 | 0:11:34 | |
so when he's coming, getting his piece of fruit | 0:11:34 | 0:11:37 | |
or whatever it is, and he's getting caught here. | 0:11:37 | 0:11:40 | |
Right, so there is a bit missing here? | 0:11:40 | 0:11:42 | |
Yes, it's missing. | 0:11:42 | 0:11:45 | |
A piece of fruit, and I believe something else is missing. | 0:11:45 | 0:11:48 | |
So a lot of these traps are designed to maim rather than kill, | 0:11:48 | 0:11:52 | |
so they can collect them alive? | 0:11:52 | 0:11:53 | |
Yes. | 0:11:53 | 0:11:54 | |
Having seen the indiscriminate damage that snares like these do | 0:11:54 | 0:11:56 | |
to even much larger animals than their intended targets, it's | 0:11:56 | 0:12:00 | |
quite shocking to see one up close. | 0:12:00 | 0:12:05 | |
With so many families in rural Cambodia teetering just | 0:12:05 | 0:12:07 | |
above the poverty line, I suspect that most of those engaged | 0:12:07 | 0:12:12 | |
in the snaring and logging are just hoping for a way to help themselves | 0:12:12 | 0:12:16 | |
and their families get by. | 0:12:16 | 0:12:18 | |
But witnessing it myself, I also come face-to-face | 0:12:18 | 0:12:20 | |
with the brutal impact this can have. | 0:12:20 | 0:12:23 | |
In September, it was all about these little fellas - fairy penguins. | 0:12:28 | 0:12:33 | |
They live on Phillip Island off the southern coast of Australia. | 0:12:33 | 0:12:37 | |
We sent Christa there to meet them. | 0:12:37 | 0:12:42 | |
This penguin parade draws most of the visitors here, | 0:12:42 | 0:12:44 | |
and it's not hard to see why. | 0:12:44 | 0:12:50 | |
Oh, they're so cute! | 0:12:52 | 0:12:54 | |
There are hundreds of them - all just marching up the beach | 0:12:54 | 0:12:58 | |
with their big fat belly like they're late | 0:12:58 | 0:13:00 | |
for an appointment! | 0:13:00 | 0:13:01 | |
Absolutely gorgeous. | 0:13:01 | 0:13:04 | |
Hello. | 0:13:04 | 0:13:06 | |
They even offered me the chance to help, and I was not going to pass | 0:13:06 | 0:13:10 | |
up an opportunity to get up close and personal with a penguin. | 0:13:10 | 0:13:13 | |
So... | 0:13:13 | 0:13:15 | |
Oh! | 0:13:15 | 0:13:16 | |
I'll hold onto it. | 0:13:16 | 0:13:24 | |
Penguin attack. | 0:13:24 | 0:13:25 | |
Oh, I'm sorry! | 0:13:25 | 0:13:26 | |
I'm sorry - we'll be really quick. | 0:13:26 | 0:13:27 | |
We've just spotted them. | 0:13:28 | 0:13:30 | |
Yes. | 0:13:30 | 0:13:33 | |
Now to Botswana in Southern Africa. | 0:13:33 | 0:13:35 | |
Rajan was there earlier this year on the trail of rhinos | 0:13:35 | 0:13:38 | |
at a sanctuary dedicated to the survival of the species. | 0:13:38 | 0:13:40 | |
Wow. | 0:13:48 | 0:13:51 | |
OK, we're going to take a bit of a risk. | 0:13:54 | 0:13:58 | |
He has actually been as close as ten metres before | 0:13:58 | 0:14:00 | |
to a rhino without them sensing he is there, | 0:14:00 | 0:14:03 | |
and we are going to see how close we can get. | 0:14:03 | 0:14:06 | |
OK, let's do it. | 0:14:06 | 0:14:07 | |
It may be best if only Mike comes - if we get this close, yeah. | 0:14:10 | 0:14:15 | |
It's hard to grasp - one of this planet's | 0:14:40 | 0:14:42 | |
great survivors, such a dignified shy beast, is under threat | 0:14:42 | 0:14:46 | |
because of man's vanity. | 0:14:46 | 0:14:51 | |
Rajan there finding out about the battle to | 0:14:52 | 0:14:54 | |
save southern Africa's rhino in Botswana, back in September. | 0:14:54 | 0:15:00 | |
OK, now, to finish our round-up of the year, here's a bunch | 0:15:00 | 0:15:03 | |
of stories that prove that no two trips are ever the same. | 0:15:04 | 0:15:07 | |
And if you're thinking of signing up as a Travel Show presenter, | 0:15:07 | 0:15:11 | |
you'll need to expect the unexpected - so here's some classic clips | 0:15:11 | 0:15:14 | |
of us presenters trying, and sometimes failing, | 0:15:14 | 0:15:18 | |
to do all sorts of different things around the world... | 0:15:18 | 0:15:20 | |
The ninja - a mysterious undercover agent in feudal Japan. | 0:15:23 | 0:15:28 | |
Skilled in espionage and assassination, | 0:15:28 | 0:15:30 | |
living in the shadows - and now you can apply to be one. | 0:15:30 | 0:15:36 | |
Far from hiding in the dark, the next generation of ninjas | 0:15:36 | 0:15:39 | |
answered a job ad - full-time, central Japan, salary | 0:15:39 | 0:15:42 | |
around 1600 US dollars a month. | 0:15:42 | 0:15:49 | |
Hundreds of people applied and auditioned for the jobs, | 0:15:49 | 0:15:51 | |
including many from overseas. | 0:15:51 | 0:15:54 | |
I might look the part, but can I cut it as a real-life ninja? | 0:15:54 | 0:15:59 | |
To be honest, I'm a bit nervous. | 0:15:59 | 0:16:01 | |
I don't want to fall flat on my face and embarrass myself. | 0:16:01 | 0:16:06 | |
I do kind of feel ninja-like here... | 0:16:06 | 0:16:08 | |
LAUGHTER | 0:16:08 | 0:16:20 | |
OK, I don't think ninjas are meant to giggle. | 0:16:20 | 0:16:23 | |
OK... | 0:16:23 | 0:16:24 | |
MUSIC | 0:16:24 | 0:16:31 | |
It's so high. | 0:16:45 | 0:16:49 | |
This wall's as tall as me! | 0:16:49 | 0:16:52 | |
YELPS | 0:17:06 | 0:17:07 | |
Each event features ten volunteer storytellers | 0:17:07 | 0:17:09 | |
who are picked at random. | 0:17:09 | 0:17:13 | |
And every other Saturday my sister, who was older, a friend | 0:17:13 | 0:17:16 | |
and I would go to the movie... | 0:17:16 | 0:17:18 | |
They can talk up to five minutes each, and are then given a score | 0:17:18 | 0:17:22 | |
by a team of judges. | 0:17:22 | 0:17:24 | |
The winner goes on to perform at the Moth Grand Slam, | 0:17:24 | 0:17:27 | |
so no pressure then! | 0:17:27 | 0:17:28 | |
APPLAUSE | 0:17:28 | 0:17:34 | |
Keep it going! | 0:17:34 | 0:17:36 | |
Here she comes - keep it coming! | 0:17:36 | 0:17:38 | |
Come on, just make her feel good, bring her up - here she comes. | 0:17:38 | 0:17:42 | |
I'm a travel journalist, and a little while ago I was in Japan | 0:17:42 | 0:17:46 | |
and I was there to interview a very famous chef, and he's bringing out - | 0:17:46 | 0:17:50 | |
with great sort of pomp and ceremony - this dish he's created | 0:17:50 | 0:17:53 | |
for me, and it's coming towards me and it has kind of a crab leg | 0:17:53 | 0:17:57 | |
sticking out the top... | 0:17:57 | 0:17:59 | |
And of all the things that I just can't eat - | 0:17:59 | 0:18:02 | |
and there are many things I can't eat - | 0:18:02 | 0:18:04 | |
just seafood is right up there at the top. | 0:18:04 | 0:18:07 | |
There is almost nothing from the sea that I will happily put in my mouth, | 0:18:07 | 0:18:11 | |
and so I asked my translator, I was like, "And what is this?", | 0:18:11 | 0:18:14 | |
and she kind of looked at me, and she asked the chef, | 0:18:14 | 0:18:18 | |
and she said, "Oh, it's fugu, you know, fugu - | 0:18:18 | 0:18:20 | |
the Japanese pufferfish, right? | 0:18:20 | 0:18:21 | |
You know the one that if they just prepare it very very | 0:18:21 | 0:18:25 | |
slightly wrongly you die, because it's full of neurotoxins," | 0:18:25 | 0:18:27 | |
and I was like, "Oh!" | 0:18:27 | 0:18:31 | |
So I went to put it in my mouth, and I kind of bit | 0:18:31 | 0:18:35 | |
down on it and it... | 0:18:35 | 0:18:37 | |
It didn't yield in the way I thought it would. | 0:18:37 | 0:18:42 | |
It popped in my mouth like a cist, you know? | 0:18:42 | 0:18:45 | |
Like... | 0:18:45 | 0:18:46 | |
LAUGHTER | 0:18:46 | 0:18:48 | |
Despite my nerves, and to my total surprise, I came joint runner-up | 0:18:48 | 0:18:51 | |
at tonight's contest. | 0:18:51 | 0:18:53 | |
CAJUN MUSIC | 0:18:55 | 0:18:57 | |
Chubby Carrier is a Grammy award winner and a third generation of a | 0:18:59 | 0:19:03 | |
legendary zydeco playing family. | 0:19:03 | 0:19:07 | |
You should try it, man - yes, yes, yes. | 0:19:07 | 0:19:09 | |
It's all percussion in zydeco. | 0:19:09 | 0:19:16 | |
How are you doing that? | 0:19:16 | 0:19:20 | |
You have the rhythm going like this in the air, and that's it. | 0:19:20 | 0:19:24 | |
A little like that? | 0:19:24 | 0:19:25 | |
That's it! | 0:19:25 | 0:19:27 | |
Yeah, but then when I touch the thing... | 0:19:27 | 0:19:29 | |
But when you hit the board, you lose it. | 0:19:29 | 0:19:32 | |
Why? | 0:19:32 | 0:19:32 | |
I don't know. | 0:19:32 | 0:19:33 | |
MUSIC | 0:19:33 | 0:19:38 | |
And then after my frankly disastrous ten-minute lesson, this happens... | 0:19:38 | 0:19:44 | |
BBC Travel here, London, England, y'all... | 0:20:01 | 0:20:06 | |
Show me a little segment of how you would use the alphabets | 0:20:09 | 0:20:13 | |
to tell the story. | 0:20:13 | 0:20:15 | |
Please, come. | 0:20:15 | 0:20:20 | |
Rolling the eyes is... | 0:20:20 | 0:20:22 | |
Getting excited. | 0:20:22 | 0:20:27 | |
I think it's me being an amateur, but when I try to do it my vision | 0:20:30 | 0:20:35 | |
blurs, but your vision doesn't blur? | 0:20:35 | 0:20:37 | |
No - long. | 0:20:37 | 0:20:38 | |
Oh, OK, you focus on the distance? | 0:20:38 | 0:20:40 | |
Long-distance. | 0:20:40 | 0:20:42 | |
Long-distance, OK. | 0:20:42 | 0:20:47 | |
I'm focused here - that's why I'm going cross eyed! | 0:20:47 | 0:20:50 | |
That's the secret. | 0:20:50 | 0:20:51 | |
LAUGHTER | 0:20:51 | 0:20:52 | |
Traditionally, a classic Kathakali performance can go on for many | 0:20:58 | 0:21:00 | |
hours, sometimes a whole night. | 0:21:00 | 0:21:05 | |
But some modern audiences have shorter attention | 0:21:05 | 0:21:06 | |
spans, so the artform has had to adapt. | 0:21:07 | 0:21:11 | |
You lost me! | 0:21:11 | 0:21:14 | |
Here at Shakespeare's birthplace in Stratford-upon-Avon, you can see | 0:21:15 | 0:21:18 | |
where it all began, with guided tours around the house | 0:21:18 | 0:21:21 | |
that he was born in. | 0:21:21 | 0:21:24 | |
He was the third of 13 children, the first boy... | 0:21:24 | 0:21:29 | |
In an exhibition for this anniversary year, | 0:21:29 | 0:21:31 | |
you can also see a copy of the first publication of Shakespeare's plays. | 0:21:31 | 0:21:36 | |
But soft, what light through yonder window breaks? | 0:21:38 | 0:21:42 | |
It is the east, and Juliet is the sun. | 0:21:42 | 0:21:47 | |
Romeo, Romeo! | 0:21:47 | 0:21:51 | |
Wherefore art thou Romeo? | 0:21:51 | 0:21:56 | |
Deny thy father and refuse thy name; | 0:21:56 | 0:21:59 | |
Or, if thou wilt not, be but sworn my love, | 0:21:59 | 0:22:03 | |
And I'll no longer be a Capulet... | 0:22:03 | 0:22:07 | |
COMIC RECORD SCRATCH SOUND | 0:22:07 | 0:22:08 | |
Well, if you put it that way, love, I'll be up there. | 0:22:08 | 0:22:11 | |
400 years on this year and still going strong, | 0:22:12 | 0:22:14 | |
William Shakespeare - although I'm not sure | 0:22:15 | 0:22:16 | |
what he would make of my acting. | 0:22:16 | 0:22:19 | |
I did give it a little bit of depth, though! | 0:22:19 | 0:22:23 | |
OK, well, that's it from us for another year, and we'll see | 0:22:23 | 0:22:26 | |
you again next year, and I do hope you enjoyed | 0:22:26 | 0:22:30 | |
following us on all our travels in 2016. | 0:22:30 | 0:22:34 | |
But for now, in the meantime, | 0:22:34 | 0:22:35 | |
from me, Ade, and all the team, we wish you a happy and healthy 2017. | 0:22:35 | 0:22:39 | |
Happy New Year! | 0:22:39 | 0:22:41 | |
Hello again. | 0:23:07 | 0:23:08 |