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Rumah panjai, or longhouses, have been home to the Iban tribe for centuries. | 0:00:02 | 0:00:05 | |
But how does my family feel about them becoming a tourist attraction? | 0:00:05 | 0:00:09 | |
Coming up on the programme this week... | 0:00:33 | 0:00:35 | |
I take a trip down memory lane in Borneo to ask my family | 0:00:35 | 0:00:38 | |
about how they feel about sharing their lifestyles with tourists, | 0:00:38 | 0:00:43 | |
Christa reports on the growing bar wars between Melbourne | 0:00:43 | 0:00:46 | |
and Sydney finding out where the hippest drinkers hang out... | 0:00:46 | 0:00:49 | |
..we hear the tale of the tourist | 0:00:51 | 0:00:53 | |
who uncovered a shrewd scam in Barcelona... | 0:00:53 | 0:00:55 | |
..and we head to Estonia to join a folk song face-off Baltic style. | 0:00:56 | 0:01:01 | |
Hello and welcome to The Travel Show with me, Henry Golding. | 0:01:05 | 0:01:08 | |
This week, I'm in the island of Borneo in Malaysia. | 0:01:08 | 0:01:12 | |
It's renowned for its rainforest, wildlife and stunning coastal lines, | 0:01:12 | 0:01:17 | |
and it's also a home to many indigenous tribes | 0:01:17 | 0:01:20 | |
and for tourists visiting, | 0:01:20 | 0:01:21 | |
sometimes those tribes are just a photo opportunity. | 0:01:21 | 0:01:24 | |
But, really, is your holiday helping preserve their way of life, | 0:01:24 | 0:01:29 | |
or are you threatening it? | 0:01:29 | 0:01:31 | |
I've come back | 0:01:31 | 0:01:32 | |
to my roots to find out. | 0:01:32 | 0:01:34 | |
There are more than 370 million indigenous peoples | 0:01:38 | 0:01:42 | |
currently living in about 90 countries around the world. | 0:01:42 | 0:01:45 | |
And a growing number of tourists want to visit them. | 0:01:45 | 0:01:48 | |
But is indigenous tourism a one-sided deal | 0:01:48 | 0:01:51 | |
or can it be of mutual benefit? | 0:01:51 | 0:01:54 | |
I myself am from the Iban tribe here in the state of Sarawak. | 0:01:54 | 0:01:58 | |
It's the largest of all the ethnic groups, | 0:01:58 | 0:02:00 | |
making up 30% of the population here. | 0:02:00 | 0:02:03 | |
We have our own language as well as a unique way of life. | 0:02:05 | 0:02:08 | |
My family are often visited by tourists, who come here to | 0:02:08 | 0:02:12 | |
experience a piece of authentic tribal living, | 0:02:12 | 0:02:15 | |
and although I grew up in London, this still feels like home to me. | 0:02:15 | 0:02:19 | |
-Hello. -Hello. Hello, hello. | 0:02:21 | 0:02:25 | |
This is my uncle - a real true jungle man. | 0:02:25 | 0:02:28 | |
He's going to be teaching me a thing or two about the Iban way of living. | 0:02:28 | 0:02:32 | |
What are we going to do today? | 0:02:32 | 0:02:33 | |
'Spending time in the jungle with my family feels very special, | 0:02:44 | 0:02:47 | |
'and it's a sad fact | 0:02:47 | 0:02:48 | |
'that most of the world's estimated 5,000 indigenous cultures | 0:02:48 | 0:02:52 | |
'face challenges. | 0:02:52 | 0:02:55 | |
'Denial of land rights, racism, | 0:02:55 | 0:02:57 | |
'are issues that many of them struggle with | 0:02:57 | 0:03:00 | |
'and although they make up 5% of the world's population, | 0:03:00 | 0:03:04 | |
'they constitute 15% of the world's poor.' | 0:03:04 | 0:03:07 | |
Try. Oh, no teeth! | 0:03:07 | 0:03:09 | |
'Here in Sarawak, deforestation rates | 0:03:14 | 0:03:16 | |
'are some of the highest in Asia, | 0:03:16 | 0:03:18 | |
'And as the jungle habitat changes, | 0:03:18 | 0:03:20 | |
'so does the Iban people's way of life. | 0:03:20 | 0:03:24 | |
'But one thing that keeps the community together is food. | 0:03:25 | 0:03:29 | |
Wow! That one's huge! | 0:03:29 | 0:03:32 | |
'A lot of the traditional Iban diet is either foraged | 0:03:32 | 0:03:34 | |
'or grown right at the back yard - | 0:03:34 | 0:03:36 | |
'everything from young shoots to sweet potatoes and fruit.' | 0:03:36 | 0:03:40 | |
Another one as well. Endless! | 0:03:40 | 0:03:42 | |
So this is the bamboo itself. | 0:03:42 | 0:03:45 | |
And we're looking for the young supple bamboo, | 0:03:45 | 0:03:49 | |
so something that's still very fresh | 0:03:49 | 0:03:53 | |
and we don't want the old stuff because that will burn on the fire. | 0:03:53 | 0:03:56 | |
We want it just to simmer and withstand that heat | 0:03:56 | 0:03:59 | |
so it can cook the insides. | 0:03:59 | 0:04:01 | |
It should be fine. | 0:04:01 | 0:04:03 | |
'After preparing all the food and loading it into the bamboo, | 0:04:03 | 0:04:07 | |
'it's time to get cooking.' | 0:04:07 | 0:04:09 | |
This is my dearest mum. | 0:04:09 | 0:04:12 | |
-I want to teach Henry how to cook. -I know. Is this good? | 0:04:12 | 0:04:15 | |
-This is the rice inside here...with the coconut. -OK, perfect. | 0:04:15 | 0:04:18 | |
-So is this the way you that used to cook as a child? -Yes. | 0:04:18 | 0:04:22 | |
My dad used to teach me, and my grandad as well. | 0:04:22 | 0:04:25 | |
-So do you think that tourism's actually good for the Iban? -Yes. | 0:04:25 | 0:04:29 | |
Because if no tourists, the generation would be dying | 0:04:29 | 0:04:33 | |
to know how to cook. | 0:04:33 | 0:04:35 | |
-And we need tourists to share the Iban experience of years ago. -Mm. | 0:04:35 | 0:04:41 | |
'For the Iban, and many other cultures around the world, | 0:04:43 | 0:04:46 | |
'indigenous tourism can be a real incentive | 0:04:46 | 0:04:48 | |
'for preserving and passing on their traditions.' | 0:04:48 | 0:04:52 | |
Try that. | 0:04:52 | 0:04:54 | |
Wow! That's nice! I smell bamboo as well. | 0:04:54 | 0:04:58 | |
'But this kind of tourism can only work | 0:04:58 | 0:05:00 | |
'if it's done respectfully, with the local community in mind. | 0:05:00 | 0:05:04 | |
'And an integral part of any community is its local market. | 0:05:06 | 0:05:10 | |
'People come here from all over the area to buy and sell | 0:05:10 | 0:05:14 | |
'everything from the ordinary to the not so ordinary.' | 0:05:14 | 0:05:19 | |
A-ha! Now, these are sago worms. Look how many there are. | 0:05:19 | 0:05:24 | |
Usually you'll find some poor contestant on a reality show | 0:05:24 | 0:05:27 | |
trying to wolf one of these down | 0:05:27 | 0:05:29 | |
but here in Sarawak, for the Iban, they're a bit of a delicacy. | 0:05:29 | 0:05:33 | |
They're found in rotting wood and they're packed full of protein. | 0:05:33 | 0:05:37 | |
And they're not too bad. Very juicy. | 0:05:40 | 0:05:43 | |
But I don't think a lot of people back home would enjoy these. But I love 'em. | 0:05:43 | 0:05:48 | |
Hi, Anna. How are you? | 0:05:48 | 0:05:50 | |
'I leave the market to visit my cousin Anna. | 0:05:50 | 0:05:53 | |
'She lives with her family in an old traditional longhouse, | 0:05:53 | 0:05:56 | |
'which is a row of houses connected by one large roof | 0:05:56 | 0:05:59 | |
'and a communal veranda running through the entire front. | 0:05:59 | 0:06:03 | |
'Not so long ago, extended families of up to 30 people | 0:06:03 | 0:06:08 | |
'would live in each of these longhouses.' | 0:06:08 | 0:06:10 | |
Hello... | 0:06:10 | 0:06:12 | |
'Now only Anna and her immediate family are left.' | 0:06:12 | 0:06:15 | |
-This is all just broken, isn't it? -Yeah. -All rotted away. -Yeah. | 0:06:15 | 0:06:20 | |
There's holes in the roof... | 0:06:20 | 0:06:21 | |
Last time there are seven family members here. | 0:06:21 | 0:06:24 | |
-Seven family members? -Mm. Five children and a mum. | 0:06:24 | 0:06:28 | |
-Yeah. But now they've moved away? -Yeah. | 0:06:28 | 0:06:30 | |
I can see people, they're more into modernisation | 0:06:32 | 0:06:36 | |
so those old teachings and cultures, they're dying away. | 0:06:36 | 0:06:40 | |
But I don't feel them bothering me and my family. | 0:06:40 | 0:06:44 | |
I always welcome them. To me it's quite OK. | 0:06:44 | 0:06:47 | |
At least they're interested in what the Iban is. | 0:06:47 | 0:06:51 | |
'For me, tourism is a fantastic way to bring much-needed money | 0:06:53 | 0:06:57 | |
'and attention to the Iban. | 0:06:57 | 0:06:59 | |
'I know how hard life can be for many of my relatives here, | 0:06:59 | 0:07:02 | |
'but we're also a fiercely proud and independent lot who won't react | 0:07:02 | 0:07:07 | |
'kindly to this way of life being turned into a sideshow for tourists. | 0:07:07 | 0:07:12 | |
'I hope that the Iban and other indigenous tribes | 0:07:16 | 0:07:19 | |
'around the world get the balance right, and learn to | 0:07:19 | 0:07:22 | |
'live alongside tourists, rather than surviving because of them.' | 0:07:22 | 0:07:26 | |
And if you're thinking of visiting indigenous cultures, here's | 0:07:31 | 0:07:34 | |
a few suggestions about where to go | 0:07:34 | 0:07:36 | |
and how to make the best of your visit. | 0:07:36 | 0:07:38 | |
Always ask before taking photos, | 0:07:40 | 0:07:42 | |
wherever you're visiting. | 0:07:42 | 0:07:43 | |
People may feel exploited or even offended if you start | 0:07:43 | 0:07:46 | |
snapping away with your camera without asking permission first. | 0:07:46 | 0:07:50 | |
Remember to take the time to show the locals the photos | 0:07:50 | 0:07:54 | |
once you've taken them. | 0:07:54 | 0:07:55 | |
If you want a souvenir, try and buy | 0:07:57 | 0:07:59 | |
from local markets and vendors. | 0:07:59 | 0:08:02 | |
This will help maintain jobs, | 0:08:02 | 0:08:03 | |
and means your money will go directly to the community. | 0:08:03 | 0:08:06 | |
And some indigenous communities offer homestays to tourists - | 0:08:08 | 0:08:12 | |
the chance to stay with a local family and experience their culture. | 0:08:12 | 0:08:16 | |
This is also a good way of ensuring your money goes to the community, | 0:08:16 | 0:08:20 | |
but check the local customs before you arrive. | 0:08:20 | 0:08:23 | |
In some places, tipping is expected, | 0:08:23 | 0:08:25 | |
whereas other hosts may find that rude. | 0:08:25 | 0:08:28 | |
Next up, our animated adventure. | 0:08:36 | 0:08:38 | |
This week's true story comes from David Allen in New York, | 0:08:38 | 0:08:41 | |
who found himself uncovering a tourist scam in Barcelona. | 0:08:41 | 0:08:45 | |
There's a great museum in Barcelona devoted to Pablo Picasso, | 0:08:47 | 0:08:51 | |
a Museo Picasso, | 0:08:51 | 0:08:52 | |
and Kate, my wife, although she was my girlfriend | 0:08:52 | 0:08:55 | |
at the time, and I had just walked out of that museum and noticed | 0:08:55 | 0:08:58 | |
a crowd of people standing around watching a street vendor. | 0:08:58 | 0:09:02 | |
We moved closer, as if pulled in by some kind of tourist tractor beam. | 0:09:02 | 0:09:07 | |
What the guy was selling were these dancing cardboard cut-outs. | 0:09:07 | 0:09:11 | |
They were in the image of Disney characters | 0:09:11 | 0:09:13 | |
and other cartoons, and each cut-out had two legs made of coloured yarn | 0:09:13 | 0:09:17 | |
and little black magnets for feet. | 0:09:17 | 0:09:20 | |
They were dancing to the tune of the beat | 0:09:20 | 0:09:22 | |
coming out of his cassette boombox. | 0:09:22 | 0:09:24 | |
They were cute, these little cardboard Bart Simpsons | 0:09:24 | 0:09:27 | |
and Pokemons, bopping back and forth and he demonstrated them - | 0:09:27 | 0:09:30 | |
when he stopped the music, they stopped dancing. | 0:09:30 | 0:09:33 | |
When he started the music, they started again. | 0:09:33 | 0:09:35 | |
It was right before Christmas. | 0:09:35 | 0:09:37 | |
He was making a killing with these magical copyright-flaunting | 0:09:37 | 0:09:40 | |
stocking-stuffers. | 0:09:40 | 0:09:41 | |
The people in the semicircle around him were thrusting money at the guy. | 0:09:41 | 0:09:44 | |
"Homer Simpson, por favor!" | 0:09:44 | 0:09:46 | |
"Yo quiero SpongeBob SquarePants!" | 0:09:46 | 0:09:49 | |
But when Kate reached for her wallet to get a couple of them | 0:09:49 | 0:09:52 | |
for her brother, I told her to hold on. | 0:09:52 | 0:09:55 | |
I squatted down and squinted at the cardboard cartoons | 0:09:55 | 0:09:58 | |
as they jerked on their little string legs to the beat of the music. | 0:09:58 | 0:10:01 | |
Suddenly, I was staring at the guy's legs, so I looked up. | 0:10:01 | 0:10:05 | |
"No, no, no, no!", he shouted at me. | 0:10:05 | 0:10:08 | |
He waved his finger in my face. | 0:10:08 | 0:10:10 | |
That's when I knew something was rotten in Denmark. | 0:10:10 | 0:10:14 | |
I might have given up if he hadn't done that, | 0:10:14 | 0:10:16 | |
but it was the glove slap across the cheek, | 0:10:16 | 0:10:18 | |
the gauntlet thrown down - | 0:10:18 | 0:10:20 | |
I now had to prove it was a scam. | 0:10:20 | 0:10:23 | |
He walked off to go help an eager buyer throwing cash at him, | 0:10:23 | 0:10:27 | |
and I gingerly stepped to the edge of the semicircle of people. | 0:10:27 | 0:10:30 | |
I put my head so close to the wall | 0:10:30 | 0:10:33 | |
that I could see behind the dancing Disneys - | 0:10:33 | 0:10:36 | |
AND behind his boombox. | 0:10:36 | 0:10:38 | |
Behind the boombox, a little plastic stick moved back and forth. | 0:10:38 | 0:10:43 | |
From the end of the stick I followed a nearly invisible line | 0:10:43 | 0:10:46 | |
of fishing wire to where it attached to the wall. | 0:10:46 | 0:10:49 | |
Lisa Simpson and SpongeBob were hanging on the wire, | 0:10:49 | 0:10:53 | |
the stick moved to the beat of the music. | 0:10:53 | 0:10:55 | |
It was as ingenious as it was fraudulent. | 0:10:55 | 0:10:57 | |
I stood up and shouted above the music and the tourists | 0:10:59 | 0:11:02 | |
and announced, "It's a scam! | 0:11:02 | 0:11:04 | |
"They're dancing on fishing wire, it's a scam!" | 0:11:04 | 0:11:07 | |
The crowd froze in place, | 0:11:07 | 0:11:09 | |
except for the motion of reinserting euros back into their wallets, | 0:11:09 | 0:11:12 | |
and the scammer angrily stopped the music | 0:11:12 | 0:11:14 | |
and threw his tiny dancers to the ground in a huff. | 0:11:14 | 0:11:17 | |
He angrily stared at me as I walked across his little stage area, | 0:11:17 | 0:11:20 | |
smugly smiling back at him and into the crowd. | 0:11:20 | 0:11:24 | |
No-one thanked me, but that didn't hurt. | 0:11:25 | 0:11:27 | |
What hurt was that when I looked around for Kate | 0:11:27 | 0:11:29 | |
and that look of admiration I expected on her face, she had gone. | 0:11:29 | 0:11:32 | |
She ran off. | 0:11:32 | 0:11:33 | |
When I later caught up to her, she told me that the | 0:11:33 | 0:11:36 | |
scam artist was so angry that she thought he was going to hit me | 0:11:36 | 0:11:39 | |
or attack me or something, so instinct told her to run. | 0:11:39 | 0:11:41 | |
"Let the Wookiee win," that's her philosophy. | 0:11:42 | 0:11:46 | |
In travel news this week, we begin in France | 0:12:01 | 0:12:04 | |
where a national strike by railway workers | 0:12:04 | 0:12:06 | |
is entering its second week with little sign of any compromise. | 0:12:06 | 0:12:10 | |
The strike over a bill to reform the country's state-run rail network | 0:12:10 | 0:12:14 | |
has caused some of the worst disruptions to railway transport | 0:12:14 | 0:12:17 | |
in years, with many trains cancelled. | 0:12:17 | 0:12:19 | |
The national train operator SNCF says it has already had to pay out | 0:12:19 | 0:12:23 | |
80 million euros in compensation to passengers. | 0:12:23 | 0:12:27 | |
On your next visit to Tenerife, | 0:12:29 | 0:12:30 | |
you might notice something a bit different with the locals. | 0:12:30 | 0:12:33 | |
That's because the tourism board there | 0:12:33 | 0:12:35 | |
has launched a campaign telling residents | 0:12:35 | 0:12:37 | |
to be extra polite to tourists, | 0:12:37 | 0:12:39 | |
even offering tips on how to be a nicer person. | 0:12:39 | 0:12:42 | |
It's all part of a campaign to promote | 0:12:42 | 0:12:45 | |
the friendliness of Tenerife's inhabitants | 0:12:45 | 0:12:47 | |
in the hope it will boost repeat visitor numbers. | 0:12:47 | 0:12:50 | |
More than five million tourists head to the islands every year. | 0:12:50 | 0:12:54 | |
In Abu Dhabi, tourist authorities are celebrating | 0:12:55 | 0:12:58 | |
a rise in visitor numbers | 0:12:58 | 0:13:00 | |
as the city's hotels welcomed over 300,000 guests during April. | 0:13:00 | 0:13:06 | |
This marks a 29% rise and it might have something to do with | 0:13:06 | 0:13:10 | |
Star Wars Episode 7, which was recently filmed | 0:13:10 | 0:13:13 | |
in a secret location in Abu Dhabi's Western Region. | 0:13:13 | 0:13:17 | |
So if you're going, may the force be with you! | 0:13:17 | 0:13:20 | |
Next up, we head to Estonia to visit one of Europe's biggest | 0:13:33 | 0:13:37 | |
and longest-running folk festivals, where every five years | 0:13:37 | 0:13:41 | |
20,000 people come together and sing. | 0:13:41 | 0:13:44 | |
We sent Damien McGuinness to meet some of them. | 0:13:44 | 0:13:47 | |
MASSED VOICES SING | 0:13:47 | 0:13:50 | |
Estonia is a country steeped in natural beauty, | 0:13:53 | 0:13:55 | |
colourful history and strong cultural traditions. | 0:13:55 | 0:13:59 | |
And maybe the most important of these traditions is | 0:14:05 | 0:14:08 | |
the Estonian Song Festival. | 0:14:08 | 0:14:10 | |
Organised only once every five years, | 0:14:13 | 0:14:16 | |
tens of thousands of singers | 0:14:16 | 0:14:18 | |
and choirs formed from children to pensioners | 0:14:18 | 0:14:21 | |
gather in the capital city of Tallinn | 0:14:21 | 0:14:24 | |
to join in this 140-year-old celebration. | 0:14:24 | 0:14:28 | |
But the song festival is so popular, | 0:14:37 | 0:14:39 | |
that each choir has to audition and beat off stiff competition. | 0:14:39 | 0:14:44 | |
So today I've come to Narva in eastern Estonia, to see some | 0:14:44 | 0:14:48 | |
children's choirs audition. | 0:14:48 | 0:14:51 | |
It's a really big day for these children | 0:14:51 | 0:14:54 | |
because they've been performing for a year, some of them | 0:14:54 | 0:14:56 | |
an hour a day, to see if they can qualify, | 0:14:56 | 0:14:59 | |
so they're really nervous. | 0:14:59 | 0:15:00 | |
And it's on this stage that they're about to perform to see if they can | 0:15:00 | 0:15:04 | |
qualify to take part in Estonia's most important cultural event. | 0:15:04 | 0:15:08 | |
For Nastia and her friends, | 0:15:10 | 0:15:11 | |
getting to perform at the festival means a lot. | 0:15:11 | 0:15:15 | |
TRANSLATION: We'll be really happy if we get selected - | 0:15:15 | 0:15:19 | |
so incredibly happy. | 0:15:19 | 0:15:21 | |
And our teacher too would be overjoyed. | 0:15:21 | 0:15:25 | |
THEY SING IN HARMONY | 0:15:26 | 0:15:29 | |
MALE VOICES SING | 0:15:43 | 0:15:45 | |
But why are the stakes so high? | 0:15:46 | 0:15:49 | |
Well, these ancient folk songs have deep political significance. | 0:15:49 | 0:15:54 | |
They are a reminder of Estonia's fight for freedom | 0:15:54 | 0:15:57 | |
against the Soviet occupation. | 0:15:57 | 0:15:59 | |
When Estonia was part of the former Soviet Union, | 0:16:02 | 0:16:05 | |
anti-government protests were not allowed, | 0:16:05 | 0:16:08 | |
so instead, people sang for their freedom. | 0:16:08 | 0:16:12 | |
The Independence Movement became known as the Singing Revolution, | 0:16:12 | 0:16:16 | |
and it was here, on this stage, that in 1988, | 0:16:16 | 0:16:20 | |
the Independence Movement began. | 0:16:20 | 0:16:23 | |
We were not permitted to sing certain songs, | 0:16:24 | 0:16:27 | |
we were not allowed to say "fatherland" or something like that. | 0:16:27 | 0:16:33 | |
And so, in the beginning of Singing Revolution | 0:16:33 | 0:16:36 | |
the first thing people did, they just sang these prohibited songs. | 0:16:36 | 0:16:42 | |
There was like, Soviet police | 0:16:46 | 0:16:48 | |
standing around the Song Celebration Ground | 0:16:48 | 0:16:52 | |
and people knew that the songs were prohibited, | 0:16:52 | 0:16:55 | |
but they still kept singing. | 0:16:55 | 0:16:57 | |
Estonians call themselves "The Singing Nation", | 0:17:00 | 0:17:03 | |
and if you'd like to be here for yourself | 0:17:03 | 0:17:05 | |
to see what the Song Festival means for this country, | 0:17:05 | 0:17:08 | |
it's on in July, at the historic Tallinn Song Festival Grounds. | 0:17:08 | 0:17:13 | |
'As for me getting through the auditions, I think | 0:17:17 | 0:17:20 | |
'I need to keep practising!' | 0:17:20 | 0:17:22 | |
SHE SINGS THE LINES | 0:17:22 | 0:17:24 | |
AND HE FOLLOWS | 0:17:24 | 0:17:26 | |
Sadly, Nastia's choir didn't make it through the auditions, | 0:17:30 | 0:17:33 | |
but they will definitely be in the audience to cheer on the others. | 0:17:33 | 0:17:38 | |
Now finally, in this week's show, | 0:17:42 | 0:17:44 | |
we head to Australia for the latest chapter in an ongoing rivalry | 0:17:44 | 0:17:48 | |
between the country's two largest cities. | 0:17:48 | 0:17:51 | |
This time, the drinks are on the winner, as Christa reports. | 0:17:51 | 0:17:55 | |
Sydney and Melbourne - | 0:18:01 | 0:18:05 | |
they're Australia's two largest cities, and for over 150 years | 0:18:05 | 0:18:09 | |
have been locked in a fierce battle for supremacy. | 0:18:09 | 0:18:12 | |
Locals will endlessly debate which city is greater - | 0:18:16 | 0:18:20 | |
Sydney claims to be the more beautiful with its sparkling harbour | 0:18:20 | 0:18:23 | |
and Opera House, whereas Melbourne considers itself | 0:18:23 | 0:18:26 | |
the cooler, more cultural city, with its street art and top cafes. | 0:18:26 | 0:18:30 | |
But when it comes to who has the best bar scene, | 0:18:32 | 0:18:35 | |
there has really been no doubt which is the forerunner. | 0:18:35 | 0:18:38 | |
For tourists coming in search of an intimate, | 0:18:41 | 0:18:43 | |
unique bar experience, Melbourne has been the place to come. | 0:18:43 | 0:18:48 | |
The city's many narrow laneways provide a perfect venue | 0:18:51 | 0:18:55 | |
for creative small bars to pop up - | 0:18:55 | 0:18:56 | |
this can be anything from a hole-in-the-wall bar | 0:18:56 | 0:18:59 | |
where all profits are donated to charity, to a tea shop | 0:18:59 | 0:19:03 | |
where perfectly-crafted cups of brew | 0:19:03 | 0:19:05 | |
are spun into steaming hot cocktails. | 0:19:05 | 0:19:07 | |
These bars can appear anywhere - for instance, | 0:19:12 | 0:19:16 | |
in the walk-in freezer of a sandwich shop! | 0:19:16 | 0:19:18 | |
For years, Melbourne held the boutique bar title uncontested, | 0:19:21 | 0:19:26 | |
but now, there's some serious competition cropping up | 0:19:26 | 0:19:29 | |
to the north, from that old rival, Sydney. | 0:19:29 | 0:19:32 | |
In times past, one of the only options for a night out was | 0:19:39 | 0:19:42 | |
a place like this, a classic Aussie pub with some sport on the TV. | 0:19:42 | 0:19:47 | |
This all began to change in 2008 | 0:19:48 | 0:19:51 | |
when the city's complex liquor licensing laws were reformed, | 0:19:51 | 0:19:54 | |
allowing for small boutique bars to open their doors for the first time. | 0:19:54 | 0:19:59 | |
In the years since, Sydney has seen the debut of over 70 small bars | 0:19:59 | 0:20:03 | |
in the City precinct alone. | 0:20:03 | 0:20:05 | |
Simon McGoram runs tours introducing visitors | 0:20:08 | 0:20:11 | |
to the city's new drinking hot spots. | 0:20:11 | 0:20:14 | |
Sydney's bar scene is really special | 0:20:16 | 0:20:18 | |
because it's quite a youthful scene, | 0:20:18 | 0:20:20 | |
it's very new, very dynamic, and they've been opening up very quickly. | 0:20:20 | 0:20:24 | |
There's some nice, young new operators with some really good ideas. | 0:20:24 | 0:20:28 | |
The city is now home to a host of speakeasy-style drinking holes, | 0:20:29 | 0:20:34 | |
some with hidden entrance ways, | 0:20:34 | 0:20:36 | |
and others playing on the less salubrious elements of Sydney's past. | 0:20:36 | 0:20:41 | |
Darlinghurst's Love Tilly Devine, for instance, takes | 0:20:41 | 0:20:44 | |
its inspiration from the city's most notorious 1930s brothel madam. | 0:20:44 | 0:20:48 | |
This fast-moving scene has caught the attention of Broadsheet, | 0:20:50 | 0:20:53 | |
a Melbourne-based culture website which in late 2011 extended | 0:20:53 | 0:20:57 | |
its bar and restaurant reviews to include Sydney. | 0:20:57 | 0:21:00 | |
I think Sydney's got a lot of enthusiasm right now | 0:21:01 | 0:21:03 | |
because they're developing their bar culture, | 0:21:03 | 0:21:06 | |
it's really something that they're | 0:21:06 | 0:21:08 | |
experimenting a lot, trying new things, | 0:21:08 | 0:21:10 | |
whereas Melbourne's been doing it for ten, 15 years. | 0:21:10 | 0:21:12 | |
So there is an element that Sydney is doing some super-interesting | 0:21:12 | 0:21:15 | |
stuff, whereas Melbourne does run the risk of opening the same old bar | 0:21:15 | 0:21:20 | |
and they think they know what they're doing. | 0:21:20 | 0:21:22 | |
So, the bar wars continue, | 0:21:25 | 0:21:27 | |
and regardless of which city ends up on top, | 0:21:27 | 0:21:29 | |
it looks like this old rivalry isn't going to die down any time soon. | 0:21:29 | 0:21:33 | |
That's it for The Travel Show this week, | 0:21:36 | 0:21:38 | |
but join us if you can next week, for this. | 0:21:38 | 0:21:41 | |
As tourists continue to flock to London, Ade visits England's | 0:21:42 | 0:21:46 | |
often-overlooked north to find out how sport | 0:21:46 | 0:21:49 | |
and the Tour de France could be its saviour. | 0:21:49 | 0:21:52 | |
For most British people, this area is known because it's wild | 0:21:55 | 0:21:58 | |
and beautiful, | 0:21:58 | 0:21:59 | |
so why is it only 3% of international travellers | 0:21:59 | 0:22:02 | |
bother coming here? | 0:22:02 | 0:22:04 | |
That looks like a good one, so catch that if you can. | 0:22:04 | 0:22:06 | |
But in the meantime, do keep up to date with us | 0:22:06 | 0:22:08 | |
and all of our travels by jumping onto our website or social | 0:22:08 | 0:22:12 | |
media feeds - all of those details should be on your screens now. | 0:22:12 | 0:22:15 | |
But from me, Henry Golding and the rest of my family, | 0:22:15 | 0:22:17 | |
here in the beautiful jungles of Sarawak, | 0:22:17 | 0:22:20 | |
it's goodbye, or "selamat jalan". | 0:22:20 | 0:22:23 |