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If Cold War spy stories are your thing | 0:00:04 | 0:00:07 | |
then maybe you should head for Latvia. | 0:00:07 | 0:00:09 | |
In this week's programme, we'll tell you why. | 0:00:09 | 0:00:12 | |
Coming up on the programme, we go underground in Latvia. | 0:00:35 | 0:00:39 | |
We're on the hunt for gold in Colombia. | 0:00:39 | 0:00:42 | |
-Roger the hairy armpit. -Three! | 0:00:42 | 0:00:46 | |
'I'll be hoping for a few laughs as I try out stand-up comedy.' | 0:00:46 | 0:00:50 | |
And Tommy will be testing a new way of getting around town | 0:00:51 | 0:00:55 | |
as part of Global Gadgets. | 0:00:55 | 0:00:57 | |
Welcome to The Travel Show. | 0:01:03 | 0:01:05 | |
This week, we're coming from Grand Central Station | 0:01:05 | 0:01:08 | |
in the city that never sleeps - New York. | 0:01:08 | 0:01:10 | |
And later on in the programme, | 0:01:10 | 0:01:12 | |
I'll be showing you why I've been having sleepless nights | 0:01:12 | 0:01:14 | |
as I prepare for a comedy improv session. | 0:01:14 | 0:01:17 | |
I don't know who roped me into that! But first... | 0:01:17 | 0:01:21 | |
This month marks the 20th anniversary of the agreement | 0:01:21 | 0:01:25 | |
that saw Russian armed forces withdraw from Latvia. | 0:01:25 | 0:01:28 | |
As the Baltic States reassess their relationship with Russia, | 0:01:28 | 0:01:32 | |
we sent Damien McGuiness to explore the Soviet-era military bases | 0:01:32 | 0:01:36 | |
that are now becoming popular tourist attractions. | 0:01:36 | 0:01:39 | |
Here on the very western tip of the former Soviet Union, | 0:01:40 | 0:01:44 | |
Russian secret services, in Soviet days, | 0:01:44 | 0:01:47 | |
would use this huge radio telescope | 0:01:47 | 0:01:50 | |
to intercept radio and telephone conversations among NATO allies. | 0:01:50 | 0:01:55 | |
When the Soviet troops left Latvia 20 years ago, | 0:02:00 | 0:02:02 | |
they removed or destroyed all their secret spying equipment. | 0:02:02 | 0:02:07 | |
But this huge dish was too big to take to Russia, | 0:02:07 | 0:02:11 | |
so Latvian astronomer Juris Zagars | 0:02:11 | 0:02:14 | |
took it over as a radio telescope to explore space. | 0:02:14 | 0:02:18 | |
In Soviet Latvia, he says, hardly anyone knew this dish even existed. | 0:02:18 | 0:02:23 | |
It was a secret military installation in the middle of the Latvian forest. | 0:02:23 | 0:02:27 | |
A forbidden no-man's-land on the USSR's border. | 0:02:27 | 0:02:31 | |
It was a restricted area for everybody. | 0:02:31 | 0:02:34 | |
Everybody who was entering was arrested and punished | 0:02:34 | 0:02:38 | |
and very few people were living inside | 0:02:38 | 0:02:40 | |
and these people have no right to leave this borderland. | 0:02:40 | 0:02:45 | |
Now, this is really interesting. | 0:02:50 | 0:02:52 | |
This part of the radio telescope was built by Soviet shipbuilders, | 0:02:52 | 0:02:56 | |
which is why this shape here | 0:02:56 | 0:02:57 | |
wouldn't look out of place on a Soviet submarine. | 0:02:57 | 0:03:00 | |
We've come right into the centre of the dish itself. | 0:03:12 | 0:03:16 | |
It's moving round very slowly, horizontally, | 0:03:16 | 0:03:19 | |
but it can also tip vertically, right over to a 90-degree angle. | 0:03:19 | 0:03:24 | |
But some of what the Soviets left behind is less visible. | 0:03:34 | 0:03:38 | |
In Soviet days, this was a hotel for the Communist elite, here in Latvia. | 0:03:38 | 0:03:44 | |
This building was a cover for a bunker, from where, | 0:03:44 | 0:03:47 | |
in the event of a nuclear war with the West, | 0:03:47 | 0:03:50 | |
Latvia's Communist government would still be able to run the country. | 0:03:50 | 0:03:55 | |
Ludmila... | 0:03:55 | 0:03:57 | |
'Ludmila worked in the hotel in the 1980s as a chamber maid | 0:03:57 | 0:04:01 | |
'and, now that it's a spa, she still works there, today as a manager. | 0:04:01 | 0:04:06 | |
'She says no-one knew there was a bunker right underneath their feet, | 0:04:06 | 0:04:09 | |
'but they all suspected something was going on.' | 0:04:09 | 0:04:14 | |
-TRANSLATION: -As far as I was concerned, | 0:04:14 | 0:04:18 | |
what's forbidden is forbidden. That was it. | 0:04:18 | 0:04:20 | |
Maybe it was important not to think about it, to have a peaceful life. | 0:04:20 | 0:04:25 | |
Now, for very important guests, such as ministers or government leaders, | 0:04:25 | 0:04:29 | |
there was direct access from this hotel down to the bunker | 0:04:29 | 0:04:33 | |
through a secret passageway. | 0:04:33 | 0:04:34 | |
And here, deep underground, | 0:04:41 | 0:04:43 | |
you eventually get to the bunker itself behind this metal door. | 0:04:43 | 0:04:47 | |
Now, even people who managed to find this place | 0:04:47 | 0:04:49 | |
wouldn't necessarily be able to get in. | 0:04:49 | 0:04:52 | |
To do that, you need a secret password | 0:04:52 | 0:04:54 | |
and you give that through this red intercom here | 0:04:54 | 0:04:57 | |
to a guard on the other side of the door. | 0:04:57 | 0:04:59 | |
This is the main entrance of the bunker | 0:05:03 | 0:05:06 | |
and there we can see the plan of the bunker. | 0:05:06 | 0:05:09 | |
The coverage of the sonogram facility is 2,000 square metres | 0:05:09 | 0:05:14 | |
and 250 persons can hide there for three months | 0:05:14 | 0:05:19 | |
without any help from outside. | 0:05:19 | 0:05:22 | |
And this is my favourite room. | 0:05:23 | 0:05:25 | |
It's the office of the leader of the Latvian Communist Party, | 0:05:25 | 0:05:28 | |
complete with desk and chair. | 0:05:28 | 0:05:30 | |
Now, you can tell he was pretty important | 0:05:30 | 0:05:32 | |
because there are lots of phones on his desk. | 0:05:32 | 0:05:35 | |
The red one is a direct line to Moscow. | 0:05:35 | 0:05:38 | |
I ask Oskars, though, if keeping all this Soviet memorabilia | 0:05:44 | 0:05:49 | |
doesn't encourage nostalgia for a regime generally seen as oppressive. | 0:05:49 | 0:05:54 | |
Those persons who lived in Soviet time, | 0:05:54 | 0:05:57 | |
today maybe they trying to glorify the Soviet period | 0:05:57 | 0:06:00 | |
because they was young, they was happy. | 0:06:00 | 0:06:03 | |
But it doesn't mean that they're glorifying politics | 0:06:03 | 0:06:06 | |
or economical system. | 0:06:06 | 0:06:07 | |
Anyone feeling really adventurous, though, | 0:06:11 | 0:06:13 | |
can get even more off the beaten track. | 0:06:13 | 0:06:16 | |
So, now we've reached Skrunda. | 0:06:17 | 0:06:20 | |
This is a former military base where 5,000 Soviet troops | 0:06:20 | 0:06:25 | |
and families used to work, live, play, shop, go to school. | 0:06:25 | 0:06:30 | |
Everything is all in here. | 0:06:30 | 0:06:32 | |
'Nightclubs, bars, cinemas, schools, all deserted. | 0:06:41 | 0:06:46 | |
'It's as if an ancient civilisation had just vanished overnight.' | 0:06:46 | 0:06:51 | |
Short stories by Chekhov. | 0:06:51 | 0:06:53 | |
Oh, look. Here we've got an old map | 0:06:58 | 0:07:00 | |
showing who lived where on the army base. | 0:07:00 | 0:07:03 | |
So, at the top, you can see it says "information" in Russian. | 0:07:03 | 0:07:07 | |
And then it shows you who lived in which block. | 0:07:07 | 0:07:11 | |
So, on one side you have the administrators | 0:07:11 | 0:07:13 | |
and it looks like in the middle there, | 0:07:13 | 0:07:15 | |
that's where the army staff lived. | 0:07:15 | 0:07:17 | |
You know, the Soviet period was very difficult for many Latvians. | 0:07:22 | 0:07:26 | |
But having looked around at the incredible military installations | 0:07:26 | 0:07:29 | |
that the Soviet troops left behind, I can't help but think | 0:07:29 | 0:07:33 | |
that if these sorts of sights were used for tourists, | 0:07:33 | 0:07:36 | |
something very painful | 0:07:36 | 0:07:38 | |
could be turned into something quite profitable. | 0:07:38 | 0:07:40 | |
Damien McGuiness reporting from Latvia. | 0:07:44 | 0:07:47 | |
And if you're thinking of heading there, | 0:07:47 | 0:07:49 | |
here's The Travel Show guide to all the things you'll need to know | 0:07:49 | 0:07:52 | |
before you go. | 0:07:52 | 0:07:54 | |
Tip one - head to Latvia's capital, Riga. | 0:07:55 | 0:07:59 | |
This year, it's a European Capital of Culture, | 0:07:59 | 0:08:02 | |
which means a schedule of ballet, opera, art exhibitions | 0:08:02 | 0:08:05 | |
and musical performances will all be on offer to the public. | 0:08:05 | 0:08:09 | |
You can see the upcoming events | 0:08:09 | 0:08:11 | |
and book tickets through the official website. | 0:08:11 | 0:08:14 | |
Tip two - if you're thinking of booking a trip for later in the year | 0:08:14 | 0:08:19 | |
then you might catch Staro Riga, | 0:08:19 | 0:08:21 | |
the largest light festival in northern Europe. | 0:08:21 | 0:08:24 | |
The event is held in mid-November, when the city's buildings | 0:08:24 | 0:08:28 | |
and monuments will be illuminated by light artists. | 0:08:28 | 0:08:31 | |
And tip three - the country's transport network | 0:08:33 | 0:08:35 | |
is reasonably priced and buses run regularly. | 0:08:35 | 0:08:39 | |
If you want to take a tour | 0:08:39 | 0:08:41 | |
of some of the country's major towns and cities | 0:08:41 | 0:08:43 | |
then tickets can be purchased from bus stations, | 0:08:43 | 0:08:46 | |
online or from the driver. | 0:08:46 | 0:08:48 | |
Next, your travel update for this week. | 0:08:52 | 0:08:55 | |
If you're travelling to Jordan this year, | 0:08:55 | 0:08:57 | |
you'll need to take some extra cash with you, | 0:08:57 | 0:09:00 | |
as the price of a tourist visa has doubled. | 0:09:00 | 0:09:03 | |
It will now cost you £34 to enter the country. | 0:09:03 | 0:09:06 | |
However, if you're travelling in a group of five or more | 0:09:06 | 0:09:09 | |
and staying for more than three nights, | 0:09:09 | 0:09:11 | |
the current waiver on the visa fee still applies. | 0:09:11 | 0:09:14 | |
Here's some good news if you've ever faced hefty phone bills | 0:09:15 | 0:09:18 | |
when travelling in Europe. | 0:09:18 | 0:09:20 | |
The European Parliament has voted overwhelmingly in favour | 0:09:20 | 0:09:23 | |
of ending roaming charges. | 0:09:23 | 0:09:25 | |
The new legislation will see the charges scrapped across the EU | 0:09:25 | 0:09:29 | |
by December next year. | 0:09:29 | 0:09:31 | |
Skiing is not a sport known for being cheap, | 0:09:32 | 0:09:35 | |
and it might just cost even more than you thought. | 0:09:35 | 0:09:38 | |
The Post Office insurance group has found that British skiers | 0:09:38 | 0:09:41 | |
dropped £31 million of valuables on the slopes this winter. | 0:09:41 | 0:09:45 | |
Items left buried in the snow included phones, glasses and cameras | 0:09:46 | 0:09:50 | |
costing, on average, £219 per insurance claim. | 0:09:50 | 0:09:54 | |
If you've ever fancied a free holiday in Italy | 0:09:56 | 0:09:58 | |
then now's your chance. | 0:09:58 | 0:09:59 | |
But you'll have to roll up your sleeves. | 0:09:59 | 0:10:02 | |
The island of Ponza is offering free accommodation | 0:10:02 | 0:10:05 | |
to tourists who volunteer as litter pickers. | 0:10:05 | 0:10:08 | |
It's part of the city's plastic-free campaign, | 0:10:08 | 0:10:10 | |
which aims to keep the island's beaches clear of rubbish. | 0:10:10 | 0:10:14 | |
And finishing in the UK where, after decades underwater, | 0:10:16 | 0:10:19 | |
the HMS Alliance is now open for visitors in Portsmouth. | 0:10:19 | 0:10:23 | |
You get a chance to climb aboard | 0:10:23 | 0:10:25 | |
the last surviving British submarine from World War II | 0:10:25 | 0:10:28 | |
and find out what life was like for naval officers. | 0:10:28 | 0:10:31 | |
You know if there's one thing that universally excites mankind, | 0:10:36 | 0:10:39 | |
it's buried treasure, you know? | 0:10:39 | 0:10:41 | |
It's lost gold, it's X marks the spot, | 0:10:41 | 0:10:44 | |
it's quiet rumours and antiquated maps. | 0:10:44 | 0:10:46 | |
Then if you're talking about treasure, | 0:10:46 | 0:10:48 | |
you have to talk about the one, the big one, | 0:10:48 | 0:10:50 | |
the one that's claimed thousands of lives and billions of dollars. | 0:10:50 | 0:10:54 | |
Talking about El Dorado. | 0:10:54 | 0:10:56 | |
And that's why I was in Bogota, Colombia. | 0:10:56 | 0:10:58 | |
See, unbeknownst to most, | 0:10:58 | 0:11:00 | |
the legend of history's most famous search for lost gold | 0:11:00 | 0:11:03 | |
started and ended here. | 0:11:03 | 0:11:05 | |
And it all has to do with a tiny golden boat | 0:11:05 | 0:11:07 | |
called the Muisca Raft, found in some caves around Bogota in 1969. | 0:11:07 | 0:11:12 | |
The scene depicts a chief covered in gold, | 0:11:12 | 0:11:15 | |
surrounded by his soldiers and gold offerings | 0:11:15 | 0:11:17 | |
about to jump in the lake. | 0:11:17 | 0:11:19 | |
A scene that explorers would hear about, witness and pass down, | 0:11:19 | 0:11:22 | |
thus igniting the speculation of a city so rich | 0:11:22 | 0:11:25 | |
that people were literally covered in gold. | 0:11:25 | 0:11:27 | |
A place they would name El Dorado. | 0:11:27 | 0:11:30 | |
But how true was it all? | 0:11:30 | 0:11:32 | |
I sat down with William Gamboa, the director | 0:11:32 | 0:11:34 | |
of Conservation and Restoration of Cultural Heritage, to find out. | 0:11:34 | 0:11:38 | |
Well, I think it was crucial for history | 0:11:38 | 0:11:42 | |
because the Muisca Raft showed and proved | 0:11:42 | 0:11:46 | |
that the legend was not a legend and a myth, but was... | 0:11:46 | 0:11:51 | |
well, something that really happened. | 0:11:51 | 0:11:54 | |
However, it was his mentioning of the lake where this all took place, | 0:11:54 | 0:11:57 | |
Lake Guatavita, that piqued my interest. | 0:11:57 | 0:12:00 | |
That lake is like miracle and mysterious, | 0:12:00 | 0:12:04 | |
and the lake is protecting the treasure | 0:12:04 | 0:12:06 | |
that is supposed to be at the bottom. | 0:12:06 | 0:12:09 | |
And so I hopped in a cab and headed to the town of Guatavita, | 0:12:09 | 0:12:13 | |
all the while with the most wonderful idea for my own treasure. | 0:12:13 | 0:12:16 | |
I would stop and buy a handmade flask. | 0:12:16 | 0:12:18 | |
Nice, sure, but hardly unique. | 0:12:18 | 0:12:20 | |
But what I'd do then is walk down to the lake | 0:12:20 | 0:12:22 | |
and take some of that water, the water that held flakes of gold | 0:12:22 | 0:12:25 | |
and the bones of those who dove down trying to find it. | 0:12:25 | 0:12:28 | |
But when I proposed this idea to my guide, Rudolf, | 0:12:28 | 0:12:31 | |
the protectiveness of the lake took over. | 0:12:31 | 0:12:34 | |
It was there, almost within reach, but still so far away. | 0:12:48 | 0:12:52 | |
My trip to Colombia had failed and my only treasure was a stupid flask. | 0:12:52 | 0:12:56 | |
But Rudolf had an idea. | 0:12:56 | 0:12:58 | |
And just like that, my idea for a true treasure was back on. | 0:13:02 | 0:13:05 | |
He showed me a small puddle of water, | 0:13:05 | 0:13:07 | |
an offshoot from the lake itself, to take from, | 0:13:07 | 0:13:10 | |
but as I held it and reflected back | 0:13:10 | 0:13:11 | |
over that mysterious, defensive and miraculous lake, | 0:13:11 | 0:13:14 | |
I couldn't help but realise what a special place we were in. | 0:13:14 | 0:13:17 | |
There's...a guy used to go out there | 0:13:17 | 0:13:20 | |
covered in gold on a raft and jump in. | 0:13:20 | 0:13:22 | |
And in this tiny little flask, you know, | 0:13:22 | 0:13:24 | |
I'm holding part of that energy. | 0:13:24 | 0:13:26 | |
And if that is not the most amazing treasure that you can get, | 0:13:26 | 0:13:31 | |
I just...I don't know what is, I really don't. | 0:13:31 | 0:13:34 | |
Still to come here on The Travel Show. | 0:13:39 | 0:13:41 | |
Why's there a banana on the TV? | 0:13:41 | 0:13:43 | |
Oh, well, it's a...it's a cartoon before the movie, Barnaby, | 0:13:43 | 0:13:45 | |
it's supposed to put you in a good mood. | 0:13:45 | 0:13:47 | |
'I'll be learning a thing or two about improv comedy | 0:13:47 | 0:13:50 | |
'from these jokers.' | 0:13:50 | 0:13:51 | |
You want more travel, but less effort, right? Well, I'm your man. | 0:14:05 | 0:14:08 | |
You need my helpy. You want my helpy? Yeah, you want some helpy? | 0:14:08 | 0:14:13 | |
I'm not being patronising, | 0:14:13 | 0:14:14 | |
that's actually the name of my first bit of kit. | 0:14:14 | 0:14:16 | |
The Helpy is basically a harness that attaches to your suitcase | 0:14:16 | 0:14:20 | |
and allows you to pull it along behind you. | 0:14:20 | 0:14:22 | |
If you're heading to the airport and you've got your suitcase, | 0:14:22 | 0:14:25 | |
you'll also have your travel documents, naturally. | 0:14:25 | 0:14:27 | |
You'll have a mobile phone | 0:14:27 | 0:14:28 | |
to make a quick call along the way and then, of course, | 0:14:28 | 0:14:31 | |
a free newspaper that you picked up from the hotel lobby. | 0:14:31 | 0:14:34 | |
Oh! With a coffee, just to keep you going along the way. | 0:14:34 | 0:14:37 | |
Oh! And a secondary bag, | 0:14:37 | 0:14:39 | |
because you'll always want some hand luggage there with you. | 0:14:39 | 0:14:42 | |
God forbid if you've got a small child with you as well. | 0:14:42 | 0:14:44 | |
CHILD CRIES | 0:14:44 | 0:14:45 | |
It's OK, I don't actually need the child - they get the gist. | 0:14:45 | 0:14:48 | |
All of the sudden, I'm realising I'm running out of limbs | 0:14:48 | 0:14:51 | |
to carry everything. | 0:14:51 | 0:14:53 | |
'It's quite easy to clip the strap onto the handles on the suitcase, | 0:14:53 | 0:14:56 | |
'but you might need another pair of hands | 0:14:56 | 0:14:58 | |
'to help you get the actual harness on.' | 0:14:58 | 0:15:00 | |
OK, so it's not so great if you want to turn a corner sharply | 0:15:00 | 0:15:04 | |
because the cord can get twisted | 0:15:04 | 0:15:06 | |
and it can cause the suitcase to flip over, | 0:15:06 | 0:15:08 | |
but if you're not going to pull off any wild manoeuvres | 0:15:08 | 0:15:11 | |
then your hands are freed up to burst into a little dance move | 0:15:11 | 0:15:14 | |
or even just go round high-fiving random people. | 0:15:14 | 0:15:18 | |
Can I have a high-five? | 0:15:18 | 0:15:20 | |
Can I get a high-five? Just a high-five? | 0:15:20 | 0:15:23 | |
Aw, man, in my face. | 0:15:23 | 0:15:24 | |
You know what it's like when you're on a trip, | 0:15:24 | 0:15:26 | |
you can only take a certain amount of clothes and, if you're like me, | 0:15:26 | 0:15:29 | |
the things you wore at the start of your holiday will start to smell - | 0:15:29 | 0:15:33 | |
your sweaty vest and your smelly socks. | 0:15:33 | 0:15:35 | |
But you don't want to send these down to the hotel laundry | 0:15:35 | 0:15:38 | |
because that can be quite pricey. | 0:15:38 | 0:15:40 | |
Ooh! | 0:15:40 | 0:15:41 | |
So, along comes the Scrubba, a wash bag for people on the go. | 0:15:41 | 0:15:46 | |
There's a textured washboard inside, which helps get the clothes clean. | 0:15:46 | 0:15:50 | |
Now, I know what you're thinking. | 0:15:50 | 0:15:52 | |
If you're in a hotel room, | 0:15:52 | 0:15:53 | |
you'd use a sink to wash your small items like this, | 0:15:53 | 0:15:55 | |
but think of the water that you're wasting. | 0:15:55 | 0:15:58 | |
Or perhaps you're on a camping trip | 0:15:58 | 0:15:59 | |
where you don't have a sink or running water. | 0:15:59 | 0:16:02 | |
Here's how the Scrubba works. You put in your soap or detergent. | 0:16:02 | 0:16:06 | |
Add the water. | 0:16:06 | 0:16:07 | |
Stuff in a few small items and then get scrubbing! | 0:16:07 | 0:16:11 | |
So, this may not be so effective with red wine stains | 0:16:13 | 0:16:17 | |
or perhaps with heavy soil, but it does mean | 0:16:17 | 0:16:20 | |
you can do some light washing wherever you are in the world. | 0:16:20 | 0:16:24 | |
Now, I asked my producers, I mean, I practically begged them, | 0:16:26 | 0:16:29 | |
to allow me to strip down to my underwear | 0:16:29 | 0:16:31 | |
to show you my next item in action, but they weren't so keen on it. | 0:16:31 | 0:16:34 | |
Last chance? | 0:16:34 | 0:16:36 | |
-No, Tommy! -Fine. | 0:16:36 | 0:16:37 | |
The Clever Travel Companion is a range of clothing and underwear | 0:16:37 | 0:16:42 | |
with concealed pockets. | 0:16:42 | 0:16:45 | |
Imagine if you're on a beach or in a crowded city | 0:16:45 | 0:16:48 | |
and you want to keep your valuables on you, | 0:16:48 | 0:16:50 | |
safe and out of the way, then something like this is handy. | 0:16:50 | 0:16:55 | |
Yeah, I know that having a pocket on the front of your T-shirt | 0:16:55 | 0:16:58 | |
is a little bit geeky, | 0:16:58 | 0:16:59 | |
but if you got pick-pocketed or if you lost your passport | 0:16:59 | 0:17:02 | |
then that would ruin your holiday. | 0:17:02 | 0:17:04 | |
This way, it stays as our little secret. | 0:17:04 | 0:17:08 | |
I won't tell anyone if you don't. | 0:17:08 | 0:17:11 | |
Sh. | 0:17:11 | 0:17:12 | |
What do you get if you cross a skateboard with a Segway? | 0:17:12 | 0:17:14 | |
You get the nearest thing to a hoverboard, | 0:17:16 | 0:17:19 | |
just like in Back To The Future! | 0:17:19 | 0:17:20 | |
The Zboard is powered by a lithium-ion battery | 0:17:20 | 0:17:23 | |
which charges in just a few hours | 0:17:23 | 0:17:25 | |
and can go for ten miles at around about 17mph. | 0:17:25 | 0:17:29 | |
So, you press on the front pad to accelerate | 0:17:29 | 0:17:32 | |
and move the board forward. | 0:17:32 | 0:17:33 | |
And then the back pad acts as the brake | 0:17:33 | 0:17:36 | |
and also, if you hold it down, the reverse motion as well. | 0:17:36 | 0:17:39 | |
It ain't cheap, but being cool comes at a price. | 0:17:39 | 0:17:42 | |
The engine on there is so silent | 0:17:42 | 0:17:43 | |
that most people just thought I was on a regular skateboard. | 0:17:43 | 0:17:46 | |
Now, because of the weight of the motorised engine, it is pretty heavy. | 0:17:46 | 0:17:50 | |
Therefore, you can't whip yourself on and off the kerbs | 0:17:50 | 0:17:52 | |
or change direction quickly but, when it comes to the handling, | 0:17:52 | 0:17:55 | |
I did find the turning circle to be pretty sharp. | 0:17:55 | 0:17:58 | |
And, let's face it, if you are on a flat, level surface | 0:17:58 | 0:18:02 | |
then this is a whole lot of fun! | 0:18:02 | 0:18:05 | |
Now, Tommy might be The Travel Show's resident funny man, | 0:18:13 | 0:18:16 | |
but if you want real comedy, few places beat New York City. | 0:18:16 | 0:18:20 | |
Hundreds of comedy gigs are put on here every week, | 0:18:23 | 0:18:26 | |
from nervous first-timers taking their early tentative steps | 0:18:26 | 0:18:29 | |
to pros packing out huge venues. | 0:18:29 | 0:18:32 | |
With that in mind, the team are sending me to a comedy improv class. | 0:18:32 | 0:18:36 | |
And, let me tell you, scared didn't even start to cover it. | 0:18:38 | 0:18:43 | |
Come down here. | 0:18:43 | 0:18:44 | |
So you can get close to my sweaty pits! | 0:18:44 | 0:18:47 | |
'Improvisation in its simplest form is the art of creating a scene | 0:18:47 | 0:18:51 | |
'or play with absolutely no preplanning.' | 0:18:51 | 0:18:55 | |
We all are in unfamiliar territory. | 0:18:55 | 0:18:57 | |
'I've come along to The Pit in Manhattan | 0:18:57 | 0:18:59 | |
'to give it a go myself. | 0:18:59 | 0:19:00 | |
'The venue offers classes for first-time tourists, | 0:19:00 | 0:19:04 | |
'as well as a place for more experienced comedians | 0:19:04 | 0:19:06 | |
'to hone their craft. | 0:19:06 | 0:19:08 | |
'Lesley Collins, an improv veteran, led the class.' | 0:19:09 | 0:19:13 | |
I think I did see a ghost, not recently, | 0:19:13 | 0:19:16 | |
but, like, a few years ago. | 0:19:16 | 0:19:18 | |
THEY SHOUT | 0:19:18 | 0:19:20 | |
'To kick off, we did some warm-up exercises.' | 0:19:20 | 0:19:23 | |
-Un-boxers. -Five. -Boxer briefs. | 0:19:23 | 0:19:26 | |
'Everyone was given a category | 0:19:26 | 0:19:28 | |
'and had to list seven things in quick succession.' | 0:19:28 | 0:19:31 | |
Seven types of hairstyles. | 0:19:31 | 0:19:33 | |
-The bob. -One. -Bangalicious. -Two. | 0:19:33 | 0:19:36 | |
-Short hair. -Three. -Long hair. -Four. | 0:19:36 | 0:19:38 | |
-Pigtails. -Five. -Long tails. -Six. | 0:19:38 | 0:19:41 | |
-Tails. -Seven! -OK, I'm really nervous. | 0:19:41 | 0:19:44 | |
I'm about to get a category and I've got to name seven different types, | 0:19:44 | 0:19:47 | |
what's going on, whilst patting my legs and rubbing my stomach. | 0:19:47 | 0:19:51 | |
They're coming, they're coming! | 0:19:51 | 0:19:53 | |
'Trust me, with the pressure on, it's not as easy as it looks.' | 0:19:53 | 0:19:56 | |
Seven creatures that make bad house pets. | 0:19:58 | 0:20:00 | |
-OK. Agarista! -One. | 0:20:00 | 0:20:03 | |
-Erm... Gremlin with one toe. -Two. | 0:20:03 | 0:20:07 | |
Er...Roger the hairy armpit. | 0:20:07 | 0:20:10 | |
'Right, game's over. Time for the comedy to start. | 0:20:10 | 0:20:12 | |
'I let the pros go first.' | 0:20:12 | 0:20:15 | |
You ever been in an old timey gang fight? | 0:20:15 | 0:20:17 | |
LAUGHTER | 0:20:17 | 0:20:19 | |
'All you're given is a word or song | 0:20:19 | 0:20:21 | |
'and where the skit goes from there is totally up to you.' | 0:20:21 | 0:20:24 | |
My fists are always right, bro. | 0:20:26 | 0:20:27 | |
Good. You're going to need to keep them there. | 0:20:27 | 0:20:30 | |
I like your attitude. I like your game face. | 0:20:30 | 0:20:32 | |
Yeah, it's a lot of fun. | 0:20:32 | 0:20:34 | |
It's not something I'd expect to be doing, but I'm enjoying myself | 0:20:34 | 0:20:37 | |
and you're learning a lot and it's a good way to meet people. | 0:20:37 | 0:20:40 | |
-I feel like I'm getting swindled here a little bit. -But I'm nervous. | 0:20:40 | 0:20:44 | |
This is sort of like trying to release your inhibitions | 0:20:44 | 0:20:48 | |
in a place where people are so uninhibited. | 0:20:48 | 0:20:52 | |
..what your life could be like. | 0:20:52 | 0:20:53 | |
-I'm running for president. -Yeah, I know! | 0:20:53 | 0:20:55 | |
'A key part of improv is supporting your scene partner | 0:20:55 | 0:20:58 | |
'and building on their ideas. | 0:20:58 | 0:21:00 | |
'Something these guys have down to a T.' | 0:21:00 | 0:21:02 | |
-Richard, but you probably know that too, right? -I do. | 0:21:02 | 0:21:05 | |
LAUGHTER | 0:21:05 | 0:21:07 | |
You must be Joan. | 0:21:07 | 0:21:09 | |
Joan, yes, Joan Collins. | 0:21:09 | 0:21:12 | |
Future president of the PTA. Nice to meet you. | 0:21:12 | 0:21:16 | |
Nice to meet you too, I'm sorry the book career didn't work out. | 0:21:16 | 0:21:18 | |
LAUGHTER | 0:21:18 | 0:21:21 | |
You are so funny(!) | 0:21:21 | 0:21:22 | |
Sorry about your failed marriage. | 0:21:22 | 0:21:25 | |
These guys are really good. | 0:21:25 | 0:21:27 | |
This is like... It's great to actually watch them at work. | 0:21:27 | 0:21:31 | |
But this is just like... This is too much. | 0:21:33 | 0:21:36 | |
'Before long, it was my turn. | 0:21:36 | 0:21:37 | |
'With knots in my stomach, I took to the stage.' | 0:21:37 | 0:21:40 | |
You asked for a seven-storey bronze statue of yourself. That's modest. | 0:21:40 | 0:21:44 | |
LAUGHTER | 0:21:44 | 0:21:46 | |
I mean, you had a school and a hospital levelled | 0:21:46 | 0:21:49 | |
so you could put this here. | 0:21:49 | 0:21:50 | |
LAUGHTER | 0:21:50 | 0:21:51 | |
-It's beautiful, though. -It is beautiful, don't get me wrong! | 0:21:51 | 0:21:54 | |
-I'm coming round to it. -I would think you would... -You are a genius! | 0:21:54 | 0:21:57 | |
I mean, it takes a long time just to get around it. | 0:21:57 | 0:22:01 | |
-Good job! -'All right, so the other guy | 0:22:01 | 0:22:04 | |
'definitely put in most of the legwork | 0:22:04 | 0:22:06 | |
'but I gave it my best shot. | 0:22:06 | 0:22:08 | |
'So, verdict time. How did I do?' | 0:22:08 | 0:22:11 | |
Ade did great! I know he was so concerned before the class. | 0:22:11 | 0:22:16 | |
He was very worried. | 0:22:16 | 0:22:18 | |
-It's just too much. -What? -This is too much. | 0:22:18 | 0:22:21 | |
'I think most people are scared at improvising | 0:22:21 | 0:22:24 | |
'cos they don't really actually know what it is | 0:22:24 | 0:22:26 | |
'or how much fun it is.' | 0:22:26 | 0:22:28 | |
They are also very concerned about being funny | 0:22:28 | 0:22:31 | |
and the pressure to be funny, but improv isn't really about that. | 0:22:31 | 0:22:37 | |
It's about being honest and having fun. | 0:22:37 | 0:22:39 | |
Nobody gets me more pumped up than you do, son. | 0:22:39 | 0:22:42 | |
'If you're on a budget in New York, | 0:22:42 | 0:22:44 | |
'improv gigs are a great way to pack in some entertainment.' | 0:22:44 | 0:22:48 | |
It's tremendous! | 0:22:48 | 0:22:50 | |
'A lot of places put on free nights | 0:22:50 | 0:22:52 | |
'and if not, tickets are usually cheap. | 0:22:52 | 0:22:54 | |
'Or, if you're brave enough, why not try it out for yourself?' | 0:22:54 | 0:22:57 | |
Know what? I was really sceptical about that, | 0:22:59 | 0:23:01 | |
coming in to do an improv class with some actor types. | 0:23:01 | 0:23:04 | |
But it was a lot of fun, my heart was pounding and I feel good. | 0:23:04 | 0:23:08 | |
I enjoyed it! | 0:23:08 | 0:23:09 | |
That's your lot for this week. Next week... | 0:23:11 | 0:23:14 | |
That looks like a lot of wasabi. | 0:23:16 | 0:23:18 | |
Carmen Roberts is in Tokyo to meet the people | 0:23:18 | 0:23:21 | |
who are opening their homes and kitchens to tourists. | 0:23:21 | 0:23:24 | |
And don't forget to check out our website, | 0:23:28 | 0:23:30 | |
where you'll find lots more from The Travel Show team, | 0:23:30 | 0:23:32 | |
and we are all over social media, so look for us there. | 0:23:32 | 0:23:36 | |
But from me, Ade Adepitan, here in New York, it's goodbye. | 0:23:36 | 0:23:40 | |
See you next time. | 0:23:40 | 0:23:42 |