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'We're on a mission to a place that sounds familiar | 0:00:02 | 0:00:04 | |
'but is, in fact, utterly different. | 0:00:04 | 0:00:07 | |
'It's like England, but rougher, richer and more Republican. | 0:00:07 | 0:00:11 | |
'We three men are in the far north-eastern corner | 0:00:11 | 0:00:13 | |
'of the United States of America.' | 0:00:13 | 0:00:17 | |
Listen, this is new to me | 0:00:21 | 0:00:22 | |
because I've never been to this part of America before. | 0:00:22 | 0:00:25 | |
Well, I have, a long time ago. | 0:00:25 | 0:00:27 | |
'We begin our journey off the coast of the state of Maine, | 0:00:27 | 0:00:30 | |
'the most northern of the six that make up New England. | 0:00:30 | 0:00:33 | |
'And we're headed south in an 80-year-old schooner, | 0:00:33 | 0:00:35 | |
'the typical boat of this region.' | 0:00:35 | 0:00:37 | |
-Why are we here now? -We're here because... | 0:00:39 | 0:00:41 | |
Ha! This is what I want to hear. | 0:00:41 | 0:00:44 | |
Come on, you tell us, why are we here now? | 0:00:44 | 0:00:47 | |
Go on, tell us. | 0:00:47 | 0:00:49 | |
Cos they told us to come here. | 0:00:49 | 0:00:52 | |
-We've come here at the most exciting time in Maine's seasonal... -What? | 0:00:52 | 0:00:56 | |
..change. Cos this is the time when a Perfect Storm took place. | 0:00:56 | 0:01:00 | |
-Great. -We're just in October, we're just heading out. | 0:01:00 | 0:01:02 | |
So, of all the films we may recreate, | 0:01:02 | 0:01:04 | |
we're going for the one in which a boat capsizes and everyone's killed. | 0:01:04 | 0:01:07 | |
Yeah. | 0:01:07 | 0:01:08 | |
We have instructions with us, like Charlie's Angels. In this envelope. | 0:01:12 | 0:01:16 | |
-A lot of people... -..which is going to tell us what we're supposed to do | 0:01:16 | 0:01:19 | |
-on this particular jaunt. -A lot of people confuse this programme | 0:01:19 | 0:01:22 | |
with Charlie's Angels, don't they? | 0:01:22 | 0:01:24 | |
-Oh. It says "The Statue of Liberty." -That's New York, I believe. | 0:01:24 | 0:01:28 | |
"Ellis Island." You read it, tell me what does it say in there. | 0:01:28 | 0:01:31 | |
"Dear three men in a boat, we are led to believe that | 0:01:31 | 0:01:34 | |
"the three of you know a thing or two about boats." | 0:01:34 | 0:01:37 | |
Collectively, yes. | 0:01:37 | 0:01:38 | |
But if you were to quiz us individually, it's mainly him. | 0:01:38 | 0:01:41 | |
"And so would like to cordially invite you to join the flotilla of | 0:01:41 | 0:01:45 | |
"vessels as America celebrates Lady Liberty's 125th birthday. | 0:01:45 | 0:01:49 | |
"The flotilla will sail in the Hudson River | 0:01:49 | 0:01:51 | |
"and assemble around the Statue at 12 noon on Friday, October 28th." | 0:01:51 | 0:01:56 | |
-Which I make to be... -10 days. -10 days' time. | 0:01:56 | 0:01:58 | |
10 days' time. "The choice of vessel is up to you. | 0:01:58 | 0:02:01 | |
"However, this is a very important event for the City of New York | 0:02:01 | 0:02:04 | |
"and the American people." | 0:02:04 | 0:02:06 | |
I'm glad they put that clause in. | 0:02:06 | 0:02:07 | |
What do they think we're going to arrive in? Like, a clown ship? | 0:02:07 | 0:02:10 | |
DARA HONKS | 0:02:10 | 0:02:12 | |
The doors falling off the sides. | 0:02:12 | 0:02:14 | |
-That might be appropriate. -So, bring a boat. -It's a bring-a-boat party. | 0:02:14 | 0:02:20 | |
Fantastic. | 0:02:21 | 0:02:23 | |
-'So, we have to find a boat.' -Aaagh. | 0:02:25 | 0:02:27 | |
'But the decision won't be easy.' | 0:02:29 | 0:02:31 | |
All the big boats that we could take | 0:02:31 | 0:02:33 | |
are all out of water cos the season is over. | 0:02:33 | 0:02:35 | |
-Time is running out. -It's got to do eight knots | 0:02:35 | 0:02:37 | |
-and it's got to have a hooter. -BOAT HOOTS | 0:02:37 | 0:02:40 | |
'So, we tried to get a grip on America's true, core values.' | 0:02:41 | 0:02:45 | |
This has escaped from an Ohio zoo. | 0:02:46 | 0:02:48 | |
We've got the big man to spring 'em on. That'll scare them. | 0:02:48 | 0:02:51 | |
You're getting a kick in the head. Argh! | 0:02:51 | 0:02:54 | |
'Learn about American history.' | 0:02:54 | 0:02:55 | |
The thing about the Plymouth Rock, it hasn't got, | 0:02:55 | 0:02:58 | |
"Greetings from Plymouth" written all the way through it, | 0:02:58 | 0:03:00 | |
which has rather disappointed me. | 0:03:00 | 0:03:02 | |
'By wearing the funny hats of the Pilgrim Fathers.' | 0:03:02 | 0:03:05 | |
-My name is Griffith and this is Mr Rory McGrath. -Your servant. | 0:03:05 | 0:03:09 | |
-Raaagh. -Hang on. | 0:03:09 | 0:03:11 | |
'And then going native.' | 0:03:12 | 0:03:14 | |
-Now you want me to get you food on top of that. -Oh, OK. | 0:03:14 | 0:03:17 | |
'And so make the right choice of vessel.' | 0:03:18 | 0:03:20 | |
If Jamiroquai had a boat this is what it would be like. | 0:03:22 | 0:03:25 | |
'To take part in the biggest, boatiest, most American | 0:03:25 | 0:03:28 | |
'of American parties that you could ever hope to be invited to.' | 0:03:28 | 0:03:32 | |
Well, you know, we don't want to crash the party. | 0:03:32 | 0:03:35 | |
My only fear, now, | 0:03:40 | 0:03:42 | |
is that we might screw it up by not being able to get a good boat | 0:03:42 | 0:03:45 | |
or getting a rubbish-looking boat or making idiots of ourselves. | 0:03:45 | 0:03:48 | |
Dara, you'd like a sort of motorboat of some kind, perhaps? | 0:03:48 | 0:03:51 | |
Yeah, I don't know. If I'm representing... Yeah. | 0:03:51 | 0:03:54 | |
You like powerful motorboats, one kind or another. | 0:03:54 | 0:03:56 | |
But whether or not this is the place for it as opposed to... | 0:03:56 | 0:03:59 | |
You'll be representing the Republic of Ireland. | 0:03:59 | 0:04:01 | |
I feel something humble, something to indicate, you know, | 0:04:01 | 0:04:04 | |
I like the idea of people arriving with only the shirts on their backs. | 0:04:04 | 0:04:07 | |
The trip itself will be so exciting. | 0:04:07 | 0:04:11 | |
Isn't this fantastic? To be here at this time of year, as well. | 0:04:11 | 0:04:15 | |
No tourists cos this is... Cos, just, there's the sense, | 0:04:15 | 0:04:18 | |
as you move into the state, that you enter into a genuine world | 0:04:18 | 0:04:21 | |
instead of a tourist world. | 0:04:21 | 0:04:23 | |
And it's good that the vacation's over, here. | 0:04:23 | 0:04:26 | |
And we can, sort of, get to grips with the real America. | 0:04:26 | 0:04:30 | |
And, Griff, maybe you should arrive in a coracle. | 0:04:30 | 0:04:33 | |
I don't want to say, I mean, you know, obviously, | 0:04:33 | 0:04:36 | |
it being a sort of Welsh boat, we have to be kind to coracles. | 0:04:36 | 0:04:40 | |
They have certain advantages. | 0:04:40 | 0:04:42 | |
Very light, very easy to carry, but they are intrinsically unstable. | 0:04:42 | 0:04:46 | |
Well, I'm a tiny bit nervous about this trip. | 0:04:46 | 0:04:48 | |
I'll tell you why, because, I mean, I spend a lot of my time | 0:04:48 | 0:04:52 | |
being very rude about Americans and American culture. | 0:04:52 | 0:04:54 | |
Not in public, obviously. I would never, ever say this in public. | 0:04:54 | 0:04:57 | |
I can say it to you cos, you know, you're Nick, you're a cameraman, | 0:04:57 | 0:05:00 | |
you know me. | 0:05:00 | 0:05:01 | |
But I do and I don't like the influence that America has | 0:05:01 | 0:05:04 | |
on the English language. So, for example. | 0:05:04 | 0:05:07 | |
But, now, I'm here with them | 0:05:07 | 0:05:08 | |
and it's going to be really exciting to hear what the Americans really | 0:05:08 | 0:05:13 | |
think of us British. | 0:05:13 | 0:05:15 | |
What about you, Rory? What sort of boat would you...? | 0:05:15 | 0:05:18 | |
What boat sums you up, Rory? A tug. A little tugboat. | 0:05:18 | 0:05:21 | |
-I don't know why you say that. -I don't know, I just... | 0:05:21 | 0:05:24 | |
Do you see me as a tug man? | 0:05:24 | 0:05:26 | |
'From Portland, Maine, we're heading south along a coastline | 0:05:26 | 0:05:30 | |
'that's big in American history. | 0:05:30 | 0:05:32 | |
'Into Boston, around Plymouth, and across to Cape Cod. | 0:05:32 | 0:05:36 | |
'From there, it's out to Martha's Vineyard | 0:05:36 | 0:05:38 | |
'and finally up the Long Island Sound into New York City, | 0:05:38 | 0:05:42 | |
'where a large, green statue has stood for the last 125 years. | 0:05:42 | 0:05:47 | |
'A gift from the French to celebrate | 0:05:47 | 0:05:50 | |
'American liberty from Britain.' | 0:05:50 | 0:05:53 | |
'We eventually arrive in Portsmouth, New Hampshire, where we've arranged | 0:05:53 | 0:05:56 | |
'a lift with David Andreeson, head of the US Coast Guard for this area. | 0:05:56 | 0:05:59 | |
'David was actually at the 100th anniversary of the Statue | 0:05:59 | 0:06:02 | |
'and we're hoping he might have a few ideas for us.' | 0:06:02 | 0:06:05 | |
'The US Coast Guard is fundamentally different to the one in the UK | 0:06:05 | 0:06:10 | |
'in that it's a military appointment.' | 0:06:10 | 0:06:12 | |
Explain to me this, Griff. Why this very expensive, | 0:06:13 | 0:06:16 | |
waterproof, boaty gear, has hoods that you can't keep up? | 0:06:16 | 0:06:20 | |
Haven't you got a thing? | 0:06:20 | 0:06:22 | |
How does your job now divide up between, you know, | 0:06:22 | 0:06:25 | |
rescuing tourists or fishermen and the military side of it? | 0:06:25 | 0:06:29 | |
Well, definitely, after September 11th 2001, | 0:06:29 | 0:06:32 | |
our mission is, er, has gone a lot more towards law enforcement | 0:06:32 | 0:06:36 | |
and homeland security, especially right here in this port. | 0:06:36 | 0:06:39 | |
-We have a navy submarine base here. -Yep. | 0:06:39 | 0:06:42 | |
We also have got a thousand-foot tankers | 0:06:42 | 0:06:44 | |
that will come from all over the world. | 0:06:44 | 0:06:46 | |
If I were the skipper of the boat, though, this is where I'd sit, | 0:06:48 | 0:06:50 | |
nearly all the time. | 0:06:50 | 0:06:52 | |
-With your face pressed up against the window? -Pretty much, yeah. | 0:06:52 | 0:06:55 | |
What would you recommend we bring to New York? | 0:06:55 | 0:06:57 | |
Definitely one of these would be pretty good to bring down there. | 0:06:57 | 0:07:01 | |
You might have to fuel up a couple of times, | 0:07:01 | 0:07:03 | |
we don't carry a lot of fuel. | 0:07:03 | 0:07:05 | |
I used to be stationed at the station just south of here, | 0:07:05 | 0:07:08 | |
Newburyport, Massachusetts, it's in the Merrimack River. | 0:07:08 | 0:07:11 | |
And there's a boat shop there, it's about 150 years old, | 0:07:11 | 0:07:15 | |
called Lowell's Boat Shop. | 0:07:15 | 0:07:17 | |
Now, he might know of somebody, possibly, | 0:07:17 | 0:07:21 | |
that you would be able to take a ride with. | 0:07:21 | 0:07:23 | |
Oh, right, we'll check it out. | 0:07:23 | 0:07:26 | |
How was chief Dave, Dara? | 0:07:26 | 0:07:27 | |
Chief Dave was lovely, he was really, really nice, | 0:07:27 | 0:07:30 | |
and we had a good, old chat and he actually set up the next item. | 0:07:30 | 0:07:33 | |
-Has he? -Yeah, he's set it up really excellently. | 0:07:33 | 0:07:35 | |
"You should go to Lowell's shipyard, he's very good." | 0:07:35 | 0:07:38 | |
Oh, ok, maybe we'll do that, then. | 0:07:38 | 0:07:39 | |
'And we do take David's advice and visit Lowell's, | 0:07:39 | 0:07:42 | |
'which is up 'the Merrimack River, | 0:07:42 | 0:07:44 | |
'just over the border into Massachusetts.' | 0:07:44 | 0:07:47 | |
This is Lowell's Boat Shop. A shop that actually sells boats. | 0:07:53 | 0:07:58 | |
It's the oldest continuously operating boat shop in the States. | 0:07:58 | 0:08:04 | |
In American terms, it's nearly prehistoric. | 0:08:04 | 0:08:08 | |
And it's the home of the fishing dory. | 0:08:08 | 0:08:12 | |
-Graham? -Hello. -Hello, I'm Griff. -Hi, Griff. -Good to see you. | 0:08:12 | 0:08:15 | |
-What a fantastic shop. -Thank you. | 0:08:15 | 0:08:17 | |
So, how many boats do you make a year? | 0:08:18 | 0:08:21 | |
Now, I only make about eight or ten. | 0:08:21 | 0:08:22 | |
But eight or ten, though, that's a large number. | 0:08:22 | 0:08:25 | |
That's nothing compared to the 2,000 that they used to make. | 0:08:25 | 0:08:28 | |
-2,000 a year? -A year. | 0:08:28 | 0:08:30 | |
That's seven a day. | 0:08:30 | 0:08:32 | |
What was the demand for that? | 0:08:32 | 0:08:34 | |
Who was buying that huge quantity of boats? | 0:08:34 | 0:08:36 | |
Fishermen. They were fishing dories. | 0:08:36 | 0:08:39 | |
So, back in 19th century, | 0:08:39 | 0:08:42 | |
they'd send a schooner out to sea with a bunch of dories on the deck | 0:08:42 | 0:08:44 | |
and they'd put them all over the side. | 0:08:44 | 0:08:47 | |
And these guys would go out fishing. | 0:08:47 | 0:08:48 | |
And the lifespan of those dories was about two years at the most. | 0:08:48 | 0:08:52 | |
-Standing in the rain. -Yeah. | 0:08:52 | 0:08:55 | |
Is preferable to listening to Griff talking at some poor boat builder | 0:08:55 | 0:08:57 | |
-about boat building. -Telling him how to build boats. | 0:08:57 | 0:09:00 | |
Telling him how his family have been building boats for... | 0:09:00 | 0:09:02 | |
-Since 1790. -..220 years. | 0:09:02 | 0:09:05 | |
Griff is going to spot a flaw. | 0:09:05 | 0:09:07 | |
But these days, you're not making your boats | 0:09:07 | 0:09:09 | |
so much for fishermen, but for leisure purposes, are you? | 0:09:09 | 0:09:12 | |
Yeah, most of them are for pleasure purposes. | 0:09:12 | 0:09:15 | |
But I actually did make a boat for a lobster fisherman two years ago, | 0:09:15 | 0:09:19 | |
just like this, that he fishes out of, up in Maine. | 0:09:19 | 0:09:21 | |
And he's a traditionalist fisherman, he just likes to have a nice boat. | 0:09:21 | 0:09:25 | |
-No, he's actually a paediatric surgeon. -Oh, is he? OK. | 0:09:25 | 0:09:28 | |
But he does it for fun. | 0:09:28 | 0:09:29 | |
Interesting tensions within New England, though. | 0:09:29 | 0:09:31 | |
Well, there's three states, New England states | 0:09:31 | 0:09:34 | |
that get on quite well. Vermont, New Hampshire and Maine. | 0:09:34 | 0:09:36 | |
-Yeah, they're all quite close. -They like each other. | 0:09:36 | 0:09:38 | |
-They regard themselves as local. -They're locals. | 0:09:38 | 0:09:40 | |
-But they all hate... -Massachusetts. -Yeah. | 0:09:40 | 0:09:42 | |
And the best thing we've learned is that the nickname of people | 0:09:42 | 0:09:46 | |
from Massachusetts in this part of the world is... | 0:09:46 | 0:09:48 | |
BOTH: Massholes. | 0:09:48 | 0:09:49 | |
-It's very pretty. -It's gorgeous. It looks vaguely, er, Scandinavian. | 0:09:50 | 0:09:55 | |
-Do you think that? Do you get that...? -I think it does, yeah. | 0:09:55 | 0:09:58 | |
-No, I don't get that at all. -A, sort of, timber buildings, a lot of water. | 0:09:58 | 0:10:01 | |
You know, I should run with you with that, but, no. | 0:10:01 | 0:10:03 | |
A lot of blonde people. ABBA t-shirts. | 0:10:03 | 0:10:05 | |
You've completely, you've absolutely gone there. | 0:10:05 | 0:10:08 | |
Gloucester is still a good place for boats? | 0:10:08 | 0:10:11 | |
It's one of the finest, I do think. | 0:10:12 | 0:10:15 | |
It's still, kind of, a rough-and-tumble town | 0:10:15 | 0:10:18 | |
so it keeps a lot of the higher-end, yachty people away. | 0:10:18 | 0:10:21 | |
-Does it? -So, it's still... -Got a bit of an authentic tang. -Yes, it does. | 0:10:21 | 0:10:24 | |
Well, that will appeal to Rory, that's... | 0:10:24 | 0:10:26 | |
-# Waterloo. # -BOTH: # Da da da da-da Waterloo. # | 0:10:26 | 0:10:29 | |
Um, the plan isn't for us to row by the way, is it? | 0:10:29 | 0:10:32 | |
I think those boats are going to be too small for the Liberty Parade. | 0:10:32 | 0:10:37 | |
-Even if we were in the middle of it? -It would be quite amusing if, | 0:10:37 | 0:10:39 | |
three individual people rowing. | 0:10:39 | 0:10:42 | |
-Hello. Pass the viewing stand. -Yes, it's us. Representing Britain. | 0:10:42 | 0:10:45 | |
-And Ireland. -Hello. Mainly representing Sweden. | 0:10:45 | 0:10:48 | |
SWEDISH ACCENT: Ya, Sweden, | 0:10:48 | 0:10:49 | |
we've come all the way from the fjords of New Hampshire. | 0:10:49 | 0:10:53 | |
Fjords are Norway. | 0:10:55 | 0:10:57 | |
I'm just balanced now. | 0:11:00 | 0:11:02 | |
'Next morning, Graham offers to take us | 0:11:02 | 0:11:05 | |
'for a poke around the nearby big harbour of Gloucester.' | 0:11:05 | 0:11:09 | |
'Gloucester has a sad fame as the home port of those boats | 0:11:09 | 0:11:12 | |
'that were lost in what became known as the Perfect Storm, | 0:11:12 | 0:11:15 | |
'which occurred 20 years ago, almost to the day.' | 0:11:15 | 0:11:18 | |
Are we overdressed for the conditions? | 0:11:18 | 0:11:20 | |
It seems to be quite a calm morning. | 0:11:20 | 0:11:22 | |
The sea is flat, the visibility is good and we're dressed in all this. | 0:11:22 | 0:11:25 | |
-I think you're fairly safe in here. -Yeah. | 0:11:25 | 0:11:26 | |
Get into your swimming trunks, Rory. | 0:11:26 | 0:11:29 | |
A little nippy this time of year. | 0:11:29 | 0:11:31 | |
I'll get my bikini on and just lie in the front, here. | 0:11:31 | 0:11:33 | |
-These are dories, guys. -Oh, there they are, oh, yeah. | 0:11:38 | 0:11:40 | |
Gloucester fishermen's dories. | 0:11:40 | 0:11:43 | |
'The first boats up are these sleek, black and lovely fishing boats.' | 0:11:46 | 0:11:51 | |
A big schooner would be lovely. It's a rather big boat. | 0:11:53 | 0:11:56 | |
-A big schooner'd be great. -Are schooners good? | 0:11:56 | 0:11:57 | |
We're in the middle of an ongoing debate as to what kind of boat | 0:11:57 | 0:12:00 | |
would best represent us or boating or... And, also, what we can get. | 0:12:00 | 0:12:05 | |
-Those are tuna tails, are they? -Yeah. -Oh, right. -Excellent. | 0:12:05 | 0:12:09 | |
-They're very good. -And these are, actually, Irish-owned boats. | 0:12:09 | 0:12:12 | |
-Mostly, the crews are mostly comprised of Irish. -Excellent. -Yeah. | 0:12:12 | 0:12:17 | |
Great guys. Great guys to go out drinking with. | 0:12:17 | 0:12:20 | |
Yeah, we pride ourselves on that. | 0:12:20 | 0:12:23 | |
'Of course not every boat in Gloucester harbour is to be | 0:12:23 | 0:12:26 | |
'taken too seriously.' | 0:12:26 | 0:12:29 | |
-A little pirate ship, here. -A fake pirate ship. | 0:12:29 | 0:12:31 | |
I doubt they'd make a fake pirate ship. | 0:12:31 | 0:12:33 | |
Graham, what do you think, a fake pirate ship, | 0:12:33 | 0:12:35 | |
-we all dress as Captain Pugwash? -Yes. | 0:12:35 | 0:12:38 | |
FRENCH ACCENT: Formidable. | 0:12:38 | 0:12:39 | |
We'll rattle our sabres at the Statue of Liberty. | 0:12:39 | 0:12:42 | |
-Ah, there's a canon. -A canon. | 0:12:42 | 0:12:44 | |
As you were saying, Pirates Of The Caribbean, | 0:12:44 | 0:12:45 | |
all the kids want to go do pirate stuff now. | 0:12:45 | 0:12:47 | |
-Fancy dress pirate ship. -That's all right. | 0:12:47 | 0:12:49 | |
Steak special in a container with beef right on the side. | 0:12:52 | 0:12:55 | |
'After a busy morning on the water, | 0:12:57 | 0:12:59 | |
'we were hungry for a really delicious lunch.' | 0:12:59 | 0:13:01 | |
And a shrimp dinner. | 0:13:01 | 0:13:03 | |
'And we thought, let's try an American diner | 0:13:03 | 0:13:06 | |
'cos that'll be nice and light and healthy, won't it?' | 0:13:06 | 0:13:08 | |
-Good morning. -Morning. -How are you? -Good. How you guys doing? | 0:13:09 | 0:13:14 | |
Very well, thank you. | 0:13:14 | 0:13:16 | |
-What can I get for you? -We'd like a large quantity of food, please. | 0:13:16 | 0:13:20 | |
-Is that possible? -I think so. -Good. | 0:13:20 | 0:13:22 | |
What do you recommend, how are the scallops? | 0:13:22 | 0:13:24 | |
I, personally, like shrimp better. But scallops are delicious. | 0:13:24 | 0:13:27 | |
Well. OK, well, let's go for the shrimp. A shrimp dinner. | 0:13:27 | 0:13:30 | |
-You want the shrimp dinner? -I'd like the clams. -Clams. -Clams. | 0:13:30 | 0:13:35 | |
And what is a jalapeno popper? | 0:13:35 | 0:13:36 | |
A jalapeno popper. It's a hot pepper with cheese and bread around it. | 0:13:36 | 0:13:40 | |
-OK. And bread around it? -Bread around it. They fry it. | 0:13:40 | 0:13:43 | |
-I want one of those. And they fry it as well, yeah? -Yeah. -Yeah. | 0:13:43 | 0:13:46 | |
-Super beef dinner. -Super beef dinner. And what would you like on it? | 0:13:46 | 0:13:49 | |
-Fries? -Err. -Onion rings, salad or coleslaw? | 0:13:49 | 0:13:51 | |
-Forget the salad. -No salad. You want coleslaw? -And chips. -Chips? | 0:13:51 | 0:13:55 | |
-Fries, fries. -Fries, all right. -Does that sound like a lot? -Yeah. -Is it? | 0:13:55 | 0:13:59 | |
-OK. -We're all on a very strict diet on this programme. | 0:13:59 | 0:14:03 | |
-Fab, we look forward to it. -Thanks, guys, I'll bring it right over, OK? | 0:14:03 | 0:14:06 | |
Thank you. | 0:14:06 | 0:14:08 | |
Ah, that's for the fishermen. | 0:14:08 | 0:14:10 | |
-Did we order too much food? -I'm terrified... | 0:14:14 | 0:14:18 | |
about what I've ordered. No idea what it is. A super roast beef dinner. | 0:14:18 | 0:14:20 | |
That's a full cow. | 0:14:20 | 0:14:22 | |
They're going to roll a full cow out here | 0:14:22 | 0:14:24 | |
and roast it on a spit for 14 hours. | 0:14:24 | 0:14:26 | |
But this is like being in, er... | 0:14:26 | 0:14:28 | |
what's that film where all of those guys hang around a diner? | 0:14:28 | 0:14:30 | |
But nobody ever eats anything when they go to a diner in a movie. | 0:14:30 | 0:14:33 | |
They always go in there and only have a cup of coffee | 0:14:33 | 0:14:35 | |
-because they're having a meeting. -Yeah. | 0:14:35 | 0:14:37 | |
So, the huge quantities of food that come off the counter never | 0:14:37 | 0:14:40 | |
-make their way into a film. -We're about to buck the trend. -Yeah. | 0:14:40 | 0:14:42 | |
The first to consume food in a diner. | 0:14:42 | 0:14:44 | |
-The clam dinner. -OK. -Who didn't want the scallops? | 0:14:44 | 0:14:48 | |
-I didn't want the scallops, just the clam dinner for me. -Look at this! | 0:14:48 | 0:14:51 | |
-Mozzarella sticks. -Thank you. | 0:14:51 | 0:14:53 | |
-They're the jalapeno peppers. -Jalapeno poppers. | 0:14:53 | 0:14:55 | |
They're your jalapeno peppers, there. | 0:14:55 | 0:14:57 | |
-I might have to have a... Salad? -What's that for? -Yeah. | 0:14:57 | 0:14:59 | |
-That's the Greek salad? -Yeah, yeah. -The Greek salad. | 0:14:59 | 0:15:02 | |
-Another Greek salad. -Wow. -Another dinner and your coleslaw. | 0:15:02 | 0:15:05 | |
Coleslaw. Thank you very much, you're very kind. | 0:15:05 | 0:15:07 | |
And the coleslaw, that's yours. | 0:15:07 | 0:15:09 | |
AMERICAN ACCENT: Can I have a jalapeno popper, do you think? | 0:15:09 | 0:15:12 | |
Oh, listen, here, have some of the coleslaw. | 0:15:12 | 0:15:15 | |
A super dinner on the onion roll. | 0:15:15 | 0:15:16 | |
-Oh, lord, here you go. -Woah. -Super dinner. | 0:15:16 | 0:15:20 | |
This sauce on the side, it's barbecue sauce. | 0:15:20 | 0:15:21 | |
-OK, thank you very much. -Try it on the beef. | 0:15:21 | 0:15:23 | |
-OK, I will. -And the shrimp dinner. | 0:15:23 | 0:15:25 | |
Thank you very much, that's very kind. That's wonderful. | 0:15:25 | 0:15:29 | |
Do you know what else I like about it? It's all brown. | 0:15:32 | 0:15:35 | |
-How is the super beef, Rory? -How much beef is in it? -Oh, Jesus. | 0:15:35 | 0:15:40 | |
-Some of it's escaping. -Genuinely. Look, it's falling into your coffee. | 0:15:42 | 0:15:46 | |
-That is insane. -This has escaped from an Ohio zoo, this roll. | 0:15:46 | 0:15:49 | |
Thank God we're going to spend the afternoon digging roads and fishing. | 0:15:49 | 0:15:54 | |
Putting out fish traps. | 0:15:54 | 0:15:55 | |
-How you guys doing? -We're doing good. | 0:16:01 | 0:16:03 | |
We're doing really... We're making quite the dent, | 0:16:03 | 0:16:05 | |
making quite the dent in this stuff. | 0:16:05 | 0:16:07 | |
-Keep going. -Yeah. -You've got a lot to finish. | 0:16:07 | 0:16:10 | |
-Lovely. -Oh, lord. | 0:16:10 | 0:16:11 | |
I'm feeling hot now. I'm feeling... | 0:16:11 | 0:16:14 | |
Are we going to have a major sundae after this? | 0:16:14 | 0:16:17 | |
I thought you were going to say a major heart attack. | 0:16:17 | 0:16:19 | |
'After such a slap-up feed, we decided we needed a drink, | 0:16:22 | 0:16:26 | |
'and when you're in Gloucester, you really have to visit | 0:16:26 | 0:16:29 | |
'the most famous bar in the town, the Crow's Nest.' | 0:16:29 | 0:16:31 | |
'It was the local bar of the crew of the fishing boat the Andrea Gail. | 0:16:32 | 0:16:37 | |
'20 years ago, she sailed to catch tuna and she never came back. | 0:16:37 | 0:16:43 | |
'Mary's brother, Bobby, was one of the six crew. | 0:16:43 | 0:16:46 | |
'And he was just 30 years old.' | 0:16:46 | 0:16:48 | |
This was just a total freakish storm that... | 0:16:50 | 0:16:52 | |
-Yeah, yeah. -..took everyone by surprise. | 0:16:52 | 0:16:54 | |
So, I think that's why there was so much hype about it. | 0:16:54 | 0:16:57 | |
But how did your brother come to get out into it? | 0:16:57 | 0:17:00 | |
He was having some financial difficulties | 0:17:00 | 0:17:02 | |
and he really needed to make some money. | 0:17:02 | 0:17:06 | |
And we knew Billy Tyne very well. | 0:17:06 | 0:17:08 | |
My mother, myself, my whole family knew him. | 0:17:08 | 0:17:11 | |
And we asked Billy, my mother and I, asked Billy to take him fishing. | 0:17:11 | 0:17:14 | |
Oh, really, oh, seriously. | 0:17:14 | 0:17:15 | |
'It's still a place for fishermen to hang out today. | 0:17:15 | 0:17:18 | |
'And the crew of the giant Irish trawlers | 0:17:18 | 0:17:21 | |
'we saw earlier seem to have settled in already for the evening.' | 0:17:21 | 0:17:24 | |
I noticed the boat with the shamrocks on it. | 0:17:24 | 0:17:26 | |
-That's a proper Irish boat. -It's hard to miss the flags on the boat. | 0:17:26 | 0:17:29 | |
Yeah, it is, isn't it? | 0:17:29 | 0:17:30 | |
But it's not like Irish American, it's not like third generation, | 0:17:30 | 0:17:33 | |
-that's an actual... -No, no, it's, actually, most of the people | 0:17:33 | 0:17:36 | |
on board are from Killybegs, Donegal. | 0:17:36 | 0:17:38 | |
I know Killybegs, obviously, but Killybegs is, it's a small town. | 0:17:38 | 0:17:41 | |
Don't run down our wee home town, now. | 0:17:41 | 0:17:43 | |
I'm not saying anything, it's a nice place, it's a lovely spot, right. | 0:17:43 | 0:17:46 | |
Correct me if I'm wrong. | 0:17:46 | 0:17:47 | |
'Meanwhile, Mark a local lobster fisherman had been drawn | 0:17:47 | 0:17:50 | |
'to Rory's big, red face.' | 0:17:50 | 0:17:53 | |
-You are a lobsterman? -I'm a fisherman that catches lobsters. | 0:17:53 | 0:17:57 | |
-OK, so that's different. -We're all fishermen. | 0:17:57 | 0:17:59 | |
Now, listen, we've just come from a place, | 0:17:59 | 0:18:01 | |
you may have heard of it, up the coast, called Maine. | 0:18:01 | 0:18:05 | |
-Yes. -You know? -The great state of Maine. | 0:18:05 | 0:18:07 | |
-You know what I'm going to say now. -Yeah. | 0:18:07 | 0:18:09 | |
Everywhere you go in Maine it's lobster, lobster, lobster. | 0:18:09 | 0:18:12 | |
Not quite as sweet as ours. | 0:18:12 | 0:18:14 | |
What was the exact circumstance? | 0:18:14 | 0:18:15 | |
So they say three storms came together and created a... | 0:18:15 | 0:18:18 | |
-Perfect Storm. -But terrible conditions. | 0:18:18 | 0:18:20 | |
Yes, and they were basically in the eye of the storm, which, | 0:18:20 | 0:18:24 | |
I don't know what the chances of that are. | 0:18:24 | 0:18:28 | |
Actually being that spot at that time. | 0:18:28 | 0:18:31 | |
-You're a Massachusetts? -Yep. -Born and bred? -Yes. | 0:18:31 | 0:18:34 | |
Now, this is a silly question to ask, isn't it? | 0:18:34 | 0:18:36 | |
Is there any Irish in your heritage? | 0:18:36 | 0:18:39 | |
Just a bit, why would you ask? Just a bit. | 0:18:39 | 0:18:41 | |
Well, hey, we're in Massachusetts. There's a tiny bit in me as well. | 0:18:41 | 0:18:44 | |
-I could see that. -How could you see that? -Er. -I'm drinking a beer. | 0:18:44 | 0:18:47 | |
Might have been the paunch. The front porch. | 0:18:47 | 0:18:50 | |
-The paunch. -I've got that too. | 0:18:50 | 0:18:51 | |
We were at the backshore, watching the waves. | 0:18:51 | 0:18:55 | |
It was an incredible storm, we were all watching it, | 0:18:55 | 0:18:58 | |
we always do when there's a storm, we live on the coast. | 0:18:58 | 0:19:01 | |
And I remember saying to my husband, "Do you think Bobby's OK?" | 0:19:01 | 0:19:04 | |
He said, "Oh, they're, they're not even near here, | 0:19:04 | 0:19:07 | |
"they're in Canada right now, they're fine". | 0:19:07 | 0:19:10 | |
We didn't know by then the storm had already hit them in Canada. | 0:19:10 | 0:19:14 | |
By then, the ship had already gone down and we didn't know. | 0:19:14 | 0:19:18 | |
And how long did the search go on? | 0:19:18 | 0:19:21 | |
Seven days, but they didn't start searching for, | 0:19:21 | 0:19:24 | |
until three days after, so it was ten days in total | 0:19:24 | 0:19:27 | |
that we just sat there and waited. | 0:19:27 | 0:19:30 | |
Everybody knows someone that's lost at sea, | 0:19:30 | 0:19:32 | |
And I don't know why we don't worry more. | 0:19:32 | 0:19:34 | |
-I don't know why. Because, I guess, it's their job. -Yeah. | 0:19:34 | 0:19:37 | |
And they go to sea and we say, "Have a safe trip." | 0:19:37 | 0:19:39 | |
We say it to everyone that we know that's going fishing, | 0:19:39 | 0:19:43 | |
but you don't think that they won't come back. | 0:19:43 | 0:19:45 | |
'The next morning we relocated to Marblehead, down the coast, | 0:20:05 | 0:20:09 | |
'to meet up with yacht Nirvana, who was going to take us | 0:20:09 | 0:20:12 | |
'south to Boston and then on to Plymouth.' | 0:20:12 | 0:20:14 | |
-A beautiful day for sailing. -It's a perfect day for sailing. | 0:20:17 | 0:20:20 | |
-It's a perfect day for sailing. -And no other boats out. | 0:20:20 | 0:20:23 | |
'Nirvana is an 80-foot maxi, with an exceptional pedigree, | 0:20:23 | 0:20:26 | |
'winning virtually every classic ocean regatta for five years | 0:20:26 | 0:20:30 | |
'after she was built in 1982.' | 0:20:30 | 0:20:33 | |
'As this is the first vessel that could plausibly take us | 0:20:39 | 0:20:42 | |
'all the way to New York, I decided to explore down below.' | 0:20:42 | 0:20:46 | |
This is the galley area, erm, as we travel along, | 0:20:47 | 0:20:52 | |
we're clearly at something of an angle at the moment, as you can see. | 0:20:52 | 0:20:56 | |
The, er, but the one thing to note about the galley area | 0:20:56 | 0:20:58 | |
is that it is incredibly plush. | 0:20:58 | 0:21:00 | |
Now, normally, racing boats | 0:21:00 | 0:21:01 | |
and maxi racing boats like this are very, very spartan. | 0:21:01 | 0:21:05 | |
It's just the bare minimum and they sleep in bunks, but this one, | 0:21:05 | 0:21:10 | |
this particular one, as you can see around me, it's plush, it's leather! | 0:21:10 | 0:21:14 | |
It's, like, built for tall people, it's fantastic. | 0:21:14 | 0:21:16 | |
Let's have a look at... | 0:21:23 | 0:21:25 | |
..the... This is ridiculous. | 0:21:26 | 0:21:29 | |
Let's have a look at the main bedroom, all right. | 0:21:29 | 0:21:31 | |
Normally, this would be a bunk bed. | 0:21:46 | 0:21:48 | |
This is the captain's quarters, comes with plush bedding area. | 0:21:48 | 0:21:52 | |
Comes with full-length mirror, | 0:21:52 | 0:21:55 | |
comes with lovely view of your crew's legs. | 0:21:55 | 0:21:57 | |
But most of all, apart from if we get past this sofa area here! | 0:21:57 | 0:22:00 | |
Ouff. | 0:22:00 | 0:22:02 | |
Ta-daa! A bath! | 0:22:03 | 0:22:05 | |
Which is the most pointless thing. | 0:22:05 | 0:22:07 | |
Because, obviously, all the water would run down that end. | 0:22:07 | 0:22:10 | |
'And it's little touches like this that charmed its current owner, | 0:22:10 | 0:22:14 | |
'Charlie, into buying the boat 11 years ago.' | 0:22:14 | 0:22:17 | |
And who was the rich man who found the money to build this monster? | 0:22:17 | 0:22:21 | |
-It was Marvin Green. -Yeah. -Who was a television producer. | 0:22:21 | 0:22:26 | |
-A television producer! -That's why this has a television. | 0:22:27 | 0:22:31 | |
We can't imagine that a television producer would make | 0:22:31 | 0:22:34 | |
that sort of money. | 0:22:34 | 0:22:35 | |
There would be letters n the Daily Mail in England | 0:22:35 | 0:22:37 | |
if a television producer managed to make that money. | 0:22:37 | 0:22:40 | |
-What did he produce? -Sesame Street. -Sesame Street. | 0:22:40 | 0:22:43 | |
-Which was quite a success. -Yeah, yeah. | 0:22:43 | 0:22:45 | |
So, the profits from Sesame Street went to build | 0:22:45 | 0:22:49 | |
this state-of-the-art racing boat. | 0:22:49 | 0:22:51 | |
'Nirvana was heading off to the Caribbean, | 0:22:52 | 0:22:54 | |
'so wouldn't be hanging around for long in Boston.' | 0:22:54 | 0:22:58 | |
So, you're leaving here, what time? | 0:22:58 | 0:22:59 | |
We'll be leaving promptly at four o'clock today. | 0:22:59 | 0:23:02 | |
-Four o'clock in the afternoon? -Correct. | 0:23:02 | 0:23:04 | |
So, we're not going to spend the night in Boston | 0:23:04 | 0:23:06 | |
having a tour of all the Irish bars by the sound of it? | 0:23:06 | 0:23:09 | |
-Er, unfortunately, no. -OK. OK, all right, four o'clock. | 0:23:09 | 0:23:14 | |
That gives us about, er... | 0:23:14 | 0:23:17 | |
five hours in Boston to see everything, and do everything. OK. | 0:23:17 | 0:23:20 | |
Oh, Jesus. | 0:23:22 | 0:23:24 | |
When they say it's comfortable down here, you know, | 0:23:27 | 0:23:30 | |
it's not most people's definition of comfort. | 0:23:30 | 0:23:32 | |
-Ha-ha. -Ha-ha-ha-ha. | 0:23:36 | 0:23:38 | |
Brief appearance by the director, there. | 0:23:42 | 0:23:44 | |
If Jamiroquai had a boat, this is what it would be like. | 0:23:45 | 0:23:50 | |
'Boston greeted the golden dawn of the American Revolution, | 0:23:53 | 0:23:57 | |
'by dumping her British tax, tea, into the harbour.' | 0:23:57 | 0:23:59 | |
The Boston Tea Party happened just over there, behind me, | 0:24:00 | 0:24:04 | |
and, honestly, this is the point where Dara becomes extremely Irish. | 0:24:04 | 0:24:08 | |
And I, for the purposes of this particular visit, | 0:24:10 | 0:24:13 | |
will become very Welsh. | 0:24:13 | 0:24:15 | |
Because I have to say that there is no point in standing up, | 0:24:17 | 0:24:21 | |
particularly, for Great Britain in this particular stretch of water. | 0:24:21 | 0:24:24 | |
This is where we celebrate American liberty. | 0:24:24 | 0:24:27 | |
My own private history. I spent some time here. | 0:24:31 | 0:24:34 | |
I'm hoping to sneak away | 0:24:34 | 0:24:35 | |
and just have a look at some of the old haunts. | 0:24:35 | 0:24:37 | |
Ah, it's great being back in Boston, out of puritan New England | 0:24:37 | 0:24:40 | |
and into proper Irish Catholic Boston. | 0:24:40 | 0:24:44 | |
'In the centre of Boston Common, is a statue called America, | 0:24:46 | 0:24:51 | |
'a memorial to those who fought in the Civil War. | 0:24:51 | 0:24:53 | |
'It seemed a good place to review the task ahead.' | 0:24:53 | 0:24:56 | |
Their letter says quite emphatically, | 0:24:59 | 0:25:02 | |
"The choice of vessel is up to you, however, | 0:25:02 | 0:25:04 | |
"this is a very important event for the City of New York | 0:25:04 | 0:25:07 | |
"and the American people and all craft will be reviewed on the day." | 0:25:07 | 0:25:11 | |
Yeah, but like out of five? What are the criteria? | 0:25:11 | 0:25:13 | |
We don't know how many are turning up. | 0:25:13 | 0:25:15 | |
What if the flotilla is huge? Then we want to make some impact. | 0:25:15 | 0:25:18 | |
If we're reviewed really harshly by, you know, The New York Times, | 0:25:18 | 0:25:20 | |
apparently the show shuts down in a day. | 0:25:20 | 0:25:22 | |
That's if, Frank Rich in The New York Times. | 0:25:22 | 0:25:24 | |
-Well. -Phooam, shuts the show down. | 0:25:24 | 0:25:26 | |
-In New York, people make instant decisions. -Yeah. | 0:25:26 | 0:25:29 | |
-AMERICAN ACCENT: "Your boat sucks!" That sort of thing, kind of. -Yeah. | 0:25:29 | 0:25:32 | |
What I'm baffled about is why something sucking should be | 0:25:32 | 0:25:35 | |
a bad thing, surely something sucking is a very good thing. | 0:25:35 | 0:25:38 | |
If someone says, "You suck." I'd say, "Thank you." | 0:25:38 | 0:25:41 | |
Or, you know, "That sucks." "Thank you very much." | 0:25:41 | 0:25:43 | |
What's wrong with the Americans that they think sucking is a bad thing? | 0:25:43 | 0:25:46 | |
"Hey, you suck." "Thank you, ha-ha, I do." | 0:25:46 | 0:25:48 | |
"I almost left my curtains open again." But, no, don't you think? | 0:25:48 | 0:25:51 | |
-Sucking's got to be a good thing. -OK, all right. | 0:25:51 | 0:25:54 | |
But that's probably not what they mean when they say that. | 0:25:54 | 0:25:58 | |
Why are you being drawn into this? | 0:25:58 | 0:26:00 | |
Yeah, I'm on his side. Why are you being drawn in? | 0:26:00 | 0:26:03 | |
It's been suggested that we go and bone up on liberty. | 0:26:03 | 0:26:06 | |
-Ooh, or at least one of us does, yeah. -Liberty. | 0:26:06 | 0:26:09 | |
-You're very good for this. -Fraternity. Equality. | 0:26:09 | 0:26:11 | |
-Yeah, I do equality. -Oh, I see. -I'm all about equality. | 0:26:11 | 0:26:13 | |
You're going to do equality, | 0:26:13 | 0:26:14 | |
you're going to do fraternity, you're going to a pub! | 0:26:14 | 0:26:16 | |
Actually, I'm going to go to a pub | 0:26:16 | 0:26:18 | |
and try and see if I can nail the Boston accent. | 0:26:18 | 0:26:21 | |
-Accents and dialogues. Nostalgia. -Yeah. | 0:26:21 | 0:26:23 | |
-And I'm going to go and do liberty? -Yes, you are. -Yeah. -Thanks. | 0:26:23 | 0:26:27 | |
Good man. | 0:26:27 | 0:26:28 | |
-Shall we walk out? -Shall we walk out of shot, yeah, I think. | 0:26:34 | 0:26:37 | |
'So while the others wander down town, I hopped in a cab west | 0:26:38 | 0:26:42 | |
'to revisit some old haunts that I was first in as a 20-year-old. | 0:26:42 | 0:26:45 | |
'20 years old, by the way, note that. | 0:26:45 | 0:26:49 | |
'The legal drinking age in Boston is 21.' | 0:26:49 | 0:26:52 | |
I didn't see that much of Boston really. | 0:26:52 | 0:26:53 | |
I mean, because I was working 13-hour shifts in the airport | 0:26:53 | 0:26:57 | |
and I'm not going to bring you there. | 0:26:57 | 0:26:59 | |
Um, and then there was the place that we sat around all day, | 0:26:59 | 0:27:03 | |
just a lot of us Irish people drinking illegally. | 0:27:03 | 0:27:06 | |
Which was our flat. I can bring you there. | 0:27:06 | 0:27:09 | |
You see, freedom is everywhere in Boston. | 0:27:16 | 0:27:19 | |
Freedom here, for these people here. | 0:27:19 | 0:27:22 | |
Freedom for these people, here. | 0:27:22 | 0:27:24 | |
Freedom and, er... | 0:27:25 | 0:27:26 | |
Well, perhaps, perhaps not so much freedom for those people there. | 0:27:29 | 0:27:32 | |
'But Boston, for me, was a perfect place to start learning | 0:27:36 | 0:27:39 | |
'a real classic American accent with Professor Connolly.' | 0:27:39 | 0:27:43 | |
-A lot of, most American accents have the rhotic 'r'. -Yes. | 0:27:43 | 0:27:49 | |
And we linguists can say that sort of thing to each other. | 0:27:49 | 0:27:51 | |
A little errr, errr. But, actually, in Boston they don't. | 0:27:51 | 0:27:54 | |
-The word, "carrrr", which we say, like it is in... -Is caah. | 0:27:54 | 0:27:57 | |
Caah, with quite a long... | 0:27:57 | 0:27:59 | |
There are two different pronunciations there, | 0:27:59 | 0:28:02 | |
-but they're both non-rhotic. -Go on, then. | 0:28:02 | 0:28:04 | |
So, you can say, "caah", which is.... | 0:28:04 | 0:28:06 | |
-Or you can say "kaaaaa". -Kaaaa. -Yeah. | 0:28:06 | 0:28:09 | |
And that's when people are trying to imitate a Boston accent, | 0:28:09 | 0:28:12 | |
they'll say things like, "Paaaark, yer kaaa in the Haaavard Yaaard". | 0:28:12 | 0:28:15 | |
-Very few people actually say that. -That's great. | 0:28:15 | 0:28:18 | |
-Paaaark yer kaaa in the Haaarvard Yaaard. -Yeah, you've got the idea. | 0:28:18 | 0:28:20 | |
-How was that? -It was pretty good, yeah. -Do you think so? | 0:28:20 | 0:28:23 | |
'No, it was terrible. | 0:28:25 | 0:28:27 | |
'After the Revolution, | 0:28:27 | 0:28:29 | |
'Boston continued to bang a drum for liberty. | 0:28:29 | 0:28:32 | |
'In the 1780s, Massachusetts became the first state to abolish slavery. | 0:28:32 | 0:28:37 | |
'I'm meeting Beverly Morgan-Welch at the African Meeting House, | 0:28:37 | 0:28:40 | |
'built in 1806 and one of the first black churches in America.' | 0:28:40 | 0:28:45 | |
In this building, this very building we're standing in, | 0:28:47 | 0:28:50 | |
there were important speeches made, and people got up and made testament | 0:28:50 | 0:28:55 | |
and made and pushed forward for the abolition of slavery. | 0:28:55 | 0:28:59 | |
Absolutely, this is the, really, nexus of the abolitionist movement. | 0:28:59 | 0:29:02 | |
And black people are not people who are as shy and as timid | 0:29:02 | 0:29:08 | |
and as shackled, if you will, as the history presents itself. | 0:29:08 | 0:29:13 | |
And they are talking and they are meeting, and they are | 0:29:13 | 0:29:15 | |
determining that if this country says it wants to be independent. | 0:29:15 | 0:29:18 | |
And it says it wants to be a democracy... | 0:29:18 | 0:29:21 | |
And a republic and a voice for all people. | 0:29:21 | 0:29:23 | |
Then let's make it so. | 0:29:23 | 0:29:26 | |
So, here on Beacon Hill, | 0:29:26 | 0:29:28 | |
-this became a sort of beacon for liberty in America. -Absolutely. | 0:29:28 | 0:29:33 | |
'Meanwhile, I've arrived in the neighbourhood of Brighton.' | 0:29:33 | 0:29:37 | |
Oh, my God, it's not changed. | 0:29:38 | 0:29:42 | |
You really think they'd have painted it in the last 20 years. | 0:29:42 | 0:29:44 | |
There were eight of us in four rooms, not a four-bedroom, | 0:29:44 | 0:29:48 | |
four-room flat, right? | 0:29:48 | 0:29:50 | |
Sometimes nine, there were ten towards the end | 0:29:50 | 0:29:52 | |
and 17 on the night that U2 played. | 0:29:52 | 0:29:54 | |
And we slept on mattresses that we found dumped on the street. | 0:29:54 | 0:30:00 | |
So, we arrived, at one stage my mattress was in heavy rotation | 0:30:00 | 0:30:03 | |
and I remember going into change and there was a guy lying there, | 0:30:03 | 0:30:07 | |
and he rolled over, and around him, was his shape in sweat. | 0:30:07 | 0:30:12 | |
(I've always wanted one of these. | 0:30:19 | 0:30:20 | |
(This is, like, the only way I'm ever going to get one of these.) | 0:30:20 | 0:30:24 | |
Sorry, here. Hiya. | 0:30:41 | 0:30:43 | |
Oooh. Sorry. | 0:30:48 | 0:30:50 | |
-I thought you were going without me. -Yeah, we were going to. | 0:30:50 | 0:30:54 | |
-Good to go. We are good to go. -Good. Sorry to keep you. | 0:30:54 | 0:30:57 | |
-Glad you finally made it. -Yes. Sorry, we did say four o'clock. | 0:30:57 | 0:30:59 | |
-That's, well... -I got stuck in a Boston pub, you know what it is. | 0:30:59 | 0:31:03 | |
-That, er, that was... -Sorry, Griff. Should we get Dara up here? | 0:31:11 | 0:31:15 | |
Cos it's so nice to be out here, you know, we're up here with the guys. | 0:31:15 | 0:31:19 | |
And there's a nice view of Boston. | 0:31:19 | 0:31:20 | |
-He's probably on his... -He's bound to be asleep. | 0:31:20 | 0:31:22 | |
I bet, he's probably in Charlie's cabin, isn't he? | 0:31:22 | 0:31:25 | |
-On the Internet. -He might be in the bath! -Playing Angry Birds. | 0:31:25 | 0:31:29 | |
What I'm not seeing is what boat we're on. | 0:31:33 | 0:31:37 | |
I am not seeing Nirvana. | 0:31:37 | 0:31:38 | |
Which, as I recall, was really big. | 0:31:40 | 0:31:43 | |
I presume we're in the same boat. | 0:31:45 | 0:31:47 | |
KNOCKS ON DOOR. Dara? | 0:31:52 | 0:31:55 | |
We must be the first people here. | 0:31:57 | 0:31:59 | |
That is a suspiciously ugly boat for a very pretty marina, though. | 0:32:03 | 0:32:06 | |
-Hi. -Hey, how you doing? -I'm very, very well. | 0:32:08 | 0:32:11 | |
They do tend to do this to us. | 0:32:11 | 0:32:14 | |
I came here expecting some really big, luxury yacht. | 0:32:14 | 0:32:17 | |
-You missed your boat. -Oh, really? -It left about a half an hour ago. | 0:32:17 | 0:32:20 | |
-Where you going? -I'm going to Plymouth. -Well, I'm going that way, | 0:32:20 | 0:32:22 | |
-you want to take a ride? -Can you take me to Plymouth? | 0:32:22 | 0:32:24 | |
-I would love that. That would be fantastic. -Come on board. | 0:32:24 | 0:32:26 | |
-Have they genuinely gone on ahead? -They already left. | 0:32:26 | 0:32:30 | |
There was a time, you see, in this show when you could curse. | 0:32:30 | 0:32:33 | |
See, it all got tidied up in the BBC. | 0:32:33 | 0:32:37 | |
-Oh. -BEEP BEEP. | 0:32:37 | 0:32:38 | |
We'll have to update our course. | 0:32:39 | 0:32:41 | |
Doug, I love your work, but can I, one interruption? | 0:32:41 | 0:32:44 | |
Err. | 0:32:44 | 0:32:46 | |
Good news or bad news? | 0:32:46 | 0:32:47 | |
-I'll have the bad news first. -Dara is not actually on board this boat. | 0:32:49 | 0:32:52 | |
This is some sort of punishment, isn't it? | 0:32:54 | 0:32:57 | |
Griff, Griff, he's behind this probably. | 0:32:57 | 0:32:59 | |
Cos I was all thrilled to be in Boston. | 0:32:59 | 0:33:01 | |
"Ah, I'm in Boston, where the Irish are." | 0:33:01 | 0:33:03 | |
So, they left. | 0:33:03 | 0:33:05 | |
They left in their fancy, poncy boat. | 0:33:05 | 0:33:08 | |
What's the good news then? | 0:33:08 | 0:33:09 | |
You found out that he's on his way in some boat? | 0:33:09 | 0:33:11 | |
The good news is that Dara's not onboard the boat. | 0:33:11 | 0:33:13 | |
Well, I'm on a real boat now, lads. And do you know what? | 0:33:13 | 0:33:17 | |
If this boat rams that boat, only one boat is left. | 0:33:17 | 0:33:21 | |
That's all I'm saying. | 0:33:21 | 0:33:23 | |
LAUGHTER | 0:33:26 | 0:33:27 | |
Let's drink a toast to absent, absent friends. To Dara O'Briain. | 0:33:27 | 0:33:32 | |
All: To Dara O'Briain. Whoever he is. | 0:33:32 | 0:33:35 | |
I'm really been looking forward to having this time, you know. | 0:33:41 | 0:33:43 | |
Just time to find myself. And, look, how lovely is this? | 0:33:43 | 0:33:47 | |
How...inviting is this? | 0:33:47 | 0:33:50 | |
Let me just...slide into bed. | 0:33:50 | 0:33:54 | |
Ooof, Jesus. | 0:33:59 | 0:34:01 | |
There, yeah? | 0:34:03 | 0:34:04 | |
OK, I may be a little cramped in the morning, | 0:34:04 | 0:34:08 | |
but, er, no, this'll do! Nice lads and nice boat, yeah. | 0:34:08 | 0:34:12 | |
I am declaring myself to be content. | 0:34:13 | 0:34:16 | |
If they could just knock off the engine noises, | 0:34:16 | 0:34:19 | |
then I could get some sleep. Perfect. | 0:34:19 | 0:34:22 | |
'So, we were all heading to Plymouth. Some in more luxury than others.' | 0:34:24 | 0:34:29 | |
'Plymouth was founded by the Pilgrims who came over | 0:34:35 | 0:34:37 | |
'on the Mayflower in 1620. | 0:34:37 | 0:34:42 | |
'So, it's known as America's Hometown | 0:34:42 | 0:34:43 | |
'and the birthplace of New England.' | 0:34:43 | 0:34:46 | |
'Griff and I had arrived before Dara | 0:34:48 | 0:34:50 | |
'and gone straight to the Plimoth Plantation. | 0:34:50 | 0:34:52 | |
'A kind of living museum which recreates those early days, | 0:34:52 | 0:34:56 | |
'down to the very last detail.' | 0:34:56 | 0:34:58 | |
'Rory and I had to fit in with the 1620s, | 0:34:59 | 0:35:02 | |
'which meant we had to fit in to period clothes. | 0:35:02 | 0:35:06 | |
'Head of shoe horns was Denise.' | 0:35:06 | 0:35:09 | |
We costume about 62 interpreters, and that includes trial volunteers | 0:35:09 | 0:35:14 | |
and folks that go out to the schools and education programmes. | 0:35:14 | 0:35:18 | |
Right, but the majority of them work in the museum, as it were? | 0:35:18 | 0:35:20 | |
They do. They all do. | 0:35:20 | 0:35:22 | |
Do they work on the, err...err... | 0:35:22 | 0:35:24 | |
on the, I'm going to say Mary Rose, but it's not the Mary Rose. | 0:35:24 | 0:35:27 | |
-No, it's the Mayflower II. -On the Mayflower. | 0:35:27 | 0:35:29 | |
Absolutely, we costume them as well. | 0:35:29 | 0:35:31 | |
I'd say, even the Mayflower didn't have as difficult | 0:35:31 | 0:35:34 | |
a disembarkation as this. | 0:35:34 | 0:35:35 | |
Look at that, up the rusty ladder, | 0:35:35 | 0:35:37 | |
onto the falling apart... Where are they, though? | 0:35:37 | 0:35:40 | |
You're kidding me. | 0:35:43 | 0:35:46 | |
"Dara, hope you had a lovely night. | 0:35:54 | 0:35:56 | |
"We're at the Plimoth Plantation, see you there." | 0:35:56 | 0:36:01 | |
OK, Rory, so are you ready to be a 17th-century Pilgrim? | 0:36:01 | 0:36:04 | |
I am indeed. Now, are you wearing the actual costume that I'll be wearing? | 0:36:04 | 0:36:08 | |
-I am not. -OK. -However, I'm in the modern dress. | 0:36:08 | 0:36:10 | |
-What a shame because I think that's a rather nice look. -Why, thank you. | 0:36:10 | 0:36:13 | |
-It suits you. -Why, thank you. | 0:36:13 | 0:36:14 | |
We'd like to start with you putting on a shirt, | 0:36:14 | 0:36:18 | |
a 17th-century linen shirt. | 0:36:18 | 0:36:19 | |
-OK, do I take this off? -Yes, that would be great. -You say that. | 0:36:19 | 0:36:24 | |
Now, enactors, or what are they called? | 0:36:25 | 0:36:27 | |
-They're not called enactors. -They're called interpreters. | 0:36:27 | 0:36:29 | |
-Are they strictly forbidden to wear watches? -Yes. | 0:36:29 | 0:36:32 | |
-Do you need any help with those or is that...? -That's very kind of you. | 0:36:32 | 0:36:35 | |
-I'll manage, thank you. -It's working out OK. | 0:36:35 | 0:36:36 | |
-I've only just met you. -All right. | 0:36:36 | 0:36:38 | |
And they have to learn to speak in the way that somebody | 0:36:38 | 0:36:42 | |
of that era would have spoken. | 0:36:42 | 0:36:44 | |
They do, er, we have several different dialects | 0:36:44 | 0:36:47 | |
depending on what area in England they were from. | 0:36:47 | 0:36:50 | |
-I like it. -17th-century clothing is pretty tight-fitting. | 0:36:50 | 0:36:53 | |
-And I assume that... -And I'm going to give it a little tug back here. | 0:36:53 | 0:36:58 | |
-There you go, you get a little more. -That's lovely. | 0:36:58 | 0:37:01 | |
-You're a natural. -Why? -Cos it looks just terrific on you. | 0:37:01 | 0:37:05 | |
-You know how to flatter a man. -Well, it's true. | 0:37:06 | 0:37:09 | |
Well, as instructed, I have come to the Plimoth Plantation, | 0:37:14 | 0:37:18 | |
which is a recreation of what the Pilgrims would have found here | 0:37:18 | 0:37:21 | |
in 1627. I presume there's a the Pilgrim part of it. | 0:37:21 | 0:37:25 | |
I'm very definitely in the Native American part of it. | 0:37:25 | 0:37:29 | |
-It's actually what we would call a mashoon. -Right. | 0:37:34 | 0:37:38 | |
Mashoon just means boat in our language. | 0:37:38 | 0:37:41 | |
Ah, but traditionally, | 0:37:41 | 0:37:42 | |
you would have seen boats much larger than this one. | 0:37:42 | 0:37:45 | |
In the time period, they do talk about boats that were easily | 0:37:45 | 0:37:47 | |
60 feet long that would have been wide enough to hold | 0:37:47 | 0:37:49 | |
two rows of 20 people. | 0:37:49 | 0:37:51 | |
-But that's one tree presumably? -Yes. -Yeah. | 0:37:51 | 0:37:52 | |
-Which Native American tribe is this? -We're Wampanoag. | 0:37:52 | 0:37:56 | |
Wampanoag people have been living in this area | 0:37:56 | 0:37:59 | |
for about 15-20 thousand years. | 0:37:59 | 0:38:00 | |
And were Wampanoag the tribe who had that first interaction | 0:38:00 | 0:38:03 | |
-with the Pilgrims? -Yes. | 0:38:03 | 0:38:04 | |
You were the first to attend that very first Thanksgiving. Am I right? | 0:38:04 | 0:38:07 | |
-Yes. -About 80 Wampanoag sat down. -There were about 90 men. | 0:38:07 | 0:38:11 | |
-90 men. Sat down for the first Thanksgiving. -Uh-huh. | 0:38:11 | 0:38:14 | |
Importantly, so it's one tree. | 0:38:16 | 0:38:17 | |
So, do you carve it out and charcoal the middle of it or...? | 0:38:17 | 0:38:19 | |
Actually, it's all done with burning. | 0:38:19 | 0:38:22 | |
Traditionally, you would see a fire the full length of the log, | 0:38:22 | 0:38:25 | |
burning around the clock, 24 hours a day. | 0:38:25 | 0:38:27 | |
OK, so why do this rather than just chiselling it out? | 0:38:27 | 0:38:29 | |
Well, the burning process not just hollows it, | 0:38:29 | 0:38:31 | |
-it actually hardens the wood. -Yeah. | 0:38:31 | 0:38:33 | |
As well as it smoothens it and it waterproofs it. | 0:38:33 | 0:38:35 | |
That's why you want to work with a very green tree. | 0:38:35 | 0:38:37 | |
Right, cos there's sap in the tree? | 0:38:37 | 0:38:39 | |
Exactly, and all that sap will get pushed right to the outside | 0:38:39 | 0:38:41 | |
so all the pores will get sealed full of sap. | 0:38:41 | 0:38:43 | |
So, how long would it have taken to make, like, one this size? | 0:38:43 | 0:38:46 | |
Well, for one this size. | 0:38:46 | 0:38:47 | |
If we were burning 24 hours a day, have it done in about a week. | 0:38:47 | 0:38:50 | |
I couldn't get a ride in one of these, could I? Is there...? | 0:38:50 | 0:38:52 | |
-Maybe later on. -Really, what's that? | 0:38:52 | 0:38:55 | |
We're actually going to be going to a clambake later. | 0:38:55 | 0:38:57 | |
Nice! I've heard of a clambake a lot, is that also a Native thing? | 0:38:57 | 0:39:01 | |
It is. It's more of like a cooking with food, but with seaweed. | 0:39:01 | 0:39:06 | |
Like a form of steaming it almost, but it tastes really, really good. | 0:39:06 | 0:39:09 | |
Griff? Griff? | 0:39:16 | 0:39:18 | |
RORY LAUGHS | 0:39:21 | 0:39:23 | |
GRIFF CHUCKLES | 0:39:23 | 0:39:24 | |
-Very dashing. Very, very dashing, my friend. -Well, brother McGrath. | 0:39:24 | 0:39:29 | |
God be praised. | 0:39:29 | 0:39:31 | |
GRIFF CHUCKLES | 0:39:31 | 0:39:32 | |
You look...that's very good, quite cavalier. | 0:39:33 | 0:39:35 | |
I'm afraid you've got a silly hat. | 0:39:35 | 0:39:38 | |
But this is for you, Griff. I mean, I've seen you at the golf club | 0:39:40 | 0:39:44 | |
on Tuesday nights, and that's very typical, that's what you usually... | 0:39:44 | 0:39:47 | |
-There's something slightly Guy Faulksian about you. -Good. | 0:39:47 | 0:39:50 | |
-Interestingly enough, is that a goatee beard? -No. -Are you sure? -No. | 0:39:50 | 0:39:54 | |
Because I've read somewhere that there's an old law | 0:39:54 | 0:39:56 | |
of the Commonwealth of Massachusetts that says you cannot | 0:39:56 | 0:39:59 | |
have a beard like that without a licence. | 0:39:59 | 0:40:01 | |
GRIFF LAUGHS | 0:40:01 | 0:40:03 | |
'We don't have a licence to speak the American Mummerset dialect of | 0:40:03 | 0:40:08 | |
'the 1600s either, so we're forbidden to interact with the public. | 0:40:08 | 0:40:13 | |
'Nonetheless, we're ordered to stay in character at all times.' | 0:40:13 | 0:40:17 | |
-Good morrow. -Good morrow. | 0:40:19 | 0:40:20 | |
-My name is Griffith and this is Mr Rory McGrath. -Your servant. | 0:40:20 | 0:40:25 | |
My servant? You don't look like my servant. | 0:40:25 | 0:40:27 | |
But, indeed, I appreciate the gesture, good sir. | 0:40:27 | 0:40:29 | |
Fit these men up with a pair. | 0:40:29 | 0:40:31 | |
'Our duties were with the head of the garrison, Scott.' | 0:40:31 | 0:40:34 | |
I shall say, advance your pike to the first. | 0:40:34 | 0:40:37 | |
Come on, now, put that right hand up where it's going to guard your face. | 0:40:37 | 0:40:41 | |
Put your left hand down and guard whatever you will. | 0:40:41 | 0:40:43 | |
RORY CHUCKLES | 0:40:43 | 0:40:44 | |
And to the second! | 0:40:44 | 0:40:46 | |
To the third! | 0:40:46 | 0:40:48 | |
Ah-ha-ha-ha. | 0:40:48 | 0:40:49 | |
-Beautiful. How'd you get on, Griff? -Badly. | 0:40:49 | 0:40:51 | |
-Get it inside your foot. -I'd like to do that again, sir, if I may. | 0:40:51 | 0:40:54 | |
You'll be doing it again till it gets right. | 0:40:54 | 0:40:56 | |
I shall have you first to port your pikes. As such. | 0:40:56 | 0:40:59 | |
Right, men, port your pike! Upon the command. | 0:41:00 | 0:41:04 | |
Now, if you were to advance in that position, will they stand there? | 0:41:04 | 0:41:10 | |
Or will they scurry? | 0:41:10 | 0:41:12 | |
Pikemen, prepare to march. And march. | 0:41:12 | 0:41:15 | |
Stand! And stand! | 0:41:18 | 0:41:20 | |
-ALL: Raargh. -That's it. That's it. | 0:41:22 | 0:41:24 | |
-Raargh. -ALL: Raargh. | 0:41:24 | 0:41:26 | |
-Recover. Roar again. -ALL: Raargh. | 0:41:26 | 0:41:28 | |
-Recover. -Raargh. | 0:41:28 | 0:41:30 | |
Hang on. Where did that come from? | 0:41:30 | 0:41:33 | |
I just got carried away there, sir, forgive me, sir. | 0:41:33 | 0:41:36 | |
Your zeal is appreciated. Advance your pike. | 0:41:36 | 0:41:39 | |
-What's that again? -Advance your pike. | 0:41:39 | 0:41:41 | |
-Ow, ah-ha-ha. -Now he's stabbed himself in the foot. | 0:41:43 | 0:41:45 | |
Now you'll remember which is the right foot. | 0:41:45 | 0:41:47 | |
May I talk to your men? How did he make the crossing? | 0:41:47 | 0:41:50 | |
-Is my first question. -Well. -I wasn't carrying a pike. -Well, that's true. | 0:41:50 | 0:41:56 | |
But look, this village is short of rations | 0:41:56 | 0:41:58 | |
but, seemingly, you've done OK. | 0:41:58 | 0:41:59 | |
-Sir, who be you? -Who's got the tallest pike here? | 0:41:59 | 0:42:02 | |
-Have we met before? -We have never met before. | 0:42:02 | 0:42:04 | |
-Who is this man who talks in this strange tongue? -Yeah. | 0:42:04 | 0:42:07 | |
With peculiar words, words of the devil. | 0:42:07 | 0:42:09 | |
I-I'm sure I've seen you in a sketch by Benny Hill. | 0:42:09 | 0:42:12 | |
Could you just do this? | 0:42:12 | 0:42:14 | |
-Like that. -Was he in a sketch of some kind? | 0:42:14 | 0:42:17 | |
I'm sure I have seen, I have bought | 0:42:17 | 0:42:18 | |
a small version of you in a gift shop in Swansea. | 0:42:18 | 0:42:21 | |
The, err, it was... | 0:42:21 | 0:42:24 | |
You look like a tiny doll, representing the best of Wales. | 0:42:24 | 0:42:27 | |
And may I say, as a visitor, if I was a Native American, | 0:42:27 | 0:42:31 | |
I'd go through the middle. | 0:42:31 | 0:42:33 | |
I'd go straight through the middle, under your pikes. | 0:42:33 | 0:42:35 | |
You say that, we'll give him typhoid on the way through. | 0:42:35 | 0:42:37 | |
-We have a request of thee. -Yes. | 0:42:39 | 0:42:42 | |
-Could you escort us from this place? -I could, I could. | 0:42:42 | 0:42:44 | |
To a place of lunch. | 0:42:44 | 0:42:46 | |
I could. I know a place where vittles...vittles, vittles, | 0:42:46 | 0:42:50 | |
will vittles do? Vittles will be served soon. | 0:42:50 | 0:42:52 | |
Just take us, as far as the gate would be fine. | 0:42:52 | 0:42:56 | |
Take us as far as the gate and then from there on perhaps it would be | 0:42:56 | 0:42:59 | |
possible for us to revert to the characters as you formally knew us. | 0:42:59 | 0:43:04 | |
-Could we possibly leave the pike? Cos it...my... -Oh, I'll leave... | 0:43:04 | 0:43:08 | |
-It's not that sort of restaurant. -My vittles joint has a no-pike thing. | 0:43:08 | 0:43:11 | |
'Back in the slightly less authentic real world, we go to meet a rock.' | 0:43:13 | 0:43:18 | |
I find something sweet about this in, a kind of a... | 0:43:19 | 0:43:22 | |
Every country has their creation myth. | 0:43:22 | 0:43:24 | |
-Yeah. -But they can actually place it here. | 0:43:24 | 0:43:26 | |
-In a Japanese... -It's not actually the rock they stepped on, is it? | 0:43:26 | 0:43:29 | |
-Is it not? -No, there were lots of candidates for that actual rock. | 0:43:29 | 0:43:32 | |
It was just chosen as a rock sometime in the 18th century. | 0:43:32 | 0:43:35 | |
The thing about the Plymouth rock, it hasn't got, | 0:43:35 | 0:43:37 | |
"Greetings from Plymouth" written all the way through it, | 0:43:37 | 0:43:39 | |
which has rather disappointed me. | 0:43:39 | 0:43:41 | |
Here we sit, we're looking at it, where do we stand on it? | 0:43:41 | 0:43:44 | |
Do we think that it helps us in any way? | 0:43:44 | 0:43:46 | |
Does it say anything about egalita...? | 0:43:46 | 0:43:48 | |
No, well it's a rock. I don't think... | 0:43:48 | 0:43:49 | |
No. The Thanksgiving dinner may, perhaps, be a good sign of egalit... | 0:43:49 | 0:43:52 | |
Now, I think, I think that's fraternity. | 0:43:52 | 0:43:54 | |
I think the Native Americans | 0:43:54 | 0:43:56 | |
and the settlers coming together to give thanks | 0:43:56 | 0:44:00 | |
Right, liberty? | 0:44:00 | 0:44:01 | |
No, it has nothing to do with liberty either, | 0:44:01 | 0:44:03 | |
it's just a place where people put a foot on ground. | 0:44:03 | 0:44:05 | |
There was liberty, cos the people who came over, | 0:44:05 | 0:44:07 | |
-they were suffering persecution, weren't they? -Yeah. | 0:44:07 | 0:44:10 | |
It symbolises what the Statue of Liberty also symbolises. | 0:44:10 | 0:44:14 | |
Which is bring me your poor, your huddled masses, | 0:44:14 | 0:44:16 | |
bring me the persecuted people of the world. Yeah. | 0:44:16 | 0:44:19 | |
Bring them to this country and settle them down | 0:44:19 | 0:44:22 | |
and get them to work in a fast food outlet. | 0:44:22 | 0:44:25 | |
How appropriate that they should first set foot on a rock | 0:44:25 | 0:44:29 | |
with 1620 engraved on the side of it. | 0:44:29 | 0:44:31 | |
-Handy, isn't it? -They thought, "That's useful." | 0:44:31 | 0:44:33 | |
They wouldn't have seen it cos it's engraved on this side. | 0:44:33 | 0:44:36 | |
Why isn't it the other way? | 0:44:36 | 0:44:37 | |
Let's go look at the other great symbol, the Mayflower. | 0:44:37 | 0:44:40 | |
There couldn't be a more ideal boat than The Mayflower, really. | 0:44:47 | 0:44:50 | |
Well, it ticks all the boxes in many ways. | 0:44:50 | 0:44:53 | |
-Visitors, British visitors. -Yeah. -First stepping in. | 0:44:53 | 0:44:57 | |
Stepping in, I mean, there'd be tears, | 0:44:57 | 0:44:59 | |
there'd be weeping on seeing the Mayflower. | 0:44:59 | 0:45:00 | |
The Mayflower from the Statue of Liberty. | 0:45:00 | 0:45:02 | |
-This one. -Two giants collide. | 0:45:02 | 0:45:04 | |
This one is seaworthy, it made its way here in 1957 | 0:45:04 | 0:45:09 | |
or something like that. So, it's a replica, it's not the real thing. | 0:45:09 | 0:45:12 | |
-No, of course not. -And it's obviously being a replica. | 0:45:12 | 0:45:15 | |
And it was built in Devon, wasn't it? | 0:45:15 | 0:45:18 | |
-Something like that. -Yeah, so. -So, in every way. -It's perfect. | 0:45:18 | 0:45:21 | |
If we could get that boat down to New York. | 0:45:21 | 0:45:24 | |
It didn't come from Plymouth anyway, it came from Harwich. | 0:45:24 | 0:45:28 | |
But I thought THEY came from Plymouth. | 0:45:28 | 0:45:30 | |
THEY came from Harwich, on the Mayflower, originally, and then | 0:45:30 | 0:45:34 | |
they went to Plymouth. Plymouth was just the last place they left. | 0:45:34 | 0:45:38 | |
This place should be called Harwich. | 0:45:40 | 0:45:42 | |
It should be called the Harwich Rock. | 0:45:42 | 0:45:44 | |
But we're in the middle of New England, | 0:45:44 | 0:45:46 | |
there's bound to be a Harwich two miles down there. | 0:45:46 | 0:45:48 | |
And another one two miles down there as well. | 0:45:48 | 0:45:51 | |
'This boat would be the perfect vessel to take to New York. | 0:45:52 | 0:45:56 | |
'So, we sent Rory on a charm offensive to see if he could | 0:45:56 | 0:45:59 | |
'get Peter, the man in charge of Mayflower II, to let us have it.' | 0:45:59 | 0:46:02 | |
Now, that to me, looks like a magnificent, historic boat. | 0:46:02 | 0:46:06 | |
I mean, how authentic is the replica? | 0:46:06 | 0:46:08 | |
Well, it's as authentic as we can know. | 0:46:08 | 0:46:10 | |
It was very thoroughly researched back in the '50s by a man | 0:46:10 | 0:46:14 | |
named William Baker. I think he spent six years trying | 0:46:14 | 0:46:17 | |
to decide what the Mayflower II would have looked like. | 0:46:17 | 0:46:19 | |
Well, the question I'm leading up to asking, I suppose, | 0:46:19 | 0:46:22 | |
is that we are here to take part in a flotilla, | 0:46:22 | 0:46:23 | |
which is to commemorate the 125th anniversary of the Statue of Liberty. | 0:46:23 | 0:46:27 | |
Oh, nice. | 0:46:27 | 0:46:28 | |
And they've asked us to choose a boat which has a distinct connection | 0:46:28 | 0:46:33 | |
to America and Britain. And something historical and imposing-looking | 0:46:33 | 0:46:37 | |
and I just think that ship is just the perfect candidate for it. | 0:46:37 | 0:46:42 | |
In more than one way that is the perfect candidate for it. | 0:46:42 | 0:46:44 | |
The Mayflower was built as a gesture of thanks from the people of England | 0:46:44 | 0:46:47 | |
to the people of the United States, following World War II. And one | 0:46:47 | 0:46:50 | |
of the builders, one of the founders of that project, Warwick Charlton, | 0:46:50 | 0:46:54 | |
was thinking on the terms of the Statue of Liberty. | 0:46:54 | 0:46:56 | |
The way that the French gave the Statue of Liberty | 0:46:56 | 0:46:58 | |
to the United States. | 0:46:58 | 0:46:59 | |
It would be a terrific, symbolic and actual voyage. | 0:46:59 | 0:47:04 | |
A perfect choice. | 0:47:04 | 0:47:05 | |
However... | 0:47:05 | 0:47:07 | |
It's a very expensive undertaking, requiring us to train a crew. | 0:47:07 | 0:47:11 | |
And we don't have an engine on Mayflower | 0:47:11 | 0:47:13 | |
so we'd have to hire a tugboat to get us out of this very.... | 0:47:13 | 0:47:15 | |
-We've got four days. -Well, we need a few more than that. | 0:47:15 | 0:47:18 | |
We've got three able crew. | 0:47:18 | 0:47:21 | |
So, I'll tell you what, I don't know if this will | 0:47:21 | 0:47:23 | |
change your mind at all but, you know. | 0:47:23 | 0:47:25 | |
We want to take your ship to New York. What do you reckon? | 0:47:25 | 0:47:29 | |
I think you're going to need a little wad of money | 0:47:29 | 0:47:31 | |
-a little bit bigger than that. -OK. | 0:47:31 | 0:47:32 | |
-Let's go and see if he's got it. -Yeah. | 0:47:32 | 0:47:34 | |
That would really be a surprise, if Rory says, "I've got it." | 0:47:34 | 0:47:37 | |
'Down at Plymouth Beach, far out on a spit of land, | 0:47:37 | 0:47:41 | |
'the Native Americans had organised a clambake. | 0:47:41 | 0:47:43 | |
'All we had to do was get there. A mile and a half by dugout canoe. | 0:47:43 | 0:47:50 | |
'It's a long way in a primitive craft, | 0:47:50 | 0:47:52 | |
'and even further with primitive rowers.' | 0:47:52 | 0:47:54 | |
Are you giving us a life jacket or are we getting them...? | 0:47:54 | 0:47:56 | |
-We got two in here in each boat. -So if we need them it's fine. | 0:47:56 | 0:47:59 | |
-You won't need 'em, I'm a good driver. -Excellent. | 0:47:59 | 0:48:02 | |
I'm not an excellent co-pilot, though. | 0:48:02 | 0:48:04 | |
That's why I'm going to be in the back, | 0:48:04 | 0:48:06 | |
-you're going to be in the front. -Fine. | 0:48:06 | 0:48:07 | |
Whey! | 0:48:11 | 0:48:12 | |
-OK. -Let's get out of that surf. | 0:48:12 | 0:48:15 | |
Which side are you canoeing? | 0:48:16 | 0:48:19 | |
-That one there. There we go. -Hold on. | 0:48:19 | 0:48:23 | |
He-hee. | 0:48:26 | 0:48:27 | |
Hey, hey, hey, hey, hey. OK. Woah. | 0:48:30 | 0:48:34 | |
-Oh! Oh, oh, ooh. -That is not funny. | 0:48:34 | 0:48:38 | |
-This is a very unstable boat. -Cheeky. | 0:48:38 | 0:48:39 | |
I think an hour's going to be optimistic. | 0:48:44 | 0:48:46 | |
-How many strokes each side would you say? -Whatever you think is best. -OK. | 0:48:49 | 0:48:54 | |
This feels very different from canoes I've been in but, you know, | 0:48:58 | 0:49:02 | |
touch wood! | 0:49:02 | 0:49:03 | |
-Ga-aah. -That's me, sorry. -Aah. -It's all right. | 0:49:23 | 0:49:26 | |
How far do they want us to go? Can we not just go back in now? | 0:49:27 | 0:49:30 | |
We've demonstrated the practicality of sailing these canoes. | 0:49:30 | 0:49:35 | |
And I get the feeling that we should head right for the shore now | 0:49:35 | 0:49:39 | |
and get out of it. | 0:49:39 | 0:49:41 | |
I think we're going to the clambake, which is farther up. | 0:49:41 | 0:49:43 | |
-How far up is that? -Past that white house. | 0:49:43 | 0:49:46 | |
-We saw a shark out here during the summer. -A shark? -A black shark. | 0:49:48 | 0:49:53 | |
-About a ten-footer. -Really? -Yeah. -Is he here now, do you think? -No. | 0:49:53 | 0:49:58 | |
-Where did you take...? -Whaay. | 0:49:58 | 0:50:00 | |
Watch out, there. You don't want to be hitting that one. | 0:50:00 | 0:50:03 | |
There's great whites in these waters during the summer. | 0:50:03 | 0:50:05 | |
-Really? -Yeah. | 0:50:05 | 0:50:07 | |
Despite my best efforts, this boat is too light. | 0:50:07 | 0:50:09 | |
This is a great distance for us to travel as novices. | 0:50:11 | 0:50:15 | |
-What's the distance we're going now? -What's the distance? | 0:50:15 | 0:50:18 | |
-About a mile and a half. -OK, a mile and a half. -Close to two miles. | 0:50:18 | 0:50:22 | |
Not too far to go now. | 0:50:22 | 0:50:24 | |
This is a weird feeling. It's like being in a pair of jeans | 0:50:41 | 0:50:45 | |
that's about five sizes too small for you, you know? | 0:50:45 | 0:50:47 | |
And you can't really move. | 0:50:47 | 0:50:49 | |
But, luckily, Brian, are you still there? | 0:50:51 | 0:50:54 | |
-Paddling on, paddling on! -All right, excellent. -OK, good. All right. | 0:51:09 | 0:51:16 | |
-Woah, woah, woah, woah. -We deserve this clambake. | 0:51:16 | 0:51:20 | |
-Man, do we ever. -GRIFF LAUGHS | 0:51:20 | 0:51:22 | |
I couldn't believe it when they said. I said, "Where are we going?" | 0:51:22 | 0:51:25 | |
"Just the little, white house over there." | 0:51:25 | 0:51:28 | |
The little, white house is all the way back there! | 0:51:28 | 0:51:30 | |
-ALL LAUGH -I had to tell you that. | 0:51:30 | 0:51:33 | |
If I told you down here, you would've turned around. | 0:51:33 | 0:51:36 | |
Now, we kiss the land we've landed on. | 0:51:36 | 0:51:37 | |
-What? So, this is like our arrival on Plymouth Rock, is it? -Ah. | 0:51:37 | 0:51:41 | |
Just because you kiss it don't mean you own it! | 0:51:44 | 0:51:45 | |
GRIFF LAUGHS | 0:51:45 | 0:51:47 | |
-Hey, great work. That was really good fun. -I enjoyed that. -Well done. | 0:51:47 | 0:51:51 | |
'So, other than to get us wet, tired and grumpy, | 0:51:52 | 0:51:55 | |
'we got a chance to bond with our new Native friends.' | 0:51:55 | 0:51:58 | |
'Which was just as well because they and their families | 0:51:59 | 0:52:02 | |
'were about to feed us.' | 0:52:02 | 0:52:04 | |
-Now, Brian. -Yes. -Where's the seafood? | 0:52:04 | 0:52:07 | |
The sea food, well, you got to go get it. | 0:52:07 | 0:52:09 | |
You didn't come here for no reason, we need help too, | 0:52:09 | 0:52:11 | |
so, you got to go dig for some clams. | 0:52:11 | 0:52:13 | |
Somebody collected all these rocks. | 0:52:13 | 0:52:15 | |
They collected all this wood. They collected all this seaweed. | 0:52:15 | 0:52:17 | |
-Now you want me to get you food on top of that? -Oh, OK. | 0:52:17 | 0:52:20 | |
I did all this, next thing you know you want me to build you a house. | 0:52:20 | 0:52:23 | |
OK, point me at a lobster. | 0:52:23 | 0:52:25 | |
At a lobster. OK, well, in that gully, | 0:52:25 | 0:52:27 | |
-I'm sure we can find some. -OK. | 0:52:27 | 0:52:29 | |
Have you ever had one of... What are they called, ple-theee, | 0:52:35 | 0:52:38 | |
plathathathagh, which are barnicles which the Spanish eat? | 0:52:38 | 0:52:40 | |
-Plathathatha? -Plathathatha, yeah. | 0:52:40 | 0:52:42 | |
-Percebe, I think. -Percebe. | 0:52:42 | 0:52:44 | |
-Wait a minute. What is this? Oh! -We found a lobster! | 0:52:47 | 0:52:50 | |
-Oh, my God, you're kidding me! -Wow! | 0:52:50 | 0:52:52 | |
Just happened to be having a wander around. | 0:52:52 | 0:52:55 | |
-Oh, my God! -It's even got elastic bands on its claws. | 0:52:57 | 0:53:00 | |
-I can't wait for them. -Careful! | 0:53:00 | 0:53:03 | |
One of the fishermen told us that there are eight million lobster pots | 0:53:05 | 0:53:08 | |
on the New England coast, which means | 0:53:08 | 0:53:11 | |
there's lots of lobsters, which means this isn't that surprising. | 0:53:11 | 0:53:14 | |
Cos they get trapped in here when it moves out and aaah, | 0:53:14 | 0:53:17 | |
he's all spindley, and he's all grabby. | 0:53:17 | 0:53:19 | |
All right. I'm going to delicately transport him back. | 0:53:19 | 0:53:23 | |
-Woah. -Watch out, that'll take your head off. | 0:53:32 | 0:53:34 | |
Don't get too attached to that lobster, Griff, you know, don't | 0:53:34 | 0:53:37 | |
start bonding with it because we're going to stick it on the fire. | 0:53:37 | 0:53:39 | |
Never name your food. | 0:53:39 | 0:53:41 | |
I spent most of my nights in something called | 0:53:42 | 0:53:44 | |
The Thirsty Duck, I think. | 0:53:44 | 0:53:45 | |
Who's going to walk over them first? Come on, Rory, let's go. | 0:53:46 | 0:53:49 | |
You can do it. You can do it, we believe that you can. | 0:53:51 | 0:53:54 | |
How glowing! | 0:53:54 | 0:53:56 | |
'With the stones now hot enough, | 0:53:57 | 0:53:59 | |
'we spread them out and covered them in wet seaweed.' | 0:53:59 | 0:54:02 | |
Oh, that's hotter than it looks, isn't it? | 0:54:03 | 0:54:05 | |
-Oh. -It is hot, isn't it? -Good crackling noise there, guys. | 0:54:06 | 0:54:10 | |
Oh, I see, you just stick 'em on the mats and stick 'em in. | 0:54:13 | 0:54:15 | |
'Delicately handwoven rush matting goes straight on the fire now | 0:54:15 | 0:54:19 | |
'to form a protective layer, | 0:54:19 | 0:54:20 | |
'so that the lobsters and clams can be smoked and steamed and baked.' | 0:54:20 | 0:54:25 | |
-Excellent. Lovely stuff. -Can you bring it right over there, please. | 0:54:25 | 0:54:30 | |
-A little wait on those. -OK, cool. | 0:54:30 | 0:54:34 | |
-Brian, do you have a wine list? -A wine list? | 0:54:34 | 0:54:37 | |
We've got a good Merlot that's available. | 0:54:37 | 0:54:41 | |
But you got to paddle back and go get it, we left it over there, so. | 0:54:41 | 0:54:44 | |
No, no wine. | 0:54:44 | 0:54:46 | |
-Put that one on. Then more. -Perfect. | 0:54:46 | 0:54:48 | |
-Seaweed? -More seaweed, we're going to cover this, | 0:54:48 | 0:54:50 | |
-as much as we can get on it, guys. -OK. | 0:54:50 | 0:54:53 | |
Well, | 0:55:04 | 0:55:05 | |
the sun's going down over there after a beautiful day | 0:55:05 | 0:55:08 | |
and we're just waiting for our lobsters and clams to, er, broil up. | 0:55:08 | 0:55:13 | |
And, perhaps be, apparently, the most delicious food | 0:55:14 | 0:55:17 | |
you could ever eat. | 0:55:17 | 0:55:18 | |
Difficult to know whether things are going well. | 0:55:21 | 0:55:23 | |
I suppose you could say that they are, in some ways. | 0:55:23 | 0:55:27 | |
In other ways, not so well. | 0:55:27 | 0:55:29 | |
We haven't really got close to the right boat for our trip. | 0:55:29 | 0:55:34 | |
Those little canoes we were in, inherently unstable, | 0:55:34 | 0:55:37 | |
we couldn't do eight knots in them, and it's three and a half miles | 0:55:37 | 0:55:40 | |
and just one and a half miles nearly killed us. | 0:55:40 | 0:55:43 | |
We've been in Nirvana, | 0:55:43 | 0:55:45 | |
but Nirvana's sailing away down south and can't help us. | 0:55:45 | 0:55:48 | |
We've been in various antique and beautiful boats but we don't know | 0:55:48 | 0:55:51 | |
whether they represent, for us, any real contribution | 0:55:51 | 0:55:55 | |
to the idea, either, of liberty or being the three men in a boat. | 0:55:55 | 0:56:00 | |
I think we still have some difficult choices ahead of us. | 0:56:00 | 0:56:03 | |
But, in the meantime, I suppose we'll have to just sit on the beach | 0:56:03 | 0:56:07 | |
and eat lobster. | 0:56:07 | 0:56:09 | |
It's tough. | 0:56:10 | 0:56:12 | |
Keep going. Pull it. Get that mat off. We've got to get that mat off. | 0:56:15 | 0:56:19 | |
-Wow. -Look at that. -Look at this! | 0:56:19 | 0:56:22 | |
Mmmm. Oh, man, that's good. Wow. | 0:56:23 | 0:56:27 | |
-They're not bright red through. -Not just bright red. | 0:56:27 | 0:56:29 | |
-We'll pick the ones that are...need a little bit. -OK. | 0:56:29 | 0:56:34 | |
Did you just use a stone to open a lobster? | 0:56:36 | 0:56:40 | |
-You've gone native. -I've gone native. -Completely. | 0:56:40 | 0:56:42 | |
-We have utensils too, you know. -Really? | 0:56:43 | 0:56:45 | |
-We can get you a fork or a bowl. -Oh, no. | 0:56:45 | 0:56:48 | |
-Unbelievable taste. -He's going to run wild into the... | 0:56:48 | 0:56:51 | |
The smoke and the seaweed. The flavours taste like | 0:56:51 | 0:56:54 | |
drinking Laphroaig whisky. | 0:56:54 | 0:56:56 | |
Really, really, sort of, deep seaweedy, iodiney taste. | 0:56:56 | 0:57:00 | |
-It's beautiful. -Take the claw. -OK. | 0:57:00 | 0:57:03 | |
We can, I mean, you know, they're fresh through. | 0:57:06 | 0:57:09 | |
Oh, wow, God. | 0:57:10 | 0:57:11 | |
You get the water coming through first, don't you? | 0:57:11 | 0:57:13 | |
-Yeah, but then you get a hit of it. -OK. | 0:57:13 | 0:57:16 | |
Is there a sort of toast | 0:57:22 | 0:57:24 | |
or cheers or something you can say in your language? | 0:57:24 | 0:57:27 | |
-Yep. Huuurgh. -Huuurgh. -Huuurgh. -Huurgh. -Huurgh. | 0:57:27 | 0:57:31 | |
What does, how do you translate that? | 0:57:31 | 0:57:33 | |
-It means, all right. -All right. -Huuurgh. -Huuurgh. -We all say... | 0:57:33 | 0:57:37 | |
ALL: Huuurgh. | 0:57:37 | 0:57:38 | |
And we also say... | 0:57:38 | 0:57:39 | |
ALL: Mmmmm. | 0:57:39 | 0:57:42 | |
And what, how would you say thank you? | 0:57:42 | 0:57:44 | |
-Ka tappa ta. -ALL: Ka tappa ta. | 0:57:44 | 0:57:46 | |
Ka tappa ta. | 0:57:46 | 0:57:47 | |
Well, on behalf of the three men, ka tappa tas. | 0:57:47 | 0:57:52 | |
'In the next Three Men:' | 0:57:59 | 0:58:00 | |
'Time is running out to find a boat for that flotilla.' | 0:58:00 | 0:58:02 | |
It's got to do eight knots and it's got to have a hooter. | 0:58:02 | 0:58:04 | |
BOOT HOOTS | 0:58:04 | 0:58:06 | |
'The task proves to be more difficult than we thought.' | 0:58:06 | 0:58:08 | |
It's useless there's nothing here, we're too late, | 0:58:08 | 0:58:10 | |
we've left it too late. | 0:58:10 | 0:58:12 | |
'But on the way into New York, | 0:58:12 | 0:58:14 | |
'Dara lives his American dream.' | 0:58:14 | 0:58:17 | |
'Griff finds boating nirvana'. | 0:58:18 | 0:58:21 | |
We'd be representing British craftsmanship. | 0:58:21 | 0:58:23 | |
Exactly, the American flag, what better way to sail into the Hudson? | 0:58:23 | 0:58:27 | |
'And Rory. Well, he seems happy too.' | 0:58:27 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:38 | 0:58:41 | |
E-mail [email protected] | 0:58:41 | 0:58:44 |