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'So far, on our quest to find a boat | 0:00:02 | 0:00:04 | |
'to take to the 125th birthday party of the Statue of Liberty... | 0:00:04 | 0:00:07 | |
'..we've nearly bagged the Mayflower II...' | 0:00:07 | 0:00:10 | |
We want to take your ship to New York. What do you reckon? | 0:00:10 | 0:00:13 | |
I think you need a wad of money a little bigger than that! | 0:00:13 | 0:00:17 | |
'..nearly stuck Rory's head on a pike...' | 0:00:17 | 0:00:19 | |
Stand and stab! | 0:00:19 | 0:00:22 | |
-ALL: -Raarr! | 0:00:22 | 0:00:23 | |
'..and nearly left Dara behind...' | 0:00:23 | 0:00:25 | |
Dara is not actually on board this boat. | 0:00:25 | 0:00:29 | |
-They've genuinely gone on ahead? -They already left! | 0:00:29 | 0:00:32 | |
Now we've just five days to find a boat we can all agree on... | 0:00:32 | 0:00:36 | |
-You, stop crawling up to him. -It's a boat I've seen. | 0:00:36 | 0:00:39 | |
-'And it's available...' -I think we just missed you. | 0:00:39 | 0:00:41 | |
'..and get to New York in time for the party.' | 0:00:41 | 0:00:46 | |
Right, is the fun part over then? Is it now just blag a boat time? | 0:00:46 | 0:00:49 | |
-Any boat. -Time is running out. | 0:00:49 | 0:00:51 | |
It's got to do eight knots and have a hooter. | 0:00:51 | 0:00:53 | |
'We've left Plymouth on board the sports fishing boat, the Andy Lynn, | 0:01:09 | 0:01:12 | |
'with skipper Mario, to cross Cape Cod Bay. | 0:01:12 | 0:01:14 | |
'We're on the trail of a boat with an extraordinary history, | 0:01:17 | 0:01:20 | |
'one that may be a strong contender to take to New York.' | 0:01:20 | 0:01:24 | |
We can just see Cape Cod now, coming out ahead of us, | 0:01:25 | 0:01:28 | |
like a sort of mirage coming up out of the horizon. | 0:01:28 | 0:01:33 | |
A great big spit of land, and right at the end of it is Provincetown, | 0:01:33 | 0:01:36 | |
which is where we're going now. | 0:01:36 | 0:01:38 | |
Although on the way | 0:01:38 | 0:01:39 | |
we hope to see some, some fish, cos we want to go fishing. | 0:01:39 | 0:01:42 | |
And we hope to see some whales, | 0:01:42 | 0:01:44 | |
not that we're fishing for whales, we want to see them leap about. | 0:01:44 | 0:01:49 | |
I know, I know, I know... | 0:01:55 | 0:01:58 | |
this looks ridiculously relaxed and fun and... | 0:01:58 | 0:02:02 | |
but we're doing it for a reason. | 0:02:02 | 0:02:04 | |
Got to get from over there to over there. | 0:02:04 | 0:02:06 | |
You may be wondering, by the way, | 0:02:06 | 0:02:07 | |
why I'm suddenly in my wet gear. | 0:02:07 | 0:02:10 | |
I've been sitting on a couple of chairs here, | 0:02:11 | 0:02:14 | |
and it's like Elvis playing a convent school. | 0:02:14 | 0:02:16 | |
There isn't a dry seat in the house. | 0:02:16 | 0:02:18 | |
Mario, the intention is to fish | 0:02:21 | 0:02:24 | |
just off the edge of the, of the bay here. | 0:02:24 | 0:02:28 | |
Right, right now you got about 300ft of water. | 0:02:28 | 0:02:30 | |
It's going to come to about 30ft, just like that. | 0:02:30 | 0:02:33 | |
We just passed some guys. What are they fishing for, then? | 0:02:33 | 0:02:37 | |
-Tuna fish. -OK, and what are we going to fish for up here? | 0:02:37 | 0:02:40 | |
-Mostly Blues. -Blues? Blue fish. Right. | 0:02:40 | 0:02:43 | |
'After casting the lines, and waiting for an age, | 0:02:45 | 0:02:48 | |
'we still haven't caught anything. | 0:02:48 | 0:02:50 | |
'The first mate, Chris, gets us to reel them in to check.' | 0:02:50 | 0:02:53 | |
God, the actual pulling it in is exhausting. | 0:02:53 | 0:02:57 | |
It pops out of the water. Here we go. | 0:02:57 | 0:02:59 | |
Thanks, Rory. Thank you. | 0:03:02 | 0:03:04 | |
Right, nothing coming in. Oh, look at that! | 0:03:04 | 0:03:07 | |
We caught... What the hell is that? | 0:03:07 | 0:03:10 | |
That's a... | 0:03:10 | 0:03:12 | |
Is it mussels? | 0:03:12 | 0:03:13 | |
-Not entirely sure. -That is weird. | 0:03:13 | 0:03:16 | |
-We should call it some weird species of mollusc or something. -OK. | 0:03:16 | 0:03:20 | |
-Shall we consign it to the sea? -Yeah, throw it back into the sea. | 0:03:20 | 0:03:23 | |
I don't want to be a party pooper, but these look like bits of black, | 0:03:23 | 0:03:27 | |
black cable to me. | 0:03:27 | 0:03:29 | |
But do you know what? We're concentrating too hard, | 0:03:29 | 0:03:33 | |
because the only way you catch a fish is to be completely distracted | 0:03:33 | 0:03:36 | |
-and doing something else. -Stick the line in... | 0:03:36 | 0:03:38 | |
And go and do something else, you know... | 0:03:38 | 0:03:41 | |
Everybody quits, they go down, they get lunch... | 0:03:41 | 0:03:44 | |
-Then suddenly... -Then you get somethin'. | 0:03:44 | 0:03:47 | |
Concentrating too hard. 'The distraction we're looking for soon pops up.' | 0:03:47 | 0:03:51 | |
-Whale! -Oh wow, Jesus. | 0:03:51 | 0:03:54 | |
No, it was up, | 0:03:54 | 0:03:57 | |
it surfaced, and took a big blow, | 0:03:57 | 0:04:00 | |
and now it's gone down. | 0:04:00 | 0:04:02 | |
Fish on! Fish on! | 0:04:02 | 0:04:05 | |
-What? -It's a fish | 0:04:05 | 0:04:07 | |
They've got a fish. | 0:04:07 | 0:04:09 | |
That's my line. Get down! | 0:04:09 | 0:04:12 | |
I knew we'd be distracted. You see | 0:04:12 | 0:04:14 | |
we got distracted by the pilot whale, | 0:04:14 | 0:04:16 | |
and now we've got a fish. This is inevitable. | 0:04:16 | 0:04:19 | |
Give us instruction here. | 0:04:19 | 0:04:21 | |
What should I be doing, Chris? | 0:04:21 | 0:04:23 | |
-Just pulling it in. -Just wheeling it in. Let's get him in. | 0:04:23 | 0:04:26 | |
Dara is in my seat! | 0:04:26 | 0:04:29 | |
'The crucial moment is in the last few feet | 0:04:29 | 0:04:31 | |
'where the fish can escape in the wake of the boat.' | 0:04:31 | 0:04:34 | |
I think this one is... | 0:04:34 | 0:04:36 | |
Woah! | 0:04:36 | 0:04:37 | |
Whey! | 0:04:37 | 0:04:38 | |
'We don't reel in hard enough, | 0:04:38 | 0:04:41 | |
-'and fish gets off the hook.' -Did it get off? | 0:04:41 | 0:04:43 | |
Hey, got a glimpse of you and ran the other way. | 0:04:43 | 0:04:46 | |
-You're kidding me. -Aargh! | 0:04:46 | 0:04:49 | |
Mine got off as well! | 0:04:49 | 0:04:51 | |
-Well done, boys. Well done, great work. -Mine got off as well. | 0:04:51 | 0:04:56 | |
This is how fish work - | 0:04:56 | 0:04:57 | |
they send a whale so we all run to the front of the boat to see it, | 0:04:57 | 0:05:01 | |
which is genuinely quite brilliant, | 0:05:01 | 0:05:03 | |
and then while we're at the front of the boat, then they get snagged, | 0:05:03 | 0:05:06 | |
and we all have to climb down and climb up, | 0:05:06 | 0:05:09 | |
and then we made a mess of it. | 0:05:09 | 0:05:11 | |
So we caught nothing | 0:05:11 | 0:05:12 | |
except each other's lines every so often, | 0:05:12 | 0:05:14 | |
but we did see a whale. | 0:05:14 | 0:05:16 | |
'With the fishing successfully flunked | 0:05:16 | 0:05:18 | |
'by the class of 2011, | 0:05:18 | 0:05:20 | |
'we head for Provincetown, also known as P-Town.' | 0:05:20 | 0:05:23 | |
'Its exposed position to Atlantic storms, | 0:05:23 | 0:05:26 | |
'has shaped Provincetown's history.' | 0:05:26 | 0:05:29 | |
Oh, it's pretty isn't it? | 0:05:29 | 0:05:32 | |
And the tower is quite interesting. A bit Rapunzel, isn't it? | 0:05:32 | 0:05:35 | |
We've seen the tower from a long distance. | 0:05:35 | 0:05:38 | |
We saw it from the other side. | 0:05:38 | 0:05:39 | |
It's a water tower I guess, | 0:05:39 | 0:05:42 | |
maybe it's a watch tower for looking out at sea. | 0:05:42 | 0:05:45 | |
Not a water tower, too skinny, tall, straight. | 0:05:45 | 0:05:47 | |
Only get a couple of cupfuls. | 0:05:47 | 0:05:49 | |
'The tower is actually a monument | 0:05:49 | 0:05:51 | |
'to where the pilgrims first landed during a storm, | 0:05:51 | 0:05:54 | |
'before they relocated to Plymouth.' | 0:05:54 | 0:05:57 | |
'In the 1800's, | 0:05:57 | 0:05:59 | |
'the great east coast fishing grounds brought Portuguese fishermen here. | 0:05:59 | 0:06:03 | |
'The industry was nearly destroyed by storms at the end of the century, | 0:06:03 | 0:06:07 | |
'so sea captains offered cheap accommodation | 0:06:07 | 0:06:09 | |
'to visiting artists, playwrights, and actors. | 0:06:09 | 0:06:13 | |
'P-Town became 'gay town'. | 0:06:13 | 0:06:16 | |
'It's remained so for 100 years. | 0:06:16 | 0:06:18 | |
'It now has the highest proportion of same sex couples | 0:06:18 | 0:06:21 | |
'in the entire United States.' | 0:06:21 | 0:06:24 | |
'And it's the storms along this coast | 0:06:35 | 0:06:37 | |
'that have given this boat such an extraordinary history. | 0:06:37 | 0:06:40 | |
'Originally based in Chatham, 50 miles along the Cape, | 0:06:40 | 0:06:43 | |
'Lifeboat 36500, | 0:06:43 | 0:06:46 | |
'has been fully restored by local enthusiasts. | 0:06:46 | 0:06:49 | |
'It's the last of its kind.' | 0:06:49 | 0:06:50 | |
On February 18th, 1952, | 0:06:59 | 0:07:02 | |
the Chatham crew took this boat out | 0:07:02 | 0:07:05 | |
to find out what, a radar sighting they had, | 0:07:05 | 0:07:07 | |
of a stern section of a T2 tanker that had been in half, in the storm. | 0:07:07 | 0:07:12 | |
Well they went out in about 35ft breaking sea. | 0:07:12 | 0:07:16 | |
And it was dark. | 0:07:16 | 0:07:18 | |
The Pendleton had power and the lights went on. | 0:07:18 | 0:07:21 | |
They saw this little boat down below, | 0:07:21 | 0:07:24 | |
threw down a ladder, and started climbing down. | 0:07:24 | 0:07:26 | |
Pretty soon, "Wait! Don't all come down at once." | 0:07:26 | 0:07:29 | |
And they all came in. All jumped in. | 0:07:29 | 0:07:31 | |
-Into this boat? -Into this boat. They put 27 up in here... -Wow! | 0:07:31 | 0:07:36 | |
Four back there, and they lost one there. | 0:07:36 | 0:07:39 | |
On the way back, they thought they were going to run it on the beach, | 0:07:39 | 0:07:43 | |
but as they all said, they felt that there was an extra hand at the helm, | 0:07:43 | 0:07:46 | |
and they were able to get in to Chatham, | 0:07:46 | 0:07:49 | |
and brought them all ashore. | 0:07:49 | 0:07:50 | |
This has now become a registered historic place. | 0:07:50 | 0:07:55 | |
That is correct. It is history. When we take that helm | 0:07:55 | 0:07:58 | |
and stand there, we feel we're on hallowed ground. | 0:07:58 | 0:08:01 | |
Dick, thank you for inviting us onto your boat. | 0:08:01 | 0:08:04 | |
-Could you make a trip to New York? -New York City? -Yeah. | 0:08:04 | 0:08:07 | |
Um, yes. | 0:08:09 | 0:08:10 | |
-How long will it take you to get to get down there? -Ha-ha! | 0:08:10 | 0:08:14 | |
Well, she makes eight knots, which is about what, | 0:08:14 | 0:08:16 | |
nine miles an hour, something like that? | 0:08:16 | 0:08:18 | |
We've been to New London, and that took two days, | 0:08:18 | 0:08:21 | |
so I'm guessing four days. | 0:08:21 | 0:08:23 | |
We've a bit of an event to get to, | 0:08:23 | 0:08:25 | |
and I think this could be exactly the kind of boat | 0:08:25 | 0:08:27 | |
that would grace such an event. | 0:08:27 | 0:08:29 | |
So who's going to bring it back? | 0:08:29 | 0:08:31 | |
No, that is never my problem. | 0:08:31 | 0:08:32 | |
That is never my issue about how things get back. | 0:08:32 | 0:08:35 | |
'They can't take us to New York. | 0:08:37 | 0:08:38 | |
'But they're going to give us a lift along the coast to the Woods Hole | 0:08:38 | 0:08:43 | |
'where we can catch the ferry to Martha's Vineyard, | 0:08:43 | 0:08:46 | |
'a place famed for wooden boats.' | 0:08:46 | 0:08:48 | |
Am I being naive to assume that now | 0:08:49 | 0:08:51 | |
or at some stage in the island's history, there was grape growing? | 0:08:51 | 0:08:55 | |
That's when the Gosnold arrived. | 0:08:56 | 0:08:58 | |
Captain Gosnold came along, and he landed on the island, | 0:08:58 | 0:09:01 | |
and the whole island was covered in grapevines, | 0:09:01 | 0:09:04 | |
-and he named it after his daughter, infant daughter, Martha... -Yeah. | 0:09:04 | 0:09:09 | |
-..and there were grapevines all over Martha's Vineyard. -Oh. -That's a nice story. | 0:09:09 | 0:09:13 | |
Is there an obituary column in there, Griff? | 0:09:13 | 0:09:16 | |
-No, there's "Things to do". -Check whether we're in it. | 0:09:16 | 0:09:19 | |
Have you noticed by the way that as we film this, | 0:09:19 | 0:09:21 | |
because we've been in the country for six days. | 0:09:21 | 0:09:24 | |
And as we film this, we have got weird looks from all the Americans as we've been doing this, | 0:09:24 | 0:09:29 | |
cos we don't look like anyone who's ever appeared on American television. | 0:09:29 | 0:09:32 | |
That's right, yeah. | 0:09:32 | 0:09:34 | |
Yeah, all the news anchors, all the daytime hosts... | 0:09:34 | 0:09:37 | |
-All the pretty, handsome people. -All the stunning, well-quaffed... -Well-dressed, yeah. | 0:09:37 | 0:09:41 | |
We look like those guys who appear on the daytime TV shows | 0:09:41 | 0:09:44 | |
to say that their mother has beaten them up | 0:09:44 | 0:09:47 | |
-and thrown them out... -Yeah. | 0:09:47 | 0:09:49 | |
'Dara and I intend to inspect the lifestyles of the rich | 0:09:49 | 0:09:52 | |
'and famous who generally live on this island.' | 0:09:52 | 0:09:56 | |
'In genteel Edgartown, there's a house up for sale, | 0:09:56 | 0:10:00 | |
'so we pose as a couple interested in buying, and luckily realtor, Langdon Clarke, plays along.' | 0:10:00 | 0:10:05 | |
-Er... -Right. -So, in other words, you are good cop Mummy, and I'm bad cop Daddy, right? | 0:10:05 | 0:10:10 | |
-You're bad cop Daddy who thinks it's a bit expensive. -Man, that's easy, I can do that. | 0:10:10 | 0:10:14 | |
I'm the wife who thinks it's adorable in every respect. | 0:10:14 | 0:10:16 | |
-I like you. -If you don't get it, are you going to withhold sex? -Probably. | 0:10:16 | 0:10:20 | |
I love this place and I want to be in Edgartown, | 0:10:20 | 0:10:25 | |
I've wanted to be here ever since Marjorie moved here... | 0:10:25 | 0:10:27 | |
The assumption was that this was where the help stayed when the house was first built in '92. | 0:10:27 | 0:10:32 | |
-We can't afford that. -We need a help. -We need a helper! | 0:10:32 | 0:10:35 | |
-We need a help. Downstairs... -This is big for the help. Is the help getting this? | 0:10:35 | 0:10:39 | |
-No, this... -We took care of the help in the old days. | 0:10:39 | 0:10:41 | |
They were worth their weight in gold. | 0:10:41 | 0:10:43 | |
As we come up from the guest apartment down here, | 0:10:43 | 0:10:46 | |
you will come into the front foyer, | 0:10:46 | 0:10:48 | |
which either goes to the kitchen... | 0:10:48 | 0:10:50 | |
-Yeah. -..or your front foyer here, | 0:10:50 | 0:10:53 | |
-out to your dining room with, again, the view of the water... -Yes. | 0:10:53 | 0:10:58 | |
..as well as your pool, Chappaquiddick on the other side. | 0:10:58 | 0:11:01 | |
-Does this house have a "widow's walk"? -It does. -I'll be able to go up there | 0:11:01 | 0:11:04 | |
and look out from the top of the house | 0:11:04 | 0:11:06 | |
-to see you coming home from fishing. -Me? -That is correct. | 0:11:06 | 0:11:10 | |
-OK, what is this, then? -This is the master suite, | 0:11:10 | 0:11:12 | |
it was known by the family of the house as "Grandma's suite". | 0:11:12 | 0:11:15 | |
This is where the magic happens. | 0:11:15 | 0:11:17 | |
-OK. -Out here. | 0:11:17 | 0:11:18 | |
Here's the "widow's walk", the classic Captain's house. | 0:11:18 | 0:11:21 | |
-Griff'll get through, he scurries through the little holes. -Yeah. | 0:11:21 | 0:11:25 | |
-Oh... -Yeah. -Your wife is very skinny. | 0:11:25 | 0:11:27 | |
Yeah, thank you very much. I'm very proud. | 0:11:27 | 0:11:29 | |
-Quite the trophy bride. -They all had them. | 0:11:29 | 0:11:31 | |
If you look around town, you'll... | 0:11:31 | 0:11:33 | |
-Do you want a hand, dear? -Yeah. -OK. -There's one over there. | 0:11:33 | 0:11:36 | |
-Next door. Be careful of the railings... -I will do. | 0:11:36 | 0:11:38 | |
..because the older houses are... | 0:11:38 | 0:11:40 | |
Look down North Water Street, the other parts of the island... | 0:11:40 | 0:11:43 | |
Can we get to the critical issue? | 0:11:43 | 0:11:45 | |
It's a seven bedroom house. What's the floor space? | 0:11:45 | 0:11:48 | |
Legally it's listed as 3,000, | 0:11:48 | 0:11:49 | |
but that doesn't include the two bedroom apartment. | 0:11:49 | 0:11:52 | |
Include that and you're closer to 5,000 square feet. | 0:11:52 | 0:11:55 | |
-OK, and, um... -Seven bedrooms, | 0:11:55 | 0:11:57 | |
six baths, two half baths. | 0:11:57 | 0:11:58 | |
It's going on sale on an auction, on an online auction. | 0:11:58 | 0:12:01 | |
Concierge auction with a minimum bid of 3,250,000. | 0:12:01 | 0:12:06 | |
If you did not want to go to the auction, and buy it directly, 7.5 million. | 0:12:06 | 0:12:10 | |
Seven and a half million. | 0:12:10 | 0:12:11 | |
You're expecting it to come up a way from the minimum bid? | 0:12:11 | 0:12:14 | |
-Yes, we do. -I'm...I'm...I'm stunned, | 0:12:14 | 0:12:16 | |
I knew it would be expensive, but, um, my God, | 0:12:16 | 0:12:18 | |
it's an old, decorated house, it's an ugly house in some ways, | 0:12:18 | 0:12:21 | |
-and now you'd have to do a lot of work on it. -You will. | 0:12:21 | 0:12:24 | |
Next door sold three and a half years ago, | 0:12:24 | 0:12:26 | |
for 8.5 half million. They tore it down, didn't replace it. | 0:12:26 | 0:12:30 | |
They just re-did the guesthouse down in the water. | 0:12:30 | 0:12:33 | |
Darling! Darling, we can afford it. | 0:12:33 | 0:12:35 | |
We can't. There are other things we can afford. | 0:12:35 | 0:12:37 | |
-I can't moor a boat here... -We've got to come here. | 0:12:37 | 0:12:40 | |
-There's nowhere else to go. I'm not going to Nantucket. -Good. | 0:12:40 | 0:12:43 | |
'After lunch, an appointment at Gannon and Benjamin's boat yard. | 0:12:50 | 0:12:54 | |
'Years ago, Ross Gannon used to own my sailing boat, Undina.' | 0:12:54 | 0:12:58 | |
It's weird, it's like two men | 0:12:58 | 0:13:00 | |
who shared a wife, er, discussing, "Oh, I had her in her early years." | 0:13:00 | 0:13:06 | |
"Well, I had her when she was older and wiser..." | 0:13:06 | 0:13:09 | |
"I treated her better than you did." Ha-ha! | 0:13:09 | 0:13:13 | |
I'm sure you treated her better than I did. Ha-ha! | 0:13:13 | 0:13:15 | |
'We need to compare notes, | 0:13:15 | 0:13:17 | |
'while the other two get a tour of the harbour with Nad.' | 0:13:17 | 0:13:21 | |
Alabama would be a candidate, but she's all down rigs, | 0:13:21 | 0:13:25 | |
see the sails are off her, she's put away for the winter, so... | 0:13:25 | 0:13:28 | |
Juno would be possibility, but she's got her mast down, so, er... | 0:13:28 | 0:13:32 | |
In all seriousness, Nad, have we come at a really bad time to do this? | 0:13:32 | 0:13:36 | |
-Well...for this harbour, yeah. -Yeah. | 0:13:36 | 0:13:38 | |
Yeah. | 0:13:38 | 0:13:40 | |
So, the boat we're going to take to New York | 0:13:40 | 0:13:42 | |
will probably not come from here? | 0:13:42 | 0:13:43 | |
It doesn't look too promising right now. | 0:13:43 | 0:13:46 | |
'Things were not looking good, and we needed a plan.' | 0:13:48 | 0:13:51 | |
Are we lowering our standards or are we not looking for the dream boat? | 0:13:54 | 0:13:58 | |
-Just get on with it? -The ideal boat would be lovely, but we've just got to get a boat. | 0:13:58 | 0:14:02 | |
-The dream boat... -We've seen the dream boat once. | 0:14:02 | 0:14:05 | |
-The dream boat was the Mayflower. -We've not got it. | 0:14:05 | 0:14:07 | |
-So now that we've happily dumped our aspirations... -Mmm. | 0:14:07 | 0:14:11 | |
Can we get anything? Is this fun part over, then? | 0:14:11 | 0:14:13 | |
-Is it now just blag a boat time? -Just a boat, any boat. | 0:14:13 | 0:14:16 | |
Time is running out. | 0:14:16 | 0:14:17 | |
It's got to do eight knots, and it's got to have a hooter. | 0:14:17 | 0:14:20 | |
'Having agreed to set the bar as low as we can, | 0:14:22 | 0:14:25 | |
'we take the evening ferry west to Newport.' | 0:14:25 | 0:14:29 | |
'Next morning in Newport looks like a great place to find a boat - | 0:14:37 | 0:14:40 | |
'home of the America's Cup. | 0:14:40 | 0:14:42 | |
'On this coast, it's the harbour where the really big sailing boats go, | 0:14:42 | 0:14:46 | |
'particularly when they don't want to stand out. | 0:14:46 | 0:14:49 | |
'Nonetheless, with time running out, | 0:14:49 | 0:14:51 | |
'I think we should start getting canny. | 0:14:51 | 0:14:53 | |
'I'm going to start phoning ahead to New York.' | 0:14:53 | 0:14:56 | |
Hi, I'm ringing about the, er, the schooner Pioneer. | 0:14:56 | 0:15:00 | |
We need a boat this Friday. | 0:15:00 | 0:15:02 | |
What about Indy 7, is that too small? | 0:15:02 | 0:15:06 | |
'Dara may be randomly trying for a lifeline by phone, | 0:15:06 | 0:15:09 | |
'but I've called a friend. It so happens in Newport there's a Spirit Yacht, | 0:15:09 | 0:15:13 | |
'called Bamboozle, expertly hand-made in Ipswich, England. | 0:15:13 | 0:15:18 | |
'She was brought to the States by enthusiast, Tina. | 0:15:18 | 0:15:21 | |
'She looks a classic, but is made with a sort of science fiction, technical expertise. | 0:15:21 | 0:15:26 | |
'The question is - can we have her?' | 0:15:26 | 0:15:28 | |
So Tina, we really desperately need a boat, | 0:15:31 | 0:15:34 | |
and this...this is the perfect boat | 0:15:34 | 0:15:37 | |
to take to the 125th anniversary celebrations of the Statue of Liberty. | 0:15:37 | 0:15:43 | |
What do you think about...? I don't... | 0:15:43 | 0:15:47 | |
You know, I'm talking about taking the Spirit down there, it's like... | 0:15:47 | 0:15:50 | |
I think it would be a fabulous idea. | 0:15:50 | 0:15:53 | |
I think if it could be done, it would be the best experience ever | 0:15:53 | 0:15:57 | |
to sail her right in the Hudson River, right up to the Statue of Liberty. | 0:15:57 | 0:16:01 | |
I can't think of a better vessel or yacht in the United States to do that, | 0:16:01 | 0:16:06 | |
except for this particular Bamboozle Spirit yacht. | 0:16:06 | 0:16:09 | |
To be representing British craftsmanship. | 0:16:09 | 0:16:11 | |
Exactly. | 0:16:11 | 0:16:12 | |
British craftsmanship, the American flag, | 0:16:12 | 0:16:15 | |
all wooden boat, spirit of tradition. | 0:16:15 | 0:16:18 | |
-What better way to sail into the Hudson? -Indeed. | 0:16:18 | 0:16:21 | |
'So, with just three days left, | 0:16:25 | 0:16:27 | |
'I've finally found a boat I'd be more than happy to take to New York. | 0:16:27 | 0:16:32 | |
'She'd look spectacular, cruising around the statue. | 0:16:32 | 0:16:34 | |
'I'll invite the others to lunch on board, | 0:16:36 | 0:16:39 | |
'and let them have a butcher's, and congratulate me.' | 0:16:39 | 0:16:44 | |
Are you a breast or a leg man? | 0:16:44 | 0:16:46 | |
-I love turkey legs. -Same here. | 0:16:46 | 0:16:48 | |
Isn't it funny though that we should eat, what's essentially a totally American food... | 0:16:48 | 0:16:53 | |
-Yeah. -For Christmas. -For our Christmas dinner. -..for Christmas dinner. | 0:16:53 | 0:16:56 | |
We think it's a traditional Christmas dinner, but it's traditional American food. | 0:16:56 | 0:17:00 | |
-The original Thanksgiving dinner didn't feature turkey. -Didn't it? -No. | 0:17:00 | 0:17:04 | |
-No? That's all they had, the wild turkey. -No, no, no. | 0:17:04 | 0:17:07 | |
At the original Thanksgiving dinner, the Wampanoags arrived cos they heard gunshots | 0:17:07 | 0:17:11 | |
and thought there was to be a battle | 0:17:11 | 0:17:13 | |
and it turns out that the pilgrims were celebrating a harvest, as you would... | 0:17:13 | 0:17:17 | |
MIMICS GUNFIRE | 0:17:17 | 0:17:18 | |
-I see. -Right, and, er, and the Wampanoags being a very hospitable people as we know... -Mmm. | 0:17:18 | 0:17:23 | |
..suddenly realised, "Oh, this is embarrassing, one arm as long as the other," so the head of them, | 0:17:23 | 0:17:28 | |
Squanto, sent out five men to do three days' hunting, | 0:17:28 | 0:17:31 | |
and they came back with five deer and they ate venison. | 0:17:31 | 0:17:35 | |
-So, where's the deer? -So this is all... | 0:17:35 | 0:17:37 | |
So this is all just made up by the turkey marketing board, isn't it? | 0:17:37 | 0:17:41 | |
The Victorian Americans put turkey into it. Then we borrowed it. | 0:17:41 | 0:17:45 | |
Well, that's ruined this entire set-up of us eating a turkey. | 0:17:45 | 0:17:49 | |
Why are we? It's clearly neither Christmas nor Thanksgiving. | 0:17:49 | 0:17:53 | |
Well, because I was trying to get the idea of this being | 0:17:53 | 0:17:56 | |
a sort of, you know, New England type food, | 0:17:56 | 0:17:58 | |
but obviously it's not New England, | 0:17:58 | 0:18:00 | |
we should be eating a venison pattie. | 0:18:00 | 0:18:02 | |
-Let us give thanks. -Why? | 0:18:02 | 0:18:04 | |
I've got a boat. I've got a boat. | 0:18:04 | 0:18:07 | |
-You've got a boat? -I've got a boat. I didn't ask people at the last minute. | 0:18:07 | 0:18:11 | |
I rang ahead to New York, where it's not the last minute when we arrive. | 0:18:11 | 0:18:15 | |
It's last minute here for people to get around the coast and get here. | 0:18:15 | 0:18:19 | |
-I've got a boat. -What boat have you got? | 0:18:19 | 0:18:21 | |
I've got a historical boat. It's going to be fabulous. | 0:18:21 | 0:18:24 | |
Wait till you see it. It took a lot of phone calls, by the way, | 0:18:24 | 0:18:27 | |
while you're off enjoying yourself. It's got a very historical side, very boating museum, | 0:18:27 | 0:18:32 | |
but there is a boat. | 0:18:32 | 0:18:33 | |
And it is a 1926 boat, and it is a working boat, and it is lovely. | 0:18:33 | 0:18:36 | |
-What sort of working boat? -I don't want to tell you, I genuinely... | 0:18:36 | 0:18:40 | |
-You'll love it. It'll be great. -Hang on a minute. -No, no... | 0:18:40 | 0:18:43 | |
-I got a boat! -This is no good. | 0:18:43 | 0:18:44 | |
-Why? -WHISPERS: I've got this boat. | 0:18:44 | 0:18:47 | |
-This boat? But... -Yeah. -I've got a boat. | 0:18:47 | 0:18:49 | |
-When did you ring? Ring them and say you can't... -No, look, I've already... | 0:18:49 | 0:18:53 | |
-It's gone through channels. -I can't say to Tina... -They've started checks, | 0:18:53 | 0:18:56 | |
they're allowing cameras on. It's a big deal. | 0:18:56 | 0:19:00 | |
That's half the reason they will give me the boat... | 0:19:00 | 0:19:03 | |
I can't say to Tina, "We don't want this boat. | 0:19:03 | 0:19:05 | |
She's going to a lot of trouble to get it. | 0:19:05 | 0:19:07 | |
Hang on a minute. If you have a boat each, I have nothing. | 0:19:07 | 0:19:11 | |
-Do we choose Griff's boat? -I don't think we should have a boat each... | 0:19:11 | 0:19:14 | |
-Or do we go... -Better to go on one boat. It should be this boat. | 0:19:14 | 0:19:17 | |
OK, either you stop crawling up to him | 0:19:17 | 0:19:20 | |
and trying to into his boat. | 0:19:20 | 0:19:21 | |
It's the boat I've seen, I haven't seen your boat. | 0:19:21 | 0:19:24 | |
-Right. Fine. -I'll get a boat myself. -Ye of little faith. | 0:19:24 | 0:19:27 | |
-I'll get a boat myself. -All I'm saying... | 0:19:27 | 0:19:29 | |
I'll put it in as conciliatory spirit as we can, | 0:19:29 | 0:19:32 | |
if there's any problem with this boat, Tina's boat, | 0:19:32 | 0:19:35 | |
-on the journey, don't come crawling to me. -Oh, that's nice(!) | 0:19:35 | 0:19:39 | |
Right. So Griff and Dara have a boat. | 0:19:42 | 0:19:44 | |
Dara was actually being very cagey about his boat, | 0:19:44 | 0:19:47 | |
and I think this might just be something he imagined. | 0:19:47 | 0:19:49 | |
He wouldn't tell us what it is, what sort of boat it was. | 0:19:49 | 0:19:52 | |
He said it was a working boat. I think he hasn't a clue actually. | 0:19:52 | 0:19:55 | |
Griff has that lovely Bamboozle, which is a beautiful yacht. | 0:19:55 | 0:19:59 | |
I think he's just... Dara doesn't want to go on it | 0:19:59 | 0:20:02 | |
because it's built in England, it's built in Ipswich, apparently. | 0:20:02 | 0:20:05 | |
Dara hasn't said this, but I think it's national pride coming in. | 0:20:05 | 0:20:09 | |
I don't think he wants to go on an English boat. | 0:20:09 | 0:20:11 | |
The pressure's on to find something better than them, so here we go. | 0:20:11 | 0:20:14 | |
All the big boats we could take are out of water | 0:20:22 | 0:20:24 | |
because the season's over. | 0:20:24 | 0:20:26 | |
They're out. The little boats are all locked up. | 0:20:26 | 0:20:28 | |
It's useless there's nothing here, we're too late, left it too late. | 0:20:28 | 0:20:31 | |
Look at this one. Look at that. That's a nice boat. | 0:20:41 | 0:20:46 | |
That's a lightship, I think. | 0:20:46 | 0:20:48 | |
It's got two, two beacons on it. | 0:20:48 | 0:20:51 | |
Pretty, red and white. Let's go have a look at this. | 0:20:51 | 0:20:54 | |
-Hello! -Hello! | 0:21:03 | 0:21:04 | |
Hello. | 0:21:04 | 0:21:06 | |
-Ahoy! -Can I come up? | 0:21:06 | 0:21:08 | |
Why not? | 0:21:08 | 0:21:09 | |
Come on, we're kind of in a hurry, but come on up. | 0:21:09 | 0:21:11 | |
Hi, I'm Rory. | 0:21:11 | 0:21:13 | |
Rory! Bill. | 0:21:13 | 0:21:14 | |
-Bill, good to see ya. -What brings you down here Rory? | 0:21:14 | 0:21:17 | |
Hello, what's your name? | 0:21:17 | 0:21:18 | |
-Alyssa. -Alyssa, how lovely. | 0:21:18 | 0:21:20 | |
This is Chris. | 0:21:20 | 0:21:21 | |
Good to see you, Chris. | 0:21:21 | 0:21:22 | |
Hey listen, I'm just walking down the wharf here, | 0:21:22 | 0:21:25 | |
I saw this boat and I thought, "What a spectacular boat!" | 0:21:25 | 0:21:28 | |
-It's a lightship is it? -It is a lightship. | 0:21:28 | 0:21:30 | |
-The Nantucket lightship. -How many people know that? | 0:21:30 | 0:21:33 | |
-I read it. -You got my interest already! | 0:21:33 | 0:21:35 | |
I read it off the side, to be honest with you. | 0:21:35 | 0:21:37 | |
-Oh, you did? OK. -Bill, we have a problem. | 0:21:37 | 0:21:39 | |
We have to take part in a flotilla | 0:21:39 | 0:21:41 | |
to celebrate the 125th memorial for the Statue of Liberty. | 0:21:41 | 0:21:45 | |
You know we're the sister beacon of hope to the statue? | 0:21:45 | 0:21:47 | |
We were the first one... | 0:21:47 | 0:21:49 | |
You're the sister beacon of hope to the Statue? | 0:21:49 | 0:21:51 | |
You see those beacons up there? | 0:21:51 | 0:21:53 | |
We have to get this boat. | 0:21:53 | 0:21:55 | |
On a practical, so you're... you've agreed to take me, yes? | 0:21:55 | 0:21:58 | |
No, I don't think we've shook on it yet. | 0:21:58 | 0:22:00 | |
-Sorry, OK. -That's all right though. | 0:22:00 | 0:22:02 | |
Now what about, how long will it take? | 0:22:02 | 0:22:04 | |
-When's it happening? -It's happening Friday. | 0:22:04 | 0:22:06 | |
-This Friday? -Yeah, yeah, yeah. | 0:22:06 | 0:22:08 | |
-Week from Friday? -This Friday, four days' time. | 0:22:08 | 0:22:10 | |
This Friday, four days' time. | 0:22:10 | 0:22:12 | |
Four very long days from now. | 0:22:12 | 0:22:14 | |
How long will it take, seriously? | 0:22:14 | 0:22:15 | |
Depends on the weather and tides. | 0:22:15 | 0:22:17 | |
Supposed to be storming out there the rest of the day. | 0:22:17 | 0:22:20 | |
You can't trust forecasts, Bill. | 0:22:20 | 0:22:22 | |
If we left right now, we could probably be down there by Friday. | 0:22:22 | 0:22:26 | |
-OK, bye! We're off, come on. -You're going? | 0:22:26 | 0:22:28 | |
I'll tell you what. | 0:22:28 | 0:22:31 | |
Recognise that? | 0:22:31 | 0:22:32 | |
I do recognise that, everything is possible. | 0:22:32 | 0:22:34 | |
You want us down there by Friday? | 0:22:34 | 0:22:37 | |
We are can-do people here. | 0:22:37 | 0:22:38 | |
I'm very impressed, you want to help. | 0:22:38 | 0:22:40 | |
We're going to have to leave in an hour though to do that. | 0:22:40 | 0:22:43 | |
But, Bill, the sister beacon of hope to the Statue of Liberty! | 0:22:43 | 0:22:47 | |
That's really hard to resist. | 0:22:47 | 0:22:48 | |
We'll be the star of the flotilla. | 0:22:48 | 0:22:50 | |
Everyone will say, "Move those other boats out of the way, | 0:22:50 | 0:22:53 | |
"here comes the Nantucket lightship." | 0:22:53 | 0:22:55 | |
Has anyone ever told you, you're a persuasive guy? | 0:22:55 | 0:22:58 | |
I wish women said that to me sometimes. | 0:22:58 | 0:23:00 | |
I just think this will stand out. | 0:23:00 | 0:23:02 | |
You know I think you're right. | 0:23:02 | 0:23:04 | |
You're right, I have to agree, it would be perfect for the ship. | 0:23:04 | 0:23:07 | |
Chris, can you get Captain Jim on the phone, | 0:23:07 | 0:23:09 | |
see if you can get him here in about 45 minutes. | 0:23:09 | 0:23:12 | |
We can get him. | 0:23:12 | 0:23:13 | |
Tell him we'll have to fire everything up, | 0:23:13 | 0:23:15 | |
we'll have to be ready, get the lines done. | 0:23:15 | 0:23:17 | |
We've got a lot to do, but, uh... | 0:23:17 | 0:23:19 | |
-Look at this. -..we'll be down there! | 0:23:19 | 0:23:21 | |
I don't believe you talked me into this. | 0:23:21 | 0:23:24 | |
This is amazing. Well, show me my cabin. | 0:23:24 | 0:23:26 | |
Come on, come on. | 0:23:26 | 0:23:27 | |
Is there a Jacuzzi? | 0:23:27 | 0:23:29 | |
Well, the sun is set and the Nantucket lightship | 0:23:40 | 0:23:43 | |
is getting ready to set sail for New York. | 0:23:43 | 0:23:46 | |
I'm not on board, you probably noticed that. | 0:23:46 | 0:23:48 | |
It's going to get heavy out there. | 0:23:48 | 0:23:50 | |
The weather's getting very unpleasant, | 0:23:50 | 0:23:52 | |
and they don't want me getting in the way | 0:23:52 | 0:23:54 | |
or rolling around the deck in my own vomit. | 0:23:54 | 0:23:57 | |
Actually, there's a chance they might not make it at all, | 0:23:57 | 0:24:00 | |
so, I'll not have a boat for the flotilla, | 0:24:00 | 0:24:02 | |
which means I'll have to share with Griff on his tiny sailing boat | 0:24:02 | 0:24:05 | |
which I don't fancy very much. | 0:24:05 | 0:24:07 | |
Or I could climb aboard Dara's imaginary boat. | 0:24:07 | 0:24:10 | |
Have a great trip. See you in New York. | 0:24:20 | 0:24:24 | |
SHIP'S HORN BLARES | 0:24:24 | 0:24:27 | |
'Next morning, Griff and I take a local tow boat down to | 0:24:44 | 0:24:47 | |
'the Mystic river, | 0:24:47 | 0:24:48 | |
'where we're looking for the motor yacht | 0:24:48 | 0:24:50 | |
'that's offered to take us to New York.' | 0:24:50 | 0:24:53 | |
Did Doug tell you about what this boat does? | 0:24:53 | 0:24:56 | |
-This is a great boat. -Did he tell you how it was made? | 0:24:56 | 0:24:59 | |
He tows people who run out of fuel or engines break down. | 0:24:59 | 0:25:03 | |
And they join it like the RAC, they pay a subscription. | 0:25:03 | 0:25:06 | |
Oh, I see. | 0:25:06 | 0:25:07 | |
And he goes, he sets himself up on Block Island for the summer, | 0:25:07 | 0:25:11 | |
and goes out and pulls people in. | 0:25:11 | 0:25:13 | |
Is it too late in our story, Griff, to say why don't we take Doug's boat | 0:25:13 | 0:25:17 | |
to the flotilla? | 0:25:17 | 0:25:18 | |
We don't need Doug's boat, we've got boats. | 0:25:18 | 0:25:20 | |
We're going to go to New York and they'll be there. | 0:25:20 | 0:25:23 | |
And Dara's boat, whatever that is. | 0:25:23 | 0:25:25 | |
'On a nearby jetty, we spot a shiny bit of maritime hardware.' | 0:25:27 | 0:25:31 | |
How fantastic. | 0:25:31 | 0:25:33 | |
-Look at this. -This is Some Like It Hot, this boat. | 0:25:33 | 0:25:35 | |
-It is a bit. -It's absolutely fantastic. | 0:25:35 | 0:25:40 | |
Look, Aphrodite. | 0:25:40 | 0:25:41 | |
Now Aphrodite is... | 0:25:42 | 0:25:44 | |
Hang on. | 0:25:44 | 0:25:45 | |
..is the boat that is taking us to New York, so this must be our lift. | 0:25:45 | 0:25:50 | |
-Hello! -Hello! -Ooh! -Kirk? -Yes. | 0:25:50 | 0:25:53 | |
-Hi. -Come aboard. -Hello, I'm Griff and Rory. | 0:25:53 | 0:25:56 | |
-I'm Rory. -Rory, hi, nice to meet you. | 0:25:56 | 0:25:58 | |
What a wonderful... This is... | 0:25:58 | 0:26:00 | |
This is, it's like, it's like a model boat in a museum, this boat. | 0:26:00 | 0:26:04 | |
We thought you must be an exhibit, it's just so... | 0:26:04 | 0:26:06 | |
Well, she is perfect, she's nearly a museum piece, | 0:26:06 | 0:26:10 | |
and maybe someday will be. | 0:26:10 | 0:26:11 | |
All right we guessed, we guessed. When was she built? | 0:26:11 | 0:26:15 | |
1937. | 0:26:15 | 0:26:16 | |
And was a sort of gentleman's runabout? | 0:26:16 | 0:26:19 | |
This boat was built to take somebody to work. | 0:26:19 | 0:26:22 | |
You're kidding? | 0:26:22 | 0:26:24 | |
As a commuter. | 0:26:24 | 0:26:25 | |
All her sole purpose was to deliver a man, Jock Whitney, | 0:26:25 | 0:26:29 | |
the original owner, to Manhattan. | 0:26:29 | 0:26:31 | |
What did he do as a worker, he wasn't a postman obviously. | 0:26:31 | 0:26:34 | |
-He invested money. -The Whitneys, yes. | 0:26:34 | 0:26:36 | |
-Yes, the Whitneys. The Whitneys, yes. -How extraordinary. | 0:26:36 | 0:26:39 | |
Watch your step there. | 0:26:39 | 0:26:41 | |
-I will. -This is the main saloon, is it? | 0:26:41 | 0:26:44 | |
It is the saloon. | 0:26:44 | 0:26:45 | |
Oh, this is lovely. | 0:26:45 | 0:26:47 | |
So Mr Whitney came aboard of a morning, | 0:26:47 | 0:26:49 | |
sat himself in here with some of his paperwork, did he? | 0:26:49 | 0:26:52 | |
Would he have someone making breakfast? | 0:26:52 | 0:26:54 | |
Mr Whitney, what would you like? | 0:26:54 | 0:26:56 | |
There were four full-time crew. The galley was enclosed. | 0:26:56 | 0:26:59 | |
He would come from that companion way, not this one, | 0:26:59 | 0:27:02 | |
this was for crew only. | 0:27:02 | 0:27:03 | |
Right. | 0:27:03 | 0:27:04 | |
Can I get you anything while I'm here? | 0:27:04 | 0:27:06 | |
Yeah, eggs, bacon. | 0:27:06 | 0:27:07 | |
The cook would make his breakfast. | 0:27:09 | 0:27:12 | |
Mr Whitney would go forward and shower and change, | 0:27:12 | 0:27:15 | |
cos he would arrive in pyjamas. | 0:27:15 | 0:27:19 | |
-His driver would bring him to the end of the dock. -Of course. | 0:27:19 | 0:27:22 | |
And at the end of the dock, there was a turnstile, | 0:27:23 | 0:27:27 | |
the chauffeur would just get out, and turn the car around | 0:27:27 | 0:27:29 | |
so he could drive back. | 0:27:29 | 0:27:31 | |
This sounds like Rory's ideal form of life, except... | 0:27:31 | 0:27:34 | |
I don't know how to work. | 0:27:34 | 0:27:36 | |
You didn't... | 0:27:36 | 0:27:39 | |
Damn, it all breaks down. | 0:27:39 | 0:27:41 | |
Yeah, I like the idea, so he then has to walk... | 0:27:41 | 0:27:45 | |
Five steps from the car to... | 0:27:45 | 0:27:47 | |
Mr Whitney has to walk five steps in his pyjamas, that's outrageous. | 0:27:47 | 0:27:50 | |
It's not Mr Whitney who owns it now? | 0:27:50 | 0:27:54 | |
-No. -Is it used for commuting still? | 0:27:54 | 0:27:57 | |
No. | 0:27:57 | 0:27:59 | |
OK, so we're going in this to New York? | 0:27:59 | 0:28:02 | |
Are you going to take part in the old, um, uh, the... | 0:28:02 | 0:28:05 | |
The flotilla? | 0:28:05 | 0:28:06 | |
-We're going to do that. -Are you? | 0:28:06 | 0:28:09 | |
Yes. | 0:28:09 | 0:28:10 | |
Once you kick us off? | 0:28:10 | 0:28:12 | |
-I... Yes. -But why can't we come with you on the flotilla? | 0:28:12 | 0:28:15 | |
It would be wonderful to have you on board, | 0:28:15 | 0:28:17 | |
but the owners are having an event aboard the boat in the flotilla. | 0:28:17 | 0:28:21 | |
They are. | 0:28:21 | 0:28:22 | |
The owners, Griff, the present owners have Googled us or got us, | 0:28:22 | 0:28:26 | |
seen us on YouTube, and decided, "No they're not coming on our boat | 0:28:26 | 0:28:29 | |
"in the flotilla." | 0:28:29 | 0:28:30 | |
I expect we'll have a boat full for the flotilla. | 0:28:30 | 0:28:34 | |
We'll wave at you. | 0:28:34 | 0:28:36 | |
I look forward to you doing that. | 0:28:36 | 0:28:38 | |
We will not only wave, we will toot you. | 0:28:38 | 0:28:41 | |
We'll go... | 0:28:41 | 0:28:42 | |
MIMICS SHIP HORN | 0:28:42 | 0:28:44 | |
I'll toot back. | 0:28:44 | 0:28:45 | |
OK, fantastic. | 0:28:45 | 0:28:46 | |
-Bet you've got a lovely horn on this boat. -Quite a horn. | 0:28:46 | 0:28:49 | |
-Is it a big horn? -It's a big horn. | 0:28:49 | 0:28:51 | |
-Good. -Very big. | 0:28:51 | 0:28:53 | |
But then size isn't everything, Kirk, you know. | 0:28:53 | 0:28:55 | |
Uh, sometimes it is. | 0:28:55 | 0:28:57 | |
In horns, it is important. | 0:28:57 | 0:29:00 | |
'Meanwhile, I was at the Coastguard Academy. | 0:29:01 | 0:29:04 | |
'And like all good American schools, it's not just about the academics... | 0:29:04 | 0:29:09 | |
'there's also sports.' | 0:29:09 | 0:29:10 | |
Do I look OK? | 0:29:15 | 0:29:17 | |
No, I just look like me, but dressed as an American footballer. | 0:29:17 | 0:29:20 | |
'Giving me the chance to live an American Dream.' | 0:29:20 | 0:29:23 | |
WHISTLE BLOWS | 0:29:23 | 0:29:25 | |
And now I'm wearing this, how will they know it's me? | 0:29:27 | 0:29:30 | |
They'll just attack like they normally do, | 0:29:30 | 0:29:33 | |
I'm going to get pulverised, I'm going to get crushed. Jesus. | 0:29:33 | 0:29:36 | |
'But rather than get battered in a line-out, | 0:29:40 | 0:29:42 | |
'I was given the honour of kicking. | 0:29:42 | 0:29:45 | |
'I have to get the ball through the posts, | 0:29:45 | 0:29:48 | |
'it isn't as easy as they make it look.' | 0:29:48 | 0:29:50 | |
Right, here we go. | 0:29:50 | 0:29:51 | |
-I'm in? -Yup. -You're in. | 0:29:51 | 0:29:53 | |
OK, I've got to check one thing. | 0:29:53 | 0:29:55 | |
They're going to block the ball, not me? | 0:29:55 | 0:29:57 | |
-They'll let you kick one first. -Let me kick one? | 0:29:57 | 0:29:59 | |
-Kick one first. -I need your pity. | 0:29:59 | 0:30:03 | |
You're in more danger now | 0:30:03 | 0:30:05 | |
then you've ever been in your career, all right? | 0:30:05 | 0:30:07 | |
-Yeah. -Those guys are fine. | 0:30:07 | 0:30:08 | |
You're getting a kick in the head in a minute. | 0:30:08 | 0:30:11 | |
How come he's about three times taller than anybody else? | 0:30:11 | 0:30:14 | |
Is it only people of diminished height who join the Coastguards? | 0:30:14 | 0:30:18 | |
He looks like the man they brought on. | 0:30:18 | 0:30:20 | |
Like the man in the film, you know where they say, | 0:30:20 | 0:30:22 | |
"We've got the big boy, that'll scare them." | 0:30:22 | 0:30:26 | |
"The big Irish fella's here." | 0:30:26 | 0:30:28 | |
OK, hang on. | 0:30:28 | 0:30:29 | |
This is where, go. Go! | 0:30:30 | 0:30:32 | |
-Argh. -Long shot. | 0:30:36 | 0:30:40 | |
It's no good going like that as if you meant to do it like that. | 0:30:40 | 0:30:43 | |
Don't laugh till you've kicked it. | 0:30:43 | 0:30:45 | |
"All right, what I should've done, I should've put a more slice on it." | 0:30:45 | 0:30:49 | |
Was it a fly again? OK, second time around, second time around. | 0:30:49 | 0:30:52 | |
Argh. | 0:30:54 | 0:30:55 | |
-How many goes does he get? -I don't know. -He gets three goes. | 0:30:55 | 0:30:58 | |
He's doing it again. | 0:30:58 | 0:31:00 | |
-Here we go. -Come on. Sorry, OK. | 0:31:00 | 0:31:02 | |
Come on, big fella. Come on, you're letting us down. | 0:31:02 | 0:31:05 | |
Think of Ireland, come on. | 0:31:05 | 0:31:07 | |
That's it. | 0:31:07 | 0:31:08 | |
Argh! | 0:31:08 | 0:31:10 | |
That was the one as well. | 0:31:10 | 0:31:13 | |
Cruel, cruel fight. | 0:31:13 | 0:31:14 | |
You were way off a little bit. | 0:31:14 | 0:31:16 | |
I wouldn't want to be out there, there's too much sucking it in. | 0:31:16 | 0:31:19 | |
27, keep an eye on him, right? Frankly your fault. | 0:31:19 | 0:31:25 | |
Right. Go. | 0:31:25 | 0:31:27 | |
CHEERING | 0:31:28 | 0:31:30 | |
Here we go. | 0:31:35 | 0:31:36 | |
Go with your groups, all in a line in the corner. | 0:31:36 | 0:31:39 | |
-Bravo! -Have you done it yet? | 0:31:39 | 0:31:41 | |
Do you like the way I built the tension? | 0:31:41 | 0:31:43 | |
By pretending not to be able to kick it for one or two? | 0:31:43 | 0:31:46 | |
How many pads have you got on? | 0:31:46 | 0:31:48 | |
Pad, pad, pad, right, for my knees, in case I should need to pray. | 0:31:48 | 0:31:52 | |
Here, the thigh pads for some point. | 0:31:52 | 0:31:54 | |
Here the hip pad if somebody runs in and smashes into my hip. | 0:31:54 | 0:31:57 | |
Potentially breaking an old man's hip. | 0:31:57 | 0:31:59 | |
Here's the best one, the best one, the cleft pad just there. | 0:31:59 | 0:32:04 | |
That's you mobile phone, Dara. What's it doing there? | 0:32:04 | 0:32:06 | |
It's to protect my delicate channel, in case of attack. | 0:32:06 | 0:32:11 | |
Really? How did it feel to be out there, champ? | 0:32:11 | 0:32:14 | |
It felt great. It felt... | 0:32:14 | 0:32:15 | |
Oh, that's actually quite comfortable. | 0:32:15 | 0:32:18 | |
It felt fantastic. | 0:32:18 | 0:32:19 | |
-Do you want to hear something poignant? -Go on. | 0:32:19 | 0:32:21 | |
American football is only played | 0:32:21 | 0:32:24 | |
if you're a professional or in school, school or college, right. | 0:32:24 | 0:32:27 | |
Once you leave your school or college league, | 0:32:27 | 0:32:30 | |
it's not like you go to your local club | 0:32:30 | 0:32:32 | |
or play for the county or anything. | 0:32:32 | 0:32:34 | |
Or go to Hackney marshes on a Sunday morning? | 0:32:34 | 0:32:36 | |
There's nothing, there's no equivalent. | 0:32:36 | 0:32:39 | |
Some of the guys I'm playing with, the guy who's kicker? | 0:32:39 | 0:32:42 | |
He'll play two more games of football | 0:32:42 | 0:32:44 | |
and he'll never play the sport again. | 0:32:44 | 0:32:46 | |
So you're the oldest amateur that's ever been on this pitch? | 0:32:46 | 0:32:50 | |
The big question I'm going to ask you Dara, is now... | 0:32:50 | 0:32:53 | |
I want to enjoy the poignancy of that. | 0:32:53 | 0:32:55 | |
-I'm going to enjoy the fact... -It is quite a poignant thing, but... | 0:32:55 | 0:32:58 | |
Americans don't have these local clubs like we do. | 0:32:58 | 0:33:02 | |
It is poignant. | 0:33:02 | 0:33:03 | |
It just stops. | 0:33:03 | 0:33:04 | |
The question I want to ask you is, is this your last game | 0:33:04 | 0:33:07 | |
or are you going to go pro now? | 0:33:07 | 0:33:08 | |
You know there were scouts here, but we haven't heard back. | 0:33:08 | 0:33:11 | |
We've heard the sounds of an engine starting and then driving away. | 0:33:11 | 0:33:15 | |
'I'd love to stay and reminisce more about my days playing US football, | 0:33:15 | 0:33:18 | |
'but we have to leave. | 0:33:18 | 0:33:19 | |
'We're up at some ridiculous hour in the morning to get to New York in Aphrodite.' | 0:33:19 | 0:33:25 | |
'Unfortunately, the weather wasn't good | 0:33:36 | 0:33:39 | |
'and there was a huge storm forecast for the next day or so.' | 0:33:39 | 0:33:43 | |
'Dara and Rory's heads are apparently not entirely sunny either.' | 0:33:43 | 0:33:48 | |
I say this isn't really the boat for a hangover, is it? | 0:33:49 | 0:33:52 | |
Oh, don't shout. | 0:33:52 | 0:33:54 | |
I have a hangover, OK? | 0:33:54 | 0:33:57 | |
No, cos I have a hangover. | 0:33:58 | 0:34:00 | |
It's very kind of you to offer it. | 0:34:00 | 0:34:02 | |
No, actually, this is the perfect boat for a hangover, | 0:34:02 | 0:34:05 | |
because it's beautifully smooth and very plush. | 0:34:05 | 0:34:08 | |
Rory, there's a question here, | 0:34:08 | 0:34:10 | |
are you going to come on my boat, or are you going to go on Dara's boat? | 0:34:10 | 0:34:14 | |
This is a new side to Griff I've never seen before. | 0:34:14 | 0:34:17 | |
Do you want us, do you need... | 0:34:17 | 0:34:18 | |
-Are you going to come on my boat? -Your on the yacht, the Spirit? | 0:34:18 | 0:34:21 | |
-I'm on the Spirit. -Very, very pretty boat, very pretty boat. | 0:34:21 | 0:34:24 | |
And you're on this alleged boat. | 0:34:24 | 0:34:27 | |
-A historical boat which will surprise you. -Which won't turn up. | 0:34:27 | 0:34:30 | |
How will it not turn up? It's in New York. | 0:34:30 | 0:34:33 | |
Hang on... Eeny, meeny, mi... | 0:34:33 | 0:34:36 | |
I have a boat of my own. | 0:34:36 | 0:34:38 | |
-No. -Wait, what? | 0:34:39 | 0:34:40 | |
I kept it quiet, but however good your boat is, | 0:34:40 | 0:34:44 | |
and however good your hypothetical boat is, | 0:34:44 | 0:34:47 | |
this boat that I have, | 0:34:47 | 0:34:49 | |
if it makes it, will just... it's the best boat I've... | 0:34:49 | 0:34:52 | |
-What is it? -Ah, no, it's a surprise. | 0:34:52 | 0:34:55 | |
It's a surprise, it is quite uncanny, it is just... | 0:34:55 | 0:35:00 | |
Well, you wait and see. It's just, it's breathtaking. | 0:35:00 | 0:35:03 | |
Can I ask, why am I the only player in this game | 0:35:03 | 0:35:08 | |
who has to show my hand? | 0:35:08 | 0:35:10 | |
Why have you two got secret boats that I'm not supposed to know about? | 0:35:10 | 0:35:13 | |
Everybody's seen my boat already! | 0:35:13 | 0:35:16 | |
-It's a nice boat. -It's a lovely boat, but my big surprise is all over | 0:35:16 | 0:35:20 | |
and you two have got your big surprise still to show. | 0:35:20 | 0:35:23 | |
It's worth it, it's worth it. Wait till you see... | 0:35:23 | 0:35:25 | |
-Wait till you see my boat... -I think you'll have a hard... | 0:35:25 | 0:35:29 | |
Can you show Griff your boat first, | 0:35:29 | 0:35:31 | |
because then it's like an escalation when he sees my boat. | 0:35:31 | 0:35:34 | |
Ha - no! We shall reveal our boats together. | 0:35:34 | 0:35:37 | |
We'll have to ask the superintendent or the head of the coastguard | 0:35:37 | 0:35:41 | |
or something like that, to judge who has the most appropriate boat. | 0:35:41 | 0:35:47 | |
-The loveliest. -I'll happily put my boat into competition | 0:35:47 | 0:35:50 | |
with any boat you could produce. Except were you're to produce this boat. | 0:35:50 | 0:35:53 | |
Cos that would just win. | 0:35:53 | 0:35:55 | |
Trust me, behind those clouds are more skyscrapers. | 0:36:04 | 0:36:07 | |
We were talking about rowing Jerome K Jerome's Thames skiff up here. | 0:36:07 | 0:36:12 | |
-How scary would that have been? -Look at the currents swirl. | 0:36:12 | 0:36:17 | |
It's quite nice to be arriving in the rain. | 0:36:17 | 0:36:19 | |
There's something quite New Yorky about this. | 0:36:19 | 0:36:21 | |
Is it particularly New Yorky? | 0:36:21 | 0:36:24 | |
Well, Manhattan looks good in any weather, we can now say, can't we? | 0:36:24 | 0:36:28 | |
-Yes, yes, it does. -Yeah. -Wait, there's the Empire State Building. -Empire State, hang on. | 0:36:28 | 0:36:33 | |
Wait. It's coming round here, now here it comes. | 0:36:33 | 0:36:36 | |
-There! -ALL: Yay! | 0:36:36 | 0:36:37 | |
-What's that? -Skyscraper. -OK, yeah. | 0:36:37 | 0:36:39 | |
Look at that! Is this terrible weather for a flotilla? | 0:36:41 | 0:36:45 | |
-Yes. -Will your boat survive? | 0:36:46 | 0:36:48 | |
-Er... -I don't think it matters what sort of boat you're going to be on. | 0:36:48 | 0:36:51 | |
-Mine will be fine. -A bit of wind. | 0:36:51 | 0:36:55 | |
'We've an appointment with the superintendent of the Statue | 0:36:57 | 0:37:01 | |
'in his office on Ellis Island. | 0:37:01 | 0:37:03 | |
'I think he wants to check us out before the event.' | 0:37:03 | 0:37:06 | |
'Unfortunately, Aphrodite is now needed elsewhere. | 0:37:10 | 0:37:14 | |
'So we take a Statue Cruises ferry | 0:37:14 | 0:37:17 | |
'for our first glimpse of the birthday girl.' | 0:37:17 | 0:37:20 | |
There we are, journey's end, the Statue of Liberty. | 0:37:25 | 0:37:30 | |
We're going to celebrate tomorrow the 125th anniversary | 0:37:30 | 0:37:34 | |
of the unveiling of that statue in 1886. | 0:37:34 | 0:37:37 | |
But in fact, the idea for it came in 1865 at the end | 0:37:37 | 0:37:41 | |
of the American Civil War. | 0:37:41 | 0:37:43 | |
And we've followed down the story of liberty, | 0:37:43 | 0:37:46 | |
the freedom from oppression which came in Boston | 0:37:46 | 0:37:50 | |
when we got rid of the British. | 0:37:50 | 0:37:52 | |
I say "we" - THEY got rid of the British. | 0:37:52 | 0:37:55 | |
The freedom for religious worship, | 0:37:55 | 0:37:57 | |
which came with the pilgrims arriving in Plymouth. | 0:37:57 | 0:38:00 | |
And of course, the freedom from slavery, | 0:38:00 | 0:38:03 | |
which is what this really was all about. | 0:38:03 | 0:38:05 | |
Not just "bring me your poor and huddled masses", | 0:38:05 | 0:38:08 | |
but "bring me no more of your poor and huddled masses in chains". | 0:38:08 | 0:38:13 | |
'Ellis Island was a landing place for millions of | 0:38:13 | 0:38:16 | |
'immigrants to America for 60 years until the 1950s.' | 0:38:16 | 0:38:19 | |
Look at the roof. | 0:38:19 | 0:38:20 | |
It is a very beautiful roof, isn't it? It's a lovely building. | 0:38:20 | 0:38:23 | |
'And we were just three more of the thousands of Irishmen, Welshmen | 0:38:23 | 0:38:28 | |
'and Cornishmen who'd passed through these doors | 0:38:28 | 0:38:30 | |
'to start a new life in America.' | 0:38:30 | 0:38:32 | |
-David, thank you for your invitation. -Oh, my pleasure. | 0:38:34 | 0:38:38 | |
It's an honour to be able to take part in the flotilla. | 0:38:38 | 0:38:40 | |
125 years ago when the statue was dedicated, | 0:38:40 | 0:38:44 | |
we actually had a flotilla, | 0:38:44 | 0:38:47 | |
and at the end of the ceremony they had there, | 0:38:47 | 0:38:49 | |
all the horns blew on the vessels. | 0:38:49 | 0:38:52 | |
That's basically what we're going to emulate. | 0:38:52 | 0:38:55 | |
We've got three fine boats. | 0:38:55 | 0:38:57 | |
You don't know what my boat is. | 0:38:57 | 0:38:59 | |
We don't know what Dara's boat is. | 0:38:59 | 0:39:01 | |
I've got a beautiful little Spirit sailing. | 0:39:01 | 0:39:05 | |
-Oh, nice. -She's very pretty. -Very nice. | 0:39:05 | 0:39:07 | |
Made in England, but owned by an American. | 0:39:07 | 0:39:10 | |
Well, if you don't have horns, you can yell a lot. | 0:39:10 | 0:39:14 | |
-OK. -I think there will be a lot of yelling. | 0:39:14 | 0:39:17 | |
I think we'll be doing that anyway. | 0:39:17 | 0:39:19 | |
-As will we. -Liberty is essentially a monument to the Entente, isn't it? | 0:39:19 | 0:39:25 | |
-It's a monument to the French. -Yes. It was originally a symbol of the friendship between | 0:39:25 | 0:39:30 | |
-France and the United States. -Right. | 0:39:30 | 0:39:32 | |
But today, for me, it's so much more. | 0:39:32 | 0:39:35 | |
It's a universal symbol of liberty for everybody, | 0:39:35 | 0:39:38 | |
not just the United States. | 0:39:38 | 0:39:40 | |
But it's not something that the British have ever | 0:39:40 | 0:39:42 | |
been heavily involved in, the Statue of Liberty. | 0:39:42 | 0:39:46 | |
No, but we have a lot of British citizens that come over here | 0:39:46 | 0:39:48 | |
and when you see the look on their faces when they see Liberty, | 0:39:48 | 0:39:51 | |
-it's for them too. -OK, that's good to know. | 0:39:51 | 0:39:55 | |
-We don't want to be sort of... -You feel excluded? | 0:39:55 | 0:39:58 | |
No! I'm just worried. | 0:39:58 | 0:40:01 | |
When it was put up, there was more of a feeling that the French | 0:40:01 | 0:40:05 | |
and the Americans were the liberty people, and the British were the old-fashioned... | 0:40:05 | 0:40:09 | |
Well, we had just gotten over a skirmish with you guys. | 0:40:09 | 0:40:13 | |
From this side, I'm still feeling a simmering tension here. | 0:40:13 | 0:40:16 | |
Well, we don't want to crash the party. | 0:40:16 | 0:40:20 | |
We don't want to crash anybody's party. | 0:40:20 | 0:40:23 | |
On the contrary, we are delighted to have you. | 0:40:23 | 0:40:25 | |
-It's a great honour. -Now we have to behave in that flotilla. | 0:40:25 | 0:40:28 | |
-Thank you very much, David. -My pleasure. | 0:40:28 | 0:40:31 | |
-Great talking to you yeah. See you tomorrow. -Nice meeting you. | 0:40:31 | 0:40:35 | |
Take care. Bye-bye. | 0:40:35 | 0:40:36 | |
'The statue is meant to represent Libertas, | 0:40:41 | 0:40:43 | |
'the Roman goddess of freedom. | 0:40:43 | 0:40:46 | |
'She gets about 3.5 million visitors a year, and now, finally, us.' | 0:40:46 | 0:40:50 | |
That's the one. | 0:40:50 | 0:40:52 | |
Got to say, the old Manhattan skyline looks pretty iconic, | 0:40:55 | 0:40:59 | |
even in this grim weather. | 0:40:59 | 0:41:01 | |
And it is very grim out here, it's very cold, it's blowing, | 0:41:01 | 0:41:05 | |
and in fact, it's quite possible that my boat | 0:41:05 | 0:41:07 | |
won't have made it at all. | 0:41:07 | 0:41:09 | |
'And the morning brings bad news.' | 0:41:13 | 0:41:16 | |
Hello. 'Never mind Rory's vessel, | 0:41:16 | 0:41:18 | |
'my Spirit yacht had failed to make it to New York because of the storm.' | 0:41:18 | 0:41:23 | |
OK, great. | 0:41:23 | 0:41:25 | |
'I'm boatless.' | 0:41:25 | 0:41:28 | |
OK, bye. Ah. | 0:41:28 | 0:41:30 | |
How fantastic is this? | 0:41:34 | 0:41:37 | |
God has given a gift to the people of New York - | 0:41:37 | 0:41:40 | |
a beautiful sunny day, | 0:41:40 | 0:41:42 | |
and that spectacular world-famous skyline looks even better today. | 0:41:42 | 0:41:47 | |
The good news is, the weather people say | 0:41:47 | 0:41:49 | |
the temperatures could get as high as zero today. Ha! | 0:41:49 | 0:41:53 | |
What a beautiful, crisp morning in New York, | 0:41:54 | 0:41:57 | |
and this is my boat, the John J Harvey, | 0:41:57 | 0:41:59 | |
one of New York's first non-steam fire tenders, commissioned in | 0:41:59 | 0:42:03 | |
the early 1930s, she started service then | 0:42:03 | 0:42:05 | |
and carried on working until 1994. Those things up there work. | 0:42:05 | 0:42:10 | |
This is why we're going to win, cos they work. | 0:42:10 | 0:42:12 | |
When the rest of them go "brrr", we go "brrr" and "splash". | 0:42:12 | 0:42:15 | |
It's going to be fantastic. | 0:42:15 | 0:42:17 | |
Hey, the Nantucket lightship made it all the way | 0:42:20 | 0:42:23 | |
from Rhode Island, and I'm over the moon, | 0:42:23 | 0:42:26 | |
because this is still by far the best ship I have ever been on. | 0:42:26 | 0:42:30 | |
Do things get better than this? Yes, they do! | 0:42:30 | 0:42:32 | |
R! O! R! Y! Rory! Rory! Rory! | 0:42:32 | 0:42:36 | |
-Lovely! Here we go. -BOAT BLOWS HORN | 0:42:42 | 0:42:46 | |
-Dara! I've lost my boat! -Griff! | 0:42:46 | 0:42:49 | |
-I've got to come with you! -Look at this! | 0:42:49 | 0:42:51 | |
-Dara, come back! -Look at this! | 0:42:51 | 0:42:53 | |
No, I've got to come with you. I haven't got a boat! | 0:42:53 | 0:42:57 | |
-I'll see you there! -No! I haven't got a boat! | 0:42:57 | 0:42:59 | |
Griff, I'm on a boat. I can't hear you. We'll see you there! | 0:42:59 | 0:43:03 | |
Oh, Hi. Hi, it's, um... | 0:43:14 | 0:43:16 | |
I've got a bit of a problem. | 0:43:17 | 0:43:20 | |
No, no, it's not a breakdown, no. | 0:43:20 | 0:43:23 | |
No, in fact, I haven't got a boat, | 0:43:23 | 0:43:25 | |
but I was just wondering whether I could use your services? | 0:43:25 | 0:43:28 | |
Empire State Building! Empire State Building. | 0:43:28 | 0:43:31 | |
We're looking for Rory's boat, by the way, and there's every chance, | 0:43:31 | 0:43:35 | |
cos he's got a giant flag, that they might be coming along here. | 0:43:35 | 0:43:39 | |
So if we spot a Rory... | 0:43:39 | 0:43:41 | |
Is there a Rory on Hayward? | 0:43:42 | 0:43:44 | |
Nope. There is not a Rory on Hayward. | 0:43:44 | 0:43:47 | |
'From outside, the Nantucket looks like a working lightship, | 0:43:47 | 0:43:50 | |
'but inside, owner Bill has fitted it out like a luxury apartment, | 0:43:50 | 0:43:55 | |
'and luckily for me, he's a fan of the New York Jets.' | 0:43:55 | 0:43:58 | |
-OK, yeah. -Just a minor slip-up. Minor. -Yeah, the boat rocks. | 0:43:58 | 0:44:01 | |
How are the Jets doing? | 0:44:01 | 0:44:02 | |
Pretty good. We're good. | 0:44:02 | 0:44:04 | |
'Trust Towboats US, | 0:44:04 | 0:44:07 | |
'they offer a 24-hour emergency boat breakdown service.' | 0:44:07 | 0:44:10 | |
I'll step straight aboard. That's fantastic. | 0:44:10 | 0:44:13 | |
'And this is an emergency. | 0:44:13 | 0:44:15 | |
'I may be tiny, but at least I'm bright red.' | 0:44:15 | 0:44:18 | |
Is it that? Is it that? Gelberman? It can't be. Rory! | 0:44:19 | 0:44:23 | |
I don't know why I'm presuming that Rory would be in a tug, | 0:44:23 | 0:44:26 | |
it just feels like physically that it would be a good fit for him, | 0:44:26 | 0:44:30 | |
you know, just pushing things around. | 0:44:30 | 0:44:32 | |
This is a bit too pretty for Rory, this is lovely. | 0:44:32 | 0:44:35 | |
We're going to be the smallest boat in the flotilla by a million miles. | 0:44:35 | 0:44:39 | |
Is there a Rory on Nantucket? | 0:44:39 | 0:44:42 | |
Keep those cards to yourself | 0:44:42 | 0:44:44 | |
and you'll get another up-card and another down-card. | 0:44:44 | 0:44:46 | |
OK, so you bet, so you can bet or check. | 0:44:46 | 0:44:49 | |
Greetings! | 0:44:49 | 0:44:50 | |
Do you have a Rory McGrath? | 0:44:52 | 0:44:54 | |
What do you think of my boat? | 0:44:54 | 0:44:55 | |
When you come aboard you're going to be knocked out by this boat. | 0:44:55 | 0:44:59 | |
Why, is there a lot of low-flying booms and stuff? | 0:44:59 | 0:45:01 | |
It's luxury, mate, luxury. | 0:45:01 | 0:45:05 | |
I'm not a man for luxury, I'm a man for function. | 0:45:05 | 0:45:07 | |
Wait till you see what this boat can do. | 0:45:07 | 0:45:09 | |
Wait till you see what I've got on board this boat. Hang on. | 0:45:09 | 0:45:12 | |
OK, girls, come on out. | 0:45:12 | 0:45:14 | |
You are kidding me. | 0:45:16 | 0:45:18 | |
-Come and meet my friends. -Hang on, hang on. | 0:45:18 | 0:45:20 | |
-This is Kimberley and Jessica. -Hi! | 0:45:20 | 0:45:24 | |
Hello, ladies, how are you? | 0:45:24 | 0:45:26 | |
We're well, thank you. | 0:45:26 | 0:45:29 | |
Oh, Rory, you came with your nieces, how sweet(!) | 0:45:29 | 0:45:32 | |
We've got to go down and finish our poker game | 0:45:35 | 0:45:37 | |
and our beer, Dara. See you later, over. | 0:45:37 | 0:45:40 | |
Come on, girls, inside. | 0:45:40 | 0:45:43 | |
I gather the Rory McGrath student outreach programme is still working? | 0:45:43 | 0:45:47 | |
That was excellent, girls. | 0:45:47 | 0:45:48 | |
Trust Rory to take something beautiful | 0:45:48 | 0:45:50 | |
and significant and special, like the 125th anniversary | 0:45:50 | 0:45:53 | |
of the Statue of Liberty, and make it tacky and cheap. | 0:45:53 | 0:45:57 | |
But in an all-American kind of a way. Clever. Very clever. | 0:45:57 | 0:46:03 | |
'The flotilla is lumbering off. There's a strict speed limit | 0:46:04 | 0:46:08 | |
'along the river for the parade with police boats to enforce it, | 0:46:08 | 0:46:11 | |
'but I should think my little boat could sneak past them.' | 0:46:11 | 0:46:15 | |
If you can catch them up... | 0:46:15 | 0:46:16 | |
You got called into service or you volunteered yourself | 0:46:16 | 0:46:19 | |
back into service on 9/11, didn't you? | 0:46:19 | 0:46:22 | |
We sort of volunteered ourselves. One of our owners, Chase Wells, | 0:46:22 | 0:46:26 | |
called up the Fire Department and said, | 0:46:26 | 0:46:28 | |
"We have one of your boats. Could you use it, would you like it back?" | 0:46:28 | 0:46:32 | |
And they said, "Oh, our two fire boats are pumping full. | 0:46:32 | 0:46:35 | |
"Would you come tie up and pump water?" | 0:46:35 | 0:46:37 | |
All the fire mains, fire hydrants had been destroyed. | 0:46:37 | 0:46:40 | |
The water mains were destroyed when the towers collapsed, | 0:46:40 | 0:46:43 | |
so literally the only water at the site, | 0:46:43 | 0:46:47 | |
the World Trade Centre, were two New York City fire boats, | 0:46:47 | 0:46:50 | |
one built in 1938, one built in 1954, and then supplemented by us. | 0:46:50 | 0:46:56 | |
We were acting as fire hydrants, which is what | 0:46:56 | 0:46:58 | |
these boats were built to do, in other words, | 0:46:58 | 0:47:00 | |
we would pump to a fire engine | 0:47:00 | 0:47:03 | |
which would pump to another engine. | 0:47:03 | 0:47:05 | |
This boat can pump the equivalent | 0:47:05 | 0:47:07 | |
of about 22 fire engines worth of water. | 0:47:07 | 0:47:09 | |
-Wow. And how long were you there? -We were there for four days. | 0:47:09 | 0:47:12 | |
-Jesus. -From the 11th. | 0:47:12 | 0:47:13 | |
We'll get between the two of them. Dara! | 0:47:13 | 0:47:17 | |
Oh, my God! What is that? That's your boat?! | 0:47:19 | 0:47:24 | |
How is that your boat? | 0:47:25 | 0:47:28 | |
That's ridiculous, Griff. It's tiny! | 0:47:29 | 0:47:33 | |
No, I like my boat. I like my boat a lot! | 0:47:33 | 0:47:37 | |
It's faster than the other boats! | 0:47:37 | 0:47:39 | |
It is my profound hope that that is not Griff's boat for the day, | 0:47:43 | 0:47:47 | |
cos if that's the best he can do, he's going to make us all look bad. | 0:47:47 | 0:47:52 | |
Also, I have to say it's a very cold day, it's very beautiful, | 0:47:52 | 0:47:56 | |
it's a very cold day, so really, my heart goes out to the cheerleaders. | 0:47:56 | 0:48:00 | |
They're who I'm mainly thinking about at the moment. | 0:48:00 | 0:48:03 | |
-What? What is that? -My boat didn't turn up! | 0:48:05 | 0:48:10 | |
It's an insult to the people of New York. What are you doing? | 0:48:10 | 0:48:14 | |
Griff, what do you think of my Nantucket lightship? | 0:48:14 | 0:48:17 | |
-Well... -Do you want to meet my crew? | 0:48:17 | 0:48:21 | |
Hey, crew! | 0:48:21 | 0:48:22 | |
GRIFF LAUGHS | 0:48:22 | 0:48:26 | |
Three of you this side, come on, girls. | 0:48:26 | 0:48:29 | |
Hey! How do you like this? Do him your cheer, go on. | 0:48:29 | 0:48:33 | |
Go, Rory! Yeah! Go, Rory, go! | 0:48:36 | 0:48:41 | |
You're going to win the prize. | 0:48:41 | 0:48:43 | |
I hope. Never mind what the Commodore says, you've already won it. | 0:48:43 | 0:48:49 | |
'Since we all had a boat - of sorts - we'd asked the head of the New York Coastguard | 0:48:49 | 0:48:54 | |
'to judge our efforts, Commander Gary Messmer.' It's a pleasure to be here, sir. | 0:48:54 | 0:48:58 | |
It looks like you've found yourself quite a boat. | 0:48:58 | 0:49:01 | |
Wait till we kick in the fire hoses, my friend. | 0:49:01 | 0:49:03 | |
-There you go. -That's the show. | 0:49:03 | 0:49:06 | |
She's got quite a bit of fire monitor on her. | 0:49:06 | 0:49:09 | |
She's a fine old thing, she's been working for 80 years. | 0:49:09 | 0:49:11 | |
So you've been on a lot of boats in your day. | 0:49:11 | 0:49:13 | |
How would you rate this boat? | 0:49:13 | 0:49:15 | |
It may lack the comforts of home. | 0:49:15 | 0:49:17 | |
We've been on a lot of flash boats in our time. | 0:49:17 | 0:49:20 | |
It's a proper working boat with a bit of history. | 0:49:20 | 0:49:22 | |
If needs be, she's there to help. | 0:49:22 | 0:49:24 | |
-Perfect. -Anything else you need to know about this boat? | 0:49:24 | 0:49:27 | |
-No, I look forward to getting on later. -We look forward to having you on board. | 0:49:27 | 0:49:31 | |
-Have a great day. -Lovely to meet you. | 0:49:31 | 0:49:32 | |
'Too many working boats. | 0:49:32 | 0:49:35 | |
'The whole parade needs a little bit more glitz.' | 0:49:35 | 0:49:38 | |
Bravo! | 0:49:38 | 0:49:39 | |
It is moving. | 0:49:41 | 0:49:42 | |
Not too insulting, do you think? | 0:49:42 | 0:49:45 | |
I think it's... | 0:49:45 | 0:49:47 | |
In the spirit. | 0:49:47 | 0:49:48 | |
I don't think in any way you're demeaning this | 0:49:48 | 0:49:51 | |
any more than he is with his ch... | 0:49:51 | 0:49:53 | |
Am I the only one who took this seriously? | 0:49:53 | 0:49:57 | |
Do the pose, do the pose. | 0:49:57 | 0:49:59 | |
-Morning, judge! -Morning, captain. | 0:50:02 | 0:50:06 | |
Looks like you found yourself quite a nice boat. | 0:50:06 | 0:50:08 | |
It's fantastic, and it's the sister beacon to the Statue of Liberty. | 0:50:08 | 0:50:13 | |
And you've assembled quite a crew, I see. | 0:50:13 | 0:50:15 | |
Yeah, I've decorated it in the American style. | 0:50:15 | 0:50:18 | |
Outstanding. | 0:50:18 | 0:50:20 | |
THEY CHEER | 0:50:20 | 0:50:22 | |
And how about the skill level of your crew? | 0:50:22 | 0:50:24 | |
We can repel boarders! See you later. | 0:50:24 | 0:50:28 | |
Bye, say bye to the judge, nice judge. See you later. | 0:50:28 | 0:50:33 | |
'The flotilla finally reaches Liberty Island | 0:50:33 | 0:50:35 | |
'where we have to hold for the signal to sound horns and celebrate.' | 0:50:35 | 0:50:40 | |
Griff is in danger of creating a diplomatic incident | 0:50:40 | 0:50:43 | |
by arriving in drag. | 0:50:43 | 0:50:45 | |
I don't think that's a respectful treatment of that statue there. | 0:50:45 | 0:50:49 | |
It really is like, you know, turning up to a black-tie do in your underpants. | 0:50:49 | 0:50:54 | |
Basically, that's what he's done. He's in his boating underpants. | 0:50:54 | 0:50:59 | |
Shame on you, Griff. Shame on you. | 0:50:59 | 0:51:01 | |
-Good morning! -Good morning. | 0:51:01 | 0:51:03 | |
You've found yourself quite a boat this lovely day. | 0:51:03 | 0:51:06 | |
I know, it was a pity, because the boat we had planned | 0:51:06 | 0:51:08 | |
unfortunately couldn't make it cos it got stuck. | 0:51:08 | 0:51:11 | |
How would you rate the creature comforts on this boat? | 0:51:11 | 0:51:13 | |
Not many comforts, but a lot of manoeuvrability. | 0:51:13 | 0:51:16 | |
Manoeuvrability, fabulous. | 0:51:16 | 0:51:19 | |
And she's very decent. | 0:51:19 | 0:51:21 | |
What I think she represents is the spirit of "can do" | 0:51:21 | 0:51:24 | |
and private enterprise in the United States, | 0:51:24 | 0:51:26 | |
because at the last minute she rode to my rescue, | 0:51:26 | 0:51:30 | |
and that, after all, is the spirit of liberty. | 0:51:30 | 0:51:33 | |
I think that, in a way, if it wasn't for these boats, | 0:51:33 | 0:51:36 | |
then the coastguard would have a lot of fiddly diddly work to do, | 0:51:36 | 0:51:40 | |
-so I think it represents a certain quality of boating. -Fabulous. | 0:51:40 | 0:51:44 | |
BOAT BLOWS HORN | 0:51:44 | 0:51:46 | |
CANNON FIRE | 0:51:49 | 0:51:52 | |
I'm hearing cannons on the island. | 0:51:52 | 0:51:55 | |
Time to start the water! | 0:51:55 | 0:51:57 | |
OK, we're firing our horn. | 0:52:05 | 0:52:07 | |
HE BELLOWS | 0:52:07 | 0:52:09 | |
Hit the cannons! | 0:52:09 | 0:52:11 | |
Come on, boys, don't let me down. Don't let me down! | 0:52:11 | 0:52:15 | |
Oh ho ho! | 0:52:15 | 0:52:18 | |
Yes! Oh, it's wet. | 0:52:18 | 0:52:21 | |
Oh, yes! | 0:52:21 | 0:52:22 | |
Look at this for a show! | 0:52:22 | 0:52:26 | |
We are the winners! | 0:52:26 | 0:52:27 | |
-Look at this! -That's Dara. Good work, Dara. | 0:52:27 | 0:52:31 | |
BOAT BLOWS HORN | 0:52:31 | 0:52:33 | |
How dramatic. Beautiful. | 0:52:33 | 0:52:34 | |
I like the way it was slightly dirty to begin with as well. | 0:52:34 | 0:52:38 | |
It's amazing. Absolutely amazing, a wonderful day to be in New York harbour. | 0:52:41 | 0:52:45 | |
Rory has now presumably got his cheerleaders cheering away. | 0:52:45 | 0:52:50 | |
I'm going to hold up my fake torch. | 0:52:50 | 0:52:53 | |
If we could combine THIS and the cheerleaders, that would be a show. | 0:52:55 | 0:53:00 | |
Look at the fireboat and the rainbows. | 0:53:00 | 0:53:03 | |
Honestly, had we turned up in our little sailing boat, | 0:53:10 | 0:53:13 | |
I think we would have been outranked anyway. | 0:53:13 | 0:53:15 | |
Now the other side again. You just keep repeating it. | 0:53:16 | 0:53:19 | |
Yes! I should have worn the waterproof trousers. | 0:53:19 | 0:53:23 | |
'Flotilla floated, horns hooted, history made in a rubber crown. | 0:53:27 | 0:53:33 | |
'It's all over too soon. Time to head for the harbour | 0:53:33 | 0:53:36 | |
'and see what Gary made of our efforts.' | 0:53:36 | 0:53:38 | |
That's OK. | 0:53:38 | 0:53:40 | |
'But first, Rory wants to give us the tour.' | 0:53:40 | 0:53:43 | |
-This is the state room. -You were in this? | 0:53:44 | 0:53:46 | |
This is what you were on. | 0:53:46 | 0:53:49 | |
I'll tell you what, though, | 0:53:49 | 0:53:51 | |
those lighthouse men had it better than you think. | 0:53:51 | 0:53:54 | |
An absolutely glorious day, | 0:53:54 | 0:53:56 | |
and we were lucky as well, cos it was bucketing down rain yesterday, | 0:53:56 | 0:54:00 | |
and tomorrow we're going to get snow. | 0:54:00 | 0:54:02 | |
In the middle of it we had this, this spectacular day. | 0:54:02 | 0:54:05 | |
Look at this. | 0:54:05 | 0:54:07 | |
Well, what a trip it's been. | 0:54:09 | 0:54:11 | |
It's been everything you could hope for, really. | 0:54:11 | 0:54:15 | |
There wasn't any wood on this boat before they converted it. | 0:54:15 | 0:54:18 | |
Not what we'd call a restoration. | 0:54:18 | 0:54:20 | |
No. Come through this little lounging area here. | 0:54:20 | 0:54:23 | |
What a great ending to a journey that is. | 0:54:23 | 0:54:25 | |
Manhattan skyline in the sunshine. It does not get better than that. | 0:54:25 | 0:54:28 | |
Winning the boat competition would improve it. | 0:54:30 | 0:54:33 | |
Two very important people coming to visit you. | 0:54:33 | 0:54:35 | |
Wish we could say the same about you, Rory. | 0:54:35 | 0:54:38 | |
Oh, my Lord, you only brought two out. | 0:54:38 | 0:54:40 | |
-Ladies, how are you? -Welcome to the den. | 0:54:40 | 0:54:43 | |
Congratulations. | 0:54:43 | 0:54:45 | |
I thought I'd come and show you in close-up what you've | 0:54:45 | 0:54:47 | |
been unable to see, but I feel a little bit over-dressed now, perhaps. | 0:54:47 | 0:54:51 | |
It has been a wonderful journey. | 0:54:51 | 0:54:55 | |
All the way down, we've seen a land of comfort and plenty | 0:54:55 | 0:55:01 | |
and elegance on the east coast of the United States. | 0:55:01 | 0:55:05 | |
It's going to be quite difficult to return to normal portions. | 0:55:06 | 0:55:09 | |
Which team do you generally lead cheers for? | 0:55:09 | 0:55:13 | |
Guess. | 0:55:13 | 0:55:14 | |
New York...Jets! | 0:55:14 | 0:55:16 | |
-Yay, very good. -He's very good. | 0:55:16 | 0:55:19 | |
I don't know if this can be beaten. | 0:55:19 | 0:55:21 | |
So I don't know what the hell we can do next. | 0:55:21 | 0:55:23 | |
But THAT is spectacular. | 0:55:23 | 0:55:25 | |
We have to say goodbye, because we have to go upstairs to be judged now. | 0:55:25 | 0:55:29 | |
-OK, fine, let's go. -See you in a minute. Cheers, see you. | 0:55:29 | 0:55:32 | |
Good afternoon and congratulations on your journey to New York harbour. | 0:55:32 | 0:55:36 | |
Thank you, Commander. | 0:55:36 | 0:55:38 | |
I, as the judge, have been given the power to judge | 0:55:38 | 0:55:41 | |
on who brought the best boat and who performed best | 0:55:41 | 0:55:43 | |
-while they're out there as part of the boat parade. -OK. | 0:55:43 | 0:55:47 | |
Well, before you actually do that, I'm sorry, the sun is beating down. | 0:55:47 | 0:55:50 | |
I'm just going to put on my Coastguard Academy hat. | 0:55:50 | 0:55:53 | |
I just want to say that he's just trying to influence you there. | 0:55:53 | 0:55:57 | |
A bit late in the day. | 0:55:57 | 0:55:58 | |
Can I just get the flight crew in? Come on, flight crew, please. | 0:55:58 | 0:56:02 | |
This is just incredible. | 0:56:02 | 0:56:05 | |
Let him have it, come on, let him have it. | 0:56:05 | 0:56:07 | |
Go, Gary, go, Gary, go! Go, Gary, go, Gary, go! | 0:56:07 | 0:56:12 | |
Go, Gary, go, Gary, go! | 0:56:12 | 0:56:15 | |
I think I would like to wear my life jacket, just to show | 0:56:16 | 0:56:20 | |
I was supporting the principles of the coastguard. | 0:56:20 | 0:56:22 | |
With the information that's been put before you | 0:56:22 | 0:56:25 | |
and all of the other influences | 0:56:25 | 0:56:27 | |
and all the pressures, do you have a decision? | 0:56:27 | 0:56:30 | |
It was a difficult decision. All the boats were amazing. | 0:56:30 | 0:56:34 | |
The crews were admirably trained and executed their duties today. | 0:56:34 | 0:56:37 | |
I would have to say, though, that it was a really close race. | 0:56:37 | 0:56:40 | |
Griff, I commend you for the boat you brought. | 0:56:40 | 0:56:43 | |
Dara, coming in here with the fireboat was amazing. | 0:56:43 | 0:56:46 | |
She's got a great history in New York harbour, and I commend you for that. | 0:56:46 | 0:56:50 | |
Certainly a working boat with a great history. | 0:56:50 | 0:56:52 | |
But, Rory, on the coastguard cutter, Nantucket lightship, | 0:56:52 | 0:56:55 | |
I'd have to say that the honour definitely goes to you | 0:56:55 | 0:56:58 | |
for the best boat of the three. | 0:56:58 | 0:57:00 | |
I'm very proud. Well done, girls! | 0:57:00 | 0:57:02 | |
-Whoo! -Go, Gary! Well done. | 0:57:02 | 0:57:04 | |
Genuinely quite disgusted by that result. | 0:57:04 | 0:57:07 | |
Thank you very much. | 0:57:07 | 0:57:08 | |
I think the only thing that can happen to the prize-winner | 0:57:10 | 0:57:13 | |
is that we throw him overboard. Come on! | 0:57:13 | 0:57:16 | |
-Oh, look at this. -On behalf of the Coastguard Captain of the Port | 0:57:16 | 0:57:19 | |
and the National Park Service, I would like to give you this trophy. | 0:57:19 | 0:57:23 | |
This is one of the proudest moments of my life. | 0:57:23 | 0:57:25 | |
Doesn't it look just like Griff did earlier on? | 0:57:25 | 0:57:29 | |
Almost unmistakable. Thank you, Commander. Well done, girls. Go, Gary. | 0:57:29 | 0:57:34 | |
No whingeing. Come on, I'll buy you a drink. | 0:57:36 | 0:57:40 | |
-Thanks, girls. See you later. -Bye. -Thank you. Bye-bye. | 0:57:40 | 0:57:43 | |
You were great. HE was terrible. | 0:57:43 | 0:57:46 | |
That was the end of the happiest day of your life, you know that? | 0:57:46 | 0:57:50 | |
Who were those guys again? | 0:57:50 | 0:57:52 | |
Subtitles by Red Bee Media Ltd | 0:58:08 | 0:58:13 | |
E-mail [email protected] | 0:58:13 | 0:58:18 |