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Three British workers, a bus driver, a midwife and a paramedic. | 0:00:02 | 0:00:08 | |
They have all accepted the challenge to do their job | 0:00:08 | 0:00:11 | |
under the some of the toughest conditions on the planet. | 0:00:11 | 0:00:14 | |
That was a really, really horrible birth. | 0:00:14 | 0:00:17 | |
That's one satisfied customer, he got off and he's alive. | 0:00:17 | 0:00:21 | |
How you guys do this in these conditions? | 0:00:25 | 0:00:27 | |
Angie Dymott is leaving her home in the Welsh valleys | 0:00:30 | 0:00:34 | |
and her job as a Cardiff paramedic to work in Guatemala city, | 0:00:34 | 0:00:38 | |
one of the most violent cities on earth, | 0:00:38 | 0:00:41 | |
where gang killings run out of control. | 0:00:41 | 0:00:44 | |
As far as I know at the moment, we're going to a shooting. | 0:00:44 | 0:00:47 | |
Angie will be working in a team of dedicated paramedics | 0:00:49 | 0:00:52 | |
who risk their lives to deal with killings on a daily basis. | 0:00:52 | 0:00:57 | |
You have to wear the bulletproof vest. | 0:00:57 | 0:01:01 | |
Working in the chaos and the carnage of a city dominated | 0:01:01 | 0:01:05 | |
by violent drug gangs will test Angie's skills to the limit. | 0:01:05 | 0:01:10 | |
This programme contains scenes which some viewers may find disturbing. | 0:01:19 | 0:01:27 | |
Until now, the closest Angie Dymott has come to Latin America | 0:01:40 | 0:01:44 | |
is her weekly Zumba fitness class in Cardiff. | 0:01:44 | 0:01:46 | |
Come on, then. | 0:01:56 | 0:01:58 | |
Angie lives in the Welsh valleys with her husband Rob, their son Christopher and Glen the dog. | 0:01:58 | 0:02:04 | |
She's been working as a paramedic in Cardiff for six years. | 0:02:04 | 0:02:08 | |
When it comes down to it, we do save lives | 0:02:08 | 0:02:12 | |
and we're all very, very proud of what we do. | 0:02:12 | 0:02:15 | |
It's a great, rewarding job. | 0:02:15 | 0:02:18 | |
Just dealing with people in general - the old person that's fallen on the floor, | 0:02:18 | 0:02:22 | |
that needs cleaning up, that needs putting back into bed, | 0:02:22 | 0:02:25 | |
that needs a cup of tea making or just some kind words. | 0:02:25 | 0:02:30 | |
That's on one end and then to the other end, | 0:02:30 | 0:02:33 | |
where it's the person that needs to be taken as quickly as possible to the nearest A&E. | 0:02:33 | 0:02:38 | |
It's Friday, the busiest night on Angie's beat in central Cardiff. | 0:02:38 | 0:02:43 | |
Angie's highly trained in emergency medicine and drives a state-of-the-art ambulance. | 0:02:45 | 0:02:50 | |
OK, welcome to my office. | 0:02:50 | 0:02:53 | |
This is my domain for four days a week, all right. | 0:02:53 | 0:02:58 | |
We've got cupboards for everything. Everything has a space, all our airways, our oxygen masks, | 0:02:58 | 0:03:03 | |
our music for the back, very important. | 0:03:03 | 0:03:08 | |
Our suction kit. | 0:03:08 | 0:03:10 | |
When needed. Oh. | 0:03:12 | 0:03:15 | |
Vomit bowls. | 0:03:15 | 0:03:17 | |
So you always make sure on a Friday and Saturday night you have a good stack of vomit bowls. | 0:03:17 | 0:03:22 | |
If you have nothing else, you need those. | 0:03:22 | 0:03:25 | |
Our cat flaps. | 0:03:25 | 0:03:26 | |
They're bins. This is our Zol. We can do 12-lead ECGs, 3-lead ECGs... | 0:03:26 | 0:03:33 | |
OK. Look at that. | 0:03:33 | 0:03:35 | |
We don't tolerate aggressive, violent and threatening behaviour. | 0:03:35 | 0:03:38 | |
We don't tolerate it in Welsh either. | 0:03:38 | 0:03:40 | |
Look at this, right, this is the best bit, OK? | 0:03:40 | 0:03:43 | |
When you open this door... the steps just fall out. | 0:03:43 | 0:03:48 | |
How good is that? | 0:03:48 | 0:03:49 | |
It's 9pm and Angie and her colleague Gus receive their first emergency call. | 0:03:51 | 0:03:57 | |
How old is he? | 0:04:02 | 0:04:03 | |
All right, Kyle, have you actually been sick, darling? | 0:04:03 | 0:04:06 | |
I'm shaking and my whole, my adrenaline is shaking. | 0:04:06 | 0:04:10 | |
-Kyle, calm down. What are you afraid of? -I'm dying, I'm dying. | 0:04:10 | 0:04:15 | |
I can't, I can't... | 0:04:15 | 0:04:16 | |
No, Kyle, listen. Kyle, you're panicking now. | 0:04:16 | 0:04:18 | |
-I can't feel like this, no... -Come on, Nick, steady now. | 0:04:18 | 0:04:22 | |
What we have here is an 18-year-old who has had lots and lots and lots to drink, | 0:04:22 | 0:04:28 | |
which is very, very normal for us here, | 0:04:28 | 0:04:33 | |
and ending up in the back of an ambulance, which really is not the way it should be, | 0:04:33 | 0:04:38 | |
using up an ambulance, using up an A&E bed, just for alcohol, | 0:04:38 | 0:04:42 | |
so, I suppose, frustrating in that way. | 0:04:42 | 0:04:44 | |
I'm just going to park behind the police here | 0:04:47 | 0:04:50 | |
and there's a man waving to me in the window. | 0:04:50 | 0:04:52 | |
Angie's second call and the paramedics and police | 0:04:52 | 0:04:55 | |
have been sent to a house where a young man has been assaulted. | 0:04:55 | 0:04:59 | |
OK, lovely, that's all right. | 0:04:59 | 0:05:02 | |
Show them the bruises on your back. | 0:05:02 | 0:05:05 | |
While Gus deals with the boy's injuries, Angie looks after his mum. | 0:05:05 | 0:05:09 | |
Is he your only son? | 0:05:09 | 0:05:11 | |
-He's your only one. -My baby. -Your baby or your only one? | 0:05:11 | 0:05:14 | |
No, I got two girls. | 0:05:14 | 0:05:17 | |
-You got two girls, have you? -Two girls. -But he's your youngest. | 0:05:17 | 0:05:20 | |
All right. You never stop worrying about them, do you? | 0:05:20 | 0:05:23 | |
Usually I work with a female member of staff | 0:05:23 | 0:05:26 | |
and together they call us the Mumbulance, | 0:05:26 | 0:05:29 | |
because we like to sort of, you know, mother people | 0:05:29 | 0:05:33 | |
and I give them the sympathy that they need and the sympathy they deserve. | 0:05:33 | 0:05:39 | |
Breathe slowly. OK. | 0:05:39 | 0:05:42 | |
You don't want my Barry Manilow International Fan Club pen. | 0:05:42 | 0:05:47 | |
It really is a Barry Manilow. | 0:05:47 | 0:05:50 | |
Barry Manilow International Fan Club. My special pen and I'm proud. | 0:05:50 | 0:05:55 | |
OK. | 0:05:58 | 0:05:59 | |
# Her name was Lola | 0:05:59 | 0:06:02 | |
# She was a showgirl | 0:06:02 | 0:06:04 | |
# With yellow feathers in her hair | 0:06:04 | 0:06:06 | |
# And a dress cut down to there... # | 0:06:06 | 0:06:08 | |
Hello? | 0:06:08 | 0:06:10 | |
After a series of drink-related incidents, | 0:06:10 | 0:06:12 | |
patient transfers and minor injury call-outs, | 0:06:12 | 0:06:16 | |
Angie and Gus's Friday night shift ends. | 0:06:16 | 0:06:19 | |
Tonight, we've had a variety of jobs, | 0:06:22 | 0:06:25 | |
some better than others. | 0:06:25 | 0:06:27 | |
I think every paramedic looks for what's called a real job, | 0:06:27 | 0:06:35 | |
or a job that's interesting, a job that's exciting, | 0:06:35 | 0:06:38 | |
a job where you can use your skills and use what you've been trained for. | 0:06:38 | 0:06:41 | |
Angie is about to get what she wants. | 0:06:43 | 0:06:45 | |
She's leaving her family and village life to work in Guatemala City, | 0:06:45 | 0:06:49 | |
one of the most violent places in the world. | 0:06:49 | 0:06:52 | |
To help prepare for her trip, the paramedics in Guatemala | 0:06:53 | 0:06:57 | |
have sent her some essential Spanish phrases to learn. | 0:06:57 | 0:07:00 | |
It's a taste of what may be to come. | 0:07:00 | 0:07:03 | |
'Are there criminals still in the area?' | 0:07:03 | 0:07:06 | |
Oh. Hey. 'Did they have weapons?' | 0:07:06 | 0:07:08 | |
Good God, it gets worse. | 0:07:08 | 0:07:10 | |
Now they got weapons. | 0:07:10 | 0:07:12 | |
Ellos tenian armas? | 0:07:12 | 0:07:14 | |
Ages...dimea...armis?! | 0:07:14 | 0:07:18 | |
-OK... -So they're talking about guns and weapons. -Yeah. | 0:07:18 | 0:07:21 | |
Have you seen a gunshot? | 0:07:21 | 0:07:23 | |
No, I haven't. | 0:07:23 | 0:07:25 | |
-I think you'd better get your books out. -I think I better had. | 0:07:25 | 0:07:28 | |
Angie's rarely sees violent crime in Cardiff, | 0:07:30 | 0:07:33 | |
so Guatemala is likely to test her training to the limit. | 0:07:33 | 0:07:36 | |
I know that I'm a competent paramedic. | 0:07:36 | 0:07:38 | |
I wouldn't be working as one if I wasn't. | 0:07:38 | 0:07:42 | |
But will I be a competent paramedic in Guatemala? | 0:07:42 | 0:07:45 | |
That is a fear, that is a fear. | 0:07:45 | 0:07:48 | |
Definitely. | 0:07:48 | 0:07:50 | |
It's 5,000 miles from the Welsh valleys to Central America | 0:07:52 | 0:07:56 | |
where Angie is about to find out if she's got what it takes. | 0:07:56 | 0:08:00 | |
Guatemala is a small country of just 14 million people | 0:08:04 | 0:08:07 | |
but it has a violent history. | 0:08:07 | 0:08:10 | |
A long civil war ended in the mid-90s but left the country devastated. | 0:08:10 | 0:08:15 | |
Now there's a new war on the streets as violent gangs, | 0:08:16 | 0:08:20 | |
called Maras, terrorise the city. | 0:08:20 | 0:08:23 | |
A weak and corrupt police force does little to combat them. | 0:08:23 | 0:08:26 | |
The stability of Guatemala is also threatened by | 0:08:26 | 0:08:29 | |
powerful Mexican drug cartels, | 0:08:29 | 0:08:31 | |
who transit billions of dollars of cocaine through the country. | 0:08:31 | 0:08:36 | |
Robbery, murder and gang killings are on the rise. | 0:08:36 | 0:08:39 | |
And picking up the pieces are the nation's bomberos, | 0:08:39 | 0:08:42 | |
combined firemen and paramedics, who witness violent death every day. | 0:08:42 | 0:08:49 | |
For the next two weeks, Angie will join a paramedic team working the very toughest beat. | 0:08:58 | 0:09:03 | |
Looks like it'll be an interesting place to get out and have a look | 0:09:03 | 0:09:08 | |
but we've been told that it's not that safe a place to wander round, even day time. | 0:09:08 | 0:09:14 | |
It looks just like a normal market street to me at the moment. | 0:09:18 | 0:09:23 | |
There's little kiddies running about. | 0:09:23 | 0:09:27 | |
It's hard to believe, really, that it is that dangerous. | 0:09:27 | 0:09:30 | |
Bomberos fire station number ten, Guatemala City, | 0:09:39 | 0:09:42 | |
is sandwiched between two funeral parlours. | 0:09:42 | 0:09:45 | |
Angie's guide will be local bombero Luis Archila, | 0:09:48 | 0:09:51 | |
or Archie, to his friends. | 0:09:51 | 0:09:53 | |
-Hello. -Hello. -How are you? | 0:09:53 | 0:09:56 | |
I'm well, thank you. | 0:09:56 | 0:09:59 | |
So the taxi brought me straight to the door. | 0:10:02 | 0:10:05 | |
Why could I not get out on my way here? | 0:10:05 | 0:10:09 | |
It's a red zone around here. | 0:10:09 | 0:10:12 | |
A red zone, OK, which means... | 0:10:12 | 0:10:14 | |
So you may be... | 0:10:14 | 0:10:17 | |
robbed or killed or kidnapped if you're not wearing a uniform. | 0:10:17 | 0:10:23 | |
I personally don't walk around here. | 0:10:23 | 0:10:27 | |
You have your... I don't know if we spell it right. | 0:10:30 | 0:10:32 | |
Oh, wow. | 0:10:32 | 0:10:34 | |
-Oh, thank you. -And this is just for precaution. | 0:10:36 | 0:10:39 | |
-OK. -You will have to wear the bulletproof vest. | 0:10:39 | 0:10:43 | |
And are we likely to see shootings and stabbings tonight? | 0:10:43 | 0:10:48 | |
-Yeah. -Yeah. | 0:10:48 | 0:10:50 | |
That's quite normal, is it? | 0:10:50 | 0:10:52 | |
How many, on average, would you say a week, are there shootings in Guatemala? | 0:10:52 | 0:10:59 | |
I will say, in the whole country, | 0:10:59 | 0:11:03 | |
probably, like, 15 to 20 persons per day. | 0:11:03 | 0:11:08 | |
-Per day. -Per day. | 0:11:08 | 0:11:10 | |
It rises a little bit more in the weekend, | 0:11:10 | 0:11:13 | |
but the average, it's like that. | 0:11:13 | 0:11:16 | |
So I think today is going to be busy. | 0:11:16 | 0:11:20 | |
So let's prepare and let's rock and roll. | 0:11:20 | 0:11:25 | |
OK, let's rock and roll. | 0:11:25 | 0:11:27 | |
I think she was not prepared for all this... | 0:11:27 | 0:11:31 | |
crime and bullets and knives and blood. | 0:11:31 | 0:11:35 | |
I know I am in quite a volatile, dangerous place, | 0:11:35 | 0:11:39 | |
but hopefully, I'll just be able to focus on what I'm doing and not let my surroundings | 0:11:39 | 0:11:46 | |
worry me too much or hinder me with what I'm doing. | 0:11:46 | 0:11:52 | |
So it's going to be a little bit shocking, | 0:11:57 | 0:11:59 | |
but I think she has been trained for that | 0:11:59 | 0:12:02 | |
and she shall be able to go through that, so that's my impression as of now. | 0:12:02 | 0:12:06 | |
The first call-out and it's to one of the most dangerous parts of town. | 0:12:15 | 0:12:19 | |
We're in the right area, as far as we know, | 0:12:22 | 0:12:25 | |
but I think nobody knows what the incident is. | 0:12:25 | 0:12:28 | |
This is the patient. | 0:12:32 | 0:12:34 | |
The man has a deep knife wound. | 0:12:43 | 0:12:45 | |
But as Angie starts to treat him Archie tells her to get the patient | 0:12:49 | 0:12:53 | |
off the street and into the ambulance straight away. | 0:12:53 | 0:12:55 | |
-So he was, he was drunk. -Yeah. | 0:13:04 | 0:13:07 | |
And he had a fight. | 0:13:07 | 0:13:10 | |
The knife was going to the chest. | 0:13:10 | 0:13:13 | |
OK. He put his arm up instead. OK. | 0:13:13 | 0:13:15 | |
Yeah, if you put some on there. | 0:13:16 | 0:13:18 | |
No worries, no worries. | 0:13:18 | 0:13:21 | |
He's saying that he's going to fold it, shoot. | 0:13:36 | 0:13:39 | |
-The guy that did what. -Oh, OK. | 0:13:39 | 0:13:43 | |
He's really pissed off with him. | 0:13:43 | 0:13:45 | |
-I can imagine. -With the guy that did that. | 0:13:45 | 0:13:47 | |
HE SPEAKS SPANISH | 0:13:47 | 0:13:50 | |
-What's that? -He's going to fight with the guy that did this to him so. | 0:13:50 | 0:13:54 | |
OK. | 0:13:54 | 0:13:55 | |
In the first case, she just helped me there where I get there, | 0:13:57 | 0:14:01 | |
and she was good, doing the right thing. | 0:14:01 | 0:14:04 | |
Good work. It's the kind of work that you say, "OK, let's do another one". | 0:14:04 | 0:14:08 | |
So, I love it. | 0:14:08 | 0:14:10 | |
But Angie is concerned about how the patient was treated. | 0:14:13 | 0:14:17 | |
Usually we would have transported to the ambulance | 0:14:17 | 0:14:22 | |
and done all the blood pressure | 0:14:22 | 0:14:24 | |
and all the observations before any intervention. | 0:14:24 | 0:14:29 | |
I went by your instructions. | 0:14:29 | 0:14:30 | |
Why did we do it differently then? | 0:14:30 | 0:14:33 | |
We were in a really, really dangerous area. | 0:14:33 | 0:14:36 | |
There's a lot of gangs around there, so that's why it's like what we call pack and leave. | 0:14:36 | 0:14:43 | |
-OK. -We're leaving. | 0:14:43 | 0:14:44 | |
But there's no time to discuss patient care as calls come thick and fast. | 0:14:49 | 0:14:54 | |
Another call, again to the red zone. | 0:14:54 | 0:14:57 | |
As far as I know at the moment, | 0:15:04 | 0:15:06 | |
we're going to a shooting in zone 12, which is apparently a red zone. | 0:15:06 | 0:15:13 | |
OK. We have arrived. | 0:15:17 | 0:15:19 | |
-What... -Angie and the team are the first paramedics on the scene but it looks like they are too late. | 0:15:28 | 0:15:34 | |
-Can you feel it? -No, it's brain here. | 0:15:36 | 0:15:40 | |
-I have the bullet there. -OK. -It's in the face. -So what do we do now? | 0:15:40 | 0:15:45 | |
There's nothing we can do. | 0:15:45 | 0:15:46 | |
So do we leave the casualty here? | 0:15:46 | 0:15:48 | |
We have to cover him. He has another... | 0:15:48 | 0:15:50 | |
So he's been shot several times then. | 0:15:50 | 0:15:52 | |
-Yeah. -OK. | 0:15:52 | 0:15:55 | |
-So they're going to bring their blankets so we can cover him. -And then we... | 0:15:56 | 0:16:01 | |
-We have to wait till the Colonel get here. -OK. All right. | 0:16:01 | 0:16:06 | |
-Careful, there's... -OK. -All the bullets are there. | 0:16:06 | 0:16:11 | |
-Have you seen that before? -No. Never. | 0:16:21 | 0:16:26 | |
-So your first time is there? -Yeah. | 0:16:26 | 0:16:30 | |
Difficult. | 0:16:30 | 0:16:31 | |
-And every person reacts different. -Yeah. | 0:16:33 | 0:16:36 | |
I remember my first person that I picked that was killed. | 0:16:36 | 0:16:40 | |
I didn't sleep the whole night. | 0:16:40 | 0:16:43 | |
Just on playing on your mind all the time. Yes. | 0:16:43 | 0:16:46 | |
-You see he has more than seven shots. -Yeah. | 0:16:52 | 0:16:55 | |
So somebody really wants to kill him. | 0:16:55 | 0:16:58 | |
Thank you. | 0:17:00 | 0:17:02 | |
As per the police, the guy was in a bus going, | 0:17:04 | 0:17:09 | |
two cars stopped the bus, the guys climbed into the bus, | 0:17:09 | 0:17:13 | |
pulled him out and execute him in the street. | 0:17:13 | 0:17:17 | |
Oh. He's so young. | 0:17:17 | 0:17:19 | |
Yeah, looks like he's young. | 0:17:19 | 0:17:21 | |
-There was loads of witnesses there, though. -Yeah. -And what... | 0:17:21 | 0:17:25 | |
It's an open street. Nobody can do anything, just run everywhere. | 0:17:25 | 0:17:29 | |
-Yeah. -And make sure you don't get shot too. | 0:17:29 | 0:17:33 | |
-And you can see that we are in a gang area. -Right. | 0:17:33 | 0:17:37 | |
-Because you see all the graffitis. -OK. | 0:17:37 | 0:17:39 | |
We don't know what this guy has done, but even so, | 0:17:50 | 0:17:55 | |
to hunt him down and shoot him in the street in front of people, | 0:17:55 | 0:17:59 | |
and then drive off, just seems that, you know, life has no value. | 0:17:59 | 0:18:05 | |
Its highly unlikely the killers will be ever arrested. | 0:18:10 | 0:18:12 | |
As many as 97% of murders here go unpunished. | 0:18:12 | 0:18:17 | |
The police and government are accused of widespread corruption. | 0:18:17 | 0:18:20 | |
Recently, a leading international monitoring organisation | 0:18:23 | 0:18:27 | |
described the country as "a paradise for criminals". | 0:18:27 | 0:18:30 | |
It's 4am and Angie's shift with the bomberos has ended. | 0:18:33 | 0:18:36 | |
She's staying with her host. | 0:18:36 | 0:18:38 | |
Archie is a volunteer paramedic, one of 20, | 0:18:41 | 0:18:43 | |
who give up their weekends to work alongside the permanent paid staff. | 0:18:43 | 0:18:47 | |
He's from a wealthy family and works as a sales manager by day. | 0:18:49 | 0:18:53 | |
Unlike most Guatemalans, he can afford to live in a heavily-guarded compound. | 0:18:55 | 0:19:00 | |
Buenos noches, gracias. | 0:19:00 | 0:19:03 | |
So this is, like, three guards are sleeping there. | 0:19:06 | 0:19:09 | |
That's what we have and then we have a second gate. | 0:19:09 | 0:19:13 | |
And is it necessary to have all this security around here? | 0:19:16 | 0:19:20 | |
Yeah. | 0:19:20 | 0:19:22 | |
Just to give you a little example, last week, my parents-in-law, | 0:19:25 | 0:19:30 | |
they were driving with my two sons, and they almost get robbed. | 0:19:30 | 0:19:35 | |
They point the gun to my mother-in-law, | 0:19:35 | 0:19:39 | |
and they showed the gun to my kid and my kid started screaming, | 0:19:39 | 0:19:44 | |
so to avoid that, that's why we live... | 0:19:44 | 0:19:46 | |
Live in a... Right. | 0:19:46 | 0:19:48 | |
And is it more expensive to live in an area like this? | 0:19:48 | 0:19:51 | |
Yeah. | 0:19:51 | 0:19:53 | |
-But it's safer. -It's safer. | 0:19:53 | 0:19:55 | |
Absolutely. OK. | 0:19:55 | 0:19:57 | |
This is a lovely home that I'm staying in. | 0:20:05 | 0:20:08 | |
Just sad, really, that it's behind so many security gates | 0:20:08 | 0:20:13 | |
and high walls, but if you want your children to be safe, | 0:20:13 | 0:20:17 | |
I suppose that's what you have to do. | 0:20:17 | 0:20:19 | |
But this, look, this beautiful little boy, | 0:20:19 | 0:20:23 | |
beautiful, was traumatised by having a gun... | 0:20:23 | 0:20:26 | |
No child should have to see that. | 0:20:26 | 0:20:30 | |
How cute is he? My notes, | 0:20:30 | 0:20:32 | |
that's "welcome" in | 0:20:32 | 0:20:35 | |
three-year-old Guatemalan. | 0:20:35 | 0:20:38 | |
Maho, Archie's wife, is getting the family ready to go to church. | 0:20:40 | 0:20:44 | |
They're committed Christians and this is an important part of their week. | 0:20:44 | 0:20:48 | |
-I'm Maho. -Maho, nice to meet you. | 0:20:48 | 0:20:51 | |
-Have you with us. -Oh, thank you. Thank you for letting me stay. | 0:20:51 | 0:20:54 | |
Of course, of course, no thank you for joining us. | 0:20:54 | 0:20:57 | |
As the violence in Guatemala increases, | 0:20:59 | 0:21:02 | |
there has been a massive rise in the popularity of evangelical churches. | 0:21:02 | 0:21:06 | |
This is one of the biggest in the world. | 0:21:09 | 0:21:12 | |
Angie hasn't been to church for years. | 0:21:26 | 0:21:29 | |
CONGREGATION SING | 0:21:29 | 0:21:31 | |
I didn't think that this place would affect me the way it did, | 0:22:08 | 0:22:12 | |
to see everybody together, all there for the same reason, | 0:22:12 | 0:22:17 | |
and then comparing it to less than 24 hours ago, what we saw were | 0:22:17 | 0:22:22 | |
being gunned down, young people in the street. | 0:22:22 | 0:22:24 | |
I can certainly see why Archie comes here, | 0:22:24 | 0:22:27 | |
especially doing the job he does. | 0:22:27 | 0:22:29 | |
I could see that I would come here regularly if I worked as a bombero full time in Guatemala. | 0:22:29 | 0:22:36 | |
It's Angie's second evening shift with the bomberos. | 0:22:39 | 0:22:43 | |
News comes in of a multiple shooting in the city centre. | 0:22:46 | 0:22:50 | |
Angie's team have been called in to help. | 0:22:50 | 0:22:52 | |
Right we're going to the hospital now... | 0:22:54 | 0:22:57 | |
..to help another ambulance take off three injured people. | 0:22:59 | 0:23:04 | |
They've been involved in a shooting, right? Yeah. | 0:23:04 | 0:23:07 | |
At the hospital they encounter the victims of a bloodbath. | 0:23:14 | 0:23:18 | |
Two men are dead and three more are injured. | 0:23:20 | 0:23:24 | |
One survivor has been shot in the face, | 0:23:24 | 0:23:27 | |
another has multiple wounds to the leg. | 0:23:27 | 0:23:31 | |
Angie is treating a man with a bullet lodged in his arm. | 0:23:31 | 0:23:34 | |
But this isn't just another gangland hit. | 0:23:36 | 0:23:39 | |
They were all university students. | 0:24:09 | 0:24:12 | |
They weren't involved in any drugs or gangs | 0:24:12 | 0:24:16 | |
and their lives have just been completely changed. | 0:24:16 | 0:24:20 | |
I mean, lives have been lost. | 0:24:20 | 0:24:22 | |
It's not a good place out there on the streets of Guatemala City. | 0:24:25 | 0:24:30 | |
Not a good place at all. | 0:24:30 | 0:24:32 | |
There's a lot of hate, violence and life is cheap. | 0:24:32 | 0:24:35 | |
The next casualty for tonight's shift is not quite so dramatic. | 0:24:46 | 0:24:49 | |
This is quite a relief, actually, | 0:24:51 | 0:24:53 | |
to have somebody wandering in that's not covered in blood... | 0:24:53 | 0:24:57 | |
..cos it has been full on for two hours. | 0:25:00 | 0:25:02 | |
In the middle of the shift, | 0:25:02 | 0:25:04 | |
there's time for some food and to learn the bomberos' rituals. | 0:25:04 | 0:25:07 | |
So before eating we do two things. | 0:25:07 | 0:25:10 | |
-OK. -First, we pray. | 0:25:10 | 0:25:13 | |
And the newest is the one that is going to pray. | 0:25:13 | 0:25:16 | |
So the pray is for you. | 0:25:16 | 0:25:18 | |
For me. OK. | 0:25:18 | 0:25:20 | |
Say Grace. | 0:25:20 | 0:25:22 | |
All right. | 0:25:22 | 0:25:25 | |
Thank you for this wonderful food that has been put before us | 0:25:25 | 0:25:31 | |
by some very kind people and can I also say thank you | 0:25:31 | 0:25:36 | |
for this opportunity and for everyone being so welcome. | 0:25:36 | 0:25:42 | |
Um... Let's all enjoy our food. | 0:25:42 | 0:25:45 | |
Amen. | 0:25:45 | 0:25:47 | |
And next, somebody has to wash the dishes. | 0:25:47 | 0:25:50 | |
Ah, so you do. | 0:25:50 | 0:25:51 | |
Everybody has to pick one and the smallest card is going to... | 0:25:53 | 0:25:56 | |
The lowest one does the dishes. | 0:25:56 | 0:25:58 | |
Does the dishes. | 0:25:58 | 0:26:00 | |
So obviously gang culture is huge here. | 0:26:16 | 0:26:20 | |
Now it's, like, 200 or 300% more than five years ago, | 0:26:20 | 0:26:25 | |
so it's really bad. | 0:26:25 | 0:26:27 | |
So what can be done about it, though? | 0:26:27 | 0:26:29 | |
Is anything being done? Or is there nothing that can be done? | 0:26:29 | 0:26:32 | |
Nothing much, put them all inside jails. | 0:26:32 | 0:26:35 | |
And the thing is, we don't have enough jails to keep all of them in. | 0:26:35 | 0:26:40 | |
A good solution is what they're doing in Honduras and in El Salvador. | 0:26:40 | 0:26:44 | |
They're putting them together and they're killing each other. | 0:26:44 | 0:26:47 | |
And it's my personal opinion that's what they have to do, put them together in the jail and let them... | 0:26:47 | 0:26:52 | |
And let them fight it out. | 0:26:52 | 0:26:54 | |
They get all of their funding from extortions. | 0:26:54 | 0:26:58 | |
-Like, these kids that we just saw in the hospital... -Yeah. | 0:26:58 | 0:27:02 | |
They probably weren't extortions, but they were like an initiation, | 0:27:02 | 0:27:07 | |
so in the initiation, also in the gangs, they say, | 0:27:07 | 0:27:11 | |
"OK, you want to be in the gang, | 0:27:11 | 0:27:14 | |
"go and kill somebody?". | 0:27:14 | 0:27:16 | |
-And it just happened to be those five. -Unfortunately they were. | 0:27:16 | 0:27:20 | |
They have no conscience, though, or no value of life. | 0:27:20 | 0:27:24 | |
Nothing. And it's... | 0:27:24 | 0:27:27 | |
awful. | 0:27:27 | 0:27:28 | |
At 3:00am, Angie's second shift ends. | 0:27:30 | 0:27:33 | |
She wakes in the security of Archie's fortified house. | 0:27:38 | 0:27:42 | |
Today Archie's wife, Maho, | 0:27:42 | 0:27:44 | |
wants to take her out of the compound to go shopping. | 0:27:44 | 0:27:47 | |
In Guatemala, this is not as simple as it sounds. | 0:27:48 | 0:27:52 | |
Now we're going to town. | 0:27:52 | 0:27:54 | |
You have to be very precautious. | 0:27:54 | 0:27:56 | |
Take all your jewellery off. | 0:27:56 | 0:27:57 | |
-Oh, right. -Your earrings, yeah, or something that is valuable. | 0:27:57 | 0:28:01 | |
-This, maybe? -Yeah, I wouldn't recommend it. | 0:28:01 | 0:28:03 | |
It is, like, different for you but... | 0:28:03 | 0:28:05 | |
Very different, very different. | 0:28:05 | 0:28:08 | |
I never have to take my jewellery off to go shopping. That's for sure. | 0:28:08 | 0:28:11 | |
I didn't bring my purse. | 0:28:11 | 0:28:14 | |
I just have the cash with me and... | 0:28:14 | 0:28:17 | |
-OK. -And nothing else. Yeah. | 0:28:17 | 0:28:18 | |
-All right. -So don't bring attention to us. | 0:28:18 | 0:28:21 | |
Things here that... | 0:28:21 | 0:28:24 | |
-you have to be thinking all the time, it seems. -Yeah, yeah. | 0:28:24 | 0:28:27 | |
But it is like part of your routine. | 0:28:27 | 0:28:29 | |
It's like getting dressed or getting showered. | 0:28:29 | 0:28:32 | |
It's like you're thinking all the time. | 0:28:32 | 0:28:34 | |
Yeah. | 0:28:34 | 0:28:36 | |
And was it the same as you when you were young as well? | 0:28:36 | 0:28:39 | |
No, no. There was like delinquency and everything | 0:28:39 | 0:28:43 | |
but now they kill you for your cell phone. | 0:28:43 | 0:28:45 | |
It is ridiculous, right? | 0:28:45 | 0:28:48 | |
-Yeah. -A life for a cell phone. | 0:28:48 | 0:28:50 | |
But now, these days, it's what we live with. | 0:28:50 | 0:28:53 | |
Maho is shopping for her son's first birthday party. | 0:28:56 | 0:29:00 | |
-Ready? Which way? Face down? -Face up. -Face up? | 0:29:00 | 0:29:04 | |
-Yeah. -OK. -That's the advice from the experts. | 0:29:04 | 0:29:07 | |
Ha-ha, there we are. | 0:29:07 | 0:29:09 | |
-Pinata experts. -Yeah. -Wow! | 0:29:09 | 0:29:12 | |
Muchas gracias. Gracias. | 0:29:12 | 0:29:14 | |
-It looks great in there! -Yeah, I know. | 0:29:14 | 0:29:16 | |
Bye. | 0:29:23 | 0:29:25 | |
Even at the party it's hard to escape the violence. | 0:29:25 | 0:29:28 | |
Angie, we're in the newspaper. | 0:29:30 | 0:29:32 | |
Nuestro Diario is Guatemala's biggest selling newspaper. | 0:29:32 | 0:29:36 | |
-We're in the newspaper? -What a picture. -Yeah. | 0:29:36 | 0:29:39 | |
It's known locally as Muerto Diario, or the daily death. | 0:29:39 | 0:29:44 | |
Oh, that was, er... pretty violent last night. | 0:29:44 | 0:29:48 | |
Yeah, it was. | 0:29:48 | 0:29:49 | |
It was really violent. | 0:29:49 | 0:29:51 | |
If I was living in Guatemala City | 0:29:53 | 0:29:56 | |
I just don't think I'd want to live here any more. | 0:29:56 | 0:29:59 | |
I think I'd just want to go. I'd just want to go somewhere safer, | 0:29:59 | 0:30:03 | |
especially with children. | 0:30:03 | 0:30:05 | |
THEY CHATTER EXCITEDLY | 0:30:05 | 0:30:08 | |
Especially with something that's getting worse, | 0:30:11 | 0:30:13 | |
getting worse every day. | 0:30:13 | 0:30:15 | |
That's pretty grim. Yeah. I wouldn't want to live here. | 0:30:15 | 0:30:18 | |
Not at all. | 0:30:18 | 0:30:20 | |
Not at all. | 0:30:20 | 0:30:22 | |
But Angie's stay has only just begun. | 0:30:22 | 0:30:24 | |
From now on she'll be leaving the gated security of Archie's house | 0:30:24 | 0:30:28 | |
and living with another of the bomberos | 0:30:28 | 0:30:31 | |
in a very different part of town. | 0:30:31 | 0:30:33 | |
Unlike Archie, Wilfredo Ponce is a full time bombero. | 0:30:37 | 0:30:42 | |
Hola, Wilfredo. Si? | 0:30:44 | 0:30:48 | |
The Bomberos Voluntarios rely almost totally on donations to pay for their medical kit | 0:30:52 | 0:30:57 | |
and the salaries of the dedicated permanent staff like Wilfredo. | 0:30:57 | 0:31:01 | |
He seems a really nice man that's very proud of his job | 0:31:01 | 0:31:06 | |
and very proud of what he does. | 0:31:06 | 0:31:08 | |
Very proud and honoured to be a permanent bombero. | 0:31:08 | 0:31:11 | |
Very knowledgeable as well. | 0:31:13 | 0:31:15 | |
And said he's looking forward to learning from me. | 0:31:15 | 0:31:17 | |
I'm looking forward to learning from him, I think, definitely. | 0:31:17 | 0:31:21 | |
But aside from checking the kit there are other important jobs for Angie to learn. | 0:31:21 | 0:31:25 | |
Like making pork and rice, | 0:31:25 | 0:31:28 | |
Guatemalan style. | 0:31:28 | 0:31:29 | |
I'm going as fast as I can. | 0:31:32 | 0:31:34 | |
I think this is a great way to work. | 0:31:36 | 0:31:39 | |
I think it really brings people together. | 0:31:39 | 0:31:42 | |
It would be good if this could happen | 0:31:42 | 0:31:44 | |
back on our station but just the nature of the jobs are so different. | 0:31:44 | 0:31:49 | |
Where I work it's quite often | 0:31:49 | 0:31:51 | |
you can go all day without seeing somebody else on your shift. | 0:31:51 | 0:31:55 | |
BELL RINGS | 0:31:56 | 0:31:58 | |
They've been called to a road traffic accident, | 0:32:03 | 0:32:06 | |
which should be more familiar territory for Angie. | 0:32:06 | 0:32:08 | |
After 30 minutes of classic bombero driving they arrive at the scene. | 0:32:16 | 0:32:20 | |
A 25-tonne-truck carrying tortilla flour | 0:32:32 | 0:32:35 | |
has crashed through the central reservation. | 0:32:35 | 0:32:38 | |
Two men have been crushed underneath. | 0:32:47 | 0:32:50 | |
But one very lucky 19-year-old has been pulled from the wreckage. | 0:32:50 | 0:32:55 | |
We've got this guy here | 0:32:59 | 0:33:02 | |
whose main injury seems to be his leg, | 0:33:02 | 0:33:06 | |
and he's got quite a bad laceration to his knee | 0:33:06 | 0:33:10 | |
and to his head. | 0:33:10 | 0:33:13 | |
That's a pretty grand scale accident. | 0:33:13 | 0:33:15 | |
I've never seen an accident like that before. And we've just got here at the tail end of it | 0:33:15 | 0:33:20 | |
so you can imagine what it would have been like to be first on scene. | 0:33:20 | 0:33:24 | |
That's pretty incredible. | 0:33:24 | 0:33:26 | |
The emergency calls just keep coming. | 0:33:29 | 0:33:31 | |
By the time they get back, | 0:33:51 | 0:33:53 | |
the carefully prepared meal is stone cold. | 0:33:53 | 0:33:56 | |
We're finally having pizza | 0:33:56 | 0:33:58 | |
because we've attempted to eat food now for about the last four hours, | 0:33:58 | 0:34:02 | |
which was the food that I helped prepare. | 0:34:02 | 0:34:07 | |
It's probably is just as well that everyone's ended up with pizza. | 0:34:07 | 0:34:10 | |
Angie is staying with Wilfredo while they are working together. | 0:34:23 | 0:34:27 | |
He lives with his family 20 miles outside the city. | 0:34:28 | 0:34:32 | |
It couldn't be more different from Archie's house. | 0:34:32 | 0:34:35 | |
This feels to me like the real Guatemala, | 0:34:38 | 0:34:41 | |
or more like the real Guatemala. | 0:34:41 | 0:34:43 | |
The community, the small shops, the people working together, | 0:34:43 | 0:34:47 | |
people walking round the streets. | 0:34:47 | 0:34:50 | |
Where Archie lives, behind the gates, I think it's what | 0:34:50 | 0:34:54 | |
unfortunately has become necessary in Guatemala | 0:34:54 | 0:34:58 | |
to survive and to be safe, but not being able to live freely. | 0:34:58 | 0:35:03 | |
Yeah, this definitely feels to me more like | 0:35:10 | 0:35:12 | |
I thought what Guatemala would. | 0:35:12 | 0:35:14 | |
-Buenos dias. -Hola. Buenos dias. | 0:35:26 | 0:35:28 | |
Bienvenida. Como estas? Muy bien? | 0:35:28 | 0:35:31 | |
Hola. Como estas? | 0:35:40 | 0:35:43 | |
Ah. Hola. | 0:35:43 | 0:35:45 | |
Has he got a name? | 0:36:09 | 0:36:10 | |
Patito. | 0:36:10 | 0:36:12 | |
Do you want the parrot to kiss you? | 0:36:15 | 0:36:18 | |
Do I want the parrot...? | 0:36:18 | 0:36:20 | |
It's been a dream of mine. | 0:36:20 | 0:36:23 | |
The house is very small and very, very different to Archie's house. | 0:36:23 | 0:36:29 | |
Obviously the... Well, Wilfredo said they make the best of what they've got and you can see that. | 0:36:29 | 0:36:35 | |
But so small for all those people. | 0:36:35 | 0:36:37 | |
They've all moved in together so I can have a room to myself. | 0:36:37 | 0:36:41 | |
I'm just very touched actually that they've done that for me. | 0:36:41 | 0:36:44 | |
I feel a bit like the queen, | 0:36:44 | 0:36:46 | |
which is nice. | 0:36:46 | 0:36:48 | |
This place is lovely. It's so relaxing. | 0:37:00 | 0:37:03 | |
It's so how I imagined a little village in Guatemala to be. | 0:37:03 | 0:37:07 | |
Everybody knows everyone else. | 0:37:07 | 0:37:10 | |
I'm sure everyone knows everyone's business here as well, | 0:37:10 | 0:37:13 | |
like they do where I live at home. It's lovely. | 0:37:13 | 0:37:15 | |
Really nice. I feel really comfortable walking round here. | 0:37:15 | 0:37:18 | |
But even here, life is not as peaceful as it seems. | 0:37:21 | 0:37:25 | |
To travel the 20 miles to work every day Wilfredo catches a bus from the bus station at five in the morning. | 0:37:25 | 0:37:32 | |
But this simple journey to work is fraught with peril. | 0:37:32 | 0:37:36 | |
TRANSLATION: Travelling is very difficult. | 0:37:36 | 0:37:39 | |
At the moment they are extorting money from the bus companies. | 0:37:39 | 0:37:43 | |
And because the companies aren't paying, people are being killed every day on the buses. | 0:37:43 | 0:37:49 | |
And why do they do this? Why does it happen? | 0:37:49 | 0:37:51 | |
TRANSLATION: The gangs ask them for money | 0:37:51 | 0:37:53 | |
and if they don't hand it over, they kill them. | 0:37:53 | 0:37:56 | |
Do you ever feel afraid to travel by bus? | 0:37:56 | 0:37:59 | |
TRANSLATION: Yes, it's uncomfortable. | 0:37:59 | 0:38:02 | |
Every time you get on the bus, | 0:38:02 | 0:38:03 | |
you look around to check who is getting on. | 0:38:03 | 0:38:05 | |
And you think, something's going to happen here. | 0:38:05 | 0:38:09 | |
Guatemala City has been gripped by a campaign of terror on the buses. | 0:38:11 | 0:38:16 | |
In the last five years more than 500 bus drivers | 0:38:16 | 0:38:19 | |
and dozens of bystanders, including children, have been murdered | 0:38:19 | 0:38:23 | |
as the Maras have tried to extort money from the bus companies. | 0:38:23 | 0:38:26 | |
And the threat is not far away. | 0:38:28 | 0:38:31 | |
TRANSLATION: Those houses you can see over there, | 0:38:31 | 0:38:34 | |
that's the neighbourhood of Peronia. | 0:38:34 | 0:38:36 | |
It's got a lot of gangs. It's a very dangerous place. | 0:38:38 | 0:38:42 | |
Here it's very quiet, | 0:38:44 | 0:38:46 | |
but they used to come over and steal people's belongings. | 0:38:46 | 0:38:50 | |
So is it the Maras that create the trouble that you find on the local buses here? | 0:38:50 | 0:38:57 | |
Is it the Maras that do the extortion? | 0:38:57 | 0:39:01 | |
TRANSLATION: That's right, they are the ones that do it. | 0:39:01 | 0:39:04 | |
At first, they just extorted the buses. | 0:39:04 | 0:39:06 | |
Then they started extorting households, schools and shops. | 0:39:06 | 0:39:10 | |
I wasn't expecting the Maras to live that close to Wilfredo, | 0:39:13 | 0:39:17 | |
and such a big presence of them as well. | 0:39:17 | 0:39:21 | |
It looks such a lovely place over the green hills, | 0:39:21 | 0:39:26 | |
and you can see it there. | 0:39:26 | 0:39:29 | |
But Wilfredo said he just wouldn't go there and it's just not a place you'd walk around. | 0:39:29 | 0:39:33 | |
Back in Wilfredo's house, Angie can relax and get to know more about the family. | 0:39:37 | 0:39:41 | |
Do you want to be a bombero when you grow up? | 0:39:44 | 0:39:48 | |
Good boy. It's a good job. | 0:39:48 | 0:39:51 | |
What do you want to be when you are a big girl? | 0:39:51 | 0:39:54 | |
A ballerina? Show me. | 0:39:56 | 0:39:58 | |
Oh! | 0:40:00 | 0:40:02 | |
Beautiful. | 0:40:02 | 0:40:05 | |
But there seems to be no peace here in Guatemala. | 0:40:07 | 0:40:12 | |
By 11 o'clock, outside Wilfredo's house, the street is full of men, | 0:40:12 | 0:40:17 | |
many in balaclavas. Some are armed. | 0:40:17 | 0:40:20 | |
They are the guardians of the neighbourhood. | 0:40:20 | 0:40:25 | |
From 11 o'clock they watch the whole neighbourhood, just in case anything happens. | 0:40:25 | 0:40:29 | |
Since this system was set up, nothing serious has happened. | 0:40:29 | 0:40:35 | |
Quite shocking that this is what it takes | 0:40:42 | 0:40:45 | |
to make sure that the village sleeps safely. | 0:40:45 | 0:40:48 | |
People give up a big chunk of their time, | 0:40:51 | 0:40:54 | |
when really, you should be able to be sleeping soundly in your bed. | 0:40:54 | 0:40:58 | |
Increasingly, ordinary Guatemalans | 0:40:59 | 0:41:02 | |
are forming vigilante groups to protect themselves against the gangs. | 0:41:02 | 0:41:07 | |
The police seem to have abandoned the streets. | 0:41:07 | 0:41:09 | |
I am really, really, really tired now, | 0:41:12 | 0:41:16 | |
so I'll say good night. | 0:41:16 | 0:41:19 | |
And know that I am going to sleep soundly in this bed tonight, | 0:41:19 | 0:41:23 | |
because I'm being protected by those wonderful people out there. | 0:41:23 | 0:41:27 | |
It's stupid o'clock in the morning. | 0:41:39 | 0:41:44 | |
About quarter to five, I think. | 0:41:44 | 0:41:45 | |
Wilfredo usually gets to work on the bus, | 0:41:47 | 0:41:51 | |
but we've been advised that it's not safe to travel on the buses, | 0:41:51 | 0:41:56 | |
so I've ordered a taxi. | 0:41:56 | 0:41:58 | |
I haven't asked Wilfredo yet, but I'm going to ask him if he'll join me. | 0:41:58 | 0:42:02 | |
(Will you join me in it and we can travel to work together?) | 0:42:02 | 0:42:06 | |
Here's to a good shift. | 0:42:16 | 0:42:17 | |
While most of the villagers start an uncertain journey on the buses, | 0:42:24 | 0:42:27 | |
for once, Wilfredo avoids the risk by travelling in the back of a cab. | 0:42:27 | 0:42:32 | |
After a week in Guatemala, Angie is getting used to her new job and workmates. | 0:42:41 | 0:42:46 | |
She is becoming a bombero. | 0:42:46 | 0:42:49 | |
Yeah! | 0:42:49 | 0:42:51 | |
In the middle of another shift, | 0:42:59 | 0:43:02 | |
Angie and Wilfredo get their most bizarre call. | 0:43:02 | 0:43:06 | |
The police want them to identify the contents of a blood-soaked bag which they have found in the street. | 0:43:06 | 0:43:11 | |
But there's a reason the police are nervous. | 0:43:31 | 0:43:36 | |
TRANSLATION: A few months ago, it was fashionable to find heads here. | 0:43:36 | 0:43:41 | |
And arms, legs, hearts, lungs, or any bits of people's insides. | 0:43:41 | 0:43:47 | |
So they thought this could be a head, or body parts. | 0:43:47 | 0:43:51 | |
Even for Guatemala City, this series of gruesome murders | 0:43:56 | 0:44:00 | |
and decapitations represents a worrying escalation in the violence. | 0:44:00 | 0:44:05 | |
It's further evidence that the city has become a target | 0:44:05 | 0:44:10 | |
for the fearsome Mexican drug cartels. | 0:44:10 | 0:44:12 | |
In Mexico, to the north, the state is at war with the cartels. | 0:44:14 | 0:44:19 | |
It's a conflict that cost more than 30,000 lives. | 0:44:19 | 0:44:26 | |
Now there are fears that Guatemala could be completely overwhelmed | 0:44:26 | 0:44:30 | |
by the powerful Mexican cocaine traffickers. | 0:44:30 | 0:44:33 | |
But there is a glimmer of hope in this troubled country. | 0:44:34 | 0:44:38 | |
The government has begun to negotiate | 0:44:38 | 0:44:41 | |
with some of the gangs to try and bring the killings under control. | 0:44:41 | 0:44:45 | |
The Ministry of Culture has invited Angie to visit a gang-controlled area that they claim is now safe. | 0:44:45 | 0:44:52 | |
It's Peronia, the village near Wilfredo's house. | 0:44:52 | 0:44:57 | |
Understandably, Angie has her doubts. | 0:44:57 | 0:45:00 | |
We've been asked to visit Peronia | 0:45:00 | 0:45:03 | |
by the Ministry of Culture, | 0:45:03 | 0:45:06 | |
who are doing some work there. | 0:45:06 | 0:45:09 | |
Well, we've been invited, | 0:45:12 | 0:45:14 | |
and we've been told it's quite safe now, so... | 0:45:14 | 0:45:19 | |
I don't know. | 0:45:19 | 0:45:20 | |
I'm a little bit scared, but I'd be interested to go. | 0:45:20 | 0:45:25 | |
So Wilfredo, if I asked you to come with me, | 0:45:37 | 0:45:43 | |
would you do that? Would you come to Peronia with me? | 0:45:43 | 0:45:46 | |
OK, I understand you need to think about it. | 0:45:49 | 0:45:53 | |
I mean, in a way, | 0:45:57 | 0:45:58 | |
although I am quite afraid to go in because of the things | 0:45:58 | 0:46:03 | |
that Wilfredo said, it would be very fascinating to actually... | 0:46:03 | 0:46:07 | |
speak to these gang members, | 0:46:07 | 0:46:10 | |
and just to see what kind of people they are. | 0:46:10 | 0:46:14 | |
And just why they do what they do, | 0:46:14 | 0:46:18 | |
or how they came to do what they do. | 0:46:18 | 0:46:22 | |
Um... Yeah. | 0:46:22 | 0:46:25 | |
Next morning, and Angie has decided to take the plunge. | 0:46:29 | 0:46:33 | |
She's heading to Peronia. Wilfredo has agreed to meet her there. | 0:46:33 | 0:46:38 | |
She's hoping to talk to some of the people behind the violence she has had to deal with. | 0:46:38 | 0:46:42 | |
Just waiting here now for a bus to take me to Peronia. | 0:46:42 | 0:46:48 | |
Waiting for a guy called Gustavo, | 0:46:50 | 0:46:52 | |
who's going to be my guide, I guess. | 0:46:52 | 0:46:55 | |
OK? | 0:46:55 | 0:46:57 | |
Hello. | 0:46:57 | 0:46:59 | |
-Mucho gusto. Soy Angie. -Angie. Mucho gusto. | 0:47:03 | 0:47:05 | |
I have to say I'm a little bit... | 0:47:07 | 0:47:09 | |
worried and concerned about today. | 0:47:09 | 0:47:11 | |
How safe is it? | 0:47:12 | 0:47:15 | |
TRANSLATION: We're going to Peronia. | 0:47:15 | 0:47:19 | |
The government initiatives have had a big impact. | 0:47:19 | 0:47:22 | |
The two gangs there managed to sign a peace agreement. | 0:47:22 | 0:47:25 | |
So things are a bit calmer now. | 0:47:25 | 0:47:27 | |
Gustavo and his friends aren't quite your usual government representatives. | 0:47:31 | 0:47:35 | |
This isn't what I expected of the Ministry of Culture at all. | 0:47:38 | 0:47:40 | |
When I knew they were going to be taking me in to Peronia, I thought it was going to be quite formal. | 0:47:40 | 0:47:45 | |
But it's not like that at all. They're all slightly bonkers, to be honest. | 0:47:49 | 0:47:53 | |
It turns out that Gustavo and his colleagues are all ex-gang members themselves. | 0:47:55 | 0:48:00 | |
We come from the street. | 0:48:07 | 0:48:10 | |
We have credibility with the gangs. | 0:48:10 | 0:48:12 | |
They trust us. | 0:48:12 | 0:48:15 | |
This allows us to be a bridge to help them change. | 0:48:15 | 0:48:18 | |
So how did you manage to get away from the street then, and do what you're doing now? | 0:48:20 | 0:48:26 | |
I never left. | 0:48:26 | 0:48:28 | |
I still feel part of the street. | 0:48:28 | 0:48:30 | |
But the part of the street that tries to help people. | 0:48:30 | 0:48:33 | |
Gustavo's approach has already got results. | 0:48:37 | 0:48:41 | |
He played a key role in bringing a ceasefire between Los Metales | 0:48:41 | 0:48:45 | |
and Los Caballos, gangs who, before the truce, | 0:48:45 | 0:48:48 | |
were killing up to ten people a day. | 0:48:48 | 0:48:52 | |
It's the only gang ceasefire to ever happen in Guatemala. | 0:48:54 | 0:48:58 | |
And now Gustavo is taking Angie to meet the ex-leader | 0:48:58 | 0:49:03 | |
of the notorious Metales gang. | 0:49:03 | 0:49:05 | |
Wilfredo and Mildred have turned up to show their support. | 0:49:09 | 0:49:13 | |
So here we are, Peronia. Yeah. | 0:49:13 | 0:49:15 | |
Just what you were telling me about. | 0:49:15 | 0:49:17 | |
Glad you came. | 0:49:18 | 0:49:21 | |
Glad you came. | 0:49:21 | 0:49:22 | |
Gracias. | 0:49:26 | 0:49:29 | |
Juan Francisco Sarceno has the tattoos the Maras are famed for, | 0:49:31 | 0:49:35 | |
but he has now left the gang he used to lead. | 0:49:35 | 0:49:39 | |
He has found God, | 0:49:39 | 0:49:41 | |
-and now he has a job. -In your past life, did you ever actually kill anybody? | 0:49:41 | 0:49:46 | |
TRANSLATION: Unfortunately, it's compulsory if you follow that path. | 0:49:49 | 0:49:54 | |
You have many rivalries and enemies. | 0:49:54 | 0:49:56 | |
And some of them tried to kill me. | 0:49:58 | 0:50:02 | |
I've been shot in the face. | 0:50:02 | 0:50:04 | |
I've also been wounded here. | 0:50:04 | 0:50:06 | |
You kill them, or they kill you. | 0:50:08 | 0:50:10 | |
I used to extort money from the buses. Now I work on them. | 0:50:16 | 0:50:21 | |
So now that you're a bus driver, | 0:50:21 | 0:50:23 | |
how does that make you feel knowing that you used to extort the bus drivers here? | 0:50:23 | 0:50:28 | |
I thank God. | 0:50:34 | 0:50:36 | |
And also the bus owner who gave me a break. | 0:50:36 | 0:50:40 | |
He opened a door to me, and showed me that there are people | 0:50:40 | 0:50:46 | |
who value you, and believe in you. | 0:50:46 | 0:50:51 | |
Suddenly, something is wrong. | 0:50:54 | 0:50:58 | |
Gustavo tells everybody to get back on the bus. | 0:50:58 | 0:51:01 | |
It's time to leave. | 0:51:01 | 0:51:03 | |
When we were filming with the ex-leader of the Metales gang, | 0:51:10 | 0:51:14 | |
many of the young guys still in the gang were annoyed. | 0:51:14 | 0:51:18 | |
They drove past, revving their engines. | 0:51:20 | 0:51:22 | |
For your safety, we decided it was time to leave. | 0:51:24 | 0:51:29 | |
It was a nervous few minutes, | 0:51:29 | 0:51:32 | |
but the visit has been worthwhile. | 0:51:32 | 0:51:35 | |
It was strange to actually put a face to the killings, | 0:51:35 | 0:51:39 | |
and the violence, because they've been faceless till now. | 0:51:39 | 0:51:45 | |
All we've seen is the mayhem that they've left behind. | 0:51:45 | 0:51:49 | |
I didn't feel any sort of hatred towards him, | 0:51:49 | 0:51:54 | |
or any... | 0:51:54 | 0:51:55 | |
No, he just seemed an ordinary man, | 0:51:55 | 0:51:59 | |
who now just wants to earn a living. | 0:51:59 | 0:52:03 | |
It's hard to believe that | 0:52:03 | 0:52:05 | |
he did the things that he did. | 0:52:05 | 0:52:08 | |
Angie is clocking on for her last shift with the bomberos. | 0:52:12 | 0:52:16 | |
It turns out to be one of the most shocking. | 0:52:19 | 0:52:21 | |
They are racing to the scene of one of Guatemala City's regular bus shootings. | 0:52:29 | 0:52:33 | |
It's an incident on a bus. | 0:52:41 | 0:52:43 | |
OK. | 0:52:47 | 0:52:49 | |
-Si... -A passenger has been shot twice in the chest. | 0:53:04 | 0:53:07 | |
It's not clear if he is still alive. | 0:53:07 | 0:53:09 | |
Yeah. Here. | 0:53:09 | 0:53:10 | |
Yeah, yeah, si, si. | 0:53:13 | 0:53:15 | |
Si, si, si, pulso. | 0:53:15 | 0:53:18 | |
I need my kit. | 0:53:21 | 0:53:24 | |
Can we have...a mask as we go? | 0:53:31 | 0:53:35 | |
After two weeks with the bomberos, Angie is taking charge of the situation. | 0:53:35 | 0:53:41 | |
Ambu bag, Ambu bag. Er... | 0:53:41 | 0:53:44 | |
Can I have it now? | 0:53:44 | 0:53:46 | |
That's OK, | 0:53:51 | 0:53:52 | |
that'll do. Let's just get out, shall we, and then we can... | 0:53:52 | 0:53:56 | |
This man might be saved, but as Angie and the bomberos | 0:53:56 | 0:53:59 | |
struggle to get him off the bus, | 0:53:59 | 0:54:02 | |
-his life is ebbing away. -Si, si, oh, si. | 0:54:02 | 0:54:07 | |
Connect that up for me, please? | 0:54:15 | 0:54:18 | |
Connect it. | 0:54:18 | 0:54:20 | |
Yeah. He's a big boy. | 0:54:28 | 0:54:32 | |
Can...cannula. | 0:54:32 | 0:54:35 | |
Gracias, gracias. | 0:54:35 | 0:54:38 | |
The ambulance is tiny compared to the one that Angie is used to back home. | 0:54:38 | 0:54:43 | |
Si, si. | 0:54:43 | 0:54:44 | |
OK. Compresion. Gracias. | 0:54:47 | 0:54:50 | |
Let me check carotid. | 0:54:52 | 0:54:55 | |
He had one on the bus, he hasn't got one now. | 0:54:55 | 0:54:59 | |
How you guys do this in these conditions... | 0:54:59 | 0:55:04 | |
Compresion. | 0:55:08 | 0:55:10 | |
Ooh. | 0:55:10 | 0:55:12 | |
Despite their best efforts, the man dies. | 0:55:14 | 0:55:16 | |
That poor guy's gone. | 0:55:16 | 0:55:18 | |
It's another brutal murder on Guatemala's buses. | 0:55:20 | 0:55:23 | |
Wilfredo, I don't know how, seeing that now, and you having to go on the buses, | 0:55:25 | 0:55:29 | |
I don't know how you deal with it. | 0:55:29 | 0:55:32 | |
Sometimes you expect people to thank you for what you do, | 0:55:32 | 0:55:35 | |
maybe the families or something. | 0:55:35 | 0:55:37 | |
But the greatest gift you can have here is to wake up alive the next day. | 0:55:37 | 0:55:43 | |
The short time I've been in Guatemala, especially | 0:56:02 | 0:56:04 | |
in Guatemala City, I've realised it's a tough, tough place anyway, | 0:56:04 | 0:56:08 | |
er, seen a lot of violence and brutality around, | 0:56:08 | 0:56:13 | |
and these guys, the voluntarios, are, | 0:56:13 | 0:56:15 | |
are sort of putting themselves out there in the midst of it. | 0:56:15 | 0:56:20 | |
But I can kind of see why, because it is very, very exciting. | 0:56:23 | 0:56:27 | |
And they love it, and they love it, | 0:56:31 | 0:56:33 | |
and they're so, so good at it. | 0:56:33 | 0:56:35 | |
Thank you! I feel I really belong now. | 0:56:35 | 0:56:40 | |
I got kind of mixed feelings about going - I would love to do some more shifts with the bomberos. | 0:56:40 | 0:56:45 | |
So, mixed feelings, yes, of course I miss my family, and of course, | 0:56:46 | 0:56:51 | |
but yeah, I could stay out here, I could stay out here. | 0:56:51 | 0:56:55 | |
One month later, and Angie is back in Cardiff, but she hasn't forgotten the bomberos. | 0:57:03 | 0:57:08 | |
Since I got back from Guatemala, | 0:57:08 | 0:57:10 | |
I made it my mission to do a bit of fundraising and raise some money, | 0:57:10 | 0:57:16 | |
so I am in the process of organising a sponsored Zumbathon, | 0:57:16 | 0:57:19 | |
or Zumba Till You Drop. | 0:57:19 | 0:57:21 | |
I've persuaded a lot of my colleagues to come tonight and have a practice | 0:57:23 | 0:57:27 | |
because some of them have never done Zumba before - hopefully, they'll get a taste for it, | 0:57:27 | 0:57:31 | |
like I have, and we will have a good money-raising event in the near future. | 0:57:31 | 0:57:36 | |
Guatemala City is a violent place and it make me appreciate | 0:57:41 | 0:57:46 | |
what an easy life, compared to my colleagues out there, | 0:57:46 | 0:57:50 | |
that I have here without the fear of shootings in the street, | 0:57:50 | 0:57:56 | |
shootings on buses, stabbings. | 0:57:56 | 0:58:00 | |
I'd love to go back out there | 0:58:00 | 0:58:02 | |
and take them some equipment, things that we take for granted that I know they really need. | 0:58:02 | 0:58:09 | |
It was a privilege, and I felt very proud to be part of the bomberos | 0:58:10 | 0:58:15 | |
of Guatemala city - it was amazing. | 0:58:15 | 0:58:17 | |
Next time, a bus driver leaves his London garage to get behind the wheel in Manila. | 0:58:20 | 0:58:26 | |
-They're coming from all directions. -Everywhere. | 0:58:26 | 0:58:29 | |
He has to go solo on some of the busiest roads in the world. | 0:58:29 | 0:58:33 | |
I should give him 43 change but the minimum fare is seven. | 0:58:33 | 0:58:38 | |
And he learns what it takes to survive in the most densely populated city on earth. | 0:58:38 | 0:58:43 | |
He works 12 hours a day to live in a box. | 0:58:43 | 0:58:46 | |
A man that works that hard shouldn't have to. | 0:58:46 | 0:58:49 | |
Subtitles by Red Bee Media Ltd | 0:59:03 | 0:59:06 | |
E-mail [email protected] | 0:59:06 | 0:59:11 |