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Three British workers. A bus driver, a midwife and a paramedic. | 0:00:02 | 0:00:07 | |
They've all accepted the challenge to do their job | 0:00:07 | 0:00:09 | |
under some of the most stressful and dangerous conditions on the planet. | 0:00:09 | 0:00:14 | |
That was a really, really horrible birth. | 0:00:14 | 0:00:17 | |
One satisfied customer, he got off and he's alive. | 0:00:17 | 0:00:21 | |
Look, he's even smiling. | 0:00:21 | 0:00:23 | |
How do you guys do this in these conditions? | 0:00:23 | 0:00:27 | |
Josh West is leaving his home and his job as a London bus driver | 0:00:27 | 0:00:31 | |
to work in Manila, | 0:00:31 | 0:00:33 | |
one of the most densely populated cities in the world. | 0:00:33 | 0:00:37 | |
This is not what I expected, put it like that. | 0:00:37 | 0:00:40 | |
He'll have to master driving a bus designed in the Second World War. | 0:00:40 | 0:00:45 | |
I wouldn't get in my bus yet, unless they've got balls of steel. | 0:00:45 | 0:00:48 | |
Along the way he'll meet people struggling in a city that's simply running out of space... | 0:00:48 | 0:00:53 | |
She's doing this and she's in pain and she's doing this. | 0:00:53 | 0:00:56 | |
..before taking his life in his hands on Manila's mean streets. | 0:00:56 | 0:01:00 | |
Anywhere they see a gap, they just go for it! | 0:01:00 | 0:01:03 | |
We are the veins of London and if we don't keep flowing, | 0:01:25 | 0:01:28 | |
supplying everybody with where they want to go, they are not going to get there. | 0:01:28 | 0:01:33 | |
It's a very important job. | 0:01:33 | 0:01:35 | |
Josh West is 39 and he's been driving the 148 | 0:01:35 | 0:01:37 | |
bus through the heart of London for the past seven years. | 0:01:37 | 0:01:41 | |
I like the route a lot. It's nice big, wide roads | 0:01:43 | 0:01:46 | |
and you're going through the major areas of London. | 0:01:46 | 0:01:49 | |
It's enjoyable because you've got a sense of power, | 0:01:49 | 0:01:52 | |
responsibility, you're servicing the capital, if you like. | 0:01:52 | 0:01:55 | |
You're doing your bit to make it run smoothly | 0:01:55 | 0:01:57 | |
which means I play my part and I like the idea of that. | 0:01:57 | 0:02:00 | |
The downside, when you drive a bus, you tend to sit down a lot. | 0:02:02 | 0:02:06 | |
Grapevine, lets go, twisting those hips, keeping the body square with me. | 0:02:06 | 0:02:10 | |
'I did athletics, I did football, I played American football for a year, I did basketball.' | 0:02:10 | 0:02:15 | |
Get those knees up as high as you can. | 0:02:15 | 0:02:18 | |
'Keeping fit and training is an important part of my life.' | 0:02:18 | 0:02:21 | |
I like competing, I like competing against myself, setting myself a | 0:02:21 | 0:02:25 | |
challenge that I'm able to obtain and then set myself another challenge. | 0:02:25 | 0:02:28 | |
Three, two, one. Go. | 0:02:28 | 0:02:31 | |
Josh is about to face his greatest challenge when he swaps London for Manila. | 0:02:31 | 0:02:37 | |
'I've got luxury driving a bus over here. | 0:02:39 | 0:02:41 | |
'I've got power-assisted steering, I've got a team of mechanics behind | 0:02:41 | 0:02:45 | |
'me looking after the bus in case something goes wrong.' | 0:02:45 | 0:02:48 | |
This is my bus, and it's got 220 written on the side. | 0:02:48 | 0:02:52 | |
So you press the button on the bus and it makes some beeps and whirrs | 0:02:52 | 0:02:56 | |
and it tells me it's ready. | 0:02:56 | 0:02:59 | |
Josh's bus is a high-tech, state-of-the-art machine costing more than £315,000. | 0:02:59 | 0:03:07 | |
Wait for the checks to go through, | 0:03:07 | 0:03:08 | |
make sure it's in neutral | 0:03:08 | 0:03:10 | |
and I press the start button. First thing I should do is adjust | 0:03:10 | 0:03:13 | |
the seat so it's the right height for me and adjust the steering column | 0:03:13 | 0:03:18 | |
so I'm comfortable where it is now. | 0:03:18 | 0:03:21 | |
Plug in my module and then it starts downloading the information on there. | 0:03:21 | 0:03:25 | |
Check the ramp, press the button. | 0:03:25 | 0:03:27 | |
THUNDERBIRDS THEME TUNE | 0:03:27 | 0:03:30 | |
Every bus has a ramp | 0:03:30 | 0:03:33 | |
in London, so we can get disabled customers on as well. | 0:03:33 | 0:03:36 | |
We check that the CCTV is working now. | 0:03:36 | 0:03:39 | |
People don't realise how high-tech the buses are. | 0:03:39 | 0:03:41 | |
Check the monitor's working. | 0:03:41 | 0:03:43 | |
They are not just four wheels and a steering wheel, there's a lot more to it than that. | 0:03:43 | 0:03:47 | |
In fact there's six wheels instead of four. | 0:03:47 | 0:03:50 | |
For the next ten days, Josh will live the life of a Filipino bus driver. | 0:03:50 | 0:03:55 | |
I don't know how I'm going to react to it. | 0:03:57 | 0:03:59 | |
I know it's not going to be what I'm used to. | 0:03:59 | 0:04:02 | |
I'll be out of my comfort zone, that's for sure. | 0:04:02 | 0:04:04 | |
-They drive the other side of the road. -Have you done that before? -Yes, but not in a bus. | 0:04:08 | 0:04:12 | |
I suppose it is a whole different kettle of ball games. | 0:04:12 | 0:04:15 | |
-Not going to be easy. -No. | 0:04:15 | 0:04:16 | |
To give him a proper send off, his family and his fiancee Lynn have arranged a surprise party. | 0:04:16 | 0:04:22 | |
'I love my family. It's a very large family. | 0:04:22 | 0:04:25 | |
'I work out to be number eight of ten.' | 0:04:25 | 0:04:28 | |
Josh is kind of looking for something bigger, I think, in his life. | 0:04:30 | 0:04:35 | |
This is an opportunity to open things up for him. | 0:04:35 | 0:04:37 | |
And we're going to have your nephew, Simon, to | 0:04:37 | 0:04:41 | |
say a prayer, you're going to need all the help you can get. | 0:04:41 | 0:04:44 | |
Father, we thank you for this gathering, we truly praise, bless and magnify your name. | 0:04:44 | 0:04:50 | |
I think it's going to make him think about him as an individual and the privilege he's | 0:04:50 | 0:04:54 | |
got back here in England. I think he'll embrace it. | 0:04:54 | 0:04:57 | |
-Amen. -Thanks, everyone. | 0:04:57 | 0:04:59 | |
CHEERING | 0:04:59 | 0:05:01 | |
'I know virtually nothing.' | 0:05:01 | 0:05:03 | |
I can tell you what I do know. I know that Imelda Marcos was President or | 0:05:03 | 0:05:07 | |
something like that and she had 200 pairs of shoes, I knew that. | 0:05:07 | 0:05:10 | |
After that, not very much. | 0:05:10 | 0:05:13 | |
I'm going to be flying by the seat of my pants. | 0:05:14 | 0:05:17 | |
Let's see how I go. | 0:05:17 | 0:05:19 | |
The Philippines, 6,500 miles from London. | 0:05:20 | 0:05:24 | |
Its capital is Manila. | 0:05:24 | 0:05:26 | |
It's thought to be the most densely populated city in the world. | 0:05:30 | 0:05:34 | |
Millions of cars, trucks and motorbikes all jostle | 0:05:34 | 0:05:37 | |
for space with seemingly little regard for any rules. | 0:05:37 | 0:05:41 | |
In the past 20 years, the population has doubled | 0:05:44 | 0:05:46 | |
as millions flock here from the countryside looking for work. | 0:05:46 | 0:05:50 | |
It is now officially one of the world's megacities. | 0:05:50 | 0:05:53 | |
20 million people call Greater Manila home. | 0:05:53 | 0:05:59 | |
And it's growing. | 0:06:02 | 0:06:04 | |
For the next ten days Josh will live here, San Andres Bukid, | 0:06:07 | 0:06:12 | |
a poor area in the heart of Manila. | 0:06:12 | 0:06:15 | |
He'll be staying with Rogelio Castro, a Filipino bus driver, and his family. | 0:06:15 | 0:06:20 | |
Hello, hello, how are you? | 0:06:23 | 0:06:25 | |
How are you? Sorry? | 0:06:25 | 0:06:28 | |
-Edith. -Edith! | 0:06:28 | 0:06:29 | |
Yes, yes. How are you? | 0:06:29 | 0:06:31 | |
I'm Rogelio. Hello, Rogelio, I'm Josh. | 0:06:31 | 0:06:33 | |
Welcome to our house. | 0:06:33 | 0:06:35 | |
-It's small. -Small, yeah. | 0:06:37 | 0:06:40 | |
The ceiling's very tall, so it's good. I don't have to duck. It's OK. | 0:06:40 | 0:06:44 | |
We go upstairs. | 0:06:44 | 0:06:45 | |
Rogelio's house measures just ten feet by ten feet, | 0:06:45 | 0:06:48 | |
and is entirely self-built. | 0:06:48 | 0:06:52 | |
-This is our bedroom. -OK, -so you roll the beds out at night? | 0:06:52 | 0:06:56 | |
-Yes. -Where will I be sleeping? -Here. -I will sleep in here? | 0:06:56 | 0:06:59 | |
-Yes. -OK, this is cool. | 0:06:59 | 0:07:02 | |
No, it's hot, no air-con. | 0:07:02 | 0:07:05 | |
We have the window, it's OK. | 0:07:05 | 0:07:07 | |
We'll be fine, we'll be fine. | 0:07:07 | 0:07:09 | |
-This is our rooftop wash area. -Oh, your washing area. | 0:07:09 | 0:07:14 | |
-This is... Drying the clothes, sometimes we drink here. -Yeah. | 0:07:14 | 0:07:22 | |
So all that's the financial area. | 0:07:27 | 0:07:29 | |
-We built this house little by little. -Right. | 0:07:29 | 0:07:32 | |
It's small, but you can build it as high as you want? | 0:07:32 | 0:07:37 | |
An estimated 50% of Manilans live in poor-quality housing. | 0:07:37 | 0:07:42 | |
When people in Rogelio's neighbourhood need more space, | 0:07:42 | 0:07:46 | |
they simply extend upwards using breeze blocks and corrugated iron. | 0:07:46 | 0:07:50 | |
He's proud of building his house himself, and I would be. I wouldn't know how to do it. | 0:07:52 | 0:07:56 | |
But in my head I'm thinking health and safety features of it. | 0:07:56 | 0:07:59 | |
How safe is this house? | 0:07:59 | 0:08:01 | |
Who comes and checks that your structure is OK? | 0:08:01 | 0:08:05 | |
They've just tacked stuff together over there. At least he's done a good job here. | 0:08:05 | 0:08:09 | |
Done a reasonably good job here, anyway. | 0:08:09 | 0:08:11 | |
Rogelio's going to take me to where he picks up his bus | 0:08:14 | 0:08:16 | |
and I'm interested to see what that looks like. | 0:08:16 | 0:08:19 | |
'It'll be very similar to what I have to do when I get to work in the mornings.' | 0:08:19 | 0:08:23 | |
So this is your neighbourhood? | 0:08:25 | 0:08:26 | |
Yes, this is our neighbourhood. | 0:08:26 | 0:08:28 | |
How you doing? You all right? | 0:08:28 | 0:08:30 | |
-Where are you from? -London. | 0:08:30 | 0:08:32 | |
-London? -London. England, yeah. | 0:08:32 | 0:08:34 | |
How you doing? | 0:08:36 | 0:08:37 | |
This is the main road now, yes? | 0:08:38 | 0:08:39 | |
Rogelio has left his bus at the end of the route. | 0:08:39 | 0:08:43 | |
To get through the traffic, they're taking a small tricycle across the city. | 0:08:43 | 0:08:48 | |
Do we sit in now? | 0:08:48 | 0:08:51 | |
I think that is better. | 0:08:55 | 0:08:56 | |
This will be his first taste of Manilan traffic. | 0:08:56 | 0:08:59 | |
In London, Josh walks to his bus garage. The journey takes five minutes. | 0:09:05 | 0:09:10 | |
This is madness, absolute madness. | 0:09:15 | 0:09:17 | |
Sitting side-saddle on a half-bike, half-tin-can. | 0:09:19 | 0:09:25 | |
They do what they want. | 0:09:26 | 0:09:28 | |
Just regular people stepping in the roads, stopping the traffic, that's | 0:09:28 | 0:09:32 | |
ridiculous! Imagine that on Hyde Park Corner, it's not going to happen. | 0:09:32 | 0:09:36 | |
This is not what I expected, put it like that. | 0:09:52 | 0:09:55 | |
If Josh is expecting anything like his double-decker bus, he's in for another surprise. | 0:09:57 | 0:10:02 | |
This is my bus, a little bus. This one, this little one. | 0:10:02 | 0:10:08 | |
WHIMPERS | 0:10:08 | 0:10:10 | |
It's like a big Jeep, | 0:10:10 | 0:10:13 | |
I thought it's going to be one like a coach sort of thing. | 0:10:13 | 0:10:16 | |
I didn't think it was going to be like this. What do you say? | 0:10:16 | 0:10:20 | |
Where's the rest of it?! | 0:10:20 | 0:10:23 | |
This is the jeepney. | 0:10:24 | 0:10:26 | |
There are 300,000 of these basic buses on the streets of Manila | 0:10:29 | 0:10:33 | |
carrying millions of passengers every day. | 0:10:33 | 0:10:36 | |
Today they are custom-built, but they owe their heritage to | 0:10:36 | 0:10:41 | |
a vehicle that was last seen on these roads some 70 years ago. | 0:10:41 | 0:10:44 | |
'The Jeep is here to stay.' | 0:10:44 | 0:10:46 | |
After decades of colonial rule, America left the Philippines at the end of the Second World War. | 0:10:48 | 0:10:54 | |
Their parting gift, thousands of ex-army Jeeps. | 0:10:54 | 0:10:57 | |
Grateful Filipinos converted these into trucks and buses and they've been on the streets ever since. | 0:10:57 | 0:11:05 | |
It's Josh's first chance to get a feel for the vehicle that he's | 0:11:09 | 0:11:12 | |
going to drive around the streets of Manila. | 0:11:12 | 0:11:15 | |
It's like being in the bumper cars at the fairground, really. | 0:11:17 | 0:11:22 | |
Your vision is just like... It's like looking through a letter box. | 0:11:22 | 0:11:27 | |
You feel nervous? | 0:11:27 | 0:11:29 | |
It's only you have this? | 0:11:29 | 0:11:31 | |
You don't see the stop light. | 0:11:31 | 0:11:33 | |
You must do this? | 0:11:33 | 0:11:35 | |
-This is the engine, it's too small. -It's small, yes. -Very small. | 0:11:39 | 0:11:43 | |
-What's this? -Choke off the engine. | 0:11:43 | 0:11:47 | |
Cuts the engine? | 0:11:47 | 0:11:50 | |
Isn't that supposed to be a... | 0:11:50 | 0:11:53 | |
-it's a piece of string. -String, yeah. | 0:11:53 | 0:11:55 | |
-Improvise. -You improvise, right. | 0:11:55 | 0:11:58 | |
CHUCKLES | 0:11:58 | 0:12:00 | |
OK. | 0:12:00 | 0:12:01 | |
'Rogelio is going to take me round and show me how he drives his bus. | 0:12:01 | 0:12:09 | |
'That will be an experience for me because I don't see how I can do that.' | 0:12:09 | 0:12:14 | |
It's beginning to dawn on Josh that driving the jeepney might not be as straightforward as he thought. | 0:12:14 | 0:12:20 | |
You've got clutch, brake, accelerator | 0:12:20 | 0:12:24 | |
-but no handbrake? -Just shut off the engine and then take the low gear | 0:12:24 | 0:12:30 | |
so it cannot move. | 0:12:30 | 0:12:34 | |
He's driving literally that distance away from the car in front. | 0:12:38 | 0:12:42 | |
If he gives it anything more, | 0:12:42 | 0:12:44 | |
what you'll find is a car cuts in front, gets his nose in front | 0:12:44 | 0:12:48 | |
and then slows him down. | 0:12:48 | 0:12:50 | |
And his half-an-hour journey becomes 45 minutes. | 0:12:50 | 0:12:54 | |
There's no bus stops, where would your first stop be along here? | 0:12:54 | 0:12:59 | |
-They wave you? -Yeah. | 0:12:59 | 0:13:01 | |
-Do you pull over? -Yeah. | 0:13:01 | 0:13:04 | |
'He's constantly having to cope up with other people cutting in on him, | 0:13:04 | 0:13:10 | |
'bikes coming down the inside, horns beeping and getting the person there safely, as well. | 0:13:10 | 0:13:15 | |
'In a vehicle which is, which I consider to look unroadworthy.' | 0:13:15 | 0:13:20 | |
It just sounds ridiculous that you have to go through that. | 0:13:20 | 0:13:24 | |
It just sounds... | 0:13:24 | 0:13:27 | |
ridiculous. | 0:13:27 | 0:13:29 | |
It's the end of Josh's first day and it's time for him to meet the whole family. | 0:13:32 | 0:13:37 | |
In total, eight people live in Rogelio's house. | 0:13:37 | 0:13:41 | |
His daughter Rose Gay lives with her son Russell. | 0:13:43 | 0:13:46 | |
And Rogelio's grown-up son Michael lives here with his wife and their daughter Janelle. | 0:13:46 | 0:13:52 | |
All eight people share three bedrooms. | 0:13:52 | 0:13:56 | |
This is delicious. I love this. | 0:13:56 | 0:13:58 | |
Neither of Rogelio's children have been able to find permanent work. | 0:13:58 | 0:14:03 | |
-Three this is my bus. -So nice. | 0:14:03 | 0:14:06 | |
You can see how tall it is. Form the front to the back is about ten metres. | 0:14:06 | 0:14:11 | |
We have about 150 buses in there. | 0:14:11 | 0:14:15 | |
-It's too big garage. -Yes, very big, it's the size of a football field. | 0:14:15 | 0:14:21 | |
This is me in the cab. | 0:14:21 | 0:14:23 | |
JOSH LAUGHS | 0:14:23 | 0:14:25 | |
It's so fantastic. I want to come to your country to drive your bus. | 0:14:27 | 0:14:33 | |
That would be nice, wouldn't it? | 0:14:36 | 0:14:38 | |
It's Josh's first night in Rogelio's house and sleep is hard to come by. | 0:14:45 | 0:14:50 | |
This village, if you like, doesn't sleep, there's always noise outside. | 0:14:53 | 0:14:58 | |
From about three o'clock, you've had the cockerels crowing, motorbikes, | 0:14:58 | 0:15:03 | |
cars starting up, it's a bit surreal. | 0:15:03 | 0:15:05 | |
Everything's just upside down, backwards, | 0:15:05 | 0:15:08 | |
and...like Russian writing, | 0:15:08 | 0:15:12 | |
backward R's and stuff like that. | 0:15:12 | 0:15:15 | |
Aaagh! It's five o'clock in the morning. | 0:15:15 | 0:15:17 | |
An hour later, and Rogelio is beginning his working day. | 0:15:27 | 0:15:30 | |
He does it every other day if it's not raining. | 0:15:35 | 0:15:38 | |
If it's raining he does it every day. | 0:15:38 | 0:15:40 | |
He's his own mechanic, as well. He's doing far more than you'd ever do in London, that's for sure. | 0:15:40 | 0:15:45 | |
Many jeepney drivers rent their vehicles. | 0:15:46 | 0:15:50 | |
Rogelio owns his through a loan-to-buy scheme. | 0:15:50 | 0:15:53 | |
A third of his daily income goes towards repaying the debt. | 0:15:53 | 0:15:57 | |
This is the first opportunity for Josh to see what's expected of him | 0:16:07 | 0:16:12 | |
when it's his turn to drive the jeepney. | 0:16:12 | 0:16:15 | |
Rogelio doesn't have time to stop to take fares. | 0:16:23 | 0:16:28 | |
The more passengers he carries, the more money he can make. | 0:16:28 | 0:16:30 | |
Each passenger pays around eight pesos or five and a half pence for the four-mile journey. | 0:16:41 | 0:16:45 | |
Worked that out while he's doing all of this driving. | 0:16:45 | 0:16:49 | |
He's also wrapped the money around his left hand so he's got easy access | 0:16:49 | 0:16:54 | |
if someone comes with bigger notes and it's easier for him to change it. | 0:16:54 | 0:16:57 | |
The good thing is he doesn't take his eyes of the road, so he saw where he was going all of the time. | 0:16:57 | 0:17:03 | |
So that's the kind of thing that I've got to master as well. | 0:17:03 | 0:17:05 | |
Rogelio's route is a short trip across the centre of Manila. | 0:17:05 | 0:17:09 | |
He mainly carries office workers and students going to university. | 0:17:09 | 0:17:13 | |
But to earn enough money, he needs to make at least 12 journeys a day. | 0:17:13 | 0:17:17 | |
He's just called out what the largest stop is, which is Round Table. | 0:17:19 | 0:17:23 | |
There's no type of bell system here, you call when you want to stop and | 0:17:25 | 0:17:29 | |
you stick you hand out when you want him to stop as well. It's basic, but it works. | 0:17:29 | 0:17:34 | |
Rogelio sets his own schedule, including unexpected stops. | 0:17:34 | 0:17:40 | |
He's run out of gas, so what he's done is, in service, he's pulled over | 0:17:40 | 0:17:45 | |
and come into the petrol station and filled up. | 0:17:45 | 0:17:47 | |
He asked the passengers if it was OK to fill up | 0:17:47 | 0:17:50 | |
with diesel and they said yes, so it's very easy going here. | 0:17:50 | 0:17:54 | |
There'd be riots, | 0:17:54 | 0:17:55 | |
people would be climbing the walls in London, | 0:17:55 | 0:17:59 | |
complaining to Boris Johnson and everything. | 0:17:59 | 0:18:01 | |
Rogelio takes around 1,500 pesos in fares a day, but once he's deducted money for diesel and the repayment | 0:18:04 | 0:18:10 | |
on his jeepney, he usually takes home about 600 pesos, just over £8. | 0:18:10 | 0:18:17 | |
Rogelio's wife, Edith, shops every day at the market. | 0:18:21 | 0:18:25 | |
It's her job to make his income stretch to feed the eight people living in the house. | 0:18:25 | 0:18:31 | |
What does Rogelio prefer, what is his favourite food? | 0:18:31 | 0:18:34 | |
-Chicken. -Chicken, like me? -Yes. | 0:18:34 | 0:18:38 | |
Everything Rogelio earns is spent on food and household essentials. | 0:18:38 | 0:18:42 | |
On the money that Rogelio brings home, how tough is it to survive? | 0:18:42 | 0:18:48 | |
-TRANSLATION: -It is really difficult. If you want to buy other things, | 0:18:50 | 0:18:53 | |
you can't, because we don't have the money. Like my medicine. | 0:18:53 | 0:18:57 | |
In recent years, Edith's suffered three strokes and cannot work. | 0:18:57 | 0:19:02 | |
She should spend 300 pesos every day on medicine, but she can only afford to spend 200. | 0:19:02 | 0:19:08 | |
Isn't that dangerous for you to sacrifice your medicine? | 0:19:08 | 0:19:12 | |
Of course it's not OK, because I need it badly, but I | 0:19:13 | 0:19:17 | |
can't I do anything, because that's all the money we have, just for food. | 0:19:17 | 0:19:22 | |
It looks like they're living day to day. | 0:19:27 | 0:19:30 | |
They work as hard as they can to eat today and tomorrow the same and the next day they do the same. | 0:19:30 | 0:19:35 | |
There is no time where they can say, "I need a rest. I need to go on holiday, I'm tired." | 0:19:35 | 0:19:41 | |
If they don't work, they don't eat. | 0:19:41 | 0:19:44 | |
Tomorrow's another long day. | 0:19:55 | 0:19:58 | |
Hopefully I'll get a map of the city so I can see where I'm going, | 0:19:58 | 0:20:03 | |
cos at the moment he's doing so much, | 0:20:03 | 0:20:06 | |
picking up fares. | 0:20:06 | 0:20:09 | |
It's twisted, it's twisted. | 0:20:09 | 0:20:11 | |
I'm going to sleep, I'm tired. | 0:20:11 | 0:20:13 | |
-Morning. -Morning. | 0:20:20 | 0:20:23 | |
How are you? | 0:20:23 | 0:20:24 | |
You sleep well last night? | 0:20:24 | 0:20:26 | |
That chicken. | 0:20:26 | 0:20:28 | |
Other than that, it was fine. | 0:20:30 | 0:20:33 | |
Today is another early start as Rogelio is using his jeepney to help a friend. | 0:20:33 | 0:20:38 | |
Millions of people in Manila live in sprawling slums made out of any discarded materials. | 0:20:41 | 0:20:47 | |
Rogelio and Edith used to live in similar conditions, | 0:20:47 | 0:20:51 | |
but with money from his jeepney they were able to build a better house. | 0:20:51 | 0:20:55 | |
Today he's taking his old neighbour, Elsie, to hospital for an appointment. | 0:20:57 | 0:21:03 | |
Elsie. | 0:21:04 | 0:21:05 | |
This is Elsie's place. This is Elsie. How are you doing, Elsie? | 0:21:08 | 0:21:12 | |
It's very low. I'll watch my head. | 0:21:14 | 0:21:16 | |
Her home is just six foot square. | 0:21:16 | 0:21:19 | |
It's built out of discarded wood and plastic sheeting. | 0:21:19 | 0:21:23 | |
It's small in here, isn't it? | 0:21:23 | 0:21:26 | |
I don't think you can realise quite how small it is in here. I'm a big guy, I'm over six foot, | 0:21:26 | 0:21:32 | |
but it's the size of a cupboard, literally the size of a cupboard, I can't stand up, no way I can. | 0:21:32 | 0:21:37 | |
Elsie, how many people live here? | 0:21:37 | 0:21:40 | |
-There's you and your husband and how many children? -13. | 0:21:40 | 0:21:44 | |
13 children? There's 15 of you. | 0:21:44 | 0:21:46 | |
Large families with 12 or 13 children are quite common here. | 0:21:46 | 0:21:51 | |
To fit everyone in, her home has been divided into two floors. | 0:21:51 | 0:21:55 | |
Neither is high enough to stand up in. | 0:21:55 | 0:21:58 | |
So some of you sleep here and some of you sleep downstairs? | 0:22:02 | 0:22:05 | |
From what I understand, | 0:22:11 | 0:22:14 | |
they only have these two floors, but the third floor, somebody else lives there. | 0:22:14 | 0:22:20 | |
So their neighbour lives above them. | 0:22:20 | 0:22:23 | |
But even this room has been divided in two. | 0:22:23 | 0:22:26 | |
Elsie's sister and her family live in this part. | 0:22:26 | 0:22:29 | |
I wouldn't want to do this every day, that's for sure. Wow! | 0:22:32 | 0:22:35 | |
Elsie, you don't look very old, you look very young. | 0:22:38 | 0:22:41 | |
What age did you have your first child? | 0:22:41 | 0:22:43 | |
-14. -14. | 0:22:43 | 0:22:46 | |
-TRANSLATION: -I used to get pregnant twice in a year. | 0:22:48 | 0:22:51 | |
When one child was having a birthday I'd be giving birth to another one. | 0:22:51 | 0:22:55 | |
I didn't know anything about family planning before. | 0:22:58 | 0:23:01 | |
But now life is becoming really difficult so I've decided to give it a try. | 0:23:01 | 0:23:05 | |
In the Philippines, contraception is not provided for free | 0:23:09 | 0:23:14 | |
and few women in Elsie's situation can afford to pay for it. | 0:23:14 | 0:23:20 | |
We're taking Elsie to hospital and talk about family planning and see if she can get some help. | 0:23:20 | 0:23:26 | |
Which I think is a good thing. | 0:23:26 | 0:23:29 | |
She should have done it a while ago as far as I'm concerned. | 0:23:29 | 0:23:33 | |
I'm not living their life, they are. | 0:23:33 | 0:23:35 | |
The hospital is across the city. | 0:23:40 | 0:23:42 | |
Elsie could not usually afford to go by herself. | 0:23:42 | 0:23:45 | |
The family planning clinic is next to Manila's busiest maternity hospital. | 0:23:50 | 0:23:55 | |
Often four women share a bed. | 0:23:55 | 0:23:57 | |
In this ward alone, 100 babies are born every day. | 0:23:57 | 0:24:01 | |
It's nice to see a newborn baby - | 0:24:03 | 0:24:05 | |
first cry and the first little thing it does and that sort of stuff. | 0:24:05 | 0:24:09 | |
But when it leaves here, what does it go home to? | 0:24:09 | 0:24:12 | |
If it goes home to a life where it is living with | 0:24:12 | 0:24:15 | |
the type of person that lives in a house like that Elsie does. | 0:24:15 | 0:24:17 | |
What do you do? | 0:24:18 | 0:24:21 | |
In the Philippines, there is strong cultural opposition to contraception | 0:24:33 | 0:24:37 | |
from one of the biggest influences in the country, the Catholic church. | 0:24:37 | 0:24:43 | |
Children in Philippine culture are considered gift from God. | 0:24:45 | 0:24:49 | |
The more children you have, this may be considered a source of resource, | 0:24:49 | 0:24:57 | |
a source of help that God provided for you | 0:24:57 | 0:25:02 | |
to help you in your livelihood. | 0:25:02 | 0:25:06 | |
But in some women, despite being Catholics, | 0:25:06 | 0:25:11 | |
they set aside their religion and they more focus on the need | 0:25:11 | 0:25:16 | |
to be able to move on economically. | 0:25:16 | 0:25:19 | |
For 15 years, politicians have tried to pass a law allowing universal access to free contraception. | 0:25:21 | 0:25:28 | |
So far all attempts have failed. | 0:25:28 | 0:25:32 | |
80% of Filipinos attend Catholic mass regularly | 0:25:32 | 0:25:35 | |
and the church remains one of the bill's strongest opponents. | 0:25:35 | 0:25:40 | |
Supporters argue, without this Reproductive Health Bill, | 0:25:42 | 0:25:46 | |
the population will increase by 50% in just 30 years. | 0:25:46 | 0:25:50 | |
Unlike Elsie, Edith and Rogelio decided | 0:25:55 | 0:25:59 | |
to pay for family planning after the birth of their third child. | 0:25:59 | 0:26:03 | |
Why did you decide not to do | 0:26:03 | 0:26:06 | |
the way the Catholic religion ask you to do it? | 0:26:06 | 0:26:10 | |
-TRANSLATION: -I know it's a sin against the church. | 0:26:12 | 0:26:17 | |
But rather than having a lot of kids who will die of hunger, I chose | 0:26:17 | 0:26:20 | |
to go ahead with contraception, even though I knew it's a sin and just asked for forgiveness. | 0:26:20 | 0:26:26 | |
Before Josh takes the wheel of the jeepney with paying customers, | 0:26:43 | 0:26:47 | |
Rogelio thinks he needs some proper lessons. | 0:26:47 | 0:26:50 | |
So he's brought him to Manila's top driving school. | 0:26:50 | 0:26:53 | |
Welcome, Mr Josh from London. | 0:26:55 | 0:26:58 | |
He will be attending also the lecture. | 0:26:58 | 0:27:02 | |
Do you know already your traffic lights? | 0:27:02 | 0:27:06 | |
-Yes. -Yes, let's see, ah? A review on your traffic lights. | 0:27:06 | 0:27:11 | |
Red means? | 0:27:11 | 0:27:13 | |
Stop. | 0:27:13 | 0:27:14 | |
What is the meaning of yellow traffic light? | 0:27:14 | 0:27:17 | |
Ready to stop? | 0:27:17 | 0:27:19 | |
-I thought you know your traffic light. What is the meaning of yellow traffic light? -Go faster. | 0:27:19 | 0:27:24 | |
Go faster. | 0:27:24 | 0:27:26 | |
You must go faster, you cannot stop on top of the pedestrian line, it's obstruction in the road | 0:27:26 | 0:27:34 | |
and you will penalised for an amount of 500 pesos. | 0:27:34 | 0:27:40 | |
Let's watch this video. | 0:27:40 | 0:27:42 | |
The vehicles are already stopping but this one is beating | 0:27:42 | 0:27:45 | |
the red light, then the green light goes on, hit the pedestrian. | 0:27:45 | 0:27:50 | |
Who's at fault in this area? | 0:27:50 | 0:27:52 | |
What's the meaning of red? Stop. | 0:27:54 | 0:27:56 | |
There's a lot of shock factor in that, they're trying to scare people into doing the right thing. | 0:27:56 | 0:28:01 | |
I'm never going through a red light, that's what's going through my head. | 0:28:01 | 0:28:05 | |
I didn't need to see that video to be nervous about taking to the streets of Manila. | 0:28:05 | 0:28:09 | |
I've seen how they driven over the last couple of days. | 0:28:09 | 0:28:12 | |
It's totally different to what I'm used to. | 0:28:14 | 0:28:17 | |
It's now time for Josh's driving lesson to begin. | 0:28:17 | 0:28:21 | |
But the jeepney's got a problem. | 0:28:21 | 0:28:24 | |
Up until now I was relatively confident about the jeepney. | 0:28:25 | 0:28:30 | |
But now you know, | 0:28:30 | 0:28:32 | |
it let me down at the perfect time. | 0:28:32 | 0:28:35 | |
Rogelio's my good mechanic, he'll be able to sort something out. | 0:28:36 | 0:28:41 | |
Hopefully when I get driving it doesn't happen to me. | 0:28:41 | 0:28:43 | |
With the starter motor removed, Josh's lesson can begin, | 0:28:45 | 0:28:49 | |
with a push start. | 0:28:49 | 0:28:52 | |
I'm very sorry for you. | 0:28:52 | 0:28:54 | |
It's OK, seriously don't worry, seriously don't worry. | 0:28:54 | 0:28:58 | |
Pull the old shorts up. D-Day is finally here. | 0:29:03 | 0:29:08 | |
Can you not sit sideways? | 0:29:08 | 0:29:10 | |
Yes, I can but my legs are very long you see so I have to... | 0:29:10 | 0:29:14 | |
-Sit like this. -Like this? | 0:29:14 | 0:29:17 | |
So you can reach your clutch pedal. | 0:29:17 | 0:29:20 | |
Release your clutch. | 0:29:26 | 0:29:29 | |
Push the clutch. Push, push, push. | 0:29:29 | 0:29:31 | |
You have to push the clutch and the brakes first. | 0:29:31 | 0:29:34 | |
Anyone would think I've never driven a car before. | 0:29:34 | 0:29:36 | |
Now we will try and move the vehicle first. | 0:29:36 | 0:29:40 | |
You have to push the clutch again. | 0:29:40 | 0:29:41 | |
Push the clutch. Push, push, push. You cannot let go the clutch. | 0:29:45 | 0:29:49 | |
You cannot let go. | 0:29:49 | 0:29:51 | |
Release the clutch. | 0:29:51 | 0:29:54 | |
-Despite Rogelio's confidence, Josh is finding driving the jeepney tough. -Wait, wait, wait, now. | 0:30:11 | 0:30:17 | |
It's a world away from the state of the art bus he's used to in London. | 0:30:19 | 0:30:24 | |
At the moment I can't do it, at the moment no. | 0:30:24 | 0:30:27 | |
I wouldn't be able to do it. I wouldn't trust myself to do it. | 0:30:29 | 0:30:32 | |
That was an experience. | 0:30:32 | 0:30:34 | |
It's more than an experience, I've never, ever driven like that bad before in my life. | 0:30:34 | 0:30:39 | |
-I swear. I put my hand on my heart. -You really know how to drive? | 0:30:39 | 0:30:43 | |
Oh! | 0:30:43 | 0:30:45 | |
While driving this vehicle it's always jerking. | 0:30:45 | 0:30:48 | |
I know, I know. If you see the vehicle I drive in England, it's three times the size of this. | 0:30:48 | 0:30:52 | |
-Is it automatic. -Yes, it's automatic, but it's smooth. | 0:30:52 | 0:30:56 | |
That's why there's a problem here. | 0:30:56 | 0:30:58 | |
-This is manual. -Yeah. I'm getting the hang of the clutch. | 0:30:58 | 0:31:01 | |
Josh, I think, is having a hard time driving this | 0:31:01 | 0:31:04 | |
jeepney vehicle. | 0:31:04 | 0:31:06 | |
He cannot drive this vehicle alone. | 0:31:06 | 0:31:09 | |
I've got to put some practice in, that's for sure. | 0:31:09 | 0:31:12 | |
There's no way I trust myself out there, especially with Rogelio's jeepney. | 0:31:12 | 0:31:16 | |
It's too precious for me to take it out there and do something wrong. | 0:31:16 | 0:31:20 | |
The thing that I'm worried about is if I'm not able | 0:31:20 | 0:31:22 | |
to get to the standard I need to be at the end of the week, | 0:31:22 | 0:31:28 | |
because I don't like failure, so coming in second place | 0:31:28 | 0:31:30 | |
would mean that to me, and that would be second place for me. | 0:31:30 | 0:31:32 | |
If Josh is to drive Rogelio's jeepney, he's going to have to confront the busy Manilan traffic. | 0:31:35 | 0:31:40 | |
After some more practice, the instructor thinks there is no choice | 0:31:44 | 0:31:47 | |
but to see if Josh can cope on the roads. | 0:31:47 | 0:31:51 | |
Do you want to go out? Really? Are you sure you trust me? | 0:31:51 | 0:31:55 | |
Let's see how we go, let's see how we go. | 0:31:56 | 0:31:59 | |
Unfortunately, now he's about to hit the rush hour. | 0:32:01 | 0:32:04 | |
HORNS BEEP | 0:32:32 | 0:32:34 | |
With nearly six million vehicles in the city it's little wonder the rush hours is horrendous. | 0:32:37 | 0:32:42 | |
Drivers in Manila spend on average 1,000 hours a year stuck in traffic jams. | 0:32:45 | 0:32:50 | |
Everywhere, it's like ants. They're like, you know... | 0:32:52 | 0:32:56 | |
Just move in. Anywhere they see a gap they just go for. | 0:32:58 | 0:33:01 | |
Doesn't matter if they're indicating left or right, if they see a gap, there they go. | 0:33:04 | 0:33:08 | |
That was the scariest I've ever done. | 0:33:16 | 0:33:19 | |
I thought I was a going to lose my life. It was that bad. | 0:33:19 | 0:33:21 | |
The swerving... It was... | 0:33:21 | 0:33:24 | |
Thinking back on it now, I'm even more shaken now than I was then. | 0:33:25 | 0:33:30 | |
I don't know. | 0:33:30 | 0:33:31 | |
I don't know how I got through it but I did. | 0:33:31 | 0:33:35 | |
Not making much sense now, best time to go to bed. | 0:33:35 | 0:33:38 | |
The next day Josh can't practise. | 0:33:44 | 0:33:46 | |
Rogelio's jeepney has to be off the road. | 0:33:46 | 0:33:49 | |
In an attempt to curb the growing traffic problem, | 0:33:49 | 0:33:52 | |
each vehicle is banned from the roads for one day a week. | 0:33:52 | 0:33:56 | |
Anyone caught driving faces a heavy fine. | 0:33:56 | 0:34:00 | |
Sometimes, when Rogelio can't drive, he takes his two grandchildren to the mall to go shopping. | 0:34:02 | 0:34:07 | |
Window shopping. | 0:34:09 | 0:34:12 | |
-It's a big bike. -In the Philippines, the gulf between rich and poor is huge. | 0:34:12 | 0:34:16 | |
There's no economic safety net for those who are sick or cannot work. | 0:34:16 | 0:34:21 | |
Look at your handsome husband. | 0:34:21 | 0:34:23 | |
A third of the population live on less than 80 pence a day. | 0:34:23 | 0:34:27 | |
Rogelio and Edith hoped their own children could have | 0:34:28 | 0:34:31 | |
got to university to lift themselves out of poverty. | 0:34:31 | 0:34:34 | |
It didn't happen. | 0:34:34 | 0:34:36 | |
One, two, three... | 0:34:36 | 0:34:39 | |
Now they have the same hopes for their grandchildren. | 0:34:39 | 0:34:42 | |
This is a treat for the grandchildren? | 0:34:45 | 0:34:47 | |
-Yes. -Yeah? Do they ever ask you to go to Jollibees? Yeah? | 0:34:47 | 0:34:50 | |
Right. | 0:34:54 | 0:34:56 | |
Right. | 0:34:56 | 0:34:57 | |
-Fry it at home. -Yeah. | 0:35:02 | 0:35:05 | |
Rogelio wants to get his grandchildren a better education. | 0:35:05 | 0:35:08 | |
The school he'd like to send them to costs £300 a year... | 0:35:08 | 0:35:11 | |
way beyond his means. | 0:35:11 | 0:35:14 | |
TRANSLATION: I will do what I can so I can send Russell to a good school | 0:35:19 | 0:35:22 | |
so he doesn't fall into the same situation as my children. | 0:35:22 | 0:35:26 | |
You work so hard. | 0:35:27 | 0:35:30 | |
If I was born here, I'd be in the same position you're in. | 0:35:30 | 0:35:33 | |
That's what makes it tough for me. | 0:35:33 | 0:35:35 | |
It's just by pure chance that I was born where I'm born. | 0:35:36 | 0:35:41 | |
Perhaps, we both have the same jobs and we're both human beings on this earth. | 0:35:43 | 0:35:47 | |
Why is it that there are rich people and why is it there are poor people? | 0:35:51 | 0:35:55 | |
It doesn't seem fair. | 0:35:55 | 0:35:56 | |
I put everything into my work. | 0:36:06 | 0:36:08 | |
All of my strength goes into my work. | 0:36:08 | 0:36:10 | |
But no matter how hard I try, my life just doesn't get any better. | 0:36:13 | 0:36:18 | |
I'm stuck here. | 0:36:18 | 0:36:20 | |
If I could, I'd work 24 hours a day to get out of this. | 0:36:22 | 0:36:26 | |
But I know I still wouldn't. | 0:36:31 | 0:36:34 | |
Yeah, you keep fighting. | 0:36:51 | 0:36:53 | |
-And this is... -25 cents. -25 cents. | 0:37:09 | 0:37:11 | |
All of this in here is 25 cents. It's not mixed. | 0:37:11 | 0:37:14 | |
No, not mixed. They pay, you change just like this. | 0:37:14 | 0:37:18 | |
-Right, without looking. -Without looking. | 0:37:18 | 0:37:20 | |
Because it's all separate. Yeah. | 0:37:20 | 0:37:22 | |
Before he can be a Manilan jeepney driver, Josh needs to understand the money. | 0:37:22 | 0:37:27 | |
If they started at the beginning of the service, I'd give them two pesos, 50 cents. | 0:37:27 | 0:37:33 | |
No, no, one peso and 50 cents. | 0:37:33 | 0:37:37 | |
Nine, ten. OK, one peso, 50 cents. | 0:37:37 | 0:37:39 | |
I don't want to give them too much. OK, that's cool. | 0:37:39 | 0:37:43 | |
If I take what I do and what Rogelio does, his job is far harder than I do, for far less reward. | 0:37:43 | 0:37:48 | |
Yes, we both do the same job in the sense we're transport people, | 0:37:48 | 0:37:51 | |
but if I drove my bus for a whole day and didn't pick up a single passenger, I'd still have my money. | 0:37:51 | 0:37:57 | |
If I drove for an hour, | 0:37:57 | 0:38:00 | |
I'd get more money than Rogelio does working the whole day. | 0:38:00 | 0:38:03 | |
Driving, driving... Just get the two pesos and three pesos. | 0:38:14 | 0:38:21 | |
You look at the... | 0:38:21 | 0:38:23 | |
-Look in the mirror.. -And give to the passenger. | 0:38:23 | 0:38:25 | |
Rogelio wants Josh to spend the day being his conductor as well as learning the route. | 0:38:25 | 0:38:31 | |
OK, first one coming on. | 0:38:34 | 0:38:36 | |
Student, yeah? | 0:38:44 | 0:38:45 | |
So it's... I've realised that when I'm doing | 0:38:47 | 0:38:50 | |
the coins I'm taking my eyes of the road. That's what I'm worried about. | 0:38:50 | 0:38:53 | |
I don't mind getting flustered but I can't when I start driving. | 0:38:53 | 0:38:56 | |
I'm used to stopping and taking fares. | 0:39:05 | 0:39:08 | |
I don't drive and take fares normally. | 0:39:08 | 0:39:10 | |
It's quite an important part of the job. | 0:39:10 | 0:39:12 | |
If the passenger doesn't pay, the money goes directly out of Rogelio's pocket. | 0:39:12 | 0:39:17 | |
I reckon we took about 100 pesos, would you say, in total. | 0:39:17 | 0:39:22 | |
Rogelio needs to carry 200 passengers every day to make enough money. | 0:39:22 | 0:39:27 | |
Rogelio, like millions of other Filipinos, came to Manila in search of a better life. | 0:39:32 | 0:39:36 | |
Today he's showing Josh the area he grew up in, 200 miles to the north of the city. | 0:39:40 | 0:39:46 | |
Rogelio only gets to visit his mother once a year. | 0:40:00 | 0:40:06 | |
All of his brothers, sisters and cousins have come out to see him. | 0:40:06 | 0:40:08 | |
-My sister. -How you doing? How you doing? | 0:40:08 | 0:40:11 | |
You OK? There's a lot of people here. | 0:40:11 | 0:40:13 | |
A lot of people, a lot of names. | 0:40:13 | 0:40:15 | |
My mother. | 0:40:15 | 0:40:18 | |
This is the like the size of my mum, my mum is the same height like this. | 0:40:18 | 0:40:22 | |
She's small. My mother's about the same height. We're like this. | 0:40:22 | 0:40:27 | |
Sorry? | 0:40:30 | 0:40:32 | |
-Oh, your best friend. -Yeah. | 0:40:32 | 0:40:34 | |
Today there are few jobs in the countryside. | 0:40:38 | 0:40:41 | |
Those workers who've stayed survive as rice farmers or fishermen. | 0:40:41 | 0:40:46 | |
Rogelio used to fish on this beach as a boy. Many of the men here today he grew up with. | 0:40:52 | 0:40:57 | |
No, not for me. | 0:40:57 | 0:40:59 | |
Making a living here is tough. | 0:41:02 | 0:41:05 | |
If you get a big catch what's the maximum money you can make? | 0:41:05 | 0:41:09 | |
TRANSLATION: A big catch would be around 20 kilos and that would sell for around 1,000 pesos. | 0:41:11 | 0:41:16 | |
But for poorer fishermen like me, we don't have money to buy our nets, so we catch very little. | 0:41:16 | 0:41:22 | |
When I look out here it's absolutely beautiful. | 0:41:27 | 0:41:30 | |
I find it really amazing that | 0:41:30 | 0:41:32 | |
people want to leave this and go and live in a very tight community. | 0:41:32 | 0:41:36 | |
That's because when I was little, if they said Manila, it meant a lot of jobs. | 0:41:38 | 0:41:44 | |
You'd get rich, and as long as you're hardworking, you'll get rich. | 0:41:44 | 0:41:48 | |
But with me, I worked and worked. | 0:41:48 | 0:41:53 | |
I thought I'd get rich, but there was nothing. | 0:41:53 | 0:41:56 | |
But, I still want to come home here to the province because here, however it is, you can breathe freely. | 0:41:59 | 0:42:05 | |
I hope you do come back here | 0:42:07 | 0:42:09 | |
and live, because I'd love to come visit you. | 0:42:09 | 0:42:12 | |
Thank you. | 0:42:13 | 0:42:15 | |
I think when I have kids I'll bring my kids here as well. | 0:42:15 | 0:42:18 | |
We'll all have a barbecue and eat prawns and... | 0:42:18 | 0:42:21 | |
-You will come? -Yeah, we will come, we will come. We will definitely come. | 0:42:21 | 0:42:24 | |
He says to me he loves it here. He finds it | 0:42:26 | 0:42:29 | |
peaceful and he doesn't want to go back to Manila. | 0:42:29 | 0:42:32 | |
So simple answer would be stay here, if you love it that much, | 0:42:32 | 0:42:36 | |
but the problem being is there's no work. | 0:42:36 | 0:42:39 | |
There's no industry here, there's nothing he can do here. | 0:42:39 | 0:42:41 | |
This is upsetting. | 0:42:47 | 0:42:49 | |
He works 12 hours a day to live in a box | 0:42:52 | 0:42:56 | |
with eight other people cos he loves his wife and he loves his family. | 0:42:56 | 0:43:00 | |
He can't afford to live in a place which is better for him. | 0:43:02 | 0:43:06 | |
But a man that works that hard shouldn't have to. | 0:43:13 | 0:43:16 | |
He shouldn't have to work that hard | 0:43:18 | 0:43:20 | |
for the little bit that he's got. | 0:43:20 | 0:43:22 | |
Back in Manila, and Josh is still not confident he can drive the jeepney. | 0:43:53 | 0:43:59 | |
Ah, horsey, horsey. | 0:44:02 | 0:44:06 | |
'When I relax a little bit too much and don't concentrate, that's when it doesn't go smoothly. | 0:44:06 | 0:44:11 | |
'If I saw someone driving like I am at the moment, I'd say it's an accident waiting to happen.' | 0:44:11 | 0:44:15 | |
Change gear, third. | 0:44:15 | 0:44:18 | |
Oh... Oh! | 0:44:19 | 0:44:21 | |
Oh! Sorry guys. | 0:44:21 | 0:44:23 | |
My legs are tired. | 0:44:26 | 0:44:27 | |
My ankles are tired, my legs are tired. | 0:44:27 | 0:44:30 | |
-My bum is sore. -It's 12 hours... | 0:44:30 | 0:44:34 | |
-12, I know. -Almost every day. | 0:44:34 | 0:44:37 | |
Every day for 12 hours. | 0:44:37 | 0:44:40 | |
You more...just need more practice. | 0:44:40 | 0:44:43 | |
My passenger is scared... JOSH LAUGHS | 0:44:43 | 0:44:48 | |
..because the...the jeepney is like a horse. | 0:44:48 | 0:44:54 | |
If I saw me driving this bus I wouldn't get on my bus just yet. | 0:44:56 | 0:45:00 | |
Unless they've got balls of steel, then I wouldn't get on this bus. | 0:45:00 | 0:45:05 | |
Many of the millions of Filipinos who migrate | 0:45:18 | 0:45:21 | |
from the country to Manila end up in the city's huge slums. | 0:45:21 | 0:45:25 | |
It's a journey Rogelio made himself many years ago. | 0:45:27 | 0:45:32 | |
Josh has come to Tondo, home to 90,000 people per square kilometre, | 0:45:37 | 0:45:43 | |
one of the most densely populated places on earth. | 0:45:43 | 0:45:47 | |
People here have been forced to extraordinary lengths just to survive. | 0:45:47 | 0:45:51 | |
This is rubbish scavenged from the bins of fast-food restaurants. | 0:45:55 | 0:46:00 | |
They're going through the different cartons and stuff, | 0:46:00 | 0:46:03 | |
and emptying out in all the bowls, out of the bags, into pots. | 0:46:03 | 0:46:08 | |
This is food that someone else has already eaten. | 0:46:10 | 0:46:12 | |
The smell is horrible, bad. | 0:46:12 | 0:46:16 | |
You just gets wafts of rotting food, and like... | 0:46:16 | 0:46:20 | |
..there's a dog going into the bowl now, | 0:46:22 | 0:46:24 | |
and nicked a piece of chicken out of the bowl. | 0:46:24 | 0:46:26 | |
This isn't just people hunting for food. This is a business. | 0:46:31 | 0:46:35 | |
It's called pagpag, meals from food that has been thrown out. | 0:46:36 | 0:46:41 | |
It is chopped, washed and re-cooked... | 0:46:43 | 0:46:46 | |
..and it's a huge seller. | 0:46:48 | 0:46:50 | |
Does it taste good? Do you enjoy it? | 0:46:58 | 0:47:01 | |
TRANSLATION: I eat pagpag because it's delicious and it's cheap. | 0:47:01 | 0:47:04 | |
I could eat other foods but this is what I really like. | 0:47:04 | 0:47:07 | |
A bowl of pagpag sells for about five pence. | 0:47:09 | 0:47:12 | |
For many of the people living here in Tondo, this is likely to be their only meal of the day. | 0:47:12 | 0:47:18 | |
It's probably one of the worst experiences I've seen in my life. | 0:47:20 | 0:47:23 | |
So, you're the chef? You make pagpag? | 0:47:24 | 0:47:28 | |
TRANSLATION: I do everything, not just cooking. | 0:47:28 | 0:47:31 | |
I do the collecting, I do the sorting, I do the chopping. | 0:47:31 | 0:47:34 | |
I have to go around at midnight on the bike looking for pagpag. | 0:47:34 | 0:47:38 | |
I'm only paid 70 pesos a day for doing this. | 0:47:38 | 0:47:43 | |
I live a very hard life. | 0:47:43 | 0:47:44 | |
If you see my husband, he's very ill, he can't work, he's paralysed. | 0:47:44 | 0:47:49 | |
I don't have any money for my husband's medicine. | 0:47:49 | 0:47:52 | |
With my 70 pesos, all I can buy is rice. | 0:47:52 | 0:47:57 | |
We were evicted from our house. | 0:47:58 | 0:48:00 | |
Now we live next an open sewer. | 0:48:00 | 0:48:03 | |
This is...this keeps her alive. | 0:48:07 | 0:48:10 | |
She's doing this and she's in pain as she's doing it. | 0:48:14 | 0:48:17 | |
'Tomorrow is my big day. | 0:48:52 | 0:48:53 | |
'Tomorrow I go out and drive his bus, his jeepney.' | 0:48:53 | 0:48:58 | |
You hold this one. | 0:48:58 | 0:49:00 | |
Josh and Rogelio are going through the route one more time. | 0:49:00 | 0:49:05 | |
Now these roundabouts, when I approach the roundabout, | 0:49:05 | 0:49:07 | |
I need to stay on my right, so I could take this first exit, can't I? | 0:49:07 | 0:49:12 | |
'Rogelio's job is twice as hard as mine in London for what he has to do. | 0:49:12 | 0:49:16 | |
'He's the conductor, he is the driver, he's the engineer.' | 0:49:16 | 0:49:21 | |
Oh, so we go here... | 0:49:21 | 0:49:23 | |
-and then down, yeah? -Yeah. | 0:49:23 | 0:49:25 | |
That one is... | 0:49:25 | 0:49:27 | |
I've struggled with this bus. | 0:49:27 | 0:49:30 | |
This bus is...is tough to drive. | 0:49:30 | 0:49:35 | |
It rattles, it bumps, it moves where it wants to move, | 0:49:35 | 0:49:38 | |
and that sort of stuff. | 0:49:38 | 0:49:39 | |
Um, good luck, Josh, you're going to need it. | 0:49:39 | 0:49:43 | |
Oh, my God, I'm shitting myself. | 0:49:44 | 0:49:47 | |
It's Josh's final day. | 0:49:51 | 0:49:53 | |
He's going to drive Rogelio's jeepney solo, with passengers across Manila, during the rush hour. | 0:49:53 | 0:50:00 | |
I'm still unsure of the route, I'm still unsure of my driving skills, | 0:50:02 | 0:50:06 | |
I'm still unsure of being able to do it completely. | 0:50:06 | 0:50:10 | |
Um, so it's going to be really difficult. | 0:50:10 | 0:50:13 | |
Check the oil first, yeah? | 0:50:15 | 0:50:16 | |
This is his livelihood, it's his family's livelihood, | 0:50:16 | 0:50:20 | |
so there's a lot more people counting on this jeepney getting out and making money. | 0:50:20 | 0:50:24 | |
If I do something to his jeepney that prevents him doing it, | 0:50:25 | 0:50:28 | |
I don't think I can live with myself. I'd be heartbroken. | 0:50:28 | 0:50:31 | |
The jeepney has remained largely unchanged in 70 years, | 0:50:35 | 0:50:38 | |
since American GIs drove them around these streets. | 0:50:38 | 0:50:43 | |
Today Josh West from London will be taking the wheel as a jeepney driver. | 0:50:43 | 0:50:47 | |
To succeed he has to remember all the different fares, | 0:50:47 | 0:50:51 | |
handle the change, follow the route and cope with the jeepney's temperamental gearbox. | 0:50:51 | 0:50:56 | |
Got to get my money ready. | 0:50:57 | 0:51:00 | |
So I have...60 pesos. | 0:51:00 | 0:51:05 | |
I'm on my final solo run. I'm going all the way to the south pier. | 0:51:05 | 0:51:10 | |
Not looking forward to this one. | 0:51:10 | 0:51:12 | |
Let's go. | 0:51:12 | 0:51:14 | |
At the first stop, there are passengers waiting. | 0:51:14 | 0:51:17 | |
OK, first ones. | 0:51:17 | 0:51:20 | |
They have no idea that Josh is in fact a London bus driver, | 0:51:20 | 0:51:23 | |
who ten days ago, had never seen a jeepney, let alone driven one. | 0:51:23 | 0:51:28 | |
Let's see if I, um...let's see if I have to ask them for the money or they give it to me. | 0:51:34 | 0:51:40 | |
She's given me seven pesos. | 0:51:43 | 0:51:45 | |
HORN TOOTS | 0:51:46 | 0:51:48 | |
All right. | 0:51:48 | 0:51:49 | |
God, you'd think it's like a racetrack, the way he wanted me to get off that line. | 0:51:55 | 0:51:59 | |
Where you going to go? 300 yards. Not even that. 150 yards. | 0:51:59 | 0:52:05 | |
My heart's pounding a lot faster and there's a lot of adrenaline | 0:52:06 | 0:52:09 | |
and I'm getting the sweaty hands thing as well, so... | 0:52:09 | 0:52:14 | |
I think every time I stop and get the opportunity to get the sweat out of my eyes I'm going to do it. | 0:52:14 | 0:52:19 | |
How you doing? | 0:52:20 | 0:52:22 | |
He didn't want a lift. | 0:52:25 | 0:52:27 | |
He just wanted to look at the odd-looking Filipino driver. | 0:52:27 | 0:52:32 | |
Oh... | 0:52:34 | 0:52:36 | |
How many? One? | 0:52:36 | 0:52:40 | |
-He's handed a big note... -Whoo! 50! | 0:52:40 | 0:52:44 | |
Now he has to juggle driving whilst finding the correct change. | 0:52:44 | 0:52:48 | |
So, I should give him 43 change. A minimum fare is seven. | 0:52:50 | 0:52:56 | |
So I've got 40 and then I got the three and hand those back. | 0:52:56 | 0:53:04 | |
Hopefully I've done that right. | 0:53:08 | 0:53:10 | |
At the end of the route, Rogelio is waiting for Josh and the safe return of his jeepney. | 0:53:16 | 0:53:21 | |
But Josh has got a problem. | 0:53:26 | 0:53:28 | |
I don't know where I'm supposed to go. | 0:53:31 | 0:53:33 | |
I'm going straight, aren't I? I'm in the wrong lane. | 0:53:38 | 0:53:43 | |
Am I sure I'm going straight? | 0:53:45 | 0:53:47 | |
Driver! | 0:53:48 | 0:53:49 | |
Luckily his passengers seem to know the route better than he does. | 0:53:53 | 0:53:57 | |
HORNS BLARE | 0:53:57 | 0:53:59 | |
I'm in the wrong lane. | 0:53:59 | 0:54:00 | |
It means crossing four lanes of traffic in Manila's rush hour. | 0:54:00 | 0:54:05 | |
Whoo! | 0:54:14 | 0:54:16 | |
Well, they're still alive and no one's broken into a sweat. | 0:54:16 | 0:54:19 | |
This is Round Table. | 0:54:19 | 0:54:21 | |
-HORN TOOTS -Just a minute. Dude, please. | 0:54:21 | 0:54:25 | |
One thing or the other, mate. | 0:54:25 | 0:54:26 | |
Look at that. One satisfied customer. | 0:54:26 | 0:54:28 | |
He's got off and he's alive. Look, he's even smiling. | 0:54:28 | 0:54:31 | |
But after a bumpy start, Josh seems to be back on track. | 0:54:32 | 0:54:37 | |
Well, that went reasonably well. | 0:54:37 | 0:54:41 | |
Got to stop crunching those gears. I'm going to mess up the man's vehicle. | 0:54:45 | 0:54:49 | |
When I see how well he does it, | 0:54:49 | 0:54:51 | |
and then I do it, | 0:54:51 | 0:54:54 | |
I'm nowhere near that level. | 0:54:54 | 0:54:57 | |
I'm learning. Every time I push my foot on a pedal I'm learning something new. | 0:54:57 | 0:55:01 | |
Not far to go. | 0:55:01 | 0:55:03 | |
Ah, he's coming. | 0:55:05 | 0:55:06 | |
There he is! Ha-ha! | 0:55:06 | 0:55:09 | |
JOSH CONTINUES TO LAUGH | 0:55:09 | 0:55:12 | |
Last stop, ladies and gentlemen. | 0:55:13 | 0:55:16 | |
Thank you for joining. You're welcome. | 0:55:16 | 0:55:19 | |
How was that, eh? | 0:55:21 | 0:55:23 | |
You're a good driver. | 0:55:23 | 0:55:25 | |
Whoo! | 0:55:28 | 0:55:29 | |
Oh! | 0:55:29 | 0:55:31 | |
'It started to click after a while and I kept hearing Rogelio's voice in my ear.' | 0:55:31 | 0:55:36 | |
A sense of accomplishment is there, that's for sure. | 0:55:36 | 0:55:40 | |
It's the end of Josh's trip. | 0:55:42 | 0:55:44 | |
In ten days, he's gone from being a London bus driver, | 0:55:44 | 0:55:47 | |
to driving a jeepney through the congested streets of Manila. | 0:55:47 | 0:55:51 | |
And during his time, he's seen and experienced some of the problems | 0:55:51 | 0:55:56 | |
faced by millions of people living in one of the most overcrowded cities in the world. | 0:55:56 | 0:56:01 | |
Edith. | 0:56:01 | 0:56:03 | |
How are you doing, darling? I'm about ready to go, guys. | 0:56:03 | 0:56:06 | |
I'd just like to say thank you for looking after me so well and showing me around Manila. | 0:56:06 | 0:56:12 | |
It's been a pleasure to know you two. | 0:56:12 | 0:56:15 | |
-You've been great hosts. -Thank you. | 0:56:15 | 0:56:19 | |
TRANSLATION: We're both very, very happy that you came into our lives, | 0:56:21 | 0:56:24 | |
despite the short time you were here. | 0:56:24 | 0:56:27 | |
You now have become family. You are now my brother. | 0:56:27 | 0:56:32 | |
Thank you. | 0:56:32 | 0:56:33 | |
'There's a definite friendship, or bond I've made, and I'm going to miss that the most.' | 0:56:33 | 0:56:39 | |
Bye, Janelle. Bye-bye. | 0:56:39 | 0:56:43 | |
'I think we have similar ideals on life, | 0:56:43 | 0:56:46 | |
'it's strange I've only met him for a short space of time, | 0:56:46 | 0:56:48 | |
'and I've got a level of trust with him that I only have | 0:56:48 | 0:56:51 | |
with my best friend, and that bond won't be broken.' | 0:56:51 | 0:56:54 | |
Bye-bye. | 0:56:58 | 0:57:00 | |
Take care. | 0:57:03 | 0:57:04 | |
We started off as strangers, became friends, and ended up as brothers. | 0:57:05 | 0:57:09 | |
It's as simple as that. | 0:57:09 | 0:57:11 | |
Back in London, and Josh is once again behind the wheel of the 148. | 0:57:17 | 0:57:22 | |
Driving now in London is so easy. I can do it almost blindfolded. | 0:57:22 | 0:57:27 | |
I don't, but I could do. | 0:57:27 | 0:57:29 | |
But Josh is determined to do something to help Rogelio and his family. | 0:57:31 | 0:57:36 | |
Six and final lap, speed lap, finish at me, please, finish at me. | 0:57:36 | 0:57:40 | |
'People I go to boot camp with have already said that they want to do a sponsored 10K, | 0:57:40 | 0:57:44 | |
'probably done round the local area, and people can donate to it' | 0:57:44 | 0:57:47 | |
and send the money over to Rogelio and that sort of stuff, | 0:57:47 | 0:57:50 | |
so that he can help get Janelle and Russell through school. | 0:57:50 | 0:57:55 | |
I didn't know the depth of how crowded it's going to be, | 0:57:55 | 0:58:00 | |
the depth of poverty there's going to be, | 0:58:00 | 0:58:02 | |
I didn't think people were treated so unjustly. | 0:58:02 | 0:58:05 | |
But you hear about it, but you never realise it until you see it yourself. | 0:58:05 | 0:58:08 | |
So when I saw it, it rocked my foundations, basically. | 0:58:08 | 0:58:11 | |
Next time, a British midwife goes to Liberia in West Africa. | 0:58:16 | 0:58:21 | |
This is so different to the hospitals at home. | 0:58:21 | 0:58:24 | |
She'll get to grips with the local culture and cuisine... | 0:58:25 | 0:58:29 | |
This is dry fish. | 0:58:29 | 0:58:30 | |
..and discover the harsh realities of child birth in one of the world's poorest countries. | 0:58:31 | 0:58:36 | |
I really don't want to experience that again. That was awful. | 0:58:36 | 0:58:40 | |
Subtitles by Red Bee Media Ltd. | 0:58:52 | 0:58:55 | |
E-mail [email protected] | 0:58:55 | 0:58:58 |