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This programme contains scenes which some viewers may find disturbing. | 0:00:02 | 0:00:06 | |
Three British workers - a bus driver, a midwife and a paramedic. | 0:00:06 | 0:00:09 | |
They've all accepted the challenge to do their job under some of the toughest conditions on the planet. | 0:00:09 | 0:00:14 | |
That was a really, really horrible birth. | 0:00:14 | 0:00:17 | |
See that, one satisfied customer. He got off and he's alive. | 0:00:17 | 0:00:21 | |
He's even smiling! | 0:00:21 | 0:00:23 | |
How you guys do this in these conditions? | 0:00:23 | 0:00:27 | |
Hello, gorgeous. | 0:00:30 | 0:00:32 | |
Midwife Suzanne Saunders-Blundell is swapping her hospital in Sutton Coldfield | 0:00:32 | 0:00:38 | |
for one in Liberia, West Africa. | 0:00:38 | 0:00:41 | |
This is so different to the hospitals at home. | 0:00:41 | 0:00:44 | |
In one of the world's poorest countries, | 0:00:44 | 0:00:47 | |
Suzanne will join midwives stretched to the limit and lacking the most basic resources. | 0:00:47 | 0:00:53 | |
Can we have some fresh water so we can keep sponging her? She's so hot. | 0:00:54 | 0:00:59 | |
She'll get to grips with the local culture and cuisine. | 0:00:59 | 0:01:03 | |
This is dry fish. | 0:01:03 | 0:01:05 | |
But in a country where babies die every day and mothers risk their lives in childbirth, | 0:01:08 | 0:01:13 | |
all Suzanne's resilience will be put to the test. | 0:01:13 | 0:01:17 | |
I don't want to experience that again. That was awful. | 0:01:17 | 0:01:20 | |
Oh, my gosh. Oh. | 0:01:41 | 0:01:45 | |
Every day, Suzanne Saunders-Blundell | 0:01:47 | 0:01:50 | |
holds the hopes and dreams of expectant parents in her hands. | 0:01:50 | 0:01:54 | |
The best bit for me is to see a woman through labour. | 0:01:57 | 0:02:00 | |
If it goes the way she wants it to go, | 0:02:00 | 0:02:02 | |
that is the most fulfilling job in the world, | 0:02:02 | 0:02:05 | |
and to see a mum and a dad with their newborn baby is just... It's amazing. | 0:02:05 | 0:02:10 | |
It's the most amazing experience ever. | 0:02:10 | 0:02:12 | |
Suzanne has been delivering babies for nine years and is now a labour ward coordinator | 0:02:12 | 0:02:17 | |
at Good Hope Hospital in Sutton Coldfield. | 0:02:17 | 0:02:20 | |
'It's quite important that we can ensure | 0:02:20 | 0:02:23 | |
'both mum's and the baby's well-being.' | 0:02:23 | 0:02:25 | |
This maps out your baby's heart rate. | 0:02:25 | 0:02:28 | |
The heart monitor is just one of the hi-tech devices that helps Suzanne | 0:02:28 | 0:02:32 | |
make birth as safe as possible. | 0:02:32 | 0:02:35 | |
That's it. You're very welcome. | 0:02:35 | 0:02:38 | |
But alongside all this technology, the midwives here | 0:02:38 | 0:02:41 | |
are keen on natural childbirth. | 0:02:41 | 0:02:44 | |
Suzanne helps women to have just the kind of birth they want. | 0:02:44 | 0:02:47 | |
Take it easy. Put your hand on the side. | 0:02:47 | 0:02:51 | |
I don't like to do too many examinations, cos it's quite invasive, | 0:02:51 | 0:02:56 | |
so just take a watch and wait. | 0:02:56 | 0:02:58 | |
Baby seems absolutely fine. | 0:02:58 | 0:03:00 | |
Encourage her to go with what her body's telling her. | 0:03:00 | 0:03:03 | |
Well done, well done! | 0:03:03 | 0:03:05 | |
Hello! | 0:03:05 | 0:03:07 | |
Hello, Jessica! Happy birthday! | 0:03:07 | 0:03:09 | |
Are you OK? | 0:03:11 | 0:03:12 | |
It was great. It was the best six hours of my life. | 0:03:12 | 0:03:17 | |
I was in my own little world. I can't believe how fast it went. | 0:03:17 | 0:03:21 | |
She was great. She was telling me to calm down and when to breathe. | 0:03:22 | 0:03:27 | |
It was just like having your best friend at your side. | 0:03:27 | 0:03:30 | |
Now Suzanne is off to West Africa, | 0:03:31 | 0:03:34 | |
where she is expecting their midwifery to be more in line with her own style of natural childbirth. | 0:03:34 | 0:03:40 | |
We are such a technology-based culture, | 0:03:40 | 0:03:44 | |
and childbirth does tend to get quite medicalised, | 0:03:44 | 0:03:47 | |
despite the fact we really try to make it as low-risk as possible. | 0:03:47 | 0:03:51 | |
I might learn something that's really fascinating. | 0:03:51 | 0:03:54 | |
Living and working in Africa is going to be tough. | 0:03:56 | 0:04:00 | |
But Suzanne reckons she's ready to tackle anything. | 0:04:00 | 0:04:03 | |
I kind of think if a man can do something, so can a woman. | 0:04:03 | 0:04:07 | |
Whether that be running, playing rugby, | 0:04:07 | 0:04:10 | |
there's something a bit different, | 0:04:10 | 0:04:12 | |
and it appealed to me - I like a challenge. | 0:04:12 | 0:04:15 | |
She's determined, independent, | 0:04:18 | 0:04:20 | |
she's very focused on whatever she does, | 0:04:20 | 0:04:22 | |
whether that be midwifery or her personal training or fitness. | 0:04:22 | 0:04:27 | |
Suzanne's been with husband Dan since she was 17. | 0:04:27 | 0:04:31 | |
She's only been abroad once without him. | 0:04:31 | 0:04:34 | |
26 degrees Celsius... Oh, nice. | 0:04:34 | 0:04:37 | |
Now she's heading to a country many people have never even heard of. | 0:04:37 | 0:04:42 | |
"Founded and colonised by freed American slaves." Oh, that's good. | 0:04:42 | 0:04:46 | |
'It's the idea of her going out there to Africa, of all places.' | 0:04:46 | 0:04:50 | |
She's going off, but I'm staying at home - | 0:04:50 | 0:04:52 | |
that's going to be weird, totally weird, actually. | 0:04:52 | 0:04:56 | |
The first African nation with a female president. | 0:04:56 | 0:05:01 | |
Well, it would be a better place with women in charge. | 0:05:01 | 0:05:04 | |
OK. | 0:05:04 | 0:05:06 | |
I like a challenge. | 0:05:09 | 0:05:11 | |
I think I'm going to get a whole new perspective on life. | 0:05:11 | 0:05:15 | |
I'm quite open to whatever opportunity, | 0:05:15 | 0:05:17 | |
whatever experience is going to come flying at me | 0:05:17 | 0:05:19 | |
and embrace it with both hands and give it a big hug. | 0:05:19 | 0:05:24 | |
I'm ready for my world to be shaken up, I think. | 0:05:24 | 0:05:26 | |
Liberia - population 3.5 million. | 0:05:35 | 0:05:39 | |
The country was founded in the 19th century by freed American slaves, | 0:05:41 | 0:05:45 | |
but in recent years, this promised land has been torn apart | 0:05:45 | 0:05:49 | |
by one of the most brutal civil wars in African history. | 0:05:49 | 0:05:52 | |
As warlords fought for control, | 0:05:56 | 0:05:59 | |
a quarter of a million people were killed, | 0:05:59 | 0:06:02 | |
and nearly 800,000 fled for their lives. | 0:06:02 | 0:06:04 | |
Women were raped, houses burned, | 0:06:04 | 0:06:07 | |
and child soldiers as young as ten held the power of life and death in their hands. | 0:06:07 | 0:06:12 | |
Suzanne's arriving in Monrovia, Liberia's capital. | 0:06:19 | 0:06:24 | |
The war's been over for seven years, but the country is struggling to rebuild. | 0:06:24 | 0:06:28 | |
Today, eight out of ten people live on less than a dollar a day. | 0:06:31 | 0:06:37 | |
And even in the capital, there's little electricity | 0:06:37 | 0:06:40 | |
and no running water. | 0:06:40 | 0:06:42 | |
-Hiya! -Hello! Bye! | 0:06:45 | 0:06:49 | |
It's fantastic. Everyone's so curious about everything. It's very welcoming. | 0:06:51 | 0:06:55 | |
This is Redemption Hospital, | 0:06:56 | 0:06:59 | |
where Suzanne will be working for the next two weeks. | 0:06:59 | 0:07:03 | |
Hiya, I'm here to see Rosalind, the head midwife. | 0:07:03 | 0:07:06 | |
All right? Thank you. | 0:07:06 | 0:07:08 | |
This is...so different to the hospitals at home. | 0:07:11 | 0:07:17 | |
Hello! | 0:07:17 | 0:07:19 | |
Like Suzanne, Rosalind Bro is a midwife supervisor. | 0:07:19 | 0:07:23 | |
She runs the maternity unit. | 0:07:23 | 0:07:25 | |
So you're going to show me the wonders of midwifery in Liberia? | 0:07:25 | 0:07:28 | |
First stop is the delivery room. | 0:07:28 | 0:07:30 | |
The facilities are not quite what Suzanne is used to. | 0:07:30 | 0:07:34 | |
Wow! | 0:07:34 | 0:07:35 | |
Right. Gosh! | 0:07:37 | 0:07:40 | |
Do they all lie on their back? | 0:07:46 | 0:07:48 | |
Yes, they lie on their back. | 0:07:48 | 0:07:50 | |
Fascinating, absolutely fascinating. Brilliant. | 0:07:50 | 0:07:54 | |
Right, OK. | 0:07:59 | 0:08:00 | |
Right, so women in labour in here... | 0:08:02 | 0:08:04 | |
-Right. OK. -Yes. -Gosh. -OK.... | 0:08:11 | 0:08:15 | |
How long are they in the labour ward until they come into here? | 0:08:20 | 0:08:23 | |
You are welcome, you are welcome, you are welcome! | 0:08:30 | 0:08:33 | |
Thank you very much indeed. | 0:08:33 | 0:08:34 | |
It's... Wow, I really don't know what to say, it's so different. | 0:08:34 | 0:08:40 | |
So many things and... Oh, I just... | 0:08:40 | 0:08:43 | |
It's so, so different from home. | 0:08:43 | 0:08:45 | |
Almost a trolley with stirrups at the end - that's where they give birth. | 0:08:45 | 0:08:49 | |
At least they have got some beds to put the women in | 0:08:49 | 0:08:52 | |
and they have got some equipment. | 0:08:52 | 0:08:54 | |
Redemption Hospital was shut during the long years of the civil war. | 0:08:57 | 0:09:02 | |
Charities have got it up and running again. | 0:09:02 | 0:09:05 | |
Now it's back in government hands, medical director Dr Dada is trying to keep it going, | 0:09:05 | 0:09:11 | |
despite a severe shortage of medical staff. | 0:09:11 | 0:09:14 | |
Very busy. | 0:09:21 | 0:09:22 | |
Situated in one of the poorest areas of the city, | 0:09:22 | 0:09:26 | |
Redemption Hospital is inundated with patients every day. | 0:09:26 | 0:09:30 | |
Is this the only free hospital in Monrovia? | 0:09:37 | 0:09:40 | |
-So far. -So far. | 0:09:40 | 0:09:41 | |
Lunch in the hospital canteen gives Suzanne her first taste of Liberian cooking. | 0:09:58 | 0:10:04 | |
Wow! This looks great. | 0:10:04 | 0:10:05 | |
Right, then, let's give this a whirl. | 0:10:07 | 0:10:09 | |
-Really spicy. Like chilli. -Hmm? -Spicy. | 0:10:09 | 0:10:12 | |
So what else have I got in here? | 0:10:12 | 0:10:14 | |
-Fish. -Any particular fish? | 0:10:14 | 0:10:17 | |
Any...any particular fish or just any fish? | 0:10:17 | 0:10:20 | |
-Any fish. -OK. | 0:10:20 | 0:10:22 | |
The midwives here are on government salaries. | 0:10:22 | 0:10:25 | |
And in such a poor country, they aren't generous. | 0:10:25 | 0:10:28 | |
60 US dollars? | 0:10:32 | 0:10:34 | |
Yes, it's very small. | 0:10:34 | 0:10:35 | |
For a month? | 0:10:35 | 0:10:36 | |
How do you manage to live, if you don't even know if you'll get paid? | 0:10:41 | 0:10:45 | |
And it's not just the staff suffering the effects of underfunding. | 0:11:05 | 0:11:09 | |
Premature babies need specialist equipment to keep them warm, | 0:11:09 | 0:11:12 | |
but in Redemption, | 0:11:12 | 0:11:14 | |
tin foil and lamps are the best they can hope for. | 0:11:14 | 0:11:17 | |
OK, no problem. | 0:11:26 | 0:11:28 | |
Two brand-new incubators were donated by UNICEF six months ago | 0:11:28 | 0:11:32 | |
but have been standing idle ever since. | 0:11:32 | 0:11:36 | |
Your adapter definitely works? | 0:11:36 | 0:11:39 | |
-Even they didn't know how to put it on? -Yeah. | 0:11:42 | 0:11:45 | |
How do you feel about being unable to use it? | 0:11:45 | 0:11:47 | |
There must be an on-off switch somewhere. | 0:11:56 | 0:11:58 | |
So, we've got power. | 0:11:58 | 0:11:59 | |
The air temperature - you need to set it. | 0:11:59 | 0:12:02 | |
It should automatically, I would have thought, start to heat up. | 0:12:02 | 0:12:06 | |
That's the idea...in theory. Oh, yeah, it's just gone up. | 0:12:06 | 0:12:10 | |
Hopefully, we'll have a toasty warm incubator we can put a baby in. | 0:12:10 | 0:12:14 | |
There you go. There you go, and close it. | 0:12:14 | 0:12:17 | |
Suzanne, thank you. | 0:12:17 | 0:12:19 | |
You're very welcome. | 0:12:19 | 0:12:20 | |
Suzanne's beginning to realise | 0:12:20 | 0:12:23 | |
that the hospital is struggling with even the most basic equipment. | 0:12:23 | 0:12:28 | |
But there's no time to dwell on it, | 0:12:28 | 0:12:30 | |
as there's an emergency in the delivery room. | 0:12:30 | 0:12:33 | |
Well, it looks like a lady's come in who's bleeding. | 0:12:33 | 0:12:37 | |
She's about 36 weeks pregnant. | 0:12:37 | 0:12:39 | |
It's either a placenta praevia or placental abruption. | 0:12:39 | 0:12:45 | |
Placenta praevia means the placenta is coming out ahead of the baby - | 0:12:45 | 0:12:49 | |
a life-threatening condition. | 0:12:49 | 0:12:51 | |
On the scan, it looks like there wasn't a heartbeat, but she's carried on bleeding. | 0:12:51 | 0:12:56 | |
Her pulse is quite rapid, so they've put her in for an emergency section. | 0:12:56 | 0:13:00 | |
Beatrice Woods is fortunate to have a doctor treating her. | 0:13:00 | 0:13:04 | |
There are less than 100 in the country. | 0:13:04 | 0:13:07 | |
It's OK. It's all right, it's all right. | 0:13:11 | 0:13:14 | |
The baby isn't breathing, and its pulse is weak. | 0:13:22 | 0:13:25 | |
We'll do CPR. I'll do three. | 0:13:25 | 0:13:28 | |
One, two, three, right. One press from you. | 0:13:28 | 0:13:30 | |
One, two, three from me. One press from you. That's it. | 0:13:30 | 0:13:33 | |
He's got a very slow heartbeat. | 0:13:33 | 0:13:35 | |
That's better. Are you going to give us a cry? | 0:13:35 | 0:13:38 | |
Are you going to give us a cry, you naughty thing? | 0:13:38 | 0:13:42 | |
Oh, what were you thinking? | 0:13:42 | 0:13:44 | |
What happened? | 0:13:44 | 0:13:46 | |
At just under 5lbs, the baby's very small, | 0:13:50 | 0:13:53 | |
but Suzanne and Rosalind have saved his life. | 0:13:53 | 0:13:56 | |
Yeah, placenta praevia. | 0:14:01 | 0:14:04 | |
Yeah, it was, wasn't it? Good work, you. | 0:14:05 | 0:14:07 | |
But Suzanne has been disturbed by the lack of consideration shown towards Beatrice. | 0:14:07 | 0:14:12 | |
It's nothing like the mother-centred approach she practises in the UK. | 0:14:12 | 0:14:17 | |
She was there, and everybody was making decisions around her | 0:14:17 | 0:14:20 | |
and not really explaining to her what was going on. | 0:14:20 | 0:14:23 | |
'I felt bad, the fact that nobody was talking to her, which was why I went over to her. | 0:14:23 | 0:14:28 | |
'At least, if you're so scared, if somebody is at least paying you some attention, | 0:14:28 | 0:14:32 | |
'it's better than being there on your own.' | 0:14:32 | 0:14:35 | |
Does she get to cuddle him at all? Would she get to give him a cuddle? | 0:14:36 | 0:14:38 | |
Not at the moment. | 0:14:38 | 0:14:40 | |
Tonight, Suzanne's going home with Rosalind. | 0:14:47 | 0:14:50 | |
She lives on the outskirts of Monrovia. | 0:14:50 | 0:14:53 | |
So sometimes your journey home from work | 0:14:53 | 0:14:55 | |
could be over two hours? | 0:14:55 | 0:14:58 | |
Yeah. | 0:14:58 | 0:14:59 | |
Gosh. That is a long way to travel to come to work. | 0:14:59 | 0:15:03 | |
People are starting to leave work. | 0:15:03 | 0:15:05 | |
This is the only public transport in Monrovia. | 0:15:10 | 0:15:13 | |
This is completely mental! | 0:15:27 | 0:15:29 | |
The people's driving, everything. | 0:15:30 | 0:15:33 | |
It's absolutely mad. | 0:15:33 | 0:15:35 | |
I think people in England would be a little bit miffed | 0:15:35 | 0:15:38 | |
if you started just driving on the pavement. | 0:15:38 | 0:15:41 | |
It's interesting, but I quite like theme park rides, | 0:15:41 | 0:15:44 | |
so it's a bit like that, really. | 0:15:44 | 0:15:46 | |
After a rattling bus ride, | 0:15:46 | 0:15:48 | |
there's still one more leg of the journey. | 0:15:48 | 0:15:51 | |
I really would rather not. | 0:15:52 | 0:15:54 | |
I'd rather not. | 0:15:54 | 0:15:56 | |
Well, he will drive you. | 0:15:56 | 0:15:57 | |
No, I don't like motorbikes, I'm really sorry. | 0:15:57 | 0:16:00 | |
I don't like motorbikes. | 0:16:00 | 0:16:02 | |
Suzanne decides to treat them both to a taxi. | 0:16:02 | 0:16:05 | |
Hiya. Oh, gosh, you're going to carry my bag! | 0:16:08 | 0:16:11 | |
I think it's almost bigger than you - | 0:16:11 | 0:16:14 | |
it might be too heavy. | 0:16:14 | 0:16:16 | |
Four generations of Rosalind's family live under one roof. | 0:16:16 | 0:16:19 | |
That is my father. | 0:16:19 | 0:16:22 | |
Nice to meet you, sir, all right, very nice to meet you. | 0:16:22 | 0:16:25 | |
The living room. | 0:16:25 | 0:16:27 | |
Wow. Oh, how lovely. What a beautiful house you've got. | 0:16:27 | 0:16:31 | |
Your room. Wow, look at this. | 0:16:33 | 0:16:35 | |
This is beautiful. | 0:16:35 | 0:16:37 | |
You have, you've worked so hard. But it is just... | 0:16:38 | 0:16:42 | |
Even a small midwife's salary | 0:16:46 | 0:16:49 | |
makes Rosalind better off than most Liberians. | 0:16:49 | 0:16:52 | |
But she has to support ten people, | 0:16:52 | 0:16:55 | |
so she does two jobs, | 0:16:55 | 0:16:56 | |
often working 48 hours at a time, | 0:16:56 | 0:16:58 | |
to put food on the table. | 0:16:58 | 0:17:00 | |
Yeah, got a bit of fish here as well. | 0:17:02 | 0:17:04 | |
Oh, lovely. | 0:17:06 | 0:17:07 | |
If my husband at home could see me picking up a fish head, | 0:17:07 | 0:17:10 | |
he would die laughing. | 0:17:10 | 0:17:12 | |
Suzanne's sleeping on the floor in Rosalind's room. | 0:17:26 | 0:17:29 | |
When Rosalind goes to bed, | 0:17:29 | 0:17:31 | |
the generator gets switched off. | 0:17:31 | 0:17:33 | |
So, yeah, that was quite funny, | 0:17:33 | 0:17:36 | |
having a generator go off mid-wee, | 0:17:36 | 0:17:38 | |
in the bathroom, with no torch. And no idea where the loo paper is. | 0:17:38 | 0:17:43 | |
And no idea where the door is. | 0:17:43 | 0:17:45 | |
So it's good fun. | 0:17:45 | 0:17:47 | |
It's 25 past 5 | 0:17:51 | 0:17:54 | |
and time for work. And I'm tired. | 0:17:54 | 0:17:57 | |
SHE LAUGHS | 0:17:57 | 0:17:58 | |
Cold water. | 0:17:58 | 0:18:01 | |
Cold water, here we come. | 0:18:01 | 0:18:04 | |
'Rosalind's very lucky - she's worked so hard to actually... | 0:18:04 | 0:18:08 | |
'it's really nice.' | 0:18:08 | 0:18:09 | |
And everything doesn't seem to matter so much. | 0:18:09 | 0:18:13 | |
You know, yeah, you tip a jug of cold water down yourself in the morning, | 0:18:13 | 0:18:17 | |
but this is life. | 0:18:17 | 0:18:18 | |
It's 8am. | 0:18:41 | 0:18:43 | |
Rosalind and Suzanne are taking over from the night shift. | 0:18:43 | 0:18:46 | |
-Have you had many deliveries in the night? -Yes. | 0:18:46 | 0:18:49 | |
Really? Six, seven, eight?! | 0:18:49 | 0:18:52 | |
Yeah, a very busy night for you. | 0:18:52 | 0:18:54 | |
So you need your sleep now. | 0:18:54 | 0:18:56 | |
It's not long before Suzanne gets her first patient of the day. | 0:18:56 | 0:19:00 | |
And once again, it's not straightforward. | 0:19:00 | 0:19:04 | |
I'm opening the... | 0:19:04 | 0:19:05 | |
No, I gathered that. | 0:19:05 | 0:19:07 | |
I help you. | 0:19:07 | 0:19:09 | |
Yeah, yeah. OK, so... | 0:19:09 | 0:19:11 | |
WOMAN SCREAMS | 0:19:14 | 0:19:15 | |
Rebecca Cara's baby is dead, | 0:19:15 | 0:19:17 | |
but she still has to give birth. | 0:19:17 | 0:19:20 | |
We'll wrap the baby in that once it's born. | 0:19:20 | 0:19:22 | |
-It's not alive. -OK. | 0:19:22 | 0:19:24 | |
WOMAN MOANS | 0:19:25 | 0:19:27 | |
Yeah, I think that's a foot. | 0:19:29 | 0:19:31 | |
WOMAN SCREAMS | 0:19:31 | 0:19:32 | |
There's an added complication - | 0:19:32 | 0:19:34 | |
it's a breech birth. | 0:19:34 | 0:19:36 | |
The baby is coming feet first. | 0:19:36 | 0:19:38 | |
The arms... | 0:19:41 | 0:19:43 | |
the arms are like that. | 0:19:43 | 0:19:44 | |
Suzanne's been dropped in the deep end. | 0:19:48 | 0:19:51 | |
WOMAN SCREAMS | 0:19:51 | 0:19:53 | |
Hang on. | 0:19:53 | 0:19:55 | |
It needs... The arms are extended. | 0:19:55 | 0:19:57 | |
At home, she has never dealt with a situation like this. | 0:19:57 | 0:20:01 | |
SHE SCREAMS | 0:20:01 | 0:20:03 | |
Yeah. It's a little boy. | 0:20:10 | 0:20:12 | |
Where's the baby going now? | 0:20:15 | 0:20:17 | |
OK. | 0:20:20 | 0:20:21 | |
Right. OK. OK, | 0:20:26 | 0:20:27 | |
so it just rests on the side? | 0:20:27 | 0:20:31 | |
You just pop it on this? | 0:20:31 | 0:20:32 | |
OK. OK. | 0:20:34 | 0:20:36 | |
It seems like the baby's actually been dead for quite a while. | 0:20:39 | 0:20:42 | |
It was quite difficult to deliver the body. | 0:20:42 | 0:20:46 | |
And what was very strange was | 0:20:46 | 0:20:48 | |
the woman just thanked everybody. | 0:20:48 | 0:20:50 | |
She didn't cry, | 0:20:50 | 0:20:51 | |
or didn't seem particularly upset. | 0:20:51 | 0:20:53 | |
Very matter of fact here, really. | 0:20:53 | 0:20:55 | |
I don't know if it's because it happens so often, | 0:20:55 | 0:20:58 | |
people are more accepting. | 0:20:58 | 0:20:59 | |
One in 25 babies in Liberia | 0:20:59 | 0:21:02 | |
is stillborn, or dies within 24 hours. | 0:21:02 | 0:21:06 | |
At Redemption Hospital, | 0:21:06 | 0:21:07 | |
this is the third stillbirth this week. | 0:21:07 | 0:21:10 | |
Almost immediately, | 0:21:12 | 0:21:14 | |
another woman staggers into the labour ward demanding help. | 0:21:14 | 0:21:18 | |
There's no time to get her into the delivery room. | 0:21:24 | 0:21:28 | |
Rebecca, who lost her child less than two hours ago, | 0:21:44 | 0:21:47 | |
is watching from the next bed. | 0:21:47 | 0:21:50 | |
Suzanne is shocked by the lack of sensitivity. | 0:21:50 | 0:21:52 | |
They've got a woman with diarrhoea | 0:21:52 | 0:21:54 | |
next to a woman who's just had a stillbirth, | 0:21:54 | 0:21:57 | |
straight next to a woman who's got a live baby, | 0:21:57 | 0:21:59 | |
next to somebody who's just had an abortion. | 0:21:59 | 0:22:01 | |
It seems bizarre that all these women are just put together. | 0:22:01 | 0:22:04 | |
-Full term? -Yeah. | 0:22:07 | 0:22:09 | |
As she gets on with the paperwork, | 0:22:09 | 0:22:11 | |
she let's slip that it's her husband's birthday today. | 0:22:11 | 0:22:14 | |
It's a chance for the midwives to lighten the mood. | 0:22:14 | 0:22:17 | |
She had oxytocin? | 0:22:18 | 0:22:20 | |
Yes. | 0:22:20 | 0:22:22 | |
# Happy birthday to Suzanne husband | 0:22:22 | 0:22:25 | |
# Happy birthday to Suzanne husband | 0:22:25 | 0:22:29 | |
# Happy birthday to him! # | 0:22:29 | 0:22:33 | |
He would have loved that. | 0:22:33 | 0:22:35 | |
# Bless him | 0:22:35 | 0:22:38 | |
# We wish him long life | 0:22:38 | 0:22:41 | |
# We wish him prosperity | 0:22:41 | 0:22:45 | |
# Happy birthday to Suzanne husband! # | 0:22:45 | 0:22:50 | |
35. | 0:22:50 | 0:22:52 | |
THEY CHEER | 0:22:52 | 0:22:54 | |
But the laughter is short lived. | 0:22:56 | 0:22:58 | |
Suzanne's challenging shift is about to take a turn for the worse. | 0:22:58 | 0:23:02 | |
WOMAN SCREAMS | 0:23:02 | 0:23:06 | |
As she goes into the delivery room once more, | 0:23:06 | 0:23:08 | |
there's a young mum who's too shy to be filmed. | 0:23:08 | 0:23:11 | |
WOMAN SCREAMS | 0:23:11 | 0:23:12 | |
-Go on. -N-o-o! | 0:23:12 | 0:23:14 | |
BABY CRIES | 0:23:17 | 0:23:19 | |
It's a healthy baby, | 0:23:19 | 0:23:22 | |
but Suzanne's appalled by what she's seen. | 0:23:22 | 0:23:25 | |
That is NOT how we do it at home. | 0:23:25 | 0:23:29 | |
No, I need, er, a minute. | 0:23:29 | 0:23:30 | |
A very shocking experience, actually. | 0:23:33 | 0:23:36 | |
Um, I didn't think, um, that... | 0:23:36 | 0:23:39 | |
I'm really sorry. | 0:23:39 | 0:23:41 | |
Um. That was a really silly outburst, I don't normally... | 0:23:42 | 0:23:47 | |
That was a really, really horrible birth. | 0:23:47 | 0:23:49 | |
Obviously, my personal practice is very hands off. | 0:23:49 | 0:23:52 | |
It's very personal. | 0:23:52 | 0:23:54 | |
And birth here is obviously | 0:23:54 | 0:23:56 | |
not personal in any way, shape or form. | 0:23:56 | 0:23:58 | |
And then, to physically, | 0:23:58 | 0:24:00 | |
literally put their hands on her stomach | 0:24:00 | 0:24:03 | |
and physically push the baby out, | 0:24:03 | 0:24:06 | |
I just find very, very brutal, | 0:24:06 | 0:24:08 | |
and not a happy experience. And I think, um, | 0:24:08 | 0:24:11 | |
I really don't want to experience that again, to be honest, | 0:24:11 | 0:24:14 | |
that was awful. | 0:24:14 | 0:24:16 | |
Tonight, Suzanne's staying at a local guest house. | 0:24:25 | 0:24:29 | |
It's an opportunity to reflect on her hopes of seeing | 0:24:29 | 0:24:32 | |
a natural approach to childbirth here in Africa. | 0:24:32 | 0:24:35 | |
Quite an intense day, really. | 0:24:37 | 0:24:40 | |
There is so much that's been thrown at me. | 0:24:40 | 0:24:42 | |
So much I've had to take on board. | 0:24:42 | 0:24:44 | |
So much that I've seen. | 0:24:44 | 0:24:46 | |
I really thought there'd be a lot more tradition, a lot more | 0:24:46 | 0:24:50 | |
that these midwives could teach me, signs, | 0:24:50 | 0:24:52 | |
you know, of how a labour advanced, | 0:24:52 | 0:24:54 | |
not having to intervene. | 0:24:54 | 0:24:56 | |
And it's none of that. | 0:24:56 | 0:24:57 | |
It's a big shock, and it's a big disappointment | 0:24:57 | 0:25:00 | |
that these are the people who really should be | 0:25:00 | 0:25:02 | |
getting back to nature, | 0:25:02 | 0:25:04 | |
to improve the care they give, but not dominate it. | 0:25:04 | 0:25:07 | |
After a restless night, Suzanne's back on shift. | 0:25:16 | 0:25:19 | |
-Morning. How are you? -Yeah, good morning. | 0:25:19 | 0:25:22 | |
Today, she's meeting Lucy Barr, | 0:25:22 | 0:25:25 | |
Redemption Hospital's most experienced midwife. | 0:25:25 | 0:25:28 | |
So how long have you worked here? | 0:25:28 | 0:25:31 | |
14 years. | 0:25:34 | 0:25:36 | |
So you can teach me loads of stuff. | 0:25:41 | 0:25:43 | |
Lucy's head of the Liberian Midwifery Association, | 0:25:45 | 0:25:49 | |
so she's interested to hear how Suzanne's getting on. | 0:25:49 | 0:25:52 | |
It's not how I imagined at all. | 0:25:52 | 0:25:56 | |
I imagined it would be very, | 0:25:56 | 0:25:58 | |
um, very natural, | 0:25:58 | 0:26:00 | |
but I find it very difficult, | 0:26:00 | 0:26:02 | |
because all women lie on their back here. | 0:26:02 | 0:26:05 | |
Yes, it's quite different. | 0:26:05 | 0:26:07 | |
Very different. | 0:26:07 | 0:26:08 | |
Yeah. Is there any particular reason | 0:26:11 | 0:26:13 | |
why everybody does it that way? | 0:26:13 | 0:26:15 | |
And the other thing I've found quite shocking for me | 0:26:22 | 0:26:25 | |
was that you do a lot of fundal pressure to deliver. | 0:26:25 | 0:26:28 | |
Fundal pressure. | 0:26:28 | 0:26:29 | |
I did see it, and thought, "Oh, that's really something." | 0:26:38 | 0:26:41 | |
I don't think the midwives here listen to the heartbeat | 0:26:41 | 0:26:45 | |
as often as they could do at home, | 0:26:45 | 0:26:47 | |
that's something I've observed. | 0:26:47 | 0:26:49 | |
And it's very difficult. | 0:26:57 | 0:26:59 | |
If it's two of you to a full bay, | 0:26:59 | 0:27:02 | |
you've got to just do what you can, really. | 0:27:02 | 0:27:04 | |
Yes. | 0:27:04 | 0:27:06 | |
It's quite interesting to get Lucy's view on things. | 0:27:06 | 0:27:10 | |
She's obviously a lot more experienced. | 0:27:10 | 0:27:13 | |
And she seems very much more open | 0:27:13 | 0:27:15 | |
to new, different ideas, different way of working. | 0:27:15 | 0:27:18 | |
I really didn't think that birth would be the way it is here. | 0:27:18 | 0:27:22 | |
I really didn't think it would be | 0:27:22 | 0:27:24 | |
so medicalised, | 0:27:24 | 0:27:25 | |
um, to be honest. | 0:27:25 | 0:27:27 | |
I thought it would be more how we're trying to encourage women to be, | 0:27:27 | 0:27:30 | |
very much more natural and observational | 0:27:30 | 0:27:34 | |
and, you know, the kind of, | 0:27:34 | 0:27:35 | |
don't worry, you know, this is happening, | 0:27:35 | 0:27:38 | |
we don't have to intervene just yet. | 0:27:38 | 0:27:40 | |
-So this is where you live? -Yes. | 0:27:51 | 0:27:53 | |
Lucy has invited Suzanne to her home in Logantown, | 0:27:53 | 0:27:56 | |
one of the oldest and poorest communities in Monrovia. | 0:27:56 | 0:28:00 | |
-This one, the green one? Oh, wow! -Yes. | 0:28:01 | 0:28:04 | |
Suzanne, this is my house, this is your home. | 0:28:04 | 0:28:07 | |
Oh, wow. Fabulous. Oh. | 0:28:12 | 0:28:16 | |
This is beautiful. | 0:28:16 | 0:28:17 | |
Ah. | 0:28:17 | 0:28:20 | |
Oh, wow. | 0:28:20 | 0:28:22 | |
That's fantastic. | 0:28:22 | 0:28:23 | |
This is my daughter. | 0:28:23 | 0:28:26 | |
Hello. Nice to meet you, I'm Suzanne. | 0:28:26 | 0:28:28 | |
Lucy lives with a large extended family. | 0:28:28 | 0:28:30 | |
Who's this little one? | 0:28:30 | 0:28:32 | |
That's his daughter. | 0:28:32 | 0:28:34 | |
So your, your granddaughter? | 0:28:34 | 0:28:36 | |
-Yes. -Aww! | 0:28:36 | 0:28:37 | |
I can shake you by my elbow, | 0:28:37 | 0:28:39 | |
I'm peeling the paw paw. | 0:28:39 | 0:28:41 | |
Lucy's husband Edward is a nurse anaesthetist at Redemption Hospital. | 0:28:41 | 0:28:47 | |
What are they? | 0:28:47 | 0:28:48 | |
-This is a dry fish. -Ooh. | 0:28:51 | 0:28:53 | |
What, what kind of fish? | 0:28:53 | 0:28:55 | |
Do you use that a lot in your cooking or do you just kind of eat it? | 0:28:57 | 0:29:00 | |
Is that the kind of fish I'm eating? | 0:29:02 | 0:29:03 | |
-Uh-huh. Yes. -Yeah, the teeth and everything. | 0:29:03 | 0:29:07 | |
Yeah, everything in there. | 0:29:07 | 0:29:10 | |
Oh, yeah, and the eyes. Everything. | 0:29:10 | 0:29:13 | |
Sweet, it's sweet. | 0:29:15 | 0:29:16 | |
OK. Wow. | 0:29:19 | 0:29:22 | |
Amen. | 0:29:29 | 0:29:31 | |
Fufu. | 0:29:31 | 0:29:34 | |
OK, so, fish. | 0:29:37 | 0:29:38 | |
It's huge. | 0:29:38 | 0:29:40 | |
Some juice. | 0:29:40 | 0:29:43 | |
Or I can chew it. It's quite chewy. | 0:29:46 | 0:29:50 | |
A bit like, er... | 0:29:50 | 0:29:51 | |
I have no idea what it's like, I really can't describe it. | 0:29:54 | 0:29:58 | |
I think I prefer chewing. | 0:30:04 | 0:30:06 | |
No, we pretty much chew everything. | 0:30:10 | 0:30:12 | |
Lucy has lived here all her married life. It's a close-knit community | 0:30:14 | 0:30:17 | |
and everyone's heard about Suzanne's visit. | 0:30:17 | 0:30:20 | |
I have no idea what is going on. | 0:30:22 | 0:30:24 | |
Keep going! | 0:30:32 | 0:30:34 | |
Well, we're playing game of kick ball, which is like, er, baseball, but you kick the ball. | 0:30:40 | 0:30:46 | |
Er, and it's quite hard work. | 0:30:46 | 0:30:49 | |
It's interesting, it's all the women playing, not men. | 0:30:49 | 0:30:53 | |
Thank you too. Welcome. | 0:30:53 | 0:30:55 | |
I'm beginning to see sort of how, once you get past the initial shock | 0:30:55 | 0:30:59 | |
of everything, it's every little neighbourhood, every area taking their own bit of character. | 0:30:59 | 0:31:04 | |
Really nice, it's been a really nice day in terms of learning about | 0:31:07 | 0:31:11 | |
the importance of community and family, it really, really has. | 0:31:11 | 0:31:15 | |
The fact that everybody's so welcoming. | 0:31:15 | 0:31:17 | |
I don't know if everybody would get this kind of reception at home. | 0:31:17 | 0:31:20 | |
63% of all births in Liberia happen away from hospital. | 0:31:27 | 0:31:32 | |
Many women live in remote villages where the roads are bad and they have no transport. | 0:31:32 | 0:31:37 | |
Their babies are often delivered by traditional birth attendants, local women with few medical skills. | 0:31:39 | 0:31:45 | |
Lucy has invited Suzanne to meet some of them. | 0:31:46 | 0:31:50 | |
I'm so excited to meet some traditional birth attendants because, really, when I came | 0:31:52 | 0:31:56 | |
over to this country, that's how I thought birth would be. | 0:31:56 | 0:32:00 | |
On behalf of the TTM and the TBS, we say you are welcome, | 0:32:00 | 0:32:04 | |
you are welcome, | 0:32:04 | 0:32:07 | |
-and this is your home. -OK, you are more welcome. Yeah. | 0:32:07 | 0:32:13 | |
THEY SING | 0:32:14 | 0:32:17 | |
Hello, and thank you for welcoming me so wonderfully. | 0:32:25 | 0:32:29 | |
Oh, right, OK. | 0:32:36 | 0:32:38 | |
It's not long before they let Suzanne in on a few of their trade secrets. | 0:32:51 | 0:32:56 | |
And bite it. | 0:33:04 | 0:33:06 | |
Just coal? | 0:33:06 | 0:33:08 | |
Wow! Yeah! | 0:33:08 | 0:33:11 | |
It will stop. | 0:33:11 | 0:33:13 | |
Yes. | 0:33:31 | 0:33:32 | |
Really? | 0:33:35 | 0:33:36 | |
Do you know, I might have to try these at home? | 0:33:36 | 0:33:39 | |
Somebody's going to think I'm absolutely bonkers. | 0:33:39 | 0:33:41 | |
It is a calling that you really want to do, but you dedicate your life to it as much as you can, really. | 0:33:45 | 0:33:51 | |
But traditional midwives have no way to treat medical emergencies. | 0:33:51 | 0:33:55 | |
And Lucy teaches them to recognise their limitations. | 0:33:55 | 0:33:58 | |
I found it really, really touching, very motivating. | 0:34:59 | 0:35:03 | |
The birth attendants here are all so passionate, really, really passionate about midwifery, | 0:35:03 | 0:35:08 | |
really passionate about the health and the wellbeing of the mums they care for and the babies. | 0:35:08 | 0:35:13 | |
'They are spreading the word of the midwives from the hospitals downwards. | 0:35:13 | 0:35:17 | |
'They are the, the unsung heroes, really, of the midwifery world here. | 0:35:17 | 0:35:22 | |
So is that clear? | 0:35:22 | 0:35:23 | |
ALL: Yes. | 0:35:23 | 0:35:24 | |
Is that clear? | 0:35:24 | 0:35:25 | |
ALL: Yes! | 0:35:25 | 0:35:26 | |
Is that clear? | 0:35:26 | 0:35:27 | |
ALL: YES! | 0:35:27 | 0:35:28 | |
I'm coming round to this place, you know? You know, it's such a welcoming nation, everybody is so, so nice. | 0:35:41 | 0:35:49 | |
It really makes you want to be here, to be honest. | 0:35:49 | 0:35:52 | |
Back in the hospital, there's an emergency which highlights the problems with home births. | 0:35:55 | 0:35:59 | |
She delivered. | 0:36:00 | 0:36:02 | |
A woman has been brought in after giving birth to a stillborn baby. | 0:36:02 | 0:36:06 | |
She's losing a dangerous amount of blood. | 0:36:06 | 0:36:09 | |
And there's certainly no tear. There's no membrane there. | 0:36:12 | 0:36:15 | |
She's got a really, really weak pulse. | 0:36:15 | 0:36:17 | |
No, as you can see, she's had quite a substantial bleed and she's not really very conversant. | 0:36:21 | 0:36:26 | |
Yeah, I think she's just completely shut down. | 0:36:34 | 0:36:37 | |
39 year-old Jeanette's stillborn baby was delivered at home by an unqualified neighbour. | 0:36:37 | 0:36:43 | |
Jeanette's fighting for her life and Suzanne is getting more and more worried. | 0:37:01 | 0:37:05 | |
Do you need to get a doctor? | 0:37:05 | 0:37:07 | |
He needs to see she's still bleeding. | 0:37:07 | 0:37:09 | |
The doctor thinks he's stemmed the bleeding, but he's furious | 0:37:33 | 0:37:36 | |
with Jeanette's friend who delivered the baby at home. | 0:37:36 | 0:37:39 | |
-A bit like... -Like this. | 0:38:01 | 0:38:03 | |
But it's... | 0:38:03 | 0:38:04 | |
Do you find that really frustrating? | 0:38:04 | 0:38:06 | |
Suzanne is starting to see the realities of being a midwife in Liberia. | 0:38:27 | 0:38:31 | |
The country has one of the highest maternal mortality rates in the world. | 0:38:32 | 0:38:37 | |
Here, one in 12 women will die in childbirth. | 0:38:37 | 0:38:40 | |
Jeanette has survived, but she's had to have a major blood transfusion. | 0:38:45 | 0:38:50 | |
Now she's recovering in the postnatal ward. | 0:38:50 | 0:38:53 | |
Hiya! How are you doing, Jeanette? | 0:38:53 | 0:38:56 | |
You look a lot better. | 0:38:56 | 0:38:58 | |
You had two more pints of blood? | 0:38:58 | 0:39:00 | |
Wow, that's so expensive. | 0:39:03 | 0:39:05 | |
Not everything at Redemption Hospital is free. | 0:39:05 | 0:39:09 | |
Jeanette's blood transfusion has cost more than most Liberians earn in a month. | 0:39:09 | 0:39:14 | |
With a large family to support, it's money she can't afford to pay. | 0:39:15 | 0:39:19 | |
One thing I've learned coming here, everybody works very, very hard for small, small money. | 0:39:30 | 0:39:37 | |
Out of the blue, Jeanette makes a desperate plea for her children's future. | 0:39:37 | 0:39:42 | |
She gave me her phone number and actually what she wanted | 0:39:51 | 0:39:54 | |
was for me to go to her home and take one of her children off her. | 0:39:54 | 0:39:58 | |
It's heart-breaking to see and, if that's just one person, | 0:39:59 | 0:40:03 | |
you know, just one woman on the ward, and I'm sure everybody is like it. | 0:40:03 | 0:40:08 | |
I just can't imagine the life that these people are living to be that desperate. | 0:40:08 | 0:40:14 | |
And she at one point was then saying that she wished she'd die | 0:40:14 | 0:40:17 | |
because then she wouldn't have a, have to find a way out of the situation she was in then. | 0:40:17 | 0:40:22 | |
As soon as Jeanette's released from hospital, Suzanne heads to her home with some supplies. | 0:40:25 | 0:40:30 | |
-Hello, Jeanette. -Hello. | 0:40:30 | 0:40:33 | |
How are you? I've brought you some rice. Cassava. | 0:40:33 | 0:40:38 | |
-Yeah. -OK? It's quite heavy, you all right to carry it? | 0:40:38 | 0:40:40 | |
Jeanette lives in New Georgia on the southern edge of Monrovia. | 0:40:40 | 0:40:45 | |
Her family of seven live in a small tin shack. | 0:40:45 | 0:40:49 | |
-We live here, yeah. -All of you, in this space? | 0:40:49 | 0:40:52 | |
-Yes. -That must be, that's quite, quite cramped. | 0:40:52 | 0:40:55 | |
There's a lot of you to fit in into a small space, and look at all these toys! | 0:40:55 | 0:41:00 | |
-Gosh, and is that you, Jeanette? -Yeah, that is. -Ah! | 0:41:00 | 0:41:04 | |
That's lovely. | 0:41:04 | 0:41:06 | |
You've got such lovely children, you know, and I know once you're feeling | 0:41:25 | 0:41:29 | |
better, you know, and things won't be such a struggle, and feel as bad. | 0:41:29 | 0:41:34 | |
I know it's difficult, I can see it's very, very difficult for you. | 0:41:44 | 0:41:48 | |
A gift of money will help Jeanette's immediate problems, but it doesn't feel enough. | 0:41:48 | 0:41:53 | |
Bye-bye. | 0:41:53 | 0:41:56 | |
You feel like you want to do more, but you don't quite know how to do more and it's quite awkward, really. | 0:41:56 | 0:42:03 | |
And then you just feel like you've not done enough. | 0:42:03 | 0:42:05 | |
And I don't know how she's feeling now. | 0:42:05 | 0:42:08 | |
I don't know if she's disappointed or angry with me, cos I haven't taken one of her children away or, or what, | 0:42:08 | 0:42:13 | |
really, but I suppose they've gone through what probably is the worst, | 0:42:13 | 0:42:17 | |
and it's just keep on going and hopefully things will get better. | 0:42:17 | 0:42:21 | |
It's the first time Suzanne's seen close-up the hardship of daily life for most Liberians. | 0:42:27 | 0:42:34 | |
The people here, they literally live hand to mouth, just to eat. | 0:42:37 | 0:42:41 | |
You want to help everybody because everybody's deserving of something. | 0:42:41 | 0:42:45 | |
Everybody deserves to have their lives made a bit better, | 0:42:45 | 0:42:50 | |
but you can't. It's so very difficult. | 0:42:50 | 0:42:54 | |
It's becoming clear how badly everyone's life has been affected by the long years of civil war. | 0:42:56 | 0:43:03 | |
It's really sad to see that they've got all the pipes, | 0:43:03 | 0:43:06 | |
they've got all the taps and everything in the shower, | 0:43:06 | 0:43:09 | |
for the running water, there just isn't any running water because of the war. | 0:43:09 | 0:43:13 | |
-Ta-da! -Hey, how are you? | 0:43:14 | 0:43:17 | |
-All right, what do you think? -Oh, it's beautiful. | 0:43:17 | 0:43:21 | |
Just really curious cos I don't really know much about Liberia and the civil war, | 0:43:21 | 0:43:26 | |
because obviously you moved here over 20 years ago and have lived through it. | 0:43:26 | 0:43:31 | |
I suppose that must have been even more scary for you | 0:44:28 | 0:44:31 | |
because of being pregnant and it... | 0:44:31 | 0:44:33 | |
What brought about the end of the war? | 0:44:38 | 0:44:41 | |
I've observed a lot about women in this country | 0:45:03 | 0:45:06 | |
and you seem to have a very predominant role. | 0:45:06 | 0:45:09 | |
I really can't imagine being in that kind of situation | 0:45:19 | 0:45:22 | |
and where you draw your strength from. | 0:45:22 | 0:45:25 | |
She's a very amazing woman, she has got such strength | 0:45:25 | 0:45:28 | |
and such faith. And courage, just to get through it. | 0:45:28 | 0:45:31 | |
It makes you want to aspire to her, she's truly a fantastic woman. | 0:45:31 | 0:45:35 | |
I think when I go home it's going to be quite difficult | 0:46:02 | 0:46:04 | |
to readjust to what I've seen here. | 0:46:04 | 0:46:07 | |
It makes me feel woefully inadequate | 0:46:10 | 0:46:12 | |
and it makes me really feel | 0:46:12 | 0:46:14 | |
that I've really not achieved that much, really | 0:46:14 | 0:46:17 | |
and I've certainly not achieved my full potential as a midwife | 0:46:17 | 0:46:21 | |
or a woman yet, to be perfectly honest. | 0:46:21 | 0:46:23 | |
And then you see the midwives in hospital, | 0:46:32 | 0:46:36 | |
there are a lot of them that you meet have got two or three jobs, | 0:46:36 | 0:46:39 | |
they're still the major breadwinners, they're all absolutely amazing women | 0:46:39 | 0:46:43 | |
and it certainly makes you look at it from a completely different angle. | 0:46:43 | 0:46:47 | |
Thank you. Thank you very much. | 0:46:49 | 0:46:51 | |
Back on the ward, a 21-year-old woman who's four months pregnant | 0:46:54 | 0:46:58 | |
has been brought in with stomach pains. | 0:46:58 | 0:47:00 | |
Hannah has been in the labour ward for three days, | 0:47:00 | 0:47:03 | |
but is reluctant to be examined. | 0:47:03 | 0:47:06 | |
She's frightened and confused. | 0:47:06 | 0:47:08 | |
Dr Cooper has seen cases like this before. | 0:47:14 | 0:47:18 | |
She thinks she knows what may have happened. | 0:47:18 | 0:47:21 | |
The reason for Hannah's reluctance is becoming clear. | 0:47:58 | 0:48:02 | |
Most abortions in Liberia are illegal | 0:48:02 | 0:48:04 | |
and she has taken desperate measures to end her pregnancy. | 0:48:04 | 0:48:08 | |
You don't have to be scared. | 0:48:08 | 0:48:11 | |
The examination shows that Hannah's baby has died | 0:48:13 | 0:48:16 | |
and is now infecting her body. | 0:48:16 | 0:48:18 | |
She's not had any pain relief. | 0:48:22 | 0:48:25 | |
They don't even have the antibiotics they need to treat her. | 0:48:25 | 0:48:29 | |
Try and help you now. Yeah, we'll help you now. | 0:48:40 | 0:48:44 | |
Without antibiotics, all the doctor can do | 0:48:44 | 0:48:46 | |
is try to clean out the infection caused by the traditional treatment. | 0:48:46 | 0:48:50 | |
I find that quite difficult. | 0:48:52 | 0:48:53 | |
If we had somebody who was that poorly, | 0:48:53 | 0:48:55 | |
they'd be in a high-dependency room. | 0:48:55 | 0:48:57 | |
We'd be aim to give them one to one midwifery care. | 0:48:57 | 0:49:01 | |
She'd have all sorts of monitoring | 0:49:01 | 0:49:04 | |
so we could see if she's deteriorating or not. | 0:49:04 | 0:49:06 | |
But the cost of life here, oh, it just seems worthless in some cases. | 0:49:06 | 0:49:11 | |
In the next three days, Hannah's condition steadily deteriorates. | 0:49:18 | 0:49:23 | |
I just keep trying to find out what's happening but I don't really know at the moment. | 0:49:27 | 0:49:31 | |
I've just been given some gloves. She's so hot. | 0:49:31 | 0:49:33 | |
Have we got another cloth and I'll sponge her as well? | 0:49:33 | 0:49:36 | |
She's developed a high fever. | 0:49:36 | 0:49:38 | |
She still has the dead foetus inside her. | 0:49:47 | 0:49:50 | |
Two attempts at inducing it have failed. | 0:49:50 | 0:49:52 | |
But now, at least, they've finally got hold of some antibiotics. | 0:49:54 | 0:49:57 | |
Can we have some fresh water so we can keep sponging her? She's so hot. | 0:50:05 | 0:50:09 | |
No more can be done now except pray for Hannah to live long enough | 0:50:22 | 0:50:26 | |
for the antibiotics to take effect. | 0:50:26 | 0:50:28 | |
I can't quite put into words how I feel. | 0:50:29 | 0:50:31 | |
I know I felt like crying at one point. | 0:50:31 | 0:50:33 | |
I don't know if I come in tomorrow, | 0:50:33 | 0:50:35 | |
I don't know if Hannah's going to be alive or not. | 0:50:35 | 0:50:37 | |
I hope she is, but I don't know what they're going to do to make her | 0:50:37 | 0:50:40 | |
better cos they're giving her pretty much every single antibiotic | 0:50:40 | 0:50:43 | |
that they've got and every other treatment they've got going. | 0:50:43 | 0:50:46 | |
But I also have to say, | 0:50:46 | 0:50:47 | |
if she dies at least she's not suffering any more. | 0:50:47 | 0:50:51 | |
Not long after, Hannah loses her fight for life. | 0:50:56 | 0:51:00 | |
The tragedy has brought home | 0:51:09 | 0:51:11 | |
what a harsh world Lucy and the other midwives work in. | 0:51:11 | 0:51:15 | |
Where the medicines they need to save lives are hard to come by | 0:51:15 | 0:51:19 | |
and the traditional remedies people turn to can do more harm than good. | 0:51:19 | 0:51:24 | |
We don't have all the struggles that you have, | 0:51:45 | 0:51:47 | |
and it's very hard to see... | 0:51:47 | 0:51:50 | |
I've never watched anybody die. | 0:52:05 | 0:52:07 | |
It was like she was almost dying in front of my eyes, | 0:52:07 | 0:52:10 | |
is the best way I can describe it. You just feel so helpless, | 0:52:10 | 0:52:13 | |
don't know what to do, don't know what to say, | 0:52:13 | 0:52:16 | |
but she must have been in an awful lot of pain. | 0:52:16 | 0:52:19 | |
THUNDER RUMBLES | 0:52:19 | 0:52:21 | |
It's Suzanne's final day, | 0:52:26 | 0:52:28 | |
so she's cooking Lucy an English breakfast of scrambled eggs | 0:52:28 | 0:52:31 | |
as a thank you for her stay. | 0:52:31 | 0:52:33 | |
They normally fry them, if they're going to do eggs, | 0:52:33 | 0:52:37 | |
but I did suggest that we do some scrambled egg | 0:52:37 | 0:52:40 | |
because of the amount of oil that I seem to be consuming. | 0:52:40 | 0:52:44 | |
You can be honest, you tell me what you think. | 0:52:49 | 0:52:52 | |
Wonderful. It's wonderful. | 0:52:52 | 0:52:55 | |
-Hello, good morning. -Good morning. | 0:53:05 | 0:53:08 | |
On her final shift in the maternity unit, | 0:53:08 | 0:53:10 | |
Suzanne's decided to show the other midwives | 0:53:10 | 0:53:13 | |
how she conducts a birth at home. | 0:53:13 | 0:53:16 | |
Slow... | 0:53:16 | 0:53:20 | |
She wants to demonstrate how labour doesn't need to be rushed | 0:53:20 | 0:53:23 | |
to deliver the baby safely. | 0:53:23 | 0:53:25 | |
Her name's Corpo, she's 18, it's her first pregnancy, | 0:53:25 | 0:53:30 | |
she came in in labour overnight. | 0:53:30 | 0:53:32 | |
I know, I know. | 0:53:34 | 0:53:35 | |
At this stage, the midwife would normally take Corpo | 0:53:35 | 0:53:38 | |
into the delivery room to encourage a quick birth. | 0:53:38 | 0:53:41 | |
OK. So you, OK. | 0:53:43 | 0:53:45 | |
OK, all right then, well, I would wait and see. | 0:53:46 | 0:53:50 | |
Things are progressing. And I'd leave her alone for now. | 0:53:50 | 0:53:54 | |
And that's my way of doing things. | 0:53:54 | 0:53:56 | |
Yeah, well we would just watch and wait, OK. | 0:54:00 | 0:54:03 | |
It's all right, it's all right. Slow, Corpo, Corpo. | 0:54:03 | 0:54:06 | |
All right, all right. | 0:54:11 | 0:54:13 | |
That's it, it's OK, it's OK... | 0:54:14 | 0:54:16 | |
All right, darling. | 0:54:18 | 0:54:19 | |
CORPO MOANS | 0:54:29 | 0:54:31 | |
It's all right. | 0:54:34 | 0:54:35 | |
She's going slowly, OK. | 0:54:42 | 0:54:44 | |
And it's OK of the leave it a couple of minutes, | 0:54:45 | 0:54:47 | |
she'll feel movement, then she'll get a contraction | 0:54:47 | 0:54:50 | |
and then we deliver the baby. | 0:54:50 | 0:54:52 | |
Oh, happy birthday! Hello, baby! Well done. | 0:54:53 | 0:54:56 | |
And we put our babies next to mums, OK, like that. | 0:55:01 | 0:55:05 | |
So they get to stay nice and warm. | 0:55:06 | 0:55:08 | |
Thank you. | 0:55:10 | 0:55:12 | |
That was nice, nice they actually stood back and let me do, | 0:55:18 | 0:55:21 | |
conduct a delivery how I wanted, | 0:55:21 | 0:55:23 | |
so all's good, really. | 0:55:23 | 0:55:24 | |
Got a nice happy mum and nice safe baby, nice well baby. | 0:55:24 | 0:55:29 | |
Well, I think if you wanted to change the way of working here | 0:55:29 | 0:55:32 | |
to something different, you have to compromise, | 0:55:32 | 0:55:34 | |
that's the only way to do it here, I think, | 0:55:34 | 0:55:36 | |
is just to do little things and explain why you do little things. | 0:55:36 | 0:55:40 | |
You can't just go all guns blazing and do a great big change, | 0:55:40 | 0:55:43 | |
it doesn't work that way because people won't be accepting of it. | 0:55:43 | 0:55:47 | |
In her two week stay at Redemption Hospital, | 0:55:50 | 0:55:52 | |
Suzanne's come to realise how much dedication is needed | 0:55:52 | 0:55:56 | |
just to get through each day. | 0:55:56 | 0:55:58 | |
Every midwife is passionate about what she does. | 0:55:58 | 0:56:01 | |
These midwives here, who have nothing, get paid a pittance | 0:56:01 | 0:56:04 | |
and just do it for the absolute love and the passion of the job. | 0:56:04 | 0:56:10 | |
And it really restores your faith. | 0:56:10 | 0:56:12 | |
I'm never going to forget this experience. | 0:56:12 | 0:56:14 | |
Ta-da! | 0:56:17 | 0:56:18 | |
Oh, thank you for having me in the hospital, | 0:56:41 | 0:56:45 | |
and also thank you for having me in your home, it's been lovely. | 0:56:45 | 0:56:48 | |
-I won't forget you. -Wish you happy back. -Yes. | 0:56:48 | 0:56:51 | |
I've encountered so much and I've seen so much | 0:56:52 | 0:56:54 | |
and taken on board so much of this country | 0:56:54 | 0:56:56 | |
and I hope that the reason for me coming here | 0:56:56 | 0:57:00 | |
is to make me a better person | 0:57:00 | 0:57:02 | |
and to make me fulfil some sort of potential that I've got | 0:57:02 | 0:57:04 | |
in every aspect of my life. | 0:57:04 | 0:57:06 | |
Six weeks later, Suzanne's back at work in Sutton Coldfield. | 0:57:15 | 0:57:19 | |
But her experience in Liberia is still raw. | 0:57:19 | 0:57:22 | |
Real mixed feelings when I got back, real mixed feelings. | 0:57:24 | 0:57:27 | |
All the time you're thinking we're very privileged, | 0:57:27 | 0:57:29 | |
and then on the other hand you're thinking | 0:57:29 | 0:57:32 | |
and there's people that don't have access to this. | 0:57:32 | 0:57:35 | |
So there's a tinge of resentment, you know, | 0:57:35 | 0:57:38 | |
when you've got a woman who is demanding an epidural, say, | 0:57:38 | 0:57:42 | |
there's some women that don't even have access to paracetamol, really. | 0:57:42 | 0:57:46 | |
It made me look, then, at birth in a different light | 0:57:46 | 0:57:48 | |
and think that we're very incredibly privileged in this country. | 0:57:48 | 0:57:52 | |
Looking at birth in Liberia, | 0:57:52 | 0:57:55 | |
it's natural birth in a completely different way. | 0:57:55 | 0:57:57 | |
It's because there is nothing else, there is no technology. | 0:57:57 | 0:58:00 | |
I think it's given me a lot more passion for midwifery again | 0:58:00 | 0:58:04 | |
and to really give women the best experience that they can do, | 0:58:04 | 0:58:10 | |
knowing that it does make such a difference. | 0:58:10 | 0:58:13 | |
Women in Liberia are very strong. | 0:58:18 | 0:58:20 | |
All wanted to achieve, | 0:58:21 | 0:58:23 | |
all wanted to do the best they could do | 0:58:23 | 0:58:25 | |
for themselves and for their families. | 0:58:25 | 0:58:27 | |
They are the backbone, really, to everything, from the President down. | 0:58:27 | 0:58:32 | |
So it's nice, nice in terms of being a woman that, you know, | 0:58:32 | 0:58:35 | |
there is a little country somewhere that hasn't got a lot, | 0:58:35 | 0:58:38 | |
but there's certainly women fighting to get things better. | 0:58:38 | 0:58:42 | |
Subtitles by Red Bee Media Ltd | 0:59:12 | 0:59:15 | |
E-mail [email protected] | 0:59:15 | 0:59:18 |