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Three British workers - | 0:00:01 | 0:00:02 | |
a train driver, | 0:00:02 | 0:00:04 | |
a bin man, | 0:00:04 | 0:00:07 | |
and a fisherman. | 0:00:07 | 0:00:08 | |
They've all accepted the challenge | 0:00:08 | 0:00:11 | |
to do their job in some of the toughest conditions on the planet. | 0:00:11 | 0:00:15 | |
How safe is it to go through the breakers in the boat? | 0:00:16 | 0:00:19 | |
If I said it was tough before, | 0:00:19 | 0:00:21 | |
you could probably times that by 100. | 0:00:21 | 0:00:24 | |
I'm so upset at what goes on here. | 0:00:24 | 0:00:26 | |
I'd like to go and knock them out, to tell the truth. | 0:00:26 | 0:00:28 | |
Simon Davies is leaving his home | 0:00:28 | 0:00:31 | |
and his job as a train driver | 0:00:31 | 0:00:33 | |
to work in Peru | 0:00:33 | 0:00:35 | |
on one of the highest and most dangerous railways on Earth. | 0:00:35 | 0:00:38 | |
He'll have just ten days to learn the ropes, | 0:00:40 | 0:00:43 | |
living and working with the world's toughest train drivers. | 0:00:43 | 0:00:47 | |
What's in it? | 0:00:48 | 0:00:50 | |
I don't suppose they do jam and toast here either, do they? | 0:00:50 | 0:00:53 | |
In the high Andes, he encounters a mining community devastated by pollution... | 0:00:53 | 0:00:57 | |
..before taking his life in his hands driving a 2,000 tonne train | 0:00:59 | 0:01:03 | |
down the steepest railway in the world. | 0:01:03 | 0:01:05 | |
I'm just sort of figuring out which brakes are which. | 0:01:05 | 0:01:09 | |
It's not a case of just passing a test and jumping in a train | 0:01:37 | 0:01:41 | |
and driving off. | 0:01:41 | 0:01:42 | |
Simon Davies drives the Manchester to London Pendolino, | 0:01:42 | 0:01:47 | |
one of Britain's fastest trains. | 0:01:47 | 0:01:49 | |
I've got 450 people, passengers, sat behind me, you know, | 0:01:49 | 0:01:53 | |
and it's my job to get them from A to B safely. | 0:01:53 | 0:01:56 | |
Pendolino is a, you know, very advanced train. | 0:02:00 | 0:02:04 | |
It's a driver's job to carry out a pre-journey preparation, | 0:02:04 | 0:02:09 | |
much like a pilot checks a plane before it takes off. | 0:02:09 | 0:02:13 | |
Driving the Pendolino puts Simon amongst the elite | 0:02:23 | 0:02:26 | |
of British train drivers. | 0:02:26 | 0:02:28 | |
He has to constantly monitor the train's complex computer systems, | 0:02:28 | 0:02:32 | |
and the trackside signals, while travelling at up to 125mph. | 0:02:32 | 0:02:36 | |
If you weren't on the ball for, say, only a few seconds, | 0:02:36 | 0:02:40 | |
something could happen. | 0:02:40 | 0:02:41 | |
You could miss a signal, you know, anything like that, | 0:02:41 | 0:02:45 | |
so you have got to be concentrating 100% all the time. | 0:02:45 | 0:02:48 | |
If there's the slightest hint that safety's going to be compromised, | 0:02:48 | 0:02:53 | |
you know, well, the risk isn't taken. | 0:02:53 | 0:02:55 | |
Simon lives in Derbyshire, just outside Manchester, | 0:03:00 | 0:03:04 | |
with his wife, Joanna, three children and nine chickens. | 0:03:04 | 0:03:09 | |
Well, we've had chickens now for quite a few years. | 0:03:09 | 0:03:12 | |
We hatched a few chicks out, you know, a couple of week ago. | 0:03:12 | 0:03:15 | |
I just think it's nice for the kids to see stuff like that. | 0:03:15 | 0:03:19 | |
In a few days' time, he'll leave all this behind | 0:03:19 | 0:03:21 | |
to travel 6,000 miles to South America. | 0:03:21 | 0:03:24 | |
SPANISH TUITION CD PLAYS | 0:03:26 | 0:03:28 | |
Apply the brake. | 0:03:28 | 0:03:30 | |
That's important, that one. | 0:03:30 | 0:03:32 | |
In preparation, the Peruvian train company has sent over | 0:03:32 | 0:03:35 | |
some key Spanish phrases that Simon needs to learn. | 0:03:35 | 0:03:39 | |
The only one I've been learning at the moment | 0:03:39 | 0:03:41 | |
that I can remember is "para", and that's "stop". | 0:03:41 | 0:03:44 | |
That's the one that I think I'll need, stop. | 0:03:44 | 0:03:49 | |
I think he'll be a bit apprehensive, try not to show it, | 0:03:49 | 0:03:54 | |
and he'll probably just put out of his mind the fact | 0:03:54 | 0:03:57 | |
that he's so far from home and has never been that far from home, | 0:03:57 | 0:04:01 | |
and that we're all here on our own. | 0:04:01 | 0:04:03 | |
What do I know about Peru? | 0:04:03 | 0:04:05 | |
Er...I know the Andes mountains are there. | 0:04:05 | 0:04:08 | |
I know it's South America... | 0:04:08 | 0:04:10 | |
..and there's quite a lot of llamas there and they spit at you. | 0:04:12 | 0:04:16 | |
That's about it! | 0:04:16 | 0:04:18 | |
Peru, a country defined by the longest mountain range in the world. | 0:04:21 | 0:04:26 | |
The Andes. | 0:04:28 | 0:04:30 | |
They hold some of the richest reserves of copper, zinc, | 0:04:30 | 0:04:33 | |
lead and silver on Earth. | 0:04:33 | 0:04:36 | |
Getting these valuable resources from the mountains to the port | 0:04:36 | 0:04:40 | |
depends on an extraordinary train | 0:04:40 | 0:04:42 | |
and extraordinary drivers. | 0:04:42 | 0:04:45 | |
This is the Ferrocarril Central Andino, | 0:04:48 | 0:04:52 | |
"The Railway Of The Central Andes". | 0:04:52 | 0:04:55 | |
At heights of up to three miles above sea level, | 0:04:57 | 0:05:00 | |
these train drivers work on the steepest tracks in the world. | 0:05:00 | 0:05:04 | |
There are few signals, or even safety barriers. | 0:05:04 | 0:05:08 | |
Descending with massive loads, | 0:05:09 | 0:05:11 | |
drivers struggle with overheating brakes | 0:05:11 | 0:05:14 | |
and the constant risk of derailment. | 0:05:14 | 0:05:17 | |
Look like the Lego houses the kids have at home. | 0:05:21 | 0:05:26 | |
Bit nervous, I think, just because of the language barrier. | 0:05:28 | 0:05:31 | |
Yeah, I think it's going to be a bit awkward to start with. | 0:05:31 | 0:05:34 | |
I'll have to use my hands quite a lot, I think. | 0:05:34 | 0:05:36 | |
Yeah - happy, | 0:05:36 | 0:05:38 | |
no - sad. | 0:05:38 | 0:05:40 | |
Gracias! | 0:05:44 | 0:05:46 | |
Simon will be working with Daniel Garcia, a senior train driver. | 0:05:48 | 0:05:51 | |
Nice to meet you. | 0:05:51 | 0:05:53 | |
How long have you lived here? | 0:06:08 | 0:06:11 | |
Ola! | 0:06:21 | 0:06:23 | |
OK! | 0:06:35 | 0:06:36 | |
Ta-da! | 0:06:39 | 0:06:41 | |
Wow! | 0:06:41 | 0:06:42 | |
Ah, right. Can I not roll around in the dirt a bit, | 0:06:50 | 0:06:53 | |
just to make it look like it's used? | 0:06:53 | 0:06:55 | |
Daniel has a short journey to work. | 0:06:58 | 0:07:01 | |
Adios! | 0:07:07 | 0:07:09 | |
It's time for Simon to see the train he'll be expected to drive. | 0:07:12 | 0:07:15 | |
TRAIN HORN BLARES | 0:07:21 | 0:07:25 | |
C39? | 0:07:30 | 0:07:31 | |
Uh-huh. | 0:07:31 | 0:07:33 | |
Right. | 0:07:33 | 0:07:34 | |
-It's massive. -Yeah. | 0:07:35 | 0:07:37 | |
Did sound quite big, but when you look at the track and everything, | 0:07:37 | 0:07:41 | |
I didn't think it'd be this big. | 0:07:41 | 0:07:43 | |
But, yeah, I'm a bit nervous now actually, yeah, | 0:07:43 | 0:07:47 | |
because it sounds meaty as well - sounds like there's loads of power. | 0:07:47 | 0:07:51 | |
Yeah, we'll give it a go. | 0:07:53 | 0:07:55 | |
Initiation Stage One. | 0:07:55 | 0:07:57 | |
HORN BLARES | 0:07:58 | 0:08:02 | |
It's got a bigger horn than my train! | 0:08:04 | 0:08:07 | |
To be honest, like, the view's a bit more restricted, | 0:08:09 | 0:08:13 | |
because the windows are tiny. | 0:08:13 | 0:08:15 | |
And it's a lot slower. | 0:08:17 | 0:08:19 | |
It's a long way from Simon's Pendolino. | 0:08:21 | 0:08:25 | |
You can tell it's quite rickety - | 0:08:28 | 0:08:30 | |
some of the sleepers look like twigs, some of them. | 0:08:30 | 0:08:34 | |
You go past some parts, | 0:08:34 | 0:08:36 | |
there's nothing underneath the track holding it up, | 0:08:36 | 0:08:39 | |
it's just the rail going across! | 0:08:39 | 0:08:42 | |
And we're just going over one of them bits of track, | 0:08:42 | 0:08:45 | |
that looks like it's going to bend as you go over it. | 0:08:45 | 0:08:48 | |
The line begins at the port of Callao in the capital, Lima, | 0:08:48 | 0:08:53 | |
before heading up into the Andes and on to the mining districts, | 0:08:53 | 0:08:57 | |
ending at the city of Cerro de Pasco, 1,400 feet above sea level. | 0:08:57 | 0:09:02 | |
The metals and minerals carried by this train | 0:09:09 | 0:09:12 | |
have brought new wealth to Peru, | 0:09:12 | 0:09:14 | |
and make up 60% of the country's exports. | 0:09:14 | 0:09:17 | |
But this is a divided society with millions living in poverty. | 0:09:17 | 0:09:22 | |
Passing through one of Lima's largest slums, | 0:09:30 | 0:09:33 | |
the train's regularly attacked | 0:09:33 | 0:09:35 | |
by people venting frustration at growing inequality. | 0:09:35 | 0:09:38 | |
Daniel just said that this is where they throw stones and catapults - | 0:09:41 | 0:09:46 | |
throwing stuff at the train. | 0:09:46 | 0:09:48 | |
He actually said we need to keep a look out. | 0:09:48 | 0:09:51 | |
I think he was trying to say keep my face back from the window as well. | 0:09:51 | 0:09:54 | |
There's someone having a shit up on the side of the hillside here! | 0:09:57 | 0:10:01 | |
The train company's headquarters is based on the outskirts of Lima, | 0:10:06 | 0:10:10 | |
at Chosica station. | 0:10:10 | 0:10:11 | |
First stop, the control room. | 0:10:13 | 0:10:16 | |
How do they control the trains then? | 0:10:19 | 0:10:21 | |
Primitive, ain't it? | 0:10:34 | 0:10:36 | |
A control centre, I imagine to be controlling signals and everything, | 0:10:36 | 0:10:39 | |
but it's just basically like a couple of guys sat at a couple of desks, | 0:10:39 | 0:10:44 | |
with a radio controlling all the trains. | 0:10:44 | 0:10:47 | |
It looks more like a store room than a control centre. | 0:10:47 | 0:10:51 | |
Daniel's about to put Simon through his paces. | 0:10:53 | 0:10:56 | |
He's beginning his training as a brequero - a brake man. | 0:10:58 | 0:11:02 | |
OK. | 0:11:02 | 0:11:04 | |
The brequero does the tough physical work of the running of the train - | 0:11:07 | 0:11:11 | |
connecting the brakes and changing the points. | 0:11:11 | 0:11:13 | |
I do everything. | 0:11:15 | 0:11:17 | |
I'm waiting for him to give me a carrier bag - | 0:11:17 | 0:11:19 | |
a bin bag - and send me collecting rubbish or something next. | 0:11:19 | 0:11:23 | |
Brequeros usually work for three years | 0:11:24 | 0:11:27 | |
before they can learn to drive the train. | 0:11:27 | 0:11:30 | |
Simon's got just days. | 0:11:30 | 0:11:31 | |
Compared to my job at home, yeah, it's a lot more physical, | 0:11:32 | 0:11:36 | |
and it makes it doubly worse because of the altitude. | 0:11:36 | 0:11:39 | |
It just saps all your energy straight away. | 0:11:39 | 0:11:42 | |
Yeah, I thought that meant push. | 0:11:42 | 0:11:45 | |
I'm the only one pushing! | 0:11:58 | 0:12:00 | |
I'm out of breath. | 0:12:01 | 0:12:04 | |
Yeah, all my chest feels dead tight - it must be the air, | 0:12:04 | 0:12:07 | |
and the fact that I just pushed that turntable round on my own! | 0:12:07 | 0:12:11 | |
Yeah, I'm sure I did. | 0:12:11 | 0:12:12 | |
-That one? -Si! | 0:12:14 | 0:12:17 | |
Shattered. | 0:12:52 | 0:12:53 | |
I'm just going straight to bed, I think. | 0:12:53 | 0:12:57 | |
Yeah. | 0:12:57 | 0:12:58 | |
Won't even have a shower, I don't think, | 0:12:58 | 0:13:00 | |
I'll just get up tomorrow dressed like this! Yeah. | 0:13:00 | 0:13:03 | |
Hello, everyone! | 0:13:03 | 0:13:05 | |
Daniel's extended family all live close to the tracks. | 0:13:05 | 0:13:09 | |
So this your daughter? | 0:13:09 | 0:13:11 | |
Hello! Hello! | 0:13:11 | 0:13:13 | |
Simon. Leonardo. | 0:13:15 | 0:13:16 | |
Oh, Leonardo, hello! | 0:13:16 | 0:13:18 | |
Is this your son? Hello, nice to meet you. | 0:13:18 | 0:13:22 | |
Daniel, I've got some pictures of me in my train, sat in the cab. | 0:13:26 | 0:13:32 | |
That's the cab of my train. | 0:13:35 | 0:13:38 | |
Wow! | 0:13:38 | 0:13:39 | |
That type of train | 0:13:39 | 0:13:41 | |
actually tilts as it goes round the corners to let it go faster. | 0:13:41 | 0:13:45 | |
Yeah, yeah, it does, yeah. | 0:13:48 | 0:13:50 | |
No. Only tilts, doesn't fly. | 0:13:50 | 0:13:54 | |
Yeah, yeah, that's my uniform. | 0:14:00 | 0:14:02 | |
Ha, ha! Elegant! | 0:14:08 | 0:14:10 | |
That's the first time I've heard that. | 0:14:10 | 0:14:12 | |
You could have said dashing! | 0:14:12 | 0:14:14 | |
'I wouldn't normally admit this | 0:14:25 | 0:14:27 | |
'but a lot of people that know me would just probably think | 0:14:27 | 0:14:31 | |
'I'm quite confident and be able to do anything, | 0:14:31 | 0:14:35 | |
'but at the moment I wouldn't dream of driving the train on my own.' | 0:14:35 | 0:14:40 | |
I'm off to bed because I think we've got to be up again | 0:14:42 | 0:14:45 | |
at about six in the morning. | 0:14:45 | 0:14:47 | |
I'm not sure about the plan tomorrow, | 0:14:49 | 0:14:51 | |
but I think we're going down to the local station | 0:14:51 | 0:14:54 | |
to pick up a train or something. | 0:14:54 | 0:14:56 | |
Next morning over breakfast, | 0:15:04 | 0:15:06 | |
Simon is beginning to wonder if he has the stomach for the job. | 0:15:06 | 0:15:10 | |
What's... | 0:15:12 | 0:15:14 | |
What's in it? | 0:15:14 | 0:15:16 | |
Carne. | 0:15:16 | 0:15:18 | |
Carne. Meat? | 0:15:18 | 0:15:19 | |
Carne. | 0:15:19 | 0:15:21 | |
It's a Latin American speciality called mondongo - | 0:15:21 | 0:15:24 | |
cow's guts. | 0:15:24 | 0:15:26 | |
I was told to eat this because it's going to make me run faster. | 0:15:29 | 0:15:34 | |
I don't see how - if I eat all that and it's sat in my stomach, | 0:15:34 | 0:15:37 | |
it'll all be coming back up when I start running! | 0:15:37 | 0:15:41 | |
Today, Simon and his crew are heading up the mountain. | 0:15:43 | 0:15:48 | |
Is it? Right. | 0:16:06 | 0:16:08 | |
I don't suppose they do jam and toast here either, do they? | 0:16:13 | 0:16:17 | |
The line from Matucana to the summit | 0:16:20 | 0:16:23 | |
includes the steepest stretch of railway track in the world. | 0:16:23 | 0:16:27 | |
This is Simon's first glimpse | 0:16:27 | 0:16:30 | |
of one of the most spectacular train journeys on Earth. | 0:16:30 | 0:16:34 | |
Basically, the track is just right on the edge of the cliff, | 0:16:52 | 0:16:57 | |
about four foot the other side of the track is just nothing. | 0:16:57 | 0:17:00 | |
What would happen if you let the speed increase too much | 0:17:00 | 0:17:04 | |
going round one of these bends? | 0:17:04 | 0:17:06 | |
Ameliano, the brequero, | 0:17:18 | 0:17:20 | |
understands the risk of runaway trains only too well. | 0:17:20 | 0:17:24 | |
What caused that, Ameliano? | 0:17:51 | 0:17:53 | |
The biggest problem's the view down there - the drop. Aah! | 0:18:12 | 0:18:17 | |
This section of the line tests the drivers to their limits. | 0:18:17 | 0:18:21 | |
Simon will be going solo here in just a few days' time. | 0:18:21 | 0:18:24 | |
The way he described it was like when you treat a woman, | 0:18:38 | 0:18:42 | |
I think that's what he was saying. Be soft and gentle, | 0:18:42 | 0:18:45 | |
try and make a woman fall in love with you, | 0:18:45 | 0:18:47 | |
instead of rough and banging it about everywhere. | 0:18:47 | 0:18:50 | |
To enable the train to get up the steep gradients, | 0:18:53 | 0:18:56 | |
the crew negotiate a system of switchbacks, or zigzags. | 0:18:56 | 0:19:00 | |
These allow the train to criss-cross its way up and down the mountain. | 0:19:00 | 0:19:04 | |
The train is so long, the driver can't see the back. | 0:19:07 | 0:19:11 | |
As the brequero, it's Simon's job to tell the driver when to stop. | 0:19:11 | 0:19:15 | |
Uno carro. | 0:19:15 | 0:19:17 | |
Alto. | 0:19:20 | 0:19:22 | |
Then they change the points and switch tracks, | 0:19:22 | 0:19:26 | |
and the train reverses onto the next zigzag. | 0:19:26 | 0:19:28 | |
And then, when we get a bit further up, | 0:19:31 | 0:19:34 | |
we're going to zigzag again to go back again up the mountain. | 0:19:34 | 0:19:37 | |
When reversing, it's vital Simon gives precise instructions, | 0:19:38 | 0:19:42 | |
as all of the zigzags end up in dead ends. | 0:19:42 | 0:19:46 | |
The Central Andean Railway is an amazing feat of civil engineering. | 0:19:52 | 0:19:56 | |
-NEWSREEL: -Cameramen are used to soaring to great heights, | 0:19:56 | 0:19:59 | |
but they usually go by the more modern means, aeroplane. | 0:19:59 | 0:20:02 | |
This time, it's a climb by train | 0:20:02 | 0:20:04 | |
up the Peruvian Andes by the highest railway in the world. | 0:20:04 | 0:20:07 | |
The first track was laid in 1870. | 0:20:07 | 0:20:10 | |
Many at the time believed such a line was simply impossible. | 0:20:10 | 0:20:14 | |
The engineers had to endure freezing temperatures, | 0:20:14 | 0:20:17 | |
and dangerous altitude sickness. | 0:20:17 | 0:20:19 | |
At nearly three miles up, | 0:20:20 | 0:20:22 | |
our cameraman shot, with his camera of course, | 0:20:22 | 0:20:25 | |
a llama herd browsing by a lake perched on the top of the mountain. | 0:20:25 | 0:20:28 | |
Daniel's just given me the altimeter, | 0:20:31 | 0:20:34 | |
and, at the moment, | 0:20:34 | 0:20:36 | |
it's 4,650 metres, so... | 0:20:36 | 0:20:40 | |
..you can tell that, you know, just breathing - | 0:20:42 | 0:20:44 | |
you have to really breathe quite heavy. | 0:20:44 | 0:20:47 | |
You can tell with the altitude. | 0:20:47 | 0:20:48 | |
The line climbs to the same height as Montblanc, | 0:20:48 | 0:20:52 | |
Western Europe's highest peak. At this altitude, the air is so thin | 0:20:52 | 0:20:56 | |
it affects both humans and machines. | 0:20:56 | 0:21:00 | |
It keeps coming up with a warning about the high altitude. | 0:21:07 | 0:21:11 | |
It's not just me that's overheating, it's the engine as well. | 0:21:11 | 0:21:15 | |
Just tried starting it again, but it won't start. | 0:21:15 | 0:21:18 | |
The massive diesel engine has stalled in the thin air. | 0:21:20 | 0:21:24 | |
Daniel, what happens now? | 0:21:27 | 0:21:30 | |
In technical terms, I would describe this predicament as... | 0:21:36 | 0:21:40 | |
HE MOUTHS | 0:21:40 | 0:21:43 | |
The crew have to stay with the train. | 0:21:50 | 0:21:53 | |
It could be hours until help arrives to get them back down. | 0:21:53 | 0:21:56 | |
The next section of the railway, and the next stage of Simon's training | 0:21:59 | 0:22:04 | |
is on the other side of the highest railway tunnel in the world. | 0:22:04 | 0:22:09 | |
From Galera station, the line continues along a plateau | 0:22:28 | 0:22:32 | |
to the mining cities of La Oroya and Cerro de Pasco. | 0:22:32 | 0:22:35 | |
Eloy Galvan is going to teach Simon | 0:22:37 | 0:22:40 | |
to drive the train up here on the plateau. | 0:22:40 | 0:22:42 | |
Let's go. Vamoose! | 0:22:59 | 0:23:01 | |
Simon will meet up with Daniel again on the way back down, | 0:23:01 | 0:23:06 | |
once he's practised driving with Eloy. | 0:23:06 | 0:23:09 | |
This is the Altiplano - | 0:23:11 | 0:23:14 | |
a vast wilderness that spans four countries. | 0:23:14 | 0:23:18 | |
There have been mines up here since the time of the Incas. | 0:23:28 | 0:23:32 | |
La Oroya is known as the metal capital of Peru. At its heart | 0:23:34 | 0:23:39 | |
is a huge industrial lead smelter, | 0:23:39 | 0:23:41 | |
which turns the ore from the mines into the valuable metal. | 0:23:41 | 0:23:45 | |
Eloy was saying that the mining industry's the heart of everything, | 0:23:45 | 0:23:50 | |
the economy, because everything's connected to it. | 0:23:50 | 0:23:53 | |
The railways, the people that make the covers for the railways, | 0:23:56 | 0:24:01 | |
you know, for the wagons, everything. | 0:24:01 | 0:24:03 | |
Everything's connected to mining. | 0:24:03 | 0:24:05 | |
La Oroya is a troubled city. | 0:24:14 | 0:24:17 | |
It's been classified as one of the most polluted places on Earth. | 0:24:17 | 0:24:21 | |
Over decades, the smelter has contaminated the environment | 0:24:21 | 0:24:25 | |
and poisoned the population. | 0:24:25 | 0:24:27 | |
The last few days on the train, | 0:24:28 | 0:24:32 | |
all I've seen is the minerals in the wagons. | 0:24:32 | 0:24:35 | |
I've not seen where it comes from, | 0:24:35 | 0:24:37 | |
the effect that it has on the people that live here. | 0:24:37 | 0:24:41 | |
The state of the houses and the landscape, | 0:24:43 | 0:24:47 | |
and even the colour of the roofs, you can see, you know, | 0:24:47 | 0:24:50 | |
like a silver grim deposit on top of the roofs. | 0:24:50 | 0:24:54 | |
I presume that's the pollution, but... | 0:24:54 | 0:24:58 | |
Yeah, it has opened my eyes big time. | 0:24:58 | 0:25:01 | |
A recent study found that 99% of children in the city | 0:25:03 | 0:25:08 | |
had abnormally high levels of lead in their blood. | 0:25:08 | 0:25:11 | |
The smelting process has released cadmium, | 0:25:11 | 0:25:13 | |
manganese and arsenic into the surrounding area. | 0:25:13 | 0:25:16 | |
Simon is meeting Pablo Fabien, a school caretaker | 0:25:16 | 0:25:21 | |
who has brought up his family in La Oroya. | 0:25:21 | 0:25:24 | |
Several years ago, the Peruvian government recognised the problem. | 0:26:02 | 0:26:05 | |
They insisted that the new American owners of the smelter | 0:26:05 | 0:26:09 | |
clean up the operation. | 0:26:09 | 0:26:11 | |
The company, Doe Run, has spent millions on decontamination, | 0:26:11 | 0:26:16 | |
but they claim the government should play a bigger part in the clean-up. | 0:26:16 | 0:26:19 | |
In the meantime, the smelter is closed and thousands face | 0:26:21 | 0:26:24 | |
losing their livelihoods if it doesn't reopen. | 0:26:24 | 0:26:27 | |
With so many jobs in the balance, | 0:26:29 | 0:26:32 | |
Pablo's vocal campaign against the pollution has made him many enemies. | 0:26:32 | 0:26:37 | |
You OK? | 0:27:44 | 0:27:45 | |
It takes someone really brave, like yourself and your family, | 0:27:45 | 0:27:49 | |
to put up with all the abuse, you know, the attacks, | 0:27:49 | 0:27:52 | |
and also to sort of challenge a big company. | 0:27:52 | 0:27:56 | |
It's like a catch 22, you know, because the miners need their jobs, | 0:28:05 | 0:28:09 | |
people need the jobs. | 0:28:09 | 0:28:11 | |
At the same time, the pollution is killing the place and the people. | 0:28:11 | 0:28:16 | |
I'm not one that sort of shows my emotions a lot, | 0:28:16 | 0:28:19 | |
but it did upset me a lot | 0:28:19 | 0:28:21 | |
to see another guy, you know, crying in front of you | 0:28:21 | 0:28:27 | |
because of the situation he's in. | 0:28:27 | 0:28:30 | |
I found that... | 0:28:30 | 0:28:32 | |
you know, really hard. | 0:28:32 | 0:28:36 | |
The next morning, Simon and Eloy are clocking on for work. | 0:28:45 | 0:28:49 | |
Ah, this is it, where they keep the trains. | 0:28:49 | 0:28:52 | |
The train drivers believe | 0:29:09 | 0:29:11 | |
that the Virgin of Cocharcas will keep them safe. | 0:29:11 | 0:29:15 | |
Shall I do this? | 0:29:15 | 0:29:16 | |
We have a railway vicar, | 0:29:24 | 0:29:28 | |
but we don't really do this before we take a journey, no. | 0:29:28 | 0:29:31 | |
You close the doors? | 0:29:31 | 0:29:32 | |
Makes you think, you know, these guys are obviously aware | 0:29:32 | 0:29:36 | |
how dangerous this job is, and how dangerous the route is. | 0:29:36 | 0:29:41 | |
Today is Simon's first chance to take control of the train. | 0:29:41 | 0:29:44 | |
Time for Eloy to pass on some more Peruvian driving tips. | 0:29:44 | 0:29:49 | |
You like to take the lead with your women! | 0:30:08 | 0:30:11 | |
Oh, we're up to eight. | 0:30:36 | 0:30:38 | |
First time I've been in eight! | 0:30:38 | 0:30:41 | |
Simon Davies from Derbyshire is finally driving | 0:30:45 | 0:30:48 | |
the 3,900 horsepower train across the high Andes. | 0:30:48 | 0:30:53 | |
He's showing me his style of driving now, | 0:30:58 | 0:31:01 | |
which I like because I went to eight! | 0:31:01 | 0:31:03 | |
He doesn't hang about. | 0:31:03 | 0:31:05 | |
Eloy only sees his family for two days each fortnight. | 0:31:17 | 0:31:21 | |
This weekend he is heading home. | 0:31:21 | 0:31:23 | |
This is your home. This is your home. | 0:31:23 | 0:31:27 | |
Eloy and his family used to live in La Oroya, | 0:31:27 | 0:31:30 | |
but they were driven out by the pollution. | 0:31:30 | 0:31:33 | |
It must be, obviously, worth it then, you know, | 0:31:58 | 0:32:01 | |
to only see your family every two weeks, | 0:32:01 | 0:32:04 | |
but the benefits of living here outweigh that because of the health. | 0:32:04 | 0:32:09 | |
Oh, guinea pigs. | 0:32:26 | 0:32:28 | |
I've got chickens at home. | 0:32:28 | 0:32:30 | |
Can I hold one? | 0:32:30 | 0:32:31 | |
Oh right, are they better tasting, the black ones? | 0:32:42 | 0:32:47 | |
There's another local custom that Simon has to sample up in the Andes. | 0:32:50 | 0:32:54 | |
Oh, that little bit. | 0:32:56 | 0:32:57 | |
Do you swallow it? Er, no, no. | 0:33:02 | 0:33:05 | |
Do you swallow it? | 0:33:06 | 0:33:07 | |
No, no! | 0:33:09 | 0:33:10 | |
Too late, I've already swallowed it! | 0:33:10 | 0:33:13 | |
I can see why you live out here, Eloy, | 0:33:16 | 0:33:18 | |
because, you know, it seems pretty laid back, | 0:33:18 | 0:33:21 | |
and we're sat here chewing coca leaves, having a smoke. | 0:33:21 | 0:33:25 | |
Coca leaves are the raw material of cocaine | 0:33:38 | 0:33:41 | |
but up here they're chewed to relieve altitude sickness, | 0:33:41 | 0:33:44 | |
as well as for a little pick-me-up before work. | 0:33:44 | 0:33:48 | |
What's... Is that a weed? | 0:33:48 | 0:33:50 | |
Oh, everything? | 0:33:50 | 0:33:51 | |
Oh, I threw that one then. | 0:33:51 | 0:33:54 | |
You get that. | 0:33:55 | 0:33:56 | |
Every year, Eloy throws a fiesta for his family and neighbours. | 0:34:03 | 0:34:07 | |
For Simon, it's his first chance to relax since he's been in Peru. | 0:34:20 | 0:34:24 | |
You with him? | 0:34:31 | 0:34:32 | |
It's a varied menu but Simon's sampling the liquid refreshment. | 0:34:46 | 0:34:51 | |
Whiskey. | 0:34:51 | 0:34:52 | |
-Oh, good. -Whiskey. | 0:34:52 | 0:34:54 | |
That much? | 0:34:54 | 0:34:55 | |
-You can have it back! -OK. | 0:35:02 | 0:35:04 | |
It's a night of pure Andean hospitality. | 0:35:05 | 0:35:09 | |
I wasn't expecting the reception I got. | 0:35:12 | 0:35:16 | |
Everybody was really welcoming. | 0:35:16 | 0:35:18 | |
In a way, you know, his family reminded me of my family, | 0:35:18 | 0:35:21 | |
you know, welcoming, friendly. | 0:35:21 | 0:35:25 | |
I know at one point, I sat there and wished my family were here now | 0:35:26 | 0:35:31 | |
so they could join in, | 0:35:31 | 0:35:33 | |
and meet Eloy and his family. | 0:35:33 | 0:35:36 | |
I think this has been the best day I've had since I've been here. | 0:35:38 | 0:35:41 | |
I think there's a leak in the roof. That was the only downside, | 0:35:42 | 0:35:46 | |
but apart from that, you know, what a fantastic day. | 0:35:46 | 0:35:51 | |
COCKEREL CROWS | 0:35:52 | 0:35:54 | |
Next morning and it's time to head back to the railway. | 0:35:56 | 0:36:02 | |
So, you won't see them again for another two weeks now? | 0:36:03 | 0:36:06 | |
Two weeks. | 0:36:06 | 0:36:07 | |
Two weeks... Dos weeks? | 0:36:07 | 0:36:10 | |
Then come back here. | 0:36:10 | 0:36:12 | |
Simon's got just five days before he'll be driving down | 0:36:22 | 0:36:26 | |
the steepest train tracks in the world. | 0:36:26 | 0:36:29 | |
In the UK, train drivers take regular breaks. | 0:36:46 | 0:36:49 | |
Fatigue is a major cause of accidents. | 0:36:49 | 0:36:53 | |
In Peru, drivers keep going until they reach their destination. | 0:36:53 | 0:36:57 | |
Five hours, I hope he was joking then! | 0:37:04 | 0:37:07 | |
Finally, they arrive at the mining city of Cerro de Pasco. | 0:37:28 | 0:37:32 | |
After seven hours sat there, | 0:37:34 | 0:37:35 | |
my arse is killing me, | 0:37:35 | 0:37:38 | |
my feet are numb from holding the pedals down. | 0:37:38 | 0:37:41 | |
You just can't... It's not like in the UK where we get breaks, | 0:37:41 | 0:37:46 | |
and not as long journeys - you've just got to sit there and carry on. | 0:37:46 | 0:37:50 | |
Simple dormitories like this are Eloy's home for most of the year. | 0:37:52 | 0:37:57 | |
Do we have a fire or heater or anything? | 0:38:08 | 0:38:11 | |
No? | 0:38:11 | 0:38:12 | |
And it's cold now, ain't it? | 0:38:12 | 0:38:15 | |
Yeah, yeah. | 0:38:15 | 0:38:16 | |
You get up here and realise just how hard things are. | 0:38:27 | 0:38:32 | |
We have to stay over here. | 0:38:32 | 0:38:34 | |
And I tell you now, it's freezing cold. | 0:38:34 | 0:38:36 | |
I'm leaving my hat on. | 0:38:36 | 0:38:38 | |
I've got all my clothes on because it's absolutely freezing | 0:38:38 | 0:38:42 | |
and we've only got these, you know, like llama blanket things. | 0:38:42 | 0:38:46 | |
I'm usually pretty good at staying awake and... | 0:38:46 | 0:38:49 | |
..working - hard work, but this is something else. | 0:38:51 | 0:38:55 | |
This is more than hard work. | 0:38:55 | 0:38:57 | |
Cerro de Pasco, | 0:39:11 | 0:39:12 | |
one of the highest cities in the world. | 0:39:12 | 0:39:16 | |
This is the end of the line. | 0:39:17 | 0:39:20 | |
Here, thousands of tonnes of mining ore are loaded onto the trains | 0:39:20 | 0:39:23 | |
before heading back down the mountains. | 0:39:23 | 0:39:26 | |
Walter is a local driver who works in the depot. | 0:39:27 | 0:39:31 | |
Bloody hell, I didn't realise it was that deep. | 0:39:43 | 0:39:46 | |
The centrepiece of Cerro de Pasco is a big hole, over a mile wide. | 0:39:47 | 0:39:52 | |
This huge open-cast mine is getting bigger every day. | 0:39:52 | 0:39:57 | |
But bigger. | 0:40:21 | 0:40:22 | |
If you look at the wagons compared to the lorries... | 0:40:22 | 0:40:26 | |
tiny. | 0:40:26 | 0:40:27 | |
The city of 70,000 people | 0:40:30 | 0:40:32 | |
is built on top of some of the country's largest deposits of lead, | 0:40:32 | 0:40:35 | |
zinc and silver. | 0:40:35 | 0:40:37 | |
But Cerro de Pasco is slowly eating itself. | 0:40:40 | 0:40:44 | |
A city that relies on the mine is also being destroyed by it, | 0:40:44 | 0:40:49 | |
as the giant hole expands, devouring roads and buildings. | 0:40:49 | 0:40:54 | |
On this wild frontier, nothing stands in the way | 0:40:59 | 0:41:02 | |
of the mining industry. | 0:41:02 | 0:41:03 | |
I'm starting to realise | 0:41:07 | 0:41:09 | |
that the main thing is to get this valuable mineral to the port, | 0:41:09 | 0:41:13 | |
to ship them off | 0:41:13 | 0:41:14 | |
to other countries - rich countries like America and China. | 0:41:14 | 0:41:18 | |
That's all they're bothered about, | 0:41:18 | 0:41:20 | |
and especially so when you see the state of the track. | 0:41:20 | 0:41:24 | |
People living next to the track, you know, the crap everywhere, | 0:41:24 | 0:41:29 | |
the way people are living - they're not bothered about anything, | 0:41:29 | 0:41:34 | |
other than getting this stuff to the ports and on the ships. | 0:41:34 | 0:41:38 | |
Simon has mastered driving the train | 0:41:56 | 0:41:59 | |
on the gentle plateau - now it's time to head back down the track | 0:41:59 | 0:42:03 | |
for another lesson with Daniel. | 0:42:03 | 0:42:06 | |
Hopefully. | 0:42:17 | 0:42:18 | |
But today I might be back as a brequero. | 0:42:18 | 0:42:23 | |
Si! | 0:42:23 | 0:42:24 | |
Si?! Oh, thanks a lot! | 0:42:24 | 0:42:26 | |
You're supposed to say no. | 0:42:26 | 0:42:28 | |
Controlling this massive train as it descends from the mountains | 0:42:38 | 0:42:43 | |
depends on keeping to a precise speed. | 0:42:43 | 0:42:46 | |
Simon has to work a system of four different brakes, | 0:42:47 | 0:42:51 | |
all the time communicating with his crew, | 0:42:51 | 0:42:53 | |
who are his eyes and ears at the back of the train. | 0:42:53 | 0:42:56 | |
As well as the technical demands, | 0:43:00 | 0:43:02 | |
train driving Peruvian-style is an art. | 0:43:02 | 0:43:06 | |
Yeah, well, I was a bit rough at the start. | 0:43:13 | 0:43:16 | |
I can see how easy it is to, like, you know, | 0:43:19 | 0:43:23 | |
because of the weight and the gradients, to let it run away. | 0:43:23 | 0:43:27 | |
You know, as soon as you take the brakes off, it moves...quick. | 0:43:28 | 0:43:33 | |
TRAIN HORN BLARES | 0:43:42 | 0:43:44 | |
I'm just sort of figuring out which brakes are which, and then... | 0:43:48 | 0:43:52 | |
URGENT VOICE ON RADIO | 0:43:52 | 0:43:55 | |
Hang on a minute. | 0:43:55 | 0:43:56 | |
If going too fast is dangerous, | 0:44:01 | 0:44:05 | |
so is going too slowly. | 0:44:05 | 0:44:07 | |
The plumes of smoke mean the brakes are overheating. | 0:44:07 | 0:44:10 | |
I can smell them now. | 0:44:36 | 0:44:38 | |
I feel a bit confident, most of the time, | 0:44:41 | 0:44:46 | |
but as soon as we start to go downhill, on the bends, | 0:44:46 | 0:44:50 | |
that's when I start shitting myself. | 0:44:50 | 0:44:53 | |
The job that you do, | 0:44:56 | 0:44:58 | |
some of the dangers and the risks that you take, | 0:44:58 | 0:45:02 | |
do you still enjoy the job? | 0:45:02 | 0:45:04 | |
Obviously you must think it's worth it, | 0:45:04 | 0:45:06 | |
because it provides for your family, but do you think about that? | 0:45:06 | 0:45:10 | |
After today, I've realised that I've been dropped in at the deep end, | 0:45:49 | 0:45:54 | |
big time. | 0:45:54 | 0:45:55 | |
As you're driving along, you know, | 0:45:57 | 0:45:59 | |
and you look over the side of the track and it's just sheer drops, | 0:45:59 | 0:46:03 | |
and you realise that you really need to be on the ball | 0:46:03 | 0:46:06 | |
and keep control of the train. | 0:46:06 | 0:46:08 | |
That's my main objective, just to keep control of the train. | 0:46:10 | 0:46:14 | |
It's Simon's last chance to practise driving the train, | 0:46:27 | 0:46:30 | |
but the odds against him are stacking up. | 0:46:30 | 0:46:33 | |
In difficult conditions, Simon makes another mistake. | 0:46:44 | 0:46:48 | |
In giving the train full throttle in the thin mountain air, | 0:46:48 | 0:46:52 | |
the engine has stalled. | 0:46:52 | 0:46:53 | |
Being stuck there in them sort of conditions, with no heat, | 0:47:02 | 0:47:06 | |
no power, nothing, | 0:47:06 | 0:47:08 | |
I could see panic. | 0:47:08 | 0:47:10 | |
I think they were trying to hide it a bit, | 0:47:10 | 0:47:13 | |
but I could see a bit of panic on their faces. | 0:47:13 | 0:47:16 | |
OK. Stop. | 0:47:24 | 0:47:26 | |
And luckily, it started up again. | 0:47:27 | 0:47:30 | |
But starting the engine hasn't solved the problem. | 0:47:35 | 0:47:39 | |
The wheels are just spinning. | 0:47:39 | 0:47:41 | |
With the weather closing in, | 0:47:42 | 0:47:44 | |
Daniel decides drastic measures are called for. | 0:47:44 | 0:47:48 | |
After leaving several of the wagons behind on the track, | 0:48:04 | 0:48:07 | |
the train can just about move. | 0:48:07 | 0:48:10 | |
That must be the guys at the top asking where we are. | 0:48:14 | 0:48:17 | |
It's not the day Simon had hoped for. | 0:48:32 | 0:48:34 | |
Tomorrow is crunch time. | 0:48:51 | 0:48:53 | |
Simon has to drive down the mountain by himself. | 0:48:53 | 0:48:57 | |
The best thing that came out of today for me, | 0:49:07 | 0:49:12 | |
even after my major balls-up of stalling the engine | 0:49:12 | 0:49:16 | |
and, you know, the potential there that I could have left us all stuck | 0:49:16 | 0:49:21 | |
up the side of the mountain in that weather... | 0:49:21 | 0:49:23 | |
was the fact that, you know, Daniel... | 0:49:23 | 0:49:26 | |
..came up to me... | 0:49:28 | 0:49:30 | |
..at the end of the day and said, "Don't worry about it". | 0:49:32 | 0:49:36 | |
He's still, you know... | 0:49:36 | 0:49:39 | |
He's still confident, | 0:49:39 | 0:49:41 | |
and so are the rest of the lads, | 0:49:41 | 0:49:44 | |
with me driving the train on my own. | 0:49:44 | 0:49:46 | |
He told me that but, at the moment, I don't feel that confident | 0:49:48 | 0:49:52 | |
and I don't share their optimism. | 0:49:52 | 0:49:55 | |
Dawn at the second highest station in the world. | 0:49:59 | 0:50:03 | |
Today, Simon Davies, | 0:50:03 | 0:50:06 | |
who usually drives a passenger train out of Manchester, | 0:50:06 | 0:50:09 | |
will attempt to guide a 2,000 tonne mining train | 0:50:09 | 0:50:12 | |
down the steepest track in the world. | 0:50:12 | 0:50:14 | |
I'm nervous. | 0:50:16 | 0:50:17 | |
I'm not going to go out there and let, you know, | 0:50:19 | 0:50:22 | |
Daniel know I'm worried, | 0:50:22 | 0:50:25 | |
but I'm going to walk out there and, you know, | 0:50:25 | 0:50:29 | |
let him know that I'm confident. | 0:50:29 | 0:50:32 | |
Which is the dangerous bit again? | 0:50:34 | 0:50:35 | |
That bit? | 0:50:35 | 0:50:37 | |
Ooo, si! | 0:50:37 | 0:50:38 | |
Si. Now I'm ready. | 0:50:42 | 0:50:44 | |
All right. | 0:50:47 | 0:50:50 | |
Simon has to stop the train running out of control | 0:50:50 | 0:50:53 | |
and manoeuvre his way through the complex system of zigzags, | 0:50:53 | 0:50:57 | |
all the time working hand in hand with his Peruvian crew. | 0:50:57 | 0:51:00 | |
It's 15 hours and downhill all the way. | 0:51:00 | 0:51:05 | |
If I said it was tough before, you could probably times that by 100. | 0:51:29 | 0:51:33 | |
I feel under pressure to do it right, mainly for all these guys, | 0:51:33 | 0:51:37 | |
and for Daniel, | 0:51:37 | 0:51:39 | |
and, obviously, I've got a wagon full of minerals in the back. | 0:51:39 | 0:51:44 | |
I'm just coming up to a crossing there. It went quite a lot steeper. | 0:51:45 | 0:51:49 | |
TRAIN HORN BLARES | 0:51:49 | 0:51:52 | |
Here, it's a bit of a game of chicken. | 0:51:55 | 0:51:59 | |
As lorries ignore the oncoming train, | 0:52:01 | 0:52:04 | |
it's Simon's call whether to stop, | 0:52:04 | 0:52:06 | |
or simply hope they get out of his way. | 0:52:06 | 0:52:09 | |
If you take your eyes off the gradient or the speedo, | 0:52:27 | 0:52:31 | |
or stop concentrating on how much brake... | 0:52:31 | 0:52:34 | |
..you know, it runs away with you straightaway. | 0:52:37 | 0:52:40 | |
Simon has to be constantly wary about the state of the brakes. | 0:52:46 | 0:52:50 | |
The wheels are starting to overheat. | 0:53:03 | 0:53:06 | |
It could get that hot, you know, set fire to something, | 0:53:22 | 0:53:25 | |
or it could derail. | 0:53:25 | 0:53:26 | |
Just got to my first zigzag, | 0:53:50 | 0:53:52 | |
so we've just gone past the changeover where you change track. | 0:53:52 | 0:53:57 | |
HORN BLARES | 0:54:00 | 0:54:04 | |
Simon's successfully negotiated his first zigzag | 0:54:12 | 0:54:16 | |
when a call comes through from the control centre in Chosica. | 0:54:16 | 0:54:20 | |
There's another train waiting to come up where we've just come from, | 0:54:26 | 0:54:30 | |
and we've got to go back into the tunnel. | 0:54:30 | 0:54:33 | |
Getting out of the way is a very difficult manoeuvre. | 0:54:35 | 0:54:39 | |
He has to reverse into a dead end tunnel | 0:54:39 | 0:54:41 | |
with only Ameliano, his brequero, to guide him. | 0:54:41 | 0:54:44 | |
Now they've changed the points at that end for him, he can go up now. | 0:55:17 | 0:55:22 | |
Simon is through the zigzags, and he's on the home straight. | 0:55:24 | 0:55:28 | |
In the past two weeks, | 0:55:32 | 0:55:33 | |
he's experienced the tough, physical job of the brequero. | 0:55:33 | 0:55:37 | |
He's learned how to drive a mining train weighing over 2,000 tonnes, | 0:55:38 | 0:55:43 | |
and now he's successfully brought the train down some of the steepest | 0:55:43 | 0:55:47 | |
and most difficult track in the world. | 0:55:47 | 0:55:51 | |
Quite chuffed that I've nearly done it now, you know. | 0:55:55 | 0:55:59 | |
At Chosica, Daniel's family and workers | 0:56:00 | 0:56:03 | |
from the station have gathered to welcome them back. | 0:56:03 | 0:56:06 | |
To be honest, I never thought I'd do it on my own, | 0:56:06 | 0:56:09 | |
because the first go I had, sort of had a few mishaps, | 0:56:09 | 0:56:13 | |
and got a bit too big for my boots, I think. | 0:56:13 | 0:56:16 | |
I've never done a journey that long and that difficult for 15 hours - | 0:56:47 | 0:56:51 | |
really chuffed that I've done it, and not made any mistakes. | 0:56:51 | 0:56:55 | |
Every day, every hour that they're working | 0:57:06 | 0:57:10 | |
there's potentially, you know, | 0:57:10 | 0:57:11 | |
a major danger there, and that camaraderie's there, | 0:57:11 | 0:57:15 | |
that teamwork's there - | 0:57:15 | 0:57:18 | |
you know, they look after each other, | 0:57:18 | 0:57:20 | |
so, yeah, I'd describe them as warrior-type drivers. | 0:57:20 | 0:57:24 | |
Really take my hat off to them. | 0:57:26 | 0:57:28 | |
To be honest, when I came back, | 0:57:36 | 0:57:37 | |
even how tough it was and hard it was, | 0:57:37 | 0:57:41 | |
you know, I actually missed the place and I missed the people. | 0:57:41 | 0:57:44 | |
And I actually started joking. | 0:57:44 | 0:57:46 | |
I said to my wife, you know, that I didn't want to come home. | 0:57:46 | 0:57:51 | |
Back at home, Simon's trying to see if he can help the drivers in Peru | 0:57:54 | 0:57:58 | |
and improve the conditions that Daniel, Eloy and the crews work in. | 0:57:58 | 0:58:02 | |
You know, even if it's just something small, | 0:58:04 | 0:58:07 | |
if I can do that through a bit of awareness over here, | 0:58:07 | 0:58:10 | |
through my union, and the company I work for, | 0:58:10 | 0:58:15 | |
hopefully, that'd be, you know, at least it's a step. | 0:58:15 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:23 | 0:58:27 |