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Josh West is the London bus driver who swapped his double decker | 0:00:02 | 0:00:05 | |
for a jeepney on the mean streets of Manila. | 0:00:05 | 0:00:07 | |
Everywhere they see a gap, they just go through. | 0:00:07 | 0:00:10 | |
In the chaos and confusion of one of the world's most congested cities... | 0:00:11 | 0:00:15 | |
Everywhere! It's like Paris. | 0:00:15 | 0:00:17 | |
..he formed an extraordinary bond with his host. | 0:00:17 | 0:00:20 | |
Now he is going back... | 0:00:22 | 0:00:24 | |
Brother! | 0:00:24 | 0:00:25 | |
..to see how his friend's life has been transformed. | 0:00:28 | 0:00:31 | |
I'm back with my family now. | 0:00:31 | 0:00:33 | |
And to once again take on Manila's killer traffic. | 0:00:33 | 0:00:36 | |
You can beep all you want, mate. | 0:00:36 | 0:00:38 | |
Josh West is a manager for a London bus company. | 0:01:01 | 0:01:06 | |
Another vehicle lock on, please. | 0:01:06 | 0:01:08 | |
But for ten days in 2010 he swapped his life in West London to live | 0:01:08 | 0:01:12 | |
and work with a Manila bus driver called Rogelio Castro. | 0:01:12 | 0:01:18 | |
'I was a different person when I came back. | 0:01:18 | 0:01:20 | |
'My eyes are now open to a lot of things around the world.' | 0:01:20 | 0:01:24 | |
'He's definitely changed by the whole thing, | 0:01:24 | 0:01:27 | |
'it think it was just to see how people live.' | 0:01:27 | 0:01:29 | |
Josh was quite shocked that his morning breakfast cost | 0:01:29 | 0:01:32 | |
what Rogelio earns in a day. | 0:01:32 | 0:01:34 | |
'He told me about him working as hard as he could to | 0:01:35 | 0:01:39 | |
'provide for his family and if he could, he would work 24 hours a day.' | 0:01:39 | 0:01:45 | |
It was a life-changing experience for me. | 0:01:45 | 0:01:47 | |
Soon, Josh will return to the Philippines for the next | 0:01:48 | 0:01:51 | |
chapter of a journey which began more than two years ago. | 0:01:51 | 0:01:54 | |
Back then, Josh used to drive the 148 through the heart of central London. | 0:01:59 | 0:02:03 | |
I like the route a lot. The reason I like the route, it's nice big | 0:02:07 | 0:02:10 | |
wide roads and you're going through the major areas of London. | 0:02:10 | 0:02:14 | |
It's enjoyable because you've got a sense of power, | 0:02:14 | 0:02:16 | |
a sense of responsibility, you're servicing the capital, if you like. | 0:02:16 | 0:02:20 | |
You do your little bit to make the capital run smoothly, | 0:02:20 | 0:02:23 | |
which means I'm playing my part and I like the idea of that. | 0:02:23 | 0:02:26 | |
The downside when you drive a bus is you tend to sit down a lot. | 0:02:27 | 0:02:31 | |
Great, boys! Let's go. Twisting those hips, keeping the body square with me. | 0:02:31 | 0:02:35 | |
'I did athletics, I did football, | 0:02:35 | 0:02:37 | |
'I played American football for years, I did basketball.' | 0:02:37 | 0:02:41 | |
Getting those knees up as high as you can! | 0:02:41 | 0:02:42 | |
'To me, keeping fit and training is a very important part of my life.' | 0:02:42 | 0:02:46 | |
'I like competing with people,' | 0:02:46 | 0:02:47 | |
I like competing against myself, | 0:02:47 | 0:02:49 | |
I like setting myself a challenge which I'm able to obtain | 0:02:49 | 0:02:52 | |
and then set myself another challenge. | 0:02:52 | 0:02:54 | |
Three...two...one...go! | 0:02:54 | 0:02:57 | |
Josh is about to face his greatest challenge | 0:02:57 | 0:03:00 | |
when he swaps London for Manila. | 0:03:00 | 0:03:04 | |
'I've got luxury driving a bus over here. | 0:03:04 | 0:03:06 | |
'I've got power-assisted steering, | 0:03:06 | 0:03:09 | |
'I've got a team of mechanics behind me looking after the bus just in case something went wrong.' | 0:03:09 | 0:03:13 | |
This is my bus. | 0:03:13 | 0:03:15 | |
So you press the button on the bus and it makes some beeps and whirrs and it tells me that it's ready. | 0:03:15 | 0:03:21 | |
Josh's bus is a hi tech state-of-the-art machine | 0:03:21 | 0:03:24 | |
costing more than £315,000. | 0:03:24 | 0:03:27 | |
And then I press the start button. First thing I should do is adjust the seat | 0:03:27 | 0:03:32 | |
so it's the right height for me, | 0:03:32 | 0:03:34 | |
and adjust the steering column so I'm comfortable where it is now. | 0:03:34 | 0:03:38 | |
Plug in my module, | 0:03:38 | 0:03:39 | |
and then it starts downloading all the information on there for me. | 0:03:39 | 0:03:42 | |
Check the ramp, press the button. | 0:03:42 | 0:03:44 | |
Every bus has a ramp in London, | 0:03:46 | 0:03:50 | |
so we can get disabled customers on as well. | 0:03:50 | 0:03:52 | |
I can check that...got the CCTV working now. | 0:03:52 | 0:03:55 | |
People don't seem to realise how hi tech the buses are now. | 0:03:55 | 0:03:58 | |
Check the monitor's working. | 0:03:58 | 0:04:00 | |
They're not just four wheels and a steering wheel, there's a lot | 0:04:00 | 0:04:03 | |
more than that, in fact there's six wheels instead of four. | 0:04:03 | 0:04:07 | |
For the next ten days, Josh West from London will live | 0:04:07 | 0:04:10 | |
the life of a Filipino bus driver. | 0:04:10 | 0:04:12 | |
I don't know how I'm going to react to it, but I know it's not going to be what I'm used to. | 0:04:12 | 0:04:16 | |
I'll definitely be out of my comfort zone, that's for sure. | 0:04:16 | 0:04:19 | |
To give him a proper send-off, his family | 0:04:19 | 0:04:21 | |
and his fiancee Lynn have arranged a surprise party. | 0:04:21 | 0:04:25 | |
'I love my family to bits. | 0:04:25 | 0:04:26 | |
'My family is a very large family. | 0:04:26 | 0:04:28 | |
'I work out to be number eight of ten.' | 0:04:28 | 0:04:30 | |
Josh is kind of looking for something bigger, I think, | 0:04:33 | 0:04:36 | |
in his life. | 0:04:36 | 0:04:37 | |
This is an opportunity to open things up for him. | 0:04:37 | 0:04:40 | |
Thanks, everyone. Thank you. | 0:04:40 | 0:04:42 | |
I know virtually nothing. | 0:04:43 | 0:04:44 | |
I can tell you what I do know. | 0:04:44 | 0:04:46 | |
I know that Imelda Marcos was president, or something like that, | 0:04:46 | 0:04:49 | |
and she had 200 pairs of shoes. I knew that. | 0:04:49 | 0:04:52 | |
After that, not very much. | 0:04:52 | 0:04:55 | |
The Philippines - 6,500 miles from London, | 0:04:56 | 0:05:00 | |
its capital is Manila. | 0:05:00 | 0:05:02 | |
It's the most densely populated city in the world. | 0:05:06 | 0:05:10 | |
Millions of cars, trucks, and motorbikes | 0:05:10 | 0:05:13 | |
jostle for space with seemingly little regard for any rules. | 0:05:13 | 0:05:19 | |
In the past 20 years, the population of Manila has | 0:05:19 | 0:05:22 | |
doubled as millions flock here from the countryside looking for work. | 0:05:22 | 0:05:27 | |
It is now officially one of the world's megacities. | 0:05:27 | 0:05:31 | |
20 million people call greater Manila home... | 0:05:31 | 0:05:34 | |
..and it's growing. | 0:05:38 | 0:05:40 | |
Josh has arrived in San Andres Bukid - a poor area in the heart of Manila. | 0:05:42 | 0:05:47 | |
He's meeting his host, Filipino bus driver Rogelio Castro, and his family. | 0:05:50 | 0:05:55 | |
Hello, hello. How are you? | 0:05:58 | 0:06:00 | |
-I'm Edith. -Sorry? | 0:06:00 | 0:06:01 | |
Edith. | 0:06:01 | 0:06:02 | |
Edith? Edith. Yes, yes. How are you? | 0:06:02 | 0:06:04 | |
OK, OK. | 0:06:04 | 0:06:06 | |
-I'm Rogelio. -Hi, Rogelio, I'm Josh. How you doing? | 0:06:06 | 0:06:08 | |
Welcome to our house. It's small. | 0:06:08 | 0:06:11 | |
Small house. | 0:06:11 | 0:06:12 | |
The ceiling's very tall, so that's good. I don't have to duck. It's OK. | 0:06:14 | 0:06:16 | |
We go upstairs. | 0:06:16 | 0:06:19 | |
Rogelio's house measures just 10 feet by 10 feet | 0:06:19 | 0:06:23 | |
and is entirely self-built. | 0:06:23 | 0:06:25 | |
This is our bedroom. | 0:06:25 | 0:06:26 | |
OK, so you roll the beds out at night? | 0:06:26 | 0:06:29 | |
Yes. | 0:06:29 | 0:06:30 | |
Where would I be sleeping? Here? OK, this is cool. | 0:06:30 | 0:06:34 | |
This is our rooftop wash area. | 0:06:34 | 0:06:36 | |
Oh, your washing area. | 0:06:38 | 0:06:40 | |
This is...air drying the clothes. | 0:06:40 | 0:06:42 | |
Then if...sometimes we drink here. | 0:06:44 | 0:06:46 | |
Yeah. | 0:06:46 | 0:06:48 | |
Oh, OK, right. So all that's the financial area all here, yeah? | 0:06:50 | 0:06:54 | |
-We built this house little by little. -Right, right. | 0:06:54 | 0:06:58 | |
It's small but you can build it as high as you want? | 0:06:58 | 0:07:02 | |
An estimated 50% of Manilans live in poor quality housing. | 0:07:02 | 0:07:07 | |
He's very proud of building his house himself | 0:07:07 | 0:07:09 | |
and I would be as well, cos I wouldn't know how to do it. | 0:07:09 | 0:07:12 | |
But in my head I'm thinking like the health and safety features of it. How safe is this house? | 0:07:12 | 0:07:16 | |
I mean, who comes and checks to see that your structure is OK? | 0:07:16 | 0:07:19 | |
Rogelio's going to take me where he works, where he picks up his bus | 0:07:22 | 0:07:26 | |
and I'm quite interested to see what that looks like. | 0:07:26 | 0:07:28 | |
It'll be very similar to what I have to do | 0:07:28 | 0:07:30 | |
when I get to work in the mornings and see my bus. | 0:07:30 | 0:07:34 | |
So this is your neighbourhood? | 0:07:34 | 0:07:36 | |
Yes, this is our neighbourhood. | 0:07:36 | 0:07:37 | |
How you doing? All right? | 0:07:37 | 0:07:39 | |
-Where are you from? -London, England. | 0:07:39 | 0:07:43 | |
If Josh is expecting anything like his double decker, | 0:07:43 | 0:07:47 | |
he's in for another surprise. | 0:07:47 | 0:07:49 | |
This is my bus, a little bus. | 0:07:49 | 0:07:53 | |
The little one - this one? | 0:07:53 | 0:07:55 | |
It's like a big jeep, | 0:07:57 | 0:07:59 | |
I thought it was going to be one like a coach, sort of thing. | 0:07:59 | 0:08:03 | |
I didn't think it was going to be like this. | 0:08:03 | 0:08:05 | |
-What do you say? -I think, where's the rest of it? | 0:08:05 | 0:08:08 | |
This is the jeepney - the workhorse of Manila's public transport system. | 0:08:11 | 0:08:16 | |
Originally converted from American military jeeps, | 0:08:17 | 0:08:20 | |
they are now custom built | 0:08:20 | 0:08:22 | |
and carry millions of passengers through these streets every day. | 0:08:22 | 0:08:28 | |
In just over a week, Josh will have to drive this vehicle, | 0:08:28 | 0:08:33 | |
on this own, through the city. | 0:08:33 | 0:08:36 | |
It's like being in the bumper cars at the fairground, isn't it, really? | 0:08:36 | 0:08:39 | |
I mean, your vision is just like... | 0:08:39 | 0:08:41 | |
..it's like looking through a letter box. | 0:08:43 | 0:08:45 | |
You feel nervous? | 0:08:45 | 0:08:46 | |
Is this all you have? This? | 0:08:46 | 0:08:48 | |
The stop light, you look, see the stop light. | 0:08:48 | 0:08:51 | |
-Yeah. -You must be... -You must do this, yeah. | 0:08:51 | 0:08:54 | |
-It's too small. -Isn't that supposed to be...that's a piece of string you've got there. | 0:08:57 | 0:09:02 | |
String, yeah, yeah. Improvise. | 0:09:02 | 0:09:05 | |
Right, you improvise, right. | 0:09:05 | 0:09:06 | |
OK. | 0:09:08 | 0:09:10 | |
It's beginning to dawn on Josh that driving the jeepney might not | 0:09:10 | 0:09:13 | |
be as straightforward as he thought. | 0:09:13 | 0:09:15 | |
You have clutch, brake, and accelerator, but no handbrake? | 0:09:16 | 0:09:21 | |
No handbrake. Just shut off your engine then you take the low gear. | 0:09:21 | 0:09:27 | |
So that we can we can...er...move. | 0:09:27 | 0:09:30 | |
He's driving literally sort of like...that distance from the car in front. | 0:09:33 | 0:09:38 | |
Because if he gives it anything more, what you'll find is a car | 0:09:38 | 0:09:42 | |
cuts in front, gets his nose in front, cuts in front, and then slows him down. | 0:09:42 | 0:09:47 | |
And his half an hour journey becomes 45 minutes. | 0:09:47 | 0:09:51 | |
Notice you've got no bus stops, | 0:09:51 | 0:09:53 | |
so where would your first stop be along here? They wave you down? | 0:09:53 | 0:09:56 | |
Yeah, they wave me. | 0:09:56 | 0:09:57 | |
Do you pull over? | 0:09:57 | 0:09:59 | |
Yes. | 0:09:59 | 0:10:01 | |
He's constantly having to cope with other people | 0:10:01 | 0:10:04 | |
cutting in on him, bikes coming down the inside, horns beeping all the time, | 0:10:04 | 0:10:07 | |
and then getting the person there safely as well. | 0:10:07 | 0:10:11 | |
In a vehicle which is...which I consider to look unroadworthy. | 0:10:11 | 0:10:17 | |
It just sounds ridiculous that you have to go through that, it just sounds... | 0:10:17 | 0:10:21 | |
..ridiculous. | 0:10:23 | 0:10:24 | |
It's the end of Josh's first day and it's a chance for him | 0:10:29 | 0:10:33 | |
to meet the whole family. | 0:10:33 | 0:10:35 | |
In total, seven people live in Rogelio's house. | 0:10:35 | 0:10:39 | |
His daughter Rose Gay lives with her son, Russell. | 0:10:39 | 0:10:42 | |
And Rogelio's grown up son, Michael, lives here with his wife | 0:10:42 | 0:10:45 | |
and their daughter, Janelle. | 0:10:45 | 0:10:48 | |
All seven of them share three tiny bedrooms. | 0:10:48 | 0:10:52 | |
This is delicious. I love this. | 0:10:52 | 0:10:54 | |
Neither of Rogelio's children have been able to find permanent work. | 0:10:54 | 0:10:58 | |
This is my bus. | 0:10:58 | 0:11:00 | |
So nice. | 0:11:00 | 0:11:02 | |
You can see how tall it is. | 0:11:02 | 0:11:04 | |
Back there to the front to the back is about 10 metres. | 0:11:04 | 0:11:06 | |
We have over 150 buses in there. | 0:11:06 | 0:11:10 | |
It's...too big...garage? | 0:11:10 | 0:11:12 | |
Yes, very big, it's the size of a football field. | 0:11:12 | 0:11:16 | |
That big, yeah? | 0:11:16 | 0:11:17 | |
This is me in the cab. | 0:11:17 | 0:11:18 | |
THEY LAUGH | 0:11:19 | 0:11:23 | |
It's so fantastic. | 0:11:23 | 0:11:25 | |
I want to go to your country so that I can drive this bus. | 0:11:25 | 0:11:28 | |
Drive that bus! | 0:11:28 | 0:11:29 | |
THEY LAUGH | 0:11:29 | 0:11:31 | |
That would be nice, wouldn't it? | 0:11:31 | 0:11:33 | |
It's 6am and Rogelio is beginning his working day. | 0:11:44 | 0:11:48 | |
He does it every other day if it's not raining. | 0:11:54 | 0:11:56 | |
If it's raining he does it every day. | 0:11:56 | 0:11:59 | |
He's his own mechanic as well. | 0:11:59 | 0:12:01 | |
He's doing far more than you'd ever do in London, that's for sure. | 0:12:01 | 0:12:05 | |
Many jeepney drivers rent their vehicles. | 0:12:05 | 0:12:08 | |
Rogelio owns his - through a loan-to-buy scheme. | 0:12:08 | 0:12:12 | |
A third of his daily income goes towards repaying the debt. | 0:12:12 | 0:12:19 | |
This is the first opportunity for Josh to see what's | 0:12:19 | 0:12:22 | |
expected of him when it's his turn to drive the jeepney. | 0:12:22 | 0:12:26 | |
Rogelio doesn't have time to stop to take fares. | 0:12:31 | 0:12:34 | |
The more passengers he carries, the more money he can make. | 0:12:34 | 0:12:38 | |
Each passenger pays around eight pesos, about 5.5 pence for the four-mile journey. | 0:12:47 | 0:12:53 | |
While he's doing all this driving, | 0:12:53 | 0:12:56 | |
he's also wrapped the money around his left hand | 0:12:56 | 0:12:59 | |
so he's got easy access if someone comes with bigger notes | 0:12:59 | 0:13:02 | |
and it's easier for him to change it. | 0:13:02 | 0:13:04 | |
Rogelio's route takes him through the centre of Manila. | 0:13:04 | 0:13:09 | |
To earn enough money, he needs to make at least 12 journeys a day. | 0:13:09 | 0:13:13 | |
He sets his own schedule, including unexpected stops. | 0:13:14 | 0:13:20 | |
He's run out of gas so what he's done is, in service, | 0:13:20 | 0:13:23 | |
he's pulled over and come into the petrol station and filled up. | 0:13:23 | 0:13:26 | |
Before he stopped he asked the passengers if it was OK to | 0:13:26 | 0:13:29 | |
fill up with diesel and they said yes, so it's very easy-going here. | 0:13:29 | 0:13:33 | |
There'd be riots, people would be climbing the walls in London. | 0:13:33 | 0:13:38 | |
People would be complaining to Boris Johnson and everything. | 0:13:38 | 0:13:41 | |
Rogelio earns around 1,500 pesos in fares a day | 0:13:43 | 0:13:47 | |
but once he's deducted money for diesel and the repayment | 0:13:47 | 0:13:50 | |
on his jeepney he usually takes home about 600 pesos, just over £8. | 0:13:50 | 0:13:55 | |
Rogelio's wife Edith shops every day at the market. | 0:14:01 | 0:14:05 | |
It's her job to make his income stretch to feed the seven people | 0:14:05 | 0:14:08 | |
living in the house. | 0:14:08 | 0:14:10 | |
What does Rogelio prefer, what is his favourite food? | 0:14:10 | 0:14:13 | |
-Chicken. -Chicken, like me? | 0:14:13 | 0:14:15 | |
Yes. | 0:14:15 | 0:14:17 | |
Everything Rogelio earns is spent on food and household essentials. | 0:14:19 | 0:14:23 | |
On the money that Rogelio brings home, how tough is it to survive? | 0:14:23 | 0:14:27 | |
In recent years, Edith has suffered three strokes and cannot work. | 0:14:37 | 0:14:41 | |
She should spend 300 pesos every day on medicine | 0:14:41 | 0:14:45 | |
but she can only afford to spend 200. | 0:14:45 | 0:14:48 | |
Isn't that dangerous for you to sacrifice your medicine? | 0:14:48 | 0:14:51 | |
It looks like they're living day-to-day. | 0:15:04 | 0:15:07 | |
They work as hard to eat today and tomorrow the same | 0:15:07 | 0:15:10 | |
and the next day they do the same. | 0:15:10 | 0:15:12 | |
There is no time where they can say "I need a rest, | 0:15:12 | 0:15:16 | |
"I need to go on holiday, I'm tired." | 0:15:16 | 0:15:18 | |
If they don't work, they don't eat. | 0:15:18 | 0:15:21 | |
Before Josh takes the wheel of the jeepney, Rogelio wants him | 0:15:29 | 0:15:33 | |
to have a proper lesson at a driving school. | 0:15:33 | 0:15:38 | |
Can you not sit sideways? | 0:15:38 | 0:15:40 | |
Yes, I can but my legs are very long, you see, so I have to sit like this. | 0:15:40 | 0:15:44 | |
You should sit like this. | 0:15:44 | 0:15:45 | |
Like this? | 0:15:45 | 0:15:46 | |
So you can reach your clutch pedal and the brake pedal. | 0:15:46 | 0:15:50 | |
That's it, that's it. Push the clutch. Push, push, push. | 0:15:50 | 0:15:54 | |
Push the clutch first. | 0:15:54 | 0:15:55 | |
You cannot let go the clutch. You cannot let go. | 0:15:57 | 0:16:00 | |
Release the gas. | 0:16:02 | 0:16:04 | |
Despite Rogelio's confidence, | 0:16:20 | 0:16:21 | |
Josh is finding driving the jeepney tough. | 0:16:21 | 0:16:25 | |
Wait, wait, wait. Now. | 0:16:25 | 0:16:26 | |
It's a world away from the state-of- the-art bus he's used to in London. | 0:16:28 | 0:16:32 | |
'At the moment, I can't do it, at the moment, no. | 0:16:33 | 0:16:38 | |
'I wouldn't be able to do it. I wouldn't trust myself to do it.' | 0:16:38 | 0:16:42 | |
A bit of an experience? | 0:16:42 | 0:16:43 | |
It's more than an experience. I have never, ever driven that bad before in my life. | 0:16:43 | 0:16:48 | |
I swear, I put my hand on my heart. | 0:16:48 | 0:16:50 | |
You really know how to drive? | 0:16:50 | 0:16:52 | |
THEY LAUGH | 0:16:52 | 0:16:54 | |
While driving this vehicle, it's always jerking. | 0:16:54 | 0:16:57 | |
I know, I know, if you see the vehicle | 0:16:57 | 0:16:59 | |
I drive in England, it's three times the size of this. | 0:16:59 | 0:17:01 | |
-Is it automatic? -Yes, it's automatic, but it's smooth. | 0:17:01 | 0:17:04 | |
That's why there is a problem here. Because this is manual. | 0:17:04 | 0:17:08 | |
I've got to put some practise in, that's for sure. | 0:17:08 | 0:17:10 | |
There's no way I trust myself out there, | 0:17:10 | 0:17:12 | |
especially with Rogelio's jeepney. | 0:17:12 | 0:17:14 | |
It's too precious for me to take it out there and do something wrong with it. | 0:17:14 | 0:17:18 | |
But after some more practice, the instructor thinks there's no choice | 0:17:18 | 0:17:21 | |
but to see if Josh can cope on the roads. | 0:17:21 | 0:17:25 | |
-Do you want to go out? Really? -Yes. -Are you sure you trust me? | 0:17:25 | 0:17:29 | |
Let's se how we go, let's see how we go. | 0:17:31 | 0:17:35 | |
Unfortunately, he's now about to hit the rush hour. | 0:17:35 | 0:17:38 | |
With nearly six million vehicles in the city, it's little wonder | 0:18:10 | 0:18:14 | |
the rush hour is horrendous. | 0:18:14 | 0:18:16 | |
Drivers in Manila spend on average 1,000 hours a year | 0:18:18 | 0:18:23 | |
stuck in traffic jams. | 0:18:23 | 0:18:25 | |
Everywhere, it's like ants! They're like...you know. | 0:18:27 | 0:18:29 | |
They're just moving...everywhere they see a gap, they just go for. | 0:18:29 | 0:18:35 | |
Doesn't matter if they're indicating left or right, if they see a gap, then they go. | 0:18:35 | 0:18:40 | |
That was the scariest I've ever done, | 0:18:47 | 0:18:50 | |
I thought I was a going to lose my life. It was that bad. | 0:18:50 | 0:18:53 | |
The swerving, it was... | 0:18:53 | 0:18:56 | |
Thinking back on it now, I'm even more shaken now than I was then. | 0:18:56 | 0:19:00 | |
It was...I don't know. I don't know how I got through it, but I did. | 0:19:00 | 0:19:05 | |
Er...so...yeah. Not making much sense now, best time to go to bed. | 0:19:05 | 0:19:09 | |
Because of the congestion, | 0:19:15 | 0:19:17 | |
all vehicles in Manila have to be off the road one day a week by law. | 0:19:17 | 0:19:21 | |
It's a big bike. | 0:19:21 | 0:19:22 | |
On the days he can't drive the jeepney, Rogelio often | 0:19:24 | 0:19:27 | |
takes his grandchildren to the mall. | 0:19:27 | 0:19:30 | |
This is a treat for the grandchildren. | 0:19:30 | 0:19:32 | |
Rogelio wants to get his grandchildren a better education. | 0:19:40 | 0:19:44 | |
The school he'd like to send them to | 0:19:44 | 0:19:46 | |
costs £400 a year - way beyond his means. | 0:19:46 | 0:19:50 | |
Russel! | 0:19:50 | 0:19:51 | |
You work so hard. | 0:20:03 | 0:20:06 | |
If I was born here, I'd be in the same position you are in. | 0:20:06 | 0:20:09 | |
That's why it makes it tough for me. It's just by pure chance that I was born where I was born. | 0:20:09 | 0:20:16 | |
Yeah. Keep fighting. | 0:21:27 | 0:21:28 | |
With just a few days left until he has to go solo, | 0:21:41 | 0:21:44 | |
Josh is still struggling with the jeepney. | 0:21:44 | 0:21:46 | |
Ah, horsey horsey! | 0:21:49 | 0:21:52 | |
If I saw somebody driving like I am at the moment, I would say it's an accident waiting to happen. | 0:21:52 | 0:21:57 | |
Change gear, third. | 0:21:57 | 0:21:58 | |
Sorry, guys! | 0:22:02 | 0:22:03 | |
My legs are tired, my ankles are tired, my legs are tired. | 0:22:05 | 0:22:10 | |
My bum is sore. | 0:22:10 | 0:22:12 | |
-But me, it's 12 hours. -12, I know. -Almost every day. | 0:22:12 | 0:22:16 | |
Every day, 12 hours. | 0:22:16 | 0:22:18 | |
You...more practise. | 0:22:20 | 0:22:22 | |
My passenger is scared. | 0:22:23 | 0:22:27 | |
THEY LAUGH | 0:22:27 | 0:22:29 | |
..because the jeepney's like a horse. | 0:22:29 | 0:22:34 | |
If I saw me driving this bus, I wouldn't get on my bus just yet! | 0:22:36 | 0:22:40 | |
Unless they've got balls of steel, then I wouldn't go on this bus. | 0:22:40 | 0:22:45 | |
In recent years, millions of Filipinos have migrated to | 0:22:56 | 0:23:00 | |
Manila from the countryside in search of work. | 0:23:00 | 0:23:03 | |
Many end up in the city's vast sprawling slums. | 0:23:06 | 0:23:09 | |
Josh has come to Tondo - home to 90,000 people per square kilometre - | 0:23:15 | 0:23:19 | |
one of the most densely populated places on earth. | 0:23:19 | 0:23:25 | |
People here have been forced to extraordinary lengths just to survive. | 0:23:25 | 0:23:29 | |
This is rubbish scavenged from the bins of fast-food restaurants. | 0:23:33 | 0:23:38 | |
They're going through the different cartons and stuff | 0:23:38 | 0:23:41 | |
and emptying out all the bones out of the bags into pots. | 0:23:41 | 0:23:48 | |
This is food that someone else has already eaten. | 0:23:48 | 0:23:52 | |
The smell is horrible, bad. | 0:23:52 | 0:23:55 | |
You just gets wafts of rotting food. And like... | 0:23:55 | 0:24:00 | |
There's a dog going into the bowl now, and nicked a piece of chicken out of the bowl. | 0:24:00 | 0:24:04 | |
This isn't just people scavenging for food. This is a business. | 0:24:08 | 0:24:14 | |
It's called pagpag - food from other food that has been thrown out. | 0:24:14 | 0:24:21 | |
It's chopped, washed and recooked. | 0:24:21 | 0:24:24 | |
And it's a huge seller. | 0:24:27 | 0:24:28 | |
Does it taste good, do you enjoy it? | 0:24:37 | 0:24:39 | |
A bowl of pagpag sells for about 5 pence. | 0:24:46 | 0:24:50 | |
For many of the people living here in Tondo, this is likely to | 0:24:50 | 0:24:54 | |
be their only meal of the day. | 0:24:54 | 0:24:56 | |
Probably one of the worst experiences I've seen in my life. | 0:24:58 | 0:25:03 | |
So you're the chef? You make pagpag? | 0:25:03 | 0:25:05 | |
This is...this keeps her alive. | 0:25:45 | 0:25:47 | |
She's doing this and she's in pain as she's doing it. | 0:25:52 | 0:25:55 | |
Rogelio himself migrated to Manila from the country | 0:26:34 | 0:26:38 | |
and today he's taking Josh back to the village he grew up in, | 0:26:38 | 0:26:41 | |
200 miles north of the city. | 0:26:41 | 0:26:43 | |
He only gets to visit his mother once a year. | 0:26:48 | 0:26:51 | |
All of his brothers, sisters and cousins have come out to see him. | 0:26:51 | 0:26:55 | |
-My sister. -How you doing? -And this is... | 0:26:55 | 0:26:58 | |
-How you doing? -Josh, my friend. | 0:26:58 | 0:27:00 | |
There's a lot of people here. | 0:27:00 | 0:27:01 | |
A lot of people, a lot of names. | 0:27:01 | 0:27:03 | |
My mother. | 0:27:03 | 0:27:06 | |
She's like...this is the like the size of my mum, my mum is the same height like this. | 0:27:06 | 0:27:11 | |
My mum is about the same height, and we're like this. | 0:27:11 | 0:27:14 | |
-My mother is like mama's loving. -Sorry? | 0:27:14 | 0:27:19 | |
Ah, your best friend? | 0:27:19 | 0:27:21 | |
Yes. | 0:27:21 | 0:27:22 | |
Today there are few jobs in the countryside. | 0:27:26 | 0:27:29 | |
Those workers who've stayed survive as rice farmers or fishermen. | 0:27:29 | 0:27:33 | |
Rogelio used to fish on this beach as a boy, and grew up with many of the men here today. | 0:27:37 | 0:27:43 | |
No, not for me! | 0:27:43 | 0:27:44 | |
Making a living here is tough. | 0:27:48 | 0:27:51 | |
If you come back with a big catch, what's the maximum money you can make? | 0:27:51 | 0:27:55 | |
When I look out here, it's absolutely beautiful. | 0:28:13 | 0:28:15 | |
I find it really amazing that people want to leave this and go | 0:28:15 | 0:28:20 | |
and live in a very tight community. | 0:28:20 | 0:28:22 | |
I hope you do come back here and live, | 0:28:53 | 0:28:56 | |
because I want to come back and visit you. | 0:28:56 | 0:28:59 | |
Thank you. | 0:28:59 | 0:29:00 | |
When I have kids, I'll bring my kids here as well | 0:29:00 | 0:29:03 | |
and we'll all have a barbecue. | 0:29:03 | 0:29:05 | |
And eat prawns, and...yeah. | 0:29:05 | 0:29:07 | |
-You will come? -Yeah, we'll come. We'll definitely come. | 0:29:07 | 0:29:11 | |
'He says to me he loves it here. He finds it peaceful, you know. | 0:29:11 | 0:29:16 | |
'He doesn't want to go back to Manila. | 0:29:16 | 0:29:17 | |
'So the simple answer would be stay here, if you love it that much, | 0:29:17 | 0:29:22 | |
'but the problem being is there's no work. | 0:29:22 | 0:29:25 | |
'There's no industry here, there's nothing he can do here.' | 0:29:25 | 0:29:28 | |
This is upsetting. | 0:29:33 | 0:29:34 | |
He works 12 hours a day to live in a box | 0:29:38 | 0:29:42 | |
with eight other people cos he loves his wife and he loves his family | 0:29:42 | 0:29:47 | |
and he can't afford to live in a place which is better for him. | 0:29:47 | 0:29:51 | |
But a man that works that hard shouldn't have to, | 0:29:59 | 0:30:03 | |
he shouldn't have to work that hard for the little bit that he's got. | 0:30:03 | 0:30:08 | |
Back in Manila and it's Josh's final day. | 0:30:34 | 0:30:37 | |
He is going to drive Rogelio's jeepney solo, | 0:30:39 | 0:30:42 | |
with passengers across Manila during the rush hour. | 0:30:42 | 0:30:46 | |
'I'm still unsure of the route, still unsure of my driving skills, | 0:30:46 | 0:30:49 | |
'still unsure of being able to do it completely, | 0:30:49 | 0:30:55 | |
'so it's going to be really difficult.' | 0:30:55 | 0:30:57 | |
Check the oil first, yes? | 0:30:58 | 0:31:00 | |
'This is his livelihood, it's his family's livelihood, | 0:31:00 | 0:31:03 | |
'so there's a lot more people counting on this jeepney getting out and making money. | 0:31:03 | 0:31:09 | |
'If I do something to his jeepney that prevents him from doing that, | 0:31:09 | 0:31:13 | |
'I don't think I could live with myself. I'd be heartbroken.' | 0:31:13 | 0:31:16 | |
The jeepney has remained largely unchanged in the 70 years | 0:31:18 | 0:31:22 | |
since American GIs drove them around these streets. | 0:31:22 | 0:31:26 | |
Today Josh West from London will be taking the wheel as a jeepney driver. | 0:31:26 | 0:31:31 | |
To succeed, he has to remember all the different fares, | 0:31:31 | 0:31:34 | |
handle the change, follow the route | 0:31:34 | 0:31:37 | |
and cope with the jeepney's temperamental gearbox. | 0:31:37 | 0:31:40 | |
Got to get my money ready. | 0:31:41 | 0:31:42 | |
So I have... | 0:31:44 | 0:31:47 | |
60 pesos. | 0:31:47 | 0:31:48 | |
I'm on my final solo run. I am going all the way to the south pier. | 0:31:48 | 0:31:53 | |
I'm not looking forward to this one. | 0:31:53 | 0:31:56 | |
Come on. Let's go. | 0:31:56 | 0:31:59 | |
At the first stop there are passengers waiting. | 0:31:59 | 0:32:02 | |
OK, first ones. | 0:32:02 | 0:32:03 | |
They have no idea that Josh is in fact a London bus driver | 0:32:03 | 0:32:07 | |
who ten days ago had never seen a jeepney, let alone driven one. | 0:32:07 | 0:32:10 | |
Let's see if I... | 0:32:17 | 0:32:18 | |
See if I have to ask them for the money or will they just give it to me. | 0:32:21 | 0:32:27 | |
She's given me seven pesos. | 0:32:27 | 0:32:30 | |
HORN BEEPS IMPATIENTLY | 0:32:30 | 0:32:32 | |
All right! | 0:32:32 | 0:32:33 | |
God, you'd think it's like a racetrack, the way he wanted me to get off that line. | 0:32:39 | 0:32:44 | |
And where you going to go? 300 yards! Not even that. 150 yards. | 0:32:44 | 0:32:47 | |
My heart's pounding a lot faster and there's a lot of adrenalin | 0:32:50 | 0:32:52 | |
and I'm getting the sweaty hands thing as well. | 0:32:52 | 0:32:55 | |
I think every time I stop, if I get the opportunity to get the sweat out of my eyes, I'm going to do it. | 0:32:55 | 0:33:01 | |
How you doing? | 0:33:04 | 0:33:05 | |
He didn't want a lift! He just wanted to look at the odd-looking Filipino driver. | 0:33:09 | 0:33:13 | |
-How many? -Three. | 0:33:20 | 0:33:22 | |
He's handed a big note - at the busiest point of the route. | 0:33:22 | 0:33:25 | |
Whoo! 50! | 0:33:25 | 0:33:28 | |
Now he has to juggle driving whilst finding the correct change. | 0:33:28 | 0:33:31 | |
So...I should give him 43 change, cos the minimum fare is seven. | 0:33:34 | 0:33:40 | |
So I've got 40. | 0:33:40 | 0:33:43 | |
And then I've got the three, and hand those back. | 0:33:43 | 0:33:47 | |
And hopefully I've done that right! | 0:33:52 | 0:33:54 | |
At the end of the route, Rogelio is waiting for Josh | 0:34:00 | 0:34:03 | |
and the safe return of his jeepney. | 0:34:03 | 0:34:05 | |
But Josh has got a problem. | 0:34:09 | 0:34:10 | |
I don't know where I'm supposed to go. | 0:34:15 | 0:34:17 | |
I'm going straight, aren't I? | 0:34:21 | 0:34:25 | |
I'm in the wrong lane. | 0:34:25 | 0:34:26 | |
Am I sure I'm going straight? | 0:34:29 | 0:34:30 | |
Yes. | 0:34:30 | 0:34:31 | |
Luckily his passengers seem to know the route better than he does. | 0:34:37 | 0:34:41 | |
I'm in the wrong lane. | 0:34:43 | 0:34:44 | |
It means crossing four lanes of traffic in Manila's rush hour. | 0:34:44 | 0:34:48 | |
Whoo! | 0:34:58 | 0:34:59 | |
They're still alive, and no-one's broken into a sweat. | 0:34:59 | 0:35:03 | |
This is round table! | 0:35:03 | 0:35:04 | |
Just a minute...oh, dude, please. One thing or the other, mate. | 0:35:07 | 0:35:11 | |
Look at that. One satisfied customer. He's got off and he's alive. Look! He's even smiling. | 0:35:11 | 0:35:16 | |
But after his initial problems, Josh seems to be back on track. | 0:35:16 | 0:35:21 | |
Well, that went reasonably well. | 0:35:21 | 0:35:25 | |
Really got to stop crunching those gears. I'm going to mess up the man's vehicle. | 0:35:29 | 0:35:33 | |
When I see how well he does it, and then I do it. | 0:35:33 | 0:35:37 | |
And I'm nowhere near that level. | 0:35:37 | 0:35:39 | |
Every time I push my foot on the pedal, I'm learning something new. | 0:35:39 | 0:35:43 | |
Not far to go. | 0:35:45 | 0:35:46 | |
Ah! He's coming. | 0:35:48 | 0:35:50 | |
Aha! There he is. Aha! Aaah! | 0:35:50 | 0:35:54 | |
Last stop, ladies and gentlemen. Thank you for joining. | 0:35:57 | 0:36:01 | |
You're welcome! | 0:36:01 | 0:36:02 | |
How was that, eh? | 0:36:04 | 0:36:05 | |
You're a good driver. | 0:36:07 | 0:36:08 | |
'It started to click after a little while | 0:36:14 | 0:36:16 | |
'and I kept hearing Rogelio's voice in my ear.' | 0:36:16 | 0:36:20 | |
A sense of accomplishment is there, that's for sure. | 0:36:20 | 0:36:25 | |
It's the end of Josh's trip. | 0:36:25 | 0:36:27 | |
In ten days he's gone from being a London bus driver | 0:36:27 | 0:36:29 | |
to driving a jeepney through the congested streets of Manila. | 0:36:29 | 0:36:35 | |
And during his time, he's seen | 0:36:35 | 0:36:37 | |
and experienced some of the problems faced by millions of people | 0:36:37 | 0:36:42 | |
living in the most overcrowded city in the world. | 0:36:42 | 0:36:45 | |
Edith! How are you doing, darling? | 0:36:45 | 0:36:48 | |
I'm about ready to go, guys. | 0:36:48 | 0:36:50 | |
I'd just like to say thank you for looking after me so well, | 0:36:50 | 0:36:53 | |
and showing me round Manila. | 0:36:53 | 0:36:56 | |
It's been a pleasure to know you two. You've been um...great hosts. | 0:36:56 | 0:37:01 | |
Thank you. | 0:37:01 | 0:37:02 | |
'There's a definite friendship or bond I've made, | 0:37:17 | 0:37:20 | |
'and I'm definitely going to miss that the most.' | 0:37:20 | 0:37:23 | |
Bye, Janelle. Bye bye. | 0:37:23 | 0:37:26 | |
'I think we have similar ideals on life and it's strange that | 0:37:26 | 0:37:30 | |
'I've only met him for a short space of time and I've got a level of trust with him | 0:37:30 | 0:37:33 | |
'that I might have with my best friend, and that won't be broken.' | 0:37:33 | 0:37:37 | |
Bye bye. | 0:37:42 | 0:37:43 | |
Take care. | 0:37:46 | 0:37:47 | |
We started off as strangers, became friends and ended up as brothers. | 0:37:49 | 0:37:52 | |
It's as simple as that. | 0:37:52 | 0:37:54 | |
It's now more than two years since Josh returned from Manila. | 0:37:59 | 0:38:03 | |
He's stopped driving buses and has become a manager. | 0:38:03 | 0:38:07 | |
And his life has changed in other ways, too. | 0:38:07 | 0:38:10 | |
Seeing how much time and effort Rogelio puts into his family | 0:38:10 | 0:38:14 | |
made me realise that I could have that, too. | 0:38:14 | 0:38:17 | |
When he got back he married his fiancee Lynn... | 0:38:17 | 0:38:20 | |
Hi, Ruby. | 0:38:20 | 0:38:21 | |
..and now they have a baby daughter, Ruby. | 0:38:23 | 0:38:26 | |
But Josh never forgot Rogelio and his family in Manila. | 0:38:30 | 0:38:35 | |
I said I need to give him something which he probably would never obtain in his lifetime. | 0:38:35 | 0:38:40 | |
Josh hit the ground running - raising funds for Rogelio | 0:38:40 | 0:38:44 | |
through sponsored events. | 0:38:44 | 0:38:46 | |
What else could you do? How could I go through that whole experience with that guy, live in his house, | 0:38:46 | 0:38:51 | |
drive his jeepney, which is the only income he had coming to his family, | 0:38:51 | 0:38:54 | |
and then turn my back on him. | 0:38:54 | 0:38:56 | |
I just don't see how you can do it. | 0:38:56 | 0:38:59 | |
Despite being 6,000 miles apart, their friendship has grown. | 0:38:59 | 0:39:05 | |
It's like a bromance, if you like. I get an e-mail from him | 0:39:05 | 0:39:09 | |
or a text from him or something like that and it lightens my day. | 0:39:09 | 0:39:12 | |
And even in a big extended family it seems there's room for one more. | 0:39:12 | 0:39:17 | |
Now after two years of fundraising, it's time for Josh to head back | 0:39:27 | 0:39:31 | |
to Manila to see just how much Rogelio's life has changed. | 0:39:31 | 0:39:35 | |
In the last two years, life hasn't stood still in Manila. | 0:40:03 | 0:40:07 | |
Since Josh last set foot here, the population has grown | 0:40:07 | 0:40:10 | |
by around half a million people. | 0:40:10 | 0:40:12 | |
And it's more congested than ever. | 0:40:12 | 0:40:15 | |
I've got a sense of anticipation, it's a good feeling, | 0:40:15 | 0:40:18 | |
the night before Christmas sort of thing. | 0:40:18 | 0:40:20 | |
And you know you're just buzzing on the adrenalin of what's going to happen. | 0:40:20 | 0:40:25 | |
I just don't know what to expect. | 0:40:25 | 0:40:27 | |
I'm smiling to myself all the time. | 0:40:27 | 0:40:29 | |
Right. Let's go see. | 0:40:33 | 0:40:36 | |
Nervous. Excited. | 0:40:41 | 0:40:44 | |
I must be very close to Rogelio's now cos I'm recognising some | 0:40:47 | 0:40:50 | |
of the houses, and people in their village, and they are recognising me. | 0:40:50 | 0:40:56 | |
Brother! | 0:41:01 | 0:41:02 | |
Hello! | 0:41:05 | 0:41:06 | |
How are you? You all good? | 0:41:11 | 0:41:13 | |
-OK. -Yeah? | 0:41:13 | 0:41:14 | |
It's good to see you. | 0:41:17 | 0:41:19 | |
Welcome back, brother. | 0:41:19 | 0:41:21 | |
Good to see you, Edith princess. How are you? | 0:41:21 | 0:41:25 | |
Come in, come in. | 0:41:25 | 0:41:26 | |
Wow, it's changed in here - no fish tank. How are you, Edith? You OK? | 0:41:26 | 0:41:30 | |
Yes. | 0:41:30 | 0:41:31 | |
Yes? You're looking younger, Edith! | 0:41:31 | 0:41:33 | |
I'm in love! | 0:41:36 | 0:41:37 | |
There are two new grandchildren in the house. | 0:41:43 | 0:41:45 | |
Can I hold him? It's OK - I have one of these at home, so I know how to do it! | 0:41:45 | 0:41:49 | |
Where's Janelle and Russel now? | 0:41:49 | 0:41:51 | |
-They have class. -They're at school? I can't wait to see them. They must be big now. | 0:41:51 | 0:41:56 | |
They always asking, "Where uncle Josh?" | 0:41:56 | 0:42:00 | |
Uncle Josh! | 0:42:00 | 0:42:01 | |
I'm happy to be here. In my heart, I'm happy. Very happy. | 0:42:03 | 0:42:09 | |
Today we talk face-to-face. | 0:42:09 | 0:42:11 | |
One of the new arrivals has a very familiar name. | 0:42:15 | 0:42:19 | |
Oh, there you go, Josh. Eh? | 0:42:19 | 0:42:23 | |
Yaz contacted me and asked me to be godfather. | 0:42:23 | 0:42:26 | |
So, I didn't know what to say. | 0:42:26 | 0:42:28 | |
I was like, wow... I'd be honoured. | 0:42:28 | 0:42:30 | |
And she sent me some pictures of the christening, and... | 0:42:30 | 0:42:33 | |
It was really good. I was so proud, I was so happy. | 0:42:33 | 0:42:36 | |
Rogelio's daughter-in-law and her daughter have also moved in. | 0:42:36 | 0:42:40 | |
Your granddaughter. | 0:42:43 | 0:42:46 | |
Say hi. | 0:42:46 | 0:42:47 | |
Oh, you're shy. | 0:42:47 | 0:42:48 | |
So how many of you live here now? | 0:42:49 | 0:42:51 | |
-Ten. -Ten? Wow, that's a lot of people for such a small place. | 0:42:51 | 0:42:57 | |
How do you manage? Do you share the same room? | 0:42:57 | 0:43:00 | |
You divided the rooms up? OK. | 0:43:00 | 0:43:01 | |
Russel! How you doing, sir! Janelle, how you doing? | 0:43:07 | 0:43:13 | |
Come here, come here, you! Oh! Big girl, oh, my goodness. | 0:43:13 | 0:43:19 | |
How've you been, Russel? You been good? How was school today? | 0:43:19 | 0:43:22 | |
Daddy look after you? Yes, yes? | 0:43:22 | 0:43:26 | |
Oh, wow! Look how big you got! | 0:43:26 | 0:43:30 | |
As if the house wasn't crowded enough, | 0:43:30 | 0:43:33 | |
Rogelio has started a new business to help feed the extra mouths. | 0:43:33 | 0:43:36 | |
The front room now doubles up as an internet cafe. | 0:43:36 | 0:43:40 | |
Even though we have limited space, we sacrifice | 0:43:40 | 0:43:43 | |
so we can earn some money for the needs of the kids, | 0:43:43 | 0:43:48 | |
-For the baby. -Oh, yes. | 0:43:48 | 0:43:51 | |
For having the computers in his home, the owners let Rogelio | 0:43:51 | 0:43:54 | |
keep 40% of the takings. | 0:43:54 | 0:43:57 | |
See, this is my jeepney, a different colour now. | 0:43:57 | 0:43:59 | |
But most of the family income still comes from the same trusty source. | 0:43:59 | 0:44:03 | |
It looks good. | 0:44:03 | 0:44:04 | |
So the sign's gone on the front. There is no eagle on the front. | 0:44:08 | 0:44:11 | |
Oh, no. There is a Philippine flag already. | 0:44:11 | 0:44:14 | |
The other sides, here. | 0:44:14 | 0:44:17 | |
The toughest place to be a bus driver. | 0:44:17 | 0:44:21 | |
I love it, I love it. | 0:44:23 | 0:44:26 | |
So now you have got this on here. | 0:44:26 | 0:44:27 | |
Do you get people recognising your jeepney? | 0:44:27 | 0:44:29 | |
Oh, yes. There's so many people that asking me | 0:44:29 | 0:44:32 | |
I'm the one that company of yours, I told them, yes, I am the one. | 0:44:32 | 0:44:37 | |
So you are a tourist attraction now? | 0:44:37 | 0:44:39 | |
Oh, yes. | 0:44:39 | 0:44:40 | |
-OK, Josh, come see our room. -OK. | 0:44:53 | 0:44:56 | |
Yeah, this is the room that you sleep last time. | 0:44:59 | 0:45:03 | |
Feel at home. | 0:45:03 | 0:45:04 | |
I will. Don't worry, I'll make myself comfortable. | 0:45:04 | 0:45:08 | |
You got some pictures up here. | 0:45:08 | 0:45:10 | |
Oh, yes. | 0:45:10 | 0:45:11 | |
My brother. | 0:45:11 | 0:45:13 | |
Your brother? No, that's my brother. | 0:45:13 | 0:45:18 | |
-Good night, sleep well. -Yes, I'll see you in the morning. Take care, brother. | 0:45:18 | 0:45:22 | |
Does it feel strange being back? | 0:45:27 | 0:45:29 | |
Yes and no. Yes, because I didn't think it was ever going to happen, | 0:45:29 | 0:45:32 | |
but no, because I'm at my brother's house. | 0:45:32 | 0:45:35 | |
The changes that have happened are so many. | 0:45:35 | 0:45:39 | |
First of all there's ten people living here. | 0:45:39 | 0:45:42 | |
Rogelio's eldest son, his wife is here, and daughter. | 0:45:42 | 0:45:45 | |
So we've got baby Josh. | 0:45:45 | 0:45:47 | |
He is obviously cute - he's named after Josh. | 0:45:47 | 0:45:52 | |
Edith seems very happy now. | 0:45:52 | 0:45:53 | |
She's taking her medication now. | 0:45:53 | 0:45:55 | |
So positives, positives, positives. | 0:45:56 | 0:45:59 | |
Hopefully get a good night's sleep without the cockerels crowing at night like they did the last time! | 0:46:01 | 0:46:06 | |
But there were to be bigger | 0:46:14 | 0:46:16 | |
and more surprising changes in Rogelio's life. | 0:46:16 | 0:46:20 | |
After Josh's visit to Manila, Rogelio became the most famous | 0:46:20 | 0:46:23 | |
jeepney driver in the Philippines. | 0:46:23 | 0:46:26 | |
Eat Bulaga is one of the biggest shows on Filipino TV. | 0:46:32 | 0:46:37 | |
# Last Friday night, Yeah we danced on tabletops | 0:46:37 | 0:46:41 | |
# And we took too many shots Think we kissed but I forgot...# | 0:46:41 | 0:46:44 | |
Presenter Ryan Agoncillo is a huge celebrity in Manila. | 0:46:48 | 0:46:54 | |
And it turns out he's a bit of a documentary fan. | 0:46:54 | 0:46:59 | |
I think it was one of those nights where my wife was asleep, it was | 0:46:59 | 0:47:02 | |
really late at night, and I remember clicking on it, watching it, | 0:47:02 | 0:47:08 | |
and to be honest, I was choked up and confused. | 0:47:08 | 0:47:10 | |
It was funny and embarrassing at the same time, I mean... | 0:47:10 | 0:47:15 | |
It's not a nice thing to look at for us | 0:47:15 | 0:47:18 | |
but it's something that we have to accept that | 0:47:18 | 0:47:20 | |
a lot of our fellow Filipinos go through every day. | 0:47:20 | 0:47:24 | |
It was even more heart-wrenching for me when you started realising that | 0:47:24 | 0:47:29 | |
he had such a good life in the province before he went out to Manila. | 0:47:29 | 0:47:32 | |
So Ryan invited Rogelio onto the show. | 0:47:34 | 0:47:38 | |
Not only that, he bought him a brand new fishing boat so he could move back to the country. | 0:47:40 | 0:47:46 | |
Now that Josh is back in town... | 0:47:53 | 0:47:55 | |
Recount the story for Eat Bulaga. | 0:47:55 | 0:47:58 | |
..Ryan has invited him onto the show too. | 0:47:58 | 0:48:01 | |
My name's Ryan. | 0:48:01 | 0:48:02 | |
Yeah, I know! | 0:48:02 | 0:48:03 | |
On Eat Bulaga things start normally enough. | 0:48:06 | 0:48:11 | |
You can see Josh West down in the BBC. | 0:48:11 | 0:48:14 | |
Hey, Josh. Good afternoon. | 0:48:14 | 0:48:16 | |
You're back after two years in Manila. How do you feel, Josh? | 0:48:16 | 0:48:20 | |
The last time we saw you, you were quite emotional. | 0:48:20 | 0:48:24 | |
It feels like I'm back with my family now, my Filipino family. | 0:48:24 | 0:48:27 | |
I really appreciate the hospitality. | 0:48:27 | 0:48:30 | |
The main thing that I learned was that it doesn't matter where you go in the world, | 0:48:30 | 0:48:33 | |
you can find a connection with somebody. | 0:48:33 | 0:48:36 | |
That's what I did with Rogelio. He's a mentor to me, somebody I look up to. | 0:48:36 | 0:48:39 | |
He's a special man. I love doing my best to help him. | 0:48:39 | 0:48:43 | |
Thank you very much, Josh. We're here now. | 0:48:43 | 0:48:47 | |
You want to learn to dance the way people do? | 0:48:47 | 0:48:49 | |
Josh, you will now learn the cha-cha. | 0:48:49 | 0:48:54 | |
Cha-cha! | 0:48:56 | 0:48:57 | |
But after the interview - Eat Bulaga enters a world of its own. | 0:48:59 | 0:49:05 | |
Aaah! | 0:49:05 | 0:49:07 | |
Eeny, meeny, miny, mo! | 0:49:09 | 0:49:13 | |
It feels like a long way from the TV studios to Rogelio's village. | 0:49:41 | 0:49:45 | |
But Josh has come to see the new fishing boat donated by the show. | 0:49:45 | 0:49:49 | |
Ow! Ooh! | 0:49:49 | 0:49:51 | |
'I can see the draw of being here. | 0:50:05 | 0:50:07 | |
'People dream of coming back and raising a family in the country. | 0:50:07 | 0:50:11 | |
'There is nothing better than the kids having the freedom to go and play.' | 0:50:11 | 0:50:16 | |
It's kind of surreal. I just didn't think this would happen. | 0:50:16 | 0:50:19 | |
I never thought I'd get the opportunity to ride on it. | 0:50:19 | 0:50:22 | |
And here I am! | 0:50:22 | 0:50:24 | |
Thank goodness I don't get seasick. | 0:50:24 | 0:50:27 | |
Which could easily be done! | 0:50:27 | 0:50:28 | |
But even with a brand-new motorboat, | 0:50:31 | 0:50:33 | |
the life of a Filipino fisherman isn't easy. | 0:50:33 | 0:50:37 | |
So we are going to let a wave take us in now. | 0:50:37 | 0:50:39 | |
Whoa! Ooh! | 0:50:39 | 0:50:42 | |
Oh...right down the crack! | 0:50:43 | 0:50:47 | |
This is the second time I've been here | 0:50:57 | 0:50:59 | |
and I still think this place looks like paradise. | 0:50:59 | 0:51:01 | |
So Rogelio has stayed in Manila, | 0:51:22 | 0:51:24 | |
but rents out the boat to his nephew for a share of the profit. | 0:51:24 | 0:51:28 | |
Rogelio also needs to live in Manila for the sake | 0:51:37 | 0:51:40 | |
of his grandchildren's education. | 0:51:40 | 0:51:42 | |
Uneducated? This guy is uneducated? | 0:51:51 | 0:51:54 | |
I did not finish my studies, brother. | 0:51:54 | 0:51:56 | |
Let me tell you something I know. | 0:52:01 | 0:52:04 | |
You don't only get educated from buying no books, | 0:52:04 | 0:52:08 | |
and reading - that is not the only type of education you can get. | 0:52:08 | 0:52:12 | |
You are one of the most intelligent persons I know | 0:52:12 | 0:52:15 | |
in the whole world, OK. | 0:52:15 | 0:52:18 | |
Never say you are uneducated. | 0:52:18 | 0:52:21 | |
Because your life experience is more valuable than anything else. | 0:52:21 | 0:52:24 | |
But for his grandchildren, a formal education is crucial | 0:52:24 | 0:52:30 | |
to escape from the cycle of poverty and lead a better life. | 0:52:30 | 0:52:33 | |
And this is what Josh has spent the last two years raising money for. | 0:52:33 | 0:52:38 | |
When I was here before, one thing you said that you would like to do is put your grandchildren through school. | 0:52:38 | 0:52:43 | |
And I said to myself, I plan to take that burden away from you. | 0:52:43 | 0:52:47 | |
Just that little bit. | 0:52:47 | 0:52:48 | |
And hopefully with the two of us working together, it becomes easier. | 0:52:48 | 0:52:52 | |
How do you read my mind! I'd love that, I'd love that. | 0:53:27 | 0:53:32 | |
I'd love that. | 0:53:32 | 0:53:33 | |
I'll tell you what I am going to do. | 0:53:33 | 0:53:35 | |
I'm going to do my best to make sure that Janelle and Russel | 0:53:35 | 0:53:38 | |
get the money they need to carry on and go to college. | 0:53:38 | 0:53:44 | |
I will do my best by baby Josh, | 0:53:44 | 0:53:46 | |
cos I find it a massive honour | 0:53:46 | 0:53:49 | |
that Michael has named his son after me. | 0:53:49 | 0:53:53 | |
Just don't have any more kids, I can't afford it! | 0:53:53 | 0:53:56 | |
And one day, we'll meet, very happy old men. Yeah? | 0:53:59 | 0:54:03 | |
Back in Manila, | 0:54:09 | 0:54:11 | |
Janelle and Russel are taking Josh to see their new school. | 0:54:11 | 0:54:14 | |
Come on, guys. | 0:54:14 | 0:54:16 | |
The fees for the private school | 0:54:16 | 0:54:18 | |
are way beyond the wages of a jeepney driver. | 0:54:18 | 0:54:21 | |
OK, Rogelio. | 0:54:21 | 0:54:23 | |
Although Rogelio's daily life is still hard, | 0:54:28 | 0:54:31 | |
Josh has decided to focus on the future. | 0:54:31 | 0:54:35 | |
'When we were here the last time, the only thing that Rogelio ever asked for | 0:54:37 | 0:54:42 | |
'was the opportunity for his grandkids to go to a good school. | 0:54:42 | 0:54:45 | |
'So I decided on myself that I would do that for him. | 0:54:45 | 0:54:49 | |
'I made a big commitment, a commitment which isn't just months, isn't just years, | 0:54:52 | 0:54:57 | |
'I'm talking in double figures here, we're looking 12 years probably.' | 0:54:57 | 0:55:01 | |
All in all, Josh will need to raise more than £10,000. | 0:55:01 | 0:55:05 | |
That was a shock, I wasn't expecting that. | 0:55:11 | 0:55:14 | |
Yes, it's a big commitment and sometimes yes, I do think | 0:55:14 | 0:55:18 | |
"Oh, my gosh, anything can happen between now and 12 years." | 0:55:18 | 0:55:21 | |
Then I'll get a text message from Rogelio saying how pleased he is. | 0:55:22 | 0:55:26 | |
I'll get pictures from Janelle and they'll write me | 0:55:26 | 0:55:28 | |
a letter saying, like, "Thank you Uncle Josh for helping me out." | 0:55:28 | 0:55:32 | |
And I realise I'm doing the right thing. | 0:55:32 | 0:55:36 | |
The children in this school have expectations | 0:55:36 | 0:55:38 | |
way beyond being a humble jeepney drive. | 0:55:38 | 0:55:41 | |
They could be engineer, doctors, teachers, dentists. | 0:55:41 | 0:55:47 | |
-Surgeon. -Surgeon, very good job. | 0:55:47 | 0:55:49 | |
-Doctor of baby. -A baby doctor? A paediatrician. That's a good job. | 0:55:49 | 0:55:54 | |
It was nice that a few of them had some ideas | 0:55:55 | 0:55:57 | |
of what they wanted to do in the future, so hopefully | 0:55:57 | 0:56:00 | |
in 10-15 years, they do obtain those jobs that they spoke about. | 0:56:00 | 0:56:05 | |
That would be a fantastic end to their story. | 0:56:05 | 0:56:08 | |
It makes me realise the project that I started is a very good one | 0:56:08 | 0:56:12 | |
and I'm going to have to continue it, until it's finished. | 0:56:12 | 0:56:15 | |
OK, all these books are for you two. | 0:56:25 | 0:56:28 | |
This is for Edith, OK? | 0:56:30 | 0:56:33 | |
But before he leaves, there's one last thing Josh needs to do. | 0:56:33 | 0:56:37 | |
-Just a little bit practise. -You start in second? -Oh, yes. | 0:56:45 | 0:56:48 | |
-Yes, now third gear. No, no, no, yes. -It's down the middle. | 0:56:52 | 0:56:55 | |
Yes, yes. | 0:56:55 | 0:56:58 | |
Not so fast. I feel it. | 0:56:59 | 0:57:03 | |
No, just joking. I know you can do it. | 0:57:03 | 0:57:09 | |
It moves a lot. While you're moving, it does this. | 0:57:12 | 0:57:15 | |
'It's rattling a lot more than it was before. | 0:57:15 | 0:57:18 | |
'It's doing a great job keeping his family alive,' | 0:57:18 | 0:57:21 | |
but I don't see more than five years in that. | 0:57:21 | 0:57:23 | |
I have another idea in mind, I don't want to say what it is yet, | 0:57:23 | 0:57:26 | |
but maybe a new jeepney, a bigger jeepney, that would help him. | 0:57:26 | 0:57:32 | |
'In 20 years' time for Rogelio and Edith,' | 0:57:34 | 0:57:39 | |
I hope they're retirement age and they're back in the province. | 0:57:39 | 0:57:43 | |
Everyone is comfortable. I wouldn't want them to be sparkly well off, | 0:57:43 | 0:57:46 | |
that's not what I'm asking, but comfortable that they | 0:57:46 | 0:57:49 | |
don't have to worry about where the next peso is coming in. | 0:57:49 | 0:57:52 | |
That would be good start for the next generation of the Castro family. | 0:57:54 | 0:57:58 | |
-I forget how difficult it is. -No, that's not difficult. | 0:57:58 | 0:58:02 | |
Brother, I'm telling you it's difficult. | 0:58:02 | 0:58:04 | |
You're wet, like me. | 0:58:04 | 0:58:06 | |
You have tissue here, brother. | 0:58:06 | 0:58:10 | |
Oh, my God. | 0:58:11 | 0:58:13 | |
You are a very good driver. You did it, twice. | 0:58:13 | 0:58:17 | |
Next time, Cornish fisherman Andy Giles. | 0:58:25 | 0:58:28 | |
18 months ago he swapped his state-of-the-art | 0:58:28 | 0:58:30 | |
trawler for a dugout canoe in Sierra Leone. | 0:58:30 | 0:58:33 | |
I thought, oh, my God, here we go. | 0:58:33 | 0:58:35 | |
He saw illegal trawlers threatening the existence of a whole community. | 0:58:35 | 0:58:39 | |
They are firing catapults at us now. | 0:58:39 | 0:58:41 | |
Now he is going back to see how life has changed. | 0:58:41 | 0:58:44 | |
Swim up the fish. | 0:58:44 | 0:58:46 | |
And he finds himself on the front-line in a war against illegal trawling. | 0:58:46 | 0:58:50 | |
Subtitles by Red Bee Media Ltd | 0:59:09 | 0:59:14 |