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Fancy a walk with inspiring views, a great poet | 0:00:02 | 0:00:05 | |
and a couple of pints along the way? I do, so let's get walking! | 0:00:05 | 0:00:08 | |
That's it for today. I'm off! | 0:00:09 | 0:00:11 | |
Today's walks take us both through town and country, | 0:00:29 | 0:00:33 | |
as we retrace the steps of Dylan Thomas, | 0:00:33 | 0:00:35 | |
exploring the landscape, people and places that shaped him. | 0:00:35 | 0:00:40 | |
And while we know he liked a good drink, he also loved a good walk. | 0:00:40 | 0:00:44 | |
I've got two corkers for you today. | 0:00:44 | 0:00:47 | |
Later, I'll be in the wilds of West Wales, walking from Fern Hill, | 0:00:47 | 0:00:52 | |
the farm that meant so much to Dylan, | 0:00:52 | 0:00:54 | |
and through some stunning countryside to Llansteffan. | 0:00:54 | 0:00:58 | |
But first, I'm off to Swansea for some fabulous seafront views | 0:00:58 | 0:01:02 | |
and a stomp around Dylan's home town. | 0:01:02 | 0:01:05 | |
-Shw mae? -Helo. Shw mae? Shwd y'ch chi? -Iawn, diolch. | 0:01:05 | 0:01:08 | |
You don't get very far in Swansea without coming across some | 0:01:08 | 0:01:12 | |
tribute or other to one of the city's favourite sons. | 0:01:12 | 0:01:16 | |
And in true Dylan Thomas fashion, | 0:01:16 | 0:01:18 | |
we're going to begin at the beginning. | 0:01:18 | 0:01:20 | |
In fact, at Five Cwmdonkin Drive, where Dylan was born. | 0:01:20 | 0:01:24 | |
And standing here, where he would have stood as a boy, looking at | 0:01:27 | 0:01:31 | |
the same view, you can imagine what it must have been like for him, | 0:01:31 | 0:01:35 | |
growing up here in the family home. | 0:01:35 | 0:01:37 | |
So this really is the perfect place to start my Dylan Thomas tour. | 0:01:37 | 0:01:41 | |
Dylan's childhood home has been lovingly restored. | 0:01:44 | 0:01:47 | |
It was newly built in 1914 when the family moved in. | 0:01:47 | 0:01:51 | |
Dylan's mother was a seamstress | 0:01:51 | 0:01:53 | |
and his father an English teacher at the local grammar school. | 0:01:53 | 0:01:56 | |
All I need now is a guide. | 0:01:57 | 0:01:59 | |
I was born in a large Welsh industrial town. | 0:02:00 | 0:02:04 | |
'And who better than actor Adrian Metcalfe? He's a huge Dylan fan. | 0:02:04 | 0:02:09 | |
'His first ever professional job was in a London | 0:02:09 | 0:02:12 | |
'performance of Under Milk Wood, | 0:02:12 | 0:02:14 | |
'directed by none other than Sir Anthony Hopkins. | 0:02:14 | 0:02:17 | |
'He lives locally, so I'm in safe hands.' | 0:02:17 | 0:02:21 | |
-Hello, Adrian. -Hello, Derek. How are you? | 0:02:21 | 0:02:23 | |
-I'm all right, nice to meet you. -Pleased to meet you too. | 0:02:23 | 0:02:26 | |
So, you've been to the place where it all began. If you'd like to follow me, | 0:02:26 | 0:02:29 | |
we'll keep going uphill and I'll show you some more of Dylan's town. | 0:02:29 | 0:02:32 | |
Looking forward to this. | 0:02:32 | 0:02:33 | |
So, we're in Swansea, Wales' second largest city. | 0:02:37 | 0:02:41 | |
We start at Cwmdonkin Drive in the Uplands area, then we wind | 0:02:41 | 0:02:46 | |
our way down through three lovely parks until we reach Swansea Bay. | 0:02:46 | 0:02:50 | |
It's then a short stroll | 0:02:52 | 0:02:53 | |
along the Wales Coast Path | 0:02:53 | 0:02:55 | |
before heading to the city centre | 0:02:55 | 0:02:57 | |
and pausing at Castle Square. | 0:02:57 | 0:02:59 | |
Then dropping back down to the Maritime Quarter to end | 0:02:59 | 0:03:02 | |
the day with a drink in one of Dylan's infamous watering holes. | 0:03:02 | 0:03:07 | |
So, Derek, here we are, going up Cwmdonkin Drive. | 0:03:12 | 0:03:15 | |
I'd just like to take you over here, so we can see some of the views that Dylan was treated to as a child. | 0:03:15 | 0:03:20 | |
That is an amazing view. You can actually see the curve of the bay. | 0:03:20 | 0:03:23 | |
Absolutely. Dylan talks about Swansea being at the side of a long | 0:03:23 | 0:03:26 | |
and splendid curving shore, and there it is. | 0:03:26 | 0:03:30 | |
'Dylan lived on this street with his mum, dad and sister until he was 23. | 0:03:30 | 0:03:34 | |
'And it was here as a young man that he wrote some of his most | 0:03:34 | 0:03:38 | |
'well-known work. | 0:03:38 | 0:03:40 | |
'Our first stop, one of Dylan's favourite haunts.' | 0:03:40 | 0:03:43 | |
Here we are, about to enter Cwmdonkin Park, | 0:03:43 | 0:03:46 | |
a place that Dylan wrote about over and over again. | 0:03:46 | 0:03:50 | |
I've always wanted to come here. | 0:03:50 | 0:03:52 | |
-It really is another world in here. -Absolutely! | 0:03:59 | 0:04:02 | |
Dylan talks about it being a world within the world of his sea town. | 0:04:02 | 0:04:06 | |
-It's a place that stories can be told. -Let your imagination go wild. | 0:04:06 | 0:04:11 | |
'Bursting with hiding places and full of adventures, | 0:04:11 | 0:04:14 | |
'Cwmdonkin Park was a magical place for the little boy | 0:04:14 | 0:04:17 | |
'and a great source of inspiration.' | 0:04:17 | 0:04:20 | |
I'm going to show you an original feature from Dylan's day | 0:04:21 | 0:04:24 | |
that he actually writes about in one of his poems. | 0:04:24 | 0:04:27 | |
The poem is called Hunchback In The Park. | 0:04:27 | 0:04:29 | |
He talks about a fountain basin. | 0:04:29 | 0:04:31 | |
He says, "The fountain basin where I sailed my ship," | 0:04:31 | 0:04:35 | |
and this is that very fountain basin. | 0:04:35 | 0:04:37 | |
It must have been a small ship! | 0:04:38 | 0:04:40 | |
I think when you're that age it probably looked enormous. | 0:04:40 | 0:04:44 | |
Anyway, let's keep going. | 0:04:44 | 0:04:46 | |
'The park really is worth exploring. | 0:04:46 | 0:04:49 | |
'If you look hard enough, there are Dylan connections everywhere. | 0:04:49 | 0:04:52 | |
'There's even a Dylan Thomas shelter. | 0:04:52 | 0:04:55 | |
'But we won't be needing it today.' | 0:04:55 | 0:04:57 | |
Sun's coming out. | 0:04:57 | 0:04:59 | |
Get it right sometimes! | 0:05:01 | 0:05:04 | |
'Next, we drop down through Uplands, passing the place where Dylan | 0:05:04 | 0:05:08 | |
'would have spent Saturday mornings with the cowboys and Indians.' | 0:05:08 | 0:05:13 | |
MUSIC: Theme from Bonanza | 0:05:13 | 0:05:17 | |
This bank here is on the site of the Uplands Cinema | 0:05:18 | 0:05:22 | |
and it was here that Dylan said that he used to | 0:05:22 | 0:05:25 | |
whoop for the scalping Indians and bang for the rustlers' guns. | 0:05:25 | 0:05:28 | |
You can't beat a good old-fashioned Western, can you? | 0:05:28 | 0:05:32 | |
'Dylan's love of film lasted his whole life. | 0:05:35 | 0:05:39 | |
'During the Second World War, he even wrote a number of public | 0:05:39 | 0:05:42 | |
'information film scripts for the wartime government.' | 0:05:42 | 0:05:47 | |
On this road was his first school, | 0:05:47 | 0:05:49 | |
the place that he calls his dame school. | 0:05:49 | 0:05:53 | |
'Dame schools were primary schools, run by women from their own homes.' | 0:05:53 | 0:05:58 | |
Looks like an ordinary house. His granny could have lived here! | 0:05:58 | 0:06:02 | |
He says in reminiscences of childhood, "Never was there | 0:06:02 | 0:06:06 | |
"such a dame school as ours, so firm and kind and smelling of galoshes." | 0:06:06 | 0:06:12 | |
'I can just imagine the children's wellies lined up by the front door. | 0:06:12 | 0:06:17 | |
'A lovely image. | 0:06:17 | 0:06:18 | |
'I wouldn't usually give you a reading list for my walks, | 0:06:18 | 0:06:22 | |
'but on this occasion, | 0:06:22 | 0:06:23 | |
'a book of Dylan's poems is great to have in your back pocket. | 0:06:23 | 0:06:28 | |
'Now, Adrian is supposed to be taking me on a city tour, | 0:06:28 | 0:06:31 | |
'but it's packed with unexpected green spaces. | 0:06:31 | 0:06:35 | |
'Swansea is blessed with its parks.' | 0:06:35 | 0:06:37 | |
What a delightful park. And I didn't know that Swansea was so green. | 0:06:39 | 0:06:43 | |
You're not the only one. It's a very green city. | 0:06:43 | 0:06:46 | |
We've seen Cwmdonkin Park, this is Brynmill Park, | 0:06:46 | 0:06:48 | |
and we're now about to enter the largest one, which is Singleton Park. | 0:06:48 | 0:06:52 | |
'Singleton Park originally belonged to the Vivian family, | 0:06:52 | 0:06:56 | |
'who were local industrialists. | 0:06:56 | 0:06:58 | |
'It was bought for the public by the council in 1919. | 0:06:58 | 0:07:01 | |
'Next, a treat. | 0:07:04 | 0:07:06 | |
'We have to cross the dual carriageway to get there, | 0:07:06 | 0:07:09 | |
'but once you reach the waterfront, you're in another world.' | 0:07:09 | 0:07:12 | |
-Oh, wow! What a wonderful city beach! -It certainly is. | 0:07:13 | 0:07:16 | |
And on a day like today, with the sun shining, you can see all | 0:07:19 | 0:07:23 | |
the way through the sweep of the bay, all the way down to the Mumbles. | 0:07:23 | 0:07:26 | |
On a really good day, you can even see Porthcawl. | 0:07:26 | 0:07:29 | |
-So, where to next? Are we walking along the beach. -No. | 0:07:30 | 0:07:33 | |
Actually, we'll follow the path. It's just up here. | 0:07:33 | 0:07:36 | |
Wales' new Coast Path. | 0:07:36 | 0:07:38 | |
'Being up on the Coast Path makes the best of those views. | 0:07:40 | 0:07:43 | |
'And an added bonus, no sand in your socks!' | 0:07:43 | 0:07:47 | |
-This really is a playground for the people of Swansea. -Yes. | 0:07:47 | 0:07:50 | |
They've done a wonderful job of opening it up over the last | 0:07:50 | 0:07:53 | |
few years. They've even made a fitness trail. | 0:07:53 | 0:07:56 | |
Oh, yes. I fancy having a go at this. | 0:07:56 | 0:07:59 | |
Here we go. | 0:07:59 | 0:08:01 | |
Weatherman keeping fit! | 0:08:03 | 0:08:05 | |
As if I don't get enough exercise on these walks! | 0:08:08 | 0:08:11 | |
-We'll never finish our route walking like that, Derek. -Spoilsport! | 0:08:14 | 0:08:19 | |
-Good for the calf muscles, though! -I'm sure it is! | 0:08:20 | 0:08:24 | |
'We're now walking along the route of the old Swansea | 0:08:24 | 0:08:28 | |
'and Mumbles railway line. | 0:08:28 | 0:08:30 | |
'It was the world's first passenger railway | 0:08:30 | 0:08:32 | |
'and often used by Dylan to go to his rehearsals | 0:08:32 | 0:08:36 | |
'at the Little Theatre in Mumbles. | 0:08:36 | 0:08:39 | |
'Turning inland, we pass the war memorial | 0:08:40 | 0:08:43 | |
'and begin walking towards the city centre | 0:08:43 | 0:08:46 | |
'past a site that had rather unusual significance for Dylan.' | 0:08:46 | 0:08:50 | |
This is St Helen's, the scene of one of Dylan's greatest achievements | 0:08:50 | 0:08:53 | |
because, surprisingly enough, it's not anything to do with writing. | 0:08:53 | 0:08:56 | |
It was here, at the age of 14, that he | 0:08:56 | 0:08:59 | |
won the Swansea Mile for the Swansea Grammar School. | 0:08:59 | 0:09:02 | |
-Really? -Absolutely. And we've got the cuttings here, just to prove it. | 0:09:02 | 0:09:05 | |
There he is. | 0:09:05 | 0:09:07 | |
-Hardly recognise him. -And what's more, we've got the final proof. | 0:09:07 | 0:09:12 | |
-There it is. "DM Thomas." -And he came first. | 0:09:12 | 0:09:15 | |
He did indeed. | 0:09:15 | 0:09:17 | |
Well, I never knew that. Dylan Thomas was a bit of a young athlete. | 0:09:17 | 0:09:20 | |
And he was very proud of this. During his legendary drinking sessions, later on in his life, | 0:09:20 | 0:09:25 | |
he used to drag this out and show them to people and say, "Look at me! I'm an athlete!" | 0:09:25 | 0:09:29 | |
'Now, you learn something new every day | 0:09:31 | 0:09:34 | |
'and Adrian shows me where the name Swansea Jack comes from. | 0:09:34 | 0:09:37 | |
'And it's all down to this fella, | 0:09:37 | 0:09:39 | |
'a black Labrador called Jack who saved 27 people from drowning. | 0:09:39 | 0:09:44 | |
'And there's me thinking it had something to do with football. | 0:09:44 | 0:09:47 | |
'It's time to pound the pavements again and we head | 0:09:50 | 0:09:53 | |
'back along St Helen's Road and make our way through rush hour. | 0:09:53 | 0:09:56 | |
'If you don't fancy facing the traffic, | 0:10:00 | 0:10:03 | |
'then you can always jump on a bus back to the centre.' | 0:10:03 | 0:10:06 | |
-Shw mae? -Helo, shw mae? Shwd y'ch chi? -Iawn, diolch. -Thank you. | 0:10:08 | 0:10:12 | |
'Right, after three miles, I need a drink.' | 0:10:14 | 0:10:18 | |
Well, Derek. This is the Kardomah cafe | 0:10:21 | 0:10:23 | |
and this place captures the spirit of old Swansea | 0:10:23 | 0:10:26 | |
and it was in a Kardomah like this one that Dylan and his friends would | 0:10:26 | 0:10:30 | |
meet and talk about art and poetry and music and drink their coffee. | 0:10:30 | 0:10:35 | |
'During their teenage years, | 0:10:35 | 0:10:36 | |
'they would come here to put the world to rights. | 0:10:36 | 0:10:40 | |
'In later life, most of them became involved in the arts. | 0:10:40 | 0:10:43 | |
'Known as the Kardomah Boys, they would record programmes for the BBC. | 0:10:43 | 0:10:47 | |
'The original cafe no longer exists, but this one, | 0:10:50 | 0:10:53 | |
'built in the '50s, oozes nostalgia. And the coffee's not bad either!' | 0:10:53 | 0:10:58 | |
-Thank you. -Thank you very much. -Ta-ra. -Bye-bye. -See you, then. | 0:10:58 | 0:11:02 | |
Got to make the most of these city walks. | 0:11:02 | 0:11:05 | |
'Dylan left school at 16 | 0:11:07 | 0:11:09 | |
'and started work as a cub reporter for the South Wales Daily Post | 0:11:09 | 0:11:13 | |
'and he'd soon taken a liking to a different kind of refreshment.' | 0:11:13 | 0:11:17 | |
Now, it's at about this time, 17 years old, | 0:11:17 | 0:11:20 | |
that Dylan loses the cosy cafe culture and discovers the pub. | 0:11:20 | 0:11:24 | |
And there was one pub in which we know he spent a great | 0:11:24 | 0:11:27 | |
deal of time in the centre of town, called The Three Lamps. | 0:11:27 | 0:11:30 | |
And that was just here. | 0:11:30 | 0:11:32 | |
But it's not there any more. | 0:11:32 | 0:11:35 | |
'Because a decade later, in 1941, Swansea would become | 0:11:35 | 0:11:39 | |
'a victim of devastating World War II bombing raids.' | 0:11:39 | 0:11:42 | |
February 19th-21st, 1941. | 0:11:44 | 0:11:46 | |
After three nights of heavy, high incendiary bombing, almost 41 | 0:11:46 | 0:11:50 | |
acres of Swansea, from here, over there, were completely flattened. | 0:11:50 | 0:11:55 | |
'230 people were killed during the three-night blitz | 0:12:01 | 0:12:05 | |
'and more than 400 were injured. | 0:12:05 | 0:12:08 | |
'Swansea was reduced to rubble. | 0:12:08 | 0:12:10 | |
'Dylan wrote about the destruction | 0:12:10 | 0:12:12 | |
'of his town in the play Return Journey.' | 0:12:12 | 0:12:14 | |
-Now, we've got some photographs here of the area. -Blimey! | 0:12:18 | 0:12:21 | |
-It was completely devastated. -Totally. | 0:12:21 | 0:12:24 | |
And there's that building, there. | 0:12:24 | 0:12:27 | |
-And they had to rebuild the city centre from scratch. -Almost, yes. | 0:12:27 | 0:12:31 | |
'As a result, much of Swansea city centre was built after the war. | 0:12:31 | 0:12:36 | |
'But some buildings did survive | 0:12:36 | 0:12:38 | |
'and serve as a reminder of the city's rich history.' | 0:12:38 | 0:12:42 | |
We're walking through a bit of Swansea that actually survived | 0:12:42 | 0:12:45 | |
the attack and one of Dylan's favourite haunts. | 0:12:45 | 0:12:48 | |
-Now, this is Salubrious Passage. -It's a bit dark in here! | 0:12:48 | 0:12:53 | |
And a place which has Dylan's name attached to it quite a bit. | 0:12:53 | 0:12:57 | |
'This was a place where sailors and drinkers came to meet women, | 0:12:57 | 0:13:01 | |
'haggle over deals and plot trouble. And Dylan loved it here. | 0:13:01 | 0:13:05 | |
'And with the light fading, there's only one thing left to do.' | 0:13:05 | 0:13:10 | |
Right, the final stop on our city walk. | 0:13:10 | 0:13:12 | |
-And the perfect place to do what Dylan would have done, and get the pints in. -Your round! | 0:13:12 | 0:13:17 | |
'The Queen's Hotel is one of the oldest pubs in Swansea, | 0:13:21 | 0:13:24 | |
'so this is almost exactly how it would have looked | 0:13:24 | 0:13:27 | |
'when Dylan came here to enjoy a drink or two.' | 0:13:27 | 0:13:30 | |
Well, what a walk it's been. I've really learned a lot about Dylan's life here | 0:13:32 | 0:13:36 | |
and how his ugly, lovely town left its stamp on him. | 0:13:36 | 0:13:40 | |
So here's to his Swansea and my next Dylan Thomas walk. Cheers! | 0:13:40 | 0:13:45 | |
And if you fancy trying this or another one of our walks, | 0:13:51 | 0:13:55 | |
go to our website at bbc.co.uk/weathermanwalking. | 0:13:55 | 0:14:00 | |
It's got everything you need, from route information for each walk, | 0:14:00 | 0:14:04 | |
maps to print off, and some photos we took along the way. | 0:14:04 | 0:14:08 | |
Next, I'm heading further west, | 0:14:10 | 0:14:12 | |
to the spectacular Llansteffan Peninsula. | 0:14:12 | 0:14:15 | |
We'll be walking through the rolling hills of Carmarthenshire, | 0:14:15 | 0:14:18 | |
all the way down to the Three Rivers Estuary. | 0:14:18 | 0:14:21 | |
As well as stunning views, | 0:14:21 | 0:14:23 | |
we'll be finding out about Dylan Thomas' rural roots | 0:14:23 | 0:14:26 | |
and how this lush countryside helped to inspire one of his most | 0:14:26 | 0:14:30 | |
famous poems, Fern Hill. | 0:14:30 | 0:14:32 | |
Bore da. Single to Fern Hill, please. | 0:14:42 | 0:14:46 | |
'My journey starts with a short bus ride from Llansteffan.' | 0:14:46 | 0:14:49 | |
Nice to see you too. | 0:14:49 | 0:14:52 | |
'The nearest stop to Fern Hill Farm is a request | 0:14:52 | 0:14:55 | |
'stop at the turning off for Llangynog.' | 0:14:55 | 0:14:58 | |
Diolch. | 0:14:58 | 0:14:59 | |
'All I need now is my guide.' | 0:14:59 | 0:15:01 | |
Artist and broadcaster Osi Rhys Osmond | 0:15:01 | 0:15:05 | |
grew up in the South Wales valleys, | 0:15:05 | 0:15:07 | |
but came to live in Llansteffan 30 years ago | 0:15:07 | 0:15:10 | |
after falling in love with the place. | 0:15:10 | 0:15:13 | |
He shares Dylan's passion for the arts and the great outdoors, | 0:15:13 | 0:15:16 | |
and today he wants to show me why this little corner of Wales | 0:15:16 | 0:15:20 | |
played such an instrumental part in Dylan's life and work. | 0:15:20 | 0:15:23 | |
Shw mae, Osi? | 0:15:26 | 0:15:27 | |
-Nice to meet you. -Nice to meet you. Welcome to Dylan Thomas country. | 0:15:27 | 0:15:30 | |
-I've got a very interesting walk to take you on. -Looking forward to this. | 0:15:30 | 0:15:34 | |
So am I. | 0:15:34 | 0:15:35 | |
Today's walk is set on the beautiful Llansteffan Peninsula. | 0:15:38 | 0:15:43 | |
After coming off the bus, we take | 0:15:43 | 0:15:45 | |
a country lane to Fernhill Farm | 0:15:45 | 0:15:46 | |
before dropping down | 0:15:46 | 0:15:48 | |
through the fields and lanes | 0:15:48 | 0:15:49 | |
to reach the village of Llanybri. | 0:15:49 | 0:15:51 | |
From here we enjoy a stunning stroll | 0:15:51 | 0:15:53 | |
on the Taf estuary | 0:15:53 | 0:15:55 | |
before reaching Black Scar Point | 0:15:55 | 0:15:57 | |
and hugging the headland | 0:15:57 | 0:15:58 | |
all the way back to Llansteffan. | 0:15:58 | 0:16:00 | |
That's nearly 12 miles, though you can do it in sections if you want. | 0:16:00 | 0:16:05 | |
'Dylan's strong links with this area aren't very well-known | 0:16:13 | 0:16:16 | |
'and Osi wants to put that right, so I'm all ears.' | 0:16:16 | 0:16:19 | |
I'm going to take you on this walk because I think it's so important | 0:16:22 | 0:16:25 | |
that people understand how much this area meant to Dylan Thomas. | 0:16:25 | 0:16:29 | |
How it formed his imagination. | 0:16:29 | 0:16:31 | |
I believe that the things that surround us in our childhood | 0:16:31 | 0:16:33 | |
are so critical to making us the person we are. | 0:16:33 | 0:16:37 | |
Well, I know about Laugharne and Swansea | 0:16:37 | 0:16:39 | |
and how important they were to Dylan's life, | 0:16:39 | 0:16:41 | |
but I didn't realise this part of Carmarthenshire was so influential. | 0:16:41 | 0:16:45 | |
Well, it's critical. | 0:16:45 | 0:16:46 | |
His family farmed around here | 0:16:46 | 0:16:49 | |
and almost all the way down to the sea, and he spent his summers | 0:16:49 | 0:16:52 | |
and weekends meeting relatives and exploring the countryside here. | 0:16:52 | 0:16:56 | |
'And there was one special place that Dylan loved exploring.' | 0:16:59 | 0:17:02 | |
Here we are, Derek, Fern Hill. | 0:17:04 | 0:17:06 | |
'This is the dairy farm where Dylan's beloved aunt Annie lived. | 0:17:06 | 0:17:10 | |
'He'd come to stay here as a little boy, | 0:17:10 | 0:17:12 | |
'and they say he was a bit of a rascal and spoilt rotten.' | 0:17:12 | 0:17:16 | |
His time here left a huge impression on the young Dylan and his love for | 0:17:16 | 0:17:19 | |
the place resonates through every line of his poem Fern Hill. | 0:17:19 | 0:17:24 | |
"Now as I was young and easy under the apple boughs | 0:17:24 | 0:17:28 | |
"About the lilting house and happy as the grass was green..." | 0:17:28 | 0:17:33 | |
It's changed greatly since Dylan's time. | 0:17:33 | 0:17:37 | |
But somehow I still get the feeling and the sense of that wonderful poem. | 0:17:37 | 0:17:41 | |
This was the barn where he wrote. | 0:17:41 | 0:17:46 | |
This is the yard where he was happy as the day was long. | 0:17:46 | 0:17:49 | |
This is where he was carefree. | 0:17:51 | 0:17:54 | |
-"In the sun that is young once only." -That's right. | 0:17:54 | 0:17:57 | |
For a small boy from Swansea, confined in that suburbia, | 0:17:57 | 0:18:01 | |
to come here to this rural paradise, great, unfettered freedom. | 0:18:01 | 0:18:06 | |
Well, from the poem and actually being here, you can get a sense of | 0:18:06 | 0:18:10 | |
what it must have been like for Dylan when he was here as a boy. | 0:18:10 | 0:18:13 | |
He really brings that over in his work. | 0:18:13 | 0:18:16 | |
'Nobody's living here at the moment and there's no public access' | 0:18:17 | 0:18:20 | |
but we've had special permission to come in. | 0:18:20 | 0:18:23 | |
And what a privilege to feel such a close connection | 0:18:23 | 0:18:25 | |
to Dylan as a child. | 0:18:25 | 0:18:27 | |
'Soon we're heading in the direction of another family farm.' | 0:18:32 | 0:18:36 | |
-It's great walking through here. -It's wonderful. Nice and shaded. | 0:18:36 | 0:18:40 | |
Got a little bit of a wood to go through first. After you. | 0:18:42 | 0:18:45 | |
Weathermen first, I always say. | 0:18:45 | 0:18:48 | |
We'll make our way down here. | 0:18:48 | 0:18:50 | |
This was a walk Dylan would have done. | 0:18:50 | 0:18:53 | |
'Osi reckons the young Dylan may well have escaped down here | 0:18:53 | 0:18:56 | |
'when there were chores to be done on the farm. | 0:18:56 | 0:18:59 | |
'And what a fabulous place to hide.' | 0:18:59 | 0:19:01 | |
Well, this is a bit of a difference, Osi. | 0:19:03 | 0:19:05 | |
It is, Derek, we come out of the darkness and into the light. | 0:19:05 | 0:19:10 | |
It's like somebody's turned a light on. | 0:19:10 | 0:19:12 | |
Just look at the view. | 0:19:12 | 0:19:14 | |
And we're going down into that valley in the same way | 0:19:21 | 0:19:23 | |
that Dylan would have done. | 0:19:23 | 0:19:24 | |
Down to see his relatives at the next farm. | 0:19:24 | 0:19:26 | |
'The path takes us through Pentrewyman Farm | 0:19:27 | 0:19:30 | |
'where he had another aunt and uncle. | 0:19:30 | 0:19:33 | |
'Dylan would have had no shortage of places to stop off | 0:19:33 | 0:19:36 | |
'with all these relatives dotted around. | 0:19:36 | 0:19:38 | |
'Joining the lanes once again, | 0:19:40 | 0:19:41 | |
'we head inland and it seems we're not the only ones out for a stroll.' | 0:19:41 | 0:19:45 | |
Shw mae? How are you? | 0:19:47 | 0:19:49 | |
Are you enjoying your walk? | 0:19:50 | 0:19:52 | |
-Yes, thank you. -Where have you been so far? | 0:19:52 | 0:19:55 | |
From Llangain. | 0:19:55 | 0:19:57 | |
-Well, you've got the weather for it. -Well, that's why we came today. | 0:19:57 | 0:20:00 | |
Cheerio. | 0:20:02 | 0:20:03 | |
'I love meeting fellow walkers, | 0:20:03 | 0:20:06 | |
'and I quite fancy a set of those sticks too.' | 0:20:06 | 0:20:09 | |
We're coming up to Blaencwm now and another very important house. | 0:20:09 | 0:20:13 | |
His parents came here to live, he came here as a teenager, | 0:20:13 | 0:20:15 | |
he came as a young man. | 0:20:15 | 0:20:17 | |
-He was a bit of a nomad, wasn't he? -There were times, yeah, | 0:20:19 | 0:20:22 | |
there were times when he didn't have a roof over his head | 0:20:22 | 0:20:24 | |
and he knew that there'd be some kind of welcome here, | 0:20:24 | 0:20:27 | |
this is where he came. | 0:20:27 | 0:20:28 | |
You are now entering what I call | 0:20:35 | 0:20:37 | |
the Llansteffan Peninsula Bermuda Triangle. | 0:20:37 | 0:20:41 | |
-Bermuda Triangle? -Well, many, many visitors get lost. | 0:20:41 | 0:20:45 | |
They enter these lanes, never to be seen again. | 0:20:46 | 0:20:49 | |
So we could walk up here and disappear. | 0:20:49 | 0:20:51 | |
This could be the last thing we ever do. | 0:20:51 | 0:20:52 | |
-I hope not. -So do I. | 0:20:54 | 0:20:56 | |
'These single lanes can be a nightmare to navigate | 0:20:56 | 0:20:58 | |
'if you don't know where you're going and phone signal is poor, | 0:20:58 | 0:21:02 | |
'so double check your route and take a good map with you. | 0:21:02 | 0:21:05 | |
'Or just download mine off the website. | 0:21:05 | 0:21:07 | |
'But before we go too deep into the unknown, | 0:21:08 | 0:21:10 | |
'Osi has someone he wants me to meet.' | 0:21:10 | 0:21:12 | |
We're going to meet someone who's very special. | 0:21:12 | 0:21:15 | |
Mrs Heulwen Morris, who is one of Dylan Thomas' last surviving | 0:21:16 | 0:21:19 | |
relatives, in this part of the world anyway. | 0:21:19 | 0:21:22 | |
-Hello, Heulwen. -Hello, Derek. | 0:21:26 | 0:21:29 | |
THEY SPEAK WELSH | 0:21:29 | 0:21:33 | |
'Heulwen is Dylan's second cousin. | 0:21:33 | 0:21:35 | |
'He used to come here as a small boy | 0:21:35 | 0:21:37 | |
'and also later on in life with his wife Caitlin.' | 0:21:37 | 0:21:41 | |
-Did you know Caitlin very well, his wife? -Yes. | 0:21:41 | 0:21:45 | |
-She would come up after they were married. -What was she like? | 0:21:45 | 0:21:49 | |
Very pleasant woman. | 0:21:49 | 0:21:51 | |
-Plenty of energy, you told me. -Plenty of energy. | 0:21:53 | 0:21:57 | |
If there was work to be done, she would come and do it with them. | 0:21:57 | 0:22:01 | |
-Different to her husband. -Yes. -He'd be off walking. -Yes. | 0:22:01 | 0:22:06 | |
It was lovely to meet you and thank you very much for your time. | 0:22:06 | 0:22:09 | |
Bye. | 0:22:09 | 0:22:11 | |
-Well, what a special lady, Osi. -That was an incredible experience. | 0:22:13 | 0:22:18 | |
There's not many people like that left, | 0:22:18 | 0:22:20 | |
and I think she's absolutely wonderful. | 0:22:20 | 0:22:22 | |
-She is, it was worth stopping to say hello. -Indeed. | 0:22:22 | 0:22:25 | |
Well, there's one good think about walking at this time of year | 0:22:32 | 0:22:35 | |
-and that's we can pick blackberries. -That would be lovely. | 0:22:35 | 0:22:38 | |
Little feast on the way just to keep us going. | 0:22:38 | 0:22:40 | |
There's a juicy one there, I'll have that one. | 0:22:40 | 0:22:44 | |
-Good crop this year too. -Excellent. -Because of the nice weather. | 0:22:44 | 0:22:47 | |
That's why we rely on you, Derek, bring all this lovely weather. | 0:22:47 | 0:22:50 | |
It's all my doing. | 0:22:50 | 0:22:51 | |
'And with a belly full of berries and bathed in this lovely | 0:22:52 | 0:22:56 | |
'September sunshine, it feels like life is good. | 0:22:56 | 0:22:59 | |
'But little do we know what's just up ahead.' | 0:23:02 | 0:23:04 | |
So what are we going to do now? We're trapped! | 0:23:12 | 0:23:14 | |
Derek, we're going to move on the path | 0:23:14 | 0:23:16 | |
and we're going to move with great discretion. | 0:23:16 | 0:23:19 | |
-They're scared of you, Osi. -Yeah. | 0:23:19 | 0:23:21 | |
Hey! | 0:23:23 | 0:23:25 | |
'These playful young heifers are extremely curious | 0:23:25 | 0:23:28 | |
'and think it's feeding time. | 0:23:28 | 0:23:30 | |
'But with no food on offer, they soon get bored and take off.' | 0:23:30 | 0:23:34 | |
It's like being on a ranch. | 0:23:36 | 0:23:38 | |
'Leaving us to make our escape. | 0:23:40 | 0:23:41 | |
'But it serves as a reminder that public footpaths do cut through | 0:23:41 | 0:23:45 | |
'working farms, so do take extra care. | 0:23:45 | 0:23:48 | |
'After our brief encounter the landscape opens up again | 0:23:50 | 0:23:53 | |
'as we make our way down through more fields towards Llanybri.' | 0:23:53 | 0:23:58 | |
Well, this is good farming land - lush and green. | 0:23:58 | 0:24:02 | |
Yes, it's wonderful. | 0:24:02 | 0:24:03 | |
And of course, before Dylan Thomas' time it produced a lot of milk, | 0:24:03 | 0:24:07 | |
and it still does. But the pattern of farming has changed. | 0:24:07 | 0:24:10 | |
Now there's just one big producer instead of 20 or 30 small farms. | 0:24:10 | 0:24:14 | |
Just one big farm. | 0:24:14 | 0:24:16 | |
But the thing that makes it all possible is this beautiful red earth. | 0:24:16 | 0:24:20 | |
The red sandstone in this rich soil has a high mineral content, | 0:24:20 | 0:24:24 | |
so it acts as a natural fertiliser, keeping the grass nice and green. | 0:24:24 | 0:24:28 | |
I could do with some of this in my garden. | 0:24:28 | 0:24:30 | |
You can put some in your rucksack, | 0:24:30 | 0:24:32 | |
and when you get home fill your window boxes. | 0:24:32 | 0:24:34 | |
You'll have the most beautiful window boxes in Barry. | 0:24:34 | 0:24:36 | |
'As the day wears on, the skies cloud over | 0:24:44 | 0:24:47 | |
'and we start to get a bit chilly.' | 0:24:47 | 0:24:48 | |
'We arrive at Llanybri. | 0:24:53 | 0:24:55 | |
'Dylan didn't come here for a cuppa, but for a pint at the local pub.' | 0:24:55 | 0:25:00 | |
Here we are - The Farmers Arms. Dylan came here for a drink often. | 0:25:00 | 0:25:05 | |
To prop up the bar and share his stories. | 0:25:05 | 0:25:08 | |
'But sadly no time for a drink today, | 0:25:08 | 0:25:10 | |
'we still have over five miles to go | 0:25:10 | 0:25:13 | |
'so we plod on and before long we spot the estuary | 0:25:13 | 0:25:16 | |
'and the River Taf, | 0:25:16 | 0:25:17 | |
'catching a glimpse of Laugharne in the distance.' | 0:25:17 | 0:25:20 | |
Now we're going to see a completely different set of landscape. | 0:25:22 | 0:25:26 | |
'Below us are the salt marshes' | 0:25:29 | 0:25:30 | |
on the banks of the River Taf. | 0:25:30 | 0:25:32 | |
These marshes are formed from sea water flowing upriver. | 0:25:32 | 0:25:36 | |
And it's in areas like this that salt marsh lamb | 0:25:36 | 0:25:38 | |
and beef are reared for their unique flavour. | 0:25:38 | 0:25:41 | |
The mighty River Taf was once a busy waterway, | 0:25:45 | 0:25:47 | |
carrying goods up to Carmarthen. | 0:25:47 | 0:25:50 | |
Today, it's heavily silted, so only small boats can travel along it | 0:25:50 | 0:25:54 | |
'and this is the point where the river meets the sea.' | 0:25:54 | 0:25:57 | |
-There's so many different landscapes on this walk. -It's amazing. | 0:26:02 | 0:26:05 | |
Open fields, woodlands, country lanes. | 0:26:05 | 0:26:08 | |
'We're now on the Old Pilgrims Way. | 0:26:10 | 0:26:12 | |
'people have been walking this route to St David's since the Middle Ages. | 0:26:12 | 0:26:16 | |
'But we're heading to Black Scar Point for fantastic views | 0:26:16 | 0:26:19 | |
'over to Laugharne.' | 0:26:19 | 0:26:21 | |
Is that the boathouse I can see over there? | 0:26:22 | 0:26:24 | |
That's the boathouse. | 0:26:24 | 0:26:26 | |
And of all the places he lived, that's the place where he settled | 0:26:26 | 0:26:28 | |
and where he lived for the longest period. | 0:26:28 | 0:26:30 | |
So just over there is where Dylan | 0:26:30 | 0:26:32 | |
and the locals would have caught the ferry across to Laugharne? | 0:26:32 | 0:26:35 | |
That's right. Black Scar Point. | 0:26:35 | 0:26:37 | |
The thing was, this ferry couldn't always come close to the shore | 0:26:37 | 0:26:40 | |
cos of the mud and the tide, so the ferrymen would have to carry them. | 0:26:40 | 0:26:44 | |
Very often carried Dylan. | 0:26:44 | 0:26:46 | |
So think of the great poet being carried by the big, strong ferryman. | 0:26:46 | 0:26:51 | |
I can see why Dylan would have loved this place so much. | 0:26:51 | 0:26:54 | |
It's got everything, all the things that inspired him. | 0:26:54 | 0:26:56 | |
But what he's looking at is where he came from. | 0:26:56 | 0:26:59 | |
That landscape that we've walked through, that primal landscape | 0:26:59 | 0:27:03 | |
that inspired his poetry, where he spent those happy childhood days. | 0:27:03 | 0:27:07 | |
Come on, we're nearly finished. We've got a bit further to go. | 0:27:07 | 0:27:10 | |
-It's been a long walk, Derek. -But worth every step, Osi. | 0:27:15 | 0:27:18 | |
It has been wonderful, but Derek, the best is yet to come. | 0:27:18 | 0:27:22 | |
Oh, wow. That is stunning. | 0:27:25 | 0:27:28 | |
We've arrived at Wharley Point, | 0:27:33 | 0:27:34 | |
with amazing estuary views in all directions. | 0:27:34 | 0:27:38 | |
This is where I come most evenings to sit and watch the sun go down. | 0:27:40 | 0:27:44 | |
To paint, look at the birds, look at the estuary. | 0:27:44 | 0:27:47 | |
This to me is the wonderful point where we can actually say, | 0:27:47 | 0:27:50 | |
"God, isn't it all so beautiful?" | 0:27:50 | 0:27:52 | |
-This is the Three Rivers Estuary? -Yes, this is it. | 0:27:52 | 0:27:55 | |
It's absolutely stunning. | 0:27:55 | 0:27:57 | |
The magnificent Three Rivers Estuary is where the rivers Taf, Tywi | 0:27:58 | 0:28:02 | |
and Gwendraeth meet | 0:28:02 | 0:28:04 | |
as they flow into the Bristol Channel and out into the Celtic Sea. | 0:28:04 | 0:28:08 | |
And is that Worm's Head I can see over there? | 0:28:08 | 0:28:10 | |
You can just about see it in the mist. | 0:28:10 | 0:28:12 | |
-I can see why this is such a special place for you. -It is. | 0:28:12 | 0:28:15 | |
This is where I think I would like to jump off from here | 0:28:15 | 0:28:18 | |
and launch myself into eternity. | 0:28:18 | 0:28:20 | |
The light's fading, we've got a little way to go, so let's press on. | 0:28:20 | 0:28:23 | |
OK. | 0:28:23 | 0:28:24 | |
'I am tired, but those gorgeous views over Pendine Sands | 0:28:27 | 0:28:31 | |
'aren't half keeping me going. | 0:28:31 | 0:28:33 | |
'No wonder this place gets the creative juices flowing.' | 0:28:33 | 0:28:36 | |
Well, this walk has been a real eye-opener. | 0:28:43 | 0:28:46 | |
In a corner of Wales often forgotten by Dylan fans, we've walked through | 0:28:46 | 0:28:50 | |
lush farmland, hidden villages and finished with an amazing estuary. | 0:28:50 | 0:28:55 | |
It doesn't get much better than that. Ta-ra. | 0:28:55 | 0:28:58 |