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Sea views, picture-postcard towns | 0:00:02 | 0:00:03 | |
and landscapes that feed the imagination. | 0:00:03 | 0:00:06 | |
Dylan Thomas knew exactly what was needed for a great walk. | 0:00:06 | 0:00:09 | |
So, let's follow in his footsteps and go walking. | 0:00:09 | 0:00:13 | |
That's it for today, I'm off! | 0:00:14 | 0:00:17 | |
Dylan chose some wonderful Welsh locations to call home, | 0:00:35 | 0:00:39 | |
so this week, I'm taking in two coastal towns | 0:00:39 | 0:00:42 | |
with breathtaking views rich in history and local charm. | 0:00:42 | 0:00:46 | |
And both claim to be the inspiration for his classic, Under Milk Wood. | 0:00:46 | 0:00:51 | |
So, let battle commence. | 0:00:51 | 0:00:53 | |
Later, I'll be catching a boat to Laugharne to see the sights | 0:00:55 | 0:00:58 | |
dearest to Dylan and the source of some of his greatest inspiration. | 0:00:58 | 0:01:02 | |
But first, I'm at the seaside in New Quay to find out | 0:01:02 | 0:01:06 | |
why Dylan's time here resulted in a Hollywood blockbuster. | 0:01:06 | 0:01:11 | |
For many visitors, New Quay is better known as a holiday | 0:01:11 | 0:01:14 | |
destination than as somewhere Dylan Thomas lived. | 0:01:14 | 0:01:17 | |
So I'm hitting the town's Dylan Thomas Trail to find out | 0:01:17 | 0:01:21 | |
why his short time here played such a big part in his life. | 0:01:21 | 0:01:25 | |
And hopefully, we'll be back in time for some pysgod a sglodion, | 0:01:25 | 0:01:29 | |
fish and chips! | 0:01:29 | 0:01:31 | |
My guide here is book-seller and author Jeff Townes. | 0:01:33 | 0:01:36 | |
He's also known as the Dylan Thomas guy, | 0:01:36 | 0:01:38 | |
having spent four decades digging up everything he could on Dylan. | 0:01:38 | 0:01:43 | |
These days, he runs a mobile book shop, | 0:01:43 | 0:01:45 | |
but he's taken a day off to show me Dylan's New Quay. | 0:01:45 | 0:01:49 | |
-Hello, Jeff. -Hello, Derek. Good to see you. | 0:01:51 | 0:01:53 | |
-Great to meet you. -Welcome to New Quay. | 0:01:53 | 0:01:55 | |
This is one of the places that is supposed to be where | 0:01:55 | 0:01:59 | |
Dylan Thomas modelled the town of Llareggub in Under Milk Wood. | 0:01:59 | 0:02:03 | |
But there are other places that claim it. | 0:02:03 | 0:02:05 | |
When I stand here and look at that and this harbour, | 0:02:05 | 0:02:09 | |
this is what I imagine Llareggub to look like. | 0:02:09 | 0:02:11 | |
-Shall we go and have a closer look? -Yeah. Come on. Let's get going. | 0:02:11 | 0:02:15 | |
New Quay is a popular seaside town on the Ceredigion coast. | 0:02:19 | 0:02:23 | |
Starting at the stone pier, | 0:02:23 | 0:02:24 | |
we walk up through town and down to the wild beach below. | 0:02:24 | 0:02:28 | |
It's then a beach walk all the way to Llanina Point, | 0:02:28 | 0:02:32 | |
before heading inland to visit Dylan's former home. | 0:02:32 | 0:02:35 | |
Our last leg takes us around the top of New Quay, | 0:02:35 | 0:02:38 | |
ending with a spectacular sea-cliff walk all the way back to town. | 0:02:38 | 0:02:42 | |
A total of just under six miles. | 0:02:42 | 0:02:45 | |
In summer, it will be packed here, | 0:02:50 | 0:02:52 | |
but the beach in winter has its own very special charm. | 0:02:52 | 0:02:56 | |
And it was in 1944, during one of the coldest winters on record, that | 0:02:56 | 0:03:01 | |
Dylan fled here from London with his wife, Caitlin, and their children. | 0:03:01 | 0:03:05 | |
So, why did Dylan and his family move to New Quay? | 0:03:06 | 0:03:09 | |
I think it was the war that did it. | 0:03:09 | 0:03:12 | |
The Blitz was escalating in London | 0:03:12 | 0:03:15 | |
and he just thought he had to get away. | 0:03:15 | 0:03:17 | |
A friend from Swansea, Vera Phillips, she lived over there | 0:03:17 | 0:03:21 | |
and she told him that the house next door was empty. | 0:03:21 | 0:03:24 | |
So they came down here. | 0:03:24 | 0:03:26 | |
We're just coming up to The Black Lion, | 0:03:31 | 0:03:33 | |
which is Dylan Thomas' favourite pub in town. | 0:03:33 | 0:03:36 | |
He said it waited for Saturday night like a jolly girl waits for sailors. | 0:03:36 | 0:03:40 | |
And it was recently used as a focal point | 0:03:40 | 0:03:44 | |
for a big Hollywood movie. You might have seen it. | 0:03:44 | 0:03:46 | |
-The Edge Of Love, starring Matthew Rhys. -That's the one. | 0:03:46 | 0:03:49 | |
With Sienna Miller and Keira Knightley. | 0:03:49 | 0:03:52 | |
And one of the stars of the film is in here waiting to talk to us. | 0:03:52 | 0:03:55 | |
-It might be Matthew Rhys having a pint. -It could be Sienna Miller. | 0:03:55 | 0:04:00 | |
'Not surprisingly, Sienna was busy, | 0:04:00 | 0:04:02 | |
'so I'm meeting movie star for a day Barbara Cassini.' | 0:04:02 | 0:04:06 | |
Hello, Barbara. | 0:04:06 | 0:04:08 | |
-Hello. -Lovely to meet you. -And you. | 0:04:08 | 0:04:11 | |
So, tell me, what was it like starring in the film, | 0:04:11 | 0:04:13 | |
Edge Of Love, when Hollywood came to New Quay? | 0:04:13 | 0:04:17 | |
It was memorable. There's never been a day quite like it. | 0:04:17 | 0:04:22 | |
-The whole village was alive. -And what part did you play? | 0:04:22 | 0:04:25 | |
Well, I was a gossip, with another lady. I was a gossip. | 0:04:25 | 0:04:29 | |
-This is you as a gossip here? -Yes. I hope you don't recognise me. | 0:04:29 | 0:04:33 | |
-You're the one on the left. -Thank you! | 0:04:33 | 0:04:36 | |
What was it like meeting the big celebrities? | 0:04:36 | 0:04:39 | |
Oh, I thought Matthew Rhys was a very charming fellow. Small, but perfect. | 0:04:39 | 0:04:44 | |
Dylan said he looked like an unmade bed. | 0:04:44 | 0:04:46 | |
He looks like he's stepped off Savile Row, doesn't he? | 0:04:46 | 0:04:49 | |
-But he's a handsome man. -He's a very nice-looking fellow. | 0:04:49 | 0:04:53 | |
-Did you get his number? -No. | 0:04:53 | 0:04:56 | |
I adored him from afar. | 0:04:56 | 0:04:59 | |
Thank you very much for sharing your stories with us. | 0:04:59 | 0:05:01 | |
It's been very enjoyable. It's been lovely. | 0:05:01 | 0:05:04 | |
'Right, that's enough Hollywood gossip. | 0:05:05 | 0:05:07 | |
'Time to carry on with the walk.' | 0:05:07 | 0:05:09 | |
So, it looks like we're leaving the town | 0:05:13 | 0:05:15 | |
and heading down onto the beach. | 0:05:15 | 0:05:17 | |
-Should have brought my trunks. -Not today, boy. | 0:05:17 | 0:05:20 | |
LAUGHTER | 0:05:20 | 0:05:22 | |
-It's a bit chilly. -It would be. | 0:05:22 | 0:05:24 | |
If I say to you, "Derek, kiss me in Goosegog Lane," | 0:05:24 | 0:05:29 | |
I don't mean anything other than I'm quoting Under Milk Wood. | 0:05:29 | 0:05:32 | |
Glad to hear it. | 0:05:32 | 0:05:34 | |
Because there's a lovely exchange between children. | 0:05:34 | 0:05:36 | |
"Kiss me in Goosegog Lane. What's your name? Billy." | 0:05:36 | 0:05:40 | |
-Oh, this is great, Jeff! -Look at this! | 0:05:44 | 0:05:47 | |
-What an amazing beach. -It's pretty rugged, isn't it? | 0:05:47 | 0:05:50 | |
And you can see right across Cardigan Bay, | 0:05:50 | 0:05:53 | |
towards the Llyn Peninsula. | 0:05:53 | 0:05:55 | |
'At high tide, Traethgwyn, that's White Beach, | 0:05:56 | 0:05:59 | |
'can be dangerous to cross, | 0:05:59 | 0:06:01 | |
'so make sure you check it's safe before setting off.' | 0:06:01 | 0:06:05 | |
So, what made you become interested in Dylan and his life? | 0:06:05 | 0:06:08 | |
It was the other Dylan. The first LP I ever bought was Bob Dylan's. | 0:06:08 | 0:06:11 | |
He'd actually been born Robert Zimmerman. | 0:06:12 | 0:06:15 | |
And he changed his name, | 0:06:15 | 0:06:17 | |
he said, as a homage to a Welsh poet called Dylan Thomas. | 0:06:17 | 0:06:21 | |
I never knew that. | 0:06:21 | 0:06:22 | |
I was very lucky because I had a Welsh mum | 0:06:22 | 0:06:25 | |
who knew a bit about poetry. | 0:06:25 | 0:06:26 | |
I was about 14 at the time. | 0:06:26 | 0:06:28 | |
And she told me about him and I started to read all of Dylan Thomas. | 0:06:28 | 0:06:33 | |
And when I washed up in Swansea, | 0:06:33 | 0:06:36 | |
and my wife and I opened a book shop... | 0:06:36 | 0:06:40 | |
it seemed to be obvious. Dylan's Bookstore. | 0:06:40 | 0:06:43 | |
-He's been part of your life since you were young. -Yeah. | 0:06:43 | 0:06:45 | |
It wasn't a conscious decision, but it just happened that way. | 0:06:45 | 0:06:48 | |
'Our beach walk ends at Llanina Point, | 0:06:56 | 0:06:59 | |
'where the River Llethi meets the sea. | 0:06:59 | 0:07:01 | |
'Next stop is a private house which was owned by the wealthy | 0:07:06 | 0:07:09 | |
'Sir Howard de Walden, who was a fan of Dylan's | 0:07:09 | 0:07:11 | |
'and offered him a private place to write.' | 0:07:11 | 0:07:15 | |
Dylan Thomas lived just a stone's throw away | 0:07:15 | 0:07:18 | |
in this tiny little shack. | 0:07:18 | 0:07:20 | |
And he said it was like fleas jumping in a box. | 0:07:20 | 0:07:23 | |
His kids were all over him. And he needed somewhere to write. | 0:07:23 | 0:07:26 | |
'And De Walden had just the place - | 0:07:26 | 0:07:29 | |
'his apple house, which was like a little studio back then.' | 0:07:29 | 0:07:32 | |
What happened here is a second flowering. | 0:07:32 | 0:07:35 | |
He'd had a period where he wasn't producing poems | 0:07:35 | 0:07:38 | |
because he was too busy doing other things, | 0:07:38 | 0:07:40 | |
but when he got here, he found the sort of peace | 0:07:40 | 0:07:42 | |
and quiet to write half a dozen of his greatest poems. | 0:07:42 | 0:07:47 | |
'As a thank-you for having his own writer's retreat, | 0:07:47 | 0:07:50 | |
'Dylan repaid his patron in the only way he could, with a signed book.' | 0:07:50 | 0:07:54 | |
"To Lord Howard de Walden, from Dylan Thomas. November, 1944." | 0:07:55 | 0:08:00 | |
-So, this is an original copy? -Yeah. | 0:08:00 | 0:08:02 | |
It's very special. | 0:08:02 | 0:08:04 | |
'This spot isn't open to the public, | 0:08:04 | 0:08:06 | |
'but we've had special permission to come in. | 0:08:06 | 0:08:09 | |
'And at the bottom of the garden, | 0:08:09 | 0:08:10 | |
'there's a possible clue for the Under Milk Wood debate.' | 0:08:10 | 0:08:14 | |
This is Dylan's view...of Llareggub. | 0:08:16 | 0:08:19 | |
When you show it to people from New Quay, they'll say, | 0:08:19 | 0:08:22 | |
"Oh, look, there's our terraces, there's our hill." | 0:08:22 | 0:08:25 | |
When you show it to the people at Laugharne, they say, "That's our town hall." | 0:08:25 | 0:08:28 | |
-It's a combination of the both, perhaps. -It's from his imagination. | 0:08:28 | 0:08:32 | |
'Whatever you think, it's a gorgeous view. | 0:08:33 | 0:08:36 | |
'No wonder it sparked Dylan's imagination.' | 0:08:36 | 0:08:38 | |
So, here we are, Derek, Dylan's home while he was in New Quay. | 0:08:42 | 0:08:46 | |
It didn't look anything like this when he came here. | 0:08:48 | 0:08:50 | |
It was a wood and asbestos shack with no facilities, | 0:08:50 | 0:08:54 | |
an outside toilet. | 0:08:54 | 0:08:56 | |
It was while they were here that the Majoda incident occurred. | 0:08:56 | 0:09:00 | |
'The Majoda incident involved Dylan's neighbours, | 0:09:00 | 0:09:03 | |
'Vera and Captain William Killick. | 0:09:03 | 0:09:05 | |
'Killick had just returned to New Quay after a year | 0:09:05 | 0:09:08 | |
'fighting behind enemy lines in Greece.' | 0:09:08 | 0:09:11 | |
He came back and he was suffering, I think, | 0:09:11 | 0:09:13 | |
from what we would now call post-traumatic stress syndrome. | 0:09:13 | 0:09:16 | |
And after an altercation down in the town, | 0:09:16 | 0:09:19 | |
he thought Dylan and Caitlin and Vera were having too much fun | 0:09:19 | 0:09:23 | |
when he was away putting his life on the line. | 0:09:23 | 0:09:26 | |
He decided to give them a taste of war. | 0:09:26 | 0:09:29 | |
'And the events of this real-life drama | 0:09:29 | 0:09:31 | |
'were made into the movie, The Edge of Love.' | 0:09:31 | 0:09:34 | |
No! No! No! No! | 0:09:38 | 0:09:40 | |
Stop, please! Please, stop! | 0:09:42 | 0:09:44 | |
BABY WAILS | 0:09:44 | 0:09:45 | |
The incident ended, luckily, with nobody injured. | 0:09:45 | 0:09:48 | |
-It must have been terrifying. -Well, it really scared him. | 0:09:48 | 0:09:51 | |
He said afterwards, "I go to bed under the bed now, not on it." | 0:09:51 | 0:09:55 | |
Like all films, | 0:09:55 | 0:09:57 | |
they altered the ending just slightly to give them their film. | 0:09:57 | 0:10:02 | |
You have to watch it and you have to read about the account | 0:10:02 | 0:10:06 | |
and make your own mind up. | 0:10:06 | 0:10:07 | |
'Killick was acquitted of attempted murder, | 0:10:08 | 0:10:10 | |
'but Dylan and his family left New Quay soon after. | 0:10:10 | 0:10:14 | |
'Next, we head down towards the sea | 0:10:17 | 0:10:19 | |
'through one of the town's holiday parks and find the Jubilee Trail, | 0:10:19 | 0:10:24 | |
'a lovely woodland walk, which is just magical.' | 0:10:24 | 0:10:27 | |
Now, look at that. Go for a surf. | 0:10:30 | 0:10:32 | |
'Fishing and seafaring have always been the lifeblood of this village. | 0:10:36 | 0:10:39 | |
'It's in the veins. | 0:10:39 | 0:10:41 | |
'Climbing through St Llwchaearn's Church, | 0:10:41 | 0:10:44 | |
'we pass the graves of local mariners. | 0:10:44 | 0:10:46 | |
'Some were lost at sea, but have graves here in their memories.' | 0:10:46 | 0:10:50 | |
See this one. John Williams, master mariner. Died at Malta. | 0:10:53 | 0:10:58 | |
That's the whole story of New Quay. | 0:10:58 | 0:11:01 | |
'No sign of Captain Cat from Under Milk Wood here, though.' | 0:11:01 | 0:11:04 | |
A bit of a sunken lane. | 0:11:06 | 0:11:08 | |
This is where the fun starts. | 0:11:08 | 0:11:09 | |
Squidgy. | 0:11:09 | 0:11:11 | |
The last thing that came up here had four legs, not two. Oh! | 0:11:11 | 0:11:14 | |
LAUGHTER | 0:11:14 | 0:11:16 | |
'And soon we're heading for Bird's Rock. | 0:11:18 | 0:11:21 | |
'In spring and early summer, | 0:11:21 | 0:11:22 | |
'this area is an important breeding ground for sea birds. | 0:11:22 | 0:11:26 | |
'And you might even spot the odd seal.' | 0:11:26 | 0:11:28 | |
So, that's the old coastguard station | 0:11:30 | 0:11:33 | |
that's used mainly now by bird-watchers. | 0:11:33 | 0:11:36 | |
-And dolphin watch, too. -Dolphins indeed. | 0:11:36 | 0:11:39 | |
'We're on a section of the Wales Coast Path, | 0:11:49 | 0:11:51 | |
'and it's absolutely stunning. | 0:11:51 | 0:11:54 | |
'We've now come almost full circle. | 0:11:57 | 0:11:59 | |
'Looking over New Quay from the other side.' | 0:11:59 | 0:12:02 | |
We're probably exactly in a spot where Dylan Thomas stood. | 0:12:04 | 0:12:08 | |
And he wrote about it and it got published in this book. | 0:12:08 | 0:12:13 | |
And in it is Quite Early One Morning, | 0:12:13 | 0:12:15 | |
which is just a description of him waking up one morning | 0:12:15 | 0:12:20 | |
and wandering through New Quay as the people begin to wake up. | 0:12:20 | 0:12:23 | |
"I walked on to the cliff-top path again. | 0:12:23 | 0:12:26 | |
"The town behind and below waking up now so very slowly. | 0:12:26 | 0:12:29 | |
"I stopped and turned and looked. | 0:12:29 | 0:12:32 | |
"Smoke from one chimney." | 0:12:32 | 0:12:33 | |
-It's very descriptive, isn't it? -And it's exactly... | 0:12:33 | 0:12:36 | |
-All there. -I know. We couldn't be closer. | 0:12:36 | 0:12:39 | |
'Dylan went on to use Quite Early One Morning | 0:12:40 | 0:12:43 | |
'as a template for Under Milk Wood, | 0:12:43 | 0:12:45 | |
'for which he became known around the world.' | 0:12:45 | 0:12:48 | |
Why don't you keep that as a memento? | 0:12:48 | 0:12:51 | |
-Thanks very much. I'll treasure this. -Excellent. | 0:12:51 | 0:12:55 | |
Well, what a walk we've had. | 0:12:55 | 0:12:58 | |
Dylan's time here may have been brief, | 0:12:58 | 0:13:00 | |
but it was certainly dramatic, | 0:13:00 | 0:13:01 | |
all set in a beautiful town next to the sea | 0:13:01 | 0:13:04 | |
with all the right ingredients for a wonderful walk. | 0:13:04 | 0:13:08 | |
Now it's all downhill, back to town for some fish and chips on the pier. | 0:13:08 | 0:13:13 | |
What could be better? | 0:13:13 | 0:13:15 | |
And if you fancy trying this or another one of our walks, | 0:13:17 | 0:13:20 | |
go to our website at bbc.co.uk/weathermanwalking. | 0:13:20 | 0:13:25 | |
It's got everything you need, | 0:13:25 | 0:13:27 | |
from detailed route information to walking maps you can print off. | 0:13:27 | 0:13:31 | |
There are also some photos we took along the way. | 0:13:31 | 0:13:35 | |
Next, I'm travelling south to Laugharne in Carmarthenshire | 0:13:35 | 0:13:38 | |
for my final Dylan Thomas walk. | 0:13:38 | 0:13:40 | |
And with stunning views over the Taf Estuary, what better way | 0:13:43 | 0:13:47 | |
to begin my walk than arriving just like Dylan did in 1934? | 0:13:47 | 0:13:53 | |
Dylan first came to Laugharne by boat | 0:13:54 | 0:13:56 | |
and this encounter led him to describe it as | 0:13:56 | 0:13:59 | |
the strangest town in Wales. | 0:13:59 | 0:14:01 | |
I'm off to explore why he kept coming back to this quirky Welsh town | 0:14:01 | 0:14:05 | |
and how this beautiful setting captured both his heart | 0:14:05 | 0:14:09 | |
and his imagination. | 0:14:09 | 0:14:12 | |
'From the day of his very first visit here, | 0:14:18 | 0:14:20 | |
'Dylan was captivated by Laugharne, | 0:14:20 | 0:14:23 | |
'so it's no surprise it was here he eventually settled with his family. | 0:14:23 | 0:14:28 | |
'I'm starting the walk at the Boathouse, | 0:14:32 | 0:14:34 | |
'where I'm meeting my very special guide for the day, Hannah Ellis. | 0:14:34 | 0:14:39 | |
'Hannah is Dylan Thomas's granddaughter. | 0:14:39 | 0:14:42 | |
'Her late mum, Aeronwy, spent her early childhood years | 0:14:42 | 0:14:45 | |
'at the Boathouse with Dylan, Caitlin and her two brothers. | 0:14:45 | 0:14:49 | |
'Even though Hannah grew up in London, | 0:14:49 | 0:14:52 | |
'Aeronwy would often bring her back to Wales.' | 0:14:52 | 0:14:54 | |
Thanks, Denzil. | 0:15:02 | 0:15:04 | |
-Hi, Hannah. Nice to meet you. -Hi, Derek. -Just look at that view. | 0:15:06 | 0:15:10 | |
It must have been heaven growing up here as a child. | 0:15:10 | 0:15:13 | |
Oh, it must have been. | 0:15:13 | 0:15:14 | |
If you come and look over here, the children would have | 0:15:14 | 0:15:16 | |
played on the balconies, swum in the estuary. | 0:15:16 | 0:15:20 | |
My grandmother must have sunbathed on the rocks | 0:15:20 | 0:15:23 | |
and my grandfather must have been incredibly inspired by these views. | 0:15:23 | 0:15:27 | |
'Well, there'll be plenty more of those, | 0:15:27 | 0:15:29 | |
'so time to set off and get walking. | 0:15:29 | 0:15:33 | |
'Laugharne overlooks the Taf Estuary. | 0:15:33 | 0:15:36 | |
'We start off at the Boathouse | 0:15:36 | 0:15:38 | |
'and the first loop of our figure of eight | 0:15:38 | 0:15:41 | |
'takes us past Laugharne Castle. | 0:15:41 | 0:15:42 | |
'We then walk up the side of the estuary | 0:15:42 | 0:15:45 | |
'before dropping down to the marshes, | 0:15:45 | 0:15:47 | |
'around Sir John's Hill, up through Broadway and back into town. | 0:15:47 | 0:15:52 | |
'Our second loop takes us through St Martin's Wood, | 0:15:55 | 0:15:58 | |
'glimpsing estuary views along the way, | 0:15:58 | 0:16:00 | |
'before we reach Dylan's final resting place. | 0:16:00 | 0:16:03 | |
'We then head back into town for a pint, Dylan style. | 0:16:03 | 0:16:07 | |
'Dylan fans flock to Laugharne, so it's a real treat for me | 0:16:18 | 0:16:22 | |
'to be shown around by someone whose heard all the stories first-hand. | 0:16:22 | 0:16:26 | |
'Our first stop is the shed | 0:16:26 | 0:16:29 | |
'where Dylan wrote some of his most famous work.' | 0:16:29 | 0:16:32 | |
Just over here is my grandfather's writing shed. | 0:16:33 | 0:16:36 | |
And this is where he used to go to work, | 0:16:36 | 0:16:38 | |
but also to escape from the chaos and commotion of the Boathouse. | 0:16:38 | 0:16:42 | |
He had a lot of family living around here, didn't he? | 0:16:42 | 0:16:45 | |
And Caitlin was known for her socialising. | 0:16:45 | 0:16:48 | |
I suppose he needed a bit of peace and quiet to get away from it all. | 0:16:48 | 0:16:51 | |
I think he would've liked some peace and quiet, | 0:16:51 | 0:16:54 | |
but my mum, who was about six at the time, | 0:16:54 | 0:16:57 | |
she would go back and forth on her bike | 0:16:57 | 0:16:59 | |
and she would make as much noise as possible. | 0:16:59 | 0:17:02 | |
And she was always pleased when her father came out red-faced, | 0:17:02 | 0:17:04 | |
shaking his fist and asking her to be quiet. | 0:17:04 | 0:17:07 | |
-After you. -Fantastic. | 0:17:09 | 0:17:11 | |
This is really special, being in here, isn't it? | 0:17:11 | 0:17:14 | |
And that's where he sat and did all his writing. | 0:17:14 | 0:17:17 | |
'Inside, it looks as if Dylan has just popped out. | 0:17:17 | 0:17:20 | |
'It's normally off-limits to the public, | 0:17:20 | 0:17:23 | |
'so it's a delight to come in and look around.' | 0:17:23 | 0:17:26 | |
This is actually only my second time in the Writing Shed. | 0:17:26 | 0:17:29 | |
But you can really get a sense of the way he worked and really understand | 0:17:29 | 0:17:34 | |
just how the views inspired some of his most famous work. | 0:17:34 | 0:17:37 | |
'We now drop down to water level and walk towards the Grist, | 0:17:44 | 0:17:48 | |
'which used to be the site of an old corn mill.' | 0:17:48 | 0:17:51 | |
This is such an amazing place, especially on a day like this. | 0:17:54 | 0:17:58 | |
I quite agree. There's just nowhere quite like it. | 0:17:58 | 0:18:01 | |
-On the grass there, my mum used to have picnics with her mum. -By here? | 0:18:05 | 0:18:10 | |
Yeah. Any chance of sun, really, my grandmother was out here sunbathing. | 0:18:10 | 0:18:14 | |
And they actually went into the sea for a little paddle | 0:18:14 | 0:18:16 | |
and my grandmother actually went skinny-dipping, | 0:18:16 | 0:18:19 | |
much to the despair of my mum. | 0:18:19 | 0:18:20 | |
-I don't think we'll be doing that today. -I hope not! | 0:18:20 | 0:18:23 | |
'Soon we pass Laugharne Castle, described by Dylan as | 0:18:27 | 0:18:30 | |
"brown as owls."' | 0:18:30 | 0:18:31 | |
'It dates back to the 12th century | 0:18:31 | 0:18:34 | |
'and is one of a string of castles along the South Wales coast. | 0:18:34 | 0:18:38 | |
'Leaving the town, we head off to join the Dylan Thomas Birthday Walk, | 0:18:41 | 0:18:45 | |
'which celebrates a poem he wrote on his 30th birthday.' | 0:18:45 | 0:18:48 | |
My grandparents really loved walking. | 0:18:50 | 0:18:53 | |
There's this real image of them | 0:18:53 | 0:18:54 | |
just spending all their time in the pub, but they loved being outdoors. | 0:18:54 | 0:18:59 | |
And if you read my grandfather's work, | 0:18:59 | 0:19:01 | |
you'll just see that he's always describing the landscapes he saw. | 0:19:01 | 0:19:05 | |
In fact, he wrote about this walk we're on now, didn't he? | 0:19:05 | 0:19:09 | |
Yes, in Poem In October. | 0:19:09 | 0:19:11 | |
'In Poem In October, Dylan writes about spending time | 0:19:15 | 0:19:18 | |
'marvelling at the wildlife, | 0:19:18 | 0:19:20 | |
'the wonderful views and even the weather.' | 0:19:20 | 0:19:23 | |
And these are the views he saw. | 0:19:25 | 0:19:27 | |
-Aren't they stunning? -Amazing. Beautiful. | 0:19:27 | 0:19:30 | |
We're here at the right time of year because it is October | 0:19:30 | 0:19:34 | |
and, as he says in his poem, | 0:19:34 | 0:19:35 | |
"The sun of October summery on the hill's shoulder." | 0:19:35 | 0:19:39 | |
My grandfather must have walked in so many different types of weather. | 0:19:39 | 0:19:45 | |
I'd just love it if you could have a go | 0:19:45 | 0:19:47 | |
at using some of those words in your weather forecast. | 0:19:47 | 0:19:49 | |
Well, I'll give it a go. | 0:19:49 | 0:19:51 | |
The outlook for tomorrow is pale rain wringing and wind blow cold. | 0:19:51 | 0:19:57 | |
-Oh, beautiful! Well done. -Come on. | 0:19:57 | 0:20:00 | |
'Well, I reckon that had a pretty good ring to it, don't you?' | 0:20:01 | 0:20:04 | |
'Below us are the strange formations of the mud flats and salt marshes | 0:20:13 | 0:20:17 | |
'where cockle picking was once a booming industry.' | 0:20:17 | 0:20:20 | |
I think it was just down here that my mum went with her mum | 0:20:20 | 0:20:24 | |
and the local women to go and collect cockles. | 0:20:24 | 0:20:27 | |
I know Mum just loved scrambling around in all the mud down there. | 0:20:27 | 0:20:31 | |
And then she'd go home and soak all the cockles in water overnight. | 0:20:31 | 0:20:35 | |
It must've looked really different back then. | 0:20:35 | 0:20:37 | |
A hive of activity down there | 0:20:37 | 0:20:39 | |
and your mum right in the middle of it all. | 0:20:39 | 0:20:41 | |
In my grandfather's play, Under Milk Wood, | 0:20:41 | 0:20:43 | |
he described the webbed-foot cockle women. | 0:20:43 | 0:20:46 | |
Possibly he could've been talking about the women down there. | 0:20:46 | 0:20:48 | |
-He probably was. -Who knows?! | 0:20:48 | 0:20:50 | |
'Well, it does look pretty muddy down there, so I'm very relieved | 0:20:54 | 0:20:58 | |
'Hannah doesn't fancy having cockles for supper, like Dylan used to.' | 0:20:58 | 0:21:02 | |
We've come now to the Laugharne Marshes. | 0:21:08 | 0:21:10 | |
And much of this land here was reclaimed in the Middle Ages. | 0:21:10 | 0:21:13 | |
You've got the lovely lush green farmland over there | 0:21:13 | 0:21:16 | |
and over that side, you've got the much lighter salty marshland. | 0:21:16 | 0:21:21 | |
Yes, I can just make out the retaining sea wall. | 0:21:21 | 0:21:24 | |
'The wall has an important job to do, | 0:21:24 | 0:21:27 | |
'protecting farmland and animals from the salty water.' | 0:21:27 | 0:21:30 | |
You mentioned the word marshes, but not these midges. | 0:21:35 | 0:21:38 | |
They've got big teeth, haven't they? | 0:21:38 | 0:21:40 | |
They are beginning to surround us a bit. Come on, we'd best get going. | 0:21:40 | 0:21:44 | |
Ouch! | 0:21:44 | 0:21:46 | |
'These salt marshes are the perfect habitat for midges, | 0:21:46 | 0:21:48 | |
'so it's no surprise they're everywhere.' | 0:21:48 | 0:21:52 | |
-You see that small gap between the trees up there? -Yeah. | 0:21:59 | 0:22:02 | |
We're heading that way. But take care because it's a bit of a steep climb. | 0:22:02 | 0:22:06 | |
I'm sure I can cope with it. | 0:22:06 | 0:22:08 | |
'Now, what do they say about pride coming before a fall?' | 0:22:12 | 0:22:16 | |
Argh! | 0:22:17 | 0:22:19 | |
'Weatherman down. I blame the boots. | 0:22:19 | 0:22:22 | |
'With a rather bruised ego and sore knees, | 0:22:23 | 0:22:26 | |
'I swallow my pride and carry on.' | 0:22:26 | 0:22:29 | |
I tell you what, Hannah, I love this time of year, | 0:22:41 | 0:22:44 | |
walking through the leaves and hearing that scrunching sound. | 0:22:44 | 0:22:47 | |
Oh, it's beautiful. | 0:22:47 | 0:22:49 | |
I see what you mean by steep and narrow, Hannah. | 0:22:56 | 0:22:59 | |
Certainly is. It keeps you fit, though. | 0:23:01 | 0:23:04 | |
Fortunately, someone's been kind enough | 0:23:04 | 0:23:06 | |
to put some wooden steps in for us. | 0:23:06 | 0:23:08 | |
'As I found out, it can get very slippery here, | 0:23:08 | 0:23:11 | |
'so make sure you're wearing a sturdy pair of shoes.' | 0:23:11 | 0:23:14 | |
Slightly out of breath. | 0:23:14 | 0:23:16 | |
Just a bit. | 0:23:17 | 0:23:19 | |
'Finally, we reach the top, | 0:23:22 | 0:23:24 | |
'drop down towards Broadway | 0:23:24 | 0:23:26 | |
'and turn off by the caravan park to take the scenic route into town.' | 0:23:26 | 0:23:30 | |
You can smell autumn in the air, as well. | 0:23:32 | 0:23:35 | |
We're halfway through. How are you feeling, Derek? | 0:23:42 | 0:23:45 | |
I'm really enjoying it, Hannah. | 0:23:45 | 0:23:47 | |
There's so much to see and talk about. | 0:23:47 | 0:23:49 | |
Mind you, as Dylan wrote, the weather's turned around. | 0:23:49 | 0:23:52 | |
-There could be a few showers later on. -Let's hope not. | 0:23:52 | 0:23:56 | |
'Whatever Jeff said about New Quay, I can feel a strong sense | 0:24:01 | 0:24:04 | |
'of Dylan's fictional town, Llareggub, here in Laugharne.' | 0:24:04 | 0:24:08 | |
Now, it's a bit of a hot potato. | 0:24:10 | 0:24:12 | |
Many people think Laugharne was the inspiration behind Under Milk Wood, | 0:24:12 | 0:24:16 | |
but I've just been to New Quay and they think the same there. | 0:24:16 | 0:24:20 | |
So, what do you think? | 0:24:20 | 0:24:21 | |
It's the mystery of where Llareggub is that makes it exciting. | 0:24:21 | 0:24:24 | |
But my grandfather travelled widely, | 0:24:24 | 0:24:27 | |
so I think he was probably inspired by many different places. | 0:24:27 | 0:24:30 | |
I do see some strong elements of Laugharne and New Quay. | 0:24:30 | 0:24:33 | |
So, he'd like to keep people guessing. | 0:24:33 | 0:24:35 | |
-All part of the fun, really. -Absolutely. | 0:24:35 | 0:24:37 | |
'Our next stop is Seaview. | 0:24:43 | 0:24:45 | |
'This surprisingly grand house | 0:24:45 | 0:24:47 | |
'was one of Dylan and Caitlin's first homes in Laugharne. | 0:24:47 | 0:24:50 | |
'They were allowed to live here by a wealthy patron | 0:24:50 | 0:24:52 | |
'when they were newly married and expecting their first baby. | 0:24:52 | 0:24:56 | |
'Our second loop starts with a walk through the sunken lanes | 0:24:58 | 0:25:02 | |
'of St Martin's Wood, or should I say bog?' | 0:25:02 | 0:25:04 | |
Oh, blimey! It's a bit muddy up here, Hannah. | 0:25:04 | 0:25:08 | |
It certainly is. It's disgusting! | 0:25:08 | 0:25:11 | |
And smelly. | 0:25:11 | 0:25:13 | |
Oh! I should've brought my wellies. | 0:25:13 | 0:25:16 | |
-The sooner we get through here, the better. -Yeah. Oh! Ugh-a-fi! | 0:25:21 | 0:25:25 | |
'These extraordinary sunken lanes | 0:25:30 | 0:25:32 | |
'have been worn down by centuries of use. | 0:25:32 | 0:25:34 | |
'They would've been the main routes for people | 0:25:34 | 0:25:36 | |
'and their animals to travel between villages | 0:25:36 | 0:25:39 | |
'and, as a result, the lane floors have eroded.' | 0:25:39 | 0:25:42 | |
-Well, it's nice to be out in the open air again. -Not for long, Derek. | 0:25:49 | 0:25:53 | |
'We head back into the lanes again. | 0:25:56 | 0:25:58 | |
'And it's a good job we've got some cover | 0:25:58 | 0:26:01 | |
'because the skies are looking ominous. | 0:26:01 | 0:26:03 | |
'And it's not long before the heavens open. | 0:26:03 | 0:26:06 | |
# Raindrops keep falling on my head | 0:26:06 | 0:26:10 | |
# Just like the guy whose feet are too big for his... # | 0:26:10 | 0:26:13 | |
Now, I did say there'd be showers, but I wasn't expecting a monsoon. | 0:26:13 | 0:26:18 | |
# Raindrops keep falling on my head Keep on falling. # | 0:26:18 | 0:26:22 | |
'At least it doesn't last long. | 0:26:25 | 0:26:27 | |
'The cloud is clearing and we're soon back in business. | 0:26:27 | 0:26:30 | |
'We pass through Delacourse Farm, | 0:26:32 | 0:26:35 | |
'then it's a 15-minute walk before we arrive at St Martin's Church. | 0:26:35 | 0:26:39 | |
'This is Dylan and Caitlin's final resting place.' | 0:26:44 | 0:26:47 | |
So here we are at my grandparents' grave. | 0:26:50 | 0:26:53 | |
My grandmother was absolutely insistent | 0:26:53 | 0:26:56 | |
that my grandfather should be returned to Wales. | 0:26:56 | 0:26:58 | |
And then years later, she herself chose to be buried with him. | 0:26:58 | 0:27:02 | |
It's nice to know they're both together again | 0:27:02 | 0:27:05 | |
and that Laugharne is obviously a very special place for your family. | 0:27:05 | 0:27:09 | |
It is. It really is. | 0:27:09 | 0:27:11 | |
And what's the significance of the coins on the cross? | 0:27:11 | 0:27:15 | |
I think they're just put there as a token, really, | 0:27:15 | 0:27:17 | |
because my grandparents really had very little money | 0:27:17 | 0:27:20 | |
when they were alive, so just a little gift. | 0:27:20 | 0:27:24 | |
And are you surprised how popular Dylan is | 0:27:24 | 0:27:26 | |
so many years after his death? | 0:27:26 | 0:27:27 | |
I'm just hoping really that people recognise | 0:27:27 | 0:27:32 | |
the wealth of work he created and the legacy he's left. | 0:27:32 | 0:27:36 | |
'Back in town and with the light fading fast, | 0:27:42 | 0:27:45 | |
'there's one last memory of Dylan Hannah wants to share with me.' | 0:27:45 | 0:27:49 | |
So here we go, Derek, our final stop. | 0:27:51 | 0:27:53 | |
My grandfather's favourite pub in Laugharne, the Brown's Hotel. | 0:27:53 | 0:27:57 | |
-After you. -Thank you. | 0:27:57 | 0:28:00 | |
'Dylan and Caitlin's drinking sprees are the stuff of legend, | 0:28:00 | 0:28:04 | |
'but, as I've discovered on my walks, | 0:28:04 | 0:28:07 | |
'there was so much more to Dylan Thomas than the legendary drinker.' | 0:28:07 | 0:28:12 | |
Walking in Dylan's footsteps has really shown me | 0:28:12 | 0:28:15 | |
a very different side to the man I thought I knew. | 0:28:15 | 0:28:19 | |
But most of all, I've enjoyed roaming around his Wales | 0:28:19 | 0:28:22 | |
and the places which left their mark not only on him, | 0:28:22 | 0:28:26 | |
but on the pages of some of his greatest works. | 0:28:26 | 0:28:29 | |
So, here's to you, Dylan, and our wonderful walks of discovery. | 0:28:29 | 0:28:34 | |
# O, let us see another day...# | 0:28:35 | 0:28:41 | |
And to end our journey, what could be more fitting | 0:28:41 | 0:28:44 | |
than Eli Jenkins' prayer from Under Milk Wood? | 0:28:44 | 0:28:49 | |
# And to the sun, we all will bow | 0:28:49 | 0:28:56 | |
# And say goodbye | 0:28:56 | 0:28:59 | |
# But just for now. # | 0:28:59 | 0:29:05 |