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If, like me, you've heard of Under Milk Wood and The Boathouse, | 0:00:46 | 0:00:50 | |
but don't know a whole lot more about Dylan Thomas, | 0:00:50 | 0:00:52 | |
then one of our walks today will be a delightful voyage of discovery. | 0:00:52 | 0:00:57 | |
We are going to walk in the footsteps of the poet | 0:00:57 | 0:01:00 | |
around the Carmarthenshire coastline and the lovely town of Laugharne. | 0:01:00 | 0:01:05 | |
But our first walk is up in the foothills of the Cambrian Mountains, | 0:01:05 | 0:01:10 | |
around a 200-year-old tourist playground of woods, | 0:01:10 | 0:01:14 | |
waterfalls and riverside trails. | 0:01:14 | 0:01:17 | |
And our patch of heaven is the Hafod Estate, | 0:01:20 | 0:01:23 | |
just up the road from Devil's Bridge, | 0:01:23 | 0:01:25 | |
slap bang in the middle of Wales. | 0:01:25 | 0:01:27 | |
The Hafod Estate was designed | 0:01:30 | 0:01:32 | |
in what is known as the picturesque style by its owner, Thomas Johnes, | 0:01:32 | 0:01:36 | |
in the late 18th century, | 0:01:36 | 0:01:38 | |
and became a big attraction for early tourists to Wales. | 0:01:38 | 0:01:42 | |
Paths were created with twists and turns, | 0:01:42 | 0:01:46 | |
tunnels and arches, to surprise visitors | 0:01:46 | 0:01:49 | |
with a picture-perfect view of a natural scene. | 0:01:49 | 0:01:52 | |
Sadly, the mansion Thomas Johnes built as a centrepiece | 0:01:53 | 0:01:57 | |
to his rural idyll is gone - all that's left | 0:01:57 | 0:02:00 | |
is a pile of rubble and a ghostly outline in the fields. | 0:02:00 | 0:02:05 | |
But the walks he created have been restored, | 0:02:05 | 0:02:08 | |
allowing today's visitors a glimpse of a special landscape. | 0:02:08 | 0:02:12 | |
'In charge of this landscape is the Hafod Trust's Estate Manager, | 0:02:14 | 0:02:18 | |
'David Newnham, and he's volunteered to guide me around the walk today. | 0:02:18 | 0:02:22 | |
'Originally from Selby in Yorkshire, | 0:02:22 | 0:02:24 | |
'David studied Countryside Management at Aberystwyth | 0:02:24 | 0:02:27 | |
'and first came to Hafod as part of his course. | 0:02:27 | 0:02:30 | |
'He lives in a cottage on the estate, but as a change from being in the countryside, | 0:02:30 | 0:02:34 | |
'he enjoys surfing in Cardigan Bay.' | 0:02:34 | 0:02:38 | |
-Morning, David. -Hi, Derek. | 0:02:40 | 0:02:42 | |
'Firmly on dry land today, David will be taking me | 0:02:42 | 0:02:45 | |
'along colour-coded routes that guide walkers around | 0:02:45 | 0:02:48 | |
'the 18th-century restored paths.' | 0:02:48 | 0:02:50 | |
Just down the road from the village of Cwmystwyth, | 0:02:54 | 0:02:57 | |
our walk starts from the Forestry Commission car park. | 0:02:57 | 0:03:01 | |
We'll then be calling in at Hafod Church, | 0:03:01 | 0:03:03 | |
before dropping down and following the Ystwyth River | 0:03:03 | 0:03:06 | |
to the site of the old mansion. From there, we cross the valley | 0:03:06 | 0:03:10 | |
to reach a long level section of the Gentleman's Walk. | 0:03:10 | 0:03:14 | |
A short detour takes us to the fascinating Cavern Cascade | 0:03:14 | 0:03:17 | |
before joining the Ystwyth Gorge Walk back to the start. | 0:03:17 | 0:03:22 | |
A five and a half mile walk, | 0:03:22 | 0:03:23 | |
snaking around Thomas Johnes' restored paths. | 0:03:23 | 0:03:27 | |
'Once one of the most visited places in Wales, sadly, by the 1940s, | 0:03:28 | 0:03:32 | |
'Hafod was largely forgotten by the outside world. | 0:03:32 | 0:03:37 | |
'The carefully nurtured landscape and choreographed walks | 0:03:37 | 0:03:40 | |
'had virtually disappeared from view | 0:03:40 | 0:03:42 | |
'after years of neglect which soon followed | 0:03:42 | 0:03:45 | |
'the tragic death of Mariamne, Thomas Johnes' only child.' | 0:03:45 | 0:03:50 | |
This is Hafod Church, which was restored | 0:03:50 | 0:03:52 | |
back in the 1930s after a devastating fire. | 0:03:52 | 0:03:55 | |
So this is where Mariamne was buried, | 0:03:55 | 0:03:58 | |
and subsequently her mother and then her father. | 0:03:58 | 0:04:02 | |
In the 1932 fire, tragically, | 0:04:03 | 0:04:07 | |
a monument inside made of marble which depicted Thomas Johnes | 0:04:07 | 0:04:11 | |
and his wife at their daughter's deathbed was shattered | 0:04:11 | 0:04:14 | |
when the cold water was poured all over the boiling hot marble. | 0:04:14 | 0:04:18 | |
And over here, Derek, is what remains of the marble monument. | 0:04:20 | 0:04:25 | |
As you can see, it's completely destroyed. | 0:04:25 | 0:04:28 | |
-There's not a lot left, is there? -No, that's right. | 0:04:28 | 0:04:32 | |
You can see Thomas Johnes' face at the bottom right hand side. | 0:04:32 | 0:04:36 | |
With a big crack through the middle of it. | 0:04:36 | 0:04:38 | |
And there is a picture there of two firemen | 0:04:38 | 0:04:41 | |
-standing in front of the monument. -Yeah. | 0:04:41 | 0:04:44 | |
And at the bottom, a photograph of what it looked like originally. | 0:04:44 | 0:04:48 | |
Telling a sad tale, really. | 0:04:50 | 0:04:52 | |
'The tragic loss of their beloved daughter was the beginning of the end | 0:04:52 | 0:04:56 | |
'of Johnes' love affair with Hafod, and the end of his romantic dream. | 0:04:56 | 0:05:00 | |
'These days, the estate is owned by the Forestry Commission, | 0:05:00 | 0:05:03 | |
'who planted these fir trees back in the 1950s. | 0:05:03 | 0:05:07 | |
'But now, they are working with the Hafod Trust to thin out | 0:05:07 | 0:05:10 | |
'the conifers and plant native deciduous trees. | 0:05:10 | 0:05:14 | |
'Their aim is to get the landscape close to how it used to be.' | 0:05:14 | 0:05:17 | |
So this is Peiran Falls, | 0:05:17 | 0:05:19 | |
one of Thomas Johnes' main viewpoints on the Lady's Walk. | 0:05:19 | 0:05:24 | |
If the river was in spate, | 0:05:24 | 0:05:25 | |
if we'd had loads of rain like we did this morning, | 0:05:25 | 0:05:28 | |
the water actually cascades down both sides of this rocky island and it looks stunning. | 0:05:28 | 0:05:32 | |
-You get plenty of rain in this area, don't you? -Well, exactly! | 0:05:32 | 0:05:36 | |
We'll just head down here, Derek, and I'll show you | 0:05:36 | 0:05:39 | |
where Thomas Johnes intended his visitors to view the falls from. | 0:05:39 | 0:05:43 | |
This stone structure here is the back wall of what | 0:05:45 | 0:05:49 | |
we now refer to as the Rustic Alcove. | 0:05:49 | 0:05:52 | |
What would have been a stone structure, | 0:05:52 | 0:05:54 | |
actually designed intentionally to hide this view from visitors | 0:05:54 | 0:05:59 | |
coming from this direction, until they got to the alcove | 0:05:59 | 0:06:03 | |
and they would be stunned by this magnificent view of the falls. | 0:06:03 | 0:06:07 | |
-His way of bringing this place to life? -Trying to enhance the experience of the natural scenery. | 0:06:07 | 0:06:14 | |
-Kind of a theme park of the 18th century. -That's right, yeah. | 0:06:14 | 0:06:17 | |
What have you got there? | 0:06:19 | 0:06:20 | |
This is actually a painting, | 0:06:20 | 0:06:23 | |
and you can see this view that Johnes intended people to see. | 0:06:23 | 0:06:26 | |
Here, the river is in full flood, so it's cascading down both sides. | 0:06:26 | 0:06:30 | |
Looks like us two, looking at the waterfall. | 0:06:30 | 0:06:34 | |
We should get some cowboy hats! | 0:06:34 | 0:06:35 | |
MUSIC: "Rawhide" | 0:06:35 | 0:06:38 | |
# Keep rollin', rollin', rollin' | 0:06:38 | 0:06:41 | |
# Though the streams are swollen | 0:06:41 | 0:06:43 | |
# Keep them dogies rollin' Rawhide... # | 0:06:43 | 0:06:47 | |
'This path along the banks of the River Ystwyth | 0:06:47 | 0:06:50 | |
'is part of the Lady's Walk - | 0:06:50 | 0:06:52 | |
'created by Johnes as gentler outing suitable for the well-to-do ladies | 0:06:52 | 0:06:57 | |
'in their crinoline dresses.' | 0:06:57 | 0:07:00 | |
This is the Trust's next big restoration project. | 0:07:00 | 0:07:02 | |
This is Jane Johnes' flower garden, Thomas Johnes' wife. | 0:07:02 | 0:07:07 | |
This garden was built for her, | 0:07:07 | 0:07:09 | |
although it was also intended for visitors to see. | 0:07:09 | 0:07:12 | |
So it was a big undertaking. | 0:07:12 | 0:07:14 | |
But making progress, and if I came back here in a couple of years, | 0:07:14 | 0:07:18 | |
-it would be full of flowers and colour again? -Yeah. | 0:07:18 | 0:07:22 | |
I think we are coming to a point, Derek, where if we stop here | 0:07:34 | 0:07:38 | |
and have a look at this painting, | 0:07:38 | 0:07:40 | |
we can see that back in the late 18th century, | 0:07:40 | 0:07:44 | |
how it used to look is actually very similar to what it looks like now. | 0:07:44 | 0:07:50 | |
Which is remarkable, considering ten years ago, | 0:07:50 | 0:07:53 | |
this was another conifer plantation, | 0:07:53 | 0:07:56 | |
which has been cleared and restored to open pasture. | 0:07:56 | 0:07:59 | |
And a few cows in there, as well! | 0:07:59 | 0:08:01 | |
The cows are there to keep the pasture open, | 0:08:01 | 0:08:03 | |
nibble down the scrub and preserve Johnes' landscape. | 0:08:03 | 0:08:07 | |
Fascinating. | 0:08:07 | 0:08:09 | |
# Ride 'em in, Rawhide! # | 0:08:09 | 0:08:12 | |
Leaving the river, we now climb up | 0:08:15 | 0:08:18 | |
to the site of Thomas Johnes' grand house. | 0:08:18 | 0:08:21 | |
And this is all that's left of the old Hafod mansion. | 0:08:23 | 0:08:27 | |
The host that Thomas Johnes built here was added to several times | 0:08:27 | 0:08:32 | |
by successive owners and people realised in the end, | 0:08:32 | 0:08:35 | |
it was just too much to maintain. After years of trying to find a buyer, | 0:08:35 | 0:08:39 | |
it was decided they would blow it up with dynamite. | 0:08:39 | 0:08:42 | |
This is all that's left, just a pile of rubble. | 0:08:42 | 0:08:45 | |
Yeah, it's a hell of a shame, really. On the other hand, | 0:08:45 | 0:08:48 | |
there's always a chance it could have fallen into private hands and not been open to public access. | 0:08:48 | 0:08:53 | |
Then we wouldn't have had these wonderful walks to enjoy. | 0:08:53 | 0:08:57 | |
-Exactly. -At least we've got those. | 0:08:57 | 0:08:59 | |
'Now we're off across the Ystwyth River on the way to meet up | 0:09:00 | 0:09:04 | |
'with Des Marshall for the slightly more challenging Gentleman's Walk. | 0:09:04 | 0:09:10 | |
'Originally from Manchester, Des has lived in Mid Wales for many years. | 0:09:10 | 0:09:13 | |
'He's an experienced outdoor pursuits instructor | 0:09:13 | 0:09:17 | |
'and a writer of walking guidebooks to this area. | 0:09:17 | 0:09:20 | |
'He's travelled the world, caving and mountaineering, | 0:09:20 | 0:09:22 | |
'but still enthuses about this particular walk.' | 0:09:22 | 0:09:25 | |
It's the eccentricity of it all. | 0:09:27 | 0:09:29 | |
It's been very sympathetically restored | 0:09:29 | 0:09:33 | |
to Johnes' original format. | 0:09:33 | 0:09:36 | |
At every corner, you have a different view. | 0:09:36 | 0:09:39 | |
You get to a corner, there's no view. | 0:09:39 | 0:09:41 | |
You go down a corner, there's a fantastic panorama. It's marvellous. | 0:09:41 | 0:09:45 | |
Absolutely superb walk. And anybody who is reasonably fit can do this. | 0:09:45 | 0:09:50 | |
We've just come to a panoramic view, Derek. Obviously, | 0:09:52 | 0:09:56 | |
you've got gorgeous views down the Ystwyth Valley, | 0:09:56 | 0:10:00 | |
but more importantly to Thomas Johnes | 0:10:00 | 0:10:03 | |
was a brilliant view of his mansion. | 0:10:03 | 0:10:05 | |
The mansion was described from here by one of his best friends, | 0:10:05 | 0:10:09 | |
but it was also painted from near this location. | 0:10:09 | 0:10:13 | |
You can see how similar the landscape is nowadays. | 0:10:13 | 0:10:16 | |
'But we can also see in this engraving just how impressive | 0:10:16 | 0:10:19 | |
'Johnes' house was. He chose a prime spot | 0:10:19 | 0:10:23 | |
'and framed it with the landscaped grounds.' | 0:10:23 | 0:10:26 | |
'You want to watch your step on the next bit.' | 0:10:37 | 0:10:40 | |
It's a bit slippery along here, isn't it? A big drop down. | 0:10:41 | 0:10:45 | |
Wonderful, airy ledge, this. Very airy! | 0:10:46 | 0:10:51 | |
-It adds to the excitement, walking along here! -Oh, yes. | 0:10:51 | 0:10:55 | |
-A long way down, though, isn't it? -Oh! | 0:10:55 | 0:10:59 | |
'The narrow gangway leads us to another of Johnes' surprises - | 0:11:05 | 0:11:10 | |
'a short tunnel with a deliberate kink in it | 0:11:10 | 0:11:12 | |
'which suddenly reveals a view across the valley.' | 0:11:12 | 0:11:15 | |
And from here you can see a monument | 0:11:15 | 0:11:18 | |
on the other side of the valley to the Duke of Bedford. | 0:11:18 | 0:11:20 | |
'The 5th Duke of Bedford was a pal of Johnes - | 0:11:20 | 0:11:24 | |
'a fellow romantic and a kindred spirit.' | 0:11:24 | 0:11:27 | |
-Another glorious view. -There's so many of them. | 0:11:36 | 0:11:39 | |
We've just come into the ancient beech woodland. | 0:11:48 | 0:11:52 | |
Some of these trees possibly date back 150 or even 200 years. | 0:11:52 | 0:11:56 | |
-Some speculate they were planted during the Johnes era. -That old? -That's right. | 0:11:56 | 0:12:01 | |
What is interesting is, they used to bunch plant these trees | 0:12:01 | 0:12:05 | |
so they grew in a picturesque fashion. | 0:12:05 | 0:12:08 | |
Multiple stems, coming up from the ground. | 0:12:08 | 0:12:10 | |
-It does add to the variety in the woodland. -It certainly does. | 0:12:10 | 0:12:16 | |
'A branch in the path takes us up | 0:12:16 | 0:12:18 | |
'alongside a cascading stream towards another man-made surprise - | 0:12:18 | 0:12:23 | |
'the Cavern Cascade, which is well worth the effort needed to reach it. | 0:12:23 | 0:12:28 | |
'But take a torch, and be careful where you place your boots.' | 0:12:28 | 0:12:32 | |
Just be careful, the rocks are a little bit slippery but not too bad. | 0:12:32 | 0:12:37 | |
Just take your time, you get round the corner, and it hits you. | 0:12:40 | 0:12:47 | |
-Oh, wow, look at that! That's amazing. -Absolutely brilliant. | 0:12:49 | 0:12:54 | |
You get the view | 0:12:57 | 0:12:59 | |
at the very last minute - this straight tunnel, kink at the end. | 0:12:59 | 0:13:03 | |
-As you rounded the corner, there was a distinct "wow"! -A big wow! | 0:13:03 | 0:13:09 | |
So do many people come up to this spot, this far through the cave? | 0:13:09 | 0:13:14 | |
Well, it seems most of our visitors have taken on shorter walks. | 0:13:14 | 0:13:18 | |
But most of them aren't making it up here, | 0:13:18 | 0:13:21 | |
it's mostly local people who come just to see the Cavern Cascade. | 0:13:21 | 0:13:26 | |
It's a bit of a local secret, really. | 0:13:26 | 0:13:29 | |
-Thanks very much, Des. -My pleasure, Derek. -Pleasure to meet you. | 0:13:43 | 0:13:48 | |
'As we say farewell to Des, | 0:13:48 | 0:13:49 | |
'David and I head along the Ystwyth Gorge path | 0:13:49 | 0:13:53 | |
'on the last loop of our walk.' | 0:13:53 | 0:13:55 | |
This is what we call the Gothic Arcade. | 0:14:04 | 0:14:06 | |
We don't know when it was built exactly. | 0:14:06 | 0:14:09 | |
The only information they've got is a painting from 1939, | 0:14:09 | 0:14:12 | |
depicting three arches here, which possibly would have had | 0:14:12 | 0:14:15 | |
a covered seat behind it, and it was really making | 0:14:15 | 0:14:18 | |
the most of Johnes' view of his chain bridge, which is fantastic. | 0:14:18 | 0:14:21 | |
Wonderful, isn't it? | 0:14:21 | 0:14:23 | |
The narrow gorge here, the water flowing through it, | 0:14:23 | 0:14:26 | |
and just look at those rocks, how they are being sculpted by the water. | 0:14:26 | 0:14:30 | |
-Well, we're on the final leg of our walk now, David. -We are, yeah. | 0:14:46 | 0:14:49 | |
-Thanks for showing me around. -It's been my pleasure. | 0:14:49 | 0:14:52 | |
Well, I may not be the kind of gentleman Thomas Johnes had in mind | 0:14:52 | 0:14:57 | |
when he created these walks for his visitors all those years ago, | 0:14:57 | 0:15:01 | |
but one thing is for sure - I feel very privileged to have | 0:15:01 | 0:15:05 | |
experienced a trip through the Hafod Estate today. | 0:15:05 | 0:15:08 | |
It's still truly magical! | 0:15:08 | 0:15:10 | |
If you fancy trying one of the walks from the series, | 0:15:14 | 0:15:17 | |
go to bbc.co.uk/weathermanwalking | 0:15:17 | 0:15:21 | |
and take a look at our all-singing, all-dancing website. | 0:15:21 | 0:15:25 | |
It has everything you need, from detailed route information for each walk, | 0:15:25 | 0:15:30 | |
photographs we took along the way | 0:15:30 | 0:15:32 | |
and walking maps for you to print off and follow. | 0:15:32 | 0:15:36 | |
For the next walk in this programme we head to coastal Carmarthenshire | 0:15:36 | 0:15:40 | |
for a poetic walk in and around lovely Laugharne. | 0:15:40 | 0:15:45 | |
Dylan Thomas's boathouse is world famous, | 0:15:46 | 0:15:49 | |
attracting people here to Laugharne from all around the globe. | 0:15:49 | 0:15:53 | |
But there's a lot more to this place than a house, | 0:15:53 | 0:15:55 | |
which is now a museum, and a gob-smacking view. | 0:15:55 | 0:15:59 | |
'To show me the walk and tell me about the place is Bob Stevens. | 0:15:59 | 0:16:03 | |
'Originally from Carmarthen, Bob breeds Welsh Cobs | 0:16:03 | 0:16:06 | |
'here in Laugharne, where he's lived and farmed for the past 25 years.' | 0:16:06 | 0:16:11 | |
He's passionate about encouraging others to discover the place | 0:16:11 | 0:16:15 | |
that captivated Dylan Thomas, | 0:16:15 | 0:16:16 | |
and recently established a waymarked route called Dylan's Birthday Walk. | 0:16:16 | 0:16:21 | |
Six miles from St Clears, | 0:16:23 | 0:16:24 | |
Laugharne sits on the edge of the beautiful unspoilt Taf Estuary | 0:16:24 | 0:16:29 | |
on the Carmarthenshire coast. | 0:16:29 | 0:16:31 | |
Starting near the castle, we head off on the first of two loops, | 0:16:31 | 0:16:35 | |
up through the town to St Martin's church | 0:16:35 | 0:16:37 | |
before joining the coastal path along the estuary. | 0:16:37 | 0:16:40 | |
Then past the castle again, up onto Sir John's Hill | 0:16:40 | 0:16:44 | |
and back down to the start. | 0:16:44 | 0:16:47 | |
A four-and a half mile walk through both town and country. | 0:16:47 | 0:16:50 | |
-Hello, Bob, nice to meet you. -Welcome to Laugharne, | 0:16:52 | 0:16:55 | |
-Dylan Thomas country. -Yes, I know this guy here, | 0:16:55 | 0:16:57 | |
but there's a lot more to Laugharne, isn't there? | 0:16:57 | 0:17:01 | |
-Yes. Let's explore it, let's begin at the beginning. -OK. | 0:17:01 | 0:17:05 | |
Cue Richard Burton! | 0:17:05 | 0:17:06 | |
-BURTON: -To begin at the beginning. | 0:17:06 | 0:17:09 | |
It is Spring, moonless night in the small town, | 0:17:11 | 0:17:14 | |
starless and bible-black, | 0:17:14 | 0:17:17 | |
the cobblestreets silent and the hunched, courters'-and-rabbits' wood | 0:17:17 | 0:17:20 | |
limping invisible down to the sloeblack, slow, black, | 0:17:20 | 0:17:25 | |
crowblack, fishingboat-bobbing sea. | 0:17:25 | 0:17:29 | |
We're coming up to Laugharne Castle, on the right. | 0:17:31 | 0:17:35 | |
Originally known as Abercorran Castle. | 0:17:35 | 0:17:38 | |
'Most visitors to Laugharne probably know about its links | 0:17:38 | 0:17:42 | |
'with Dylan Thomas, but the sight of this rather impressive castle | 0:17:42 | 0:17:47 | |
'may be a bit of a surprise. | 0:17:47 | 0:17:49 | |
'The towering walls you can see today have been rebuilt over the centuries | 0:17:49 | 0:17:53 | |
'and consist of a 13th-century Norman castle | 0:17:53 | 0:17:57 | |
'later converted to a Tudor mansion. | 0:17:57 | 0:17:59 | |
'Laugharne is one of the oldest self-governing townships in Britain, | 0:18:04 | 0:18:08 | |
'with Laugharne Corporation being one of only two surviving from mediaeval times. | 0:18:08 | 0:18:12 | |
'The institution goes back over 700 years, | 0:18:12 | 0:18:16 | |
'to a charter granted to the town in 1297. | 0:18:16 | 0:18:19 | |
'The inhabitants still benefit from the land and property | 0:18:19 | 0:18:23 | |
'owned by the Corporation. | 0:18:23 | 0:18:25 | |
'The head is called the Portreeve. | 0:18:25 | 0:18:27 | |
'Meet the current man at the top, Terry O'Toole - | 0:18:27 | 0:18:30 | |
'the Boris Johnson of the Corporation.' | 0:18:30 | 0:18:32 | |
-Good morning, sir. -Pleased to meet you. | 0:18:32 | 0:18:34 | |
So what does it mean to the town to have the corporation, | 0:18:34 | 0:18:37 | |
to have you, the Portreeve, as the head? | 0:18:37 | 0:18:41 | |
I think the town are very fortunate | 0:18:41 | 0:18:43 | |
and they see themselves as very fortunate having the corporation. | 0:18:43 | 0:18:47 | |
Having me personally as the head, I'm not sure, | 0:18:47 | 0:18:50 | |
but having a Portreeve is important as well. | 0:18:50 | 0:18:53 | |
Because it's all part of the corporation, part of the tradition | 0:18:53 | 0:18:57 | |
and customs of the town. | 0:18:57 | 0:18:59 | |
I've got to ask about the wonderful chain you're wearing. | 0:18:59 | 0:19:02 | |
It's made of gold, and seashells. | 0:19:02 | 0:19:04 | |
They're cockle shells. | 0:19:04 | 0:19:06 | |
Laugharne is based on the cockle industry. | 0:19:06 | 0:19:10 | |
It was a staple industry in Laugharne for a good many years in the past. | 0:19:10 | 0:19:14 | |
And in a lot of cases, it was a staple diet for people. | 0:19:14 | 0:19:19 | |
So we're very proud of our heritage in the cockle industry. | 0:19:19 | 0:19:23 | |
-It must take a lot of polishing! -It does! -That, not you! -My wife! | 0:19:23 | 0:19:27 | |
As we walk on through the town, | 0:19:28 | 0:19:30 | |
it feels like we're following in Dylan's footsteps. | 0:19:30 | 0:19:33 | |
He spent so much time in this hotel | 0:19:33 | 0:19:36 | |
he gave out its phone number as his own. | 0:19:36 | 0:19:38 | |
We're coming up here to the famous Browns Hotel, | 0:19:38 | 0:19:43 | |
which is associated with Dylan Thomas in a big way. | 0:19:43 | 0:19:46 | |
It's covered in scaffolding at the moment. | 0:19:46 | 0:19:49 | |
It's being renovated, | 0:19:49 | 0:19:50 | |
it'll be done up for the centenary of Dylan's birth in 2014. | 0:19:50 | 0:19:56 | |
-Hopefully it'll be open well before then. -He used to come here, did he? | 0:19:56 | 0:20:00 | |
Yeah, he lived in the boathouse in 1949 and onwards. | 0:20:00 | 0:20:06 | |
And he would wander up here from the writing shed in the mornings. | 0:20:06 | 0:20:10 | |
And he'd sit in that window there with the landlady, | 0:20:10 | 0:20:13 | |
and he'd watch all the people going by. | 0:20:13 | 0:20:16 | |
And it was the influences that he saw there | 0:20:16 | 0:20:19 | |
and the gossip he learnt of that he put in Under Milk Wood. | 0:20:19 | 0:20:22 | |
'The ship's clock in the bar says half past 11. | 0:20:23 | 0:20:27 | |
'Half past 11 is opening time. The hands of the clock | 0:20:27 | 0:20:30 | |
'have stayed still at half past eleven for 50 years. | 0:20:30 | 0:20:35 | |
'It is always opening time in the Sailors Arms.' | 0:20:35 | 0:20:40 | |
'Each year in the spring, Laugharne hosts a three-day arts festival. | 0:20:41 | 0:20:45 | |
'It's deliberately small-scale, which is just as well | 0:20:45 | 0:20:48 | |
'because so are some of its venues. | 0:20:48 | 0:20:51 | |
'Like this surprising old 1930s garage, run by Simon Pugh Jones.' | 0:20:51 | 0:20:56 | |
-I wasn't expecting this, Simon! -No, not many people do. | 0:20:56 | 0:21:00 | |
The idea behind the tin shed was that when we decided to build a museum, | 0:21:00 | 0:21:05 | |
we were going to keep the outside looking as it was in 1933. | 0:21:05 | 0:21:08 | |
-You've got loads of stuff here. -Mainly 1940s, and mainly military. | 0:21:08 | 0:21:12 | |
But as the project's developed, | 0:21:12 | 0:21:14 | |
initially it was just going to be a building full of World War II items. | 0:21:14 | 0:21:18 | |
But the project's developed now, | 0:21:18 | 0:21:20 | |
and it's become very much more about the community. | 0:21:20 | 0:21:23 | |
So it's not just a museum, then? | 0:21:23 | 0:21:25 | |
No, it's become a venue as well. | 0:21:25 | 0:21:27 | |
We had Under Milk Wood here back in April, which was fantastic. | 0:21:27 | 0:21:31 | |
We had a cast of 18 and an audience of 100, | 0:21:31 | 0:21:33 | |
and the atmosphere was absolutely electric. | 0:21:33 | 0:21:36 | |
-It was a superb place to have our first event. -Thanks very much, Simon. | 0:21:36 | 0:21:40 | |
-Pleasure. -I'll have to come back in April for the festival. -Definitely. | 0:21:40 | 0:21:43 | |
'Dylan Thomas died in New York in 1953. | 0:21:46 | 0:21:50 | |
'His body, however, was brought home to Laugharne | 0:21:50 | 0:21:53 | |
'and buried here in St Martin's cemetery.' | 0:21:53 | 0:21:55 | |
This is Dylan's resting place. | 0:21:58 | 0:22:01 | |
-Simple cross. -The white cross. | 0:22:01 | 0:22:03 | |
-Yeah. -And his wife is buried there as well. | 0:22:03 | 0:22:07 | |
If you were here in 1953, this whole area would have been covered | 0:22:07 | 0:22:11 | |
with crowds of people, as he was buried in November, | 0:22:11 | 0:22:14 | |
brought back from America. | 0:22:14 | 0:22:17 | |
So do many people come here now and visit his grave? | 0:22:17 | 0:22:20 | |
Yeah, they tend to go to visit the boathouse first of all, | 0:22:20 | 0:22:23 | |
then they meander through the township. | 0:22:23 | 0:22:26 | |
You tend to get a lot more Americans, I've noticed, over the years. | 0:22:26 | 0:22:29 | |
-They come all this way to pay their respects? -Yeah. | 0:22:29 | 0:22:32 | |
-Well, that's a sign summer's over, Derek. -The swallows? | 0:22:40 | 0:22:44 | |
Yeah, it looks like they're getting ready to go south. Can't blame them. | 0:22:44 | 0:22:50 | |
'Heading out of town and over the hill, | 0:22:50 | 0:22:52 | |
'our route drops down to the beautiful Taf Estuary, | 0:22:52 | 0:22:56 | |
'along a section that will be part of the Wales Coast Path, | 0:22:56 | 0:22:59 | |
'an 850-mile continuous trail around the entire Welsh coastline. | 0:22:59 | 0:23:05 | |
'When it's officially opened, there'll be no excuse | 0:23:05 | 0:23:08 | |
'for not taking a walk in a beautiful place like this. | 0:23:08 | 0:23:12 | |
'Further along the estuary, we come to Laugharne's iconic landmark.' | 0:23:15 | 0:23:21 | |
We're just coming over the top of the world-famous boathouse, | 0:23:21 | 0:23:25 | |
Dylan's last home. | 0:23:25 | 0:23:28 | |
He lived here from 1949, to when he sadly died in '53. | 0:23:28 | 0:23:33 | |
Great place to live. | 0:23:33 | 0:23:35 | |
Yeah, it inspired him, definitely, in the later poems, | 0:23:35 | 0:23:39 | |
because he wrote about what he's looking at there. | 0:23:39 | 0:23:42 | |
-Would you like to look inside? -I think we should. -OK. | 0:23:42 | 0:23:46 | |
Hey, Bob, nice place to write a poem. | 0:23:50 | 0:23:54 | |
The house on stilts, as he called it. | 0:23:54 | 0:23:57 | |
Lovely. | 0:23:57 | 0:23:59 | |
We're coming up now to Dylan's writing shed. | 0:24:04 | 0:24:08 | |
This is where he wrote most of his later poems. | 0:24:08 | 0:24:11 | |
It's very cosy in there, isn't it? | 0:24:11 | 0:24:13 | |
There's a lovely little fire, you can see one of the empty bottles, | 0:24:13 | 0:24:17 | |
and you can see the beautiful views | 0:24:17 | 0:24:19 | |
that are through the windows. | 0:24:19 | 0:24:21 | |
It's very inspirational spot. | 0:24:21 | 0:24:23 | |
Well, if you look, it's going out on the estuary, | 0:24:23 | 0:24:25 | |
over to St John's Hill where we will be going later. | 0:24:25 | 0:24:29 | |
-And I'd like to take you now in his footsteps. -OK. | 0:24:29 | 0:24:32 | |
'Now we're going on the route Bob's set up | 0:24:34 | 0:24:37 | |
'as Dylan's Birthday Walk, | 0:24:37 | 0:24:39 | |
'a walk that Dylan Thomas describes taking | 0:24:39 | 0:24:42 | |
'on his 30th birthday in Poem In October. | 0:24:42 | 0:24:45 | |
'The information boards along the way give you extracts from the poem | 0:24:46 | 0:24:50 | |
'and tell you a bit about Dylan's life.' | 0:24:50 | 0:24:53 | |
He begins down in the harbour, with "the mussel pooled and heron priested shore". | 0:24:56 | 0:25:02 | |
And I found an old photograph back in 1850 | 0:25:02 | 0:25:05 | |
of how this harbour looked at that time. | 0:25:05 | 0:25:08 | |
It's amazing the difference, isn't it? | 0:25:08 | 0:25:10 | |
Amazing how much altered over 100 years. | 0:25:10 | 0:25:13 | |
-It's full of reeds now. -Yeah. | 0:25:13 | 0:25:16 | |
The photograph is of Dylan when he was in his...18 to 20 years old. | 0:25:16 | 0:25:20 | |
Because the poem tends to talk about getting older, and your mortality, | 0:25:20 | 0:25:25 | |
as we walk along, you will see how he ages, photographs of how he ages, | 0:25:25 | 0:25:30 | |
-along the panels. -Like we all do. | 0:25:30 | 0:25:32 | |
Like we all do. Even you, Derek! | 0:25:32 | 0:25:35 | |
'It was my thirtieth year to heaven | 0:25:35 | 0:25:38 | |
'Woke to my hearing from harbour and neighbour wood | 0:25:38 | 0:25:41 | |
'And the mussel pooled and the heron | 0:25:41 | 0:25:44 | |
'Priested shore | 0:25:44 | 0:25:45 | |
'The morning beckon | 0:25:45 | 0:25:48 | |
'With water praying and call of seagull and rook | 0:25:48 | 0:25:51 | |
'And the knock of sailing boats on the net-webbed wall | 0:25:51 | 0:25:55 | |
'Myself to set foot That second | 0:25:55 | 0:25:58 | |
'In the still sleeping town and set forth.' | 0:25:58 | 0:26:02 | |
This is the second section of the poem. | 0:26:04 | 0:26:07 | |
As you can see, it's placed opposite the castle, | 0:26:07 | 0:26:11 | |
because it refers in the text, "And the castle as brown as owls." | 0:26:11 | 0:26:16 | |
And there it is, straight in front of you. | 0:26:16 | 0:26:19 | |
'Pale rain over the dwindling harbour | 0:26:19 | 0:26:22 | |
'And over the sea wet church the size of a snail | 0:26:22 | 0:26:25 | |
With its horns through mist and the castle | 0:26:25 | 0:26:29 | |
'Brown as owls...' | 0:26:29 | 0:26:31 | |
We're coming now to the shoulder of the hill, | 0:26:36 | 0:26:39 | |
and the third panel, his text about the boathouse. | 0:26:39 | 0:26:42 | |
You can see Dylan, how he's altered, as he's getting older. | 0:26:42 | 0:26:46 | |
Yeah, he's changed quite a bit compared to the other photograph. | 0:26:46 | 0:26:50 | |
Well, he was in his 20s then, this was probably taken in 1949, 1950. | 0:26:50 | 0:26:54 | |
So he's nearer 40 there. | 0:26:54 | 0:26:56 | |
'It was my thirtieth | 0:27:00 | 0:27:01 | |
'Year to heaven stood there then in the summer noon | 0:27:01 | 0:27:05 | |
'Though the town below lay leaved with October blood.' | 0:27:05 | 0:27:08 | |
"O may my heart's truth Still be sung | 0:27:08 | 0:27:12 | |
"On this high hill in a year's turning." | 0:27:12 | 0:27:15 | |
What he's on about is, "I hope to God | 0:27:15 | 0:27:18 | |
"I'm still going to be alive and kicking in a year's time." | 0:27:18 | 0:27:22 | |
It's a fundamental feeling for all of us, getting older. | 0:27:22 | 0:27:25 | |
And that's what they're saying there. | 0:27:25 | 0:27:27 | |
There's something about saying the words out loud, | 0:27:27 | 0:27:30 | |
it's almost a spiritual feeling, | 0:27:30 | 0:27:32 | |
hoping you're going to still be alive in a year's turning. | 0:27:32 | 0:27:36 | |
That's what I'm hoping to achieve with these panels. | 0:27:36 | 0:27:40 | |
'It's called the Birthday Walk, and if you come here on your birthday, | 0:27:42 | 0:27:46 | |
'do the walk and recite a verse of the poem out loud, | 0:27:46 | 0:27:49 | |
'Bob says he's arranged a bag of chips and a free drink at some local hostelries. | 0:27:49 | 0:27:54 | |
'Now there's an offer you can't refuse! | 0:27:54 | 0:27:58 | |
'The last leg of our walk takes us "Over Sir John's Hill" | 0:27:59 | 0:28:02 | |
'and with such fabulous views in every direction, | 0:28:02 | 0:28:06 | |
'even I could be moved to pen a few lines up here.' | 0:28:06 | 0:28:10 | |
Well, walking in Dylan Thomas's footsteps | 0:28:13 | 0:28:15 | |
really does bring his poetry to life. | 0:28:15 | 0:28:18 | |
I now have a better understanding of his work | 0:28:18 | 0:28:22 | |
and the place that inspired him. | 0:28:22 | 0:28:24 | |
I'm definitely going to come back on my birthday, do the walk again, | 0:28:24 | 0:28:28 | |
and also claim my free pint and a bag of chips. | 0:28:28 | 0:28:31 | |
# These boots are made for walking | 0:28:31 | 0:28:33 | |
# And that's just what they'll do... # | 0:28:33 | 0:28:37 | |
Subtitles by Red Bee Media Ltd | 0:28:37 | 0:28:40 | |
E-mail [email protected] | 0:28:40 | 0:28:43 |