Episode 20 Money for Nothing


Episode 20

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Transcript


LineFromTo

Oh, no, I like the look of your rubbish.

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How do you make money for nothing?

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I love a little rummage!

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The answer could be hiding in the 30 million tonnes

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of household waste we throw out every year.

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I think that I might be able to make something out of that.

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That's why entrepreneur Sarah Moore wants to get her hands

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on things before they hit the skip.

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That's wartime.

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I'm a passionate buyer, user and maker of old stuff

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and I've turned that passion into a moneymaking business.

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I make new stuff out of old stuff and I sell it for a profit.

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And, with some of the country's elite designers and makers...

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-That was brave.

-Oh, the potential!

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No!

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..she can transform her finds into desirable...

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Work of art.

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..valuable...

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THEY LAUGH

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..and hopefully saleable items.

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Holy Moley!

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If Sarah is successful then she can hand the profits back

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to the very people who had no idea

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there was cash to be made from their trash.

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Thank you. I'm astonished!

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Today Sarah is in Altrincham, south of Manchester,

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where thousands of locals come with their rubbish, rain or shine.

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People throw away all sorts of goodies.

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All I've got to do is make sure I get my hands on them

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before they go in the skips.

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Sarah has special permission from the powers that be

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to have a good old rummage around.

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No TV's what? No TV's...

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..remotes? There should be something here.

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Grammar policewoman Sarah is on the lookout

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for a trio of transformable trash.

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And Trevor has...

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erm, some rotten old wood.

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-Is that out of your garden?

-It is, yes.

-What is it?

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Hawthorn. It was a tree that I cut down

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because I wanted...the fencing was bad at the back.

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God, it weighs a ton, doesn't it?

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But it's gone through three chainsaw blades.

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Just blunted them straight away.

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It looks to me like there's enough left in it that I might be

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able to do something with it.

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I'm not sure that Trevor's too convinced, to be honest.

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I shall take that away and if I manage to make a chopping board

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and little spoon, can I come back and show you what I've done with it?

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Of course you can, yeah. Take it with my blessings.

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-Thank you so much.

-Yeah.

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Hawthorn is one of the hottest burning woods,

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so if Sarah can't come up with a plan...

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at least they'll make a nice fire.

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But what does Trevor think she'll make?

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There's some good wood there.

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I'm sure she'll get more than spoons out of it

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but it's going to take a lot of hard work.

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I hope she's got sharp tools because it's very, very dense.

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This may look like dirty old chunks of wood at the moment

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but I know exactly who to take it to so I can clean up

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and have a real chance of making some profit.

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With the first item found,

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Sarah knows just the people who can tackle all that wood.

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Say hello to Josh and Oli, designer-makers,

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business partners and best friends.

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These boys use natural and recycled materials to create

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handcrafted furnishings and high-end interior pieces.

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I'm Josh and this is Oli and we're Forge Creative.

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I think the main thing we love is designing new products

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and new furniture, where you've got that idea and you come into

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the workshop and just see it come to life.

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The sort of thing we'd like Sarah to bring us would probably

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be something with a bit of character, a bit of age to it.

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I think we like something with a bit of a story.

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Like a rusty bit of metal or like a weathered bit of wood,

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something like that, that's got a bit of history and character to it.

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Well, they're in luck, cos Sarah's hawthorn stumps

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are definitely old and definitely weathered.

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Back at the tip, things are hotting up for Sarah.

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That is not the only busy bee round here. This place is buzzing.

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Sarah's spoilt for choice...

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..but she's homing in on Lydia and her chair.

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You after a sit-down, Sarah?

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-Oh, I love this.

-Oh, thank you.

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Have you had it for long?

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I've had it for a long time, yes.

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It belonged to my family and it was passed down to me.

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It was actually my great-aunt's.

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So you've had enough of it, it's not fitting in at home any more.

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It's been in my garage.

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I'm kind of quite sentimental about these things

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but I've just been trying to clear out.

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Today was the day I thought,

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"I'm going to have to do something about it," so I brought it here.

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-Who's got the white cat?

-It's me.

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She's like a modern-day Sherlock Holmes.

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I would love to be able to take it away and see if I could

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do something with it. Would that be all right?

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-That would be wonderful, it really would.

-That's lovely.

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-Thank you so much for letting me have that.

-Thank you.

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-Really nice to have met you.

-And you.

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Sarah certainly seems pleased with her jolly green armchair,

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but what do Lydia and Kate think will become of it?

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I suppose, in some ways, it's kind of quite a blank canvas, isn't it?

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-Yeah.

-You know, so...

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-Maybe some really nice fabric, just completely modernise it.

-Yeah.

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I haven't a clue, really.

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Such a sweet little chair.

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It's got loads of period detail - lovely little cabriole legs,

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fat, chunky arms and a really good look.

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I've got just the person in mind who will give it the real kick

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that it needs to turn this into a moneymaker.

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Anthony Devine is one of the UK's most talented teachers

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and practitioners of upholstery skills.

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First thing I see in a room is a chair.

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When I go round to people's houses I look for quality,

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I look to see what I would do differently.

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Some chairs look like they're almost kind of destined for the tip,

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but if you see one ounce of kind of potential,

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then save it.

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I suppose it is a bit of a love affair I have with chairs.

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They are very beautiful things.

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That may be the case for some chairs, Anthony,

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but you've not seen what Sarah's saved for you.

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Sarah's third and final find will be the one she works on herself.

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Nothing to see here.

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Perhaps Michael can offer up something of interest.

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Is it dead? Is it not working any more?

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No, it works perfectly well. It works perfectly well.

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-The motor's very, very good.

-Right.

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It's just that the blades have locked.

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But somebody who knows anything about it could do it -

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it's quite good condition.

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I've never thought about taking a lawnmower

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away from the dump before, but...

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-You're very welcome to it.

-How old is it?

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I don't really know. I think it's 10 to 12 years old.

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-OK, so it's had a good use.

-It gets serviced every year.

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-Yeah.

-So it's good.

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If it still works there's the potential that I may be able

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to make something out of it, so I'd love to have

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a go at using the parts or doing something with it.

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-You're very welcome.

-Thank you so much for letting me take that away.

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Does it go backwards?

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This is not looking promising.

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-If you don't have this on, that'll...

-Oh, that'll stop. OK.

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I've got a new lawnmower but I haven't got enough room

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in my garage for both of them.

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The old one works perfectly well apart from the gears have locked.

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Sarah does look confident that she can mow up some moolah.

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But what does Michael think she can do with it?

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I'm sort of quite fascinated myself.

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Somebody with a little bit of mechanical knowledge

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or imagination can do something with it.

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I'm sure the motor can drive anything, really.

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You probably think I'm gaga, taking this old garden mower,

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but it's been really well looked after and the engine still works.

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That may be so, Sarah, but I still can't see what you're

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going to do with that, other than cut some grass.

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So, that's all three items scooped up.

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Josh and Oli will turn that hawthorn into something spectacular.

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Anthony will strong-arm that armchair.

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And hopefully Sarah will get motoring with that mower.

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I would say, on balance, it's been a great day here at Altrincham.

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I've collected a classy cluster of cracking future collectables,

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all of which I know will make some money for nothing.

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In the West Sussex countryside is the headquarters of

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the dynamic duo of wood wizarding, Josh and Oli.

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Sarah could bring us anything.

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Hopefully it's something with a bit of potential.

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I'm hoping for maybe like a raw material,

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so something that we can start from scratch and create something with.

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Yeah.

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Well, they don't come much rawer than this.

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I'm really hoping my humble collection of hawthorn logs

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is going to come good, because I need to make something

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out of these and at the moment, it's not looking that hopeful.

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There's a real danger that Sarah's exuberance at the tip

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might have a rotten outcome.

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Hello?

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-Hello!

-Hiya!

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-Come and see what I've got for you.

-You OK?

-I need a hand.

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Oh, lovely, some logs. Nice!

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-So, I think they're hawthorn.

-OK.

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-Fairly chunky, aren't they?

-Yeah.

-Yeah, they're nice.

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There's a lot of nice colour in there, you can see it already.

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Yeah, it feels really heavy and really hard,

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so hopefully it should have quite a crisp look to it.

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-Will that translate?

-It's good to be a dense timber.

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What kind of pieces could you get out of these size chunks?

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Well, I was just thinking ornamental pieces,

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because the wood hopefully will be quite interesting in the middle.

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So whether we make some kind of vases or...

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-yeah, some kind of ornaments out of them...

-OK.

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If you really think you can get something out of it...

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Yeah, we'll certainly give it a go and try our best,

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see what we get out of it.

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On closer inspection, it turns out one of the chunks is not quite

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so solid in the centre after all.

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I think it's got creatures inside it.

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Has it? Sorry.

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With this one, we'll just have to wait and see and see how much

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of it is just rotten soil.

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If we get time,

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it could be like a sculptural piece.

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I think that might be code for "erm, dunno".

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So, budget. This set aside, how about those three bits?

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We've got maybe either one big vase or maybe two vases out of that.

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There's maybe another small vase there,

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and then, if we get time...

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it could be like a sculptural piece,

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but we'll see how it goes with that one.

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So, I reckon 250 for these three bits,

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and then if we can make something that you sell for thousands

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out of that then we'll call it two grand.

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I love an optimist!

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OK, well, 250 quid on the table for that.

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Good luck with getting on with that.

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-Always a pleasure.

-Thank you.

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I have really left those lads with a challenge this time because

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they're going to have to dig really deep and use all of

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their creativity to turn those old stumps into hard cash.

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But Josh and Oli aren't easily daunted.

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I think they will be really nice

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because there's clearly some nice wood in there.

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Just need to get in there and get cracking with it.

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Josh and Oli are looking for £250 to produce

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a set of vases and possibly some ornamental pieces.

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I just hope that wood holds together.

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Manchester is a northern powerhouse of art and culture.

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It's also home to master upholsterer Anthony Devine.

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So, my buddy's coming back and she's got another item,

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and she promised me this is a good one.

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And I believe she's giving me free rein on it!

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So I'm very excited.

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Well, who else was I going to bring this little beauty to?

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It's come to Manchester for a makeover.

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We've saved it from a skip and now we want it to look lovely again.

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Let's go and see what he thinks.

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I just hope he likes it.

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Anthony?

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-Hey, how are you doing?

-Here she is!

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Nice!

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-It's good, isn't it?

-Yes!

-Shall we get it in?

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He really does love chairs, doesn't he?

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-Not too bad.

-No, it's good.

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-Good sign of quality, good weight.

-Yeah.

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-It's good.

-It is, isn't it?

-Yeah, it's good.

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I have had some ideas about it.

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I was wondering about making it look like something else.

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Not too radical, but a bit of a play.

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Yeah, because of this style of the chair,

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and it's going to sit in a corner of the room

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and the rest of the house might be all nice and safe,

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there's an opportunity.

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An opportunity to give it a little bit of something.

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Just leave it with us.

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We'll do a sympathetic restoration underneath

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and something big and bold on the top of it.

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Sounds like this chair is in for a special treat.

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But just how much is big and bold going to cost?

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-500 quid, as a budget...

-OK.

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..would be like, kind of, get it all done.

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If it takes more, it's not going to be much more.

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If it's less, you can have it back.

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500 quid...

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-You know, I trust you implicitly.

-Absolutely.

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-I know you're going to do something bonkers with it.

-You never know.

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Well, I do know, because I've been here before.

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You slash things, you stab them, you spray paint them...

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You know, I just can't wait to see what you're going to do with it.

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-Me neither.

-You're deeply worrying!

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I'd say that I've got this one in the bag.

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As a trusted member of the team,

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Anthony's earned his creative freedom with this one.

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But will Sarah live to regret it?

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Today, modern interiors,

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they're all just getting a bit bland and boring and it's all very tonal.

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We want something to be in the corner kind of screaming

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and shouting, "Look at me."

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And probably you would never sit on it, but we want you to

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appreciate it, and that's what we're trying to do with this chair.

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I'm really intrigued about what he's going to do with that chair and

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I can't wait to come back to find out if he's had a good idea or not.

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A budget of £500 for a chair which, when finished,

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will look like...erm, no idea.

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I just hope that whatever Anthony does, Sarah can sell it.

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At home in Sussex, Sarah has already begun the mower project

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by having it taken to pieces into its many component parts.

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Well, who knew if you took a lawnmower apart

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you'd get so many pieces?

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And there's some fantastic bits here.

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There's lots of lovely nuts and bolts I think would make

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some lovely jewellery, but the standout feature, I think,

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has to be this fantastic cutter blade.

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It's such a sculptural thing and just looking at it makes me think,

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"I want to make something out of that,"

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and I think lighting is the best thing.

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Lighting is really commercial, very saleable

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and actually quite a simple make,

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if you've got something as lovely and strong as this.

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So, with the help of this off-the-peg lighting set,

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I'm going to make a lamp with this bit as the base.

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But before I can start,

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I've got to get the hacksaw out to get this out of that.

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Of course, the simple way to remove the blade from its casing

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would be to just undo the bolts.

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Money for nothing, they say.

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It's hard work, making money for nothing.

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Before lawnmowers were invented, grass was cut using scythes.

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It wasn't until 1830 that an English engineer, Edwin Budding,

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patented the first lawnmower.

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I'm pretty sure he didn't envisage his invention

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being used for lighting.

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That was a lot of hard work,

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but that is every part as sculptural as I'd hoped.

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And this bit, another part of the lawnmower...

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..is going to make the best base for it.

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I can put it in that way up.

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Looks like a light already, doesn't it?

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I've just got to clean it up and see if I can get the wire

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going through the holes that happen to be there already,

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and that's going to look amazing.

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Sarah gives the blades a thorough clean with warm soapy water

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to remove old encrusted grass and mud.

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Next, in order to remove any sharp edges and make the blade safe,

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Sarah uses a coarse sandpaper and a whole load of elbow grease.

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Finally, the little bits and bobs are given a thorough wash.

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I'm just cleaning up these two pieces because these are

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going to help me connect this to that.

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I love the way that design evolves when you're reusing pieces like this

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because that is a really chunky, lovely bit

0:17:260:17:29

and it adds so much by putting it on there,

0:17:290:17:31

and you probably wouldn't design that unless you'd just found it.

0:17:310:17:35

Well, unless, of course, you're Edwin Budding,

0:17:350:17:37

inventor of the lawnmower - then you probably did design it.

0:17:370:17:40

OK, so, onto the final stage, which is wiring up the lamp.

0:17:400:17:43

And I've got this fantastic lighting component,

0:17:430:17:45

and loads of lighting shops have these now,

0:17:450:17:47

so you can choose the kind of bulb holder and the flex that you have -

0:17:470:17:50

ie the colour or if it's twisted like this one.

0:17:500:17:52

And it makes a really quick and easy way of making a light.

0:17:520:17:55

So I've just got to get this wired up

0:17:550:17:56

and I think it's going to look pretty cool.

0:17:560:17:59

So I think we'll go from the top.

0:17:590:18:01

Sarah's costs for the lawn mower lighting are £60,

0:18:020:18:05

which includes the cost of the flex, light fitting, bulb,

0:18:050:18:09

and also the services of a qualified electrician

0:18:090:18:12

to make sure everything's safe.

0:18:120:18:14

But will she really be able to create a desirable interiors piece

0:18:140:18:18

from a bit of old lawnmower?

0:18:180:18:20

Back in Manchester, Anthony has an extra pair of helping hands

0:18:230:18:28

in the form of his assistant Tom,

0:18:280:18:29

who specialises in making furniture frames.

0:18:290:18:33

So, what I'm thinking with this chair is quotes.

0:18:340:18:36

-So, the wise words of Winston Churchill.

-Yes.

0:18:360:18:40

British and all, icon.

0:18:400:18:42

"Never, never, never..."

0:18:420:18:46

Not Rick Astley.

0:18:460:18:47

-"..give up", Sir Winston Churchill.

-Yeah, I like it.

0:18:490:18:53

Maybe a cigar holder to go in the arm, for extra...

0:18:530:18:58

-Extra authenticity.

-Yeah, Churchillicity.

0:18:580:19:00

Anthony plans to use the paper stencils to work out

0:19:020:19:05

the placement of three well-known quotations...

0:19:050:19:09

Give us a V! V!

0:19:090:19:11

..all spoken by one of Britain's most influential leaders.

0:19:110:19:16

I mean, this is possibly the worst job in the world for me -

0:19:160:19:19

I cannot spell to save my life.

0:19:190:19:20

But these are all good words, I'm all right with this.

0:19:200:19:23

Winston Churchill became Prime Minister on 10th May 1940

0:19:230:19:28

and the quotations Anthony has chosen were all spoken

0:19:280:19:31

during a time of conflict.

0:19:310:19:33

They helped to inspire the nation on to victory in World War II.

0:19:330:19:37

I've managed to spell hell wrong.

0:19:370:19:40

Hell is spelt with two Ls, Es.

0:19:400:19:43

"Heell". "If you're going through Heell."

0:19:440:19:47

"If you're going through 'Eell..."

0:19:490:19:51

THEY LAUGH

0:19:510:19:53

-All right, go on.

-It's a place in Yorkshire.

-Yeah.

0:19:530:19:56

Once the boys know the quotations will fit on the chair,

0:19:560:19:59

the next stage is to lay them out on brown paper that will later

0:19:590:20:03

be photographed and printed onto fabric,

0:20:030:20:06

giving the appearance of the chair being wrapped.

0:20:060:20:09

The quotations are being sprayed onto the paper

0:20:090:20:12

to give a stencilled graffiti look.

0:20:120:20:14

This is the alfresco part of the operation. Has it worked?

0:20:140:20:19

-Yeah!

-Yes, that's what we want, isn't it?

-Yeah.

0:20:190:20:22

That's all right. OK, good job. Good job, me.

0:20:220:20:26

In Sussex, Josh and Oli are getting familiar

0:20:330:20:35

with their hunks of hawthorn.

0:20:350:20:37

OK, shall I...? I'll start working on this piece and make some vases.

0:20:390:20:43

Yeah.

0:20:430:20:45

I'm going to have to figure out what we can do with this one

0:20:450:20:49

-cos it's looking pretty...

-Pretty rotten.

-Yeah.

0:20:490:20:53

Looks like Josh has drawn the short straw here.

0:20:530:20:55

Stage one is to investigate,

0:20:580:21:00

which seems to involve pretty much every method of chopping up wood.

0:21:000:21:04

As hawthorn is so dense, Oli's breaking out the big guns.

0:21:070:21:11

After all that chopping, is there anything usable left?

0:21:140:21:18

Yeah, so I've got some all right bits out of the log in the end.

0:21:200:21:24

There's a lot of rotten bits.

0:21:240:21:26

You can see there's loads of, like, bits that aren't so great,

0:21:260:21:30

but I think there's some good wood in there.

0:21:300:21:32

Josh is going to make a set of ornamental trees

0:21:320:21:35

that are a speciality of theirs,

0:21:350:21:38

while Oli will make a start on one of the vases.

0:21:380:21:41

I'm just trying to adjust this and try and get it to sit well.

0:21:410:21:44

Obviously it's going to be shaking around a bit,

0:21:440:21:47

but I'll just do my best to get it balanced.

0:21:470:21:50

It's just a case of slowly getting it rounder

0:21:500:21:52

and then we can speed up the lathe and get cracking with it.

0:21:520:21:56

Time for the boys to get spinning.

0:21:560:21:58

Even though these lathes can spin the wood to up to 1,500rpm,

0:22:000:22:05

it'll take some time for Oli to get that wood down to a round piece.

0:22:050:22:09

Josh's smaller ornaments are quicker to create.

0:22:090:22:13

They've turned well and they've come out all right.

0:22:130:22:15

It's really like characterful wood. It's pretty cool.

0:22:150:22:19

Meanwhile, Oli's making progress with his vase.

0:22:200:22:23

Yeah, it's getting there now.

0:22:270:22:29

It took a while to get it rounded off,

0:22:290:22:31

but it's looking more like a vase now.

0:22:310:22:33

Next is to, yes, just carry on getting the shape I want

0:22:330:22:37

and drill the hole in the middle,

0:22:370:22:39

sand it and take it off to finish it.

0:22:390:22:41

But Josh has hit a problem while making his third tree.

0:22:410:22:45

A lot of it's all right, but then there's just little patches

0:22:470:22:50

of like, that bit is just really squidgy.

0:22:500:22:52

At the end of the day, you've got a bit of rotten wood, haven't you?

0:22:520:22:56

There's not a lot I can do, I can't get rid of all of it.

0:22:560:22:59

But I can just try and work around it.

0:22:590:23:01

Working with rotten wood is certainly a rotten job,

0:23:010:23:04

especially with Oli turning what turns out to be fine timber.

0:23:040:23:08

In Manchester, Anthony and Tom have successfully managed

0:23:160:23:20

to spray the Churchill quotes onto paper.

0:23:200:23:22

Having been photographed,

0:23:220:23:24

the finished fabric is now back from the printer's.

0:23:240:23:27

So this is printed onto like a moleskin velvet.

0:23:270:23:31

This is an upholstery-grade, fire-retardant fabric.

0:23:310:23:35

In terms of happiness, I love it.

0:23:350:23:38

I mean, I actually, genuinely love it.

0:23:380:23:42

I, er... Yeah.

0:23:420:23:44

We've blitzed the budget.

0:23:440:23:46

HE LAUGHS

0:23:460:23:47

It's always daunting because we have absolutely no room for error.

0:23:470:23:52

And sometimes you can play around with things, but this time,

0:23:520:23:56

the printer's are already closed, Sarah is due in the morning,

0:23:560:23:59

it's going to be another late one.

0:23:590:24:02

Anthony is known for his last-minute makeovers,

0:24:020:24:05

but this is perhaps his most ambitious.

0:24:050:24:08

He's already stripped the chair, but has to build it back up

0:24:080:24:11

and cover it, making sure the quotes are positioned inch perfect.

0:24:110:24:15

No room for error on this one.

0:24:150:24:18

OK, have a look.

0:24:180:24:20

That is a solid 7/10.

0:24:200:24:24

Thanks.

0:24:240:24:25

I don't know why you gave me a job in the first place, to be honest.

0:24:260:24:29

-Yeah.

-Thanks for that, boss.

0:24:290:24:31

Yeah. You're welcome.

0:24:310:24:33

So, this is elasticated.

0:24:330:24:35

And this gives us the suspension.

0:24:380:24:40

With the fabric secured to the arms,

0:24:400:24:42

Anthony now has to rebuild the seat in the back of the chair.

0:24:420:24:46

He starts with the elasticated webbing.

0:24:460:24:49

So, basically, because the tension that I'm pulling this under...

0:24:520:24:56

..to get the kind of suspension in the back,

0:24:570:25:00

this rail is starting to twist.

0:25:000:25:03

So...

0:25:030:25:05

it's going to have to be changed.

0:25:050:25:07

So, where's the right quote?

0:25:080:25:10

Here we are. "Never, never, never give up."

0:25:100:25:14

And, "If you're going through hell...

0:25:150:25:17

"..keep going."

0:25:190:25:20

The danger is that obviously we'd have done this

0:25:240:25:27

before we'd have got any of the fabric on.

0:25:270:25:29

But you never quite know these things until you get them.

0:25:290:25:32

It is late, the printer's are closed, Sarah is coming.

0:25:340:25:38

Normally, in normal circumstances,

0:25:390:25:41

we'd leave this for a few hours to dry.

0:25:410:25:44

We don't have seconds, let alone hours.

0:25:440:25:47

We'll clamp it and just work around it.

0:25:490:25:53

I think another famous wartime quote is apt at this point -

0:25:530:25:57

keep calm, Anthony, and carry on.

0:25:570:26:00

At home in Sussex, Sarah is busy putting the finishing touches

0:26:060:26:11

to the mower transformation.

0:26:110:26:12

Great, that's all the dirty work done.

0:26:150:26:17

Time for the last adjustments.

0:26:170:26:20

Straight.

0:26:200:26:22

Time to get to this illuminated.

0:26:240:26:26

When Sarah took possession of the mower at the tip,

0:26:370:26:41

its days of trimming lawns were over.

0:26:410:26:43

Sarah's used the dismantle mower's sculptured blades

0:26:470:26:51

to create a unique table lamp.

0:26:510:26:54

The surfaces have been cleaned and waxed and it's finished off

0:26:540:26:57

with a contemporary colour-matched flex and a classic-style bulb.

0:26:570:27:01

The finely finished article is certainly something to behold.

0:27:010:27:05

I hope that looks like it's gone from cutting grass to cutting-edge.

0:27:080:27:11

I'm going to get some pictures taken of it, share it around,

0:27:110:27:14

see if I can turn a profit with it.

0:27:140:27:16

Once those pictures hit the net,

0:27:160:27:18

I'm sure there'll be a stampede of enthusiastic gardeners

0:27:180:27:22

looking to illuminate a dark corner of a room.

0:27:220:27:26

When Sarah spotted Michael at the tip,

0:27:260:27:28

initially she lacked motivation.

0:27:280:27:31

I've never thought about taking a lawnmower away from the dump before.

0:27:310:27:35

But it wasn't all bad news about the mower.

0:27:350:27:37

The old one worked perfectly well apart from the gears have locked.

0:27:370:27:42

So, what do you do with a mower with seized gears?

0:27:420:27:45

That's right, strip it down and turn it into a lamp.

0:27:450:27:49

The lamp was snapped up by an interior design shop,

0:27:490:27:53

Sarah Hughes in Marlow,

0:27:530:27:55

run, funnily enough, by Sarah.

0:27:550:27:57

I've got memories of old-fashioned lawnmowers,

0:27:570:28:00

which I rather like, it's the sort of thing your grandfather used

0:28:000:28:03

and you imagine them pushing them along.

0:28:030:28:05

Our Sarah has travelled to Sale, near Altrincham, to show Michael

0:28:050:28:10

what happened to the lawnmower.

0:28:100:28:12

-Hi, there. Hello, Michael.

-How are you?

-I'm very well, how are you?

0:28:170:28:20

-Fine, thank you.

-I said at the tip

0:28:200:28:23

that I wanted to keep in touch, so here I am.

0:28:230:28:25

I took away your old lawnmower, but your lawnmower was still

0:28:250:28:29

-slightly working when I took it away from you.

-It was.

0:28:290:28:32

-It still worked, but it was jammed, wasn't it?

-Yes, it was.

0:28:320:28:35

I have made something out of it, but have you thought what that might be?

0:28:350:28:39

I have no idea. Apart from a lawnmower again,

0:28:390:28:42

I couldn't imagine what you might have made of it.

0:28:420:28:44

Well, it was a bit of a puzzle

0:28:440:28:46

and I did have quite a long think about it, but in the end,

0:28:460:28:49

I've made a light out of it and I've got some pictures here to show you.

0:28:490:28:52

Go on, I'll put my glasses on so I can see it clearly.

0:28:520:28:55

Your old lawnmower, I used a little bit of it,

0:28:550:28:58

and it turned out like this.

0:28:580:29:00

Wow! How on earth did you do that?

0:29:010:29:03

Well, actually, it was really easy because your lawnmower blade

0:29:030:29:09

-had all the right holes in it.

-That's the blades, yes.

0:29:090:29:11

Had all the right holes in it and all the right pieces

0:29:110:29:15

in just the position to make it into a lamp.

0:29:150:29:17

-It was literally...

-That's your interior design expertise, isn't it?

0:29:170:29:20

Well, it did look quite striking.

0:29:200:29:23

Your lawnmower blade has gone on to be bought

0:29:230:29:26

by a shop down in Marlow.

0:29:260:29:28

They have all sorts of very smart things in their shop

0:29:280:29:30

and now they've got your lawnmower light.

0:29:300:29:32

And I've got a bit of money to share with you.

0:29:320:29:34

I've got a £40 profit to give to you

0:29:340:29:37

for the old lamp made out of your blade.

0:29:370:29:41

That's incredible! That's absolutely incredible.

0:29:410:29:45

What might you do with that?

0:29:450:29:46

I know what I'm going to do with it because, in the '90s,

0:29:460:29:50

I was a bank manager, and I don't tell people very often,

0:29:500:29:53

but we were better then, I think.

0:29:530:29:56

And I opened a little bank in the Royal School for the Deaf

0:29:560:29:58

where they had multiple handicaps

0:29:580:30:00

and we had dinners for them and raised money.

0:30:000:30:03

And we opened this little bank and they all came and banked,

0:30:030:30:05

-so I'll give it to them.

-That's a fantastic place for it to go.

0:30:050:30:09

-Really good to catch up.

-Wonderful, thank you.

-Absolute pleasure.

0:30:090:30:12

-Thank you.

-Thank you so much.

0:30:120:30:13

A total of £60 was spent creating classic lighting from the lawnmower.

0:30:170:30:22

Sarah managed to sell the lamp for £100,

0:30:220:30:25

which left over a profit of £40 to give to Michael.

0:30:250:30:28

Well, I think Michael approved of my cutting-edge design,

0:30:290:30:33

and the money is going to a really good place too.

0:30:330:30:36

Sarah's back in West Sussex to collect Josh and Oli's work.

0:30:410:30:45

I left Josh and Oli with 250 quid and four logs.

0:30:450:30:49

What on earth are they going to have made out of that?

0:30:490:30:52

Well, they're pretty confident in their creations.

0:30:520:30:55

I think she'll really like these. We've got some original designs.

0:30:550:30:58

-Yeah.

-So I think she'll be pleased.

0:30:580:31:01

Sarah left Josh and Oli with a pile of rotting old hawthorn stumps.

0:31:010:31:07

Now they've created a set of beautiful,

0:31:120:31:14

hand-turned vases and ornamental wooden trees.

0:31:140:31:18

They've carefully squeezed every usable inch out of those logs

0:31:190:31:23

and made a virtue of the wood's imperfections.

0:31:230:31:26

The vases are bursting with character, with a delightful finish.

0:31:270:31:31

And those little wooden trees are an exquisite set of curios

0:31:330:31:37

that put the texture of the hawthorn front and centre.

0:31:370:31:41

-Ooh, hello!

-All right?

0:31:430:31:45

-I'm really well, how are you?

-Good, thanks.

-Look at those.

0:31:450:31:50

Let me come and have a look.

0:31:500:31:52

I can't believe it. Aren't they beautiful?

0:31:520:31:55

-Were you pleased?

-Yeah. We're really chuffed.

0:31:550:31:59

They came out really nice, and the wood's amazing.

0:31:590:32:01

-It is unbelievable, it feels like marble.

-Yeah, it's really dense.

0:32:010:32:05

These vases are a triumph.

0:32:050:32:08

They're stylish and beautiful

0:32:080:32:10

and you can tell they're handmade

0:32:100:32:12

and they have this just fantastic feeling.

0:32:120:32:14

How was it to work with? How have you made this out of those logs?

0:32:140:32:17

Yeah, we had to do a lot of chopping and splitting

0:32:170:32:20

cos there was a lot of rotten stuff in there.

0:32:200:32:23

It looks like you've made a virtue out of the faults

0:32:230:32:25

because I can imagine that might have been quite tricky to work with.

0:32:250:32:29

It looks beautiful, doesn't it? They're like...they're beautiful.

0:32:290:32:32

-And...

-And a little forest, as well.

0:32:320:32:34

Now, these look like fun.

0:32:340:32:36

They've got this beautiful mid-century look to them.

0:32:360:32:39

They're just so tactile, aren't they?

0:32:390:32:41

Really lovely. And so surprising, given what you were left with.

0:32:410:32:46

I left you with a slightly flexible budget at about 250 quid.

0:32:470:32:51

-How have we come out?

-I think we're all right. I think that's it.

0:32:510:32:54

We did have another piece we were going to try

0:32:540:32:56

-and do something with, but it was just too rotten.

-OK.

0:32:560:32:59

So, yeah, 250 it is.

0:32:590:33:01

Well, I think you've made something special

0:33:010:33:03

out of something that was really not very special.

0:33:030:33:06

And I reckon we can make money on it as well because they're beautiful.

0:33:060:33:09

-Beautiful pieces. Well done.

-Thank you very much.

-Excellent.

-Thank you.

0:33:090:33:13

-Great job.

-Cheers.

-Let's get them packed up.

-Yeah.

0:33:130:33:16

Well, I don't think there are many people who could have made

0:33:180:33:20

all those beautiful things out of a load of old logs.

0:33:200:33:24

Massive credit to the lads.

0:33:240:33:26

The wood, it had lots of splits in it, a lot of it was all rotten.

0:33:260:33:30

I think we managed to get something pretty good out of it in the end.

0:33:300:33:33

We were really happy with the shapes

0:33:330:33:35

and Sarah seemed to be really chuffed with it, so, yeah.

0:33:350:33:37

At the recycling centre in Altrincham,

0:33:370:33:40

Sarah unearthed Trevor's hunks of hawthorn

0:33:400:33:42

and he was after a full cutlery set from them.

0:33:420:33:45

There's some good wood there,

0:33:450:33:46

I'm sure she'll get more than spoons out of it.

0:33:460:33:48

But it'll take a lot of hard work.

0:33:480:33:49

Josh and Oli did their best to help Sarah prove

0:33:490:33:53

that sometimes money really does grow on trees.

0:33:530:33:56

Sarah advertised Josh and Oli's wooden creations online.

0:33:560:34:00

And, just like real trees, sales began to grow...slowly.

0:34:000:34:05

Sarah has come to just outside Altrincham to visit Trevor

0:34:050:34:09

and to show him what became of his hawthorn stumps.

0:34:090:34:12

-Hi.

-Morning, Trevor.

-Hi, Sarah, nice to meet you.

-And you.

0:34:150:34:18

-How are you doing?

-I'm good, how are you?

-Yeah, very well.

-Good.

0:34:180:34:21

Now, I can see from your immaculate garden why you might have been

0:34:210:34:24

throwing away those hawthorn stumps.

0:34:240:34:27

But had they been lying around for a while?

0:34:270:34:29

No, I actually dug them out just a few weeks before.

0:34:290:34:32

Well, I took them to some lovely guys who are based near Goodwood

0:34:320:34:37

who actually got quite enthusiastic about them.

0:34:370:34:39

But did you wonder what we might do with them when we took them away?

0:34:390:34:42

I thought, if anything, you'd make a lamp out of it of some sort,

0:34:420:34:46

that's all I thought.

0:34:460:34:47

Really? Well, that was actually part of the discussion.

0:34:470:34:50

The guys I took them to are called Josh and Oli

0:34:500:34:52

and they both got quite enthusiastic

0:34:520:34:55

cos hawthorn is a wood, because it's got such a slow growth,

0:34:550:34:58

it's a lovely dense wood with lots of colour in it.

0:34:580:35:00

So I've got some pictures. Do you want to see what we did?

0:35:000:35:03

-Yes, please, yes.

-Here are your tree stumps.

0:35:030:35:07

Wow, that's really good, isn't it?

0:35:070:35:10

What they did is, the big chunks of them here,

0:35:100:35:12

they turned into beautiful vases.

0:35:120:35:14

So they've got all the character of the hawthorn

0:35:140:35:17

and all the lovely colours and shapes that come out of it

0:35:170:35:19

-when you cut through it.

-They look fantastic.

0:35:190:35:21

And also, they've turned nine beautiful little trees out of them.

0:35:210:35:26

-That's fantastic, that's really good.

-Really? You approve?

0:35:260:35:29

Yeah, I approve of that.

0:35:290:35:30

Well, they were really pleased with them

0:35:300:35:32

and they are lovely, decorative things.

0:35:320:35:35

Those little trees sell for about £12 each

0:35:350:35:37

and the vases significantly more than that.

0:35:370:35:40

They have been for sale and I've been selling them really well,

0:35:400:35:43

but I haven't tipped over into the profit point yet.

0:35:430:35:45

Well, I'll buy one if there's any spare.

0:35:450:35:47

-Really?

-Yeah, I'll have one.

0:35:470:35:48

Fantastic. I'll definitely be in touch then.

0:35:480:35:51

Hopefully with a small tree and a bundle of cash.

0:35:510:35:53

-That's very good, that, yeah.

-Lovely, Trevor.

0:35:530:35:55

-Thank you very much.

-Thank you for that.

0:35:550:35:57

-We'll send something your way very soon.

-Thank you very much.

0:35:570:36:00

-Bye-bye.

-Thank you, bye-bye.

0:36:000:36:02

Josh and Oli charged £250 to transform Trevor's hawthorn

0:36:050:36:10

into beautiful wooden vases and ornaments.

0:36:100:36:14

Sarah has so far managed to sell one vase and one tree for £67,

0:36:140:36:19

which means, as things stand,

0:36:190:36:21

there could well be a potential loss of £183.

0:36:210:36:25

It's always great when you make something

0:36:280:36:30

and the original owner wants it back, so Trevor is getting a tree

0:36:300:36:33

and I'm going to be in touch with profit soon.

0:36:330:36:36

Sarah's now returned to Manchester to see the bold makeover

0:36:390:36:43

Anthony's been promising, if he's managed to finish it, of course.

0:36:430:36:48

This chair, as complicated as it was, that was kind of our own doing.

0:36:480:36:53

We could have went simple,

0:36:530:36:55

but we chose to basically utilise

0:36:550:36:57

all the skills of all the staff here.

0:36:570:37:00

Everybody is loving it. Everybody loves it for the impact.

0:37:000:37:03

Yes, so hopefully, when she arrives, she's going to love it too.

0:37:030:37:08

Anthony was being really quite secretive about my little chair

0:37:100:37:13

when I dropped it off, so I'm dying to see what he's done with it.

0:37:130:37:16

I left him 500 quid's worth of budget,

0:37:160:37:18

and I know one thing, it won't be dull.

0:37:180:37:20

When Sarah collected the old chair at the tip,

0:37:220:37:24

it had certainly passed its best.

0:37:240:37:26

As Churchill himself said,

0:37:320:37:33

there's nothing wrong with change if it's in the right direction.

0:37:330:37:37

And Anthony has certainly changed the direction of this old chair.

0:37:370:37:42

Covered in iconic quotes, hand designed and digitally printed

0:37:420:37:46

on velvet fabric, this chair is a one-of-a-kind kind masterpiece.

0:37:460:37:51

Anthony promised bold and he's delivered.

0:37:510:37:53

But will Sarah like it?

0:37:530:37:55

-Hiya.

-Hello and welcome to the war bunker.

-How are you doing?

0:37:550:37:59

-Very good.

-Where is it, then?

0:37:590:38:01

-It's...

-What have you done to it, dare I look?

0:38:030:38:05

Hey!

0:38:070:38:08

Anthony Devine...

0:38:100:38:12

what an original piece of design.

0:38:120:38:15

Basically we wanted to do something, just something...

0:38:160:38:20

You gave us a bit of artistic licence and we gave you this back.

0:38:200:38:23

So, we went from taking the chair and we positioned all the letters,

0:38:230:38:28

stencilled it all out,

0:38:280:38:30

worked out roughly where it was going to go, then we went in

0:38:300:38:33

and stencilled and sprayed them all up

0:38:330:38:35

and then had it all photographed,

0:38:350:38:38

sent it off to our printer's.

0:38:380:38:40

And then out she popped, or he popped.

0:38:400:38:44

This is a lovely transformation, but 500 quid?

0:38:440:38:48

Have you blown that out of the water?

0:38:490:38:52

Well, let's just say, the 500 quid,

0:38:520:38:54

-we owe another 20 quid just to the fabric printers.

-Right.

0:38:540:38:58

-This isn't sounding very commercial.

-No.

0:38:580:39:01

I'm just going to say 750. I've just said it.

0:39:010:39:05

-How much?

-750 quid.

0:39:050:39:07

A little bit over budget, but I can tell why.

0:39:070:39:09

And I appreciate the fact that you really went to town with it

0:39:090:39:12

-cos it is very cool.

-Thanks.

-It's really good, love it.

0:39:120:39:16

Sarah seemed to take that very well,

0:39:160:39:19

considering it's £250 above the original budget.

0:39:190:39:23

Well, that chair is anything but dull, isn't it? And beautiful.

0:39:230:39:27

Not cheap, but that's because of all that hard work that's gone into it.

0:39:270:39:30

I love the fact that Anthony's had free rein to create something

0:39:300:39:34

that's unique that could have ended up in the skip.

0:39:340:39:36

When Sarah spotted Lydia dropping off the old green chair,

0:39:380:39:42

it certainly had some history.

0:39:420:39:44

It belonged to my family.

0:39:440:39:46

It was passed down to me, it was actually my great-aunt's.

0:39:460:39:49

Sarah chose to save it from the skip and allowed Anthony free rein

0:39:490:39:53

to do whatever he liked.

0:39:530:39:55

The inspirational armchair was quickly snapped up by Nick Smith,

0:39:550:40:00

a regular client of Sarah's who's an online vintage and retro retailer.

0:40:000:40:06

It's nice and comfy.

0:40:060:40:07

Sarah has returned to the Altrincham area to show Lydia

0:40:090:40:13

what became of the old green chair.

0:40:130:40:15

-Hi, Lydia, how are you doing?

-Hi, nice to see you again.

-And you.

0:40:210:40:24

-It's a beautiful day, isn't it?

-Gorgeous.

0:40:240:40:27

Now, last time I saw you,

0:40:270:40:29

I loved what you were dropping off at the tip when I saw you.

0:40:290:40:32

-Oh, I'm very pleased.

-Your old...

0:40:320:40:34

Did you say it was your great-aunt's?

0:40:340:40:36

I thought it was my great-aunt's, but actually it was

0:40:360:40:39

my great-grandparent's which was then passed on to my great-aunt.

0:40:390:40:42

So it's got quite a lot of history,

0:40:420:40:44

so I'm intrigued to find out what's happened.

0:40:440:40:46

It was a lovely shape, your little chair,

0:40:460:40:48

and it was something that didn't travel very far, actually.

0:40:480:40:52

We took it to Anthony Devine who teaches upholstery

0:40:520:40:55

and is a fantastic upholsterer in Manchester.

0:40:550:40:58

-Fantastic. Oh, brill.

-He loved it.

0:40:580:41:00

-I've got some pictures here to show you.

-Brilliant.

0:41:000:41:03

-Would you like to have a look?

-I can't wait to have a look.

0:41:030:41:05

You said it had a lot of history to it.

0:41:050:41:07

He's added even more because your chair is now looking like that.

0:41:070:41:11

Oh, wow, it's fantastic!

0:41:110:41:13

So he took Winston Churchill as his inspiration

0:41:130:41:16

and he created all the fabric. He stencilled it all himself.

0:41:160:41:20

That is amazing. That is so good.

0:41:200:41:22

That's brilliant. I love the history link as well. It's fantastic.

0:41:220:41:26

Excellent, I'm really pleased you like it

0:41:260:41:28

because, as a family piece, there's always that worry that we might

0:41:280:41:31

-do something to it that you might not approve of.

-Yeah.

0:41:310:41:34

Good news is that other people did too and it sold.

0:41:340:41:37

Wow, that's brilliant!

0:41:370:41:40

-I have £75 here, which is profit from your armchair.

-That's super.

0:41:400:41:45

Thank you very much. That's brilliant.

0:41:450:41:47

I'm going to give it to an animal charity.

0:41:470:41:50

That's what I'm going to do, definitely, I've got one in mind.

0:41:500:41:53

Really? That's lovely, that's really, really sweet.

0:41:530:41:57

It's a little chunk of money, but hopefully it'll be useful.

0:41:570:42:00

Yeah, definitely.

0:42:000:42:02

-Thank you so much for letting us have it.

-Thank you very much.

0:42:020:42:05

It's an absolute pleasure. And a lovely cause for that.

0:42:050:42:07

-Lovely to meet you.

-And you, bye-bye.

-Bye-bye.

0:42:070:42:10

Anthony charged £750

0:42:150:42:18

for the transformation of the old green armchair.

0:42:180:42:21

Sarah managed to sell it for £825,

0:42:210:42:24

which left a profit of £75 to return to Lydia.

0:42:240:42:28

Well, Lydia loved Anthony's Winston Churchill

0:42:280:42:31

historical connection with her chair,

0:42:310:42:33

and that animal charity has a very generous £75 donation coming.

0:42:330:42:38

Sarah salvaged three unwanted items

0:42:430:42:46

from the Altrincham recycling centre.

0:42:460:42:48

Michael's old mower became cutting-edge lighting.

0:42:480:42:51

Trevor's hawthorn stumps became sideboard essentials.

0:42:510:42:55

And Lydia's old green chair was rewrapped

0:42:550:42:58

and covered in Churchill quotations.

0:42:580:43:01

It takes a lot of talent, plenty of imagination

0:43:010:43:04

and lots of good, old-fashioned hard work

0:43:040:43:06

to transform every item we save.

0:43:060:43:08

But it's definitely worth it,

0:43:080:43:10

especially when we get to hand over some money for nothing.

0:43:100:43:13

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