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This programme contains some strong language.

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# Driving off the old cooling towers in Tinsley

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# Cos when you listen to my beats

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# You'll probably have to change your sheets... #

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No, scrap that.

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# I'm taking over Yorkshire Try to touch me, I'll scorch ya

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# I'm like the surface of Venus I'm ho-ho-ho-hotter than Jesus

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# I'm getting more fans than Bieber Rocking harder than David Guetta

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# I can shit all over Skrillex cos you know I'm just generally better

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# C-Bomb. #

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What's up, people?

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This is C-Bomb, godfather of the South Yorkshire dubstep scene.

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You probably know me from my 2008 hit single Rektal Dysfunktion.

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Now, I've been off-radar recently.

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You think I've just been off spending all the cash

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from the single. Well, yeah, I have. I spent it.

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The money's gone.

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But, no, I've actually been working on my live set. See?

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Of course, the "man" would have me churn out "content"

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as quick as "possible".

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The last bit didn't need the air quotes.

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< I'm back.

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Right, well, anyway, I thought

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I'd give you a sneak preview of the new track.

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Now, I don't want this leaked, so keep it under your hats.

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I mean, share it, by all means.

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Stick it on Facebook, Twitter, whatever.

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I just don't want this getting out there prematurely.

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OK, so, ladies and gentlemen, this is Toxic Medicine.

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SILENCE

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Just...

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Bastard hasn't saved it. Christ's sake.

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You should see what I got from work. >

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Right, people, the wait continues a few more weeks.

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Bed sheets. The hospital were just going to throw them out. >

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Smell them. They're virtually clean. >

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The voice your hearing there is my... Sheila.

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She kind of owns this whole place.

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Yeah, and does the cooking and cleaning. Like I'm his mum. >

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Cos I am his mum. Here, I want a word about money.

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Right, cut.

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That's another bloody blog ruined.

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At least you've got your clothes on this time.

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Sorry, love, but you're going to have to start chipping in or else

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-I'm going to have to rent out your bum shelter.

-Bomb Shelter.

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Whoa, you can't rent out the Bomb Shelter.

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Where am I going to do my bloody web hangouts?

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You can hang your web out back in here with me. Or get your own place.

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-You're 25 years old, Charlie.

-So? What's your problem?

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I've got three jobs.

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Four, if you count working as your cook and cleaner.

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Well, by that logic, that's five. It's not work.

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You make it sound like you're my personal slave or summat.

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-What's for tea?

-Well, I got quite a big quiche.

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-I thought we'd invite Claire round.

-What, have you asked her?

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No, I thought you could. What's the matter? Don't you like her?

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-Yeah, I bloody like her.

-Well, it's no good telling me, is it?

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You need to go round, you need to look her in the eye

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and you need to say those magic words.

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Claire...

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-do you want to come round for your tea?

-All right.

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I'll bloody do it then. I told you before though.

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I can't start relationships that interfere with my music.

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It might stop you interfering with yourself so much.

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# C-Bomb, C-Bomb, C-Bomb, C-Bomb C-Bomb, C-Bomb, C-Bomb, C-Bomb. #

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So, here we are in the Bomb Shelter,

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AKA The Lab, AKA where the magic happens, AKA the...

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-Charlie, who you talking to?

-Oh, I didn't see you there, Claire.

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This is Claire, everyone. I'm just addressing the people.

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-Are we on Skype?

-No, it could be anyone.

-Chatroulette?

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No, it's not Chatroulette.

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I do these videos and stick them online for my followers.

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-So, like a terrorist.

-Yeah, like a cultural terrorist.

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-So, how many followers have you got?

-I don't know. I lost count.

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Thousands, millions.

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You could probably see by just clicking on that.

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Well, I'm not interested in specific numbers, Claire.

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-Well, I am.

-I'd really rather you didn't. Please, don't touch it.

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Do not... You've nearly broke it there.

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Anyway, what's with the flatscreen on the buggy?

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-Have you been on Pimp My Pram?

-No, I'm selling it.

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You're selling your telly? What are you going to watch telly on?

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Dexter needs braces.

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He looks like a donkey in a little school uniform, bless him.

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Where'll he get his knowledge of the world?

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-I've got to have 100 quid by tomorrow.

-I'll pay it.

-What?

-Yeah.

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-I mean, I would do, like, if I had the money.

-Oh. Well, thanks.

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That's nice.

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But...

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-Claire, I wanted to ask you something, actually.

-Yeah, me too.

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Can your mum babysit Dexter tonight? I've got a date.

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Oh, well,

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just ask her yourself.

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I don't live with my mum, Claire. I live in Sheila's garage,

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which I've converted into the Bomb Shelter, AKA The Lab...

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LOUD SLAP SHE LAUGHS

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All right, babe? Are we off then?

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What's with t'camera?

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Are you filming my girlfriend for your private collection,

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you cheeky little perv?

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-I'm only messing with you, love.

-This is Jordan.

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-He works at the pub with me. He's really nice.

-Yeah.

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She gets to see this ugly mug every day at work

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and she gets it on her nights off and in t' mornings too.

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You've got to feel sorry for her, haven't you, mate?

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Yeah.

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-I didn't quite catch your name.

-C-Bomb.

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-Yeah, me and Claire went to school together.

-Oh, hey, hang on.

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Is that him who does rapping, like?

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Largely dubstep, actually, but I do incorporate elements of rap.

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-A bloke on Twitter said I'd got a pretty sick flow.

-Go on then, mate.

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Go on. Give us a freestyle. Come on, it'd be funny. Come on.

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No, I need to see it in the right frame of mind to do

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-something like that.

-I thought you said you had a sick flow.

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-Well, I do but...

-Fucking do it.

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All right.

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# C-Bomb comin' at ya

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# I'm doper than a badger

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# Got more rhymes than Margaret Thatcher

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# Thatcher, she got no rhymes

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# She shut down all the mines

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# Where they used to take down a little canary in a basket

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# I'm spouting lyrics...

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# I'm spouting prose like Terry Pratchett. #

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The author.

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Jordan, leave him.

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Bloody damn right.

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# I'm C-Bomb comin' at ya

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# I AM doper than a badger

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# I'm at the top of my game

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# If I were bread I'd be focaccia

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# You'd be a doughnut

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# Lacking summat between your ears

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# Oh, yeah, the Jim Henson Company phoned

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# They're looking for new puppeteers... #

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I'm implying you're a muppet.

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# So why haven't you stepped up

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# To try and fix her poor little lad's knackered teeth?

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# You'd rather just sit back

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# And let her lose her bloody great 42-inch plasma screen

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# Bullshit

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# Lucky she knows someone who's watching her back

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# He's a musical legend and he's making a comeback

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# I could help you, little lady

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# Cos soon I'm gonna be

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# Seriously making lots of money on the live scene

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# Listen, little lady

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# Soon I'll be raking it in so please don't sell your telly

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# Sitting round your mobile phone It's not the same

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# Uh, uh, uh

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# Uh, uh

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# Listen, well, just do one thing for me

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# Let me do this for you

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# I can make all your dreams come true

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# Just got to push things forward to the next phase

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# And I could pay for Dexter's braces

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# And you and me can finally be... #

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Charlie?

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Hm? Yeah, I was just thinking,

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if I can be of any assistance with anything...

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You're all right, Dappy, she's got me looking after her now, mate.

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Oh, you're paying for Dexter's braces then, are you?

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It's not my kid, mate. It's not my problem.

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Wow, it's good to know where you stand.

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Oh, come on, babe, I'm only being truthful.

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What do you think, Charlie?

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-I thought it was the bloke from the Morrisons meat counter.

-Right.

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Are you going to help me get this to Cash Converters?

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I will not shirk from that endeavour of helping you, Claire.

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I will not rest until I've got you that cash.

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I swear on my mum...on Sheila's grave...

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Well, obviously, she's not dead. Quite good health.

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-SHEILA: Tea's ready!

-Coming.

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Yeah, I know exactly which type of adapter you need to make this

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work but we are closing in five minute and it's on a high shelf.

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Sorry.

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Don't let anyone else in, Dawn.

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-All right.

-One at a time, please, people.

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I'm kidding. I'm not stopping. I'm just passing through.

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-You can't go that way. That's staff only.

-C-Bomb!

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Have you still got that board advertising all the DJ jobs?

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No, I took it down, remember?

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You said it were like taking the beautiful lady of music

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and whoring her out to commercial gang rape.

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I did say that, didn't I?

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Got to be this then.

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-Seen one of these before, Jonno?

-A VX9 Smackbox?

-Smackbox Pro.

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And it's yours for just 100 dollars!

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What's that in pounds?

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-Well, it's 1.56 on the pound at the minute.

-No, I meant pounds.

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I meant English pounds. £100.

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And I need that money today, ideally.

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ASAP, DYKWIM?

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DYKWIM?

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Yeah, DYKWIM.

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-Do you know what I mean?

-No.

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Look, I need that money

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to get my way into a certain lady's affections.

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Your mum. Has she asked you for rent?

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Well, yeah, she is but it's beside the point.

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I could nick my mum's cash card.

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I'll just say I'm having another episode.

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# Some people think I'm bonkers. #

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Stupid therapist.

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Dizzee Rascal? I gigged with him back in '07, actually.

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-Before he went mainstream, like.

-I knew about you and Dizzee.

-Yeah.

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I've been following you for years. Career-wise, obviously.

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Not like as a stalker.

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DOOR OPENS

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Hey, look, Twats-R-Us.

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Now then, I'm looking for a DJ at the New Inn tonight. 200 quid.

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'# I could help you, little lady. #'

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We need the best DJ in town.

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-So I was wondering...

-Yeah.

-..if you knew anyone to recommend.

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Oh, ho-ho-ho(!)

0:10:100:10:12

I knew he would do that joke.

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-Seriously, though, do you know anyone?

-Yeah, I'll do it.

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No, mate, I think we are all right for dick-step, thanks.

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We want some chart music, pop and a bit of cheese.

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You want chart, go to Fearne Cotton.

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You want pop, go to Londis.

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You want cheese, go to...

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-Londis.

-Cheshire.

-Whatever.

0:10:280:10:31

The point is, you book C-Bomb, you get C-Bomb.

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Someone who is going to break down your preconceptions about what

0:10:330:10:36

music is and build up brand-new ones.

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Make you feel like a new baby, freshly born,

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hearing for the first time, wondering, "What is that sound?

0:10:410:10:45

-"How can it make me feel that way?"

-100 is £64.87.

-65 quid?

0:10:450:10:49

Conversation's moved on, guys. Why, have you got 65 quid?

0:10:490:10:52

-No.

-Conversation's moved on, mate.

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200 dib-dabs, was it?

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Enough to pay for Dexter's braces and keep Sheila off my back.

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It's a double win.

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I'm going to get a right bollocking off t'landlord

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but this is going to be chuffing priceless. You're on, Arse-Bomb.

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-Be there for 7:30 and bring your own PA.

-Well, I'll already be there.

0:11:080:11:12

-What?

-I'm his PA.

-You're not my PA, Dawn. He means speakers.

0:11:120:11:17

Right, I'll get the PR machine started.

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Invite some industry faces.

0:11:200:11:22

-Jesus Christ.

-I'm not Jesus, mate.

0:11:220:11:25

Jesus died for our sins. I just give our sins a soundtrack.

0:11:250:11:29

HE BLOWS

0:11:290:11:30

You're such a prick.

0:11:320:11:34

For one night only, lock up your lower bass frequencies,

0:11:360:11:40

C-Bomb is back.

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-Yes!

-Sweet.

0:11:420:11:43

I've got a gig, Claire...eh, Mum...Sheila. A bloody gig, woman.

0:11:490:11:53

I'm back. I'm like a dark angel raining down the fattest beats this

0:11:530:11:56

-side of Dronfield.

-Very nice. Does it pay?

-It does indeed.

0:11:560:11:59

-I am looking at two large for this.

-£2,000?

-No, 200.

0:11:590:12:02

-I thought large were 1,000.

-It is.

-So why did you say it?

0:12:020:12:04

I didn't know you knew what it meant.

0:12:040:12:06

I just... People say it, don't they? It sounded good.

0:12:060:12:09

Still, 200 quid.

0:12:090:12:10

I can give you some rent and help Claire out with the braces.

0:12:100:12:14

Sorry about Claire. She told me about this Jordan bloke.

0:12:140:12:17

-She won't bother with him long.

-She seemed keen to me, Charlie.

0:12:170:12:20

-I could hear wedding bells.

-Bell-ends more like. Guy's a dick.

0:12:200:12:24

You know what girls are like with the bad boys.

0:12:240:12:27

Yeah, they are quite drawn to us.

0:12:270:12:29

Anyway, love, I'd better get ready for work.

0:12:300:12:33

You're not going to work are you again, Mum? Mum?

0:12:330:12:37

How am I going to get my PA to the gig?

0:12:370:12:39

Yippee-ki-yay, motherf...

0:12:450:12:46

-Thanks, love.

-OK.

0:13:030:13:05

Charlie, are you the DJ?

0:13:050:13:07

No, I'm the bloke who restocks the condom machine.

0:13:070:13:09

-Yeah, I'm the DJ, yeah.

-Oh, you star. That's amazing.

0:13:120:13:16

That was such a nice thing to do, babe.

0:13:160:13:18

-Helping Charlie and his mum like that.

-What can I say, love?

0:13:180:13:21

I've just got a little bit of a soft spot for hopeless cases, you know.

0:13:210:13:25

-That's the biggest Tannoy I've ever seen.

-It's a PA, not a Tannoy.

0:13:280:13:31

-I'm not doing announcements.

-You are if you want to get paid.

0:13:310:13:35

You have to tell them when last orders is and do the meat raffle.

0:13:350:13:38

The thing is, I'm not an MC. I'm more of a...

0:13:380:13:42

Right, you lot, listen up. The turn's about to start.

0:13:420:13:45

OK, Charles...

0:13:490:13:51

-OVER PA:

-..let's lick this puppy on the balls.

0:13:510:13:53

LOUD BASS-HEAVY INTRO

0:13:570:14:00

Sheffield,

0:14:030:14:05

or more specifically the suburb of Gleadless, are you ready?

0:14:050:14:09

I said, "Are you ready?"

0:14:100:14:13

Then make some bloody noise!

0:14:140:14:17

DUBSTEP PLAYS

0:14:170:14:20

Yes. I'm back.

0:14:230:14:25

# Feel the bass hit your face

0:14:250:14:26

# Got subs deep as the ocean... #

0:14:260:14:29

I'll give you an example.

0:14:290:14:30

BASS RESONATES

0:14:300:14:31

# Feel the stitch of my garb

0:14:310:14:33

# This shit is satin, hand-woven

0:14:330:14:36

# I don't need no record contract No, I don't wear contacts

0:14:380:14:41

# I'm lactating swagger juice I've got it on tap

0:14:410:14:45

# I got it dripping off my arms off my legs

0:14:450:14:48

# Off my shoulders, off my head It's made a right bloody mess. #

0:14:480:14:51

MUSIC DIES

0:14:510:14:52

Whoa, whoa, what's this shite?

0:14:520:14:54

It's my music, isn't it? It's kind of like my life's work.

0:14:540:14:57

Your life's work?!

0:14:570:14:59

It's a wonder you haven't topped yourself, listening to that racket.

0:14:590:15:02

He only took t'gig to pay for Claire's son's stupid braces.

0:15:020:15:06

She keeps saying the little shit looks like...

0:15:060:15:08

-MOCKING:

-..a little donkey in a school uniform.

0:15:080:15:11

"Little shit"?

0:15:120:15:14

I'm just having a laugh, babe. You know how it is, don't you?

0:15:170:15:20

-I love little Fletcher.

-Dexter.

-Him as well.

0:15:200:15:23

Maybe Charlie should give the money to you. For your nose-job.

0:15:230:15:26

What nose-job? Perfect, lads, isn't it?

0:15:260:15:28

-CRUNCH!

-Oof!

0:15:280:15:30

By the way, he's got a three-inch dinger and he cries when he comes.

0:15:300:15:33

Turn it up, Charlie.

0:15:330:15:34

MUSIC RESTARTS

0:15:340:15:37

Hang on, mate.

0:15:390:15:40

If he thinks I'm paying good money for this shit, he can think again.

0:15:400:15:43

If you won't, allow me.

0:15:430:15:46

Just listen.

0:15:490:15:51

-DAWN:

-C-Bomb! C-Bomb! C-Bomb!

0:15:550:15:58

Thank you, Gleadless. Good night.

0:15:580:16:01

Great set, mate. Just great.

0:16:010:16:04

Yeah, no probs. You want summat signing? What's your name?

0:16:040:16:06

Kelvin Peters. Tough Temper Records.

0:16:060:16:09

-Your PA emailed me.

-She's not my PA.

0:16:090:16:12

We're putting together a dubstep tour.

0:16:130:16:16

This lady said you might be interested.

0:16:160:16:18

Oh, that'd be Dawn, my PA.

0:16:180:16:20

I'm going to cut straight to it.

0:16:200:16:22

We're going to get a load of acts, on a tour bus,

0:16:220:16:25

gigging all over the UK.

0:16:250:16:27

-You fancy it?

-Fuck off!

0:16:270:16:29

Well, sounds do-able.

0:16:290:16:31

So, what do you say?

0:16:310:16:33

Shit the bed! Count me the hell in.

0:16:330:16:35

-Can I come?

-No.

0:16:350:16:37

Got your money. Landlord was a bit of a dick about it so it's only half.

0:16:370:16:40

100 quid.

0:16:400:16:41

'# I could help you little lady. #'

0:16:410:16:44

Claire, I want you to keep that money for Dexter's braces.

0:16:440:16:47

Charlie, you legend.

0:16:470:16:49

-That's right, darling. You can kiss him goodbye.

-What?

0:16:530:16:55

-Are you going away?

-Yeah, I'm...

0:16:550:16:57

-No, I'm staying in Sheffield.

-You what?

0:17:000:17:03

-Yeah, I've got reasons to stay here.

-Yeah, he has.

-Yeah.

0:17:030:17:09

-I mean, his mum's here.

-And his fans are here.

0:17:090:17:12

It's... Well, it's where he lives.

0:17:120:17:15

Yeah, my mum and my fans and...just them, love?

0:17:150:17:20

So, yeah, you can shove your tour, mate.

0:17:210:17:24

Well, I'm gutted.

0:17:240:17:25

-But I understand.

-Yeah, I know.

0:17:270:17:30

-Listen up...

-MIC FEEDS BACK

0:17:330:17:35

Listen up, people.

0:17:350:17:36

I'd just like to say that bloke over there has just offered me

0:17:360:17:40

a bloody brilliant opportunity but I've turned down. Why?

0:17:400:17:45

Cos this is where I belong.

0:17:450:17:46

-MAN: What, in Gleadless?

-No... In the real world.

0:17:460:17:49

If things are going to happen for me,

0:17:490:17:51

they're going to happen for me here. Music is a wild beast. Untameable.

0:17:510:17:54

If you try to put her in your house of capitalism,

0:17:540:17:57

she'll do a shit on your money carpet.

0:17:570:17:59

The beat will not be held captive.

0:17:590:18:02

I'm stopping in Sheffield.

0:18:020:18:03

MIC TURNS OFF

0:18:030:18:04

So, you did your concert, you got paid but I still get nothing.

0:18:110:18:15

Yeah, Claire needed that money.

0:18:150:18:17

-It was a random act of orthodontic philanthropy.

-You what?

0:18:170:18:21

Yeah, I mean, technically she had already got the braces

0:18:210:18:23

but she needed the money to get her telly back from Cash Converters.

0:18:230:18:26

-It's the same principle.

-You and your bloody principles.

0:18:260:18:29

She is on her own trying to raise a little kid who,

0:18:290:18:31

let's be honest, is a bit special.

0:18:310:18:33

You have no idea how tough that is.

0:18:330:18:35

Well, I'm off to bed.

0:18:370:18:40

Got to be at work at four. Love you.

0:18:400:18:43

Oh. Night, Sheila.

0:18:430:18:45

Mum.

0:18:450:18:47

LOUD DUBSTEP

0:18:490:18:51

# C-Bomb

0:18:540:18:55

# Bass

0:18:580:18:59

# Toxic medicine

0:19:010:19:03

# Is the best medicine

0:19:030:19:06

# What you gonna do now you're all addicted?

0:19:060:19:08

# I'm running through your veins like I'm a kind of liquid

0:19:080:19:10

# Every single one of you's afflicted

0:19:100:19:12

# Uh, just like I predicted

0:19:120:19:13

# I'll blow your mind to the fourth dimension

0:19:130:19:15

# I'll make you hot and steamy like a traction engine

0:19:150:19:18

# I'll introduce strings to increase the tension... #

0:19:180:19:20

-STRINGS PLAY

-# That's my toxic medicine. #

0:19:200:19:23

-COMPUTER ERROR BEEP

-Oh, for...

0:19:230:19:25

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