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For the title sequence, we start on a mountain. | 0:00:02 | 0:00:03 | |
It's snowing and then there's this explosion and then a car, | 0:00:03 | 0:00:06 | |
a massive car, | 0:00:06 | 0:00:07 | |
comes through the explosion but there are no flames. | 0:00:07 | 0:00:10 | |
There's dancing girls and they're the flames | 0:00:10 | 0:00:12 | |
-and they're like dancing around the car. -Yeah... | 0:00:12 | 0:00:14 | |
-So have you thought about the title? -No, not yet. | 0:00:14 | 0:00:18 | |
I think everyone's basically saying it should be The Cariad Show. | 0:00:18 | 0:00:22 | |
I think that sounds... | 0:00:22 | 0:00:24 | |
Don't you think that's quite rubbish? The Cariad Show. | 0:00:24 | 0:00:26 | |
It's like we haven't thought of it. | 0:00:26 | 0:00:28 | |
I think that's what it's going to be. | 0:00:30 | 0:00:33 | |
OK. | 0:00:33 | 0:00:34 | |
THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE | 0:00:34 | 0:00:39 | |
Bonjour, bonjour. Je suis Jacques le Coq and this is parkour. | 0:00:39 | 0:00:44 | |
Some call it free running, | 0:00:45 | 0:00:47 | |
some call it free styling, | 0:00:47 | 0:00:48 | |
some call it leapfrogging over pillars and shit. | 0:00:48 | 0:00:50 | |
Laissez, laissez. | 0:00:52 | 0:00:53 | |
But we call it parkour. | 0:00:53 | 0:00:55 | |
Par-par-par-par-parkour. | 0:00:58 | 0:01:00 | |
Invented in the suburbs of Paris | 0:01:00 | 0:01:01 | |
cos we were in such a hurry to get somewhere. | 0:01:01 | 0:01:03 | |
I might need to go to the shops now | 0:01:03 | 0:01:05 | |
for some cigarettes | 0:01:05 | 0:01:06 | |
or a lemon. | 0:01:06 | 0:01:07 | |
How will I get there, uh? | 0:01:07 | 0:01:08 | |
This street is so cluttered. | 0:01:08 | 0:01:10 | |
In English, you are taught to think in straight lines but we no. | 0:01:10 | 0:01:12 | |
Straight lines are for gays. | 0:01:12 | 0:01:14 | |
In parkour, there are no barriers, uh. | 0:01:15 | 0:01:17 | |
Only the barriers of your mind. | 0:01:17 | 0:01:19 | |
This, to me, it does not exist. | 0:01:19 | 0:01:20 | |
Regardez-moi. | 0:01:20 | 0:01:22 | |
FRENCH RAP SONG PLAYS | 0:01:22 | 0:01:27 | |
No, no, no, Terry. | 0:01:27 | 0:01:28 | |
No, no, no. Just no. | 0:01:28 | 0:01:30 | |
Oh, sorry. I'm so clumsy. | 0:01:36 | 0:01:38 | |
That's why I'm not threatening. | 0:01:38 | 0:01:39 | |
My name's Jooooooooooooooooooooooooooo | 0:01:41 | 0:01:46 | |
ooooooooooooooooooooooooooooo | 0:01:46 | 0:01:50 | |
ey. | 0:01:50 | 0:01:52 | |
-But you can call me Joey. -Hey. | 0:01:52 | 0:01:55 | |
Sorry. It's all my comics. | 0:01:55 | 0:01:58 | |
Oh, my God. That's a first edition Superman. | 0:01:58 | 0:02:01 | |
I know, I'm such a geek. | 0:02:01 | 0:02:03 | |
I'm even going to the film with subtitles. | 0:02:03 | 0:02:05 | |
Oh, um, so am I. | 0:02:05 | 0:02:08 | |
No way, that's so funny | 0:02:08 | 0:02:10 | |
cos I have no-one to go with. | 0:02:10 | 0:02:13 | |
I just broke up with my boyfriend so I'm really vulnerable. | 0:02:13 | 0:02:17 | |
Lip bite. | 0:02:17 | 0:02:18 | |
Oh, my God! | 0:02:20 | 0:02:21 | |
I just remembered rabbits exist. | 0:02:21 | 0:02:23 | |
Sorry. I say the dorkiest things. | 0:02:26 | 0:02:29 | |
I'm like a child. | 0:02:29 | 0:02:31 | |
But with breasts. | 0:02:31 | 0:02:32 | |
Are you hard yet? | 0:02:36 | 0:02:37 | |
GROWLS: You'll never have me. | 0:02:39 | 0:02:42 | |
Bye! Foot flick. | 0:02:42 | 0:02:43 | |
What do you mean my single's only at number one? | 0:02:51 | 0:02:53 | |
Well, you can't get any higher than number one. It's really good. | 0:02:53 | 0:02:56 | |
It's not good enough. | 0:02:56 | 0:02:57 | |
Grammy, heel. I'm not doing this video unless | 0:03:00 | 0:03:02 | |
-Grammy has a speaking part. -Right. | 0:03:02 | 0:03:04 | |
Little bastard chewed my shoe earlier. No chicken for you later. | 0:03:04 | 0:03:06 | |
-Would you both like some lunch? -What is wrong with you? | 0:03:06 | 0:03:09 | |
You know I've never eaten before. | 0:03:09 | 0:03:10 | |
This mouth is for one thing only - for music to come out of. | 0:03:10 | 0:03:13 | |
# Mu-u-sic. # | 0:03:13 | 0:03:15 | |
Er, you just fainted again. | 0:03:19 | 0:03:21 | |
I slept, not fainted. | 0:03:21 | 0:03:22 | |
I need eight hours and I like to spread 'em out. | 0:03:22 | 0:03:24 | |
Pint of bitter please, son. | 0:03:30 | 0:03:31 | |
-Anything else? -Yeah, scratchings, please, mate. | 0:03:31 | 0:03:34 | |
-There you go. -Thank you. | 0:03:39 | 0:03:41 | |
-Ta. -So, you from round here, mate, or...? | 0:03:41 | 0:03:45 | |
Yeah, East End all me life, born and bred. | 0:03:45 | 0:03:48 | |
I was here in the good old days | 0:03:48 | 0:03:49 | |
before it was all cyclists and poofs. | 0:03:49 | 0:03:51 | |
Ye...God, yeah, totally. | 0:03:51 | 0:03:53 | |
So, um, I bet this place has changed a bit since... | 0:03:55 | 0:03:59 | |
Oh, blimey, yeah. | 0:03:59 | 0:04:00 | |
It used to be full of music, laughter, you know? | 0:04:01 | 0:04:04 | |
That piano lid was never closed. | 0:04:04 | 0:04:06 | |
Oh, God. Sounds amazing. I wish I'd been there then. | 0:04:06 | 0:04:09 | |
Yeah, it was a right old laugh, yeah. | 0:04:09 | 0:04:11 | |
Jellied eels on the bar, you know, | 0:04:12 | 0:04:14 | |
everyone was white | 0:04:14 | 0:04:15 | |
and we was always havin' a singsong. Brilliant. | 0:04:15 | 0:04:18 | |
Yeah...jellied eels! | 0:04:18 | 0:04:20 | |
Yeah, course you'd get a few troublemakers. Yeah, you know. | 0:04:20 | 0:04:23 | |
-You know that bit down the end o' the bar? -Yeah. -One woman... | 0:04:23 | 0:04:26 | |
I had to smack her head on that three times, like that... | 0:04:26 | 0:04:28 | |
..just to get her to shut up! | 0:04:29 | 0:04:31 | |
Ah, you can still see the dent. | 0:04:32 | 0:04:35 | |
Yeah...totally, God. | 0:04:35 | 0:04:37 | |
Oh, you'd have loved it, son. | 0:04:37 | 0:04:39 | |
-Yeah, those were the days. -God. | 0:04:39 | 0:04:41 | |
Here, son, I've got something for you. Come on. | 0:04:41 | 0:04:44 | |
Meaty jaggy. | 0:04:47 | 0:04:48 | |
In't she lovely, eh? Look at that. | 0:04:48 | 0:04:50 | |
You can get a nice slice with that. | 0:04:52 | 0:04:54 | |
Right through the soft palate. | 0:04:54 | 0:04:56 | |
You ever sliced anyone, son? | 0:04:56 | 0:04:58 | |
-No. -No?! Oh, you'd love it. | 0:04:58 | 0:05:00 | |
Oh, yeah, slice 'em up nice. | 0:05:00 | 0:05:02 | |
Slice them like a pizza, you know, a slice for everyone. | 0:05:03 | 0:05:05 | |
Oh, yeah, we'd have a whale of a time. | 0:05:05 | 0:05:07 | |
We'd always be slicing, chopping, | 0:05:07 | 0:05:09 | |
killing 'em up nice, you know? | 0:05:09 | 0:05:11 | |
Chop 'em into small bits and you drop 'em in the canal | 0:05:11 | 0:05:13 | |
and they just dissolve like little bits of sugar. | 0:05:13 | 0:05:15 | |
God, it's...cool. | 0:05:16 | 0:05:18 | |
Oh, well, mate. | 0:05:18 | 0:05:20 | |
I got to get back. | 0:05:20 | 0:05:21 | |
Got to go home and beat the wife. | 0:05:21 | 0:05:23 | |
Only joking, she's dead. | 0:05:23 | 0:05:24 | |
I killed her. Take care, mate. | 0:05:24 | 0:05:26 | |
What did he say? | 0:05:30 | 0:05:32 | |
It was amazing. | 0:05:32 | 0:05:33 | |
He's like a proper cockney! | 0:05:33 | 0:05:34 | |
Destiny is a funny thing. | 0:05:40 | 0:05:42 | |
Oh, my God, it's Pat Butcher! | 0:05:42 | 0:05:44 | |
It's Pam St Clement! I don't play Pat Butcher any more. | 0:05:44 | 0:05:47 | |
I don't play Pat Butcher any more. | 0:05:50 | 0:05:52 | |
You spend your whole life being someone else. | 0:05:52 | 0:05:54 | |
And then suddenly... | 0:05:58 | 0:05:59 | |
You're someone else all over again. | 0:06:02 | 0:06:04 | |
Pat, here, behind her make-up. | 0:06:14 | 0:06:15 | |
Pam has a mask. | 0:06:16 | 0:06:17 | |
The people need hope. | 0:06:21 | 0:06:22 | |
Someone who can make a difference. | 0:06:28 | 0:06:30 | |
And they need someone to give it to them. | 0:06:31 | 0:06:33 | |
No matter what the cost. | 0:06:36 | 0:06:37 | |
With not really that much power | 0:06:41 | 0:06:43 | |
comes not really that much responsibility. | 0:06:43 | 0:06:45 | |
What's up, Pat Butcher? | 0:06:49 | 0:06:51 | |
Oh, piss off! | 0:06:51 | 0:06:52 | |
I want a horse. | 0:06:56 | 0:06:58 | |
Make him look like a gentleman, though. | 0:06:58 | 0:06:59 | |
-Top hat, tails, that sort of thing. -A waistcoat? | 0:06:59 | 0:07:02 | |
He wants a waistcoat now, does he? | 0:07:02 | 0:07:03 | |
Well, that's a bit much, isn't it? He's very demanding. | 0:07:03 | 0:07:06 | |
No! I'm sorry it's too much. | 0:07:06 | 0:07:07 | |
I loved you once! | 0:07:07 | 0:07:08 | |
SHE SCREAMS | 0:07:08 | 0:07:11 | |
Oh. | 0:07:11 | 0:07:12 | |
-Rosie, go to your room. -DOOR SLAMS | 0:07:15 | 0:07:17 | |
It's not my fault! I didn't ask to move here. | 0:07:17 | 0:07:20 | |
KNOCKING ON THE DOOR | 0:07:24 | 0:07:26 | |
Hello? | 0:07:26 | 0:07:27 | |
KNOCKING ON THE DOOR | 0:07:27 | 0:07:29 | |
BANGING ON THE DOOR | 0:07:32 | 0:07:34 | |
SHE SCREAMS | 0:07:38 | 0:07:40 | |
Damn! People always freaking out when they see a ghost. | 0:07:46 | 0:07:49 | |
-I don't know why. I'm just a girl who dead. -What? | 0:07:49 | 0:07:52 | |
Yeah, a ghost. | 0:07:52 | 0:07:53 | |
Alice my name, so now you know. | 0:07:53 | 0:07:55 | |
So quit bitchin' like a bitch with no... | 0:07:55 | 0:07:58 | |
-debutante's ball. -With no what? | 0:07:58 | 0:07:59 | |
Sometimes I can't think of the modern equivalent. | 0:07:59 | 0:08:01 | |
Why are you talking like that? | 0:08:04 | 0:08:05 | |
I spend a lot of time with the ghost of Whitney Houston. | 0:08:05 | 0:08:08 | |
Get over it, girl! | 0:08:08 | 0:08:09 | |
Close your damn mouth before someone move in there. | 0:08:09 | 0:08:11 | |
Now, what you shouting about? | 0:08:11 | 0:08:13 | |
-I got in trouble at my new school and now I'm grounded. -Grounded? | 0:08:13 | 0:08:15 | |
I was grounded once. My mama put me in a coal hole for three weeks. | 0:08:15 | 0:08:19 | |
I met so many rats down there, | 0:08:19 | 0:08:20 | |
I damn near made friends with all of them! | 0:08:20 | 0:08:23 | |
-I didn't want to come out. -Great(!) | 0:08:23 | 0:08:25 | |
Well, thanks for stopping by, Alice. | 0:08:25 | 0:08:27 | |
So how long are you grounded for, sweet child? | 0:08:27 | 0:08:29 | |
A whole week. | 0:08:29 | 0:08:31 | |
-I'm missing Emily's party and now my wardrobe is haunted. -Emily? | 0:08:31 | 0:08:34 | |
Emily?! She round here yesterday? | 0:08:35 | 0:08:37 | |
You like her? | 0:08:37 | 0:08:38 | |
-She's the coolest girl in my new school. -Emily?! | 0:08:38 | 0:08:40 | |
She all big teeth and shiny hair | 0:08:40 | 0:08:42 | |
like a smoke horse you just want to slap! | 0:08:42 | 0:08:44 | |
Yeah, she is quite annoying. | 0:08:44 | 0:08:45 | |
Next time you see her, tell her you didn't want to go to her | 0:08:45 | 0:08:47 | |
-damn party because you knew it'd be so dull. -That might actually work. | 0:08:47 | 0:08:50 | |
Damn straight it'll work. | 0:08:50 | 0:08:51 | |
I thought I would miss hanging out with Whitney. | 0:08:51 | 0:08:54 | |
-She used to take all my advice. -Thanks, Alice. | 0:08:54 | 0:08:56 | |
Ah, shit, make a sister cry. Come on, get out of here. | 0:08:56 | 0:08:58 | |
Go to bed, motherfricker. | 0:08:58 | 0:08:59 | |
I do want no TV on my watch. | 0:08:59 | 0:09:01 | |
I will punch you in the ass if you fuck around with me! | 0:09:01 | 0:09:03 | |
WHISPERING | 0:09:07 | 0:09:10 | |
-Can you play? -Just a bit, son. | 0:09:16 | 0:09:18 | |
I had an LP out in my day. | 0:09:18 | 0:09:20 | |
-Really? -Yeah. | 0:09:20 | 0:09:21 | |
Cockney tunes for kids aged four to six who've done time. Yeah. | 0:09:21 | 0:09:24 | |
Play you something, shall I? | 0:09:25 | 0:09:27 | |
-Yeah. -Yeah, you'd like that, would you? All right. | 0:09:27 | 0:09:29 | |
This one's for you, darling. This one's for you, all right. | 0:09:29 | 0:09:32 | |
Look at her. Lovely, sweetheart. | 0:09:32 | 0:09:34 | |
# I followed you home You was alone | 0:09:34 | 0:09:36 | |
# I hid in your shower | 0:09:36 | 0:09:37 | |
# I waited an hour Then you had a bath | 0:09:37 | 0:09:40 | |
# I gave you such a surprise | 0:09:40 | 0:09:42 | |
# You couldn't believe your eyes | 0:09:42 | 0:09:44 | |
# I was naked, so were you | 0:09:44 | 0:09:45 | |
# Should've changed your locks when I moved out. # | 0:09:45 | 0:09:48 | |
No applause? | 0:09:52 | 0:09:53 | |
That's not very nice. | 0:09:57 | 0:09:59 | |
We was always having a singsong, yeah. | 0:10:04 | 0:10:06 | |
Dogfight upstairs, brothel in the back. | 0:10:06 | 0:10:08 | |
Those were the days. | 0:10:08 | 0:10:10 | |
Oh, hello, Chuckles. I was saying to you, wasn't I? | 0:10:10 | 0:10:12 | |
We'd always have a dogfight here. | 0:10:12 | 0:10:13 | |
And you was saying you'd like one back, wouldn't you? | 0:10:13 | 0:10:15 | |
-Said the room was free. -Yeah. | 0:10:15 | 0:10:17 | |
I... yeah. I was... | 0:10:17 | 0:10:19 | |
That sounds... Yeah. | 0:10:20 | 0:10:21 | |
I'll play you another, shall I? I wrote this one for me first wife. | 0:10:21 | 0:10:24 | |
Here we go. | 0:10:24 | 0:10:26 | |
# It wasn't the knife that killed her | 0:10:26 | 0:10:27 | |
# It was me, it was me. # | 0:10:27 | 0:10:29 | |
WHISPERS: She was a slag. | 0:10:29 | 0:10:30 | |
She fucked my brother. | 0:10:33 | 0:10:34 | |
I just sliced her up, | 0:10:35 | 0:10:37 | |
buried her and I got away with it. | 0:10:37 | 0:10:39 | |
I hate this room. Pass me my grenade. | 0:10:42 | 0:10:45 | |
EXPLOSION | 0:10:49 | 0:10:51 | |
Someone's going to clear that up now | 0:10:51 | 0:10:53 | |
-or someone's going to get shot. Right, show me my covers. -Oh. | 0:10:53 | 0:10:55 | |
OK, good, good. | 0:10:55 | 0:10:57 | |
Uh, why am I not on the cover? | 0:10:57 | 0:10:59 | |
Well that's Cakes Weekly. | 0:10:59 | 0:11:00 | |
-You're not a cake. -I'm whatever I say I am. | 0:11:00 | 0:11:03 | |
I'm a Victoria sponge. What am I? | 0:11:03 | 0:11:05 | |
-You're a Victoria sponge. -Am I? | 0:11:05 | 0:11:06 | |
Can I eat me? | 0:11:06 | 0:11:07 | |
Why am I still walking? | 0:11:11 | 0:11:12 | |
Get me my hovercraft! | 0:11:12 | 0:11:13 | |
Hello! Welcome to Cocktail Sally's YouTube channel. | 0:11:25 | 0:11:28 | |
The name's Sally, Cocktail Sally. | 0:11:30 | 0:11:32 | |
I'm going to shoot you in the face. | 0:11:32 | 0:11:34 | |
Why am I talking like James Bond? | 0:11:34 | 0:11:36 | |
Because this week's Cocktail Sally's themed cocktail is the classic | 0:11:36 | 0:11:39 | |
James...Bond cocktail - | 0:11:39 | 0:11:41 | |
the Bondopolitan. | 0:11:41 | 0:11:43 | |
So, firstly, | 0:11:46 | 0:11:47 | |
add a shot... | 0:11:47 | 0:11:48 | |
..of vodka from Russia... | 0:11:50 | 0:11:53 | |
With Love. | 0:11:53 | 0:11:55 | |
Then paint your finger gold... | 0:11:55 | 0:11:57 | |
..and stir. | 0:11:58 | 0:12:00 | |
Then just add some diamonds. | 0:12:00 | 0:12:03 | |
And leave them there forever! | 0:12:03 | 0:12:06 | |
Put the glass in the freezer for an hour | 0:12:06 | 0:12:08 | |
until it is cold and dispassionate like James Bond. | 0:12:08 | 0:12:11 | |
Make love to it in the shower. | 0:12:11 | 0:12:12 | |
Add a bow tie. | 0:12:12 | 0:12:13 | |
And there you have it, the Bondopolitan. | 0:12:13 | 0:12:17 | |
Mmm. | 0:12:17 | 0:12:18 | |
Or should I say...M. | 0:12:20 | 0:12:23 | |
Remember you can e-mail me at [email protected] | 0:12:26 | 0:12:31 | |
and join the next week when I will be doing my hen night special, | 0:12:31 | 0:12:34 | |
the Penis Colada. | 0:12:34 | 0:12:35 | |
Until then, keep shaking! | 0:12:36 | 0:12:38 | |
It's just that you said you'd call me before you finished yesterday. | 0:12:43 | 0:12:46 | |
I know. I forgot. | 0:12:46 | 0:12:47 | |
I didn't promise you I'd call you. | 0:12:47 | 0:12:49 | |
I know but I was really worried. | 0:12:49 | 0:12:50 | |
And I didn't know where you were. | 0:12:50 | 0:12:52 | |
And I just love rainy days and bookshops. | 0:12:52 | 0:12:55 | |
If you could just text me next time. | 0:12:58 | 0:13:01 | |
SHE SIMPERS | 0:13:01 | 0:13:03 | |
-Are you OK? -Yeah! | 0:13:03 | 0:13:05 | |
I just remembered I once Shazammed a bird singing | 0:13:05 | 0:13:07 | |
and it came back with..."life". | 0:13:07 | 0:13:09 | |
I mean, that's not true but it is true, | 0:13:10 | 0:13:12 | |
you know what I mean? | 0:13:12 | 0:13:13 | |
Oh, my cakes. I dropped them! | 0:13:24 | 0:13:26 | |
All I can bake is cupcakes. | 0:13:29 | 0:13:31 | |
I guess I'm just like a big giant ovary | 0:13:33 | 0:13:35 | |
just waiting for your sperm. | 0:13:35 | 0:13:36 | |
It's actually closing time so... | 0:13:42 | 0:13:44 | |
Oh, that's so sad. | 0:13:44 | 0:13:46 | |
I guess I'll go home | 0:13:46 | 0:13:48 | |
and watch Battlestar Galactica or play Call of Duty in my bikini. | 0:13:48 | 0:13:52 | |
Or cut myself. | 0:13:52 | 0:13:54 | |
Are you hard yet? | 0:13:56 | 0:13:58 | |
You're so pathetic. Nose wrinkle! | 0:14:01 | 0:14:05 | |
It was so nice to meet you! | 0:14:05 | 0:14:06 | |
Pour moi, the street is a baguette, uh. I am the ham. | 0:14:14 | 0:14:17 | |
# Mind your scratchy crust I can cut | 0:14:17 | 0:14:18 | |
# That's the pavement. # | 0:14:18 | 0:14:20 | |
The cucumber is, um, | 0:14:21 | 0:14:23 | |
the policeman, uh. | 0:14:23 | 0:14:25 | |
But who is the ham? | 0:14:25 | 0:14:26 | |
What side is it on? Who can you trust in the fight for the street? | 0:14:26 | 0:14:30 | |
# Tuna, tu-tuna, cucumber and meat. # | 0:14:30 | 0:14:31 | |
-Culoche! -HE LAUGHS | 0:14:34 | 0:14:36 | |
Pain de merde, the East Bank Crew! | 0:14:36 | 0:14:38 | |
# One | 0:14:40 | 0:14:41 | |
# One, two | 0:14:43 | 0:14:44 | |
# Check me out right here, yo | 0:14:46 | 0:14:48 | |
# Turn the track up a little bit for me. # | 0:14:51 | 0:14:54 | |
HIP-HOP BEAT | 0:14:54 | 0:14:57 | |
CLOCK ALARM BLEEPS | 0:15:01 | 0:15:03 | |
Dejeuner pour...? | 0:15:07 | 0:15:09 | |
Mais, oui, c'est parfait! | 0:15:09 | 0:15:10 | |
THEY SPEAK ANIMATEDLY IN FRENCH | 0:15:10 | 0:15:15 | |
MUSIC: "L'Amour Conjuge" by Christian Marsac | 0:15:15 | 0:15:17 | |
-Parkour. -Parkour! -Parkour, parkour, parkour. | 0:15:35 | 0:15:39 | |
THEY SHRIEK AND LAUGH | 0:15:39 | 0:15:41 | |
HE SHOUTS | 0:15:43 | 0:15:45 | |
To be honest, I'm quite full. | 0:15:51 | 0:15:53 | |
Maybe we could just do this tomorrow, uh? | 0:15:53 | 0:15:55 | |
Um, si. | 0:15:58 | 0:15:59 | |
-Au revoir. -Au revoir. Au revoir, alors. | 0:15:59 | 0:16:01 | |
-Au revoir. -Au revoir. -Au revoir. | 0:16:01 | 0:16:04 | |
Subtitles by Red Bee Media Ltd | 0:16:19 | 0:16:24 |