Browse content similar to 29/09/2014. Check below for episodes and series from the same categories and more!
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WHISTLING | 0:00:27 | 0:00:29 | |
Ain't changed your mind, then? | 0:00:34 | 0:00:36 | |
This is the last place you should be, this wedding going on. | 0:00:39 | 0:00:42 | |
What wedding? | 0:00:42 | 0:00:43 | |
SHE CHUCKLES | 0:00:45 | 0:00:46 | |
SHE WHISTLES | 0:00:49 | 0:00:51 | |
SIREN WAILING IN DISTANCE | 0:01:04 | 0:01:06 | |
Well, this is a joke, yeah? | 0:01:09 | 0:01:10 | |
It's not going to happen, all right? I'm not going to let you do this. | 0:01:11 | 0:01:15 | |
I do not believe it, why didn't you just tell me before? Huh?! | 0:01:22 | 0:01:27 | |
Well, look it doesn't matter, because I'm going to be an auntie | 0:01:27 | 0:01:29 | |
in, what, like, four, five months? | 0:01:29 | 0:01:31 | |
-Um, four. -You're five months gone? | 0:01:31 | 0:01:33 | |
Oh, congratulations, Roxanne, you didn't even use your fingers. | 0:01:33 | 0:01:36 | |
Hold on a minute, so you were pregnant when you left, | 0:01:36 | 0:01:39 | |
so why didn't you just tell me? | 0:01:39 | 0:01:41 | |
Why did you go off like that? | 0:01:41 | 0:01:42 | |
It's Charlie's, isn't it? | 0:01:45 | 0:01:47 | |
(It's Charlie's.) | 0:01:47 | 0:01:49 | |
Oh, there you are, I've been looking everywhere for you. | 0:01:49 | 0:01:51 | |
-Ronnie, how lovely to see you. -Hi. | 0:01:51 | 0:01:54 | |
Good job I bumped into Dot. | 0:01:54 | 0:01:56 | |
Yes, well, you've found Roxy now, Sal, so we'd better get a move on. | 0:01:56 | 0:02:00 | |
Er, Roxy, it's the bride what's supposed to be fashionably late, | 0:02:00 | 0:02:03 | |
-not the bloomin' bridesmaid. -Yes! Yes, yes, yes. | 0:02:03 | 0:02:05 | |
OK, Amy, come on. Come on, let's go. | 0:02:05 | 0:02:07 | |
Come on, out you come. | 0:02:07 | 0:02:09 | |
Right, I tell you what, I will meet you there. | 0:02:09 | 0:02:11 | |
You go with Fats, OK? | 0:02:11 | 0:02:12 | |
Er, OK. I thought you was coming with us. | 0:02:12 | 0:02:14 | |
No, I've got something I need to discuss first. | 0:02:14 | 0:02:16 | |
OK. Do you want some ice cream? | 0:02:16 | 0:02:18 | |
Yeah? Come on, then, we'll go and get some ice cream. | 0:02:18 | 0:02:20 | |
ROXY: Come on, out we go. Let's go. | 0:02:20 | 0:02:22 | |
-Not a problem, is it? -No, no, just a family matter. | 0:02:23 | 0:02:26 | |
-I am family. -Me and my sister. | 0:02:26 | 0:02:29 | |
Charming(!) | 0:02:29 | 0:02:30 | |
No, I need it today, they're going to be back in an hour. | 0:02:30 | 0:02:33 | |
I know it's short notice, I know it is. | 0:02:33 | 0:02:35 | |
I've just... I've had an accident with the last cake, all right? | 0:02:35 | 0:02:37 | |
So can you just please...? | 0:02:37 | 0:02:40 | |
We're closed. | 0:02:40 | 0:02:42 | |
There's a private party tonight. | 0:02:42 | 0:02:44 | |
What are you doing back here? | 0:02:45 | 0:02:47 | |
Ian... | 0:02:49 | 0:02:50 | |
What, has she left something in her room? What? | 0:02:50 | 0:02:52 | |
Mick, just give us a minute. | 0:02:52 | 0:02:55 | |
-MAN ON PHONE: -'Hello? ..Hello?!' | 0:02:55 | 0:02:58 | |
Right, cake. | 0:02:58 | 0:03:00 | |
-Go park up, we'll see you inside, all right, mate? -Yeah. -All right. | 0:03:01 | 0:03:04 | |
-See you in a sec, Jay. -See ya. | 0:03:04 | 0:03:06 | |
-You all right? -Yeah, all right. -You look good. -Cheers, Dad. | 0:03:08 | 0:03:11 | |
I've already told her the score. | 0:03:15 | 0:03:17 | |
You get inside. I'll sort this out. | 0:03:19 | 0:03:21 | |
Nah, leave it to me. This is the last thing you need. | 0:03:21 | 0:03:24 | |
Ben! Get inside. | 0:03:24 | 0:03:26 | |
SIREN WAILS IN DISTANCE | 0:03:27 | 0:03:30 | |
I've been thinking about it for days, | 0:03:33 | 0:03:37 | |
we both have, me and Chelle. | 0:03:37 | 0:03:39 | |
I mean, I nearly phoned you a hundred times, | 0:03:39 | 0:03:41 | |
but I knew that if I did that you wouldn't listen to me. | 0:03:41 | 0:03:44 | |
I knew I had to tell you face-to-face what a mistake this is. | 0:03:44 | 0:03:46 | |
Well, ten out of ten for timing. | 0:03:46 | 0:03:48 | |
I couldn't help it, my plane was delayed, wasn't it? | 0:03:48 | 0:03:50 | |
I got here as quick as I could. I thought I was going to be too late. | 0:03:50 | 0:03:53 | |
Well, you are too late. | 0:03:53 | 0:03:54 | |
I'm getting married in just over half an hour. | 0:03:54 | 0:03:56 | |
Right, then you've still time to back out. | 0:03:56 | 0:03:58 | |
I don't want to back out. | 0:03:58 | 0:04:01 | |
Shirley, what are you doing here? | 0:04:01 | 0:04:04 | |
Same as you. I've come to watch the floor show. | 0:04:04 | 0:04:07 | |
I told you, there ain't going to be one, all right? Just a wedding. | 0:04:07 | 0:04:10 | |
Now, I'm getting married to Sharon. End of story. | 0:04:10 | 0:04:14 | |
What about me and you? | 0:04:14 | 0:04:15 | |
There ain't a "me and you". | 0:04:18 | 0:04:20 | |
So what's all this over the past couple of weeks? | 0:04:21 | 0:04:24 | |
I got it wrong, all right? I got Sharon wrong. | 0:04:24 | 0:04:27 | |
But, well, things are different now, because we've talked, you know. | 0:04:27 | 0:04:30 | |
We've talked about everything - about the Albert, | 0:04:30 | 0:04:33 | |
-about the wedding... -About you and me? | 0:04:33 | 0:04:35 | |
Not quite everything, eh? | 0:04:35 | 0:04:38 | |
-Everything that mattered. -Sure about that? | 0:04:38 | 0:04:41 | |
-What's that supposed to mean? -This is about Ben, yeah? | 0:04:41 | 0:04:44 | |
What I said to you, that you can't have both - me and him. | 0:04:44 | 0:04:47 | |
You know, Phil, you probably ain't even going to have to choose, | 0:04:47 | 0:04:50 | |
Ben'll be long gone soon and who you're going to be left with | 0:04:50 | 0:04:52 | |
is that bimbo! | 0:04:52 | 0:04:54 | |
It's got nothing to do with Ben, all right? Sharon... | 0:04:54 | 0:04:57 | |
Sharon's the one I want. | 0:04:57 | 0:04:58 | |
No, this is to do with you trying to get back something | 0:04:58 | 0:05:01 | |
that you never had in the first place. | 0:05:01 | 0:05:03 | |
She chose your own brother over you. | 0:05:03 | 0:05:05 | |
But I'm choosing you, Phil. | 0:05:06 | 0:05:07 | |
Just you. | 0:05:09 | 0:05:10 | |
And you'd chosen me too. | 0:05:10 | 0:05:12 | |
That's the way it's always going to be. You know it. Me and you. | 0:05:13 | 0:05:17 | |
Tell me that I'm wrong. | 0:05:18 | 0:05:20 | |
Tell me that I'm wrong, and I'll leave you alone. | 0:05:21 | 0:05:23 | |
You know, I could show you something | 0:05:23 | 0:05:25 | |
that might change your mind about your precious Sharon. | 0:05:25 | 0:05:28 | |
Shirl? What are you doing here? | 0:05:28 | 0:05:30 | |
She ain't doing anything. | 0:05:32 | 0:05:34 | |
You ain't said it yet, Phil. | 0:05:34 | 0:05:36 | |
Shirley's just going. | 0:05:36 | 0:05:37 | |
He won't be stopping either. | 0:05:42 | 0:05:44 | |
-Oh, well, at least the groom's arrived. -Everything OK? | 0:05:49 | 0:05:52 | |
Course it is. Couldn't be better. | 0:05:52 | 0:05:54 | |
I'm getting married, ain't I? | 0:05:54 | 0:05:56 | |
Ron, this is crazy. | 0:06:00 | 0:06:02 | |
I mean, I worked it out in under a minute, | 0:06:02 | 0:06:04 | |
how long do you think it's going to take Charlie to work it out? | 0:06:04 | 0:06:07 | |
-He can think what he likes. -Well, he's going to think plenty. | 0:06:07 | 0:06:09 | |
It don't matter so long as he doesn't actually know, | 0:06:09 | 0:06:12 | |
-and no-one tells him. -Oh, amazing(!) | 0:06:12 | 0:06:14 | |
So now you're asking me to lie to him. | 0:06:14 | 0:06:16 | |
He's a nice guy, Ronnie, he doesn't deserve this. | 0:06:16 | 0:06:18 | |
Look, you know what it was like for me before, all right, | 0:06:18 | 0:06:21 | |
with Jack, with Joel - everyone. | 0:06:21 | 0:06:23 | |
When I'm with someone else it never works, | 0:06:24 | 0:06:26 | |
when I'm by myself, I'm fine. | 0:06:26 | 0:06:28 | |
You're not, you're not by yourself, are you? | 0:06:28 | 0:06:31 | |
There's a little baby involved. | 0:06:31 | 0:06:32 | |
-My baby. -His baby too. | 0:06:32 | 0:06:34 | |
No, my baby, no-one else's. | 0:06:34 | 0:06:36 | |
ROXY GROANS | 0:06:36 | 0:06:37 | |
OK, so when this baby starts asking about his daddy, | 0:06:37 | 0:06:40 | |
who, by the way, is living here, I don't know if you know that? | 0:06:40 | 0:06:43 | |
-What? -Yeah. Yeah, they all had to move out of Dot's house. | 0:06:43 | 0:06:46 | |
He could walk through the door at any minute. | 0:06:46 | 0:06:48 | |
Well... Look, I'll cross that bridge when I come to it. | 0:06:48 | 0:06:50 | |
So, in other words...in other words, you're going to lie to the kid too. | 0:06:50 | 0:06:54 | |
I mean, what about Aunt Sal, | 0:06:55 | 0:06:57 | |
how long do you think it's going to take till she blabs? | 0:06:57 | 0:06:59 | |
She's probably telling Dot right now. | 0:06:59 | 0:07:01 | |
And anyway, Ron... | 0:07:01 | 0:07:04 | |
just because it hasn't worked out before, | 0:07:04 | 0:07:05 | |
it doesn't mean it won't this time. | 0:07:05 | 0:07:07 | |
-I know what I'm doing. -Yeah, you're running scared. | 0:07:07 | 0:07:10 | |
No, I'm not running anywhere. | 0:07:10 | 0:07:11 | |
You're not standing where I'm standing. | 0:07:11 | 0:07:13 | |
-And I'm not scared. -Seeing what I'm seeing. | 0:07:13 | 0:07:17 | |
Who are you to lecture me anyway? | 0:07:17 | 0:07:19 | |
I'm your sister. | 0:07:19 | 0:07:20 | |
Oh, yeah, that's right, I forgot. | 0:07:20 | 0:07:21 | |
The one who's all settled, who's all sorted, | 0:07:21 | 0:07:24 | |
who's finally got everything she ever wanted. | 0:07:24 | 0:07:26 | |
I didn't say that. | 0:07:26 | 0:07:28 | |
Look, just because everything is rosy in your life, | 0:07:28 | 0:07:31 | |
doesn't give you the right to tell me what to do with mine. | 0:07:31 | 0:07:34 | |
-Roxy? -All right, suit yourself. | 0:07:36 | 0:07:38 | |
What? | 0:07:38 | 0:07:40 | |
TOILET FLUSHES | 0:07:44 | 0:07:45 | |
DOOR OPENS | 0:07:45 | 0:07:46 | |
What's happening? | 0:07:48 | 0:07:49 | |
How do you mean? | 0:07:49 | 0:07:51 | |
With Sharon? | 0:07:51 | 0:07:52 | |
She's getting married. | 0:07:52 | 0:07:54 | |
What's she done? | 0:07:56 | 0:07:57 | |
Who? | 0:07:58 | 0:07:59 | |
Shirley. | 0:07:59 | 0:08:01 | |
No, she's in there with Ian. | 0:08:01 | 0:08:03 | |
Someone died? | 0:08:06 | 0:08:08 | |
SHARON: I mean, OK, you and Phil... | 0:08:08 | 0:08:09 | |
Well, you're never going to be bosom buddies, | 0:08:09 | 0:08:11 | |
but these past few months... | 0:08:11 | 0:08:13 | |
Yeah, I know, we've been getting on better. | 0:08:13 | 0:08:15 | |
He's been there for you. | 0:08:15 | 0:08:16 | |
He held you in his arms when you were in bits over Lucy. | 0:08:16 | 0:08:21 | |
I mean, he stood in that press conference willing you on. | 0:08:21 | 0:08:24 | |
I mean, he even covered for you with Rainie... | 0:08:24 | 0:08:26 | |
Yeah, and he turned a sweet little kid into a killer. | 0:08:26 | 0:08:30 | |
Oh, that is not fair. | 0:08:30 | 0:08:31 | |
Sharon, when Ben came back from South Africa, right, | 0:08:33 | 0:08:36 | |
that boy wouldn't have said boo to a goose. | 0:08:36 | 0:08:38 | |
Now he's banged up. | 0:08:38 | 0:08:40 | |
He's home. | 0:08:40 | 0:08:41 | |
He's what? | 0:08:41 | 0:08:43 | |
He's living with us. | 0:08:43 | 0:08:44 | |
He's at the registry office now, waiting for me to marry his dad. | 0:08:44 | 0:08:48 | |
Look, OK, I know what he did, it was a huge mistake... | 0:08:49 | 0:08:52 | |
-A what? -..of course... | 0:08:52 | 0:08:54 | |
But he's done his time. | 0:08:54 | 0:08:55 | |
All right, and why did he make that huge mistake? | 0:08:55 | 0:08:58 | |
What, so you're saying that's all Phil's fault? | 0:08:58 | 0:09:01 | |
Yeah, he can't help it. | 0:09:01 | 0:09:03 | |
Look, Sharon, I don't know whether it's down to his screwed-up mum | 0:09:03 | 0:09:06 | |
his old man, I don't know, I don't care. | 0:09:06 | 0:09:07 | |
All I know is I watched him destroy my mum and my brother | 0:09:07 | 0:09:11 | |
and I did nothing about it. | 0:09:11 | 0:09:13 | |
Look, please... | 0:09:13 | 0:09:14 | |
Ian, I'm going to be late. | 0:09:14 | 0:09:18 | |
And I'm not going to let him do it to my best friend. | 0:09:18 | 0:09:20 | |
Up there, round to the right. See you up there. | 0:09:25 | 0:09:28 | |
What you still doing here, Shirl? Not exactly dressed for a wedding. | 0:09:34 | 0:09:39 | |
Maybe I know something you don't. | 0:09:39 | 0:09:42 | |
Meaning? | 0:09:42 | 0:09:43 | |
Wait and see. | 0:09:43 | 0:09:44 | |
You know, I was saying to Lola last night... | 0:09:46 | 0:09:48 | |
..I don't think I've ever seen Phil look this happy, | 0:09:51 | 0:09:53 | |
not in all the years I've known him. | 0:09:53 | 0:09:55 | |
But then you always were a plank, weren't you, Billy? | 0:09:55 | 0:09:59 | |
So you don't think so? | 0:09:59 | 0:10:01 | |
I think I know Phil better than you do. | 0:10:01 | 0:10:03 | |
Sometimes you've got to accept that things just don't work out. | 0:10:03 | 0:10:08 | |
And you'd know all about that, wouldn't you? | 0:10:08 | 0:10:10 | |
I know when to call it quits. | 0:10:10 | 0:10:11 | |
And I know that there's some battles that you're never going to win. | 0:10:11 | 0:10:14 | |
Maybe some of us just don't have the stomach for it. | 0:10:14 | 0:10:17 | |
This battle's over, Billy. You wait and see. | 0:10:20 | 0:10:24 | |
It's not a marriage, all right, not a proper one. On paper, | 0:10:30 | 0:10:35 | |
-yeah, all right, but it's... -I knew, I knew he was scum. | 0:10:35 | 0:10:40 | |
Look, Aleks barely sees his wife... | 0:10:40 | 0:10:42 | |
Don't look at me like that! | 0:10:42 | 0:10:44 | |
Yes, it causes a few problems, OK, but I'm all right with it. | 0:10:45 | 0:10:48 | |
Oh, you're all right with it, are you? | 0:10:48 | 0:10:50 | |
You're all right being a married man's mistress? | 0:10:50 | 0:10:53 | |
Huh! And you ask me why I want to do it by myself, | 0:10:53 | 0:10:57 | |
why I want to raise this baby on my own? | 0:10:57 | 0:10:59 | |
Listen to you, I mean, this situation is driving you nuts, | 0:10:59 | 0:11:05 | |
he is driving you nuts, it's obvious. | 0:11:05 | 0:11:08 | |
OK, it is not ideal, Ronnie. | 0:11:08 | 0:11:09 | |
No, which is exactly why I want to do this by myself. Look, | 0:11:09 | 0:11:14 | |
I sat down and I worked out where everything went wrong. | 0:11:14 | 0:11:18 | |
I faced them, Rox, any issues I may have had, | 0:11:19 | 0:11:23 | |
any problems I may have had, | 0:11:23 | 0:11:25 | |
and maybe you should do the same. | 0:11:25 | 0:11:27 | |
PHONE RINGS | 0:11:30 | 0:11:33 | |
The thing is, I think earrings would just distract from the amazing | 0:11:38 | 0:11:41 | |
haircut that I've done. | 0:11:41 | 0:11:43 | |
It's so lovely, her hair looks really nice up like that. | 0:11:44 | 0:11:47 | |
You're not ready yet? | 0:11:48 | 0:11:50 | |
The party starts in an hour. | 0:11:50 | 0:11:53 | |
Not going. | 0:11:53 | 0:11:54 | |
This is just like that film. | 0:12:02 | 0:12:04 | |
What film? | 0:12:04 | 0:12:05 | |
Er...Mrs Robinson. | 0:12:05 | 0:12:07 | |
-The Graduate. -The Graduate. | 0:12:07 | 0:12:09 | |
"Elaine! Don't do it. Marry me instead." | 0:12:09 | 0:12:15 | |
Ian wants to marry Sharon? | 0:12:18 | 0:12:19 | |
Sharon, er, I don't mean to rush you, but, er... | 0:12:22 | 0:12:26 | |
..I'll tell the driver two minutes, yeah? | 0:12:28 | 0:12:31 | |
Two minutes and you'll be down, yeah? | 0:12:33 | 0:12:35 | |
Yeah. | 0:12:37 | 0:12:38 | |
Come on, Janet. You sit here for me. | 0:12:49 | 0:12:52 | |
You look so pretty in your dress. | 0:12:52 | 0:12:54 | |
Your girlfriend not here either? | 0:12:54 | 0:12:57 | |
-What? -The little blonde bit? Lola, is it? | 0:12:57 | 0:13:00 | |
Er, excuse me. I'm Jay's girlfriend. | 0:13:00 | 0:13:03 | |
Oh, I'm sorry. My mistake. | 0:13:03 | 0:13:05 | |
PHONE RINGS | 0:13:11 | 0:13:12 | |
Linda, turn your phone off. | 0:13:12 | 0:13:14 | |
It's Mick. Hello? | 0:13:14 | 0:13:16 | |
It's tradition, isn't it? Brides being late. | 0:13:20 | 0:13:23 | |
Honey was late. Twice. | 0:13:25 | 0:13:28 | |
I was even late once, but, you know technically I'm not a bride, so... | 0:13:28 | 0:13:32 | |
-Billy... -What? | 0:13:32 | 0:13:33 | |
Please. Shut up. | 0:13:33 | 0:13:35 | |
Yeah, but I was just saying... | 0:13:35 | 0:13:37 | |
Don't. | 0:13:37 | 0:13:38 | |
OK. | 0:13:39 | 0:13:40 | |
Sharon's probably with Roxy, Mrs B. | 0:13:42 | 0:13:44 | |
I know she ain't even here yet. | 0:13:44 | 0:13:45 | |
If she comes at all. | 0:13:45 | 0:13:47 | |
Why shouldn't she? | 0:13:47 | 0:13:49 | |
Perhaps she's had a shock. | 0:13:49 | 0:13:51 | |
What do you mean? | 0:13:51 | 0:13:52 | |
Sharon's still on the Square. | 0:14:02 | 0:14:04 | |
What's the matter, car broken down or something? | 0:14:04 | 0:14:07 | |
Come with me. | 0:14:12 | 0:14:13 | |
What? | 0:14:13 | 0:14:14 | |
I want you there. | 0:14:14 | 0:14:15 | |
Oh, Sharon have you not listened to a single word I've said? | 0:14:15 | 0:14:19 | |
Look, I owe him that at least. | 0:14:19 | 0:14:20 | |
Well, I can't just not turn up. | 0:14:21 | 0:14:23 | |
-Does that mean you...? -And you owe me that too. | 0:14:23 | 0:14:27 | |
Look, if I am going to do this, I need you there with me. | 0:14:27 | 0:14:31 | |
Looking lovely, ain't it? | 0:14:34 | 0:14:36 | |
If you like this sort of thing. | 0:14:36 | 0:14:37 | |
You wait till it's your turn. You'll feel exactly the same. | 0:14:37 | 0:14:40 | |
I'm not planning on getting married any time soon. | 0:14:40 | 0:14:43 | |
That stupid face mean you are? | 0:14:44 | 0:14:47 | |
Well, Tosh and I are in it for the long haul. | 0:14:47 | 0:14:50 | |
Why not go the whole hog? | 0:14:50 | 0:14:51 | |
-It might be fun. -Not in the mood. | 0:14:55 | 0:14:57 | |
You're not in the mood for anything these days. | 0:14:57 | 0:14:59 | |
I'm in the mood for a lot of things. Peace and quiet. | 0:14:59 | 0:15:02 | |
Just not a wedding. | 0:15:03 | 0:15:05 | |
Have a word with him, will you? | 0:15:09 | 0:15:10 | |
What makes you think he's going to listen to me? | 0:15:10 | 0:15:13 | |
This is the priority, yeah? | 0:15:22 | 0:15:24 | |
What time's the wedding? | 0:15:27 | 0:15:29 | |
Has something happened? | 0:15:29 | 0:15:30 | |
-Are you serious about this? -What? | 0:15:30 | 0:15:32 | |
Us? You and me? | 0:15:32 | 0:15:33 | |
That's typical. One woman gets married, all the others want to. | 0:15:34 | 0:15:38 | |
It's not funny, Aleks. | 0:15:38 | 0:15:39 | |
I'm the one making all the sacrifices here. | 0:15:39 | 0:15:43 | |
Baby, you're no sort of sacrifice for me... | 0:15:43 | 0:15:47 | |
Don't, all right. | 0:15:47 | 0:15:48 | |
-Prove it, then. -How? | 0:15:48 | 0:15:50 | |
I don't know. That's up to you. | 0:15:50 | 0:15:53 | |
But just do it. Today. | 0:15:53 | 0:15:55 | |
PHONE RINGS | 0:15:56 | 0:15:58 | |
Wrong number. | 0:16:03 | 0:16:04 | |
-Getting a lot of them today, yeah? -Yeah. | 0:16:04 | 0:16:07 | |
Some wedding this has turned out to be. | 0:16:13 | 0:16:16 | |
The bride was supposed to have left half an hour ago. | 0:16:16 | 0:16:18 | |
It's off, then, is it? | 0:16:22 | 0:16:23 | |
You never told me that. | 0:16:28 | 0:16:30 | |
-What? -You and Tina. | 0:16:30 | 0:16:32 | |
The way she was just talking, sounds like it'll be you | 0:16:32 | 0:16:35 | |
and her walking down the aisle next. Not sure she'd still feel that way | 0:16:35 | 0:16:38 | |
if she knew about our little experiment the other night. | 0:16:38 | 0:16:42 | |
The other night was a mistake. | 0:16:43 | 0:16:44 | |
Still. What she don't know... | 0:16:46 | 0:16:48 | |
Sharon'll be here. | 0:16:53 | 0:16:55 | |
Why? Cos you say so? | 0:16:55 | 0:16:56 | |
No, cos I know her. | 0:16:56 | 0:16:57 | |
May not be just Sharon we've got to worry about. | 0:16:57 | 0:17:00 | |
What? | 0:17:00 | 0:17:02 | |
Saw Shirley outside earlier. | 0:17:02 | 0:17:04 | |
-What's she doing here? -I don't think she'd come to wish 'em luck, Dot. | 0:17:04 | 0:17:07 | |
She's probably stuck in traffic. | 0:17:10 | 0:17:12 | |
Can be murder this time of day. | 0:17:12 | 0:17:14 | |
-We got through all right. -Billy! | 0:17:14 | 0:17:16 | |
I know. Shut up. | 0:17:16 | 0:17:18 | |
I'll go and look outside. | 0:17:18 | 0:17:19 | |
That was, er, that was weird, that, weren't it? | 0:17:21 | 0:17:25 | |
What was? | 0:17:25 | 0:17:27 | |
Her talking about Lola like that. Thinking you were her boyfriend. | 0:17:27 | 0:17:31 | |
She's never been right in the head, her. | 0:17:31 | 0:17:33 | |
She's here! | 0:17:42 | 0:17:43 | |
Right, I'll get the kids sorted. Jay, you tell the registrar. | 0:17:43 | 0:17:47 | |
Ben, you look after your dad. | 0:17:47 | 0:17:49 | |
Do you want me to go in and bring him out here? | 0:17:51 | 0:17:54 | |
No, I want you to come in with me. | 0:17:54 | 0:17:55 | |
I want you to give me away. | 0:17:57 | 0:17:59 | |
Sharon, have you not listened to a single thing I've said to you? | 0:17:59 | 0:18:01 | |
Everything. And I know why you're saying it, but you're wrong. | 0:18:01 | 0:18:06 | |
I mean, yeah, I've had my doubts. | 0:18:07 | 0:18:09 | |
I wasn't actually going to be going through with all this | 0:18:09 | 0:18:12 | |
and neither was Phil. | 0:18:12 | 0:18:15 | |
It was all going to be one big charade. | 0:18:15 | 0:18:17 | |
He was going to dump me at the altar and I was going to fleece him | 0:18:17 | 0:18:20 | |
-dry before we even got here. -Doesn't that prove everything I was saying? | 0:18:20 | 0:18:23 | |
Who does that to someone they're going to marry? | 0:18:23 | 0:18:25 | |
No, but then we talked. | 0:18:25 | 0:18:27 | |
He told me the truth and I did too. | 0:18:27 | 0:18:30 | |
I trust him, Ian. It's as simple as that. | 0:18:30 | 0:18:33 | |
And now I'm asking you to trust me. | 0:18:34 | 0:18:36 | |
And you can show me you do by walking me down that aisle. | 0:18:36 | 0:18:39 | |
-Sharon... -Yeah, just give us a sec, Billy, thanks. | 0:18:40 | 0:18:43 | |
-I can't. -Or won't? | 0:18:47 | 0:18:50 | |
There's no difference. | 0:18:50 | 0:18:51 | |
And is that because of me or the man I'm going to marry, hmm? | 0:18:51 | 0:18:54 | |
It's the same thing. | 0:18:54 | 0:18:56 | |
Don't worry. I love you for caring so much anyway. | 0:18:59 | 0:19:03 | |
I'm still going to do it, though. | 0:19:04 | 0:19:06 | |
Yeah, Dean reckons up. | 0:19:09 | 0:19:10 | |
He spent the last hour doing it as well, | 0:19:10 | 0:19:12 | |
so I don't know. It's not really me, is it? | 0:19:12 | 0:19:15 | |
-I prefer it down, to be honest. -Yeah. | 0:19:15 | 0:19:18 | |
-Hides more of my face, don't it? -Yeah, exactly. | 0:19:19 | 0:19:22 | |
Oi! Right, well, I'll see you later, yeah? The party? | 0:19:23 | 0:19:27 | |
I already told Cindy... | 0:19:27 | 0:19:28 | |
Yeah, well, you can change your mind, can't you? | 0:19:28 | 0:19:30 | |
Haven't you got a wedding reception to organise? | 0:19:36 | 0:19:38 | |
-SHE SCOFFS -What's up? | 0:19:38 | 0:19:41 | |
Up? It's a complete and utter disaster. | 0:19:41 | 0:19:43 | |
It looked like she weren't even going to go. | 0:19:45 | 0:19:47 | |
But did she? | 0:19:47 | 0:19:48 | |
Yeah, she did in the end. She went, like, 20 minutes ago. | 0:19:48 | 0:19:51 | |
Just come in to rob some extra serving spoons. Oi, Marie...? | 0:19:51 | 0:19:55 | |
Oh, Janet you look so pretty in your dress. | 0:19:56 | 0:19:59 | |
Sharon... | 0:19:59 | 0:20:00 | |
I'm doing this, Ian. | 0:20:00 | 0:20:01 | |
I know you are. | 0:20:05 | 0:20:06 | |
-I got well and truly suckered there, didn't I? -Mm-hm. | 0:20:08 | 0:20:11 | |
-Here. -I should have guessed when you brought these with you. | 0:20:11 | 0:20:14 | |
I've still got my doubts about this, you know. | 0:20:18 | 0:20:20 | |
But if you are going to go through with it... | 0:20:20 | 0:20:22 | |
..I'm not going to let you down. | 0:20:25 | 0:20:27 | |
All right? | 0:20:31 | 0:20:32 | |
MUSIC: The Power Of Love by Jennifer Rush | 0:20:41 | 0:20:44 | |
# Cos I am your lady | 0:20:44 | 0:20:47 | |
# And you are my man | 0:20:47 | 0:20:51 | |
# Whenever you reach for me | 0:20:54 | 0:21:00 | |
# I'll do all that I can | 0:21:02 | 0:21:07 | |
# Even though there may be times | 0:21:07 | 0:21:13 | |
# It seems I'm far away... # | 0:21:16 | 0:21:20 | |
I welcome you all here today to witness | 0:21:40 | 0:21:43 | |
the wedding of Sharon Anne Rickman and Philip James Mitchell. | 0:21:43 | 0:21:46 | |
But first, I would like each of you to repeat after me. | 0:21:48 | 0:21:52 | |
I do solemnly declare that I know not of any lawful impediment why I... | 0:21:52 | 0:21:56 | |
..Philip James Mitchell, | 0:21:57 | 0:21:59 | |
may not be joined in matrimony to Sharon Anne Rickman. | 0:21:59 | 0:22:03 | |
And you, Sharon. | 0:22:05 | 0:22:07 | |
I do solemnly declare that I know not of any lawful impediment | 0:22:07 | 0:22:12 | |
why I, Sharon Anne Rickman, | 0:22:12 | 0:22:14 | |
may not be joined in matrimony to Philip James Mitchell. | 0:22:14 | 0:22:21 | |
I call upon these persons here present to witness that I... | 0:22:23 | 0:22:26 | |
..Philip James Mitchell, do take thee, Sharon Anne Rickman, | 0:22:28 | 0:22:33 | |
to be my lawful wedded wife. | 0:22:33 | 0:22:38 | |
I call upon these persons here present to witness that I, | 0:22:41 | 0:22:46 | |
Sharon Anne Rickman, do take thee, Philip James Mitchell, | 0:22:46 | 0:22:53 | |
to be my lawful wedded husband. | 0:22:53 | 0:22:58 | |
Philip and Sharon, you have made the declarations required by law. | 0:23:00 | 0:23:04 | |
It gives me great pleasure to declare that you are now | 0:23:05 | 0:23:09 | |
husband and wife. | 0:23:09 | 0:23:11 | |
APPLAUSE | 0:23:11 | 0:23:13 | |
They go together, don't they? Love, marriage, babies. | 0:23:34 | 0:23:37 | |
I mean, we've got one. We're going for the other. | 0:23:39 | 0:23:42 | |
What about making it the triple whammy? | 0:23:42 | 0:23:45 | |
What? | 0:23:48 | 0:23:49 | |
-I can't do this. -What's the matter? | 0:23:55 | 0:23:58 | |
The other night, me and Dean... | 0:24:00 | 0:24:03 | |
Look, we were drunk, but that's no excuse... | 0:24:05 | 0:24:08 | |
PHONE RINGS | 0:24:09 | 0:24:11 | |
Another wrong number? | 0:24:16 | 0:24:17 | |
HE SPEAKS LATVIAN | 0:24:22 | 0:24:24 | |
Marta... | 0:24:24 | 0:24:26 | |
I know, Linda, just tell Sharon I'm really sorry, I just can't, | 0:24:26 | 0:24:31 | |
I'll explain to you all when I get back, OK? | 0:24:31 | 0:24:33 | |
Tell her I got her some flowers, yeah? | 0:24:33 | 0:24:36 | |
I'll see you later. | 0:24:36 | 0:24:37 | |
OK. Let's do it. | 0:24:39 | 0:24:40 | |
-Do what? -Let me show you I'm serious. | 0:24:41 | 0:24:44 | |
But not here. | 0:24:44 | 0:24:45 | |
Let's get away from all this, me, you and Amy. | 0:24:45 | 0:24:49 | |
Let's sort this out once and forever. | 0:24:49 | 0:24:52 | |
You asked me to prove how I feel. | 0:24:52 | 0:24:54 | |
I want to do it now. | 0:24:55 | 0:24:58 | |
-Yeah. -OK. | 0:24:58 | 0:25:00 | |
Shirley... | 0:25:06 | 0:25:07 | |
They're back. | 0:25:09 | 0:25:10 | |
CHEERING AND APPLAUSE | 0:25:25 | 0:25:28 | |
Driver, go round the Square! | 0:26:32 | 0:26:33 | |
I want to show off my beautiful wife! | 0:26:33 | 0:26:35 | |
Do you think Jay would like something like this? | 0:26:51 | 0:26:54 | |
It wasn't, you know. | 0:26:56 | 0:26:58 | |
It wasn't what? | 0:26:58 | 0:26:59 | |
Aunt Sal's mistake... about Jay's girlfriend. | 0:26:59 | 0:27:02 | |
Look at how he's always going on about her. | 0:27:05 | 0:27:07 | |
He's on the phone to her now. It's obvious. | 0:27:09 | 0:27:12 | |
What are you talking about? | 0:27:14 | 0:27:16 | |
He's in love with her, Abs. | 0:27:18 | 0:27:19 | |
Jay's in love with Lola. | 0:27:22 | 0:27:23 | |
I told Aleks...what you told me to say, that we need to | 0:27:36 | 0:27:40 | |
sort this out, and so we are. | 0:27:40 | 0:27:41 | |
We're going away, we're going thrash it out, just the three of us - me, him and Amy. | 0:27:41 | 0:27:45 | |
What? You're the one that said if I've got a problem, | 0:27:45 | 0:27:49 | |
I need to face it head-on, and that's what I'm doing. | 0:27:49 | 0:27:52 | |
-And now it's your turn. -What are you talking about? | 0:27:52 | 0:27:55 | |
It's time you told Charlie the truth. | 0:27:55 | 0:27:57 | |
Look, we've been through this. | 0:27:57 | 0:27:58 | |
Yes, we have. Now it's time you and him did the same. | 0:27:58 | 0:28:02 | |
Ronnie. | 0:28:11 | 0:28:12 |