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This programme contains some violent scenes | 0:00:02 | 0:00:04 | |
and some scenes which some viewers may find upsetting. | 0:00:04 | 0:00:08 | |
OK. Thank you. Operation Damson is an ongoing initiative | 0:00:08 | 0:00:11 | |
aimed at detection/prevention of gangland murders. | 0:00:11 | 0:00:14 | |
Surveillance of a suspect under Operation Damson has been | 0:00:14 | 0:00:17 | |
in place at an address for less than 24 hours, | 0:00:17 | 0:00:20 | |
with intelligence sources indicating a significant belief | 0:00:20 | 0:00:23 | |
the suspect is preparing to commit a gangland execution. | 0:00:23 | 0:00:28 | |
The suspect is a known criminal with a history of violence, | 0:00:28 | 0:00:31 | |
is expected to be armed | 0:00:31 | 0:00:33 | |
and is designated extremely dangerous. | 0:00:33 | 0:00:37 | |
Senior AFO is Inspector McAndrew. | 0:00:42 | 0:00:45 | |
Sir. | 0:00:45 | 0:00:46 | |
You'll operate out of four vehicles, | 0:00:46 | 0:00:48 | |
each crew to be positioned on the suspect's possible | 0:00:48 | 0:00:50 | |
routes of travel, awaiting Gold Commander's orders to intercept. | 0:00:50 | 0:00:53 | |
Crew assignments are as follows. | 0:00:53 | 0:00:56 | |
Victor Charlie Four Zero: McAndrew. | 0:00:56 | 0:00:59 | |
-Sir. -Lambert. -Sir. -Chappell. -Sir. | 0:00:59 | 0:01:00 | |
-Miller. -Sir. | 0:01:00 | 0:01:02 | |
-Victor Charlie Five Zero: Waldron. -Sir. | 0:01:02 | 0:01:06 | |
You will each sign that you understand the law regarding | 0:01:08 | 0:01:11 | |
the legal use of force as outlined by the SFC. | 0:01:11 | 0:01:14 | |
You will each sign out your weapon. | 0:01:14 | 0:01:16 | |
You will each sign out the type of ammunition and the number of rounds. | 0:01:16 | 0:01:20 | |
-ALARM RINGS -Come on! Go, go, go, go! | 0:01:27 | 0:01:30 | |
Go, go, go, go! Come on! | 0:01:32 | 0:01:34 | |
Go! | 0:01:45 | 0:01:46 | |
-OVER RADIO: -'Four Zero. Radio check. -Five Zero. Radio check. | 0:01:53 | 0:01:57 | |
-'Six Zero. Radio check. -Seven Zero. Radio check. | 0:01:57 | 0:02:00 | |
'All vehicles disperse to routes. Disperse to routes. | 0:02:00 | 0:02:04 | |
'Victor Charlie Four Zero. Transmit when in position. Over.' | 0:02:04 | 0:02:07 | |
Five Zero, Bravo Route, received. | 0:02:07 | 0:02:09 | |
'Six Zero, received. | 0:02:09 | 0:02:11 | |
'Seven Zero, received.' | 0:02:11 | 0:02:13 | |
Victor Charlie Five Zero in position on Bravo Route. | 0:02:17 | 0:02:20 | |
'Received.' | 0:02:20 | 0:02:22 | |
Victor Charlie Five Zero in position, Bravo Route. | 0:02:23 | 0:02:26 | |
The suspect is travelling west on Hill Street. | 0:02:27 | 0:02:31 | |
He's taking Bravo Route, repeat Bravo Route. | 0:02:31 | 0:02:34 | |
Victor Charlie Five Zero, received. | 0:02:34 | 0:02:36 | |
'Blue Toyota Celica, registration | 0:02:36 | 0:02:38 | |
'Lima delta zero four whisky echo whisky.' | 0:02:38 | 0:02:42 | |
Go. Go! | 0:02:42 | 0:02:44 | |
-'Five Zero, report.' -Visual with target, maintaining obs. | 0:02:47 | 0:02:52 | |
'Victor Charlie Five Zero, we're en route to join. | 0:02:52 | 0:02:54 | |
Four Zero, what's our order, Five Zero? | 0:02:54 | 0:02:57 | |
-'Order is Fahrenheit. Repeat, order is Fahrenheit.' -Go. | 0:02:57 | 0:03:02 | |
SIREN | 0:03:02 | 0:03:05 | |
Left, left. | 0:03:16 | 0:03:19 | |
'Four Zero, our ETA is two minutes, repeat two minutes, Five Zero.' | 0:03:19 | 0:03:22 | |
Five Zero, received. | 0:03:22 | 0:03:24 | |
-Hard stop. -Come off it, skipper! -Danny! | 0:03:27 | 0:03:29 | |
-Hard stop. -Danny! | 0:03:29 | 0:03:30 | |
Shit. | 0:03:33 | 0:03:34 | |
Go, go! | 0:03:40 | 0:03:41 | |
Armed Police! | 0:03:42 | 0:03:44 | |
Skipper, slow down! | 0:03:44 | 0:03:46 | |
-Armed Police! -Slow down, Skipper! -Police! | 0:03:46 | 0:03:49 | |
Armed Police! | 0:03:54 | 0:03:55 | |
OK. | 0:03:58 | 0:03:59 | |
Come on, come on! | 0:03:59 | 0:04:00 | |
GUN CLATTERS TO GROUND | 0:04:04 | 0:04:05 | |
-JACKIE: -Skipper! -HARI: -Shots fired! | 0:04:20 | 0:04:22 | |
-ROD: -Where is he? Danny? | 0:04:22 | 0:04:25 | |
DOG BARKS | 0:04:25 | 0:04:27 | |
Danny! | 0:04:27 | 0:04:29 | |
-Armed Police! -Oh, shit. | 0:04:30 | 0:04:33 | |
Hari. Hari, mate, he's down. | 0:04:34 | 0:04:36 | |
He refused to surrender his firearm. | 0:04:36 | 0:04:39 | |
-Jesus Christ, look where the gun is! -How'd it get all the way over there, Danny? | 0:04:40 | 0:04:43 | |
Brain injury, muscle spasm - he chucked it. | 0:04:43 | 0:04:46 | |
-Look at what it looks like, though, Danny. -Good point. | 0:04:46 | 0:04:48 | |
-Hey, hey, Danny, Danny. -It was self-defence. | 0:04:49 | 0:04:53 | |
But we all know the shit I'll get for it. | 0:04:53 | 0:04:55 | |
-Skipper, wait. -For Christ's sake! -You're making it worse. | 0:04:55 | 0:04:58 | |
I'm the last person who wants to see you lot in the shit. | 0:04:58 | 0:05:00 | |
-Us? -We didn't do nothing. -That's the problem. | 0:05:00 | 0:05:03 | |
So I'll cover for you and say we got here together, | 0:05:03 | 0:05:05 | |
shouted "Armed police" but the mad bastard pulled a gun. | 0:05:05 | 0:05:07 | |
-What are you talking about? -He would have surrendered if you'd have got here in time. | 0:05:07 | 0:05:11 | |
That's my report unless the lot of you man up right now. | 0:05:11 | 0:05:13 | |
-Discharge your weapons. -No way. | 0:05:14 | 0:05:18 | |
Shoot over the suspect's body, in the direction you'd have fired | 0:05:18 | 0:05:21 | |
if you'd have actually managed to get here in time. | 0:05:21 | 0:05:24 | |
No. | 0:05:24 | 0:05:25 | |
Shoot, now! | 0:05:27 | 0:05:28 | |
SIRENS APPROACH | 0:05:28 | 0:05:30 | |
INDISTINCT CHATTER OVER RADIO | 0:05:30 | 0:05:33 | |
Shoot. | 0:05:42 | 0:05:44 | |
Shoot! | 0:05:44 | 0:05:46 | |
You choked. Plausible. | 0:05:46 | 0:05:49 | |
SIREN APPROACHES | 0:05:49 | 0:05:52 | |
Jesus! | 0:05:52 | 0:05:54 | |
-RADIO: -'Five Zero, status report. Status report.' | 0:05:57 | 0:05:59 | |
We're all in this together. | 0:06:05 | 0:06:07 | |
Best way. | 0:06:07 | 0:06:10 | |
FOOTSTEPS APPROACH | 0:06:10 | 0:06:13 | |
Is anyone hurt? | 0:06:15 | 0:06:17 | |
-We're fine, thanks, guv. -Suspect down, repeat, suspect down. | 0:06:17 | 0:06:21 | |
Stow your weapons. | 0:06:21 | 0:06:23 | |
Victor Charlie Four One, requesting forensic deployment for the scene. | 0:06:23 | 0:06:28 | |
All AFOs and weapons require transporting to base | 0:06:28 | 0:06:30 | |
for forensic recovery of evidence and debrief. | 0:06:30 | 0:06:34 | |
You sure you're OK? | 0:06:34 | 0:06:35 | |
Fine. | 0:06:35 | 0:06:37 | |
Everyone did their job. | 0:06:37 | 0:06:39 | |
-Carry on. -Sir. -Carry on. | 0:06:43 | 0:06:45 | |
Sir. | 0:06:49 | 0:06:50 | |
Steve. | 0:06:50 | 0:06:52 | |
What do you reckon, son - one for us? | 0:06:54 | 0:06:56 | |
CAMERA SHUTTER CLICKS | 0:06:59 | 0:07:01 | |
Yeah. One for us. | 0:07:03 | 0:07:06 | |
Sir. | 0:07:12 | 0:07:13 | |
As you were. | 0:07:15 | 0:07:16 | |
Forensics will take your firearms, gunshot residue samples, | 0:07:16 | 0:07:19 | |
clothing, nail scrapings. | 0:07:19 | 0:07:21 | |
You are to remain at the station until they advise | 0:07:21 | 0:07:23 | |
-they don't need any further samples. -Sir. | 0:07:23 | 0:07:26 | |
You're all entitled to 48 hours' recovery time. | 0:07:26 | 0:07:28 | |
You'll all be offered post-traumatic counselling. | 0:07:28 | 0:07:31 | |
My advice is to use these 48 hours wisely. | 0:07:31 | 0:07:34 | |
Sir. | 0:07:34 | 0:07:35 | |
DOG BARKS | 0:07:48 | 0:07:50 | |
ENGINE STARTS | 0:07:54 | 0:07:56 | |
For the tape, please confirm you are the officer using | 0:08:00 | 0:08:02 | |
the call-sign Victor Charlie Five One. | 0:08:02 | 0:08:04 | |
I am. | 0:08:04 | 0:08:05 | |
Document two in your folders. | 0:08:05 | 0:08:07 | |
This FA-1 was issued to AFOs at South Ferry Police Station | 0:08:07 | 0:08:10 | |
on the day of 13th of May of this year. | 0:08:10 | 0:08:12 | |
-You recognise that form? -I do, sir. -Is that your signature? -It is, sir. | 0:08:12 | 0:08:16 | |
-Mm-hmm. -According to the FA-1, | 0:08:16 | 0:08:18 | |
you were issued with a Glock 17 service pistol serial number | 0:08:18 | 0:08:21 | |
Mike November 8746546, | 0:08:21 | 0:08:24 | |
and nine by 19mm parabellum rounds. | 0:08:24 | 0:08:26 | |
I was. | 0:08:26 | 0:08:28 | |
Now, can you inform us as to how you personally became | 0:08:28 | 0:08:31 | |
involved in Operation Damson? | 0:08:31 | 0:08:34 | |
It was a real-time deployment authorised by the SFC. | 0:08:34 | 0:08:37 | |
'I travelled in the second vehicle designated Victor Charlie Five Zero, | 0:08:37 | 0:08:40 | |
'crewed by myself and the rest of my team.' | 0:08:40 | 0:08:43 | |
The rest of your team are AFO Victor Charlie Five Two, | 0:08:43 | 0:08:45 | |
AFO Victor Charlie Five Three | 0:08:45 | 0:08:46 | |
and AFO Victor Charlie Five Four. | 0:08:46 | 0:08:49 | |
We deployed to a holding position | 0:08:49 | 0:08:50 | |
on one of four exit routes for the suspect | 0:08:50 | 0:08:53 | |
and maintained radio contact with the operational senior AFO. | 0:08:53 | 0:08:56 | |
For the tape, please confirm this was an inspector using | 0:08:56 | 0:08:58 | |
the call sign Victor Charlie Four One. | 0:08:58 | 0:09:00 | |
Correct. Victor Charlie Four One notified me | 0:09:00 | 0:09:02 | |
that the suspect was travelling towards us | 0:09:02 | 0:09:05 | |
and authorised us to carry out a real-time intercept. | 0:09:05 | 0:09:07 | |
(Real time intercept.) Yeah. | 0:09:07 | 0:09:09 | |
Things get a wee bit fuzzy for me here, Sergeant. | 0:09:09 | 0:09:13 | |
Maybe you could be a ray of sunshine and... | 0:09:13 | 0:09:16 | |
burn off the fog. Mmm? | 0:09:16 | 0:09:19 | |
-I'm waiting. -Sir, I'm waiting for a question. | 0:09:26 | 0:09:29 | |
What the Super's asking you is how come, | 0:09:29 | 0:09:32 | |
as per the statement given by Victor Charlie Four One, | 0:09:32 | 0:09:35 | |
-you were ordered to wait for support... -Not ordered. Advised. | 0:09:35 | 0:09:38 | |
But you went ahead and carried out the hard stop anyway. | 0:09:38 | 0:09:40 | |
The suspect was travelling at high speed to an unknown destination | 0:09:40 | 0:09:43 | |
with the intention of committing a gangland execution. | 0:09:43 | 0:09:46 | |
Or so the intelligence said. | 0:09:46 | 0:09:47 | |
The intelligence DID say, and if that's wrong, sir, | 0:09:47 | 0:09:50 | |
take it up with them. | 0:09:50 | 0:09:52 | |
Can we please just stick to a line of questioning that | 0:09:52 | 0:09:54 | |
relates to Victor Charlie Five One's actions? | 0:09:54 | 0:09:56 | |
On you go, Sergeant. | 0:09:56 | 0:09:58 | |
It'll help if I refer to the map in our folders, | 0:09:59 | 0:10:03 | |
document four. | 0:10:03 | 0:10:05 | |
Travelling at high speed along Prince's Road, | 0:10:07 | 0:10:10 | |
the suspect approached a line of parked cars with open road ahead. | 0:10:10 | 0:10:14 | |
I was concerned if we didn't carry out the hard stop immediately, the suspect would get away. | 0:10:14 | 0:10:18 | |
-Oh, and that was your decision, was it? -No, sir. | 0:10:18 | 0:10:20 | |
It was the decision of the Strategic Firearms Commander | 0:10:20 | 0:10:23 | |
who designated the operational objective of preventing the suspect | 0:10:23 | 0:10:26 | |
carrying out an act of lethal force, | 0:10:26 | 0:10:28 | |
added to which, as police officers, | 0:10:28 | 0:10:29 | |
it's a non-negotiable duty to protect the public. | 0:10:29 | 0:10:32 | |
-May I answer the question now? -Please do. | 0:10:32 | 0:10:36 | |
Fearing the suspect would get away and pose a danger to the public, | 0:10:36 | 0:10:40 | |
I took the decision to close off his route of escape | 0:10:40 | 0:10:43 | |
by executing a hard stop manoeuvre on Prince's Road | 0:10:43 | 0:10:46 | |
that trapped the suspect's vehicle between ours and the parked cars. | 0:10:46 | 0:10:49 | |
The suspect then made his escape on foot via an alleyway, | 0:10:49 | 0:10:53 | |
and I gave chase. | 0:10:53 | 0:10:54 | |
This foot chase led to a confrontation in Prince's Court. | 0:10:54 | 0:10:57 | |
We need you to tell us all about this confrontation. | 0:10:57 | 0:11:00 | |
Once in Prince's Court, | 0:11:00 | 0:11:02 | |
almost immediately the suspect realised he was cornered. | 0:11:02 | 0:11:05 | |
The suspect turned his weapon on us and fired. We returned fire. | 0:11:05 | 0:11:09 | |
Shots struck the suspect in the head and proved instantly fatal. | 0:11:09 | 0:11:13 | |
We've received written statements from yourself | 0:11:13 | 0:11:15 | |
and the other AFOs on your team. | 0:11:15 | 0:11:17 | |
-Said statements agree you all entered Prince's Court together. -Correct. | 0:11:17 | 0:11:21 | |
See, the thing is, we've got a statement | 0:11:21 | 0:11:23 | |
off of an eyewitness on Prince's Road. | 0:11:23 | 0:11:26 | |
Says that you entered that rough ground | 0:11:26 | 0:11:28 | |
at least 30 seconds before the rest of your team. | 0:11:28 | 0:11:30 | |
I was first out of our vehicle. That would have misled the eyewitness. | 0:11:30 | 0:11:33 | |
You're saying she's mistaken? | 0:11:33 | 0:11:35 | |
I'm saying that my written statements and the written statements of my team are accurate. | 0:11:35 | 0:11:39 | |
Yes, they are. And entirely consistent | 0:11:39 | 0:11:42 | |
in every detail. | 0:11:42 | 0:11:44 | |
-You and your team, you acted as one? -Correct. | 0:11:47 | 0:11:49 | |
That's not always the case with you and your teams, though, is it? | 0:11:49 | 0:11:53 | |
In your four years at South Ferry, there's been a fair few | 0:11:53 | 0:11:55 | |
'transfer requests from officers who didn't want to stay in your team. | 0:11:55 | 0:11:58 | |
'Some guys can't cut it. I want them off my squad. | 0:11:58 | 0:12:03 | |
'To save face, they put in for a transfer request. | 0:12:03 | 0:12:05 | |
'None of these officers had a problem with you?' | 0:12:05 | 0:12:08 | |
I've got high standards. | 0:12:08 | 0:12:11 | |
That's their problem. | 0:12:11 | 0:12:12 | |
So, you all entered Prince's Court together? | 0:12:14 | 0:12:16 | |
Yes, sir. | 0:12:16 | 0:12:18 | |
We were moving fast on foot but I carried out a rapid risk assessment, | 0:12:19 | 0:12:22 | |
noting there were no members of the public in immediate jeopardy. | 0:12:22 | 0:12:25 | |
I called, "Armed Police." | 0:12:25 | 0:12:27 | |
The suspect turned his weapon on us and opened fire. | 0:12:27 | 0:12:31 | |
I returned fire. The suspect fell to the ground. | 0:12:31 | 0:12:34 | |
Immediate examination of the suspect by Victor Charlie Five Four | 0:12:34 | 0:12:37 | |
revealed serious wounds to the head. | 0:12:37 | 0:12:40 | |
The suspect had absent respiration and his pulse was also absent. | 0:12:40 | 0:12:44 | |
I secured his firearm. | 0:12:44 | 0:12:45 | |
A few moments later, Victor Charlie Four One arrived on the scene | 0:12:45 | 0:12:48 | |
with her team and assumed operational command. | 0:12:48 | 0:12:51 | |
You discharged your pistols, not your G36s? | 0:12:51 | 0:12:53 | |
We confronted the suspect in a confined space bounded by hard surfaces. | 0:12:53 | 0:12:58 | |
Given the G36 has a muzzle velocity of over 900 metres per second, | 0:12:58 | 0:13:02 | |
I identified a significant risk our rounds | 0:13:02 | 0:13:04 | |
might pass through the suspect and ricochet back at us causing injury. | 0:13:04 | 0:13:08 | |
We don't have an eyewitness to the shooting. | 0:13:08 | 0:13:10 | |
But we do have three ear-witnesses. | 0:13:10 | 0:13:12 | |
Three independent ear-witnesses. | 0:13:12 | 0:13:14 | |
Each ear-witness claims to have heard a group of gunshots | 0:13:14 | 0:13:16 | |
followed closely by what sounded like a second | 0:13:16 | 0:13:19 | |
group of gunshots, followed closely by a single gunshot. | 0:13:19 | 0:13:22 | |
As per my written statement, it's a matter of fact | 0:13:23 | 0:13:26 | |
that there was one shot fired by the suspect | 0:13:26 | 0:13:29 | |
immediately followed by a group of shots fired simultaneously | 0:13:29 | 0:13:32 | |
by myself, Victor Charlie Five Two and Victor Charlie Five Three. | 0:13:32 | 0:13:35 | |
These independent ear-witnesses would seem to contradict said fact. | 0:13:35 | 0:13:40 | |
It's an accepted and well recognised acoustic phenomenon | 0:13:40 | 0:13:43 | |
that an ear-witness can be deceived by up to six | 0:13:43 | 0:13:45 | |
different sounds associated with a single gunshot. | 0:13:45 | 0:13:49 | |
Document six in your folders. | 0:13:49 | 0:13:51 | |
Forensic report regarding Operation Damson. | 0:13:51 | 0:13:55 | |
Gunshot residue from the discharge of a Glock 17 pistol was | 0:13:55 | 0:13:58 | |
detected on the hands and clothing of the following: | 0:13:58 | 0:14:01 | |
Victor Charlie Five One, | 0:14:01 | 0:14:02 | |
Victor Charlie Five Two, Victor Charlie Five Three. | 0:14:02 | 0:14:06 | |
They all discharged their weapons. No-one's disputing that. | 0:14:06 | 0:14:08 | |
A Colt 1911 A1 pistol was found in the suspect's right hand. | 0:14:08 | 0:14:12 | |
Gunshot residue from the discharge of this firearm was | 0:14:12 | 0:14:15 | |
detected on the suspect. | 0:14:15 | 0:14:17 | |
Gunshot residue from the Colt was also detected on Victor Charlie Five One. | 0:14:17 | 0:14:20 | |
Are you able to explain this finding, | 0:14:25 | 0:14:28 | |
'Victor Charlie Five One? | 0:14:28 | 0:14:30 | |
'I secured the suspect's firearm, causing secondary | 0:14:30 | 0:14:32 | |
'transfer of residue after the firearm had been discharged.' | 0:14:32 | 0:14:35 | |
-This explains the high concentration of residue. -Does it? | 0:14:35 | 0:14:39 | |
The concentration and distribution are more characteristic of a gunman than a bystander. | 0:14:39 | 0:14:42 | |
-Caused when I secured the firearm. -You expect us to believe that? | 0:14:42 | 0:14:45 | |
At a distance of approximately five metres from the suspect, | 0:14:45 | 0:14:48 | |
there was a small concentration of gunshot residue found on the ground. | 0:14:48 | 0:14:52 | |
Said gunshot residue matched the suspect's firearm. | 0:14:52 | 0:14:54 | |
How do you account for this? | 0:14:54 | 0:14:56 | |
The suspect was in motion as he turned his firearm towards my team. | 0:14:56 | 0:14:59 | |
He covered a short distance between raising the gun and firing it. | 0:14:59 | 0:15:03 | |
There's gunshot residue on the ground where the body was found. | 0:15:03 | 0:15:05 | |
That's where he fired the gun. | 0:15:05 | 0:15:06 | |
Why is there gunshot residue five metres away as well? | 0:15:06 | 0:15:09 | |
My colleague has answered the question. | 0:15:09 | 0:15:11 | |
Did the gun ever lie in a position on the ground | 0:15:11 | 0:15:13 | |
five metres from the suspect? | 0:15:13 | 0:15:14 | |
No, it did not. | 0:15:14 | 0:15:17 | |
Steve. | 0:15:20 | 0:15:21 | |
Document 11. Postmortem result. | 0:15:25 | 0:15:28 | |
Three bullets were recovered from the head wounds | 0:15:29 | 0:15:31 | |
and were identified as nine by 19mm parabellum rounds | 0:15:31 | 0:15:34 | |
fired by a Glock 17 pistol issued to | 0:15:34 | 0:15:37 | |
Authorised Firearms Officer Victor Charlie Five One. | 0:15:37 | 0:15:39 | |
Three shots. | 0:15:39 | 0:15:42 | |
You made sure, didn't you, Sergeant? | 0:15:42 | 0:15:44 | |
Victor Charlie Five One regrets the loss of life | 0:15:44 | 0:15:48 | |
but I don't need to remind everyone | 0:15:48 | 0:15:49 | |
that he was an Authorised Firearms Officer | 0:15:49 | 0:15:52 | |
acting on the lawful orders of a Strategic Firearms Commander. | 0:15:52 | 0:15:56 | |
You regret killing him? | 0:15:56 | 0:15:57 | |
-As I've said... -I'm asking Victor Charlie Five One. | 0:15:57 | 0:15:59 | |
Victor Charlie Five One has the right to be interviewed | 0:15:59 | 0:16:02 | |
by an officer at least one rank superior. | 0:16:02 | 0:16:04 | |
Did you regret killing him, Victor Charlie Five One? | 0:16:06 | 0:16:09 | |
I regret the loss of life. | 0:16:09 | 0:16:11 | |
Three shots, fella! | 0:16:11 | 0:16:13 | |
Standard practice to aim at the maximum body mass, the chest. | 0:16:13 | 0:16:16 | |
-Why head shots? -I was ten metres away in good visibility. | 0:16:16 | 0:16:19 | |
The shots were highly achievable. | 0:16:19 | 0:16:20 | |
Standard practice is double-tap the trigger, discharging shots in pairs. | 0:16:20 | 0:16:23 | |
Not two shots, not four. | 0:16:23 | 0:16:25 | |
He collapsed after the third shot so I ceased fire. | 0:16:25 | 0:16:27 | |
Yeah, right. You shot him down like a dog! | 0:16:27 | 0:16:29 | |
Sir, your language is inflammatory. | 0:16:29 | 0:16:31 | |
'You'd prefer only to have wounded him? | 0:16:31 | 0:16:33 | |
'We don't shoot to wound. We shoot to neutralise the lethal threat.' | 0:16:33 | 0:16:37 | |
You were the only AFO to strike the target. | 0:16:37 | 0:16:39 | |
-Yes, that's what happened... -Listen to me, son. | 0:16:39 | 0:16:41 | |
We weren't born yesterday. | 0:16:41 | 0:16:43 | |
You shot that fella in cold blood | 0:16:43 | 0:16:45 | |
while your wee mates stood by and watched. | 0:16:45 | 0:16:47 | |
I shot first and the others fired a fraction later, | 0:16:47 | 0:16:50 | |
by which time the suspect had collapsed. Their shots missed. | 0:16:50 | 0:16:52 | |
You saw all that in a fraction of a second? | 0:16:52 | 0:16:54 | |
I've never been to this building before. | 0:16:54 | 0:16:57 | |
You saw me walk into this interview room, | 0:16:57 | 0:16:59 | |
sit down in a matter of a few seconds. | 0:16:59 | 0:17:01 | |
Over my left shoulder are three rows of open-plan desks | 0:17:03 | 0:17:06 | |
in front of a glass partition dividing the open-plan area | 0:17:06 | 0:17:08 | |
from a private office. Range - 20 metres. | 0:17:08 | 0:17:12 | |
Seated at the desks are seven personnel, | 0:17:12 | 0:17:14 | |
comprising four males and three females. | 0:17:14 | 0:17:16 | |
Over my right shoulder is a longitudinal partition | 0:17:16 | 0:17:19 | |
at chest height, beyond which is gate-controlled access. | 0:17:19 | 0:17:22 | |
Range - 20 metres. | 0:17:22 | 0:17:23 | |
Entrance and exit to this floor level are via keycontrolled lifts | 0:17:23 | 0:17:26 | |
adjacent to the waiting area at my four o'clock position. | 0:17:26 | 0:17:29 | |
Range - 35 metres. | 0:17:29 | 0:17:30 | |
Why the second shot? Why the third? | 0:17:30 | 0:17:32 | |
-The first shot was fatal. -Why did you keep firing? | 0:17:32 | 0:17:36 | |
Were you losing it out there, fella? | 0:17:36 | 0:17:37 | |
I cite under Common Law my lawful right to use lethal force | 0:17:37 | 0:17:40 | |
for preservation of life | 0:17:40 | 0:17:42 | |
or in self-defence where this threat is immediate. | 0:17:42 | 0:17:44 | |
Yes. And in response I cite Section 117 of the | 0:17:44 | 0:17:47 | |
Police and Criminal Evidence Act - the use of REASONABLE force. | 0:17:47 | 0:17:50 | |
And for the tape, the emphasis is mine and not contained in the Act. | 0:17:50 | 0:17:55 | |
That's an easy argument from behind a desk, sir. | 0:17:55 | 0:17:57 | |
From behind this desk, Sergeant, we uphold standards. | 0:17:57 | 0:18:00 | |
Standards you're expected to meet as a serving police officer. | 0:18:01 | 0:18:06 | |
Do you recognise the man in this image? | 0:18:10 | 0:18:14 | |
-LAWYER: -I object in the strongest possible terms. | 0:18:14 | 0:18:17 | |
Victor Charlie Five One's been involved in an extremely tragic | 0:18:17 | 0:18:20 | |
and distressing incident, | 0:18:20 | 0:18:22 | |
and this line of inquiry is offensive and insensitive. | 0:18:22 | 0:18:25 | |
Your man doesn't strike me as the...sensitive type. | 0:18:25 | 0:18:29 | |
Are you? | 0:18:31 | 0:18:33 | |
Am I what? | 0:18:34 | 0:18:35 | |
Sensitive. | 0:18:35 | 0:18:37 | |
'On your personnel file, there's no recorded next of kin. | 0:18:39 | 0:18:42 | |
'Wife? Fiancee?' | 0:18:43 | 0:18:45 | |
This line of questioning has no bearing on the investigation. | 0:18:46 | 0:18:49 | |
We don't know that yet. | 0:18:49 | 0:18:50 | |
I'm single. | 0:18:50 | 0:18:52 | |
The suspect was an armed criminal with a history of violence | 0:18:58 | 0:19:02 | |
posing an immediate and credible threat to the public. | 0:19:02 | 0:19:05 | |
In respect of Operation Damson, on May 13th | 0:19:06 | 0:19:09 | |
the Strategic Firearms Commander authorised the use of firearms. | 0:19:09 | 0:19:13 | |
Under Section 3 of the Criminal Law Act 1967 I am also entitled to | 0:19:13 | 0:19:19 | |
use such force as is reasonable in the circumstances to prevent crime, | 0:19:19 | 0:19:22 | |
and under Section 117 of the Police and Criminal Evidence Act 1984 | 0:19:22 | 0:19:26 | |
I am entitled to use reasonable force in the exercise of police powers. | 0:19:26 | 0:19:30 | |
Under Common Law, I have the lawful right to use lethal force | 0:19:30 | 0:19:33 | |
for preservation of life or in self-defence where this threat is immediate. | 0:19:33 | 0:19:37 | |
At no time has anyone in this room put forward credible evidence | 0:19:37 | 0:19:41 | |
that I acted unlawfully, and therefore I formally request | 0:19:41 | 0:19:44 | |
that my withdrawal from operational deployment be lifted | 0:19:44 | 0:19:47 | |
and my firearms permit be reinstated | 0:19:47 | 0:19:49 | |
so I can get back to doing what I do best. | 0:19:49 | 0:19:52 | |
This investigation is far from over, son. | 0:19:53 | 0:19:56 | |
As far as I'm concerned we've only just scratched the surface. | 0:19:56 | 0:20:00 | |
'Request denied. Interview terminated.' | 0:20:00 | 0:20:02 | |
Desk duty only. | 0:20:05 | 0:20:06 | |
HE PRESSES BUTTON, LIFT BEEPS | 0:20:22 | 0:20:27 | |
-Danny, don't do this. -What was that? My personal life. What was that? | 0:20:28 | 0:20:32 | |
-Nothing personal. -No? -Interview's finished, Danny. -I'm not. -Good. | 0:20:32 | 0:20:37 | |
Neither are we. | 0:20:38 | 0:20:39 | |
-WOMAN: -There isn't a bomb under it. | 0:21:41 | 0:21:44 | |
But there ought to be. | 0:21:44 | 0:21:45 | |
Fortunately I booked a table. Somewhere ridiculously expensive. | 0:21:48 | 0:21:53 | |
Well, I guess I had that coming. I'm so sorry, I forgot. | 0:21:53 | 0:21:57 | |
All right. And what am I... | 0:21:59 | 0:22:02 | |
..supposed to do with these? | 0:22:04 | 0:22:05 | |
Happy anniversary. | 0:22:07 | 0:22:09 | |
HE PANTS RAPIDLY | 0:22:40 | 0:22:43 | |
HE HEAVES | 0:22:47 | 0:22:49 | |
HE GAGS AND COUGHS | 0:22:51 | 0:22:55 | |
ALARM RINGING | 0:23:00 | 0:23:03 | |
Come on. Come on. Let's go. Let's go. | 0:23:03 | 0:23:06 | |
Victor Charlie Two Zero, on our way. | 0:23:06 | 0:23:08 | |
-RADIO: -'Victor Charlie Two Zero, received.' | 0:23:08 | 0:23:11 | |
ENGINES START, TYRES SCREECH | 0:23:11 | 0:23:15 | |
PHONES RINGING, OFFICE CHATTER | 0:23:18 | 0:23:22 | |
It's all right, mate. You leave it to us, yeah(?) | 0:23:54 | 0:23:57 | |
Oi! | 0:24:05 | 0:24:06 | |
You going to tell us how it went with AC-12? | 0:24:10 | 0:24:12 | |
-You first. -We stuck to the story, mate. | 0:24:14 | 0:24:17 | |
Like you gave us much of a choice. | 0:24:17 | 0:24:19 | |
So we all stuck to the story. | 0:24:19 | 0:24:21 | |
DOOR OPENS | 0:24:21 | 0:24:23 | |
-All right? -All right. | 0:24:23 | 0:24:26 | |
DOOR CLOSES | 0:24:28 | 0:24:30 | |
They'll go through the motions, hit a brick wall. Case closed. | 0:24:30 | 0:24:33 | |
All the time, you just want us to play along? | 0:24:33 | 0:24:35 | |
-It's worked so far. -So far? | 0:24:35 | 0:24:36 | |
What's your problem? | 0:24:36 | 0:24:39 | |
My problem... | 0:24:39 | 0:24:41 | |
VOICES CHATTER OUTSIDE | 0:24:41 | 0:24:43 | |
My problem... | 0:24:44 | 0:24:46 | |
is what really happened with you and that suspect. | 0:24:46 | 0:24:49 | |
Don't try playing the big man. | 0:24:52 | 0:24:53 | |
We both know you're not up to it. | 0:24:55 | 0:24:57 | |
She definitely does. | 0:24:59 | 0:25:01 | |
KNOCK ON DOOR | 0:25:18 | 0:25:19 | |
-All right to come in with the gaffer for a minute? -Sure. | 0:25:19 | 0:25:22 | |
Kate. | 0:25:27 | 0:25:28 | |
Thanks. | 0:25:28 | 0:25:29 | |
We're just discussing the Daniel Waldron shooting. | 0:25:29 | 0:25:32 | |
Is there an undercover assignment? | 0:25:32 | 0:25:34 | |
Look, can I just say, this feels like a long shot. | 0:25:34 | 0:25:37 | |
Kate was kept out of the interview on purpose to give us this option. | 0:25:37 | 0:25:40 | |
-We should use it. -Remind me, Kate. Are you firearms trained? | 0:25:40 | 0:25:43 | |
Yes, sir, I am. | 0:25:43 | 0:25:45 | |
The statements given by Waldron's team are all highly consistent. | 0:25:45 | 0:25:47 | |
That's not suspicious in itself. | 0:25:47 | 0:25:49 | |
What else are they going to do, given 48 hours to get their stories straight? | 0:25:49 | 0:25:52 | |
Look, the question is whether Waldron's story adds up, | 0:25:52 | 0:25:55 | |
and whether his squad's really as loyal as they appear. | 0:25:55 | 0:25:57 | |
The only way to get the inside story is with Kate on the case. | 0:25:57 | 0:25:59 | |
Putting Kate into an AFO role is a whole level of jeopardy above | 0:25:59 | 0:26:02 | |
-a normal undercover... -I can handle it. | 0:26:02 | 0:26:04 | |
MUSIC PLAYS | 0:26:06 | 0:26:08 | |
Thanks. Kind of a regular thing, first Wednesday of every month. | 0:26:08 | 0:26:11 | |
You all right? Lets off a bit of steam. | 0:26:11 | 0:26:14 | |
-I'm in. -What can I get you? -No, my shout, guv. | 0:26:14 | 0:26:17 | |
-Is the right answer. Vodka and tonic. Big one. -Coming up. | 0:26:17 | 0:26:20 | |
New AFO, Kate, um... | 0:26:21 | 0:26:24 | |
-Kate Francis. -All right? | 0:26:25 | 0:26:26 | |
Everyone all right for a drink? | 0:26:26 | 0:26:28 | |
Yeah, I've got one here. Thanks. | 0:26:28 | 0:26:30 | |
You've got to be kidding me. | 0:26:33 | 0:26:35 | |
All right? | 0:26:44 | 0:26:45 | |
-Relax, mate. Off duty. -You don't normally do the monthly piss-up. | 0:26:50 | 0:26:53 | |
Bit of bonding felt like a good idea. | 0:26:53 | 0:26:56 | |
No-one going to buy me a drink? | 0:26:57 | 0:26:59 | |
-What you having, skipper? -Mineral water. Still. | 0:26:59 | 0:27:02 | |
Ta. | 0:27:04 | 0:27:05 | |
-How are you doing, then? You all right? -Fine. You? | 0:27:20 | 0:27:24 | |
Yeah, I'm good. Yeah. | 0:27:26 | 0:27:27 | |
I think I best give Jackie a hand with them drinks. | 0:27:31 | 0:27:34 | |
-Danny. -Evening, ma'am. | 0:27:40 | 0:27:43 | |
Meet Kate Francis. | 0:27:43 | 0:27:45 | |
-Kate, Danny Waldron. -You all right? | 0:27:45 | 0:27:47 | |
-How are you doing? -Thanks for the drink, Kate. | 0:27:47 | 0:27:50 | |
-That's all right. -See you in a bit. | 0:27:50 | 0:27:52 | |
You're new, then? | 0:27:56 | 0:27:57 | |
Yeah, I got posted while, um... | 0:27:57 | 0:27:59 | |
-While I've been chained to a desk. -Sorry. | 0:27:59 | 0:28:02 | |
They give you the firepower but when you actually do what's necessary, suddenly you're a pariah. | 0:28:02 | 0:28:06 | |
-Where you posted from? -East Mids. | 0:28:09 | 0:28:11 | |
You know what, Jackie? I think I'd best call it a night. | 0:28:13 | 0:28:16 | |
Laila ain't sleeping too good, you know. | 0:28:16 | 0:28:19 | |
Can't say I blame you, mate. | 0:28:19 | 0:28:21 | |
-See you in a bit. -See you. | 0:28:25 | 0:28:27 | |
-Would you excuse me? -Yeah, of course. | 0:28:29 | 0:28:32 | |
Hari. | 0:28:32 | 0:28:33 | |
You sure everything's all right? | 0:28:36 | 0:28:38 | |
Yeah, it's fine, yeah. | 0:28:38 | 0:28:39 | |
It's just the missus ain't sleeping too good, you know. | 0:28:39 | 0:28:42 | |
Why do I get the feeling you're not 100% on board? | 0:28:42 | 0:28:45 | |
I am. | 0:28:47 | 0:28:48 | |
I'm going home, so Laila can grab an early night, yeah? | 0:28:49 | 0:28:53 | |
You need me to make the hard choices for you. | 0:28:58 | 0:29:02 | |
Because I see what's inside you. | 0:29:02 | 0:29:04 | |
Jelly. | 0:29:06 | 0:29:07 | |
The fact is, if we'd not stuck together, | 0:29:09 | 0:29:10 | |
AC-12 would be charging the lot of us, not just me. | 0:29:10 | 0:29:14 | |
Worth bearing in mind, | 0:29:14 | 0:29:16 | |
when you've got that nice little family to provide for. | 0:29:16 | 0:29:18 | |
Love to Laila. | 0:29:23 | 0:29:24 | |
-Hi. -Hi. -Danny. -Rachel. | 0:29:49 | 0:29:52 | |
Big night out? | 0:29:57 | 0:29:59 | |
Just a quiet one with workmates. | 0:29:59 | 0:30:01 | |
-Your workmates? -Yeah. | 0:30:02 | 0:30:05 | |
Would it be OK if I bought you another drink? | 0:30:07 | 0:30:11 | |
Yeah, that would be OK. | 0:30:11 | 0:30:12 | |
-Dry white wine? -Very good. -Great. | 0:30:12 | 0:30:16 | |
This is me. | 0:30:24 | 0:30:26 | |
It was really nice to meet you. | 0:30:32 | 0:30:34 | |
Nice to meet you, too. | 0:30:34 | 0:30:36 | |
Can I kiss you? | 0:30:43 | 0:30:45 | |
-That was nice. -Very nice. | 0:31:01 | 0:31:02 | |
-Can I get your phone number? -Sure. | 0:31:05 | 0:31:07 | |
What's yours? | 0:31:12 | 0:31:14 | |
It's 07700...922...621. | 0:31:14 | 0:31:19 | |
OK. | 0:31:19 | 0:31:21 | |
Here's mine. | 0:31:23 | 0:31:25 | |
TEXT ALERT Got it. | 0:31:25 | 0:31:27 | |
Thank you. | 0:31:29 | 0:31:31 | |
-Night, Rachel. -Night. | 0:31:32 | 0:31:34 | |
Listen, Hari, can I talk to you about something? | 0:32:05 | 0:32:08 | |
In the pub, I couldn't help noticing you and Danny. | 0:32:08 | 0:32:10 | |
Is he giving you a hard time? | 0:32:12 | 0:32:14 | |
Well, when hasn't he? But that's just what he's like. | 0:32:14 | 0:32:17 | |
But you all stood by him after he killed a suspect. | 0:32:17 | 0:32:21 | |
Did it really happen the way you all said it did? | 0:32:21 | 0:32:24 | |
My advice to you is don't ask. | 0:32:24 | 0:32:25 | |
I don't think you've got any idea what he's capable of. | 0:32:25 | 0:32:29 | |
Not a clue. | 0:32:29 | 0:32:30 | |
-Kate. -Danny Waldron's squad. | 0:32:44 | 0:32:47 | |
If anyone's got a wobble, it's Hari Baines. | 0:32:48 | 0:32:50 | |
Received. | 0:32:50 | 0:32:52 | |
Suspect turned his gun on us, we returned fire. | 0:32:56 | 0:32:59 | |
The suspect, he discharged his weapon, and we returned fire. | 0:33:00 | 0:33:04 | |
Would it be easier for you to tell us who fired first? | 0:33:07 | 0:33:11 | |
The suspect fired his pistol at us. And we fired back at him. | 0:33:13 | 0:33:17 | |
-HASTINGS: -But you didn't, did you, Constable? | 0:33:21 | 0:33:23 | |
No, sir, no. | 0:33:23 | 0:33:25 | |
The suspect had already taken fire to the head and he went down. | 0:33:25 | 0:33:29 | |
So, what, you hesitated, is that it? | 0:33:29 | 0:33:31 | |
No, sir, no, it just all felt like it happened in the same moment, | 0:33:32 | 0:33:37 | |
you know, the suspect firing and then him being taken down. | 0:33:37 | 0:33:40 | |
-STEVE ON VIDEO: -Why was there a patch of gunshot residue from the suspect's firearm | 0:33:40 | 0:33:44 | |
five metres away from his body? | 0:33:44 | 0:33:45 | |
It must have been the suspect was moving from | 0:33:47 | 0:33:50 | |
one position to the other as he fired. | 0:33:50 | 0:33:53 | |
-HASTINGS: -"Must have"? | 0:33:53 | 0:33:54 | |
I mean, he was. | 0:33:54 | 0:33:56 | |
He was moving when he fired. | 0:33:56 | 0:33:57 | |
We know it's not easy, being confined to desk duty. | 0:34:09 | 0:34:12 | |
Particularly if you're the only one who didn't open fire. | 0:34:12 | 0:34:15 | |
Well, I didn't choke, if that's what you mean. | 0:34:15 | 0:34:18 | |
No-one said you choked. | 0:34:20 | 0:34:21 | |
When you're AC-12, you're always looking for an angle, aren't you? | 0:34:21 | 0:34:25 | |
We appreciate there's trust issues. | 0:34:26 | 0:34:28 | |
No-one wants to seem like they're telling tales on their own. | 0:34:28 | 0:34:31 | |
But no-one wants to let a bent copper off the hook, either. | 0:34:31 | 0:34:34 | |
But we've read your record. | 0:34:34 | 0:34:36 | |
You're an honest copper. This is bothering you, Harinderpal. | 0:34:36 | 0:34:40 | |
Hari. | 0:34:40 | 0:34:43 | |
It's bothering you, Hari. | 0:34:43 | 0:34:45 | |
A lot. | 0:34:45 | 0:34:46 | |
Look, I told Waldron to let the suspect go. | 0:34:55 | 0:34:58 | |
We were in pursuit. Like the bloke's still going to carry out a hit with half the Force on his tail. | 0:34:58 | 0:35:02 | |
What? You knew Waldron was out of control and you tried to deter him? | 0:35:02 | 0:35:05 | |
-No, I never said he was out of control. -Well, what are you saying? | 0:35:05 | 0:35:08 | |
You followed Danny Waldron's script to the letter. | 0:35:08 | 0:35:11 | |
Except for one moment. | 0:35:11 | 0:35:12 | |
The little patch of gunshot residue | 0:35:12 | 0:35:14 | |
that was nowhere near where the suspect's gun was found. | 0:35:14 | 0:35:16 | |
See what I mean? | 0:35:16 | 0:35:18 | |
You act like every copper's bent till he's proven otherwise. | 0:35:18 | 0:35:21 | |
-But I'm clean. -Prove it. -Tell us what really happened. | 0:35:21 | 0:35:24 | |
Why was there so much gunshot residue from the suspect's firearm on Waldron? | 0:35:24 | 0:35:27 | |
What did he really do when he claimed he was securing it? | 0:35:27 | 0:35:30 | |
I can't do this. | 0:35:33 | 0:35:35 | |
I'm sorry. I can't do this. There's... | 0:35:36 | 0:35:38 | |
There's no way I'm testifying against Danny Waldron. | 0:35:38 | 0:35:41 | |
ENGINE STARTS | 0:36:02 | 0:36:04 | |
Hari Baines is dammed if he does, dammed if he doesn't, poor bugger. | 0:36:04 | 0:36:07 | |
We'll be able to compel him, I'm sure, sir. | 0:36:07 | 0:36:09 | |
If we can get to threshold, he'll go with the flow to save his own neck. | 0:36:09 | 0:36:12 | |
We're a long way from threshold yet, though. | 0:36:12 | 0:36:15 | |
-I've really got to go now, I'll talk later. Bye. -Jill. -Sorry. | 0:36:15 | 0:36:19 | |
The Police Federation are pushing back against Danny Waldron's treatment. | 0:36:20 | 0:36:24 | |
I got an e-mail from their lawyer that was three pages long. | 0:36:24 | 0:36:28 | |
They want him operational again and his firearms permit reinstated | 0:36:28 | 0:36:31 | |
unless you can show there's substantive suspicion of crime | 0:36:31 | 0:36:35 | |
and/or misconduct and/or endangerment of public trust. | 0:36:35 | 0:36:38 | |
We've got them all. | 0:36:38 | 0:36:40 | |
You don't have endangerment of public trust as Operation Damson | 0:36:40 | 0:36:43 | |
remains unreported in the press as per a legal suppression order. | 0:36:43 | 0:36:46 | |
So what have you actually got regarding crime and/or misconduct? | 0:36:46 | 0:36:49 | |
There's a strong suspicion Danny Waldron was | 0:36:49 | 0:36:51 | |
adjacent to the suspect when the suspect's firearm went off | 0:36:51 | 0:36:54 | |
and that Waldron moved the firearm before forensics got to the scene. | 0:36:54 | 0:36:57 | |
I've listened to the tape. | 0:36:57 | 0:36:58 | |
You all did your best | 0:36:58 | 0:37:00 | |
but Waldron deals plausibly with all your areas of enquiry. | 0:37:00 | 0:37:04 | |
And his team's statements back him up. | 0:37:04 | 0:37:06 | |
We interviewed one of his team, PC Harinderpal Baines, who | 0:37:06 | 0:37:09 | |
we strongly suspect is detachable from Waldron's version of events. | 0:37:09 | 0:37:12 | |
Is he on the record? | 0:37:12 | 0:37:14 | |
-No, ma'am, but... -I'm a civilian. | 0:37:14 | 0:37:16 | |
It's Gill or Miss Biggeloe. So he's not on the record. | 0:37:16 | 0:37:19 | |
No. But we have an officer undercover probing for weaknesses | 0:37:19 | 0:37:21 | |
in the team's statements. | 0:37:21 | 0:37:23 | |
Has she found any? | 0:37:23 | 0:37:24 | |
-Not yet, but she's only just started. -So she hasn't. | 0:37:24 | 0:37:28 | |
Look, I've seen enough bent coppers in my time | 0:37:28 | 0:37:31 | |
to know when one of them is hiding something. | 0:37:31 | 0:37:33 | |
You know why I've been appointed. | 0:37:33 | 0:37:35 | |
To ensure that anti-corruption inquiries don't get pulled apart | 0:37:35 | 0:37:38 | |
in court to everyone's embarrassment. | 0:37:38 | 0:37:40 | |
Yeah, well, we'd all be severely embarrassed | 0:37:40 | 0:37:42 | |
if Daniel Waldron manages to pull something like this off again. | 0:37:42 | 0:37:45 | |
We are protecting the public | 0:37:45 | 0:37:47 | |
and sometimes that means we have to protect them from our own officers. | 0:37:47 | 0:37:51 | |
Legally this case is weak | 0:37:51 | 0:37:53 | |
and juries don't convict police officers for killing suspects. | 0:37:53 | 0:37:56 | |
I've got no option but to recommend that Waldron and his team | 0:37:56 | 0:37:59 | |
return to active duty and that their firearms permits are reinstated. | 0:37:59 | 0:38:02 | |
What? She running our investigations now? | 0:38:11 | 0:38:14 | |
Search of premises, Class A drugs. | 0:38:18 | 0:38:20 | |
Residents are known to be in possession. Have access to firearms. | 0:38:20 | 0:38:24 | |
Good to be back. | 0:38:26 | 0:38:27 | |
Armed Police! | 0:38:51 | 0:38:53 | |
Armed Police! | 0:38:55 | 0:38:57 | |
Jacks, you, Rod, Hari, secure these rooms. Kate, with me. | 0:38:57 | 0:39:00 | |
Go. Go. | 0:39:04 | 0:39:06 | |
Armed Police! | 0:39:12 | 0:39:13 | |
Armed Police! | 0:39:25 | 0:39:27 | |
Armed Police! | 0:39:31 | 0:39:33 | |
All clear. Check the landing. | 0:39:42 | 0:39:44 | |
Kate, check in with the others. | 0:40:04 | 0:40:06 | |
-Victor Charlie Five Five. -'Five Two.' | 0:40:06 | 0:40:09 | |
-Status? -'Still checking.' | 0:40:09 | 0:40:11 | |
Move. Move. | 0:40:18 | 0:40:20 | |
Armed Police! | 0:40:24 | 0:40:25 | |
DOOR CRASHES OPEN | 0:40:25 | 0:40:27 | |
BIRDS FLAP AWAY | 0:40:27 | 0:40:29 | |
No! KATE GASPS | 0:40:42 | 0:40:44 | |
Check your safety. Stand down. | 0:40:46 | 0:40:48 | |
Get the search team in here, | 0:40:48 | 0:40:50 | |
and we need an ambulance and social services. | 0:40:50 | 0:40:52 | |
-'Yes, skipper.' -It's all right. No-one's going to hurt you. | 0:40:52 | 0:40:56 | |
Good boy. CHILD WHIMPERS | 0:40:56 | 0:40:58 | |
It's all right. Shh. | 0:40:58 | 0:41:00 | |
How old are you, eh? | 0:41:01 | 0:41:04 | |
CHILD WAILS | 0:41:06 | 0:41:09 | |
Hi, it's me. | 0:41:12 | 0:41:13 | |
Yeah, fine. Just... I'll be busy later. | 0:41:14 | 0:41:16 | |
I just wanted to get him before he went to bed. | 0:41:16 | 0:41:19 | |
Thanks. | 0:41:20 | 0:41:21 | |
Hi, sweetheart. Have you had a nice day? | 0:41:24 | 0:41:26 | |
Have you? Oh, that's lovely. | 0:41:28 | 0:41:31 | |
INDISTINCT CHATTER FROM RADIO | 0:41:36 | 0:41:39 | |
Kate. | 0:41:58 | 0:42:00 | |
There's no easy way to say this. This isn't going to work. | 0:42:05 | 0:42:10 | |
Nobody feels worse about what happened - | 0:42:10 | 0:42:12 | |
what nearly happened - than I do. | 0:42:12 | 0:42:14 | |
I decide who's right for my team. No-one else. | 0:42:14 | 0:42:18 | |
Who can cut it and who can't. It's nothing personal. | 0:42:18 | 0:42:21 | |
-You're just not up to the job. -I messed up, but I'll learn. | 0:42:21 | 0:42:25 | |
-I don't give in, skipper. -Neither do I. | 0:42:25 | 0:42:27 | |
Best you put in for a transfer. | 0:42:28 | 0:42:30 | |
Save me having to turn nasty. | 0:42:31 | 0:42:33 | |
Sorry. | 0:42:55 | 0:42:57 | |
Don't be. It's a free country. | 0:42:58 | 0:43:01 | |
Here you are. | 0:43:01 | 0:43:03 | |
Here you go. | 0:43:07 | 0:43:08 | |
-So, you worked with Jackie long? -Couple of years, on and off. -Danny? | 0:43:13 | 0:43:18 | |
-A bit less. -I don't get the impression there's much... | 0:43:20 | 0:43:23 | |
Sorry, Kate. Sorry, listen. | 0:43:23 | 0:43:24 | |
-I'm just...not feeling very sociable right now. -No worries. | 0:43:24 | 0:43:28 | |
All right? | 0:43:29 | 0:43:31 | |
I'd better get in. | 0:43:38 | 0:43:39 | |
See you in a bit. | 0:43:39 | 0:43:41 | |
Look, I'm sorry. | 0:43:49 | 0:43:51 | |
INDISTINCT CONVERSATION | 0:43:53 | 0:43:55 | |
-Don't let him wind you up like that. -How do you think I feel right now? | 0:43:55 | 0:43:58 | |
-Just ignore him. -Ignore him? Are you taking the piss? | 0:43:58 | 0:44:01 | |
Thanks. | 0:44:10 | 0:44:12 | |
Finally. | 0:44:13 | 0:44:14 | |
-Is that the file on the suspect shot by Waldron? -Yeah. | 0:44:16 | 0:44:19 | |
What? | 0:44:26 | 0:44:28 | |
We need an unredacted file. | 0:44:33 | 0:44:35 | |
Leave it to me. I'll crack some heads together. | 0:44:35 | 0:44:38 | |
HE PANTS | 0:44:54 | 0:44:56 | |
HE SPITS | 0:44:59 | 0:45:01 | |
-You shouldn't be here. -That only applies if we're investigating you. | 0:45:09 | 0:45:12 | |
-You're off the hook. -What do you want? -You didn't know the suspect. | 0:45:12 | 0:45:17 | |
-No. -I heard a rumour about him. Heard the name. | 0:45:20 | 0:45:24 | |
You need to caution me before you can ask that. | 0:45:24 | 0:45:26 | |
Like this is on the record. | 0:45:26 | 0:45:28 | |
I just want to know the truth. | 0:45:28 | 0:45:29 | |
The file on Ronan Murphy. The suspect's name. | 0:45:35 | 0:45:39 | |
Large sections were redacted. | 0:45:39 | 0:45:41 | |
If there's something bigger here, Danny, | 0:45:42 | 0:45:45 | |
you don't want to be the one left carrying the can. | 0:45:45 | 0:45:48 | |
-Do you run, Steve? -I don't have to. No-one's chasing me. | 0:45:49 | 0:45:54 | |
I do. | 0:45:54 | 0:45:55 | |
Miles, some nights. Tens of miles. | 0:45:56 | 0:46:00 | |
It gets till every part of me hurts. | 0:46:00 | 0:46:02 | |
But the one thing I know is you keep going through the pain | 0:46:03 | 0:46:07 | |
because if you stop, | 0:46:07 | 0:46:08 | |
it's going to hurt a whole lot more to get started again. | 0:46:08 | 0:46:11 | |
When this is all done, Steve, I'll suffer for my actions. | 0:46:13 | 0:46:17 | |
I'm under no illusions of a happy ending. | 0:46:17 | 0:46:20 | |
But I ain't going to stop. | 0:46:21 | 0:46:23 | |
Danny. | 0:46:29 | 0:46:31 | |
One thing we both know - | 0:46:32 | 0:46:34 | |
easiest way to get away with killing someone, | 0:46:34 | 0:46:37 | |
be a police officer. | 0:46:37 | 0:46:39 | |
DOORBELL RINGS | 0:46:49 | 0:46:50 | |
DOG BARKS | 0:47:00 | 0:47:02 | |
KEYPAD BLEEPS | 0:47:34 | 0:47:36 | |
Come on. You want to have a go with the light? | 0:47:53 | 0:47:56 | |
Press the button. Press the button for Daddy. | 0:47:56 | 0:47:59 | |
Won't be long before you're driving yourself, will it? | 0:47:59 | 0:48:01 | |
-Vroom vroom! -It'll be a few years yet. | 0:48:01 | 0:48:04 | |
-Have a good day. -See you. -See you later. | 0:48:04 | 0:48:06 | |
Hari. | 0:48:22 | 0:48:23 | |
-All right, Hari? -Yeah, I'm fine, thanks, guv. | 0:48:27 | 0:48:30 | |
I'm concerned about the interpersonal dynamics on the unit. | 0:48:30 | 0:48:33 | |
So I'm going to disband Danny's squad. | 0:48:33 | 0:48:36 | |
-What did Danny have to say about that? -He won't be the problem. | 0:48:38 | 0:48:42 | |
The problem will be getting AFOs to work with him. | 0:48:42 | 0:48:44 | |
I know he's not the easiest skipper, but he's good at his job. | 0:48:49 | 0:48:53 | |
I'm learning loads from him, so I'd rather keep at it. | 0:48:53 | 0:48:56 | |
-Seriously? -Yeah. | 0:48:56 | 0:48:59 | |
If you move us on now, ma'am, it looks like we messed up, doesn't it? | 0:48:59 | 0:49:03 | |
And we didn't. | 0:49:03 | 0:49:04 | |
Man that is born of a woman hath but a short time to live | 0:49:13 | 0:49:16 | |
and is full of misery. | 0:49:16 | 0:49:19 | |
He cometh up, and is cut down, like a flower. | 0:49:20 | 0:49:22 | |
He fleeth as it were a shadow, and never continueth in one stay. | 0:49:24 | 0:49:29 | |
Let us pray. | 0:49:29 | 0:49:31 | |
Here you are, girl. Come on, there's a good dog. | 0:49:41 | 0:49:44 | |
MICROWAVE PINGS | 0:49:52 | 0:49:54 | |
Don't remember me? | 0:50:07 | 0:50:09 | |
-No. -No? | 0:50:10 | 0:50:12 | |
Nor did the man that you buried. | 0:50:13 | 0:50:16 | |
DOG BARKS | 0:50:20 | 0:50:23 | |
DOG WHIMPERS | 0:50:23 | 0:50:25 | |
Get down. | 0:50:25 | 0:50:26 | |
Sit. | 0:50:36 | 0:50:38 | |
Every time you don't do what I say, it gets worse. | 0:50:40 | 0:50:43 | |
You'll sit, all right? | 0:50:44 | 0:50:46 | |
But first... | 0:50:48 | 0:50:50 | |
..you'll take off all your clothes. | 0:50:53 | 0:50:54 | |
I never knew his name. Not really. | 0:51:09 | 0:51:12 | |
We did have a name for him, though. | 0:51:15 | 0:51:18 | |
So many years I wondered what I'd do if I ever saw him again. | 0:51:21 | 0:51:25 | |
And then I did. | 0:51:25 | 0:51:27 | |
In a photo in a briefing room. | 0:51:28 | 0:51:30 | |
And I was being sent to meet him with a gun. | 0:51:34 | 0:51:36 | |
Before you ask, this isn't the one. | 0:51:42 | 0:51:45 | |
Illegal, untraceable, no problem with using it on you. | 0:51:46 | 0:51:50 | |
So, who was he to you? | 0:52:04 | 0:52:05 | |
Nephew. | 0:52:06 | 0:52:07 | |
I never knew that there was a family connection. | 0:52:09 | 0:52:13 | |
We had a name for you, too. | 0:52:16 | 0:52:18 | |
Do you want to know what it was? | 0:52:20 | 0:52:22 | |
Do you want to know what it was? | 0:52:24 | 0:52:27 | |
The only thing with Ronan, it was over too fast. | 0:52:46 | 0:52:49 | |
But I've got you to make up for that. | 0:52:51 | 0:52:53 | |
WATER RUNNING | 0:52:58 | 0:53:00 | |
Here you go. | 0:53:46 | 0:53:47 | |
TEXT ALERT | 0:53:55 | 0:53:56 | |
HE SOBS | 0:54:29 | 0:54:31 | |
PHONE RINGS | 0:54:31 | 0:54:33 | |
Sergeant Waldron. | 0:54:44 | 0:54:45 | |
SIRENS | 0:54:45 | 0:54:49 | |
-OVER RADIO: -'Four Zero, radio check. -Seven Zero, radio check. | 0:54:54 | 0:54:58 | |
'All units, intel reports no egress from the premises this morning. | 0:54:58 | 0:55:01 | |
'Residents are believed to be in situ and should be considered armed | 0:55:01 | 0:55:05 | |
'and dangerous till proved otherwise. | 0:55:05 | 0:55:07 | |
'Five Zero have been briefed and will enter and secure premises. | 0:55:07 | 0:55:10 | |
'Other units are to standby and await orders.' | 0:55:10 | 0:55:13 | |
Armed Police! | 0:55:58 | 0:56:00 | |
-Armed Police! -Armed Police! -Armed Police! -Nobody move! Armed Police! | 0:56:00 | 0:56:05 | |
-Armed Police! -Armed Police! -Show your hands. Turn around. | 0:56:07 | 0:56:10 | |
Hands behind your back, walk to me. | 0:56:10 | 0:56:12 | |
-Keep coming. -Move. -Turn around, hands behind your back. | 0:56:12 | 0:56:18 | |
-Behind your back. To me. Keep your hands down. -Move! Move! | 0:56:18 | 0:56:21 | |
-Who else is in the house? -No-one. | 0:56:23 | 0:56:25 | |
We're going up. Call it in, channel one. | 0:56:28 | 0:56:31 | |
Victor Charlie Five Five on one. | 0:56:31 | 0:56:33 | |
'Victor Charlie Four One, go ahead, Five Five.' | 0:56:33 | 0:56:35 | |
Two suspects in custody. Continuing the search. | 0:56:35 | 0:56:37 | |
Hari, Rod, Jacks, go up. Kate, stay put. | 0:56:37 | 0:56:40 | |
I'm good to go up. | 0:56:40 | 0:56:41 | |
You lot go up. Back-to-back on two. | 0:56:41 | 0:56:43 | |
Stay on one. | 0:56:59 | 0:57:00 | |
You really going to be like this? | 0:57:02 | 0:57:04 | |
You had your chance to make this painless. | 0:57:04 | 0:57:06 | |
In the morning I'm telling McAndrew to bump you off the squad. | 0:57:06 | 0:57:10 | |
-HARI ON RADIO: -'Victor Charlie Five One.' -Five One. | 0:57:10 | 0:57:13 | |
'Five Four. You better come up here, skipper.' | 0:57:13 | 0:57:15 | |
On my way. | 0:57:15 | 0:57:17 | |
Don't move a muscle. | 0:57:17 | 0:57:19 | |
GUNSHOT | 0:57:35 | 0:57:37 | |
-Who else was up there? -SUSPECT: -No-one, I told you. | 0:57:37 | 0:57:39 | |
Shot fired, Five Five. | 0:57:39 | 0:57:40 | |
No further information. Shot fired. | 0:57:40 | 0:57:43 | |
-RADIO: -'Victor Charlie Four One. What's going on?' -Shit! | 0:57:43 | 0:57:46 | |
'Five Five, report.' | 0:57:46 | 0:57:48 | |
INDISTINCT CHATTER FROM RADIO | 0:57:50 | 0:57:52 | |
Victor Charlie Five Five, status zero, officer seriously wounded. | 0:57:57 | 0:58:01 | |
What happened? | 0:58:03 | 0:58:05 | |
GURGLING AND CHOKING | 0:58:05 | 0:58:07 | |
Shit! | 0:58:07 | 0:58:09 | |
-RADIO: -'We have a status zero on one of our officers.' | 0:58:10 | 0:58:13 | |
Stay with me, Danny, stay with me. | 0:58:13 | 0:58:15 | |
HE GASPS AND CHOKES | 0:58:15 | 0:58:16 | |
DANNY MUMBLES INDISTINCTLY | 0:58:17 | 0:58:19 | |
What's he saying? | 0:58:19 | 0:58:20 | |
What's he saying? | 0:58:21 | 0:58:23 | |
Stay with me, Danny. Danny! Danny! | 0:58:26 | 0:58:29 |