Browse content similar to 01/05/2012. Check below for episodes and series from the same categories and more!
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You're very fat. | 0:00:21 | 0:00:23 | |
-Aye. Um... Aye, I've put on a wee bit recently. -More than just a bit. | 0:00:23 | 0:00:28 | |
You don't need me to tell you that you're dangerously overweight. | 0:00:28 | 0:00:31 | |
Malcolm and Elizabeth, I now pronounce you man and wife. | 0:00:32 | 0:00:36 | |
Malcolm, you may continue to kiss the bride. | 0:00:36 | 0:00:40 | |
-He is fit. -You mean out my league? -No, don't be daft, you're a catch. | 0:00:40 | 0:00:45 | |
Did he just totally blank you? | 0:00:46 | 0:00:48 | |
Cheers. | 0:01:22 | 0:01:25 | |
DOOR OPENS AND CLOSES | 0:01:28 | 0:01:30 | |
MUFFLED VOICES | 0:01:30 | 0:01:32 | |
Just the one, maw. | 0:01:55 | 0:01:56 | |
Since when? You've got to keep your strength up, son. | 0:01:56 | 0:02:00 | |
What is this...rubbish? | 0:02:02 | 0:02:04 | |
-It's breakfast? -Excuse me, young lady. | 0:02:04 | 0:02:09 | |
I have never put rubbish in front of my son. | 0:02:09 | 0:02:13 | |
It's his first day back at work and everything. | 0:02:13 | 0:02:17 | |
You shouldn't be encouraging him like this. He's ill. | 0:02:17 | 0:02:20 | |
I've got a bad back. That's all. | 0:02:20 | 0:02:22 | |
-That's not true, and you know it. Dr Stubbs... -Huh! | 0:02:22 | 0:02:27 | |
Dr Stubbs is expecting you at ten. | 0:02:27 | 0:02:29 | |
She'll want to know what changes you're willing to make. | 0:02:29 | 0:02:32 | |
Well, he can change something else. It's getting cold, son. | 0:02:32 | 0:02:35 | |
MOBILE PHONE RINGS | 0:02:35 | 0:02:38 | |
Dr Stubbs, just give me a second. | 0:02:41 | 0:02:44 | |
Uh-huh. Yes, I'm on my way. | 0:02:51 | 0:02:53 | |
And tell her not to struggle in if she's unwell. OK? | 0:02:53 | 0:02:57 | |
BOTTLES CLINK | 0:03:00 | 0:03:04 | |
Did she say what was wrong with her? | 0:03:07 | 0:03:11 | |
Well, maybe she won't need the whole day to recover. | 0:03:12 | 0:03:16 | |
OK. Bye. | 0:03:16 | 0:03:18 | |
Spare any change? | 0:03:24 | 0:03:26 | |
Can you spare some change? | 0:03:29 | 0:03:31 | |
-There you go. -Thanks. | 0:03:34 | 0:03:37 | |
Thanks very much. | 0:03:37 | 0:03:38 | |
It's bad for business. She's going to be scaring off half your customers. | 0:03:40 | 0:03:44 | |
-They're not my customers any more, are they? -Well, it doesn't make the area look good. | 0:03:44 | 0:03:48 | |
She's just a wee lassie. | 0:03:48 | 0:03:51 | |
Yeah, who would steal your purse given half a chance. | 0:03:51 | 0:03:54 | |
She's not doing any harm. | 0:03:54 | 0:03:56 | |
Someone like that needs to be watched. You lot are too soft. | 0:03:56 | 0:03:59 | |
Not something anybody could accuse her of! | 0:04:01 | 0:04:03 | |
OK. That's fine. Just take a seat. | 0:04:06 | 0:04:08 | |
-Thank you. -That's OK. | 0:04:12 | 0:04:14 | |
Finally! Now maybe we can all get on with some real work. | 0:04:16 | 0:04:21 | |
-Mr...um... -Smedley. -..Smedley. I'll see you now. | 0:04:21 | 0:04:25 | |
She does realise I'm doing her a favour, doesn't she? | 0:04:25 | 0:04:29 | |
It's highly unlikely. | 0:04:29 | 0:04:31 | |
Wait up. | 0:04:37 | 0:04:39 | |
I've got to get to work. | 0:04:40 | 0:04:42 | |
You not got time for some breakfast first? | 0:04:42 | 0:04:45 | |
I guess I could squeeze in a coffee. | 0:04:46 | 0:04:49 | |
Did I do something wrong? | 0:04:49 | 0:04:52 | |
-No. -You couldn't wait to get away. | 0:04:52 | 0:04:55 | |
I'm just no good with an audience. | 0:04:55 | 0:04:57 | |
Flatmates. How you deal with them? They're just always there. | 0:04:57 | 0:05:00 | |
-You get used to it. Besides, they're all right. I've lived with a lot worse. -Spare any change? | 0:05:00 | 0:05:05 | |
I don't think you should really be here, should you? | 0:05:05 | 0:05:08 | |
-I'm not doing anything illegal. -Not yet, you're not. Now, come on. | 0:05:08 | 0:05:12 | |
Move yourself. | 0:05:12 | 0:05:13 | |
Sorry. He's the polis. Never switches off. | 0:05:13 | 0:05:17 | |
-Just give the lassie a quid and let's go. -No, you're all right. | 0:05:17 | 0:05:21 | |
You can keep your money. I'm leaving. | 0:05:21 | 0:05:23 | |
-What? -Was that really necessary? -I think so, yeah. | 0:05:26 | 0:05:30 | |
You of all people should know what can happen to a lassie like her. | 0:05:30 | 0:05:33 | |
Don't be so dramatic! Bad things can happen to anyone. | 0:05:33 | 0:05:37 | |
-Just because she's begging doesn't make it inevitable. -I thought you were meant to protect people. | 0:05:37 | 0:05:41 | |
How am I supposed to protect her? | 0:05:41 | 0:05:44 | |
Hello, I'm a police officer, not a social worker. | 0:05:44 | 0:05:47 | |
Nice(!) | 0:05:47 | 0:05:50 | |
What's that supposed to mean? | 0:05:51 | 0:05:53 | |
Hiya. | 0:05:57 | 0:05:58 | |
You OK? | 0:06:00 | 0:06:01 | |
-I'm fine. -Are you sure? -Yeah. I'm sure. | 0:06:01 | 0:06:05 | |
Mrs Brodie. I wasn't expecting to see you so soon. | 0:06:05 | 0:06:10 | |
-Feeling better? -Yes, Miriam. I'm absolutely fine. -Really? | 0:06:10 | 0:06:13 | |
Call me cynical, but I'm starting to think there was nothing wrong with you in the first place. | 0:06:13 | 0:06:19 | |
Nothing wrong?! You know what I'm dealing with right now. | 0:06:19 | 0:06:23 | |
I didn't sleep last night. Again. Life isn't very... | 0:06:23 | 0:06:26 | |
easy for me, right now. OK? | 0:06:26 | 0:06:27 | |
Fortunately, we coped. So no harm done. | 0:06:27 | 0:06:30 | |
Anyway, as you're here, Mrs Simpson needs her bloods done. | 0:06:30 | 0:06:34 | |
Nurse O'Hara, your husband would appear to have forgotten his appointment. | 0:06:34 | 0:06:38 | |
-Could you check he's on his way? -He'll be here. We discussed it this morning. | 0:06:38 | 0:06:43 | |
Two more minutes, then send in the next patient. | 0:06:43 | 0:06:46 | |
I can't take bloods today. | 0:06:48 | 0:06:50 | |
No. Maybe I could help? | 0:06:50 | 0:06:53 | |
Really? Would you? Thank you so much. | 0:06:53 | 0:06:57 | |
It's OK. | 0:06:57 | 0:06:58 | |
DOOR OPENS | 0:06:58 | 0:07:01 | |
Finally. Where have you been? She is not happy. | 0:07:01 | 0:07:04 | |
-Whoa, whoa, whoa. Could you not just have got me a repeat prescription? -No! -Oh, come on. | 0:07:04 | 0:07:09 | |
-I don't need to see her again. Nothing's changed. -It isn't just about your back. Now, get in there. | 0:07:09 | 0:07:14 | |
HE SIGHS | 0:07:20 | 0:07:22 | |
Come in! | 0:07:23 | 0:07:25 | |
Right, I'd better head. We don't all have the day off. | 0:07:36 | 0:07:39 | |
Are we OK? | 0:07:40 | 0:07:41 | |
Yes. | 0:07:43 | 0:07:44 | |
-I shouldn't have said that earlier. -Why not? If it's what you think... | 0:07:44 | 0:07:48 | |
I know, but... I didn't mean to upset you. | 0:07:48 | 0:07:52 | |
Well, maybe you should leave the police work to me. | 0:07:52 | 0:07:55 | |
I know what I'm doing. Honest. | 0:07:55 | 0:07:57 | |
We're allowed to disagree on things. It's what you do in a relationship. | 0:07:59 | 0:08:03 | |
Is that what this is, then? | 0:08:04 | 0:08:05 | |
What do you think? | 0:08:05 | 0:08:07 | |
And you're right. I do know what could happen to her. | 0:08:10 | 0:08:13 | |
But I can't let it get to me. It'd drive me mad, honestly, things that I've seen. | 0:08:13 | 0:08:17 | |
I guess. But somebody's got to care. | 0:08:17 | 0:08:20 | |
And I do. But it's not my job to fix her life. | 0:08:20 | 0:08:24 | |
Unfortunately. | 0:08:24 | 0:08:27 | |
Can I see you tonight? | 0:08:27 | 0:08:29 | |
Sure. | 0:08:31 | 0:08:32 | |
-I could pick up something for dinner after work. -OK. | 0:08:32 | 0:08:36 | |
Right, now I really do have to head. | 0:08:36 | 0:08:39 | |
I'll see you later. | 0:08:39 | 0:08:41 | |
You really didn't need to see us off. | 0:08:43 | 0:08:46 | |
No, but we wanted to. | 0:08:46 | 0:08:48 | |
You all set? | 0:08:48 | 0:08:50 | |
Oh, the books! | 0:08:50 | 0:08:51 | |
What books? | 0:08:51 | 0:08:53 | |
The guide books, Eileen. They're in the kitchen, I think, in yon bag. | 0:08:53 | 0:08:57 | |
-I'll help you find them, Dad. -Ach, look, I'm sure we'll find them. | 0:08:57 | 0:09:01 | |
-Yeah, but two sets of eyes are better than one. -SHE LAUGHS | 0:09:01 | 0:09:03 | |
SHE SIGHS Hey-ho. | 0:09:05 | 0:09:07 | |
-You OK? -Yes, I think so. | 0:09:11 | 0:09:14 | |
How's my dad doing? | 0:09:14 | 0:09:15 | |
Fine. | 0:09:15 | 0:09:17 | |
He's OK. | 0:09:18 | 0:09:19 | |
Are you going to be all right? | 0:09:20 | 0:09:22 | |
How do you mean? | 0:09:22 | 0:09:23 | |
On your own with my dad, so far away. | 0:09:23 | 0:09:26 | |
Oh, we're only going to Fife, Eileen, it's not the other side of the world. | 0:09:26 | 0:09:31 | |
You know what I mean. | 0:09:31 | 0:09:32 | |
Yes, I do. | 0:09:34 | 0:09:35 | |
We've got them! | 0:09:35 | 0:09:37 | |
Wonderful. That's definitely us, then. | 0:09:37 | 0:09:40 | |
CAR HORN BEEPS | 0:09:40 | 0:09:41 | |
Right, that's you. | 0:09:41 | 0:09:42 | |
Goodness me, that was quick. | 0:09:42 | 0:09:44 | |
Leave them, we'll get them. | 0:09:44 | 0:09:46 | |
-Thanks, Gina. Bye. -And phone us as soon as you get there, right? | 0:09:46 | 0:09:49 | |
-Oh, it depends how much fun we're having. -Oh! | 0:09:49 | 0:09:54 | |
Come on, Eileen! They're going! | 0:10:00 | 0:10:02 | |
MOBILE PHONE RINGS | 0:10:25 | 0:10:27 | |
-Hey, you all right? -'Throw a sickie.' -Sounds amazing, but... | 0:10:31 | 0:10:34 | |
-'I know, you're far too important.' -I've got to go. Bye. | 0:10:34 | 0:10:39 | |
-Sorry. -Anything wrong? -Nope. Everything's fine. | 0:10:39 | 0:10:44 | |
Good, cos we've got work to do. Nice juicy murder. Chop chop! | 0:10:44 | 0:10:48 | |
-This your first murder, then? -It is, sir. | 0:11:02 | 0:11:05 | |
-Well, look, listen and don't vomit on my crime scene. -Am I likely to? | 0:11:05 | 0:11:09 | |
Nah. She's bashed up a bit, but nothing too gruesome. | 0:11:09 | 0:11:13 | |
Victim's female. | 0:11:14 | 0:11:16 | |
Late teens, early 20s. Strangled. | 0:11:16 | 0:11:19 | |
Possibly a sex worker, given her clothing and the location. | 0:11:19 | 0:11:22 | |
Pretty bleak. Wouldn't have thought they'd do much trade round here. | 0:11:24 | 0:11:27 | |
Close to the main road, place is abandoned. | 0:11:27 | 0:11:30 | |
No-one to disturb you... | 0:11:30 | 0:11:32 | |
or get offended. | 0:11:32 | 0:11:34 | |
What a place to die. | 0:11:36 | 0:11:38 | |
Not sure it makes much difference myself. Dead's dead, isn't it? | 0:11:38 | 0:11:42 | |
I guess it is. | 0:11:44 | 0:11:45 | |
You coming? | 0:11:45 | 0:11:47 | |
Got any spare change? | 0:11:49 | 0:11:51 | |
Got any change? | 0:11:52 | 0:11:53 | |
Thanks. | 0:11:53 | 0:11:54 | |
Got any spare change? | 0:11:58 | 0:11:59 | |
MOBILE PHONE RINGS | 0:12:08 | 0:12:10 | |
I'll see you on Friday, then, OK? | 0:12:21 | 0:12:23 | |
Are you sure you should be here? | 0:12:30 | 0:12:32 | |
This is my job, Tattie. Where else exactly should I be? | 0:12:33 | 0:12:36 | |
OK, but let me know if you need anything, yeah? | 0:12:36 | 0:12:40 | |
-We've not finished yet. -Oh, I think we have. -What's going on? | 0:12:40 | 0:12:43 | |
I've had enough of this. She is bang out of order. | 0:12:43 | 0:12:46 | |
-I am trying to help you. Now, come back inside. -She'll not give me my tablets. | 0:12:46 | 0:12:50 | |
You are dangerously overweight and all the medication in the world isn't going to change that. | 0:12:50 | 0:12:55 | |
-She wants me to get a personal trainer! -I want you | 0:12:55 | 0:12:57 | |
to take responsibility for your health and wellbeing. | 0:12:57 | 0:13:00 | |
Is this really the most appropriate place for this conversation? | 0:13:00 | 0:13:04 | |
He needs to hear this. | 0:13:04 | 0:13:06 | |
And if he won't listen to me in my office, then here will have to do. | 0:13:06 | 0:13:09 | |
Dr Stubbs, you can't force a patient to do something they're not comfortable with. | 0:13:09 | 0:13:14 | |
You think I'm wrong? | 0:13:16 | 0:13:17 | |
I just don't think you should be speaking to people like this. | 0:13:18 | 0:13:23 | |
Mr O'Hara, Mrs Brodie will call you to make another appointment. | 0:13:25 | 0:13:30 | |
This conversation is not over. | 0:13:30 | 0:13:32 | |
Nurse. My office. Now. | 0:13:34 | 0:13:36 | |
So you don't approve of my methods. | 0:13:50 | 0:13:52 | |
I'm just not sure it was the best way to tackle that particular problem. | 0:13:54 | 0:14:00 | |
Oh, I think he's had everything sugar-coated for far too long, don't you? | 0:14:00 | 0:14:04 | |
You hurt his feelings. Maybe you could take it slower. | 0:14:04 | 0:14:09 | |
He may not have the time to take things any slower. | 0:14:09 | 0:14:12 | |
Frankly, I'm shocked that as a nurse as well as his wife, | 0:14:12 | 0:14:16 | |
you could take such a cavalier approach to the man's situation. | 0:14:16 | 0:14:20 | |
That's not fair. | 0:14:20 | 0:14:21 | |
He could die. And sooner rather than later. | 0:14:21 | 0:14:25 | |
-I understand the risks. -And yet you refuse to tackle the problem head-on. | 0:14:25 | 0:14:30 | |
Not been your best day so far, has it? | 0:14:35 | 0:14:37 | |
-You arrived late... -I wasn't meant to start until... | 0:14:39 | 0:14:43 | |
-You are rude. Disrespectful. -I'm sorry? | 0:14:43 | 0:14:48 | |
And to top it all off, you question my professional judgment in front of my patients. | 0:14:48 | 0:14:53 | |
-It won't happen again. -Make sure that it doesn't. | 0:14:55 | 0:14:58 | |
Is everything OK? | 0:15:06 | 0:15:09 | |
I need to find Bob. Do you mind? | 0:15:09 | 0:15:12 | |
-Maybe he just needs a bit of time... -I have to sort this out now. Please? | 0:15:12 | 0:15:17 | |
Miriam will go mad. | 0:15:17 | 0:15:19 | |
Tell her I've gone for coffee or something. Please? | 0:15:19 | 0:15:22 | |
-Cheers. -Nae bother. | 0:15:32 | 0:15:33 | |
Bob...please don't. | 0:15:38 | 0:15:41 | |
What's the matter? | 0:15:41 | 0:15:42 | |
This! Can't you see what you're doing to yourself? | 0:15:42 | 0:15:48 | |
So, I like my food. So shoot me. | 0:15:48 | 0:15:50 | |
Dr Stubbs is right. You need help. Professional help. | 0:15:50 | 0:15:55 | |
Don't be daft! | 0:15:56 | 0:15:57 | |
Is it daft for me to want you to be healthy? | 0:15:57 | 0:16:02 | |
Tattie, pet, I'm a big guy. | 0:16:03 | 0:16:07 | |
I've always been a big guy, I'm always going to be a big guy, | 0:16:07 | 0:16:09 | |
so there's no point fighting it. | 0:16:09 | 0:16:11 | |
You're unbelievable! | 0:16:11 | 0:16:13 | |
One day all of this... will catch up with you. | 0:16:13 | 0:16:16 | |
Pretending there's no other way is no good for me, | 0:16:16 | 0:16:20 | |
and no good for you either. | 0:16:20 | 0:16:22 | |
-You just got me into big trouble. -Me? How? | 0:16:22 | 0:16:25 | |
This woman is angry with me because of what happened at the surgery. It's not fair. | 0:16:25 | 0:16:29 | |
That's not my fault. Ach, she's off her head. | 0:16:29 | 0:16:32 | |
-We'll complain about her. -No! | 0:16:32 | 0:16:34 | |
I love you, Bob, but you need to change your life. | 0:16:36 | 0:16:40 | |
This is who I am. | 0:16:40 | 0:16:42 | |
This, on the outside, is not you. Losing weight will not change who you are, | 0:16:42 | 0:16:46 | |
but it might change what you can do, how you can live. | 0:16:46 | 0:16:50 | |
Whatever! I'm not going to be bullied into starving myself, not for the good doctor, | 0:16:50 | 0:16:54 | |
no' even for you. | 0:16:54 | 0:16:56 | |
The only person you should be doing it for is yourself. | 0:16:56 | 0:16:58 | |
-You want a future? -What kind of question is that? | 0:16:59 | 0:17:02 | |
If you do, you need to grow up and take responsibility for your life. | 0:17:02 | 0:17:07 | |
For your health. No-one else can do it for you. | 0:17:07 | 0:17:11 | |
All right? | 0:17:21 | 0:17:23 | |
Aye, I'm all right. | 0:17:24 | 0:17:25 | |
-Excuse me, mate. You got a sec? -Aye, I've got a minute, aye. | 0:17:55 | 0:17:58 | |
Nurse! Excuse me. I don't feel right. | 0:18:03 | 0:18:08 | |
-I saw you earlier. You're a nurse, aren't you? -Yes, I am. What's the matter? | 0:18:08 | 0:18:13 | |
It's my stomach. I feel faint. | 0:18:14 | 0:18:16 | |
Can you take me into your surgery? | 0:18:16 | 0:18:19 | |
Let's go. | 0:18:23 | 0:18:24 | |
You going to be all right? | 0:18:37 | 0:18:39 | |
Fine, sir, fine. | 0:18:39 | 0:18:41 | |
So, what do you reckon? | 0:18:45 | 0:18:46 | |
Young, white female. Possibly a prostitute. | 0:18:48 | 0:18:50 | |
Strangled and dumped sometime last night. | 0:18:50 | 0:18:53 | |
I gave you all that when we got here. Anything else? | 0:18:53 | 0:18:56 | |
PM might turn something up, um... | 0:18:56 | 0:18:59 | |
Forensics found tyre tracks and there's CCTV to go over. | 0:18:59 | 0:19:02 | |
Need to check if the camera's still operational. | 0:19:02 | 0:19:06 | |
I'd be very surprised if it's not a write-off, like everything else round here. | 0:19:06 | 0:19:10 | |
I'll get straight on it, sir. | 0:19:10 | 0:19:11 | |
I admire your enthusiasm, DC Cooper, but cases like this... | 0:19:13 | 0:19:17 | |
we're very lucky if we get a name for her. | 0:19:17 | 0:19:20 | |
She must belong to somebody. Be missed by somebody. | 0:19:20 | 0:19:22 | |
Maybe. | 0:19:22 | 0:19:24 | |
Probably not. | 0:19:25 | 0:19:26 | |
-Oh, yeah, I suppose. -Thank you. | 0:19:31 | 0:19:35 | |
Dr Hunter is making house calls. We can use his room. | 0:19:37 | 0:19:40 | |
I'm fine. I just need to sit down for a bit. | 0:19:40 | 0:19:44 | |
What about the stomach pains? | 0:19:44 | 0:19:46 | |
They're all right. Maybe I could just wait here for a while. | 0:19:46 | 0:19:49 | |
I'm sorry. This isn't a cafe. | 0:19:49 | 0:19:51 | |
You either come to the consulting room with me or you'll have to leave. | 0:19:51 | 0:19:55 | |
Take off your jacket, please. | 0:20:06 | 0:20:08 | |
-Do you have a name? -Silvie. | 0:20:10 | 0:20:12 | |
Do you still feel faint, Silvie? | 0:20:12 | 0:20:16 | |
-I'm hungry. That's all. -You should eat properly. | 0:20:16 | 0:20:19 | |
That's easier said than done some days. | 0:20:19 | 0:20:22 | |
Careful. | 0:20:22 | 0:20:24 | |
Who did this to you? | 0:20:28 | 0:20:30 | |
Are you doing this to yourself? | 0:20:36 | 0:20:38 | |
-No. -Then who? | 0:20:38 | 0:20:40 | |
Nobody. | 0:20:40 | 0:20:42 | |
You should report them - whoever's doing this to you. | 0:20:42 | 0:20:44 | |
-Who would listen? -I would. | 0:20:44 | 0:20:46 | |
And maybe I could help. | 0:20:46 | 0:20:48 | |
MOBILE PHONE RINGS | 0:20:48 | 0:20:50 | |
I've got to go. | 0:20:57 | 0:20:58 | |
You can't. I need to dress those burns. | 0:20:58 | 0:21:01 | |
Back off, all right? | 0:21:03 | 0:21:04 | |
Silvie, who are you scared of? | 0:21:04 | 0:21:06 | |
I wondered where you'd got to. | 0:21:08 | 0:21:09 | |
-We've a reception full of patients who've actually made an appointment. -I'm sorry. | 0:21:09 | 0:21:14 | |
Who is this, anyway? | 0:21:14 | 0:21:15 | |
This is Silvie. I was just looking at some burns on her arms. | 0:21:15 | 0:21:19 | |
I'd better go. I'm no' even a patient here. | 0:21:21 | 0:21:23 | |
You're not registered with us? | 0:21:23 | 0:21:25 | |
I'm just going. | 0:21:27 | 0:21:28 | |
I don't think so. You need to get these seen to. | 0:21:28 | 0:21:31 | |
Course of antibiotics might not be a bad thing either. | 0:21:33 | 0:21:36 | |
Will you wait here? | 0:21:37 | 0:21:38 | |
You think they're infected? | 0:21:38 | 0:21:40 | |
Better safe than sorry. I'll need to go and write out a prescription. | 0:21:40 | 0:21:44 | |
Nurse O'Hara will dress them for you, all right? | 0:21:44 | 0:21:46 | |
Word, please. Outside. | 0:21:46 | 0:21:49 | |
I'll be a couple of minutes, OK? | 0:21:49 | 0:21:52 | |
Maybe we should call the police. What do you think? | 0:22:07 | 0:22:10 | |
Don't let's get hysterical. | 0:22:10 | 0:22:12 | |
Dress those burns, I'll get the prescription, then she can go. | 0:22:12 | 0:22:15 | |
I'm not done yet. | 0:22:15 | 0:22:17 | |
-I'm struggling here, Nurse O'Hara. -Sorry? | 0:22:18 | 0:22:21 | |
You seem to be saying that rather a lot today. | 0:22:21 | 0:22:24 | |
What on earth did you think you were doing? | 0:22:24 | 0:22:26 | |
She needs help. | 0:22:26 | 0:22:28 | |
-That's as may be, but she needs to be in A&E, not here. -But you said... | 0:22:28 | 0:22:32 | |
Much as we'd love to help every poor lost soul we come across, | 0:22:32 | 0:22:36 | |
the fact is we just can't, | 0:22:36 | 0:22:38 | |
not without neglecting the people here, in this waiting room - our patients. | 0:22:38 | 0:22:43 | |
So I should just send her away? | 0:22:44 | 0:22:46 | |
She's here now. We'll do what we can. | 0:22:46 | 0:22:49 | |
Please, don't let it happen again. | 0:22:50 | 0:22:53 | |
Thanks for that(!) | 0:22:59 | 0:23:01 | |
What? How was that my fault? You brought the girl in here. | 0:23:01 | 0:23:05 | |
Would it have hurt you so much to cover for me, | 0:23:05 | 0:23:07 | |
after everything I've done for you today? | 0:23:07 | 0:23:10 | |
KNOCK ON DOOR | 0:23:15 | 0:23:16 | |
Silvie? | 0:23:16 | 0:23:18 | |
-You fancy a cuppa? -No. No time. Get your coat on. | 0:23:26 | 0:23:29 | |
-Eh? -We're going shopping. | 0:23:29 | 0:23:32 | |
No, I'm not spending my day off in town. | 0:23:32 | 0:23:34 | |
-We need a couple of killer outfits. -Do we? | 0:23:34 | 0:23:37 | |
There's a new bar in town and they've got a singles' night on tonight and we're going. | 0:23:37 | 0:23:42 | |
You're having a laugh. Eileen... | 0:23:42 | 0:23:46 | |
I don't want to hear it. I need a man, Gina, and so do you. | 0:23:46 | 0:23:49 | |
I don't know about that. | 0:23:49 | 0:23:52 | |
-It's not that long since I've split from Murray. -Oh, seems to have been long enough for him. | 0:23:52 | 0:23:57 | |
Stella's babysitting so him and Raymond can go out on the pull tonight. | 0:23:57 | 0:24:01 | |
What? You knew he was back. | 0:24:04 | 0:24:06 | |
Yeah. | 0:24:06 | 0:24:08 | |
Don't tell me you haven't seen him yet? | 0:24:09 | 0:24:11 | |
No. Not till he says sorry. | 0:24:11 | 0:24:13 | |
What's sauce for the goose... | 0:24:16 | 0:24:19 | |
Come on. | 0:24:19 | 0:24:20 | |
Fine. Yeah, if he's ready, I'm ready. | 0:24:22 | 0:24:25 | |
-That's me. -Do you want a bag? -No, I can manage this. | 0:25:07 | 0:25:13 | |
I'll...I'll come back for the other bits and pieces, if that's all right? | 0:25:13 | 0:25:17 | |
Yeah, yeah, course. | 0:25:17 | 0:25:19 | |
Were you OK? After everything that happened? | 0:25:23 | 0:25:26 | |
I don't know. It did all get a bit... | 0:25:29 | 0:25:32 | |
-Unpleasant? -Uh-huh. | 0:25:32 | 0:25:36 | |
I had a lot of time to think when I was away. | 0:25:36 | 0:25:39 | |
I didn't do much of anything else, to be honest. | 0:25:39 | 0:25:42 | |
And? | 0:25:44 | 0:25:45 | |
And I'm sorry. | 0:25:45 | 0:25:47 | |
Yeah, I know. | 0:25:50 | 0:25:51 | |
Right, I'd better get going. | 0:25:53 | 0:25:56 | |
Murray... | 0:25:56 | 0:25:58 | |
..look, we meant a lot to each other, maybe we should try and be friends, eh? | 0:26:03 | 0:26:07 | |
Yeah. | 0:26:08 | 0:26:10 | |
I mean, it's not like we've got much choice. | 0:26:12 | 0:26:14 | |
It's not like we can ignore each other every day. | 0:26:14 | 0:26:17 | |
-I wouldn't want to do that. -No. | 0:26:19 | 0:26:21 | |
So, friends, then? | 0:26:24 | 0:26:25 | |
Friends. | 0:26:26 | 0:26:27 | |
I'll, er, I'll see myself out. | 0:26:41 | 0:26:43 | |
DOOR CLOSES | 0:26:48 | 0:26:50 | |
Look, I've not come for a fight. I've come to apologise. | 0:26:54 | 0:26:58 | |
Not now, Bob. I'm working. | 0:26:58 | 0:27:00 | |
It's important. I've got news. Big news. Brilliant news. | 0:27:00 | 0:27:05 | |
-Bob, this isn't a good time... -I've chucked my job! | 0:27:05 | 0:27:08 | |
You did what? | 0:27:08 | 0:27:10 | |
Aye, they were offering redundancies, so I took it. I feel brilliant. | 0:27:10 | 0:27:13 | |
-But Bob! What about the money? My wages won't cover everything. -I'll get another job. | 0:27:13 | 0:27:20 | |
How? There aren't any jobs! I can't believe you'd be that stupid! | 0:27:20 | 0:27:25 | |
Tattie, this is a fresh start for us - a chance for me to turn my life around, all of it. | 0:27:25 | 0:27:29 | |
And what about us? What about our family? What are we going live on? | 0:27:29 | 0:27:33 | |
-I need to change my life. -Not that bit of it! The job was fine! | 0:27:33 | 0:27:37 | |
No, it wasnae. I never liked it. | 0:27:37 | 0:27:39 | |
Anyway, you said I should change for myself. | 0:27:39 | 0:27:41 | |
I know what I said. | 0:27:41 | 0:27:42 | |
We can talk about this at home, OK? | 0:27:44 | 0:27:46 | |
We can't have this conversation here. | 0:27:46 | 0:27:48 | |
OK? | 0:27:48 | 0:27:49 | |
OK. | 0:27:49 | 0:27:51 | |
Does this belong to anybody? | 0:27:56 | 0:27:58 | |
It was in my office, along with your handbag, Tattie. | 0:27:58 | 0:28:00 | |
I'll take it. I know whose it is. | 0:28:00 | 0:28:03 | |
OK. Thanks. | 0:28:03 | 0:28:05 | |
You never came for that prescription. | 0:28:08 | 0:28:10 | |
She's gone. Must have run off when we were...talking. | 0:28:11 | 0:28:15 | |
Oh. Right. | 0:28:15 | 0:28:17 | |
Well, perhaps we can get through the rest of the day without any more drama, yes? | 0:28:17 | 0:28:21 | |
Good. I'm ready for my next patient. | 0:28:23 | 0:28:25 | |
MOBILE PHONE RINGS | 0:29:30 | 0:29:31 | |
PHONE CONTINUES TO RING | 0:29:36 | 0:29:37 | |
-Hello? -'You don't just get time off, sweetheart. | 0:29:40 | 0:29:43 | |
'There's punters here and there's no-one to see them. | 0:29:43 | 0:29:46 | |
'Silvie?' | 0:29:48 | 0:29:49 | |
She's not here right now. | 0:29:49 | 0:29:52 | |
'Who are you? Where's Silvie? Listen, you te...' | 0:29:52 | 0:29:55 | |
SWITCHES PHONE OFF | 0:29:55 | 0:29:57 | |
-I have to go out. -Again? | 0:30:00 | 0:30:04 | |
Somewhere else you need to be, nurse? | 0:30:05 | 0:30:06 | |
Something's come up. I wasn't going to be long. | 0:30:06 | 0:30:10 | |
-Well, then, don't let us keep you. -Really? | 0:30:10 | 0:30:14 | |
-It's an emergency, I think. -Do you? | 0:30:14 | 0:30:17 | |
In that case, you must do whatever you feel is appropriate. | 0:30:17 | 0:30:21 | |
Seriously? | 0:30:27 | 0:30:28 | |
I have no choice. | 0:30:28 | 0:30:30 | |
I'm sorry. He'll still be at work. | 0:30:35 | 0:30:37 | |
Probably be there for pure ages, catching baddies and all that. | 0:30:37 | 0:30:40 | |
-Do you want a cuppa? -No. | 0:30:40 | 0:30:42 | |
There was a girl, begging this morning. | 0:30:42 | 0:30:45 | |
Oh, yeah. Will did his best to scare the living daylights out of her, poor thing. | 0:30:45 | 0:30:48 | |
I think she's in trouble. | 0:30:48 | 0:30:50 | |
Well, aye. Don't usually end up on the streets | 0:30:50 | 0:30:53 | |
-without being in some sort of trouble. -No. I mean I think she's in danger. | 0:30:53 | 0:30:56 | |
Bit dramatic, in't it? | 0:30:56 | 0:30:59 | |
I don't think so. | 0:30:59 | 0:31:01 | |
She ran off before I could really talk to her but she left her mobile. | 0:31:01 | 0:31:06 | |
You've been through her phone? | 0:31:06 | 0:31:07 | |
Look at the messages. I'm worried. | 0:31:07 | 0:31:11 | |
Well, just cos she's on the street doesn't mean she's in danger. | 0:31:12 | 0:31:16 | |
These could mean anything, and I'm not very sure what you think Will will be able to do about it. | 0:31:16 | 0:31:21 | |
He's a policeman. He might know this Sean. | 0:31:21 | 0:31:25 | |
Well, if you're that worried, then you're going to have to go | 0:31:25 | 0:31:27 | |
-and see him at the station. -I would, but I have to get back to work. | 0:31:27 | 0:31:31 | |
I really shouldn't be here at all. Maybe you could call him? | 0:31:31 | 0:31:35 | |
You can ring him on my phone if you want. | 0:31:35 | 0:31:38 | |
MOBILE PHONE RINGS | 0:31:47 | 0:31:49 | |
Hi, Will. It's Tatiana O'Hara. | 0:32:00 | 0:32:02 | |
I have some information about that girl who was begging this morning. | 0:32:02 | 0:32:06 | |
I think she might in danger. Maybe you could call me back. | 0:32:06 | 0:32:11 | |
Thank you. | 0:32:11 | 0:32:13 | |
Sorry. I'll try him again later if you'd like. | 0:32:16 | 0:32:18 | |
That would be great. Thank you. I'd better go. | 0:32:18 | 0:32:23 | |
As you seem to be incapable of fulfilling your duties here, | 0:32:30 | 0:32:34 | |
-I think it might be best if you just went home. -That's not... | 0:32:34 | 0:32:37 | |
Nurse O'Hara, I don't want to see you again today. | 0:32:37 | 0:32:41 | |
-You've been nothing but a liability. -You said I should go. | 0:32:41 | 0:32:44 | |
No. I said you should do whatever you felt was appropriate. | 0:32:44 | 0:32:48 | |
I'm not sure I like your priorities. | 0:32:48 | 0:32:50 | |
You heading home, Tattie? | 0:32:53 | 0:32:55 | |
I'm being sent home. | 0:32:55 | 0:32:57 | |
And when you get there, I'd like you to have a look over this. | 0:32:57 | 0:33:00 | |
Your actions, and your attitude to this surgery in general, | 0:33:01 | 0:33:06 | |
constitute grounds for disciplinary action. | 0:33:06 | 0:33:08 | |
Are you serious? | 0:33:10 | 0:33:11 | |
The issues are all explained in the letter. | 0:33:11 | 0:33:14 | |
We can meet tomorrow to discuss how we resolve this situation, | 0:33:14 | 0:33:18 | |
but in the meantime you might want to think very seriously | 0:33:18 | 0:33:22 | |
about how much you're prepared to give to this job. | 0:33:22 | 0:33:24 | |
Tattie, I did warn you. | 0:33:29 | 0:33:31 | |
Look, you should probably head home. | 0:33:31 | 0:33:34 | |
-You were in early anyway. -I don't understand why she has to be so horrible. | 0:33:34 | 0:33:39 | |
Because she can be. | 0:33:39 | 0:33:41 | |
Look, I'll talk to her. It'll be fine, OK? See you tomorrow. | 0:33:41 | 0:33:47 | |
-Is that you, Tattie? -Yes. | 0:34:00 | 0:34:03 | |
You've got some explaining to do, lady. | 0:34:09 | 0:34:12 | |
Not now. I've had a terrible day and I can't handle another argument. | 0:34:12 | 0:34:17 | |
What happened? | 0:34:17 | 0:34:18 | |
Miriam is starting disciplinary proceedings. | 0:34:20 | 0:34:22 | |
What? Against you? | 0:34:22 | 0:34:25 | |
Yes, against me. The woman is insane. | 0:34:25 | 0:34:28 | |
My boy's breaking his heart over this. | 0:34:28 | 0:34:30 | |
-And you side with that cow when she doesn't even like you? -But she's right. | 0:34:30 | 0:34:36 | |
He needs to lose weight. | 0:34:36 | 0:34:37 | |
No, what he needs is a wife to support him. | 0:34:37 | 0:34:41 | |
-And what do you do? Send him away with a flea in his ear. -He quit his job! | 0:34:41 | 0:34:46 | |
-You think we can all live without his wages? -We'll be OK. | 0:34:46 | 0:34:49 | |
Bottom line is, he needs you with him on this. | 0:34:49 | 0:34:51 | |
I am with him. Of course I am. He's my husband. | 0:34:52 | 0:34:56 | |
I just wish he'd spoken with me first. | 0:34:56 | 0:34:59 | |
What? So you can tell him off? Shout at him again? | 0:34:59 | 0:35:03 | |
I don't need this right now. | 0:35:03 | 0:35:06 | |
Oh. I'm so sorry(!) Are we getting at you? | 0:35:06 | 0:35:10 | |
Imagine how Bob must feel. | 0:35:10 | 0:35:12 | |
Pandering to him is not going to help him. | 0:35:12 | 0:35:15 | |
And neither is making him feel like crap. | 0:35:15 | 0:35:17 | |
Oh, right, you're back. | 0:35:25 | 0:35:27 | |
What's going on? | 0:35:34 | 0:35:35 | |
-Nothing. -What's up with Tattie? | 0:35:35 | 0:35:39 | |
-We were just giving her a few home truths. -Ma! | 0:35:39 | 0:35:42 | |
-What? I mean, she's out of order and she knows it. -She's just worried. | 0:35:42 | 0:35:46 | |
She's being mean. | 0:35:46 | 0:35:47 | |
She's being practical. I mean it, I'm serious, Ma. Lay off her. | 0:35:47 | 0:35:52 | |
She's the one who gave it to me straight. She started all this. We should be thanking her. | 0:35:52 | 0:35:56 | |
Oi! | 0:36:12 | 0:36:13 | |
-You been avoiding me? -Sean, you scared me. -Good. | 0:36:18 | 0:36:21 | |
Where have you been? | 0:36:21 | 0:36:23 | |
I've not been feeling well. I'm knackered. Just needed some time to myself. | 0:36:23 | 0:36:27 | |
Aye, I know how that feels. That's not part of our deal, though, is it? | 0:36:27 | 0:36:32 | |
No, sorry. | 0:36:32 | 0:36:34 | |
Sure you are, sweetheart. | 0:36:34 | 0:36:35 | |
-That's disnae make up for all the money you lost me this morning, though, does it? -I've got money. | 0:36:35 | 0:36:40 | |
I lifted a woman's purse. | 0:36:40 | 0:36:42 | |
Well, well. | 0:36:48 | 0:36:49 | |
Day's not a complete waste of time, after all, eh? | 0:36:49 | 0:36:52 | |
Now all we have to deal with is the small matter of your phone. | 0:36:54 | 0:36:57 | |
-What? -Your phone. Who's got your phone? -Me. I've got it. | 0:36:57 | 0:37:02 | |
-Are you sure? -Aye. | 0:37:02 | 0:37:05 | |
Have a look. | 0:37:05 | 0:37:06 | |
Come here. | 0:37:14 | 0:37:15 | |
Thing is, there's stuff on that phone that we don't want other folk getting a hold of, isn't there? | 0:37:25 | 0:37:31 | |
Stuff that could get both of us... mainly me... | 0:37:36 | 0:37:41 | |
into a lot of trouble, isn't there? | 0:37:41 | 0:37:44 | |
I maybe left it somewhere. | 0:37:44 | 0:37:47 | |
Yeah. Maybe you did. But where? | 0:37:47 | 0:37:51 | |
-And who has it now? -I don't know. | 0:37:51 | 0:37:53 | |
Somebody answered your phone, Silvie. | 0:37:53 | 0:37:55 | |
-Who was it? -I don't know, I swear. | 0:37:55 | 0:37:58 | |
She had an accent. | 0:37:58 | 0:37:59 | |
-Who is she? -Agh! | 0:38:00 | 0:38:02 | |
Her. It's her. | 0:38:07 | 0:38:09 | |
Tatiana O'Hara. What sort of name's that? | 0:38:16 | 0:38:20 | |
Go get your phone back. | 0:38:21 | 0:38:22 | |
You know I hate hurting you, don't you? | 0:38:24 | 0:38:28 | |
-Mmm. -But sometimes I think you forget who's in control here, Silvie. | 0:38:28 | 0:38:34 | |
SILVIE WHIMPERS | 0:38:34 | 0:38:35 | |
It's me, Silvie. | 0:38:35 | 0:38:37 | |
Yeah? It's me? | 0:38:37 | 0:38:39 | |
Text me when you get the phone back and I'll send the van for you, right? | 0:38:43 | 0:38:47 | |
-Found anything? -Nope. Not a thing. | 0:39:06 | 0:39:10 | |
-Who's this? -It's our victim. | 0:39:10 | 0:39:13 | |
She's been wandering in and out of shot now for... | 0:39:13 | 0:39:17 | |
..best part of an hour. | 0:39:18 | 0:39:19 | |
Pick anyone up? | 0:39:19 | 0:39:21 | |
Not yet, least not as far as I can tell. | 0:39:21 | 0:39:23 | |
She's never gone for more than a couple of minutes. | 0:39:23 | 0:39:26 | |
There is a fast forward on these things, you know. | 0:39:31 | 0:39:33 | |
Yeah, I know, sir. I just want to make sure I don't miss anything. | 0:39:33 | 0:39:37 | |
Well, good for you. | 0:39:37 | 0:39:38 | |
Best let you get on with it. | 0:39:40 | 0:39:42 | |
Not bad. | 0:39:55 | 0:39:57 | |
You might want to change your shoes, though. | 0:39:58 | 0:40:02 | |
I can't do it. | 0:40:02 | 0:40:04 | |
-What do you mean, you can't do it? -I'm too old to go out on the pull. | 0:40:04 | 0:40:07 | |
Nonsense. You're never too old. | 0:40:07 | 0:40:11 | |
Oh, it's a night out, Gina. Come on, please? | 0:40:11 | 0:40:14 | |
-But a singles bar? Really? D'you not think that's just a wee bit desperate? -No. | 0:40:14 | 0:40:19 | |
It's honest. At least we know what everyone's there for. | 0:40:19 | 0:40:22 | |
Oh! Och, I don't know. | 0:40:22 | 0:40:25 | |
Murray was round earlier. | 0:40:27 | 0:40:28 | |
Maybe I'm just not ready for a night of knock-backs. | 0:40:28 | 0:40:31 | |
Gina! You look gorgeous! | 0:40:31 | 0:40:34 | |
Nobody in their right mind is going to knock you back. | 0:40:34 | 0:40:37 | |
No. There's no fool like an old fool. | 0:40:37 | 0:40:40 | |
I can't do it. | 0:40:42 | 0:40:44 | |
Fine. | 0:40:44 | 0:40:45 | |
We'll not go, then. | 0:40:46 | 0:40:48 | |
You can still go. | 0:40:48 | 0:40:50 | |
-Pff! -Well, come on? You're all dressed up and you've got a babysitter. Just go. | 0:40:50 | 0:40:56 | |
I want you with me. | 0:40:56 | 0:40:57 | |
Eileen, you're a grown woman. Can you not make your own decisions, no? | 0:40:57 | 0:41:01 | |
No. Not good ones, anyway - | 0:41:01 | 0:41:04 | |
a fact borne out by every relationship I've had in the last ten years. | 0:41:04 | 0:41:09 | |
It's not like I've done any better. | 0:41:10 | 0:41:12 | |
Well, we'd maybe be more picky for each other. | 0:41:12 | 0:41:16 | |
Oh, I want someone special to... to spend the rest of my life with. | 0:41:19 | 0:41:25 | |
Since when? | 0:41:26 | 0:41:28 | |
Since Dad's wedding, I guess. | 0:41:28 | 0:41:31 | |
They were just so happy, so together, they... | 0:41:32 | 0:41:36 | |
They understand each other, they care about each other. | 0:41:36 | 0:41:41 | |
Shame you couldn't buy into that at the wedding. | 0:41:41 | 0:41:44 | |
Yes, we've been over all that and I'm really sorry. | 0:41:44 | 0:41:47 | |
I know. | 0:41:47 | 0:41:49 | |
Right, I'll go and find my lippy. | 0:41:52 | 0:41:56 | |
Really? | 0:41:56 | 0:41:58 | |
-I think I'm going to be needing some Dutch courage beforehand. -Whatever it takes. | 0:41:59 | 0:42:03 | |
Eeh! | 0:42:06 | 0:42:07 | |
See, if you're ever passing this way again, you know, | 0:43:19 | 0:43:22 | |
you find yourselves at a loose end or... | 0:43:22 | 0:43:24 | |
You ready? | 0:43:24 | 0:43:26 | |
-I'll just finish this. -Yeah, yeah, sure, no hurry. | 0:43:26 | 0:43:30 | |
If you find yourselves at a loose end on a Friday night, have a bash. | 0:43:32 | 0:43:35 | |
-Been lovely speaking to you. -WOMEN LAUGH | 0:43:36 | 0:43:39 | |
Ouch. | 0:43:44 | 0:43:45 | |
Do you think they're all right? | 0:43:47 | 0:43:49 | |
Poor things. | 0:43:50 | 0:43:51 | |
Maybe we should leave the singles' night for a couple of weeks. | 0:43:55 | 0:43:59 | |
Build up to it gradually. | 0:43:59 | 0:44:01 | |
D'you think I should go and ask them if they'd like some company? | 0:44:04 | 0:44:07 | |
I could top these up while I'm there. | 0:44:07 | 0:44:09 | |
Same again, Scarlett. Cheers. | 0:44:13 | 0:44:16 | |
There's room for two more at our table if you want to join us? | 0:44:19 | 0:44:22 | |
Really? | 0:44:22 | 0:44:24 | |
Snap. I'll have that one an' all. | 0:44:33 | 0:44:34 | |
No joy in getting hold of Will, by the way. Must have been a busy day. | 0:44:34 | 0:44:39 | |
I'll speak to him later on if you want? | 0:44:39 | 0:44:41 | |
That would be great, yes. Thank you. | 0:44:41 | 0:44:43 | |
It's not there. | 0:44:46 | 0:44:48 | |
You lost your purse? | 0:44:48 | 0:44:49 | |
I left my bag with that girl. | 0:44:49 | 0:44:52 | |
-I think she must have stolen it. -That lassie from this morning? | 0:44:52 | 0:44:55 | |
Don't worry about it, you can pay me later. | 0:44:55 | 0:44:58 | |
-I'll make sure Will gies you a phone. -Thank you. Both of you. | 0:44:58 | 0:45:02 | |
Tatiana! | 0:45:09 | 0:45:11 | |
-Sorry. I didn't have any choice. -You could have just asked. | 0:45:13 | 0:45:17 | |
Give us my phone back first. | 0:45:18 | 0:45:20 | |
-Actually, it's back at my flat. Why don't you come and pick it up? -No. | 0:45:23 | 0:45:27 | |
I'll stay here. You bring it to me. | 0:45:27 | 0:45:30 | |
Don't be silly. You could have some food. Get cleaned up. | 0:45:30 | 0:45:32 | |
I can dress those burns for you. | 0:45:32 | 0:45:34 | |
-It won't take long. -I just want my phone. | 0:45:34 | 0:45:37 | |
Then come with me. | 0:45:37 | 0:45:39 | |
That'll be her. Play nice. | 0:45:47 | 0:45:50 | |
I'll see what I can do. | 0:45:50 | 0:45:51 | |
Bob, Molly, this is Silvie. | 0:45:53 | 0:45:56 | |
Hiya. Are you a friend of Tattie's? | 0:45:56 | 0:45:59 | |
Ho-ho! I shouldn't think so, son. | 0:45:59 | 0:46:01 | |
Silvie needs a bit of help, that's all. | 0:46:01 | 0:46:04 | |
Let's go to the kitchen. | 0:46:04 | 0:46:06 | |
-I thought we were going to talk about my plans. -Not right now, OK? | 0:46:08 | 0:46:11 | |
-When? -Bob, I promise. | 0:46:11 | 0:46:13 | |
As soon as I've sorted out Silvie, I'm all yours. | 0:46:13 | 0:46:16 | |
I've been thinking about it all afternoon, after what you said. | 0:46:16 | 0:46:19 | |
I'm going to make this redundancy work. It's an amazing opportunity. | 0:46:19 | 0:46:22 | |
-Really. -Great, yeah. | 0:46:22 | 0:46:24 | |
I've not had a buzz like this in years. | 0:46:24 | 0:46:26 | |
That's wonderful, Bob. Later, OK? | 0:46:26 | 0:46:29 | |
Look, I don't have time for this. | 0:46:37 | 0:46:40 | |
Just gies my phone and I'll go. Where is it? | 0:46:40 | 0:46:43 | |
You've had it with you the whole time, haven't you? | 0:46:46 | 0:46:50 | |
Look, you'll get your phone back, but you need help, Silvie. | 0:46:50 | 0:46:53 | |
Let me help you. | 0:46:53 | 0:46:55 | |
Looks like I don't have much choice, do I? | 0:46:55 | 0:46:57 | |
Sit down. Talk to me. | 0:46:57 | 0:47:01 | |
Sean. He's your pimp, isn't he? | 0:47:04 | 0:47:07 | |
Don't be daft. What do you think I am? | 0:47:07 | 0:47:09 | |
I spoke to him, Silvie. | 0:47:09 | 0:47:11 | |
But...what you do doesn't make you who you are. | 0:47:12 | 0:47:17 | |
Do you understand? | 0:47:17 | 0:47:18 | |
Look, just gie us my phone back. | 0:47:18 | 0:47:21 | |
You want a shower? I'll make you some food | 0:47:22 | 0:47:25 | |
and then you can have your phone back. | 0:47:25 | 0:47:27 | |
Whatever. | 0:47:28 | 0:47:30 | |
You still here? | 0:47:34 | 0:47:36 | |
Look at this. | 0:47:36 | 0:47:38 | |
So, our victim. She wanders out of shot. | 0:47:42 | 0:47:47 | |
HE CLEARS HIS THROAT | 0:47:47 | 0:47:49 | |
This guy pulls up. | 0:47:49 | 0:47:51 | |
Only the second car that's stopped in shot. | 0:47:53 | 0:47:58 | |
-Could be nothing, but... -Did you get a plate? -No. | 0:47:58 | 0:48:02 | |
Anything else? | 0:48:02 | 0:48:04 | |
Er, she was talking to two other girls earlier, but, er... couldn't really make much out. | 0:48:06 | 0:48:11 | |
Listen, why don't you head home? This'll keep till the morning. | 0:48:14 | 0:48:17 | |
-Maybe, yeah. -Seriously. | 0:48:20 | 0:48:21 | |
This job will take over your life if you let it. | 0:48:21 | 0:48:24 | |
-See you in the morning. Good work today. -Thanks. | 0:48:24 | 0:48:28 | |
Here. I've put up some clean clothes for you if you like. They should fit OK. | 0:48:50 | 0:48:56 | |
You're a bit much, you know that? | 0:48:56 | 0:48:57 | |
MOBILE PHONE RINGS | 0:48:57 | 0:48:59 | |
-Quite a charmer, isn't he(?) -That is bang out of order, by the way. | 0:49:05 | 0:49:09 | |
I'm trying to help you. | 0:49:09 | 0:49:10 | |
Aye, well, I don't need this kind of help. | 0:49:10 | 0:49:12 | |
First you steal my phone and now you're reading my messages? | 0:49:12 | 0:49:15 | |
This man means you harm. You do know that, don't you? | 0:49:16 | 0:49:19 | |
As long as I do what he wants me to do, I'll be fine. | 0:49:19 | 0:49:22 | |
So he's not normally like this? This angry? This threatening? | 0:49:22 | 0:49:26 | |
Look, I broke the rules. I took a day off. I lost him money. | 0:49:26 | 0:49:31 | |
But I'll make up for it the morrow and all this will get forgot. | 0:49:31 | 0:49:34 | |
You don't have to go back to him. | 0:49:34 | 0:49:36 | |
You've got nae idea. | 0:49:37 | 0:49:39 | |
I'm scared for you. | 0:49:39 | 0:49:41 | |
If you keep doing this, you could end up...dead. | 0:49:41 | 0:49:45 | |
Look, you can patch me up, you can give me food, | 0:49:45 | 0:49:50 | |
but you cannae change anything. | 0:49:50 | 0:49:53 | |
Where's she going? | 0:50:02 | 0:50:04 | |
-I said she could take a shower. -In my bathroom? | 0:50:04 | 0:50:08 | |
Bob's taking us out for fish suppers. You coming? | 0:50:08 | 0:50:10 | |
Single fish, no chips. | 0:50:10 | 0:50:12 | |
I can't leave her. | 0:50:12 | 0:50:13 | |
Right enough. She'd have the place stripped in minutes. Come on, son. | 0:50:13 | 0:50:17 | |
-Let's leave Mother Teresa to it. -We can always wait on you. | 0:50:17 | 0:50:22 | |
No, go. I don't know how long she'll be. | 0:50:22 | 0:50:24 | |
I'm sorry. | 0:50:25 | 0:50:27 | |
Christina? | 0:50:27 | 0:50:28 | |
You two go ahead. I'll meet you out there. | 0:50:28 | 0:50:31 | |
You need your head checked. | 0:50:36 | 0:50:38 | |
You don't know what you're talking about. | 0:50:38 | 0:50:41 | |
Who is she? | 0:50:41 | 0:50:42 | |
I can make a pretty good guess what she is, but where did she come from | 0:50:42 | 0:50:45 | |
and why is she here? | 0:50:45 | 0:50:46 | |
She's just a little girl who has nobody to look out for her. | 0:50:46 | 0:50:50 | |
And what about your husband? | 0:50:50 | 0:50:52 | |
Don't you think you should be looking out for him? | 0:50:52 | 0:50:54 | |
He is surrounded by family. People love him. Silvie has no-one. | 0:50:54 | 0:50:58 | |
You are unbelievable. | 0:50:58 | 0:51:00 | |
She's not much older than you. Somebody's daughter, like you. | 0:51:00 | 0:51:05 | |
And if you ever got into any kind of trouble, | 0:51:05 | 0:51:07 | |
I'd like to think that someone would do the same thing for you. | 0:51:07 | 0:51:11 | |
I'll never get myself into that much trouble. | 0:51:11 | 0:51:14 | |
I hope not, but if you did... | 0:51:14 | 0:51:15 | |
Save it, Mum. I don't need to hear any more of this crap. | 0:51:15 | 0:51:18 | |
-Just keep her away from my stuff. OK? -Christina! MOBILE PHONE RINGS | 0:51:18 | 0:51:23 | |
-'It's Silvie. Leave a message.' -BEEP | 0:51:28 | 0:51:31 | |
You're really starting to make me angry now here, sweetheart, eh? | 0:51:31 | 0:51:35 | |
You know how stupid that is, don't you? | 0:51:35 | 0:51:38 | |
Now go get your phone back or somebody's going to end up in accident and emergency. OK? | 0:51:38 | 0:51:44 | |
I really thought I was in there. | 0:51:52 | 0:51:55 | |
She might still call. | 0:51:55 | 0:51:56 | |
Do you think? | 0:51:56 | 0:51:58 | |
Why did they not just say they weren't interested? | 0:52:00 | 0:52:03 | |
Dunno, pal. That's the trouble with girls today. | 0:52:03 | 0:52:05 | |
Yeah. | 0:52:05 | 0:52:07 | |
They're just too polite to tell a pair of old codgers to sod off! | 0:52:07 | 0:52:11 | |
What were we thinking? | 0:52:13 | 0:52:15 | |
Pair of bloody eejits. Never take advice off me again, seriously. | 0:52:16 | 0:52:21 | |
Right, who's for another drink? | 0:52:21 | 0:52:23 | |
-That'd be lovely. -Don't be daft. You don't want to stay here with us all night. | 0:52:23 | 0:52:27 | |
Why not? | 0:52:27 | 0:52:28 | |
Come on. You look gorgeous. You both do. | 0:52:28 | 0:52:32 | |
Yous are out on the pull as well, aren't you? | 0:52:32 | 0:52:35 | |
You gonnae tell us how it's done? Spare us any further humiliation. | 0:52:36 | 0:52:40 | |
So that's what all this is for? | 0:52:40 | 0:52:41 | |
The fancy hair, the new gear... | 0:52:41 | 0:52:43 | |
What you talking about new? I've had this for ages. | 0:52:43 | 0:52:47 | |
You were on your way out, you saw us crash and burn and you took pity? | 0:52:47 | 0:52:50 | |
Last thing we need is to be patronised by our exes. Am I right? | 0:52:50 | 0:52:55 | |
Maybe we were going out. And maybe we did change our minds, | 0:52:55 | 0:52:58 | |
-but it wasn't out of pity. -What, then? | 0:52:58 | 0:53:01 | |
Fear. | 0:53:03 | 0:53:04 | |
And maybe all we want to do now is have a wee drink with some old pals. | 0:53:04 | 0:53:10 | |
She's agreed to back off for now but you need to pull your finger out. | 0:53:42 | 0:53:46 | |
This is not fair. | 0:53:46 | 0:53:48 | |
Look, I know you're a good nurse, a great nurse, | 0:53:48 | 0:53:52 | |
and I know that you'd never do anything to hurt a patient | 0:53:52 | 0:53:55 | |
-or jeopardise your career or the reputation of the surgery. -Thank you. | 0:53:55 | 0:53:59 | |
But Miriam doesn't...yet. | 0:53:59 | 0:54:01 | |
All she knows is that you abandoned your post at least three times today. | 0:54:01 | 0:54:05 | |
When you put it like that... | 0:54:06 | 0:54:09 | |
Miriam's hard work, pure and simple. We all know it, | 0:54:09 | 0:54:13 | |
but she's not going anywhere, | 0:54:13 | 0:54:15 | |
so you're going to have to make the best of it, | 0:54:15 | 0:54:18 | |
show her what you can do, be your usual brilliant self. | 0:54:18 | 0:54:22 | |
Can you do that? | 0:54:22 | 0:54:24 | |
I suppose so. | 0:54:24 | 0:54:25 | |
Who are you? | 0:54:28 | 0:54:29 | |
I'm a colleague of Tatiana's. | 0:54:29 | 0:54:32 | |
Dan Hunter. | 0:54:32 | 0:54:33 | |
Dan was just leaving. I'll be back in a second. | 0:54:35 | 0:54:38 | |
Feeling better? | 0:54:57 | 0:54:58 | |
Yeah, actually, thanks. | 0:54:58 | 0:55:00 | |
Listen, I was just going to heat up some soup. | 0:55:02 | 0:55:04 | |
Would you like some? | 0:55:04 | 0:55:06 | |
All right, I'll just put your towel in the wash bin. | 0:55:06 | 0:55:09 | |
Sorry I was so late. | 0:55:13 | 0:55:15 | |
It's OK. You're busy. I get it. | 0:55:15 | 0:55:19 | |
Should have returned your calls, though. | 0:55:19 | 0:55:22 | |
It was nothing important. Tattie was worried about that lassie. The one who was begging. | 0:55:22 | 0:55:27 | |
Seriously? Why? | 0:55:27 | 0:55:30 | |
I don't know, really. | 0:55:30 | 0:55:31 | |
She had her over at the surgery, but she ran off. | 0:55:31 | 0:55:33 | |
Did she get a name? | 0:55:33 | 0:55:36 | |
Maybe. Tattie showed me her phone. | 0:55:36 | 0:55:40 | |
It had all these weird messages on it. | 0:55:40 | 0:55:42 | |
She's got her phone? | 0:55:42 | 0:55:44 | |
Well, she had it. Anyway, these messages had her all shook up, | 0:55:44 | 0:55:47 | |
reckoned that lassie was in some kind of danger. | 0:55:47 | 0:55:49 | |
-Oh, God. I'm really sorry. I'm going to have to step out for a minute. -I'm just about to serve up. | 0:55:49 | 0:55:54 | |
-I know. I've got to see Tattie. It's really important. -Look, that lassie, | 0:55:54 | 0:55:58 | |
whoever she is, can look after herself. | 0:55:58 | 0:56:00 | |
-She robbed Tattie's purse off her! -All the more reason for me to see her. | 0:56:00 | 0:56:03 | |
-Look, I'll be five minutes, I swear, and then I am all yours. -Yeah? -Absolutely. | 0:56:03 | 0:56:07 | |
You'd better be. | 0:56:07 | 0:56:08 | |
Where does she live? | 0:56:13 | 0:56:14 | |
-Did you see her? -Who? | 0:56:39 | 0:56:40 | |
-Silvie. The girl who was begging at the shop this morning. -Was she here? | 0:56:40 | 0:56:44 | |
She came back for her phone. | 0:56:44 | 0:56:46 | |
I took my eye off her for a moment... | 0:56:46 | 0:56:48 | |
I think she must be in trouble. We have to find her. | 0:56:48 | 0:56:51 | |
When did she take off? | 0:56:51 | 0:56:52 | |
I don't know. A couple of minutes ago? | 0:56:52 | 0:56:54 | |
-Well, she can't have gotten far. She wasn't at the bus stop. -The subway, let's go this way. | 0:56:54 | 0:56:59 | |
She could have taken a cab. You go on. | 0:57:03 | 0:57:05 | |
Silvie! Wait! | 0:57:07 | 0:57:10 | |
She's gone away in a van. We didn't make it. | 0:57:14 | 0:57:17 | |
Did you see anything - driver, number plate? | 0:57:17 | 0:57:20 | |
Ach! | 0:57:20 | 0:57:22 | |
-What d'you want? -I want you to care for a start. | 0:57:26 | 0:57:28 | |
Care about what, Gabriel? | 0:57:28 | 0:57:30 | |
If you're going to be reading the paper, try the jobs bit. | 0:57:30 | 0:57:32 | |
The mini-market... | 0:57:32 | 0:57:34 | |
You and me are finished. | 0:57:34 | 0:57:35 | |
I couldn't care less if I never saw you again. | 0:57:35 | 0:57:38 | |
Looking for a Saturday job for wee Christina, aye? | 0:57:38 | 0:57:41 | |
Well, I was thinking mair for me. | 0:57:41 | 0:57:43 | |
-Nicole, this isn't what you think. -Don't lie to me. | 0:57:43 | 0:57:45 | |
-She's not lying. -Why should I trust you? -Because it's the truth. | 0:57:45 | 0:57:48 | |
Subtitles by Red Bee Media Ltd | 0:58:01 | 0:58:04 |