Browse content similar to 04/06/2013. Check below for episodes and series from the same categories and more!
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I give you information on some criminal activities... | 0:00:21 | 0:00:24 | |
..you turn a blind eye to mine. | 0:00:25 | 0:00:27 | |
Wouldn't be the first time an copper's been bought, | 0:00:27 | 0:00:29 | |
not in this station. | 0:00:29 | 0:00:30 | |
-You sure? -Positive. | 0:00:30 | 0:00:32 | |
Let's hope you're right. | 0:00:32 | 0:00:34 | |
If he is using Murdoch as an informer, | 0:00:34 | 0:00:36 | |
is that necessarily a problem? | 0:00:36 | 0:00:38 | |
I'd like to know what Murdoch is getting out of it. | 0:00:38 | 0:00:40 | |
'This arrangement was never about heroin dealing and murder!' | 0:00:40 | 0:00:44 | |
This is over, when I say it's over. | 0:00:44 | 0:00:47 | |
'Give us your position now, DC Cooper.' | 0:00:48 | 0:00:50 | |
Driving down Station Road, heading back towards the city centre. | 0:00:50 | 0:00:53 | |
We need to intercept him | 0:00:53 | 0:00:55 | |
before he gets into the built-up area. | 0:00:55 | 0:00:57 | |
'We have a patrol blocking the junction between Shelburn Street | 0:00:59 | 0:01:02 | |
'and Baxter Street.' | 0:01:02 | 0:01:03 | |
Roger that. ETA three minutes. | 0:01:03 | 0:01:05 | |
TYRES SCREECH AND CAR CRASHES | 0:01:07 | 0:01:10 | |
No, no, no! | 0:01:21 | 0:01:23 | |
Hi, can you hear me? | 0:01:24 | 0:01:25 | |
Hi. I need an ambulance, as soon as you can. | 0:01:37 | 0:01:39 | |
I'm at the bottom of Belmuir Street. A woman's been knocked over. | 0:01:39 | 0:01:45 | |
As quick as you can, please. | 0:01:45 | 0:01:46 | |
OK. A long, continuous breath, please. | 0:01:57 | 0:01:59 | |
Keep going. | 0:02:00 | 0:02:02 | |
Keep going. | 0:02:02 | 0:02:03 | |
Keep going. And stop. | 0:02:03 | 0:02:05 | |
Can you get an update on the victim for me? | 0:02:05 | 0:02:07 | |
One minute she was there, the next minute... | 0:02:12 | 0:02:14 | |
Had you been drinking last night? | 0:02:15 | 0:02:17 | |
I'd had a couple last night. | 0:02:17 | 0:02:18 | |
A couple as in two, or a couple as in four? | 0:02:20 | 0:02:22 | |
I've been having trouble sleeping, so I've been.... | 0:02:23 | 0:02:26 | |
Borderline. | 0:02:44 | 0:02:45 | |
Let's get you back to the station. We'll do another test there. | 0:02:45 | 0:02:49 | |
She's still unconscious. | 0:02:49 | 0:02:50 | |
But she's going to be all right? | 0:02:50 | 0:02:51 | |
They don't know what internal injuries she may have sustained. | 0:02:51 | 0:02:54 | |
Right, you hitch a ride to the hospital and let me | 0:02:54 | 0:02:56 | |
know as soon as she's ready to talk. | 0:02:56 | 0:02:59 | |
I'll take Paul Di Resta here back to the station. | 0:02:59 | 0:03:01 | |
I wasn't speeding, sir. | 0:03:01 | 0:03:03 | |
You were pursuing a stolen car, | 0:03:03 | 0:03:04 | |
that'll be enough for most people to hang you out to dry. | 0:03:04 | 0:03:06 | |
He was just doing his job. | 0:03:06 | 0:03:08 | |
Let's hope we can all still say that once this is over. | 0:03:08 | 0:03:11 | |
'Donald's sent you to the hospital?' | 0:03:16 | 0:03:18 | |
Yes, Ma'am. | 0:03:18 | 0:03:19 | |
'He'll want DC Cooper off the hook. | 0:03:19 | 0:03:21 | |
'This is a prime opportunity to get more evidence against him.' | 0:03:21 | 0:03:24 | |
He asked me to tell him | 0:03:24 | 0:03:25 | |
when the victim's available to be interviewed. | 0:03:25 | 0:03:27 | |
'Don't give Donald a chance to twist her story. | 0:03:27 | 0:03:30 | |
'Get clean info from her first, then see what he does.' | 0:03:30 | 0:03:32 | |
Ma'am. | 0:03:33 | 0:03:34 | |
-There you go. -Thank you. | 0:03:49 | 0:03:51 | |
Have a seat here till they're ready for you. | 0:04:07 | 0:04:09 | |
You're at the back of the queue for the breathalyser. | 0:04:12 | 0:04:15 | |
They're very busy downstairs. | 0:04:15 | 0:04:17 | |
Nothing more you want to tell me about this morning? | 0:04:19 | 0:04:22 | |
I told you, she came out of nowhere. | 0:04:22 | 0:04:24 | |
The traffic boys will be out measuring tyre marks, | 0:04:24 | 0:04:26 | |
calculating stopping distances. | 0:04:26 | 0:04:29 | |
I'll chase up their report. | 0:04:29 | 0:04:30 | |
What if she dies? | 0:04:34 | 0:04:35 | |
I'm sure the doctors are doing everything they can. | 0:04:37 | 0:04:40 | |
PHONE RINGS | 0:04:40 | 0:04:41 | |
Donald. | 0:04:44 | 0:04:45 | |
'I've got a name for you.' | 0:04:45 | 0:04:48 | |
Anoushka Pattinson. | 0:04:48 | 0:04:49 | |
Hang on... | 0:04:49 | 0:04:51 | |
'Born 25th March 1979.' | 0:04:51 | 0:04:54 | |
How is she? | 0:04:54 | 0:04:56 | |
'No change as yet.' | 0:04:56 | 0:04:57 | |
She's awake. | 0:04:57 | 0:04:59 | |
I have to go. I'll call you back. | 0:05:01 | 0:05:03 | |
OK, thanks. | 0:05:03 | 0:05:04 | |
How is she? | 0:05:05 | 0:05:07 | |
No news. | 0:05:07 | 0:05:08 | |
You're not a doctor. | 0:05:16 | 0:05:18 | |
I'm a police officer. | 0:05:18 | 0:05:19 | |
Detective Sergeant Grant. | 0:05:21 | 0:05:22 | |
And you're Anoushka Pattinson, is that right? | 0:05:24 | 0:05:27 | |
Mm-hm. | 0:05:27 | 0:05:29 | |
Do you remember what happened to you this morning? | 0:05:29 | 0:05:32 | |
I was knocked down by a car. | 0:05:32 | 0:05:33 | |
Were you staying nearby? | 0:05:35 | 0:05:37 | |
I was in a hotel. | 0:05:39 | 0:05:40 | |
I had a meeting in town this morning. | 0:05:40 | 0:05:43 | |
Were you drinking last night? | 0:05:43 | 0:05:44 | |
What's that got to do with anything? | 0:05:46 | 0:05:48 | |
I'm just trying to establish your possible state of mind. | 0:05:48 | 0:05:51 | |
I never drink when I'm away on business, | 0:05:52 | 0:05:55 | |
and I wasn't hung-over, if that's what you're suggesting. | 0:05:55 | 0:05:58 | |
I'm not suggesting anything. | 0:05:58 | 0:05:59 | |
What's the name of the hotel? | 0:06:01 | 0:06:03 | |
The DiMarco. | 0:06:04 | 0:06:06 | |
Sorry, here... | 0:06:08 | 0:06:09 | |
Have you arrested the driver? | 0:06:11 | 0:06:13 | |
We've got him in custody. | 0:06:14 | 0:06:15 | |
Good. | 0:06:15 | 0:06:16 | |
You blame HIM for the accident? | 0:06:18 | 0:06:19 | |
It wasn't MY fault! | 0:06:19 | 0:06:21 | |
So, the pattern of skidding tallies with DC Cooper's version of events? | 0:06:27 | 0:06:30 | |
Good. Well, if you can sign off on that and get a copy over to me, | 0:06:32 | 0:06:35 | |
that'd be great. | 0:06:35 | 0:06:36 | |
OK, thanks. | 0:06:36 | 0:06:37 | |
The Traffic boys are backing up Will. | 0:06:39 | 0:06:41 | |
So all we need to do now is find a couple of witnesses to bribe. | 0:06:41 | 0:06:43 | |
It's a joke. | 0:06:45 | 0:06:46 | |
Uniform have got a witness who saw the lead-up to the accident. | 0:06:49 | 0:06:52 | |
They state Cooper wasn't driving with excessive recklessness. | 0:06:52 | 0:06:56 | |
So, in an ideal world, our victim wasn't concentrating, | 0:06:56 | 0:06:59 | |
or can't remember properly, and we're home and hosed. | 0:06:59 | 0:07:01 | |
She can remember. | 0:07:01 | 0:07:02 | |
You interviewed her? | 0:07:03 | 0:07:06 | |
I told you to contact me when she was ready to talk. | 0:07:06 | 0:07:08 | |
The nurses only gave me a few minutes, | 0:07:08 | 0:07:10 | |
so I got in there while I could, boss. Where's Will? | 0:07:10 | 0:07:12 | |
He's waiting to be breathalysed. They're really busy downstairs. | 0:07:12 | 0:07:16 | |
You should have let me talk to her. | 0:07:18 | 0:07:19 | |
What difference would it have made? | 0:07:19 | 0:07:21 | |
Have you been in touch with the DiMarco Hotel? | 0:07:23 | 0:07:25 | |
Yeah, and everything she's told me so far seems to pan out. | 0:07:25 | 0:07:28 | |
Well, we don't deal with "seems to", do we? | 0:07:28 | 0:07:31 | |
KNOCK AT DOOR | 0:07:31 | 0:07:32 | |
Come! | 0:07:32 | 0:07:34 | |
I got the all clear. | 0:07:38 | 0:07:39 | |
The victim's sat up and is talking to us. | 0:07:39 | 0:07:42 | |
Oh, thank God. | 0:07:42 | 0:07:43 | |
But she's, erm, blaming you for the accident. | 0:07:43 | 0:07:46 | |
Obviously you're now suspended from duty pending an investigation. | 0:07:49 | 0:07:52 | |
Once you've spoken to the Fed rep, I suggest you go home. | 0:07:52 | 0:07:55 | |
Thank you, DS Grant. | 0:08:00 | 0:08:01 | |
Sir. | 0:08:03 | 0:08:04 | |
PHONE RINGS | 0:08:44 | 0:08:47 | |
Hey! Nosey! | 0:08:47 | 0:08:48 | |
It's Will. | 0:08:48 | 0:08:49 | |
Don't answer it. | 0:08:49 | 0:08:51 | |
It could be something important. | 0:08:51 | 0:08:53 | |
You don't want to speak to him anyway, do you? | 0:08:53 | 0:08:55 | |
Not really. | 0:08:55 | 0:08:56 | |
Aye, well, just ignore it. | 0:08:56 | 0:08:57 | |
He can leave a message. | 0:08:59 | 0:09:00 | |
Hi, it's me. | 0:09:02 | 0:09:03 | |
I've been in an accident and I was driving and I hit someone. | 0:09:06 | 0:09:10 | |
I'm not hurt, but she was, and... | 0:09:10 | 0:09:12 | |
I'm sorry, I know I shouldn't be calling, but... | 0:09:17 | 0:09:20 | |
I didn't want you to hear it from anyone else, so... | 0:09:20 | 0:09:24 | |
Sorry. | 0:09:24 | 0:09:25 | |
Our Miss Pattinson did indeed stay at the DiMarco last night... | 0:09:40 | 0:09:43 | |
And? | 0:09:43 | 0:09:44 | |
She wasn't alone. She was with a man in his 60s. | 0:09:44 | 0:09:47 | |
A man familiar to hotel staff, stays there regularly, | 0:09:47 | 0:09:50 | |
often with the same girl. | 0:09:50 | 0:09:51 | |
Miss Pattinson? | 0:09:51 | 0:09:53 | |
Yeah. | 0:09:53 | 0:09:54 | |
Having a relationship isn't exactly a crime, as far as I know. | 0:09:54 | 0:09:57 | |
Hmm. Receptionist said Anoushka left in a hurry this morning, | 0:09:57 | 0:10:01 | |
quickly followed by this man. | 0:10:01 | 0:10:02 | |
Does he have a name? | 0:10:02 | 0:10:04 | |
He signed in as Graham Carlson from Greenock. | 0:10:04 | 0:10:07 | |
But, surprise, surprise, there's no record | 0:10:07 | 0:10:09 | |
of a Graham Carlson who'd be that age. | 0:10:09 | 0:10:11 | |
So, he's married and he signed in under an assumed name? | 0:10:11 | 0:10:15 | |
The receptionist also said Anoushka was holding her arm | 0:10:15 | 0:10:18 | |
as she hurried past, and this man appeared agitated. | 0:10:18 | 0:10:21 | |
Her word, not mine. | 0:10:21 | 0:10:22 | |
You think she was injured before the accident? | 0:10:22 | 0:10:25 | |
I don't know, but... | 0:10:25 | 0:10:27 | |
something's not right. | 0:10:27 | 0:10:29 | |
I just want to clarify one or two things. Is that OK? | 0:10:37 | 0:10:41 | |
Sure. | 0:10:41 | 0:10:42 | |
You stayed at the DiMarco last night? | 0:10:42 | 0:10:45 | |
Yes. | 0:10:45 | 0:10:46 | |
Do you stay there regularly? | 0:10:46 | 0:10:48 | |
When I have early morning business meetings. | 0:10:48 | 0:10:50 | |
And what line of business are you in? | 0:10:50 | 0:10:52 | |
Is this relevant? | 0:10:54 | 0:10:55 | |
It might be. | 0:10:55 | 0:10:56 | |
I sell and endorse beauty products. | 0:10:57 | 0:11:00 | |
And what's the company called? | 0:11:01 | 0:11:03 | |
They're called Lip Service. | 0:11:03 | 0:11:05 | |
And do you have a number? | 0:11:07 | 0:11:09 | |
What is this?! | 0:11:09 | 0:11:10 | |
I was knocked down by a car and now it feels like I'm the guilty one. | 0:11:10 | 0:11:14 | |
Miss Pattinson, I'm Detective Chief Inspector Craig Donald. | 0:11:18 | 0:11:23 | |
We're just trying to work out exactly what happened this morning. | 0:11:23 | 0:11:26 | |
I've already said. | 0:11:26 | 0:11:28 | |
I was minding my own business when some guy hit me with his car! | 0:11:28 | 0:11:31 | |
Did you ask him what he did for a living? Who he works for? | 0:11:32 | 0:11:35 | |
We already know that. He works for me, he's a police officer. | 0:11:35 | 0:11:38 | |
That's why you're here. | 0:11:41 | 0:11:43 | |
Why I'm being asked all these questions. | 0:11:43 | 0:11:45 | |
We just want to get to the truth of what happened. | 0:11:45 | 0:11:48 | |
Oh, I bet you do. | 0:11:48 | 0:11:49 | |
'As long as you're all right. | 0:11:51 | 0:11:53 | |
'What about your job?' | 0:11:55 | 0:11:56 | |
I just hope I don't get kicked out. | 0:11:56 | 0:11:57 | |
'Maybe that wouldn't be a bad thing. | 0:11:58 | 0:12:00 | |
'Back when you applied, I did always wonder | 0:12:01 | 0:12:04 | |
'if you were cut out to be a policeman. | 0:12:04 | 0:12:05 | |
'Hello?' | 0:12:07 | 0:12:09 | |
I should go. | 0:12:09 | 0:12:10 | |
'Will?' | 0:12:10 | 0:12:11 | |
So, you had breakfast, and then, just after eight, you left for a meeting? | 0:12:13 | 0:12:18 | |
This is all in my statement. | 0:12:18 | 0:12:19 | |
There was no-one else in your room? | 0:12:19 | 0:12:21 | |
What are you suggesting? | 0:12:23 | 0:12:24 | |
If you could just answer the question, please. | 0:12:24 | 0:12:26 | |
I know what you're doing. You're trying to make this my fault. | 0:12:29 | 0:12:32 | |
Was it your fault? | 0:12:32 | 0:12:33 | |
No. | 0:12:35 | 0:12:36 | |
Then you've nothing to worry about, have you? | 0:12:36 | 0:12:39 | |
OK. | 0:12:39 | 0:12:41 | |
I had a friend stay over. | 0:12:41 | 0:12:43 | |
Why wasn't this in your statement? | 0:12:43 | 0:12:45 | |
Because it is none of your business. | 0:12:45 | 0:12:47 | |
I'm single and I was with a friend. | 0:12:47 | 0:12:49 | |
Were you wearing a necklace this morning? | 0:12:52 | 0:12:54 | |
Oh, it must have come off when the car hit me. | 0:12:56 | 0:12:58 | |
You haven't got it now? | 0:12:59 | 0:13:01 | |
No. | 0:13:01 | 0:13:02 | |
Maybe it got caught up in your clothes. | 0:13:02 | 0:13:05 | |
It's not registered on the list of belongings. | 0:13:05 | 0:13:08 | |
Maybe one of the emergency crew picked it up off the road. | 0:13:08 | 0:13:11 | |
I'll check. | 0:13:11 | 0:13:12 | |
Could you also get the doctors to give us a list of injuries, please? | 0:13:12 | 0:13:15 | |
Sir. | 0:13:15 | 0:13:16 | |
Thanks, Sergeant. | 0:13:16 | 0:13:18 | |
The medics agree. | 0:13:25 | 0:13:27 | |
Some of her injuries don't match up with being in an accident like that. | 0:13:27 | 0:13:30 | |
You were right. | 0:13:30 | 0:13:31 | |
During the course of their examinations, | 0:13:31 | 0:13:34 | |
they found bruising on her upper arms and legs. | 0:13:34 | 0:13:36 | |
They've seen this pattern of injuries before. | 0:13:36 | 0:13:38 | |
So have I. | 0:13:38 | 0:13:40 | |
No wonder she's edgy. Poor woman. | 0:13:40 | 0:13:42 | |
If she was attacked this morning by the man in the hotel, | 0:13:43 | 0:13:45 | |
and he then followed her, by the time she got to the accident site | 0:13:45 | 0:13:48 | |
she could have been desperate to get away from him. | 0:13:48 | 0:13:50 | |
Desperate enough to run in front of a car? | 0:13:50 | 0:13:52 | |
What kind of relationship does Miss Pattinson have with a man | 0:13:56 | 0:13:59 | |
who attacks her and then she feels the need to protect? | 0:13:59 | 0:14:02 | |
Violent husband? Partner? | 0:14:02 | 0:14:04 | |
She said she was single. | 0:14:04 | 0:14:05 | |
I'm thinking this is more of a business arrangement. | 0:14:07 | 0:14:09 | |
So, what's our next move? | 0:14:10 | 0:14:11 | |
I don't want to judge her prematurely. | 0:14:13 | 0:14:15 | |
She's having a rough enough day as it is. | 0:14:15 | 0:14:17 | |
You check the CCTV footage. | 0:14:17 | 0:14:19 | |
I'll chase up this company she works for. | 0:14:19 | 0:14:21 | |
How is the woman? | 0:14:23 | 0:14:24 | |
Recovering. | 0:14:24 | 0:14:25 | |
That's a good thing, isn't it? | 0:14:25 | 0:14:27 | |
It's a miracle I didn't kill her. | 0:14:27 | 0:14:29 | |
But you didn't. | 0:14:29 | 0:14:31 | |
Who hasn't taken their eyes off the road momentarily? | 0:14:31 | 0:14:33 | |
I'm sure your colleagues will find out exactly what happened. | 0:14:33 | 0:14:37 | |
She's saying it's my fault. That's all that matters. | 0:14:37 | 0:14:39 | |
You seem pretty determined to take the blame. | 0:14:39 | 0:14:42 | |
I hit a woman in my car, she's pointing the finger, | 0:14:42 | 0:14:44 | |
I'm going to lose my job. | 0:14:44 | 0:14:45 | |
Those are facts. | 0:14:45 | 0:14:47 | |
You say you've no-one to turn to. | 0:14:47 | 0:14:50 | |
What about your family? | 0:14:50 | 0:14:51 | |
My mum died when I was young. | 0:14:52 | 0:14:55 | |
My sister lives on the other side of the world | 0:14:55 | 0:14:57 | |
and, um, and my dad, he doesn't help. | 0:14:57 | 0:15:00 | |
Doesn't or can't? | 0:15:01 | 0:15:03 | |
I called him earlier and he was just negative. | 0:15:03 | 0:15:06 | |
Maybe that's how his concern manifests itself. | 0:15:06 | 0:15:08 | |
The only person my dad's concerned with is himself. | 0:15:09 | 0:15:12 | |
If he's not in control of a situation, he can't cope. | 0:15:12 | 0:15:15 | |
That's why my sister left, to get away from him. | 0:15:15 | 0:15:18 | |
It can't have been easy for him when you came out. | 0:15:18 | 0:15:20 | |
Do you think it was easy for me? | 0:15:22 | 0:15:23 | |
So do you see any of your father in yourself? | 0:15:24 | 0:15:26 | |
No! | 0:15:26 | 0:15:27 | |
What about your need to be in control? | 0:15:27 | 0:15:29 | |
What need?! I'm nothing like my father. | 0:15:29 | 0:15:32 | |
I'm not sure I agree with you there. | 0:15:33 | 0:15:35 | |
How is THIS helping?! | 0:15:37 | 0:15:39 | |
When something big happens to someone, | 0:15:39 | 0:15:41 | |
like this accident today, we can learn from it. | 0:15:41 | 0:15:44 | |
What? That I've got a messed up family and no friends? | 0:15:44 | 0:15:47 | |
That's one way of looking at it. | 0:15:47 | 0:15:49 | |
Another may be that you're ready to look into the dark corners | 0:15:49 | 0:15:52 | |
of yourself and make some changes in your life. | 0:15:52 | 0:15:54 | |
What do you mean? | 0:15:57 | 0:15:59 | |
When I look at you, I see years of anger and guilt | 0:15:59 | 0:16:04 | |
all balled-up and stored away, ready to burst out | 0:16:04 | 0:16:06 | |
whenever life gets too tough, or things don't go your way. | 0:16:06 | 0:16:10 | |
But I also see someone who's tired of that. | 0:16:12 | 0:16:15 | |
Will, you must be exhausted. | 0:16:18 | 0:16:20 | |
I'm sorry. | 0:16:30 | 0:16:32 | |
It's all right. | 0:16:32 | 0:16:33 | |
Let it out. | 0:16:34 | 0:16:36 | |
Thanks, Terry. I owe you one. | 0:16:39 | 0:16:41 | |
Ha-ha, yeah, right. Bye. | 0:16:41 | 0:16:43 | |
Anything? | 0:16:44 | 0:16:45 | |
Nothing clear from the reception cameras, | 0:16:45 | 0:16:47 | |
they're checking the car park footage now. | 0:16:47 | 0:16:49 | |
How did you get on? | 0:16:49 | 0:16:51 | |
I spoke to a very charming PA who confirmed Anoushka Pattinson | 0:16:51 | 0:16:54 | |
worked for the company, and outlined the services they provide. | 0:16:54 | 0:16:58 | |
Mainly the promotion and sale of beauty products. | 0:16:58 | 0:17:00 | |
So, she was telling the truth? | 0:17:00 | 0:17:02 | |
I just spoke to an ex-colleague of mine who works out of Edinburgh, | 0:17:02 | 0:17:05 | |
and he gave me a very different take on Lip Service. | 0:17:05 | 0:17:08 | |
It's basically a cover for a high-class escort agency. | 0:17:08 | 0:17:11 | |
So, what do we do now? | 0:17:23 | 0:17:24 | |
How do you feel when you get angry? | 0:17:26 | 0:17:28 | |
The adrenaline kicks in, my heart starts to pound and... | 0:17:31 | 0:17:34 | |
You feel you could take on the world? | 0:17:37 | 0:17:39 | |
Anger's a normal human emotion, Will. | 0:17:41 | 0:17:43 | |
It's part of you, and you just need to know how to handle it. | 0:17:45 | 0:17:48 | |
You are in control of your body's responses... | 0:17:49 | 0:17:52 | |
and unclenching your fists isn't a bad start. | 0:17:52 | 0:17:55 | |
Life can be infuriating at the best of times. | 0:17:58 | 0:18:02 | |
Everybody gets angry, but not everybody lashes out, | 0:18:03 | 0:18:06 | |
and you don't have to either. | 0:18:06 | 0:18:08 | |
How do I do that? How do I stop this? | 0:18:10 | 0:18:11 | |
OK, let's try something now. | 0:18:12 | 0:18:14 | |
I want you to think about when you get angry. | 0:18:16 | 0:18:17 | |
I want you to tense your muscles, clench your fists. | 0:18:18 | 0:18:22 | |
And then I want you to take a deep breath. | 0:18:25 | 0:18:27 | |
So breathe in... | 0:18:27 | 0:18:28 | |
And hold the breath... | 0:18:31 | 0:18:32 | |
..and breathe out. And as you breathe out, | 0:18:34 | 0:18:37 | |
I want you to think about relaxing your muscles. | 0:18:37 | 0:18:40 | |
Letting go of all that tension. | 0:18:42 | 0:18:44 | |
And if you do that... | 0:18:47 | 0:18:48 | |
..I promise you calm will follow. | 0:18:50 | 0:18:52 | |
You have a daughter, is that right? | 0:18:58 | 0:18:59 | |
How do you know that? | 0:19:00 | 0:19:01 | |
We did a background check on you. | 0:19:03 | 0:19:05 | |
Don't worry, it didn't say anything bad. | 0:19:05 | 0:19:07 | |
There was no mention of the fact you work for an escort agency. | 0:19:09 | 0:19:12 | |
The man you were with last night was a client, wasn't he? | 0:19:15 | 0:19:19 | |
Some of your injuries are inconsistent | 0:19:21 | 0:19:23 | |
with being hit by a car. | 0:19:23 | 0:19:24 | |
The doctors believe you've been sexually assaulted. | 0:19:25 | 0:19:29 | |
No-one's judging you. We just want to help. | 0:19:31 | 0:19:34 | |
Were you assaulted this morning, Miss Pattinson? | 0:19:38 | 0:19:40 | |
By the client? | 0:19:44 | 0:19:45 | |
He's a regular. | 0:19:53 | 0:19:54 | |
I thought I knew him. | 0:19:56 | 0:19:58 | |
Does he have a name? | 0:19:58 | 0:20:00 | |
Graham Carlson. | 0:20:03 | 0:20:04 | |
What do you know about him? | 0:20:08 | 0:20:09 | |
That, erm, he's a businessman. | 0:20:11 | 0:20:13 | |
And that he likes me, and so... | 0:20:15 | 0:20:17 | |
..I've known him for a while. | 0:20:19 | 0:20:21 | |
Would you be willing to make an additional statement? | 0:20:21 | 0:20:24 | |
Look... | 0:20:26 | 0:20:27 | |
my daughter comes off a school trip today, | 0:20:28 | 0:20:30 | |
and if I'm not there to meet her off the coach, well... | 0:20:30 | 0:20:33 | |
If I admit that the accident was my fault, will you leave me alone? | 0:20:35 | 0:20:38 | |
This man's committed a serious offence against you. | 0:20:38 | 0:20:41 | |
And most people will say that I got what I deserved. | 0:20:41 | 0:20:44 | |
I'll admit to causing the accident to get your officer off | 0:20:46 | 0:20:49 | |
but then I don't want anything more to do with you. | 0:20:49 | 0:20:53 | |
Um, well, I'd like to log your injuries for our files, | 0:20:55 | 0:20:59 | |
so I'll need to have a photographer sent down. | 0:20:59 | 0:21:02 | |
After that, it's up to the doctors. | 0:21:02 | 0:21:04 | |
Look, thank you for your time. | 0:21:07 | 0:21:09 | |
Is that it? | 0:21:09 | 0:21:10 | |
You heard Miss Pattinson. | 0:21:10 | 0:21:11 | |
I just want to go home. | 0:21:14 | 0:21:16 | |
It's OK. We understand. | 0:21:16 | 0:21:18 | |
I need to go and chase up a photographer. | 0:21:20 | 0:21:23 | |
You stay with Miss Pattinson, make sure she's all right. | 0:21:23 | 0:21:25 | |
I'm sorry. | 0:21:29 | 0:21:30 | |
Hi, Yvonne. | 0:21:31 | 0:21:33 | |
Is the CCTV through yet? | 0:21:34 | 0:21:36 | |
OK, yep, send it over. | 0:21:41 | 0:21:42 | |
PHONE BEEPS | 0:21:52 | 0:21:53 | |
Kennedy. | 0:22:01 | 0:22:02 | |
She's clammed right up. | 0:22:05 | 0:22:06 | |
Well, we'd better get her talking again, eh? | 0:22:09 | 0:22:10 | |
We need you to take a look at something for us. | 0:22:17 | 0:22:20 | |
This was taken from CCTV footage | 0:22:20 | 0:22:22 | |
of the DiMarco Hotel car park this morning. | 0:22:22 | 0:22:24 | |
Is this the man who attacked you? | 0:22:25 | 0:22:27 | |
I... | 0:22:32 | 0:22:33 | |
..can't be certain. | 0:22:35 | 0:22:36 | |
Is this the man? | 0:22:37 | 0:22:38 | |
I still can't help you. | 0:22:43 | 0:22:44 | |
This man's real name is Billy Kennedy. | 0:22:44 | 0:22:47 | |
Detective Sergeant... | 0:22:47 | 0:22:48 | |
He's involved with crime at the highest level - | 0:22:48 | 0:22:51 | |
drug-dealing, intimidation, murder. | 0:22:51 | 0:22:53 | |
We need this guy off the streets for good and you can help us do that. | 0:22:53 | 0:22:57 | |
There is no way I'm going up against a man like that. | 0:22:57 | 0:22:59 | |
No way in the world. | 0:22:59 | 0:23:00 | |
-Miss Pattinson... -Please just leave me alone! | 0:23:00 | 0:23:03 | |
I messed up. | 0:23:09 | 0:23:10 | |
Hey. Hey. | 0:23:10 | 0:23:11 | |
You wouldn't believe some of the things | 0:23:12 | 0:23:14 | |
I've said to witnesses to get them to open up. | 0:23:14 | 0:23:17 | |
But she's not opening up, is she? She's scared to death. | 0:23:17 | 0:23:19 | |
Right. | 0:23:23 | 0:23:24 | |
You go and tell Will she's admitted culpability. | 0:23:25 | 0:23:28 | |
What are you going to do? | 0:23:28 | 0:23:29 | |
I need to go and see a man about a dog. | 0:23:30 | 0:23:32 | |
Aye. Cut the flannel, will you? | 0:23:36 | 0:23:37 | |
Just tell me how much it's going to cost me. | 0:23:37 | 0:23:39 | |
There. That wasn't hard, was it? | 0:23:40 | 0:23:42 | |
Thank you very much. | 0:23:42 | 0:23:43 | |
Have you spoken to Billy Kennedy today? | 0:23:44 | 0:23:46 | |
Did I not tell you to keep your nose out of my business? | 0:23:46 | 0:23:49 | |
I can't do that. Not this time. | 0:23:49 | 0:23:50 | |
Is that right? | 0:23:50 | 0:23:51 | |
Are you not forgetting something? | 0:23:51 | 0:23:54 | |
Certain conversations? | 0:23:54 | 0:23:57 | |
He raped a woman this morning. | 0:23:57 | 0:23:59 | |
And I'm supposed to take your word for that, am I? | 0:23:59 | 0:24:02 | |
You see him, you hear from him, you've got my number. | 0:24:02 | 0:24:05 | |
All I'm saying is your baby is going to have the taste | 0:24:11 | 0:24:14 | |
for some pretty weird combos. | 0:24:14 | 0:24:15 | |
What's up with you? | 0:24:17 | 0:24:18 | |
That message. Will's been involved in an accident. | 0:24:20 | 0:24:23 | |
God, is he OK? | 0:24:23 | 0:24:24 | |
He sounds pretty shaken up. | 0:24:25 | 0:24:27 | |
Did you call him back? | 0:24:27 | 0:24:28 | |
I don't know what to do. | 0:24:29 | 0:24:30 | |
Then do nothing. | 0:24:30 | 0:24:32 | |
Come in. | 0:24:37 | 0:24:38 | |
Donald wants you back at work, if you're up to it. | 0:24:40 | 0:24:43 | |
Something major's cropped up. | 0:24:43 | 0:24:45 | |
What about the RTC? | 0:24:45 | 0:24:46 | |
The victim's changed her statement. You're off the hook. | 0:24:46 | 0:24:49 | |
Is she going to be all right? | 0:24:52 | 0:24:54 | |
There's been a development. | 0:24:54 | 0:24:55 | |
DOORBELL BUZZES | 0:24:57 | 0:24:59 | |
-Hello. -'It's me.' | 0:25:02 | 0:25:03 | |
Come up. | 0:25:05 | 0:25:06 | |
I can wait in the car while you get your stuff together. | 0:25:09 | 0:25:12 | |
KNOCK AT DOOR | 0:25:12 | 0:25:13 | |
Hello? | 0:25:13 | 0:25:14 | |
-Hi. -Hi. | 0:25:16 | 0:25:17 | |
What are you doing here? | 0:25:17 | 0:25:19 | |
Oh. You've got somebody here with you. | 0:25:19 | 0:25:21 | |
This is Rachel. We work together. | 0:25:21 | 0:25:23 | |
I'm Robbie. | 0:25:24 | 0:25:25 | |
Will's husband, I know. Pleased to meet you. | 0:25:25 | 0:25:28 | |
I'll see you outside. | 0:25:28 | 0:25:29 | |
OK. | 0:25:29 | 0:25:30 | |
-Sorry, about.. -I'm sorry that.. | 0:25:34 | 0:25:36 | |
You first. | 0:25:36 | 0:25:37 | |
I'm sorry I never answered my phone. I just got your message. | 0:25:37 | 0:25:41 | |
I wanted to check that you were OK, but you seem to be. | 0:25:41 | 0:25:44 | |
Yeah, I'm sorry for calling you. | 0:25:44 | 0:25:45 | |
I didn't want to put any pressure on. I just... | 0:25:45 | 0:25:47 | |
Doesn't matter. | 0:25:47 | 0:25:48 | |
I've been meaning to do something with the place, but... | 0:25:51 | 0:25:55 | |
It's nice. | 0:25:55 | 0:25:56 | |
Very you. | 0:25:57 | 0:25:58 | |
How did you find me? | 0:25:59 | 0:26:00 | |
I called the station. I'm still down as next of kin. | 0:26:00 | 0:26:03 | |
I can have that changed if you like. | 0:26:05 | 0:26:07 | |
It's OK. | 0:26:07 | 0:26:08 | |
I do still care whether you live or die, you know. | 0:26:08 | 0:26:10 | |
I know. | 0:26:11 | 0:26:13 | |
Well, I should get back to work. | 0:26:16 | 0:26:18 | |
Aye, me too. | 0:26:18 | 0:26:20 | |
I've got tons on. | 0:26:20 | 0:26:22 | |
I'll let you get away. | 0:26:22 | 0:26:24 | |
Robbie... | 0:26:24 | 0:26:25 | |
Thanks for coming. | 0:26:27 | 0:26:29 | |
Quick as you can with those, Dermot. | 0:26:51 | 0:26:53 | |
Thanks. | 0:26:53 | 0:26:55 | |
I'm not standing up in court against that man. | 0:27:00 | 0:27:02 | |
I'm not asking you to. | 0:27:02 | 0:27:04 | |
Your statement is enough. | 0:27:04 | 0:27:05 | |
Tell me about the necklace. | 0:27:10 | 0:27:12 | |
There's nothing to tell. | 0:27:13 | 0:27:14 | |
It wasn't among your belongings, | 0:27:16 | 0:27:18 | |
no-one remembers seeing it at the scene. | 0:27:18 | 0:27:20 | |
He tore it from around your neck, didn't he? | 0:27:24 | 0:27:27 | |
What happened, Anoushka? | 0:27:31 | 0:27:32 | |
It was a present. | 0:27:44 | 0:27:45 | |
He gave it to me. | 0:27:47 | 0:27:48 | |
I can't have my daughter knowing anything about this. | 0:27:51 | 0:27:53 | |
-I just want this over and done with. -I know. | 0:27:53 | 0:27:55 | |
We... | 0:28:00 | 0:28:02 | |
We were getting ready to leave... | 0:28:02 | 0:28:04 | |
..and he got a call on his mobile... | 0:28:06 | 0:28:09 | |
..and he took it into the bathroom. | 0:28:11 | 0:28:13 | |
OK. | 0:28:14 | 0:28:15 | |
The door was, er, was slightly ajar and he caught my eye. | 0:28:16 | 0:28:21 | |
He came flying out like a madman, accusing me of eavesdropping on him. | 0:28:24 | 0:28:29 | |
I tried to tell him that I wasn't... | 0:28:32 | 0:28:34 | |
..but he was so angry. | 0:28:37 | 0:28:39 | |
He... | 0:28:42 | 0:28:43 | |
He hit me. | 0:28:44 | 0:28:45 | |
And he ripped the necklace off. | 0:28:47 | 0:28:50 | |
And then he dragged me to the bed and he... | 0:28:54 | 0:28:59 | |
It's OK. It's OK. | 0:28:59 | 0:29:01 | |
If you chase up the CCTV footage from between the hotel and where | 0:29:05 | 0:29:09 | |
the accident happened, I'll send out a VIN on Kennedy's car. | 0:29:09 | 0:29:12 | |
Yes, I'll hold. | 0:29:17 | 0:29:18 | |
You've done cases like this before. | 0:29:23 | 0:29:25 | |
Do you think if we get enough evidence, | 0:29:25 | 0:29:26 | |
we can move forward without her? | 0:29:26 | 0:29:28 | |
No court appearance, we can live with. No statement... | 0:29:28 | 0:29:31 | |
We can't force her to cooperate though, can we? | 0:29:32 | 0:29:34 | |
I wouldn't put anything past the DCI. | 0:29:34 | 0:29:36 | |
PHONE RINGS | 0:29:38 | 0:29:40 | |
Who was that? | 0:29:44 | 0:29:46 | |
No-one. | 0:29:46 | 0:29:47 | |
PHONE BEEPS | 0:29:49 | 0:29:50 | |
Just because you do what you do, | 0:29:57 | 0:29:58 | |
doesn't mean you deserve what happened. | 0:29:58 | 0:30:01 | |
Neither does the next girl he does it to, or the next one. | 0:30:01 | 0:30:03 | |
You're not going to guilt-trip me into it... | 0:30:04 | 0:30:06 | |
That's not what I'm trying to do. I'm not. | 0:30:06 | 0:30:08 | |
We have enough evidence already. | 0:30:10 | 0:30:12 | |
Hotel staff who saw you together last night, | 0:30:12 | 0:30:15 | |
guests who heard you arguing this morning, | 0:30:15 | 0:30:17 | |
a receptionist who saw you leave injured. | 0:30:17 | 0:30:19 | |
We've got the footage of him in the car park, | 0:30:19 | 0:30:21 | |
and we'll get forensic evidence | 0:30:21 | 0:30:23 | |
to prove he caused these injuries to you. | 0:30:23 | 0:30:26 | |
He wasn't chasing after you this morning | 0:30:30 | 0:30:32 | |
to give you the necklace back, was he? | 0:30:32 | 0:30:34 | |
You were in fear of your life. | 0:30:35 | 0:30:37 | |
Getting hit by a car | 0:30:39 | 0:30:40 | |
was the best thing that could have happened to you. | 0:30:40 | 0:30:42 | |
If I do this... | 0:30:47 | 0:30:48 | |
..you've got to put him away. | 0:30:49 | 0:30:51 | |
What's this? | 0:31:05 | 0:31:06 | |
By the time I've finished, it'll be rape and attempted murder. | 0:31:06 | 0:31:09 | |
The victim's identified him. | 0:31:12 | 0:31:14 | |
We can't let this one go. | 0:31:17 | 0:31:19 | |
You do what you have to do. | 0:31:23 | 0:31:25 | |
It's nothing to do with me. | 0:31:25 | 0:31:26 | |
You're a man with a daughter, aren't you? | 0:31:28 | 0:31:30 | |
I'm going to be seeing him at my flat later on. | 0:31:36 | 0:31:39 | |
I'll get his side of the story then. | 0:31:39 | 0:31:41 | |
Sir, DS Grant found a location for Kennedy's car. | 0:31:51 | 0:31:54 | |
Good work. Anoushka's going to make a statement. | 0:31:54 | 0:31:58 | |
Welcome back, by the way. | 0:31:58 | 0:31:59 | |
So, now we need to bring him in? | 0:31:59 | 0:32:01 | |
Billy Kennedy is due to meet Lenny Murdoch | 0:32:01 | 0:32:03 | |
in the Tall Ship pub on Montego Street. | 0:32:03 | 0:32:05 | |
How do you know that? | 0:32:05 | 0:32:07 | |
Does it matter? They're meeting. | 0:32:07 | 0:32:10 | |
Which gives us just enough time to bundle up the evidence | 0:32:10 | 0:32:12 | |
-and get a warrant. -So have you spoken to the Super? | 0:32:12 | 0:32:15 | |
Am I the only person who's pumped up | 0:32:15 | 0:32:18 | |
at the prospect of nailing this scumbag? | 0:32:18 | 0:32:20 | |
I'm just hoping we are nailing him and not missing anything. | 0:32:20 | 0:32:22 | |
Forensics will be finished at the hotel within the hour. | 0:32:22 | 0:32:25 | |
The only thing we need to worry about is this necklace. | 0:32:25 | 0:32:27 | |
The necklace? | 0:32:27 | 0:32:28 | |
CID? | 0:32:29 | 0:32:30 | |
Kennedy gave it to Anoushka as a gift | 0:32:30 | 0:32:32 | |
and then tore off her during the assault. | 0:32:32 | 0:32:34 | |
Pound to a penny he's still got it on him. | 0:32:34 | 0:32:36 | |
Sir, Superintendent Cole's here to see you. | 0:32:38 | 0:32:40 | |
News travels fast around here. | 0:32:41 | 0:32:43 | |
Right, collate the evidence we already have. | 0:32:43 | 0:32:46 | |
I want this watertight. | 0:32:46 | 0:32:47 | |
What do you think Cole wants? | 0:32:51 | 0:32:53 | |
Search me. | 0:32:53 | 0:32:54 | |
Ma'am? | 0:33:02 | 0:33:03 | |
I was just going to come and find you. | 0:33:03 | 0:33:05 | |
I need a warrant | 0:33:05 | 0:33:07 | |
to make an arrest at the flat above the Tall Ship. | 0:33:07 | 0:33:09 | |
Last I heard, you were looking into an RTC | 0:33:09 | 0:33:10 | |
involving an officer from your team. | 0:33:10 | 0:33:12 | |
Well, the victim admitted liability and, | 0:33:12 | 0:33:14 | |
in the course of our investigations, something else came up. | 0:33:14 | 0:33:17 | |
Yes, I've made some enquiries of my own. | 0:33:17 | 0:33:19 | |
I understand the victim is a prostitute. | 0:33:19 | 0:33:22 | |
You know, for someone who doesn't spend a lot of time | 0:33:22 | 0:33:24 | |
on the shop floor, you are remarkably well informed. | 0:33:24 | 0:33:26 | |
I have to be, with officers like you working on it, DCI Donald. | 0:33:26 | 0:33:30 | |
If you've got something to say, Superintendent, just say it. | 0:33:30 | 0:33:33 | |
You know, I'm surprised you're so keen for us | 0:33:33 | 0:33:35 | |
to search Lenny Murdoch's flat. | 0:33:35 | 0:33:37 | |
Aren't you concerned about what we might turn up? | 0:33:37 | 0:33:39 | |
Why should I be? | 0:33:39 | 0:33:40 | |
You tell me. | 0:33:40 | 0:33:41 | |
Look, the only thing I hope we find is a link between Kennedy | 0:33:44 | 0:33:47 | |
and the vicious sexual assault on this woman. | 0:33:47 | 0:33:50 | |
Shame you won't be there to find out then, isn't it? | 0:33:50 | 0:33:52 | |
I'm pulling you off this case. | 0:33:53 | 0:33:55 | |
I view you as a serious threat to a positive outcome. | 0:33:56 | 0:34:00 | |
Despite the fact that I've pulled the case together | 0:34:00 | 0:34:02 | |
and gathered all the evidence? | 0:34:02 | 0:34:03 | |
The last thing I need is a high-end criminal walking, because | 0:34:03 | 0:34:07 | |
the spotlight falls on the behaviour of the senior arresting officer. | 0:34:07 | 0:34:10 | |
I've still not heard any reasons. | 0:34:10 | 0:34:12 | |
We know Kennedy's an associate of Murdoch, | 0:34:16 | 0:34:19 | |
and it is my belief that you are, too. | 0:34:19 | 0:34:22 | |
You've corrupted yourself with your involvement with these people. | 0:34:22 | 0:34:26 | |
You need to step back now. | 0:34:26 | 0:34:28 | |
Who took these? | 0:34:29 | 0:34:31 | |
I've had someone watching you for some time. | 0:34:31 | 0:34:33 | |
Oh, who would you recommend to lead the arrest? | 0:34:36 | 0:34:39 | |
You're running things now, you decide. | 0:34:39 | 0:34:41 | |
DS Grant. | 0:34:56 | 0:34:57 | |
I've taken the DCI off the Kennedy case. | 0:34:59 | 0:35:02 | |
-I want you to run it. -Ma'am? | 0:35:02 | 0:35:04 | |
You heard me. Get your team organised. | 0:35:04 | 0:35:06 | |
Nothing else has changed. | 0:35:06 | 0:35:08 | |
The Super wants me to take over the Kennedy case. | 0:35:16 | 0:35:19 | |
What about Donald? | 0:35:22 | 0:35:23 | |
What about him? | 0:35:23 | 0:35:25 | |
Where's the DCI now? | 0:35:25 | 0:35:26 | |
No idea. | 0:35:26 | 0:35:28 | |
I'll get the team together, you organise cars. | 0:35:28 | 0:35:30 | |
Hi. This is Cooper, CID. Can I have the lot, please? | 0:35:44 | 0:35:47 | |
Sir? | 0:35:53 | 0:35:54 | |
I know we've had our differences, but I thought we'd got past that. | 0:35:54 | 0:35:57 | |
We have. What's going on? | 0:35:57 | 0:35:59 | |
You've been working for Cole. Following me, taking photographs. | 0:35:59 | 0:36:03 | |
What?! | 0:36:03 | 0:36:04 | |
She told me she's had someone watching me. It's got to be you. | 0:36:04 | 0:36:07 | |
Me?! Why me? | 0:36:07 | 0:36:09 | |
You're the only one with a reason to want me gone. | 0:36:09 | 0:36:11 | |
But I don't want you gone. | 0:36:11 | 0:36:13 | |
Well, someone has been spying on me. | 0:36:13 | 0:36:15 | |
And you think it's me? | 0:36:15 | 0:36:16 | |
Thanks very much(!) | 0:36:16 | 0:36:17 | |
Well, if it's not you... | 0:36:19 | 0:36:20 | |
But you've been working with her across everything. | 0:36:24 | 0:36:27 | |
You're sticking around, right? | 0:36:32 | 0:36:34 | |
Will? | 0:36:36 | 0:36:37 | |
Sorry. | 0:36:38 | 0:36:39 | |
'Target ETA, three minutes.' | 0:37:11 | 0:37:14 | |
Yes, yes. | 0:37:14 | 0:37:15 | |
You're very quiet. | 0:37:22 | 0:37:23 | |
Donald knows you're working for Cole. | 0:37:25 | 0:37:28 | |
Sorry? | 0:37:28 | 0:37:29 | |
He knows. | 0:37:30 | 0:37:31 | |
What are you talking about? | 0:37:31 | 0:37:33 | |
Cole told him she had someone watching him. | 0:37:33 | 0:37:36 | |
The first person he thought of was me. | 0:37:36 | 0:37:38 | |
Which, I have to say, hurt. | 0:37:38 | 0:37:40 | |
Now who's quiet? | 0:37:43 | 0:37:44 | |
I know how the DCI can be, but I never tagged you as a grass. | 0:37:46 | 0:37:49 | |
I'm not... | 0:37:51 | 0:37:52 | |
It's OK. You don't have to explain. | 0:37:52 | 0:37:54 | |
So, what did you find out, anyway? | 0:37:56 | 0:37:58 | |
You know, if you get him, you'll probably get me, too. | 0:38:03 | 0:38:05 | |
You know that, right? | 0:38:05 | 0:38:06 | |
What does it mean to you? A promotion? | 0:38:06 | 0:38:08 | |
A step up the career ladder? | 0:38:08 | 0:38:10 | |
Enough to instigate an investigation into Donald. | 0:38:12 | 0:38:15 | |
It's got nothing to do with you. | 0:38:15 | 0:38:16 | |
But not enough to take him down? | 0:38:17 | 0:38:20 | |
No. | 0:38:20 | 0:38:21 | |
And our friendship, I assume that was a means to an end? | 0:38:21 | 0:38:25 | |
All the words of comfort about Petey and Robbie, | 0:38:25 | 0:38:28 | |
just a way of gathering information. | 0:38:28 | 0:38:30 | |
They were genuine. | 0:38:33 | 0:38:34 | |
'Target approaching location.' | 0:38:35 | 0:38:37 | |
Yes, yes. | 0:38:37 | 0:38:38 | |
They were genuine, Will. | 0:38:43 | 0:38:44 | |
Not poured one for me an' all? | 0:39:00 | 0:39:01 | |
It's polite to wait till you're offered. | 0:39:03 | 0:39:05 | |
C'mon. | 0:39:05 | 0:39:06 | |
Cheers. | 0:39:14 | 0:39:15 | |
Long day? | 0:39:15 | 0:39:16 | |
You're supposed to savour it. | 0:39:22 | 0:39:24 | |
I'll savour the next one. | 0:39:24 | 0:39:26 | |
Why you keep bringing trouble to my door? | 0:39:40 | 0:39:42 | |
You've lost me. | 0:39:44 | 0:39:45 | |
Three weeks ago, murder. Now, rape. | 0:39:45 | 0:39:50 | |
Rape?! | 0:39:51 | 0:39:52 | |
Who have you been talking to? | 0:39:53 | 0:39:54 | |
How did you get that scratch on your face? | 0:39:56 | 0:39:59 | |
Come on, tell me. The truth. | 0:40:00 | 0:40:03 | |
You stay and watch this exit. You take the side door. | 0:40:12 | 0:40:14 | |
Look, I'd paid her, I'd given her the money. I'd paid her. | 0:40:22 | 0:40:25 | |
I could do what I liked! | 0:40:25 | 0:40:26 | |
You're filth, man. | 0:40:26 | 0:40:27 | |
-Gie's peace, Lenny. -Watch it! | 0:40:27 | 0:40:29 | |
PHONE BEEPS | 0:40:32 | 0:40:33 | |
The cops are on their way up. | 0:40:39 | 0:40:40 | |
Oh, brilliant(!) | 0:40:40 | 0:40:43 | |
Ah. Good evening, Mr Murdoch. | 0:40:51 | 0:40:53 | |
DC Cooper and DS Grant. What an unpleasant surprise. | 0:40:55 | 0:40:59 | |
Where's Kennedy? | 0:40:59 | 0:41:00 | |
Kennedy? What, did you not pass him on the stairs? | 0:41:00 | 0:41:04 | |
Wait there, cover his retreat! | 0:41:30 | 0:41:32 | |
Billy, it's over. Come on out. | 0:41:46 | 0:41:49 | |
Over, is it? | 0:42:01 | 0:42:02 | |
You'd better get your back up, because I'm no' coming quietly. | 0:42:04 | 0:42:08 | |
Just come back to the station, don't make a scene. | 0:42:08 | 0:42:11 | |
I'm not getting huckled by a bent copper. | 0:42:11 | 0:42:13 | |
Bent in more ways than one, right? | 0:42:16 | 0:42:18 | |
What's up, son? | 0:42:20 | 0:42:21 | |
Want to prove you're more macho than the next guy? | 0:42:22 | 0:42:25 | |
Just put your hands where I can see them. | 0:42:25 | 0:42:26 | |
Come on, son. | 0:42:26 | 0:42:29 | |
Show us what you've got. | 0:42:29 | 0:42:31 | |
Go on. | 0:42:31 | 0:42:32 | |
Show us. | 0:42:34 | 0:42:35 | |
Come on. | 0:42:37 | 0:42:38 | |
Billy Kennedy, I'm arresting you on suspicion of rape | 0:42:49 | 0:42:51 | |
and the attempted murder of Anoushka Pattinson. | 0:42:51 | 0:42:54 | |
Are you OK? | 0:43:00 | 0:43:01 | |
Fine. | 0:43:02 | 0:43:04 | |
Do you understand why you're here, Mr Kennedy? | 0:43:14 | 0:43:17 | |
We're investigating a very serious assault. | 0:43:20 | 0:43:23 | |
The assault took place this morning between the hours | 0:43:25 | 0:43:28 | |
of 7.30am and 8.30am. | 0:43:28 | 0:43:30 | |
Then there must be a wee bit of a mix up there. | 0:43:31 | 0:43:33 | |
What do you mean? | 0:43:33 | 0:43:34 | |
I was at a breakfast meeting at that time. | 0:43:34 | 0:43:37 | |
Very early breakfast meeting. | 0:43:37 | 0:43:39 | |
It's the early bird that catches the worm. | 0:43:39 | 0:43:40 | |
Is there someone who can confirm that? | 0:43:40 | 0:43:43 | |
Ask Lenny Murdoch. He was there. | 0:43:43 | 0:43:46 | |
Where was this meeting? | 0:43:46 | 0:43:47 | |
In his flat. | 0:43:47 | 0:43:49 | |
So, you're saying you have an alibi? | 0:43:49 | 0:43:51 | |
You've won a watch. | 0:43:52 | 0:43:53 | |
We have CCTV footage that shows you | 0:43:55 | 0:43:57 | |
clearly outside the DiMarco hotel at 8.25am. | 0:43:57 | 0:44:00 | |
You mean you have footage of somebody that looks like me. | 0:44:02 | 0:44:04 | |
So you weren't at the DiMarco Hotel? | 0:44:06 | 0:44:08 | |
And you weren't there with Anoushka Pattinson? | 0:44:10 | 0:44:12 | |
And you know nothing about her necklace. | 0:44:14 | 0:44:16 | |
We'll take a break. | 0:44:21 | 0:44:22 | |
Interview suspended at 18.32. | 0:44:24 | 0:44:27 | |
You were with Billy Kennedy this evening. | 0:44:31 | 0:44:34 | |
What were you talking about? | 0:44:34 | 0:44:35 | |
No comment. | 0:44:36 | 0:44:37 | |
Are you going to no comment your way | 0:44:37 | 0:44:39 | |
through this whole conversation, yeah? | 0:44:39 | 0:44:41 | |
No comment. | 0:44:41 | 0:44:43 | |
If there was nothing to it, then why are you being so defensive? | 0:44:43 | 0:44:46 | |
Excuse me. | 0:44:52 | 0:44:54 | |
Well, maybe you can tell me about | 0:45:10 | 0:45:12 | |
the meeting you had with him earlier today, instead. | 0:45:12 | 0:45:14 | |
What meeting? | 0:45:16 | 0:45:17 | |
The meeting you had with him this morning at 8.00am. | 0:45:17 | 0:45:20 | |
No comment. | 0:45:24 | 0:45:25 | |
So, I take it you're not backing Mr Kennedy's claim | 0:45:27 | 0:45:30 | |
that you did have a meeting this morning? | 0:45:30 | 0:45:32 | |
No. | 0:46:05 | 0:46:06 | |
Oh, you won't confirm that now? | 0:46:06 | 0:46:08 | |
Good job we're not after Murdoch, isn't it? | 0:46:08 | 0:46:10 | |
Found the necklace, by the way. | 0:46:15 | 0:46:17 | |
Scoured the place inside and out. | 0:46:18 | 0:46:20 | |
Your boss is going to be SO disappointed. | 0:46:22 | 0:46:24 | |
I want you interviewing Kennedy. | 0:46:30 | 0:46:32 | |
Superintendent Cole won't like that. | 0:46:33 | 0:46:35 | |
I believe she told you to stay away from the arrest, not the interviews. | 0:46:36 | 0:46:41 | |
Resuming interview with William Kennedy at 18.47. | 0:46:54 | 0:46:57 | |
If you want to stop at any time, use the bathroom, please just say. | 0:46:59 | 0:47:03 | |
We want you to be entirely happy with the process. | 0:47:03 | 0:47:07 | |
So far, I'm delirious. | 0:47:07 | 0:47:08 | |
Where were you last night? | 0:47:11 | 0:47:12 | |
We believe you were at a hotel. The DiMarco on Vallance Street. | 0:47:16 | 0:47:21 | |
And you spent the night with an escort, is that right? | 0:47:21 | 0:47:23 | |
Anoushka Pattinson. | 0:47:23 | 0:47:24 | |
We can prove all this. | 0:47:27 | 0:47:28 | |
She was fine when I left her. | 0:47:28 | 0:47:30 | |
-What time was that? -No idea. | 0:47:30 | 0:47:31 | |
The receptionist says she saw Anoushka leave, | 0:47:32 | 0:47:35 | |
followed by you, at 8.05am. | 0:47:35 | 0:47:36 | |
That must have been when I left, then. | 0:47:38 | 0:47:40 | |
So, how did you manage to make your meeting with Lenny for eight o'clock? | 0:47:41 | 0:47:45 | |
Lenny Murdoch isn't prepared to confirm your alibi, | 0:47:49 | 0:47:52 | |
so we're going to need your help there. | 0:47:52 | 0:47:54 | |
-Is that right? -Mm-hm. | 0:47:55 | 0:47:57 | |
So either he doesn't want to tell us about the meeting, | 0:47:57 | 0:48:00 | |
or the meeting didn't take place. We think it's the latter. | 0:48:00 | 0:48:03 | |
If you weren't with Lenny... | 0:48:04 | 0:48:06 | |
..where were you? | 0:48:08 | 0:48:09 | |
Where were you? | 0:48:12 | 0:48:13 | |
Where were you, Mr Kennedy? | 0:48:17 | 0:48:18 | |
Where were you? | 0:48:23 | 0:48:25 | |
She's a prostitute, for God's sake! | 0:48:25 | 0:48:27 | |
Why are you even bothering?! | 0:48:27 | 0:48:28 | |
Look... | 0:48:33 | 0:48:34 | |
I'd like to claim one of those bathroom breaks, if you don't mind? | 0:48:36 | 0:48:40 | |
Stopping interview at 18.53. | 0:48:41 | 0:48:43 | |
Why is DCI Donald conducting this interview? | 0:48:52 | 0:48:54 | |
Because I asked him to. | 0:48:54 | 0:48:56 | |
I told him to stay clear of this investigation. | 0:48:56 | 0:48:59 | |
You also told him he had a mole in his department. | 0:48:59 | 0:49:02 | |
He's a liability. I want him off this case and out of my station. | 0:49:02 | 0:49:05 | |
YOUR station? Just how personal has this got?! | 0:49:05 | 0:49:09 | |
Watch your step, DS Grant, | 0:49:09 | 0:49:10 | |
or you'll be looking for a new career when this is over. | 0:49:10 | 0:49:14 | |
Now, get him out of there. | 0:49:14 | 0:49:16 | |
He presents no risk to a secure conviction. | 0:49:16 | 0:49:18 | |
You put me in charge of this case and I want him interviewing Kennedy. | 0:49:18 | 0:49:21 | |
Resuming interview at 18.55, with William Kennedy. | 0:49:24 | 0:49:26 | |
You will regret this. | 0:49:26 | 0:49:28 | |
Where were you at 7.30 this morning? | 0:49:30 | 0:49:32 | |
I suggest you were in your hotel room assaulting Anoushka Pattinson. | 0:49:37 | 0:49:40 | |
Oh, come on, Billy. We're going round in circles here. | 0:49:45 | 0:49:47 | |
Anoushka tells us that you paid her £500. | 0:49:53 | 0:49:57 | |
You got your money's worth, then? | 0:49:57 | 0:49:58 | |
So, you were angry. | 0:50:00 | 0:50:01 | |
You still look angry to me, and it's ten hours after the event. | 0:50:05 | 0:50:08 | |
You know we have a forensic doctor examining the victim, right? | 0:50:12 | 0:50:15 | |
My prints will be all over her, you stupid queer. | 0:50:15 | 0:50:17 | |
It's not just about fingerprints, Billy. | 0:50:19 | 0:50:21 | |
They can do all sorts nowadays. | 0:50:21 | 0:50:23 | |
Can match finger spans from bruising patterns, ascertain the size | 0:50:23 | 0:50:27 | |
of a someone's hand when they grab a throat or an arm. | 0:50:27 | 0:50:30 | |
Oh, and the doctor's also looking under the fingernails of the victim | 0:50:30 | 0:50:33 | |
for DNA evidence that it was you. | 0:50:33 | 0:50:35 | |
Some other guests reported hearing raised voices in your room | 0:50:39 | 0:50:43 | |
around 7.25. What was that about? | 0:50:43 | 0:50:45 | |
I was haggling about money. | 0:50:45 | 0:50:46 | |
You don't strike me as the sort of person | 0:50:48 | 0:50:50 | |
who haggles over money with an escort, Billy. | 0:50:50 | 0:50:53 | |
Anyway, she told us you were a regular client. | 0:50:55 | 0:50:58 | |
Fixed price menu. | 0:51:00 | 0:51:01 | |
I suggest you were arguing over something else. | 0:51:04 | 0:51:07 | |
You thought she was eavesdropping on a conversation you were having, | 0:51:09 | 0:51:12 | |
you turned violent. | 0:51:12 | 0:51:13 | |
And during the course of that violence, you raped her. | 0:51:15 | 0:51:18 | |
Do you recognise this? | 0:51:23 | 0:51:25 | |
For the tape, DCI Donald is showing William Kennedy exhibit RG07, | 0:51:25 | 0:51:29 | |
the necklace. | 0:51:29 | 0:51:30 | |
I gave it to her as a gift. | 0:51:35 | 0:51:36 | |
So, you admit you gave this necklace to Anoushka Pattinson? | 0:51:38 | 0:51:41 | |
Aye. | 0:51:41 | 0:51:42 | |
And then took it back, in no uncertain fashion. | 0:51:43 | 0:51:45 | |
It was expensive. | 0:51:45 | 0:51:47 | |
Is that why you argued? | 0:51:47 | 0:51:48 | |
Argued and fought? | 0:51:50 | 0:51:51 | |
No. | 0:51:53 | 0:51:55 | |
-You didn't fight with Anoushka Pattinson? -No. | 0:51:55 | 0:51:58 | |
You didn't threaten to kill her, didn't knock her to the ground, | 0:51:58 | 0:52:01 | |
-slap her and kick her, then tear the necklace from around her neck? -No. | 0:52:01 | 0:52:05 | |
Then how come this necklace is snapped, | 0:52:08 | 0:52:10 | |
and the victim's got marks on her neck? | 0:52:10 | 0:52:12 | |
What can I say? | 0:52:15 | 0:52:16 | |
She likes it rough, right? | 0:52:17 | 0:52:19 | |
She likes to get knocked about a bit. | 0:52:20 | 0:52:22 | |
And I like to oblige. | 0:52:22 | 0:52:23 | |
It's consensual, by the way. | 0:52:24 | 0:52:26 | |
And if she denies it, it's her word against mine, OK? | 0:52:26 | 0:52:29 | |
I put you two in front of a jury... | 0:52:32 | 0:52:35 | |
I think I know who they're going to believe. | 0:52:35 | 0:52:37 | |
You crossed a line today, Billy. | 0:52:40 | 0:52:42 | |
You know it, I know it, | 0:52:42 | 0:52:44 | |
and all your so-called friends know it. | 0:52:44 | 0:52:46 | |
They're all hanging you out to dry. | 0:52:46 | 0:52:48 | |
You're going down for this. | 0:52:48 | 0:52:49 | |
We'll see. | 0:52:52 | 0:52:54 | |
William Kennedy, I'm charging you with rape and attempted murder. | 0:52:54 | 0:52:58 | |
Ma'am. | 0:53:18 | 0:53:19 | |
You deliberately disobeyed my orders. | 0:53:20 | 0:53:23 | |
Your orders nearly compromised this case. | 0:53:23 | 0:53:25 | |
Oh, careful, Detective Chief Inspector. | 0:53:25 | 0:53:26 | |
With respect, Superintendent... | 0:53:26 | 0:53:29 | |
We secured a positive outcome. Can't we just leave it at that? | 0:53:34 | 0:53:38 | |
Lenny Murdoch, Billy Kennedy. | 0:53:41 | 0:53:44 | |
I know these men, because it's my job to know them. | 0:53:44 | 0:53:46 | |
How they think, how they work. | 0:53:46 | 0:53:48 | |
Yeah, sometimes I have to get my hands dirty, | 0:53:50 | 0:53:52 | |
but I am not one of them. | 0:53:52 | 0:53:53 | |
APPLAUSE | 0:54:02 | 0:54:04 | |
-Well done, boss. -Thanks. | 0:54:07 | 0:54:08 | |
OK, OK. | 0:54:08 | 0:54:10 | |
Couldn't have done it on my own. This collar belongs to all of us. | 0:54:11 | 0:54:14 | |
Sir, can I have a word? | 0:54:14 | 0:54:15 | |
I'll be right back and then we will all go for a drink to celebrate. | 0:54:15 | 0:54:18 | |
Stick that in the kitty. | 0:54:18 | 0:54:20 | |
A word about what? | 0:54:21 | 0:54:22 | |
I've... | 0:54:22 | 0:54:24 | |
..decided to move on. | 0:54:25 | 0:54:27 | |
My old DCI has a major case on, so... | 0:54:28 | 0:54:31 | |
Is that it? | 0:54:33 | 0:54:34 | |
I think you're a great copper and good bloke. | 0:54:39 | 0:54:41 | |
I hope you find what you need. | 0:54:43 | 0:54:44 | |
Vice versa. | 0:54:45 | 0:54:46 | |
You know, that was a very brave move... | 0:55:14 | 0:55:17 | |
sending the coppers into my flat. | 0:55:17 | 0:55:19 | |
They could've found this. | 0:55:20 | 0:55:22 | |
You know what? Let's take that down to the station right now. | 0:55:22 | 0:55:24 | |
I've been played a mug too long. This ends here. | 0:55:26 | 0:55:29 | |
Who are you kidding? | 0:55:29 | 0:55:31 | |
You knew exactly what you were getting into | 0:55:31 | 0:55:33 | |
the first time you sat at that desk. | 0:55:33 | 0:55:35 | |
And you knew exactly what you were getting into | 0:55:35 | 0:55:37 | |
when you fell in with Billy Kennedy. | 0:55:37 | 0:55:38 | |
THIS is finished. | 0:55:38 | 0:55:40 | |
You put one foot out of line, I'll be there to stamp all over it. | 0:55:42 | 0:55:46 | |
That's a promise. | 0:55:48 | 0:55:49 | |
Stephen Burns, as a person with whom the defender, | 0:56:26 | 0:56:29 | |
that's you, obviously, is alleged to have committed adultery. | 0:56:29 | 0:56:33 | |
I'm no' taking the rap for this. | 0:56:33 | 0:56:35 | |
It's about time you got what's coming to you. | 0:56:35 | 0:56:37 | |
By putting Stella through misery? | 0:56:37 | 0:56:38 | |
So you're wee Bubba can come up smelling of roses? | 0:56:38 | 0:56:41 | |
Tell your boyfriend to man up and accept his part in this, or else | 0:56:41 | 0:56:44 | |
he's going to need a new suit for his big court appearance, all right? | 0:56:44 | 0:56:47 | |
You were in a hurry today. | 0:56:47 | 0:56:48 | |
Sorry about that. | 0:56:48 | 0:56:49 | |
Forgiven if you buy me a drink. | 0:56:49 | 0:56:51 | |
Subtitles by Red Bee Media | 0:57:09 | 0:57:12 |