Browse content similar to 25/06/2013. Check below for episodes and series from the same categories and more!
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Were you assaulted this morning by the client? | 0:00:22 | 0:00:24 | |
Does he have a name? | 0:00:26 | 0:00:28 | |
Three weeks ago, murder. Now, rape. | 0:00:28 | 0:00:31 | |
If I do this, you've got to put him away. | 0:00:34 | 0:00:37 | |
She's a prostitute for God's sake. Why are you even bothering? | 0:00:37 | 0:00:41 | |
William Kennedy, I'm charging you with rape and attempted murder. | 0:00:41 | 0:00:46 | |
Nice of you to come and visit. | 0:01:07 | 0:01:09 | |
I just wanted you to be clear about what's going on. | 0:01:09 | 0:01:13 | |
-What is going on? -We've got an operation going here. | 0:01:13 | 0:01:16 | |
A big operation. | 0:01:16 | 0:01:17 | |
And we don't need our supplier getting cold feet cos you | 0:01:17 | 0:01:21 | |
can't keep your hands off some bint you picked up. | 0:01:21 | 0:01:24 | |
So here's what's going to happen. | 0:01:25 | 0:01:28 | |
Pedro's going to bring his gear to me, | 0:01:28 | 0:01:30 | |
and I'm going to pass it to your guys to cut up. | 0:01:30 | 0:01:33 | |
Nothing changes. | 0:01:33 | 0:01:34 | |
-Sound good? -Fine. | 0:01:36 | 0:01:37 | |
-I'm doing this cos we're mates. And it makes sense. -Aye. OK. | 0:01:39 | 0:01:43 | |
Good. You're still gonnae be making a mint and you're doing nothing. | 0:01:43 | 0:01:48 | |
The stress I'm under, I'd swap places with you. | 0:01:48 | 0:01:51 | |
You always end up on top. | 0:01:51 | 0:01:52 | |
Listen, the both of us are on top with this. | 0:01:52 | 0:01:55 | |
-So, are you happy? -Ecstatic(!) | 0:01:57 | 0:02:01 | |
Well, tell your face. I'll be in touch. | 0:02:01 | 0:02:03 | |
JET ENGINE ROARS | 0:02:17 | 0:02:20 | |
Billy, it's me... | 0:02:38 | 0:02:40 | |
Billy..... | 0:02:44 | 0:02:45 | |
Pedro. | 0:03:02 | 0:03:04 | |
Lenny Murdoch. Nice to meet at last. | 0:03:04 | 0:03:07 | |
-Where's Kennedy? -He's not coming. I'm here instead. | 0:03:07 | 0:03:10 | |
We had a meeting set up. | 0:03:12 | 0:03:13 | |
Change of plan. I'm looking after things now. | 0:03:13 | 0:03:17 | |
-I only deal with Kennedy. -Not any more. | 0:03:17 | 0:03:20 | |
This is not the arrangement. | 0:03:24 | 0:03:25 | |
You see, I don't think you understand what's going on here. | 0:03:25 | 0:03:29 | |
I'm going. | 0:03:29 | 0:03:30 | |
Don't worry about him. | 0:03:35 | 0:03:36 | |
He's just there to make sure nobody gets into trouble. | 0:03:36 | 0:03:39 | |
-All right. -Hi. | 0:03:57 | 0:03:59 | |
What's with the messages? | 0:03:59 | 0:04:00 | |
I'm making dinner. For me and Gareth. | 0:04:00 | 0:04:02 | |
So, that's still going on then, is it? | 0:04:02 | 0:04:04 | |
I can make dinner for whoever I want. | 0:04:04 | 0:04:06 | |
And I can see whoever I want. | 0:04:06 | 0:04:08 | |
Do you not think you're a bit late to be worrying about | 0:04:08 | 0:04:10 | |
me getting into trouble? | 0:04:10 | 0:04:12 | |
You know what most boys do when they see a girl in my condition? | 0:04:12 | 0:04:16 | |
They run a mile. | 0:04:16 | 0:04:17 | |
Gabriel, I've met a boy that I like and who likes me. | 0:04:19 | 0:04:22 | |
Can you not just be happy? | 0:04:22 | 0:04:23 | |
Just be careful, eh? | 0:04:24 | 0:04:26 | |
-Black coffee, please. -No problem. | 0:04:40 | 0:04:43 | |
MOBILE PHONE RINGS | 0:04:43 | 0:04:46 | |
-'Gareth?' -Billy. | 0:04:50 | 0:04:52 | |
'I've put you on the visiting list for today, all right?' | 0:04:52 | 0:04:55 | |
'You need to get yourself down here.' | 0:04:55 | 0:04:57 | |
Billy? Billy? | 0:04:57 | 0:04:59 | |
Billy's not going anywhere any time soon. | 0:05:06 | 0:05:08 | |
-He's up in court in a month and I can't see it going his way. -So? | 0:05:08 | 0:05:12 | |
So we have to figure out a way to keep it going forward. | 0:05:12 | 0:05:16 | |
This is you and me. We can kill this right now. | 0:05:16 | 0:05:18 | |
Or find a way to keep it going. | 0:05:18 | 0:05:20 | |
And what exactly are you bringing to the table? | 0:05:21 | 0:05:24 | |
Stability. You deal with me, you know where you are. | 0:05:25 | 0:05:29 | |
We've done OK up to now. | 0:05:29 | 0:05:30 | |
Yeah, and who do you think's been keeping things going, up until now? | 0:05:30 | 0:05:34 | |
I don't know. There's plenty more people out there. | 0:05:37 | 0:05:40 | |
That's right. And you can take your pick of any one of them. | 0:05:40 | 0:05:44 | |
Then you can sit in your pad in Spain | 0:05:44 | 0:05:46 | |
and hope they're not screwing you over. | 0:05:46 | 0:05:48 | |
So, what's your proposal? | 0:05:50 | 0:05:52 | |
We take Kennedy's split. | 0:05:57 | 0:05:59 | |
With just the two of us, that's a lot more money. | 0:05:59 | 0:06:01 | |
Now, you show me yours. | 0:06:05 | 0:06:06 | |
How do I know I can trust you? | 0:06:11 | 0:06:13 | |
Believe me, If I wanted, I'd have it by now. | 0:06:13 | 0:06:16 | |
We both make out of this. | 0:06:36 | 0:06:38 | |
With Kennedy out the picture, it's simple. | 0:06:38 | 0:06:41 | |
Either one of us falls, we both lose out. | 0:06:41 | 0:06:44 | |
That's how we know we can trust each other. | 0:06:53 | 0:06:55 | |
I've got a car at the boat shed. | 0:07:08 | 0:07:09 | |
I want you to pick it up and take it into the garage for a service. | 0:07:09 | 0:07:13 | |
What? Are you above doing me a favour? | 0:07:15 | 0:07:18 | |
-No... -I asked you in to do a job for me. | 0:07:20 | 0:07:25 | |
Anyone checks, that's your story, got it? | 0:07:26 | 0:07:29 | |
So, why am I really here? | 0:07:31 | 0:07:33 | |
To get me out of this place. | 0:07:34 | 0:07:36 | |
We both take whatever our costs are, split the rest 60/40. | 0:07:38 | 0:07:43 | |
-To who? -Don't be funny. I'm taking all the risks. | 0:07:43 | 0:07:46 | |
It's my men out on the street. | 0:07:46 | 0:07:48 | |
All you've got to do is supply a product that's not screwed with. | 0:07:48 | 0:07:51 | |
And in return? | 0:07:51 | 0:07:52 | |
You get to deal with me. Everything nice and simple. | 0:07:52 | 0:07:56 | |
And what happens your end? | 0:07:56 | 0:07:58 | |
I've sourced a new cutting agent. | 0:07:58 | 0:08:01 | |
I want your contacts to cut it for us. | 0:08:01 | 0:08:03 | |
You come round tonight, sample it, make sure it's up to proper quality. | 0:08:03 | 0:08:07 | |
And you've a guarantee I'll be pushing money across | 0:08:07 | 0:08:10 | |
that table every month. | 0:08:10 | 0:08:12 | |
Sounds good to me. | 0:08:14 | 0:08:15 | |
I'll be needing the rest of the consignment. | 0:08:21 | 0:08:23 | |
I want it going out by the end of the week. | 0:08:23 | 0:08:25 | |
I'll get it to you later today. | 0:08:25 | 0:08:28 | |
Good. Looks like we've got ourselves a deal. | 0:08:28 | 0:08:30 | |
-I need her gone. -Who? | 0:08:44 | 0:08:48 | |
The wee lassie that went running to the polis. | 0:08:48 | 0:08:50 | |
What do you mean by gone? | 0:08:50 | 0:08:52 | |
In four weeks, I'm gonnae be in court. | 0:08:52 | 0:08:55 | |
Without her, they've got nothing. I need her to disappear. | 0:08:57 | 0:09:01 | |
What? You want me to scare her off? | 0:09:04 | 0:09:06 | |
I want you to shut her up. For good. | 0:09:06 | 0:09:08 | |
Why me? Why not... | 0:09:11 | 0:09:13 | |
Why not one of Lenny's guys? | 0:09:15 | 0:09:17 | |
You want me owing Murdoch more than I do already? | 0:09:17 | 0:09:20 | |
It's bad enough having to rely on him on running things out there, | 0:09:20 | 0:09:24 | |
while I'm stuck in this toilet. | 0:09:24 | 0:09:25 | |
I told you we're dealing with things fine. | 0:09:25 | 0:09:28 | |
Good. | 0:09:28 | 0:09:30 | |
Doesn't mean I've to be in hock to him for the rest of my life. | 0:09:30 | 0:09:33 | |
I want somebody I can trust. | 0:09:35 | 0:09:37 | |
Somebody I know can do this right. | 0:09:37 | 0:09:39 | |
You told me you've done this before. | 0:09:41 | 0:09:43 | |
-Aye, but... -You have, haven't you? You've done this before? | 0:09:43 | 0:09:48 | |
Aye. I told you. | 0:09:48 | 0:09:49 | |
You're always saying how you want to step up, take the lead. | 0:09:49 | 0:09:52 | |
I know. It's just... | 0:09:56 | 0:09:59 | |
Well, this is different, Billy. | 0:09:59 | 0:10:01 | |
When you were stuck in this place bricking it | 0:10:03 | 0:10:06 | |
cos you knew you were out your depths, | 0:10:06 | 0:10:09 | |
who was it had your back? | 0:10:09 | 0:10:10 | |
You can't go strutting around saying how you've beaten people up, how | 0:10:10 | 0:10:15 | |
people are in fear of you - you've got to be willing to back that up. | 0:10:15 | 0:10:18 | |
Know what I mean? | 0:10:18 | 0:10:21 | |
Her name is Anoushka Pattinson. | 0:10:23 | 0:10:25 | |
P-A-T-T-I-N-S-O-N. | 0:10:25 | 0:10:27 | |
Brunette. 5'4". Size 10. Posh tart. | 0:10:27 | 0:10:32 | |
Lives at 27 Cragside Avenue, first floor. | 0:10:32 | 0:10:35 | |
I don't want anybody else knowing about this. Especially Murdoch. | 0:10:37 | 0:10:41 | |
You understand? | 0:10:41 | 0:10:42 | |
Fine. | 0:10:43 | 0:10:44 | |
Right, I've arranged a drop off for you at the boat shed. | 0:10:45 | 0:10:49 | |
A drop off? | 0:10:49 | 0:10:50 | |
I want this job done proper. | 0:10:50 | 0:10:52 | |
So you'll need the right tools for the job. | 0:10:52 | 0:10:54 | |
There'll be somebody waiting for you. | 0:10:54 | 0:10:57 | |
And they'll wanting two grand off you. | 0:10:57 | 0:11:00 | |
-For what? -It's a deposit. A gun costs a lot of money out there. | 0:11:00 | 0:11:04 | |
And they'll want to know they can get it back. | 0:11:04 | 0:11:06 | |
They'll take it back? | 0:11:06 | 0:11:09 | |
Are you stupid?! | 0:11:09 | 0:11:10 | |
You give them the money, they give you the gun. | 0:11:11 | 0:11:14 | |
When you're done with it, you give them it back, | 0:11:14 | 0:11:16 | |
they give you the money minus a grand for the hire. | 0:11:16 | 0:11:19 | |
Where the hell am I meant to get £2,000 from? | 0:11:22 | 0:11:25 | |
Murdoch's doing well enough isn't he? Does he not pay you? | 0:11:25 | 0:11:27 | |
Aye, but he's not given me anything in a while. | 0:11:27 | 0:11:32 | |
Who's talking about giving? It's about time you realise, son, | 0:11:32 | 0:11:35 | |
if you want anything in this life, you've just got take it. | 0:11:35 | 0:11:39 | |
Relax - it's coming out of my share. | 0:11:39 | 0:11:42 | |
Right, expect a call from me about four. | 0:11:44 | 0:11:47 | |
I'll want to know it's a done deal. Right? | 0:11:48 | 0:11:51 | |
OK. | 0:11:54 | 0:11:55 | |
So that's Saint Mungo's at two... | 0:12:07 | 0:12:08 | |
Is Lenny in? I've just to pick something up. | 0:12:11 | 0:12:14 | |
No, Saint Mungo's at two. She's going to meet you outside. | 0:12:17 | 0:12:23 | |
I don't know where outside. | 0:12:24 | 0:12:26 | |
Well, it's not my problem. | 0:12:32 | 0:12:33 | |
Oh, listen... | 0:12:40 | 0:12:41 | |
# Are you gonna be the one who's always gonna treat me right? | 0:12:45 | 0:12:47 | |
# Oh, oh | 0:12:47 | 0:12:49 | |
# And when we get together turning down the lights | 0:12:49 | 0:12:51 | |
# Need you 100 | 0:12:51 | 0:12:53 | |
# Need you 100% | 0:12:53 | 0:12:56 | |
# I wanna be the one you tell all your friends about | 0:12:56 | 0:12:59 | |
# Oh, oh | 0:12:59 | 0:13:00 | |
# Baby, I'll be the one you just can't do without | 0:13:00 | 0:13:04 | |
# You've gotta give me everything baby, ain't no doubt | 0:13:04 | 0:13:07 | |
# Give me 100 | 0:13:07 | 0:13:08 | |
# Need you 100%... # | 0:13:08 | 0:13:10 | |
MOBILE PHONE RINGS | 0:13:10 | 0:13:12 | |
Hello. | 0:13:18 | 0:13:19 | |
Och, you're all heart. | 0:13:22 | 0:13:24 | |
None of the other drivers give me gyp like this. | 0:13:24 | 0:13:27 | |
I'll be having words. You watch your step. | 0:13:27 | 0:13:29 | |
There's no point taking that tone. | 0:13:33 | 0:13:35 | |
I know exactly what you're up to. | 0:13:35 | 0:13:38 | |
At five, I've got a booking for a hen night... | 0:13:38 | 0:13:41 | |
# ..I wanna be the one you call every day and night | 0:13:43 | 0:13:45 | |
# Are you gonna be the one who's always gonna treat me right? | 0:13:46 | 0:13:50 | |
# And when we get together turning down the lights... # | 0:13:50 | 0:13:53 | |
It's coming in today. We'll get it by the end of the week. | 0:13:53 | 0:13:56 | |
Same as before. Aye, good. | 0:13:56 | 0:13:59 | |
Aye, for the two of us. | 0:14:00 | 0:14:02 | |
# ..Are you gonna be the one who's always gonna treat me right? | 0:14:02 | 0:14:05 | |
# And when we get together... # | 0:14:05 | 0:14:07 | |
What you doing? | 0:14:07 | 0:14:09 | |
Waiting on you. I need to borrow a car for this afternoon. | 0:14:09 | 0:14:11 | |
I need to pick something up. | 0:14:11 | 0:14:13 | |
Take Mikey's, he's not on till later. | 0:14:13 | 0:14:15 | |
Come in here a wee minute. | 0:14:15 | 0:14:16 | |
That's 1,500 for the Amsterdam score. | 0:14:23 | 0:14:25 | |
It's about time you got it. | 0:14:26 | 0:14:28 | |
Two grand's what I'm owed. | 0:14:32 | 0:14:35 | |
-What? -If you want to square my wages up, | 0:14:35 | 0:14:37 | |
you should be giving me my two grand. | 0:14:37 | 0:14:39 | |
You're a chancer. | 0:14:45 | 0:14:46 | |
Make sure I get a car back this time. | 0:14:53 | 0:14:56 | |
-Not a wreck. -I will. | 0:14:56 | 0:14:57 | |
-WOMAN: -You must have dialled the wrong number. | 0:14:59 | 0:15:01 | |
I can do you a taxi but no' a chicken chow mein. | 0:15:01 | 0:15:04 | |
CAR LOCKING SYSTEM BEEPS | 0:15:16 | 0:15:18 | |
Believe me, you are never going to change him, | 0:15:41 | 0:15:44 | |
he will go off you eventually and that doesn't happen to all men. | 0:15:44 | 0:15:48 | |
Problem pages are all the same. | 0:15:48 | 0:15:51 | |
Are you all right? | 0:15:51 | 0:15:53 | |
You've had a lot of boyfriends, haven't you? I mean, serious ones? | 0:15:53 | 0:15:57 | |
Not the best subject right now. | 0:15:57 | 0:16:00 | |
-Sorry. -It's fine. Aye, I've done my bit. | 0:16:00 | 0:16:03 | |
So, how do you know if it's serious, or if it's just a... | 0:16:03 | 0:16:07 | |
if it's not going anywhere? | 0:16:07 | 0:16:08 | |
I guess sometime between the first night you pick him up | 0:16:08 | 0:16:11 | |
and five year down the line. | 0:16:11 | 0:16:13 | |
Why? Is this Gareth? | 0:16:14 | 0:16:15 | |
I don't want to sound like one of your problem pages... | 0:16:17 | 0:16:20 | |
but have you tried asking? | 0:16:20 | 0:16:22 | |
Yeah kind of... No, not really. | 0:16:22 | 0:16:25 | |
I keep trying to bring it up but it's just like he's not listening. | 0:16:25 | 0:16:29 | |
-There's something new. -And what if he doesn't want to talk about it? | 0:16:29 | 0:16:32 | |
What does that mean? | 0:16:32 | 0:16:33 | |
Depends on the boy. | 0:16:33 | 0:16:35 | |
Either he's a commitment-phobe - in which case you run for the hills - | 0:16:35 | 0:16:38 | |
or he's got somebody else on the go. | 0:16:38 | 0:16:40 | |
Or? | 0:16:40 | 0:16:41 | |
Or he's as worried as you are about where things are going | 0:16:41 | 0:16:43 | |
but he doesn't know how to articulate it. | 0:16:43 | 0:16:46 | |
I hope so. | 0:16:46 | 0:16:48 | |
Who knows? If it was me, I'd be hopeful too. | 0:16:48 | 0:16:51 | |
I still don't know what to do. | 0:16:52 | 0:16:54 | |
If he really, really likes you, he'll tell you - | 0:16:55 | 0:16:59 | |
if he's man enough. And that won't help. | 0:16:59 | 0:17:01 | |
# Pass out the hatchets, baby... # | 0:17:15 | 0:17:18 | |
All right? | 0:17:29 | 0:17:30 | |
# ..Oh | 0:17:55 | 0:17:56 | |
# Let me at the little tree first... # | 0:18:03 | 0:18:06 | |
MOBILE PHONE RINGS | 0:18:18 | 0:18:20 | |
# ..The bigger they come the harder they fall | 0:18:31 | 0:18:33 | |
# Let me chop it let me chop it, let me chop it | 0:18:36 | 0:18:40 | |
# Uh! # | 0:18:48 | 0:18:49 | |
ENTRYPHONE BUZZES | 0:19:57 | 0:19:59 | |
'Hello?' | 0:20:00 | 0:20:02 | |
Good afternoon. My name's DC Fraser McClusky. | 0:20:02 | 0:20:04 | |
I was wondering if I could have a word. | 0:20:04 | 0:20:07 | |
'You're who?' | 0:20:07 | 0:20:08 | |
DC McClusky. I've been assigned to you. | 0:20:08 | 0:20:11 | |
I just wanted to introduce myself. | 0:20:11 | 0:20:13 | |
'No-one mentioned you were coming.' | 0:20:14 | 0:20:16 | |
Really? They should have. You can call the office if you want. | 0:20:16 | 0:20:20 | |
'OK, come up. First floor.' | 0:20:23 | 0:20:25 | |
DOOR BUZZES | 0:20:27 | 0:20:30 | |
They should've called. There must've been a mix-up or something. | 0:20:39 | 0:20:42 | |
-So, what do you want? -I'm just showing face, | 0:20:42 | 0:20:44 | |
I'll be outside the front door for the foreseeable... | 0:20:44 | 0:20:47 | |
So I didn't want you to get spooked. | 0:20:47 | 0:20:50 | |
DCI Donald thinks it's best you have some protection. | 0:20:50 | 0:20:52 | |
You know with the date and that being set for the trial. | 0:20:52 | 0:20:55 | |
And you're it? | 0:20:55 | 0:20:57 | |
Don't worry, you're safe with me. | 0:20:58 | 0:21:00 | |
Sorry, I just wish this thing was over. | 0:21:02 | 0:21:06 | |
Aye. | 0:21:06 | 0:21:07 | |
Would you like a cup of tea? | 0:21:13 | 0:21:15 | |
That'd be great. Thanks. | 0:21:15 | 0:21:17 | |
How do you take it? | 0:21:17 | 0:21:18 | |
Erm... Milk and two, please. | 0:21:20 | 0:21:22 | |
Nice place.. | 0:21:30 | 0:21:31 | |
Thanks. So you're working on the case then, are you? | 0:21:31 | 0:21:34 | |
Aye, not directly but.... | 0:21:35 | 0:21:38 | |
Mummy, Mummy, please, can I watch TV? | 0:21:38 | 0:21:41 | |
What did I tell you? Homework first and then TV. | 0:21:41 | 0:21:43 | |
Please, just five minutes... | 0:21:43 | 0:21:45 | |
I'm not telling you again, Courtney. | 0:21:46 | 0:21:49 | |
Who's that man? | 0:21:49 | 0:21:50 | |
He's from the police. He's just checking we're OK. | 0:21:50 | 0:21:53 | |
D'you know? I'm really sorry. | 0:21:56 | 0:21:58 | |
Just leave the tea, I need to go, something's came up. | 0:21:58 | 0:22:00 | |
Is everything OK? | 0:22:00 | 0:22:02 | |
Aye, it's just work. It's fine. | 0:22:02 | 0:22:05 | |
I shouldn't be having cups of tea anyway. | 0:22:05 | 0:22:07 | |
See you later, pal. | 0:22:07 | 0:22:08 | |
Go on. Go and do your homework now. | 0:22:12 | 0:22:13 | |
# I'm more dope than heroin | 0:23:26 | 0:23:28 | |
# Sharper than a needle | 0:23:29 | 0:23:31 | |
# I'm more dope than heroin | 0:23:32 | 0:23:34 | |
# Sharper than a needle | 0:23:35 | 0:23:37 | |
# Maybe I'm a love boy hooked on an aphrodisiac | 0:23:43 | 0:23:47 | |
# Maybe I'm a strange one maybe I'm a twisted maniac... # | 0:23:50 | 0:23:53 | |
You took your time. Right, bit of business on the South Side. | 0:24:05 | 0:24:09 | |
I want you with me. | 0:24:09 | 0:24:11 | |
-Somewhere to be? -No. What are we doing? | 0:24:11 | 0:24:13 | |
We're going to see Pedro's boys. | 0:24:13 | 0:24:15 | |
Make sure they're doing what they're supposed to be doing. | 0:24:15 | 0:24:18 | |
What about Kennedy's guy? | 0:24:18 | 0:24:19 | |
We're gonnae pass it to him. We're going to cut it first. | 0:24:19 | 0:24:22 | |
-We're cutting it twice? -Cutting it twice. You got a problem? | 0:24:22 | 0:24:26 | |
Does Kennedy know? | 0:24:26 | 0:24:28 | |
Kennedy doesn't know. And I don't want him hearing. | 0:24:28 | 0:24:30 | |
-You understand? -I'm just saying... He'll go nuts. | 0:24:30 | 0:24:34 | |
You leave Billy to me. | 0:24:34 | 0:24:36 | |
Give us the keys. You have to have a break. | 0:24:38 | 0:24:41 | |
Hey, you! Oh! It's just me. | 0:24:46 | 0:24:48 | |
I'm sorry. | 0:24:52 | 0:24:54 | |
-What's wrong with you? -Nothing. | 0:24:54 | 0:24:56 | |
So, what's up? | 0:24:59 | 0:25:00 | |
I just came to see you. Is that all right? | 0:25:01 | 0:25:04 | |
Aye. It's just... | 0:25:04 | 0:25:05 | |
I've got to go and do a message with Lenny. | 0:25:07 | 0:25:09 | |
-Oh, right. -What? | 0:25:12 | 0:25:14 | |
I've just not seen you that much the last few days, I thought | 0:25:14 | 0:25:17 | |
we could spend some time together. | 0:25:17 | 0:25:19 | |
-But if you don't want to, it's fine. -Nicole, of course I do. | 0:25:19 | 0:25:22 | |
Hey. Get in the car, let's go. | 0:25:22 | 0:25:23 | |
Great. | 0:25:26 | 0:25:27 | |
I'm sorry. | 0:25:28 | 0:25:29 | |
Look, I need to go, Nicole. I'll see you later. | 0:25:34 | 0:25:37 | |
Yeah, whatever. | 0:25:37 | 0:25:38 | |
# You see, I'm half angel | 0:25:38 | 0:25:40 | |
# And the other half devil | 0:25:40 | 0:25:42 | |
# You're kinda dumb, I'm kinda high | 0:25:42 | 0:25:44 | |
# So, weirdly, we're kinda on a level | 0:25:44 | 0:25:48 | |
# And I don't like British teeth | 0:25:48 | 0:25:49 | |
# Your dad don't like British beef | 0:25:49 | 0:25:52 | |
# My personalities refuse to settle | 0:25:52 | 0:25:55 | |
# Bang heads together headbang heavy metal | 0:25:55 | 0:25:57 | |
# I'm a whole person a whole human being | 0:25:57 | 0:25:59 | |
# A walking contradiction all-seeing... # | 0:25:59 | 0:26:02 | |
You say nothing. Leave everything to me, all right? | 0:26:03 | 0:26:07 | |
# ..Don't ask when you hear the beat | 0:26:07 | 0:26:10 | |
# Just love it when the lyric kicks the street poet | 0:26:10 | 0:26:13 | |
# Yeah, every thug needs a hug | 0:26:13 | 0:26:15 | |
# When you're on the red rug sleeping with the bedbugs | 0:26:15 | 0:26:17 | |
# Celebrate, recreate, educate | 0:26:17 | 0:26:20 | |
# I'm just trying to elevate | 0:26:20 | 0:26:22 | |
# I am not a diplomat, I am a human | 0:26:22 | 0:26:25 | |
# I won't lay down for your amusement | 0:26:25 | 0:26:27 | |
# This is a movement, my contribution | 0:26:27 | 0:26:30 | |
# Reality is, all else is an illusion | 0:26:30 | 0:26:32 | |
# I am not a diplomat, I am a human | 0:26:32 | 0:26:35 | |
# I won't lay down for your amusement... # | 0:26:35 | 0:26:37 | |
I want that back. | 0:26:37 | 0:26:39 | |
Are we done? | 0:26:42 | 0:26:43 | |
# ..I wasn't put here to keep the peace | 0:26:43 | 0:26:45 | |
# I'm no angel, my robes are creased | 0:26:45 | 0:26:48 | |
# Deceased to increase the cease-fire, yeah | 0:26:48 | 0:26:50 | |
# Like the rest of the world I've got desire | 0:26:50 | 0:26:53 | |
# So I swap positions... # | 0:26:53 | 0:26:56 | |
Right, it says you need to push the garlic butter under the skin. | 0:26:59 | 0:27:03 | |
Are you serious?! | 0:27:03 | 0:27:05 | |
Can I not just shove an onion up its bum and leave it at that? | 0:27:05 | 0:27:08 | |
Says here it makes the difference. | 0:27:08 | 0:27:10 | |
And I want it to be really nice. | 0:27:10 | 0:27:12 | |
So, why don't you do it? | 0:27:12 | 0:27:13 | |
I told you, I'm not supposed to touch raw meat. | 0:27:13 | 0:27:15 | |
You could have picked something else. | 0:27:18 | 0:27:20 | |
He says it's his favourite. | 0:27:20 | 0:27:22 | |
Look, in the state that you're in, | 0:27:22 | 0:27:24 | |
I'm not even sure that this whole big seduction thing's going to work. | 0:27:24 | 0:27:27 | |
You're past that stage. | 0:27:32 | 0:27:33 | |
So, what? Now you're worried that he's got what he came for... | 0:27:36 | 0:27:39 | |
I just want to know whether he's serious about me. | 0:27:39 | 0:27:42 | |
I really like him and I want to know if he properly likes me. | 0:27:42 | 0:27:44 | |
I don't want to just muck about. | 0:27:44 | 0:27:47 | |
I want to know that if I'm with him then I'm with him. | 0:27:49 | 0:27:51 | |
You've really not known him for that long. | 0:27:51 | 0:27:54 | |
Long enough. | 0:27:54 | 0:27:55 | |
What would Leyla say? You've seen the folk he hangs about with. | 0:27:55 | 0:27:59 | |
He's a good guy. | 0:27:59 | 0:28:00 | |
And I really like him, so I want to give it a go. | 0:28:00 | 0:28:04 | |
I'm just not sure what you expect from all this. | 0:28:04 | 0:28:07 | |
Look, you are... He's a young guy and...let's face it, | 0:28:07 | 0:28:14 | |
the last one didn't stick about that long. | 0:28:14 | 0:28:15 | |
Just stuff the chicken, will you? | 0:28:15 | 0:28:17 | |
What did you think you were doing, coming here tooled up? | 0:28:49 | 0:28:51 | |
I wasn't sure what we were walking into there. | 0:28:51 | 0:28:54 | |
-Who's is that? -It's mine. | 0:28:54 | 0:28:56 | |
Since when? | 0:28:56 | 0:28:58 | |
Since I'm the guy out on the street doing grafting for you. | 0:28:58 | 0:29:01 | |
I'm doing business with people I've never even met. | 0:29:01 | 0:29:03 | |
Need to make sure we're all right. | 0:29:03 | 0:29:05 | |
Are you prepared to use that? | 0:29:05 | 0:29:08 | |
Aye, of course | 0:29:08 | 0:29:10 | |
You know you're doing all right. I trust you, | 0:29:13 | 0:29:15 | |
which is more than I can say for a lot of them. | 0:29:15 | 0:29:18 | |
Right, drop me in town. | 0:29:21 | 0:29:22 | |
Remember Pedro's coming back tonight, so don't disappear. | 0:29:22 | 0:29:25 | |
Er... Yes, my name's Will Cooper. | 0:29:32 | 0:29:33 | |
My father's a resident there - Edward Cooper. | 0:29:33 | 0:29:36 | |
I just wanted to check to see how he's doing. | 0:29:36 | 0:29:40 | |
OK, I'll call back later. | 0:29:41 | 0:29:43 | |
What's the word on your dad? | 0:29:45 | 0:29:46 | |
Not brilliant. Much the same. | 0:29:46 | 0:29:48 | |
MOBILE PHONE RINGS | 0:29:51 | 0:29:53 | |
# It is time | 0:30:06 | 0:30:09 | |
# It is time | 0:30:11 | 0:30:14 | |
# Oh, oh | 0:30:14 | 0:30:16 | |
# It is time for stormy weather | 0:30:17 | 0:30:22 | |
# It is time | 0:30:23 | 0:30:26 | |
# It is time | 0:30:29 | 0:30:31 | |
# Oh, oh, oh, oh | 0:30:32 | 0:30:33 | |
# It is time for stormy weather | 0:30:35 | 0:30:40 | |
# For stormy weather | 0:30:43 | 0:30:46 | |
# For stormy weather | 0:30:49 | 0:30:52 | |
# For stormy weather... # | 0:30:55 | 0:30:57 | |
Hello. | 0:30:57 | 0:30:58 | |
Hey, did I not make it clear enough about how important this job was? | 0:31:02 | 0:31:07 | |
'That gun wasn't even fired.' | 0:31:07 | 0:31:10 | |
She had a kid. | 0:31:10 | 0:31:11 | |
'I don't care if the whole family was there.' | 0:31:13 | 0:31:15 | |
I'm sorry. | 0:31:17 | 0:31:18 | |
'Maybe I could go back and have a word. | 0:31:18 | 0:31:21 | |
'You know, scare her off. It wouldn't take much.' | 0:31:21 | 0:31:23 | |
-There's no need. It's done. -What? | 0:31:23 | 0:31:25 | |
'Someone else is taking care of it. Someone with more bottle.' | 0:31:25 | 0:31:29 | |
But... What about the kid? | 0:31:30 | 0:31:32 | |
"The kid" is none of your business, right? | 0:31:32 | 0:31:35 | |
The less you know the better. | 0:31:35 | 0:31:37 | |
# ..It is time | 0:31:38 | 0:31:40 | |
# It is time... # | 0:31:42 | 0:31:44 | |
-I don't like it. -If you don't finish, | 0:31:46 | 0:31:48 | |
-there won't be any ice cream. -I don't like it. | 0:31:48 | 0:31:51 | |
KNOCK ON DOOR | 0:31:51 | 0:31:52 | |
That's odd. Just finish it, OK? | 0:31:54 | 0:31:57 | |
McClusky, is that you? | 0:32:00 | 0:32:02 | |
MAN: Aye. > | 0:32:03 | 0:32:04 | |
Courtney, hide! | 0:32:06 | 0:32:07 | |
SCREAMING FROM FLAT | 0:32:07 | 0:32:12 | |
Just give the keys. I'm only gonnae be 20 minutes. | 0:32:12 | 0:32:15 | |
Back to work. | 0:32:15 | 0:32:16 | |
I need to you go down and see Pedro's boys at their place. | 0:32:16 | 0:32:20 | |
-When? -Now. They say if we don't collect the rest today, he's not | 0:32:20 | 0:32:24 | |
going to cut the next batch for us. | 0:32:24 | 0:32:26 | |
I trust this guy about as far as I can throw him. | 0:32:26 | 0:32:28 | |
-Lenny, I need to do something. -Do what? What's so urgent? | 0:32:28 | 0:32:31 | |
-Nothing. -Good. Then get going. | 0:32:33 | 0:32:37 | |
Anoushka. Anoushka, are you all right? | 0:32:45 | 0:32:47 | |
It's OK. It's OK. I'm not going to hurt you. | 0:33:03 | 0:33:06 | |
Where's your wee girl? Where's Courtney? Where's Courtney? | 0:33:18 | 0:33:21 | |
Hello. Yes, I need an ambulance. I don't know. She's hurt. | 0:33:40 | 0:33:45 | |
Aye. Look, it's not important. Will you just get an ambulance here? | 0:33:46 | 0:33:50 | |
Yes, it's 27 Cragside Avenue. First floor. | 0:33:52 | 0:33:57 | |
Look, please hurry up, this woman's bleeding. | 0:33:57 | 0:33:59 | |
Courtney? Courtney, are you here, pal? | 0:34:03 | 0:34:05 | |
It's the policeman, from before. | 0:34:05 | 0:34:08 | |
It's OK. It's me. | 0:34:18 | 0:34:20 | |
I was here earlier, can you remember me? | 0:34:20 | 0:34:22 | |
You can trust me. I'm not going to hurt you. | 0:34:22 | 0:34:25 | |
Your mum's going to be OK. There's an ambulance coming, OK? | 0:34:29 | 0:34:33 | |
SIREN WAILS | 0:34:43 | 0:34:45 | |
There's the ambulance coming now. | 0:34:45 | 0:34:48 | |
I need to go but I need you to be all grown-up | 0:34:48 | 0:34:50 | |
until the nice doctors get here. OK? | 0:34:50 | 0:34:53 | |
Don't move from here. Yeah? | 0:34:53 | 0:34:54 | |
I'm sorry. I need to go. | 0:34:54 | 0:34:56 | |
SIREN WAILS | 0:35:00 | 0:35:03 | |
DCI Donald. | 0:35:07 | 0:35:09 | |
Who found her? | 0:35:16 | 0:35:18 | |
Single gunshot wound. Left for dead. | 0:35:19 | 0:35:22 | |
Got Billy Kennedy written all over it. | 0:35:22 | 0:35:24 | |
And the new Super is happy to let us run with it? | 0:35:24 | 0:35:26 | |
I'd like you to come back as SIO. | 0:35:28 | 0:35:29 | |
Great. Be glad to. Let me get the Kennedy file as well. | 0:35:31 | 0:35:35 | |
Before you do... just a word about before. | 0:35:35 | 0:35:37 | |
I'm happy, sir, to put the past behind us, if you are? | 0:35:37 | 0:35:42 | |
I understand you were acting under Cole's orders | 0:35:42 | 0:35:44 | |
but you made the right choice in the end. | 0:35:44 | 0:35:47 | |
Anyway, I'm glad to have you back. | 0:35:47 | 0:35:49 | |
Sir. We've got a partial print. | 0:36:00 | 0:36:03 | |
HE CLEARS THROAT | 0:36:11 | 0:36:13 | |
-Drink? -No. | 0:36:13 | 0:36:15 | |
-No trouble? -No, it was fine. | 0:36:21 | 0:36:24 | |
What, am I keeping you? | 0:36:24 | 0:36:26 | |
No. It's just... No. | 0:36:26 | 0:36:28 | |
I'm sure she's not that desperate to see you. | 0:36:30 | 0:36:32 | |
Off you go then. | 0:36:42 | 0:36:45 | |
Gareth. I've been looking for you. Going somewhere? | 0:36:55 | 0:36:58 | |
Was just going for a pint. | 0:37:00 | 0:37:02 | |
Guess again. | 0:37:02 | 0:37:03 | |
You and me need to talk. Come on. | 0:37:03 | 0:37:05 | |
Come on. | 0:37:07 | 0:37:08 | |
So, want to tell me what you were doing round there? | 0:37:13 | 0:37:16 | |
I don't know what you mean. | 0:37:16 | 0:37:18 | |
In Anoushka Pattinson's flat. | 0:37:18 | 0:37:21 | |
I don't know any Anoushka. | 0:37:21 | 0:37:22 | |
What? | 0:37:28 | 0:37:30 | |
That's the log sheet from the emergency call centre. | 0:37:30 | 0:37:33 | |
Those are the people that took a 999 call from your phone | 0:37:33 | 0:37:36 | |
at 17.19, showing you were in the flat. | 0:37:36 | 0:37:40 | |
So, d'you want to stop acting stupid and answer my question? | 0:37:40 | 0:37:43 | |
What were you doing round there? | 0:37:43 | 0:37:45 | |
You don't get enough from the girlfriend at home? | 0:37:48 | 0:37:50 | |
-Need to pay for a bit on the side. -Don't be sick. | 0:37:50 | 0:37:53 | |
I'm the sick one here, am I? | 0:37:53 | 0:37:55 | |
The gunshot wound near killed that woman. | 0:37:55 | 0:37:57 | |
She was left to die in front of her kid. | 0:37:57 | 0:38:00 | |
It wasn't me. I didn't do it. | 0:38:00 | 0:38:02 | |
Courtney's already told us you were round there earlier that day. | 0:38:02 | 0:38:06 | |
The prison records show you visited Kennedy that morning. | 0:38:06 | 0:38:09 | |
There's a partial print of yours on Anoushka's phone. | 0:38:09 | 0:38:11 | |
-It doesn't take a genius to work out what happened. -I didn't do it. | 0:38:11 | 0:38:16 | |
You think I don't know that? | 0:38:18 | 0:38:20 | |
The daughter's description of the assailant as | 0:38:20 | 0:38:22 | |
"being a very tall man" with "big muscles" doesn't exactly fit. | 0:38:22 | 0:38:25 | |
But "I didn't do it" doesn't answer my question. | 0:38:25 | 0:38:28 | |
Look, I want to get the man who set this up - Kennedy. | 0:38:34 | 0:38:37 | |
Conspiracy to murder on top of all the other charges he's facing, | 0:38:39 | 0:38:43 | |
he's never getting out. You'll be safe. | 0:38:43 | 0:38:45 | |
What are you saying? | 0:38:49 | 0:38:52 | |
Tell me what I need to know. | 0:38:52 | 0:38:54 | |
I get Kennedy, you get to tell a story about how you arrived | 0:38:54 | 0:38:58 | |
just in time to save a woman's life. | 0:38:58 | 0:39:00 | |
The alternative is an airtight case against you. | 0:39:04 | 0:39:07 | |
So, by all means, take your time, have a wee think. | 0:39:07 | 0:39:10 | |
Smells brilliant. I really owe you one. | 0:39:19 | 0:39:21 | |
Yeah, I'd say so. My hands still stink of garlic. | 0:39:21 | 0:39:24 | |
You could've worn gloves. | 0:39:25 | 0:39:27 | |
So could you. | 0:39:29 | 0:39:30 | |
Oh, sorry, I never thought of that. | 0:39:30 | 0:39:33 | |
Well, you are going to need gravy, | 0:39:33 | 0:39:36 | |
and I am not touching giblets for anyone. | 0:39:36 | 0:39:37 | |
And don't let him muck you about, OK? | 0:39:43 | 0:39:45 | |
-So? -So what? | 0:40:02 | 0:40:05 | |
The kid says he wasn't the shooter - and he did call an ambulance. | 0:40:05 | 0:40:08 | |
Big deal. | 0:40:08 | 0:40:10 | |
So he had a fit of remorse after he shot her - it's not unheard of. | 0:40:10 | 0:40:13 | |
Still got enough to keep the Fiscal happy. | 0:40:13 | 0:40:16 | |
But what about Courtney's testimony? | 0:40:16 | 0:40:18 | |
A glimpse seen by a kid, half frightened to death, hiding away? | 0:40:18 | 0:40:21 | |
Hardly the most reliable witness. | 0:40:21 | 0:40:23 | |
What they will say is Gareth O'Connor cased the place | 0:40:23 | 0:40:26 | |
earlier that day. | 0:40:26 | 0:40:27 | |
Then came back having gained the victim's trust, shot her | 0:40:27 | 0:40:30 | |
and then decided to call 999. | 0:40:30 | 0:40:33 | |
Well, there's a conviction in that. | 0:40:33 | 0:40:35 | |
What'll we do next? | 0:40:35 | 0:40:36 | |
-Let him go. -What? | 0:40:38 | 0:40:41 | |
We know this leads back to Kennedy. | 0:40:41 | 0:40:43 | |
He might not be talking now, but he will. | 0:40:43 | 0:40:46 | |
And miss our chance to apply pressure and get him to co-operate now? | 0:40:46 | 0:40:49 | |
That's not going to get us Kennedy! | 0:40:49 | 0:40:50 | |
It won't even get us the real shooter. | 0:40:50 | 0:40:52 | |
He knows the consequences if he decides not to help. | 0:40:52 | 0:40:55 | |
If we play this right, we'll get Kennedy, and the shooter, | 0:40:55 | 0:40:59 | |
and Murdoch, and the whole drug set-up. | 0:40:59 | 0:41:02 | |
That's why we wait. | 0:41:02 | 0:41:03 | |
Are you all right? | 0:41:20 | 0:41:22 | |
-Yeah. -Can I help you? | 0:41:22 | 0:41:24 | |
Sorry, I'm here to see my dad. | 0:41:24 | 0:41:26 | |
Oh, Mr Cooper. He's doing fine. | 0:41:26 | 0:41:28 | |
He's settling in. I'm Alan, I'm his care worker. | 0:41:28 | 0:41:31 | |
Will, pleased to meet you. | 0:41:31 | 0:41:32 | |
-On you go. -Thank you. | 0:41:32 | 0:41:33 | |
All right, Dad? | 0:41:38 | 0:41:39 | |
It's you. | 0:41:40 | 0:41:42 | |
Yeah, how are you? | 0:41:42 | 0:41:44 | |
Not great. Thanks for coming. | 0:41:44 | 0:41:47 | |
It's all right. You look a bit better. | 0:41:47 | 0:41:49 | |
We're getting there. | 0:41:49 | 0:41:52 | |
Would you like me to put those in water for you? | 0:41:52 | 0:41:54 | |
Oh, thank you. Cheers. | 0:41:54 | 0:41:56 | |
So, this place...OK, is it? | 0:41:57 | 0:42:01 | |
What do you think? | 0:42:01 | 0:42:03 | |
Work all right? | 0:42:07 | 0:42:08 | |
Yeah. Yeah. We got a good conviction last week. It's going well. | 0:42:08 | 0:42:12 | |
Well done. I'm glad to hear it. | 0:42:13 | 0:42:15 | |
Aye. I'm sure. | 0:42:25 | 0:42:26 | |
Makes total sense. | 0:42:28 | 0:42:30 | |
-Matty! -I've got to go. -What are you doing here? | 0:42:33 | 0:42:37 | |
-G, mate! How's it going? -All right, mate. You? | 0:42:37 | 0:42:39 | |
My motor's playing up. | 0:42:39 | 0:42:40 | |
I remembered someone said something about a place round here | 0:42:40 | 0:42:43 | |
-so I was just trying to get a price. -So, when did you get out? | 0:42:43 | 0:42:46 | |
A few weeks back. | 0:42:46 | 0:42:48 | |
What about you? You working for Murdoch these days, aye? | 0:42:48 | 0:42:51 | |
How'd you know that? | 0:42:51 | 0:42:52 | |
People talk. I hear stuff. | 0:42:52 | 0:42:55 | |
Can't believe he took you on after we turned him over. | 0:42:55 | 0:42:57 | |
He's all right now, I guess. Had to make myself useful. | 0:42:57 | 0:43:01 | |
-Anyway, it's a job. -Aye, well, | 0:43:01 | 0:43:02 | |
if you're ever looking there's plenty people with work on just now. | 0:43:02 | 0:43:06 | |
Know what I mean? | 0:43:06 | 0:43:07 | |
Aye, cheers. | 0:43:07 | 0:43:08 | |
So, you fancy a pint? | 0:43:08 | 0:43:10 | |
No, I need to... I've to be somewhere. | 0:43:10 | 0:43:12 | |
-Whatever. I'll see you about then. -Aye. | 0:43:12 | 0:43:16 | |
PHONE RINGS | 0:43:26 | 0:43:28 | |
Hamish. | 0:43:28 | 0:43:30 | |
Really? | 0:43:32 | 0:43:33 | |
Ah, well. | 0:43:37 | 0:43:38 | |
Lucky the clown he sent after her did screw up then. | 0:43:40 | 0:43:42 | |
Let's hope she hangs in there, eh? | 0:43:45 | 0:43:46 | |
OK. Let me know if you hear any more. | 0:43:48 | 0:43:51 | |
Gareth. Hi. | 0:44:00 | 0:44:03 | |
-Are you all right? -Yeah. You? | 0:44:07 | 0:44:09 | |
Listen, I'm really sorry about earlier on. | 0:44:16 | 0:44:19 | |
I didn't mean to be all weird... | 0:44:19 | 0:44:23 | |
I've made you some dinner. I thought we could maybe have a wee chat. | 0:44:23 | 0:44:28 | |
Aye. Fine. Fine. | 0:44:30 | 0:44:34 | |
You know what? Forget it. | 0:44:34 | 0:44:37 | |
Nicole! | 0:44:37 | 0:44:38 | |
The girl that was assaulted by Kennedy. | 0:44:42 | 0:44:44 | |
-Aye? -Someone tried to kill her today. | 0:44:44 | 0:44:46 | |
-Did they? -Without her, any case against Kennedy falls down. | 0:44:46 | 0:44:50 | |
-He's out of there. Back in the game. -And why are you telling me? | 0:44:50 | 0:44:53 | |
Just thought you might be interested to know. | 0:44:53 | 0:44:55 | |
Will she live? | 0:44:59 | 0:45:00 | |
Fortunately the emergency services got there in time. | 0:45:00 | 0:45:04 | |
That was lucky, eh? | 0:45:04 | 0:45:05 | |
Hmm. Well, see you later, Lenny. | 0:45:05 | 0:45:09 | |
Well, I should let you get on. Busy man and all that. | 0:45:37 | 0:45:41 | |
-I came to see you. -What's there to see? Come on. | 0:45:41 | 0:45:43 | |
I'll not keep you. | 0:45:43 | 0:45:45 | |
Dad, I only just got here. | 0:45:45 | 0:45:46 | |
-OK. Well...I'll come back and see you soon, OK? -Yeah. | 0:45:50 | 0:45:57 | |
Oh... Sorry, you first. | 0:46:00 | 0:46:02 | |
Right, come on, Eddie. Time to get you into bed. | 0:46:09 | 0:46:13 | |
I'd like to go for a walk first. | 0:46:13 | 0:46:15 | |
-A walk? -Aye. -OK. | 0:46:15 | 0:46:19 | |
You're not going to get better with everyone running | 0:46:26 | 0:46:28 | |
about after you all the time. | 0:46:28 | 0:46:30 | |
There you go. Wasn't so bad, was it? | 0:46:51 | 0:46:54 | |
MOBILE PHONE RINGS | 0:47:07 | 0:47:10 | |
-Lenny. -'I need you to come up to the flat.' | 0:47:11 | 0:47:13 | |
-What for? -'Don't question me. Just do it.' | 0:47:14 | 0:47:17 | |
What's the story with Kennedy? | 0:47:24 | 0:47:25 | |
The big man's none the wiser, so we proceed as per... | 0:47:25 | 0:47:28 | |
Doesn't look like Billy's going to be getting out any time soon. | 0:47:29 | 0:47:33 | |
And who are you? | 0:47:33 | 0:47:34 | |
I work for Lenny. | 0:47:36 | 0:47:38 | |
Why's he here? | 0:47:38 | 0:47:39 | |
He's here cos I trust him. | 0:47:39 | 0:47:41 | |
And we need somebody to keep an eye on what's going on, on the ground. | 0:47:41 | 0:47:45 | |
What does he bring to the table? | 0:47:45 | 0:47:46 | |
Contacts. A level head. He's useful. | 0:47:46 | 0:47:50 | |
Fine. Let's see how it goes. | 0:47:52 | 0:47:55 | |
Good. | 0:47:59 | 0:48:00 | |
Now the three of us need to keep this thing tight. | 0:48:05 | 0:48:07 | |
-MOBILE PHONE RINGS -Excuse me. | 0:48:09 | 0:48:11 | |
Hello? | 0:48:15 | 0:48:16 | |
Listen... | 0:48:18 | 0:48:20 | |
Don't let me down. | 0:48:20 | 0:48:21 | |
Well, well, well. Detective Chief Inspector. What a treat. | 0:48:34 | 0:48:40 | |
If I knew you were coming, I'd have baked a cake. | 0:48:40 | 0:48:42 | |
A young woman we're both acquainted with was seriously assaulted today. | 0:48:42 | 0:48:46 | |
Well, it's a rough place out there. | 0:48:46 | 0:48:48 | |
An assault we're now treating as attempted murder. | 0:48:48 | 0:48:51 | |
And? | 0:48:53 | 0:48:55 | |
Fortunately for her, she survived. | 0:48:55 | 0:48:57 | |
Oh? You didn't hear that bit of the story? | 0:48:58 | 0:49:01 | |
I don't know what you're talking about. | 0:49:03 | 0:49:05 | |
It just means you're going to be in here a while longer. | 0:49:05 | 0:49:07 | |
In fact, once we've pegged this on you, who knows | 0:49:07 | 0:49:12 | |
when you'll be getting out. | 0:49:12 | 0:49:13 | |
I think we're done here. | 0:49:15 | 0:49:16 | |
I say when we're done. | 0:49:16 | 0:49:17 | |
Your cell's currently being searched for contraband goods. | 0:49:19 | 0:49:23 | |
What? | 0:49:23 | 0:49:24 | |
I'm going to have you. | 0:49:25 | 0:49:27 | |
I expect they'll be extra thorough. | 0:49:28 | 0:49:30 | |
We don't want to miss anything, do we? | 0:49:30 | 0:49:33 | |
So, one shipment a month, we'll take it from there. | 0:49:36 | 0:49:39 | |
And you guarantee payment at the price we agreed? | 0:49:39 | 0:49:41 | |
You have my word. | 0:49:41 | 0:49:43 | |
-Your grandson? -Aye. | 0:49:48 | 0:49:50 | |
Family. That's why we do what we do. | 0:49:50 | 0:49:54 | |
Aye. | 0:49:57 | 0:49:58 | |
So, I look forward to doing business with you. Both of you. | 0:50:01 | 0:50:07 | |
Aye. | 0:50:07 | 0:50:08 | |
Believe me, this is a good thing for all of us. | 0:50:10 | 0:50:12 | |
I hope so. | 0:50:12 | 0:50:13 | |
Your wee bird still nipping your head? | 0:50:22 | 0:50:25 | |
I've not spoken to her. | 0:50:25 | 0:50:26 | |
You're in the doghouse. | 0:50:26 | 0:50:28 | |
I don't want her after me. So, on you go. Beat it. | 0:50:28 | 0:50:31 | |
Oh, dear, Billy. | 0:50:47 | 0:50:49 | |
I don't think we're meant to have these in here, are we? | 0:50:49 | 0:50:52 | |
I never seen that before in my life. | 0:50:52 | 0:50:55 | |
Funny. It was in your cell. | 0:50:55 | 0:50:56 | |
Must have belonged to somebody else then. | 0:50:56 | 0:50:59 | |
That'll be why there's no SIM card in it. Convenient isn't it? | 0:50:59 | 0:51:02 | |
I told you, it's nothing to do with me. | 0:51:02 | 0:51:04 | |
You must think you've got it made in here. | 0:51:09 | 0:51:11 | |
Calling the shots and having people run about for you, | 0:51:11 | 0:51:14 | |
doing your dirty work. But I'm telling you, | 0:51:14 | 0:51:17 | |
your grip's slipping and there's nothing you can do about it. | 0:51:17 | 0:51:20 | |
You think? | 0:51:20 | 0:51:21 | |
Oh, I know. I tell you what I think. | 0:51:21 | 0:51:25 | |
I think all your privileges have just been rescinded. | 0:51:26 | 0:51:29 | |
That's not up to you. | 0:51:29 | 0:51:31 | |
And the Governor's going to side with you, is she?! | 0:51:31 | 0:51:33 | |
I also suspect you'll shortly be moving to an isolation cell | 0:51:35 | 0:51:39 | |
where you'll be more comfortable. | 0:51:39 | 0:51:41 | |
And, yeah, I think a full body search is in order. | 0:51:41 | 0:51:44 | |
Just in case there's anything else you've forgotten to tell us about. | 0:51:44 | 0:51:48 | |
You've no right. | 0:51:48 | 0:51:50 | |
It's already all arranged. I know you had that girl done over. | 0:51:50 | 0:51:54 | |
And I know what you did to her. As soon as I can prove it, | 0:51:54 | 0:51:58 | |
you're going down for good this time. I'll see you around. | 0:51:58 | 0:52:02 | |
What do you want? | 0:52:31 | 0:52:32 | |
Nicole, I just... | 0:52:34 | 0:52:36 | |
These are for you. | 0:52:39 | 0:52:40 | |
Is that it? | 0:52:41 | 0:52:42 | |
Can I come in? | 0:52:44 | 0:52:45 | |
Please? | 0:52:45 | 0:52:46 | |
Look, I'm really sorry about today. I just got caught up in so much work. | 0:53:02 | 0:53:06 | |
Yeah, well, I ran about after you all day. | 0:53:06 | 0:53:09 | |
And you just ignored me. | 0:53:09 | 0:53:10 | |
I didn't have a choice. | 0:53:10 | 0:53:12 | |
Nicole, honestly. | 0:53:12 | 0:53:14 | |
If I had my way, I'd much rather be spending my time with you. | 0:53:14 | 0:53:17 | |
Yeah, well, it doesn't seem like that. | 0:53:17 | 0:53:20 | |
It's the truth. | 0:53:22 | 0:53:23 | |
Look, I'm not asking for much here. | 0:53:23 | 0:53:25 | |
I don't want to freak you out... | 0:53:31 | 0:53:33 | |
But I need to know what's happening between us, | 0:53:33 | 0:53:36 | |
because it's not just me I need to worry about any more. | 0:53:36 | 0:53:39 | |
And because... Well, I like you. | 0:53:41 | 0:53:45 | |
I really like you being around, and I want you to stay around. | 0:53:45 | 0:53:49 | |
You're not going to freak out, are you? | 0:53:51 | 0:53:53 | |
No, I'm not going to freak out. | 0:53:53 | 0:53:56 | |
Good. So, can we just relax? Make yourself at home. | 0:53:56 | 0:54:01 | |
What's that? | 0:54:06 | 0:54:07 | |
-What? -That. | 0:54:07 | 0:54:09 | |
It's fine. It's just something from work... | 0:54:14 | 0:54:17 | |
-Must be off one of the cars. -You want me to get it? | 0:54:17 | 0:54:19 | |
-No, it's cool. -No, it'll stain, give me it off and I'll get it. | 0:54:19 | 0:54:22 | |
Nicole, just leave it! | 0:54:22 | 0:54:24 | |
-I'm sorry. -It's OK. -No, it's not. | 0:54:27 | 0:54:30 | |
You know what? Today's just been a really, really crap day. | 0:54:35 | 0:54:38 | |
All I kept thinking about is how I'd just rather be here with you. | 0:54:38 | 0:54:41 | |
And spending time with you. | 0:54:41 | 0:54:43 | |
Really? | 0:54:46 | 0:54:47 | |
I mean it. I really, really like you. | 0:54:47 | 0:54:50 | |
MONITOR BEEPS | 0:54:55 | 0:54:59 | |
# It is time | 0:55:23 | 0:55:27 | |
# It is time | 0:55:29 | 0:55:33 | |
# Oh, oh | 0:55:33 | 0:55:35 | |
# It is time for stormy weather | 0:55:35 | 0:55:41 | |
# It is time | 0:55:42 | 0:55:44 | |
# It is time | 0:55:47 | 0:55:50 | |
# Oh, oh | 0:55:50 | 0:55:52 | |
# It is time for stormy weather | 0:55:53 | 0:55:58 | |
# For stormy weather | 0:56:02 | 0:56:04 | |
# For stormy weather | 0:56:07 | 0:56:10 | |
# For stormy weather. # | 0:56:13 | 0:56:16 | |
Where's Cal? I've got sweeties for him. | 0:56:34 | 0:56:36 | |
-He went over to the bouncy castle. -I never saw him. | 0:56:36 | 0:56:39 | |
I'm going to officially report Callum as a missing person. | 0:56:39 | 0:56:42 | |
If somebody's taken him, he could be hundreds of miles away by now. | 0:56:42 | 0:56:45 | |
It has been nearly 24 hours | 0:56:45 | 0:56:48 | |
since my great grandson, Callum Adams, went missing. | 0:56:48 | 0:56:52 | |
I don't know what you're talking about. Nothing to do with me. | 0:56:52 | 0:56:54 | |
I'll count to three, then I'm going to shoot you | 0:56:54 | 0:56:57 | |
if you don't tell me where he is. | 0:56:57 | 0:56:58 | |
Subtitles by Red Bee Media Ltd | 0:57:16 | 0:57:19 |