Browse content similar to 11/03/2014. Check below for episodes and series from the same categories and more!
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You're not at all curious as to how your husband makes his money? | 0:00:21 | 0:00:24 | |
I don't pry into his business. | 0:00:24 | 0:00:27 | |
You know more than you're letting on. | 0:00:27 | 0:00:28 | |
Let me deal with Billy. | 0:00:28 | 0:00:30 | |
-And how are you going to do that? -Who knows? I'll think of something. | 0:00:30 | 0:00:34 | |
I've got a place to go to college. | 0:00:34 | 0:00:35 | |
-That's brilliant. -It's in Aberdeen. | 0:00:35 | 0:00:38 | |
I've been sent over here for nothing. | 0:00:38 | 0:00:40 | |
There is nae business to sort out. | 0:00:40 | 0:00:42 | |
I've been given the runaround. | 0:00:42 | 0:00:44 | |
You and Malick better get your excuses straight | 0:00:44 | 0:00:46 | |
before he gets home. | 0:00:46 | 0:00:47 | |
Right, I need to shoot off in a minute. | 0:03:56 | 0:04:00 | |
Nicole's moving to Aberdeen today and I promised that I'd see her off. | 0:04:00 | 0:04:04 | |
I was thinking...it'd be lovely if we went away together. | 0:04:05 | 0:04:10 | |
Just for a weekend, just you and me... | 0:04:10 | 0:04:13 | |
..away from...this place. | 0:04:15 | 0:04:18 | |
Yeah, it would be lovely...but I don't think it's a good idea. | 0:04:19 | 0:04:23 | |
PHONE BUZZES | 0:04:31 | 0:04:32 | |
What is it? | 0:04:36 | 0:04:38 | |
It's Billy. He's back. | 0:04:39 | 0:04:41 | |
What, did he tell you he was coming back? | 0:04:41 | 0:04:43 | |
I'd no idea. I swear. | 0:04:43 | 0:04:45 | |
You know what Billy's like - he just does what he wants. | 0:04:45 | 0:04:48 | |
Go! Just go! | 0:04:48 | 0:04:49 | |
KNOCK ON DOOR | 0:04:51 | 0:04:52 | |
Housekeeping? | 0:04:56 | 0:04:58 | |
Yes, please. Just give me a couple of minutes, thanks. | 0:04:58 | 0:05:01 | |
Look, I'm going to go to the salon. The girls cover me for me there. | 0:05:02 | 0:05:05 | |
I'll tell Billy I was with a customer and missed the phone. | 0:05:05 | 0:05:08 | |
Now go. | 0:05:08 | 0:05:09 | |
Excellent, excellent. No, I'll have officers RV at each location in... | 0:05:24 | 0:05:30 | |
30 minutes. Great, thanks. | 0:05:30 | 0:05:33 | |
Right, gather round, everybody. | 0:05:34 | 0:05:36 | |
Billy Kennedy has just landed at Glasgow Airport. | 0:05:39 | 0:05:42 | |
On a one-way ticket. The timing is perfect. | 0:05:42 | 0:05:44 | |
Because the Inland Revenue has just given us | 0:05:44 | 0:05:46 | |
the go-ahead to raid these businesses. | 0:05:46 | 0:05:48 | |
That means in 30 minutes we hit Mandy Kennedy's | 0:05:48 | 0:05:51 | |
two tanning salons, the Tall Ship, Amber Cabs | 0:05:51 | 0:05:54 | |
and Paul Malick's law firm, with a small army of tax inspectors. | 0:05:54 | 0:05:58 | |
Now, they're all going to be undergoing a forensic audit. | 0:05:59 | 0:06:03 | |
DC Cooper, how are the street level operations going? | 0:06:03 | 0:06:05 | |
Still dragging in all known dealers? | 0:06:05 | 0:06:08 | |
Well, the cells are overflowing. | 0:06:08 | 0:06:10 | |
Paperwork's stacked a foot high in the in-tray. | 0:06:10 | 0:06:12 | |
As of today, they will not be selling drugs or laundering their proceeds. | 0:06:12 | 0:06:16 | |
We're about to throw a huge spanner in the works. | 0:06:16 | 0:06:20 | |
And all we need is one thread - one thread in any of their books | 0:06:20 | 0:06:25 | |
that we can pull at, and it could bring down the whole house of cards. | 0:06:25 | 0:06:28 | |
If HMRC find any financial irregularities whatsoever, | 0:06:28 | 0:06:31 | |
they've got the power to take them down completely. | 0:06:31 | 0:06:34 | |
Now, the weak link here is Mandy Kennedy. | 0:06:35 | 0:06:39 | |
Now, I want us to lean on her hard. Unsettle her. | 0:06:39 | 0:06:42 | |
I want her brought in for questioning. | 0:06:42 | 0:06:44 | |
HMRC will be the ones issuing the warrants. | 0:06:46 | 0:06:49 | |
Officially, we're just there in our capacity, | 0:06:49 | 0:06:51 | |
to make sure they go about their business unimpeded. | 0:06:51 | 0:06:53 | |
But if they turn up anything untoward early doors, all the better. | 0:06:53 | 0:06:57 | |
We start feeling collars there and then. | 0:06:57 | 0:07:00 | |
I'm going to take Paul Malick's office. | 0:07:00 | 0:07:03 | |
DC Cooper, tanning salons seems like a good fit for you, | 0:07:03 | 0:07:06 | |
take a uniform with you. | 0:07:06 | 0:07:08 | |
DS Grant, you take Amber Cabs and the Tall Ship. | 0:07:08 | 0:07:11 | |
HMRC are going to meet us there. | 0:07:11 | 0:07:13 | |
Let's do this, people. Let's do it properly. Come on, come on. | 0:07:13 | 0:07:18 | |
-That's us set up for opening. -Mm-hm. | 0:07:28 | 0:07:30 | |
D'you mind if I head out for ten minutes? | 0:07:32 | 0:07:34 | |
-Where to? -Well, Nicole's leaving today. | 0:07:34 | 0:07:37 | |
-I just...wanted to go say goodbye you know. -Oh, aye? Leaving where? | 0:07:37 | 0:07:40 | |
Shieldinch. After everything's that happened... | 0:07:40 | 0:07:44 | |
The wean, her da, Gareth and all that... | 0:07:44 | 0:07:47 | |
Aye, aye...on you go. | 0:07:51 | 0:07:53 | |
Cheers. | 0:07:53 | 0:07:54 | |
Wait. | 0:07:54 | 0:07:56 | |
Gi' her that. A leaving present. | 0:08:01 | 0:08:03 | |
Are you sure? | 0:08:03 | 0:08:05 | |
Tell her I wish her the best of luck. | 0:08:05 | 0:08:07 | |
Right, that's the last of it. | 0:08:25 | 0:08:27 | |
You are...sure about this? | 0:08:29 | 0:08:31 | |
Yeah. I am. | 0:08:33 | 0:08:34 | |
-The flat looks lovely. -Nice, isn't it? | 0:08:35 | 0:08:37 | |
And it's like two minutes walk to college, | 0:08:37 | 0:08:39 | |
and I've already booked Grace in for day care. | 0:08:39 | 0:08:42 | |
Listen...I'm really glad you're so on top of this all. | 0:08:42 | 0:08:47 | |
And, Nic, if you're sure about this, | 0:08:47 | 0:08:48 | |
then I think you're doing the right thing. | 0:08:48 | 0:08:51 | |
Well, it was bound to happen eventually, wasn't it? | 0:08:53 | 0:08:55 | |
I had to do the right thing at some point, even if it was a mistake. | 0:08:55 | 0:08:59 | |
-KNOCK ON DOOR -Hello? | 0:08:59 | 0:09:01 | |
-Hi. -Sorry, I... Hiya. -Hi. | 0:09:03 | 0:09:06 | |
I'm glad I never missed you. | 0:09:06 | 0:09:08 | |
I just wanted to say goodbye...you know... | 0:09:08 | 0:09:10 | |
Thanks. | 0:09:10 | 0:09:12 | |
Listen, Stevie... | 0:09:14 | 0:09:16 | |
..you've always treated me a lot better than I treated you. | 0:09:19 | 0:09:22 | |
I know that now. | 0:09:22 | 0:09:24 | |
It would be wrong of me to leave without saying so. | 0:09:26 | 0:09:28 | |
I think you're doing the right thing, Nicole. | 0:09:32 | 0:09:34 | |
All part of growing up and moving on. | 0:09:34 | 0:09:37 | |
What you just said, well, you're doing exactly that. | 0:09:37 | 0:09:39 | |
Thanks. | 0:09:39 | 0:09:41 | |
Oh, Lenny... | 0:09:43 | 0:09:44 | |
..asked me to gie you this. He said to wish you all the best. | 0:09:46 | 0:09:48 | |
That's Lenny's money? | 0:09:51 | 0:09:52 | |
-Mm-hm. -Tell him to keep it. | 0:09:52 | 0:09:55 | |
Gie it to the wean, it's a fair whack. | 0:09:55 | 0:09:57 | |
No, Stevie, I don't want his money. | 0:09:57 | 0:09:59 | |
Gareth wouldn't want me to take it either. | 0:10:01 | 0:10:03 | |
Tell him that, he'll know why. | 0:10:04 | 0:10:06 | |
Fair enough. | 0:10:07 | 0:10:08 | |
Right, I'd better go. Can I? | 0:10:11 | 0:10:13 | |
All right, wee missus... | 0:10:17 | 0:10:19 | |
..you have fun. | 0:10:21 | 0:10:22 | |
Hope to see you soon. | 0:10:35 | 0:10:36 | |
Thanks. I mean it. | 0:10:38 | 0:10:41 | |
-See you later. -Bye. | 0:10:44 | 0:10:45 | |
Gabriel! I thought you weren't coming. | 0:11:04 | 0:11:06 | |
'Course I was going to come. So, are we all set? | 0:11:06 | 0:11:10 | |
As set as I'll ever be. | 0:11:11 | 0:11:12 | |
I'm going to miss you. | 0:11:13 | 0:11:15 | |
I'll miss you, too. | 0:11:18 | 0:11:20 | |
It's not like she's emigrating. | 0:11:21 | 0:11:23 | |
Are you not going with them? | 0:11:24 | 0:11:26 | |
To Aberdeen? | 0:11:26 | 0:11:28 | |
Aye, why don't you? | 0:11:28 | 0:11:29 | |
Leyla's going to stay there a couple of nights. | 0:11:29 | 0:11:31 | |
You'll be company for her coming back on the train. | 0:11:31 | 0:11:34 | |
I think I've earned the break, after what happened last week. | 0:11:34 | 0:11:37 | |
You could do with a break, too, after... | 0:11:37 | 0:11:40 | |
everything you've been through recently. | 0:11:40 | 0:11:42 | |
It's a good idea. | 0:11:42 | 0:11:43 | |
Go on, we'd love it if you came. | 0:11:44 | 0:11:45 | |
OK, I'll go and throw a bag together. | 0:11:47 | 0:11:49 | |
Thank you. | 0:11:55 | 0:11:57 | |
Did you get the text? | 0:11:59 | 0:12:01 | |
Where's it coming in? | 0:12:02 | 0:12:03 | |
Well, the Spanish said that Billy had organised it. He'll tell us. | 0:12:05 | 0:12:08 | |
Nice of them to keep us informed. | 0:12:08 | 0:12:11 | |
Yep. You'd think they'd have learnt their lesson by now, | 0:12:11 | 0:12:13 | |
-about giving Billy his head. -Ach! | 0:12:13 | 0:12:15 | |
Anyway, after tonight, we'll be shot of him one way or another. | 0:12:18 | 0:12:21 | |
And me? I'll be glad. | 0:12:21 | 0:12:24 | |
All right, guys? | 0:12:24 | 0:12:25 | |
Hey. | 0:12:25 | 0:12:27 | |
What's this? Premature celebrations? | 0:12:27 | 0:12:30 | |
Anything I should know about? | 0:12:30 | 0:12:32 | |
That's what I was just saying. What's happening tonight? | 0:12:32 | 0:12:34 | |
Everything's fine. | 0:12:34 | 0:12:36 | |
Liverpool and Spain, it's all sorted. | 0:12:39 | 0:12:41 | |
A wee bit more detail wouldnae go amiss. | 0:12:45 | 0:12:47 | |
We brought it in at Liverpool. | 0:12:47 | 0:12:49 | |
And it's being couriered to us, right now as speak. | 0:12:49 | 0:12:52 | |
Some bike messenger's going to turn up and say, "Excuse me, | 0:12:52 | 0:12:54 | |
"do you want to sign here for the eight kilos of heroin"? | 0:12:54 | 0:12:57 | |
It's coming in in a ship load of tyres. | 0:12:57 | 0:12:59 | |
It's going to be delivered to garages around Glasgow. | 0:12:59 | 0:13:02 | |
Our delivery's coming to Montego Motors later today. | 0:13:02 | 0:13:06 | |
MY Montego Motors? | 0:13:06 | 0:13:07 | |
I thought we were partners. | 0:13:07 | 0:13:08 | |
A heads-up would have been nice! | 0:13:08 | 0:13:10 | |
Well, once this final shipment is in tonight, gentlemen, that's it. | 0:13:10 | 0:13:14 | |
You're all good. | 0:13:14 | 0:13:17 | |
Our Spanish friends will have their money back in full | 0:13:17 | 0:13:19 | |
within the next three weeks. | 0:13:19 | 0:13:21 | |
You'll be able to go home again. | 0:13:21 | 0:13:24 | |
Erm, well... I've been thinking about that. | 0:13:25 | 0:13:29 | |
I've been enjoying myself here. | 0:13:29 | 0:13:32 | |
Spain...Spain's not really my world. | 0:13:32 | 0:13:35 | |
That's Mandy's. | 0:13:35 | 0:13:37 | |
She'll get used to it here. | 0:13:37 | 0:13:38 | |
This has a good wee operation we've got going here. | 0:13:39 | 0:13:43 | |
I think the polis did us a favour | 0:13:43 | 0:13:45 | |
-when they huckled that first shipment. -A favour, aye? | 0:13:45 | 0:13:47 | |
A favour that took us six months to put right again! | 0:13:47 | 0:13:51 | |
But in doing so, the polis exposed their informer. | 0:13:51 | 0:13:54 | |
YOUR informer, you mean. | 0:13:54 | 0:13:55 | |
Aye, but it gave us the chance to tighten up the operation. | 0:13:55 | 0:13:59 | |
It's bulletproof now. It runs like clockwork. | 0:13:59 | 0:14:01 | |
Why stop now? There's millions to be made here. | 0:14:03 | 0:14:06 | |
The odds are against it, Billy. | 0:14:07 | 0:14:09 | |
Aye, if you play the odds. | 0:14:09 | 0:14:11 | |
You not got the bottle for it, Paul, no? | 0:14:11 | 0:14:14 | |
I'm not saying that. | 0:14:14 | 0:14:16 | |
But it's not just our decision to make, is it? | 0:14:17 | 0:14:20 | |
I'll have to talk to the Spanish, | 0:14:21 | 0:14:23 | |
see if they'd be happy to keep filling the pipeline. | 0:14:23 | 0:14:25 | |
Course they will. | 0:14:25 | 0:14:27 | |
Anyway, you do that - tell them me and Lenny are back in. | 0:14:27 | 0:14:31 | |
Eh, Lenny? | 0:14:32 | 0:14:34 | |
Aye. | 0:14:34 | 0:14:35 | |
Good. | 0:14:36 | 0:14:38 | |
Right, I've got a car waiting. | 0:14:41 | 0:14:46 | |
I'm going back to the hotel. | 0:14:46 | 0:14:47 | |
I haven't seen Mandy yet. See you later. | 0:14:47 | 0:14:51 | |
See you, Billy. | 0:14:51 | 0:14:53 | |
We need to talk. | 0:14:58 | 0:15:00 | |
I have to get back to the office right now. I'll call you. | 0:15:00 | 0:15:03 | |
Aye-aye. | 0:15:21 | 0:15:23 | |
Can I help you with something? | 0:15:31 | 0:15:34 | |
Eh... | 0:15:34 | 0:15:35 | |
Aye, Lenny's got a deal with a job lot of tyres. | 0:15:37 | 0:15:40 | |
Oh, aye? | 0:15:40 | 0:15:41 | |
They'll be arriving some time later the day. | 0:15:41 | 0:15:44 | |
Right. | 0:15:44 | 0:15:45 | |
I'm going to need you here tonight to take delivery of them. | 0:15:45 | 0:15:48 | |
Lenny didnae say anything about it to me. | 0:15:50 | 0:15:52 | |
I'm telling you now. | 0:15:52 | 0:15:53 | |
All you've to do is let them in. | 0:15:53 | 0:15:55 | |
Keep the tyres here and somebody will be around to collect them. | 0:15:57 | 0:16:00 | |
Who'll collect them? | 0:16:00 | 0:16:02 | |
Just do what you're telt, wee man, will you? | 0:16:04 | 0:16:06 | |
I'll give you a call later when the delivery's nearly here. | 0:16:06 | 0:16:10 | |
Just turn up, let them in, and then lock up safe after. | 0:16:10 | 0:16:14 | |
You got that? | 0:16:14 | 0:16:16 | |
Aye. | 0:16:16 | 0:16:17 | |
Sure? | 0:16:17 | 0:16:18 | |
Aye. | 0:16:18 | 0:16:19 | |
Right c'mon. You're going to miss your train. | 0:16:55 | 0:16:58 | |
Look, you're not far away, honey. | 0:17:00 | 0:17:03 | |
You need me - any time - you just shout | 0:17:03 | 0:17:07 | |
and I'll be there within three hours. Yeah? | 0:17:07 | 0:17:09 | |
OK. Thanks, Gabriel. | 0:17:09 | 0:17:12 | |
Come here. | 0:17:12 | 0:17:13 | |
So many memories. | 0:17:27 | 0:17:28 | |
That's what home is, sweetheart. | 0:17:30 | 0:17:31 | |
It'll always be here if you need it. | 0:17:31 | 0:17:34 | |
We'll always be here if you need us. | 0:17:34 | 0:17:36 | |
OK, then... | 0:17:39 | 0:17:40 | |
I can't believe we're actually doing this. | 0:17:40 | 0:17:42 | |
All day I've been waiting for you to change your mind. | 0:17:42 | 0:17:46 | |
No, it's the right thing to do. | 0:17:47 | 0:17:49 | |
I know. It's OK. | 0:17:49 | 0:17:52 | |
I'm OK. | 0:17:52 | 0:17:55 | |
Be good for your mother now, OK? | 0:17:56 | 0:17:58 | |
Come on, get going. | 0:17:59 | 0:18:01 | |
Good morning. I'm Detective Chief Inspector Donald. Is Mr Malick in? | 0:19:16 | 0:19:20 | |
Mr Paul Malick? | 0:19:26 | 0:19:28 | |
Detective Chief Inspector Donald. | 0:19:28 | 0:19:30 | |
I have a warrant to search these premises, | 0:19:30 | 0:19:32 | |
including a full financial audit. | 0:19:32 | 0:19:34 | |
The audit will be conducted by my colleague here | 0:19:42 | 0:19:44 | |
from Her Majesty's Revenue and Customs. | 0:19:44 | 0:19:47 | |
This isn't convenient. We've just opened up for the day. | 0:19:47 | 0:19:50 | |
You can carry on your business. | 0:19:50 | 0:19:52 | |
I just need a place to work, and a copy of all your accounts | 0:19:52 | 0:19:55 | |
going back five years, your current ledger, VAT bills, tax statements. | 0:19:55 | 0:20:00 | |
You know the drill, I'm sure. Are you the manager? | 0:20:00 | 0:20:03 | |
-Aye. -Then we'll be needing your cooperation, too, please. | 0:20:04 | 0:20:07 | |
Till receipts, petty cash, current stock levels, | 0:20:07 | 0:20:12 | |
and outstanding invoices. | 0:20:12 | 0:20:13 | |
If you had any plans for this afternoon, Mr Murdoch, | 0:20:14 | 0:20:17 | |
I suggest you cancel them. I'll be needing you here. | 0:20:17 | 0:20:20 | |
It's all right, Stevie. Give them everything they need. | 0:20:24 | 0:20:27 | |
OK, you guys can take Amber Cabs, and you two come with me. | 0:20:29 | 0:20:32 | |
PHONE RINGS | 0:20:40 | 0:20:43 | |
Hello? | 0:20:45 | 0:20:46 | |
'Listen to me very carefully - | 0:20:46 | 0:20:48 | |
-'Amber Cabs is about to get a visit from the tax man.' -What? | 0:20:48 | 0:20:50 | |
They just want to look through the records, the books, financial stuff. | 0:20:50 | 0:20:53 | |
Just give them all that. | 0:20:53 | 0:20:55 | |
But I need you to do something for me. | 0:20:55 | 0:20:56 | |
-'Go into the office...' -What's all this about? | 0:20:56 | 0:20:58 | |
Look, I told you, I don't have the time, OK? | 0:20:58 | 0:21:00 | |
I can see them now. | 0:21:04 | 0:21:06 | |
-Are you there? -'Aye.' | 0:21:06 | 0:21:07 | |
Right, open the safe. | 0:21:07 | 0:21:08 | |
-'OK.' -There's money in there I keep for a rainy day. | 0:21:09 | 0:21:12 | |
I need you to take it out of there and put it somewhere safe. | 0:21:12 | 0:21:15 | |
Your flat's probably fine. | 0:21:15 | 0:21:16 | |
Listen, there's not many people I'd trust with this, Jimmy. | 0:21:16 | 0:21:19 | |
'All right, but I want you to come pick it up yourself | 0:21:19 | 0:21:21 | |
'as soon as possible.' | 0:21:21 | 0:21:22 | |
-I will. -Mr Murdoch? | 0:21:22 | 0:21:25 | |
You were going to answer some questions for the nice man | 0:21:25 | 0:21:28 | |
from the Inland Revenue. | 0:21:28 | 0:21:30 | |
Yeah, let's go. | 0:21:30 | 0:21:32 | |
All right? | 0:21:39 | 0:21:41 | |
Taxi, is it? | 0:21:41 | 0:21:42 | |
Mandy? | 0:22:49 | 0:22:51 | |
Mandy? | 0:23:01 | 0:23:02 | |
There's nothing wrong with a husband giving his wife some money | 0:24:22 | 0:24:25 | |
to set up a little business. | 0:24:25 | 0:24:27 | |
It keeps me out of his way. I run it. | 0:24:27 | 0:24:30 | |
Billy's got nothing to do wi' it. | 0:24:30 | 0:24:32 | |
Or is Billy forcing you to do something here | 0:24:32 | 0:24:34 | |
you don't want to be doing? | 0:24:34 | 0:24:36 | |
We can help you, you know that? | 0:24:39 | 0:24:41 | |
We need to talk. Properly. Away from here. | 0:24:44 | 0:24:46 | |
Excuse me, I need to make a phone call. | 0:24:50 | 0:24:53 | |
There's nothing here that actually accuses me of anything. | 0:24:59 | 0:25:02 | |
PHONE RINGS | 0:25:02 | 0:25:04 | |
Do you want to get that? | 0:25:05 | 0:25:06 | |
Excuse me. | 0:25:06 | 0:25:08 | |
Hi. | 0:25:15 | 0:25:17 | |
I can't talk right now. | 0:25:20 | 0:25:21 | |
I need your help. The police are here. | 0:25:21 | 0:25:25 | |
They say they're auditing the books. | 0:25:25 | 0:25:27 | |
-What have you done, Mandy? -'Done? Me?' | 0:25:27 | 0:25:31 | |
Nothing! | 0:25:31 | 0:25:32 | |
We can't discuss this on the phone. | 0:25:32 | 0:25:35 | |
I try to help you people, I really do, but sometimes... | 0:25:35 | 0:25:40 | |
you're your own worst enemies. | 0:25:40 | 0:25:43 | |
-Oh, thanks! -Don't call me again. | 0:25:43 | 0:25:46 | |
-Your daughter? -My wife, Inspector. | 0:25:57 | 0:25:59 | |
Let's discuss this with your superiors, shall we? | 0:26:05 | 0:26:08 | |
Sorry? | 0:26:08 | 0:26:09 | |
We play golf together. | 0:26:16 | 0:26:17 | |
It's not looking good, is it, Mandy? | 0:26:19 | 0:26:22 | |
Don't go taking the blame for these men. | 0:26:25 | 0:26:28 | |
I advise you to come back to the station and talk to us. | 0:26:28 | 0:26:30 | |
I don't know anything. | 0:26:30 | 0:26:32 | |
Then there's no harm in it, is there? | 0:26:32 | 0:26:34 | |
You know, I know, this is nothing more than harassment. | 0:26:38 | 0:26:42 | |
You stand there in my boozer | 0:26:42 | 0:26:44 | |
and tell me these clowns can do what they want? | 0:26:44 | 0:26:46 | |
If there's anything in particular you'd like to tell us, | 0:26:46 | 0:26:49 | |
Mr Murdoch, this whole process could go a lot quicker. | 0:26:49 | 0:26:52 | |
I can tell you my conscience is clear and my books are clean, | 0:26:52 | 0:26:55 | |
so if you want to keep wasting your time... | 0:26:55 | 0:26:57 | |
We'll see. There's a lot of businesses in Shieldinch | 0:26:57 | 0:27:00 | |
with your name on the balance sheets. | 0:27:00 | 0:27:02 | |
We'll be taking a look at all of them. | 0:27:02 | 0:27:04 | |
Lenny. | 0:27:04 | 0:27:05 | |
The big chap's wanting answers to questions, I've not got a clue. | 0:27:05 | 0:27:08 | |
Are we full rate or flat rate VAT payers? | 0:27:08 | 0:27:12 | |
Do we put dodgy barrels down as loss | 0:27:12 | 0:27:13 | |
or do we return them to the brewery? | 0:27:13 | 0:27:15 | |
Dodgy barrels, you hear him? We wouldn't do that. It's illegal. | 0:27:15 | 0:27:20 | |
I'll go and have a word with him. | 0:27:20 | 0:27:21 | |
PHONE RINGS | 0:27:36 | 0:27:38 | |
Yes, sir. | 0:27:38 | 0:27:40 | |
Yes, but, sir... | 0:27:41 | 0:27:43 | |
Indeed, sir. | 0:27:43 | 0:27:44 | |
Yes, sir, it was in writing. | 0:27:45 | 0:27:47 | |
Thank you, Superintendent. | 0:27:49 | 0:27:51 | |
This is completely unacceptable, Detective Chief Inspector. | 0:27:53 | 0:27:57 | |
I am entitled to written notice, in advance, of any such inquiries... | 0:27:57 | 0:28:00 | |
That's not how law enforcement works, Mr Malick. | 0:28:00 | 0:28:03 | |
We don't pop a note through the door of a burglar | 0:28:03 | 0:28:06 | |
before we lift them in the morning. | 0:28:06 | 0:28:07 | |
Really? I've seen your conviction rates, Inspector. | 0:28:07 | 0:28:11 | |
I'm surprised. | 0:28:11 | 0:28:13 | |
Well, we've learnt from our mistakes with people like you. | 0:28:13 | 0:28:16 | |
"People like me." | 0:28:18 | 0:28:20 | |
You may wish to withdraw that statement, Officer, | 0:28:21 | 0:28:24 | |
unless you want me to sue you for slander. | 0:28:24 | 0:28:27 | |
I'm just an ordinary civilian, with no criminal record or convictions. | 0:28:28 | 0:28:32 | |
I'll have to cancel all my appointments this afternoon | 0:28:32 | 0:28:35 | |
due to this intrusion. | 0:28:35 | 0:28:36 | |
MESSAGE ALERT | 0:28:36 | 0:28:38 | |
Yeah. I find you can tell a man by the company he keeps. | 0:28:46 | 0:28:49 | |
You really think I'd launder money through my own business? | 0:28:51 | 0:28:55 | |
How stupid would I have to be? | 0:28:56 | 0:28:57 | |
Well, we'll know soon enough, won't we? | 0:28:59 | 0:29:01 | |
Awkward, isn't it? And once your clients find out we've been | 0:29:01 | 0:29:05 | |
looking into your files, they're not going to be too happy, are they? | 0:29:05 | 0:29:08 | |
Anyway, I'll let you get on. | 0:29:10 | 0:29:12 | |
It shouldn't take more than a couple of days. | 0:29:12 | 0:29:15 | |
Good day. | 0:29:16 | 0:29:17 | |
Your tanning salons... | 0:29:58 | 0:29:59 | |
Sorry, you and your husband's tanning salons. | 0:29:59 | 0:30:02 | |
Why is it so suspicious that a husband and wife | 0:30:04 | 0:30:07 | |
should set up a business together? | 0:30:07 | 0:30:09 | |
Because the husband's Billy. | 0:30:09 | 0:30:11 | |
And the beauty business isn't really his domain. | 0:30:11 | 0:30:13 | |
Which makes me suspect that this business was set up for a reason | 0:30:13 | 0:30:16 | |
other than giving the people of Glasgow a healthy year-round glow. | 0:30:16 | 0:30:20 | |
You've seen the books now. It's a nice little earner. | 0:30:21 | 0:30:24 | |
A nice little legitimate earner. | 0:30:24 | 0:30:27 | |
Don't take it personally, Mrs Kennedy. | 0:30:27 | 0:30:29 | |
We're not just checking you out. | 0:30:30 | 0:30:32 | |
Right now, Billy and Lenny Murdoch will realise that we're taking | 0:30:33 | 0:30:36 | |
a long, hard look at all of their businesses to... | 0:30:36 | 0:30:39 | |
MOBILE VIBRATES | 0:30:39 | 0:30:41 | |
Right on cue. | 0:30:41 | 0:30:42 | |
-Aren't you going to answer it? -I thought I'd already had my one call. | 0:30:46 | 0:30:50 | |
You're not under arrest, Mrs Kennedy. | 0:30:50 | 0:30:52 | |
Billy's going to be wondering where you are. | 0:30:56 | 0:30:59 | |
You don't want to get into trouble with him, do you? | 0:30:59 | 0:31:02 | |
I'm not giving you the satisfaction of eavesdropping | 0:31:02 | 0:31:05 | |
on a private phone call between me and my husband. | 0:31:05 | 0:31:07 | |
Now, as you've reminded me, I'm not under arrest. | 0:31:08 | 0:31:11 | |
So presumably I'm free to go. | 0:31:11 | 0:31:13 | |
Billy ever tell you about a boy called Gareth O'Connor? | 0:31:13 | 0:31:17 | |
Who's he? | 0:31:17 | 0:31:19 | |
He used to work for Billy. | 0:31:19 | 0:31:21 | |
Used to? | 0:31:21 | 0:31:22 | |
Mm. | 0:31:22 | 0:31:24 | |
He did a lot of bad things, but his heart was in the right place. | 0:31:25 | 0:31:29 | |
He didn't have a lucky life. | 0:31:31 | 0:31:34 | |
Or a long one. | 0:31:34 | 0:31:35 | |
See, Gareth gave us some information about Billy. | 0:31:37 | 0:31:42 | |
And Billy found out. | 0:31:43 | 0:31:44 | |
And Gareth wouldn't take my protection. | 0:31:46 | 0:31:48 | |
Then one day he put on his best suit, let Billy take him to the waterside, | 0:31:48 | 0:31:53 | |
shoot him in the head and dump him in the Clyde. | 0:31:53 | 0:31:56 | |
He was 18 years old. | 0:31:58 | 0:32:00 | |
And his girlfriend, Nicole... | 0:32:01 | 0:32:04 | |
Gabriel Brodie's niece, yeah? Yeah. | 0:32:04 | 0:32:06 | |
She gave birth the same day. | 0:32:09 | 0:32:11 | |
Gareth did all that to protect his family... | 0:32:13 | 0:32:17 | |
..from Billy. | 0:32:18 | 0:32:20 | |
So, yeah, if that's the man you want to go back to you're free to go. | 0:32:25 | 0:32:28 | |
Thank you. | 0:32:31 | 0:32:32 | |
SIRENS OUTSIDE | 0:32:49 | 0:32:53 | |
568 quid, you say? | 0:33:04 | 0:33:06 | |
According to your records for the last VAT quarter. | 0:33:06 | 0:33:09 | |
Mind if I check those figures myself? | 0:33:12 | 0:33:14 | |
What do you know - you're right. | 0:34:17 | 0:34:19 | |
I don't know how that could've happened. | 0:34:19 | 0:34:21 | |
Well, we'll wrap up for the day here soon, | 0:34:21 | 0:34:24 | |
but we'll be back at 9am sharp tomorrow. | 0:34:24 | 0:34:27 | |
Get through the rest of that lot. | 0:34:27 | 0:34:28 | |
I'll be here when you need me. | 0:34:28 | 0:34:30 | |
Don't be doing anything stupid now, like fleeing the country. | 0:34:30 | 0:34:33 | |
Yeah, with 500 quid of dodgy money? Hmmm, wonder how far I'll get? | 0:34:33 | 0:34:37 | |
HE DIALS NUMBER | 0:34:56 | 0:34:58 | |
Come on, come on... | 0:34:59 | 0:35:00 | |
PHONE RINGS | 0:35:00 | 0:35:03 | |
'Hi, this is Mandy. Leave a message and I'll get back to you.' | 0:35:03 | 0:35:07 | |
PHONE RINGS | 0:35:23 | 0:35:25 | |
Hello? | 0:35:31 | 0:35:32 | |
It's me. Have you spoken to Mandy? | 0:35:32 | 0:35:35 | |
'No, I haven't seen her since I got back. How?' | 0:35:35 | 0:35:39 | |
She's screwed up. | 0:35:39 | 0:35:41 | |
I don't know how, I don't know what she's done, | 0:35:41 | 0:35:43 | |
but we have the police and the Inland Revenue all over us | 0:35:43 | 0:35:46 | |
today running audits, | 0:35:46 | 0:35:48 | |
'including the tanning salons. | 0:35:48 | 0:35:50 | |
'You need to make sure she's keeping her mouth shut, Billy.' | 0:35:50 | 0:35:53 | |
Are you asking me or telling me? | 0:35:53 | 0:35:55 | |
Listen up. | 0:35:56 | 0:35:58 | |
I've just had to re-route the shipment away | 0:35:58 | 0:36:00 | |
from Montego Motors because there are police all over Shieldinch. | 0:36:00 | 0:36:04 | |
'And I don't need your wife calling me in the middle of it all | 0:36:04 | 0:36:07 | |
'because the police might want to take her in' | 0:36:07 | 0:36:09 | |
for some questioning. | 0:36:09 | 0:36:10 | |
So I'll do my end of the job here and you do yours, all right? | 0:36:10 | 0:36:16 | |
LINE GOES DEAD Aye, fine, OK. | 0:36:17 | 0:36:20 | |
FRONT DOOR OPENS | 0:36:29 | 0:36:31 | |
It's all OK. | 0:36:43 | 0:36:45 | |
All OK how? | 0:36:45 | 0:36:47 | |
The books are balanced and I said nothing to the police. | 0:36:48 | 0:36:51 | |
So, no "Welcome back, Billy"? | 0:36:53 | 0:36:55 | |
"Nice to see you"? | 0:36:58 | 0:36:59 | |
Instead it's straight in the door with the guilty conscience? | 0:37:01 | 0:37:05 | |
I... | 0:37:06 | 0:37:08 | |
Well, of course I'm glad you're back. | 0:37:08 | 0:37:11 | |
-I missed you. -Did you now? | 0:37:16 | 0:37:18 | |
Sit down. | 0:37:21 | 0:37:22 | |
Right, tell me everything. | 0:37:30 | 0:37:32 | |
-Did the polis arrest you? -No. | 0:37:34 | 0:37:36 | |
No? | 0:37:38 | 0:37:39 | |
So why did you go down to the cop shop to talk to them, then? | 0:37:40 | 0:37:43 | |
Because...because I thought it would look worse if I didn't. | 0:37:44 | 0:37:48 | |
What did you talk about? | 0:37:48 | 0:37:49 | |
Nothing, Billy, I swear. | 0:37:51 | 0:37:53 | |
I just thought if they were going to waste my time, | 0:37:53 | 0:37:55 | |
I might as well waste theirs. | 0:37:55 | 0:37:57 | |
What did they say about me? | 0:37:58 | 0:37:59 | |
Nothing. | 0:38:02 | 0:38:04 | |
Nothing? | 0:38:04 | 0:38:06 | |
They wanted to know why you of all people | 0:38:08 | 0:38:10 | |
were investing in the beauty business. | 0:38:10 | 0:38:13 | |
I told them you did it for me, | 0:38:13 | 0:38:15 | |
so I'd have something to do while I was over here. | 0:38:15 | 0:38:18 | |
Who else did they talk about? | 0:38:19 | 0:38:21 | |
Lenny Murdoch and Paul Malick. They're auditing everybody, Billy. | 0:38:22 | 0:38:26 | |
All the businesses. | 0:38:26 | 0:38:28 | |
-You've messed up the books, haven't you? -What? | 0:38:28 | 0:38:31 | |
No, Billy. I don't think so. I mean, it's complicated... | 0:38:32 | 0:38:35 | |
Did you do it deliberately? Hm? | 0:38:35 | 0:38:38 | |
Hoping they'd come looking? | 0:38:38 | 0:38:40 | |
Hoping they'd pin something on me? | 0:38:41 | 0:38:43 | |
Get me out of your hair, me back in the pokey again? | 0:38:44 | 0:38:47 | |
No, Billy, it's not like that! | 0:38:47 | 0:38:50 | |
Why'd you call Malick and no' me? | 0:38:50 | 0:38:52 | |
Well, I... | 0:38:54 | 0:38:56 | |
He's the one in charge here. | 0:38:57 | 0:38:59 | |
HE SCOFFS | 0:38:59 | 0:39:00 | |
No. No, pet. | 0:39:00 | 0:39:03 | |
I'm in charge. | 0:39:03 | 0:39:05 | |
See, it's when people forget that, that's when the trouble starts. | 0:39:07 | 0:39:11 | |
I had a problem with that here, about a year ago. | 0:39:13 | 0:39:15 | |
Polis talking to somebody close to me. | 0:39:17 | 0:39:20 | |
It didnae turn out too well for the party in question that time. | 0:39:21 | 0:39:25 | |
What about this. Mm? | 0:39:34 | 0:39:36 | |
-You've had a man here, haven't you, while I've been away? -No, Billy. | 0:39:38 | 0:39:42 | |
While the cat's away? | 0:39:43 | 0:39:46 | |
Good looking woman like yourself. | 0:39:46 | 0:39:48 | |
Maybe he wouldn't like you so much | 0:39:50 | 0:39:52 | |
if you had a couple of wee scars on your face. | 0:39:52 | 0:39:55 | |
Where's your mobile? | 0:40:00 | 0:40:01 | |
-Billy, you've got the wrong end of the... -Shut it. Give me your bag. | 0:40:01 | 0:40:06 | |
Gies it. | 0:40:06 | 0:40:07 | |
You're not gonnae be needing them, are you? | 0:40:24 | 0:40:26 | |
Right. | 0:40:31 | 0:40:32 | |
I'm away out. | 0:40:32 | 0:40:35 | |
You, you're staying here. | 0:40:35 | 0:40:36 | |
I'll tell the hotel folk down the stairs that you're not well. | 0:40:38 | 0:40:42 | |
Where are you going? | 0:40:47 | 0:40:48 | |
I'm just going to make a few inquiries. | 0:40:50 | 0:40:52 | |
How long will you be? | 0:40:52 | 0:40:54 | |
As long as it takes. | 0:40:54 | 0:40:56 | |
We'll get to the bottom of this when I get back. | 0:40:58 | 0:41:01 | |
OK? | 0:41:03 | 0:41:04 | |
So, what do you think? Did we achieve anything today? | 0:41:24 | 0:41:28 | |
Well, we've got a full house of drug dealers in the cells. | 0:41:28 | 0:41:31 | |
That'll keep the courts busy for a few days. | 0:41:31 | 0:41:33 | |
Oh, ye pair of little faith. | 0:41:33 | 0:41:36 | |
There's a lot less drugs being sold on the streets of Glasgow tonight. | 0:41:36 | 0:41:40 | |
Murdoch, Kennedy and Malick, they're not going to be sleeping well, | 0:41:40 | 0:41:44 | |
knowing we'll be doorstepping them first thing in the morning | 0:41:44 | 0:41:47 | |
to continue digging through their nasty wee businesses. | 0:41:47 | 0:41:49 | |
Their movements are restricted. They're going to be paranoid, jumpy. | 0:41:49 | 0:41:53 | |
This is when people start making mistakes. | 0:41:53 | 0:41:55 | |
-All in all, a decent day. -I'll drink to that. | 0:41:55 | 0:41:58 | |
Right, back at 7am sharp. | 0:42:02 | 0:42:04 | |
I want to debrief the entire team about what's going on | 0:42:04 | 0:42:07 | |
in Shieldinch before we roll out again after the bad guys. | 0:42:07 | 0:42:10 | |
Yes, sir. | 0:42:11 | 0:42:13 | |
-Good night, sir. -Night. | 0:42:14 | 0:42:16 | |
Yeah, I know. | 0:42:28 | 0:42:29 | |
What about the Keeworth Estate? Polis all over that an' all? | 0:42:30 | 0:42:33 | |
Right, just keep the head. Spread the word. OK, bye. | 0:42:33 | 0:42:37 | |
-All right? -What was all that about today? | 0:42:37 | 0:42:40 | |
It's all right, Jimmy, just the polis trying to wind me up. | 0:42:40 | 0:42:43 | |
-My lawyer's all over it. -Aye right. | 0:42:43 | 0:42:45 | |
-Well, you can have this back. -What's that? | 0:42:45 | 0:42:47 | |
Your rainy-day money from the safe! What were you expecting, a monsoon? | 0:42:47 | 0:42:50 | |
I cannae keep walking around with cash like this. | 0:42:50 | 0:42:53 | |
I can't take it right now. I've got an appointment. | 0:42:53 | 0:42:56 | |
Bring it back in a couple of days. | 0:42:56 | 0:42:58 | |
HE SIGHS | 0:43:00 | 0:43:02 | |
There's no way to expect it. I'm going down there myself. | 0:43:35 | 0:43:39 | |
But listen, there's something I need to talk to you about. | 0:43:39 | 0:43:42 | |
-Go on. -There's some kind of uniformed polis operation | 0:43:42 | 0:43:45 | |
going on here. A lot of boys are getting hauled in off the street. | 0:43:45 | 0:43:48 | |
They've nothing concrete or we'd already be in jail. | 0:43:48 | 0:43:51 | |
We just have to keep calm. | 0:43:51 | 0:43:52 | |
You know they've turned over the tanning salons, as well. | 0:43:52 | 0:43:55 | |
Course they did. How did Mandy hold up? | 0:43:55 | 0:43:57 | |
Not well. | 0:43:57 | 0:43:59 | |
She called me when DCI Donald was standing right there where you are. | 0:43:59 | 0:44:03 | |
I told Billy to keep her in line | 0:44:03 | 0:44:05 | |
We're close, this close, to settling this. | 0:44:05 | 0:44:07 | |
Last thing I need is Billy going off on one | 0:44:07 | 0:44:09 | |
with his wife or anybody else. | 0:44:09 | 0:44:11 | |
Look, I'll call Mandy myself, | 0:44:11 | 0:44:13 | |
see what happened with the salons. | 0:44:13 | 0:44:15 | |
PHONE RINGS | 0:44:41 | 0:44:43 | |
'Mandy?' | 0:44:48 | 0:44:50 | |
It's no' Mandy, it's me. | 0:44:50 | 0:44:51 | |
Billy. What's happened? Is Mandy OK? | 0:44:53 | 0:44:56 | |
She's fine. Why would she no' be? | 0:44:57 | 0:45:00 | |
What did she say? Do we have a problem at the salons? | 0:45:01 | 0:45:05 | |
We'd better meet. | 0:45:06 | 0:45:08 | |
'Where's Lenny?' | 0:45:08 | 0:45:09 | |
He's gone to meet the shipment at the new drop point. | 0:45:09 | 0:45:12 | |
Fine. | 0:45:12 | 0:45:14 | |
Meet me at The Tall Ship. | 0:45:15 | 0:45:17 | |
VACUUM CLEANER STARTS IN HALLWAY | 0:45:43 | 0:45:45 | |
Help! I'm locked in! | 0:45:50 | 0:45:52 | |
Can you open the door? | 0:45:52 | 0:45:53 | |
BANGS ON DOOR | 0:45:53 | 0:45:55 | |
Help. Open the door. | 0:45:55 | 0:45:57 | |
VACUUM STOPS, KEYS JANGLE | 0:45:57 | 0:46:00 | |
Hello? | 0:47:24 | 0:47:26 | |
-Gabriel? -Mandy... -I need to talk to you. | 0:47:26 | 0:47:28 | |
Where have you been? I text you, I'm worried sick here. | 0:47:28 | 0:47:31 | |
Can I come over? | 0:47:31 | 0:47:32 | |
Look, I don't think that would be a very good idea | 0:47:34 | 0:47:37 | |
'now that Billy's back in town.' | 0:47:37 | 0:47:39 | |
Please, Gabriel. I really need you. I need your help. | 0:47:39 | 0:47:43 | |
LINE GOES DEAD | 0:47:46 | 0:47:48 | |
WINCES | 0:48:07 | 0:48:09 | |
RINGS DOOR BELL | 0:48:27 | 0:48:29 | |
Please, I need your help. | 0:48:32 | 0:48:35 | |
Right, come on, inside. | 0:48:37 | 0:48:38 | |
What's Mandy done? What's going on? | 0:48:54 | 0:48:57 | |
I was kind of hoping you could tell me what was going on, Mr Malick. | 0:48:58 | 0:49:02 | |
-Me? -Mm-hm. -Why would I know? I'm asking you. | 0:49:02 | 0:49:06 | |
All I know is that the polis have been talking | 0:49:06 | 0:49:09 | |
to my wife down at the station. | 0:49:09 | 0:49:11 | |
She phones you. You change the delivery address of my shipment. | 0:49:11 | 0:49:15 | |
Then you try and phone her. | 0:49:15 | 0:49:17 | |
So I'm beginning to feel just a wee bit suspicious here myself. | 0:49:17 | 0:49:20 | |
-You've got this all wrong, Billy. -Have I? | 0:49:22 | 0:49:25 | |
The police took a shot in the dark at disrupting us today. | 0:49:25 | 0:49:28 | |
You think we're responsible for that? | 0:49:28 | 0:49:31 | |
I've been taking care of it. | 0:49:32 | 0:49:34 | |
I've had the Spanish re-route the delivery away | 0:49:34 | 0:49:37 | |
from Montego Motors because it's too risky. | 0:49:37 | 0:49:39 | |
You didn't think to ask me first, no? | 0:49:39 | 0:49:42 | |
This is the whole bloody problem, Billy. | 0:49:42 | 0:49:45 | |
You would just draw attention to yourself, don't you see? | 0:49:45 | 0:49:48 | |
Once this shipment's done tonight and the Spanish are paid off, | 0:49:49 | 0:49:53 | |
that's it. We don't want to deal with you any more. | 0:49:53 | 0:49:56 | |
You just don't get it, Billy. | 0:50:03 | 0:50:05 | |
You're not that special. | 0:50:05 | 0:50:07 | |
Being able to what? Slap around a few prostitutes? | 0:50:07 | 0:50:11 | |
Murder some teenager? | 0:50:11 | 0:50:13 | |
That doesn't make you top dog. | 0:50:13 | 0:50:15 | |
Brains, Billy - that's what it takes. | 0:50:16 | 0:50:19 | |
-Brains. And you don't have any. -Brains, is it? | 0:50:19 | 0:50:22 | |
Yes, Billy. Brains. | 0:50:23 | 0:50:25 | |
I've been protecting you from your mistakes for months now. | 0:50:27 | 0:50:31 | |
We all have. Me, Lenny, even your long-suffering wife. | 0:50:31 | 0:50:36 | |
You're the weak link in the chain. | 0:50:36 | 0:50:39 | |
If Mandy has dobbed us in over these tanning salon accounts, | 0:50:39 | 0:50:43 | |
God help you both. | 0:50:43 | 0:50:44 | |
The Spanish just wanted to put a bullet in your head, you know that? | 0:50:46 | 0:50:50 | |
Drop you off a boat into the Mediterranean. | 0:50:50 | 0:50:53 | |
It was me who saved you from that, Billy. | 0:50:53 | 0:50:55 | |
Because I knew how I could use you to make money. | 0:50:57 | 0:51:00 | |
We've all been using you, Billy. | 0:51:00 | 0:51:02 | |
You're just a thug, you're not the boss here. I'm the boss. | 0:51:02 | 0:51:06 | |
Well, Mr Malick... | 0:51:08 | 0:51:09 | |
..I may not be an educated man like yourself... | 0:51:10 | 0:51:13 | |
..but it's men like me that come out on top round here. | 0:51:14 | 0:51:18 | |
The Spanish should've done me while they could. | 0:51:19 | 0:51:22 | |
Anyway, I'd like you to take a wee message to the Spaniards from me. | 0:51:22 | 0:51:27 | |
What's that? | 0:51:28 | 0:51:30 | |
This. | 0:51:30 | 0:51:32 | |
MALICK GROANS | 0:51:37 | 0:51:39 | |
MALICK CHOKES | 0:51:42 | 0:51:45 | |
PHONE RINGS MALICK CHOKES | 0:52:03 | 0:52:06 | |
That's it... That's it. | 0:52:09 | 0:52:11 | |
What good's your brains now, Mr Malick? | 0:52:17 | 0:52:20 | |
'Hi. This is Paul Malick. Please leave me a brief message.' | 0:52:22 | 0:52:25 | |
It's me. I'm down at the garage, let them know I'm here. | 0:52:25 | 0:52:29 | |
How did you get on with Mandy? | 0:52:31 | 0:52:33 | |
Listen, I'll talk to you about | 0:52:33 | 0:52:35 | |
how I'm going to deal with her and Billy when I get back. | 0:52:35 | 0:52:38 | |
'I'm down at the garage, let them know I'm here. | 0:53:07 | 0:53:10 | |
'How did you get on with Mandy? | 0:53:10 | 0:53:13 | |
'Listen, I'll talk to you about how I'm going to deal with her | 0:53:13 | 0:53:16 | |
'and Billy when I get back.' | 0:53:16 | 0:53:18 | |
Did Billy do that to you? Animal. | 0:53:31 | 0:53:33 | |
It was awful, Gabriel. | 0:53:35 | 0:53:37 | |
He locked me in the hotel room. | 0:53:37 | 0:53:39 | |
How did you get out? | 0:53:40 | 0:53:42 | |
A maid helped me and I walked out. | 0:53:42 | 0:53:44 | |
I should have walked out years ago. | 0:53:46 | 0:53:48 | |
Gabriel... He... | 0:53:49 | 0:53:52 | |
-He found your razor in the bathroom. -He what? | 0:53:53 | 0:53:57 | |
Then he took my phone. | 0:53:57 | 0:53:58 | |
He doesn't know it's you. I deleted all our texts. | 0:53:58 | 0:54:01 | |
We need to talk to the polis. | 0:54:04 | 0:54:06 | |
No. The police can't help us. | 0:54:06 | 0:54:10 | |
They never could. | 0:54:10 | 0:54:11 | |
Billy's reach is so far. | 0:54:11 | 0:54:14 | |
If I turn myself over to them, he'll find me easily. | 0:54:14 | 0:54:17 | |
Today was horrendous. | 0:54:20 | 0:54:22 | |
They raided the businesses, they've already had me in | 0:54:22 | 0:54:26 | |
for questioning, now they're going through the books. | 0:54:26 | 0:54:29 | |
-If I've made a mistake and I don't know, I might have... -Hey, hey. | 0:54:29 | 0:54:33 | |
..Billy will kill me. | 0:54:33 | 0:54:35 | |
I mean literally kill me. | 0:54:35 | 0:54:37 | |
I've never seen him like that before. | 0:54:37 | 0:54:39 | |
What are we going to do? | 0:54:41 | 0:54:42 | |
-We'll be dead if we don't do something. -I don't know. | 0:54:44 | 0:54:47 | |
I don't know. | 0:54:47 | 0:54:48 | |
Look, just...stay here tonight, right? | 0:54:50 | 0:54:54 | |
You'll be safe. | 0:54:54 | 0:54:56 | |
-I need time to think. -Thank you. | 0:54:56 | 0:54:59 | |
Where's Billy now? | 0:55:04 | 0:55:05 | |
I don't know. | 0:55:07 | 0:55:09 | |
MOBILE VIBRATES | 0:55:09 | 0:55:11 | |
# It starts in my belly | 0:55:54 | 0:55:59 | |
# Then up to my heart | 0:55:59 | 0:56:03 | |
# Into my mouth | 0:56:03 | 0:56:07 | |
# I can't keep it shut | 0:56:07 | 0:56:12 | |
# Do you recognise the smell? | 0:56:12 | 0:56:18 | |
# Is that that how you tell | 0:56:18 | 0:56:22 | |
# Us apart? # | 0:56:23 | 0:56:26 | |
The man needs moving. I cannae do it all by myself. | 0:56:42 | 0:56:46 | |
Me? Look, no. | 0:56:46 | 0:56:48 | |
It isnae a request, pal. | 0:56:48 | 0:56:50 | |
I've got a mate lives in the Highlands. | 0:56:51 | 0:56:53 | |
She'll put you up for a bit if I ask. You'll be safe. | 0:56:53 | 0:56:56 | |
Seen Mandy? | 0:56:58 | 0:57:00 | |
I want to meet, but where I say. | 0:57:00 | 0:57:03 | |
Wherever you want. | 0:57:03 | 0:57:04 | |
You know I've only ever wanted what's best for you. | 0:57:04 | 0:57:07 |