Browse content similar to 18/03/2014. Check below for episodes and series from the same categories and more!
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We have the police and Inland Revenue | 0:00:21 | 0:00:23 | |
all over us today, running audits. | 0:00:23 | 0:00:25 | |
'You need to make sure she's keeping her mouth shut.' | 0:00:25 | 0:00:27 | |
-You've had a man here, haven't you, while I was away. -No, Billy. | 0:00:27 | 0:00:31 | |
Well, maybe he wouldnae like you so much | 0:00:31 | 0:00:32 | |
if you had a couple of wee scars on your face. | 0:00:32 | 0:00:34 | |
Billy will kill me. | 0:00:34 | 0:00:36 | |
I've never seen him like that before. | 0:00:36 | 0:00:38 | |
What are we going to do? | 0:00:38 | 0:00:40 | |
I'd like you to take a message to the Spaniards from me. | 0:00:40 | 0:00:43 | |
What's that? | 0:00:44 | 0:00:45 | |
This. | 0:00:45 | 0:00:46 | |
VOICEMAIL: 'Hi, this is Paul Malick. Please leave me a brief message.' | 0:00:47 | 0:00:50 | |
It's me. Listen, I'll talk to you | 0:00:50 | 0:00:52 | |
about how I'm going to deal with her and Billy when I get back. | 0:00:52 | 0:00:55 | |
Did you really think you'd get away wi' it? | 0:01:11 | 0:01:13 | |
Hm? | 0:01:15 | 0:01:16 | |
I'd just... | 0:01:18 | 0:01:21 | |
I'd roll over and that would be it? | 0:01:21 | 0:01:22 | |
Did you? | 0:01:25 | 0:01:26 | |
Big mistake, Paul. | 0:01:35 | 0:01:37 | |
Big mistake. | 0:01:37 | 0:01:39 | |
See, everyone... | 0:01:41 | 0:01:43 | |
everyone has a line. | 0:01:43 | 0:01:44 | |
That's just the way it is. | 0:01:46 | 0:01:47 | |
If you push somebody, | 0:01:49 | 0:01:51 | |
if you push a man beyond that line, then... | 0:01:51 | 0:01:56 | |
Well, they either lose their self-respect or... | 0:01:56 | 0:01:59 | |
I'm not saying you're the only one. | 0:02:06 | 0:02:08 | |
DOG BARKS | 0:02:15 | 0:02:17 | |
ENGINE APPROACHES | 0:02:17 | 0:02:19 | |
'Lenny owes me.' | 0:02:27 | 0:02:28 | |
Here he is, trying to ease me out. | 0:02:34 | 0:02:36 | |
Hm. | 0:02:39 | 0:02:40 | |
He shoulda made sure there'd be nae comeback. | 0:02:42 | 0:02:44 | |
Cos, believe me, there's gonnae be a comeback. | 0:02:46 | 0:02:48 | |
Hm. | 0:02:51 | 0:02:52 | |
And then there's her. | 0:02:55 | 0:02:56 | |
(Let's go back to bed.) | 0:03:45 | 0:03:46 | |
(Come on.) | 0:03:48 | 0:03:49 | |
HE SIGHS | 0:04:14 | 0:04:15 | |
HE TUTS | 0:04:20 | 0:04:22 | |
Right. | 0:04:22 | 0:04:23 | |
Excuse me. | 0:04:31 | 0:04:32 | |
There we go. | 0:04:36 | 0:04:38 | |
Hm. | 0:05:05 | 0:05:07 | |
PHONE BEEPS | 0:05:18 | 0:05:19 | |
LINE RINGS | 0:05:21 | 0:05:23 | |
'Amber Cabs.' | 0:05:25 | 0:05:26 | |
Yeah, I need a cab. The Tall Ship flat. | 0:05:26 | 0:05:29 | |
It's one of Lenny's pals. Just a wee bit incapacitated. | 0:05:29 | 0:05:33 | |
'Er, OK.' | 0:05:33 | 0:05:35 | |
Said to ask for Jimmy Mullen. Only him. | 0:05:35 | 0:05:37 | |
'Um, I think Jimmy's busy at the moment. | 0:05:37 | 0:05:39 | |
Only...him. | 0:05:39 | 0:05:40 | |
'OK...' | 0:05:40 | 0:05:41 | |
Tell him to come to the side door. | 0:05:41 | 0:05:43 | |
PHONE BEEPS | 0:05:45 | 0:05:47 | |
Come on Eamonn, son, move it along, eh? | 0:05:55 | 0:05:57 | |
JIMMY: Lenny? You up there? | 0:06:01 | 0:06:03 | |
Aw, Billy, somebody phoned a cab. Is it for you? | 0:06:05 | 0:06:07 | |
No, not just me. | 0:06:07 | 0:06:09 | |
Ooh! The state's he in. He's well out o' it. | 0:06:10 | 0:06:14 | |
Oh, he is that all right. | 0:06:14 | 0:06:15 | |
Look, Billy, if he's sick in the cab, there's a charge. | 0:06:17 | 0:06:20 | |
He'll no' do that. | 0:06:20 | 0:06:22 | |
What...? | 0:06:24 | 0:06:26 | |
Look, I-I... | 0:06:26 | 0:06:27 | |
I've seen nothing, all right? | 0:06:28 | 0:06:31 | |
I'll no' tell a soul. | 0:06:31 | 0:06:33 | |
I know you'll no'. That's why I asked for you. | 0:06:33 | 0:06:35 | |
Lenny always said you could be relied on. | 0:06:37 | 0:06:39 | |
Relied on? To do what? | 0:06:39 | 0:06:41 | |
To get a man out a corner. | 0:06:41 | 0:06:44 | |
I've a problem, right? | 0:06:44 | 0:06:46 | |
Man needs moving. | 0:06:46 | 0:06:47 | |
Cannae do it all by myself. | 0:06:47 | 0:06:49 | |
What, me? Look, no... | 0:06:49 | 0:06:51 | |
It isnae a request, pal. | 0:06:52 | 0:06:54 | |
GUN CLICKS | 0:06:54 | 0:06:56 | |
MUSIC: "Oh Yeah" by Can | 0:06:56 | 0:07:00 | |
Where we goin'? | 0:07:41 | 0:07:43 | |
Trainspottin'. | 0:07:44 | 0:07:45 | |
TRAIN PASSES | 0:07:55 | 0:07:59 | |
Here it comes. I'll get his legs, put him on his side. | 0:08:13 | 0:08:18 | |
All right. | 0:08:18 | 0:08:20 | |
BILLY GRUNTS | 0:08:20 | 0:08:22 | |
OK... | 0:08:27 | 0:08:28 | |
TRAIN APPROACHES | 0:08:30 | 0:08:32 | |
OK... | 0:08:32 | 0:08:33 | |
Now! | 0:08:33 | 0:08:34 | |
HEAVY THUD | 0:08:37 | 0:08:38 | |
TRAIN ROARS PAST | 0:08:38 | 0:08:40 | |
What, you planning on singing a wee hymn? Eh? | 0:08:40 | 0:08:43 | |
Let's get out o' here. | 0:08:43 | 0:08:45 | |
Come on! | 0:08:46 | 0:08:47 | |
MOBILE BEEPS | 0:09:40 | 0:09:43 | |
C'mon, Malick. Where're ye? | 0:09:43 | 0:09:45 | |
HE SNIFFS | 0:09:55 | 0:09:56 | |
'Where are we goin' now?' | 0:10:00 | 0:10:01 | |
'Just take the next exit.' | 0:10:01 | 0:10:03 | |
There, that'll do. | 0:10:24 | 0:10:25 | |
What's your take on women, Jimmy? | 0:10:29 | 0:10:31 | |
What, me? I... | 0:10:31 | 0:10:33 | |
I don't know... I've no' got one any mair. | 0:10:33 | 0:10:36 | |
You're probably better off that way. | 0:10:36 | 0:10:39 | |
There's no' one of them can be trusted. | 0:10:39 | 0:10:41 | |
Look, you don't have do this. | 0:10:41 | 0:10:44 | |
Lenny said you could rely on me. | 0:10:44 | 0:10:45 | |
-BILLY CHUCKLES -"Lenny said." | 0:10:45 | 0:10:47 | |
Yeah, that'll be all right, then(!) | 0:10:47 | 0:10:49 | |
Look, I-I'm no' gonnae go squealing. | 0:10:49 | 0:10:52 | |
See, trouble is, how can I be sure of that? Eh? | 0:10:52 | 0:10:56 | |
If I believed you, | 0:10:56 | 0:10:58 | |
and I might end up regrettin' it for the rest of my natural. | 0:10:58 | 0:11:01 | |
Banged up. | 0:11:01 | 0:11:03 | |
What kind of retirement plan's that? | 0:11:03 | 0:11:05 | |
Oh, I swear! | 0:11:05 | 0:11:06 | |
Oh, for the love of Jesus! | 0:11:09 | 0:11:11 | |
I've got a wean. She needs her dad. Please! | 0:11:11 | 0:11:14 | |
Any last words? | 0:11:14 | 0:11:15 | |
I'm begging you. Don't! | 0:11:16 | 0:11:18 | |
What've I ever done? | 0:11:18 | 0:11:19 | |
Right, turn round. | 0:11:24 | 0:11:25 | |
Turn round. | 0:11:28 | 0:11:29 | |
You're not gonnae grass me. | 0:11:33 | 0:11:34 | |
-Aye, you're right. -Shut up and listen. | 0:11:34 | 0:11:37 | |
You're a family man? | 0:11:37 | 0:11:40 | |
You know that, if you grass me... | 0:11:40 | 0:11:42 | |
you wouldnae be the first I'd do. | 0:11:42 | 0:11:44 | |
What d'you mean? | 0:11:44 | 0:11:46 | |
I want you to remember just how that felt, Jimmy. | 0:11:47 | 0:11:51 | |
And then think about how that would feel for them. | 0:11:52 | 0:11:56 | |
See, you and Lenny, you got wee Cal back. | 0:11:56 | 0:11:59 | |
The next time, you might no' be so lucky. | 0:12:01 | 0:12:04 | |
So it was you..? | 0:12:04 | 0:12:05 | |
HE CHUCKLES | 0:12:05 | 0:12:06 | |
Oh, come on. | 0:12:10 | 0:12:12 | |
Come on - now or no'. | 0:12:12 | 0:12:13 | |
Look, look, look... | 0:12:13 | 0:12:15 | |
I'll make it easy for you. There. | 0:12:15 | 0:12:18 | |
I'll even let you go | 0:12:18 | 0:12:19 | |
and get the pool cue you use for warding off the drunks. | 0:12:19 | 0:12:22 | |
-You're an animal! -Aye, I know. | 0:12:22 | 0:12:25 | |
Right, drop me at a taxi rank and then burn this heap. | 0:12:26 | 0:12:30 | |
What, my cab? | 0:12:30 | 0:12:31 | |
None of this, Jimmy... None of this is coming back to me. | 0:12:31 | 0:12:35 | |
You got that? | 0:12:37 | 0:12:39 | |
Eh? | 0:12:39 | 0:12:40 | |
SHE GASPS | 0:12:49 | 0:12:51 | |
Hey, hey. Whoa. It's OK. | 0:12:51 | 0:12:53 | |
Billy doesnae know where you are. | 0:12:53 | 0:12:56 | |
Where are Leyla and Zinnie? They'll wonder why I'm here. | 0:12:56 | 0:12:59 | |
They're still in Aberdeen. | 0:12:59 | 0:13:01 | |
They won't be back for a day or so. | 0:13:01 | 0:13:03 | |
HE SIGHS | 0:13:06 | 0:13:07 | |
Sorry. | 0:13:10 | 0:13:12 | |
There's nothing to be sorry for. | 0:13:12 | 0:13:14 | |
No? | 0:13:15 | 0:13:16 | |
How about involving you in all this for a kick off? | 0:13:17 | 0:13:20 | |
Do you not think I was involved already? | 0:13:20 | 0:13:22 | |
All right, maybe it's not exactly what I'd in mind but... | 0:13:24 | 0:13:27 | |
What's that mean? | 0:13:27 | 0:13:29 | |
Gabriel, if you didn't want me here, | 0:13:29 | 0:13:30 | |
-you should've slammed the door on me. -Hey. | 0:13:30 | 0:13:33 | |
That's not what I said | 0:13:33 | 0:13:34 | |
Listen, I've got a plan. | 0:13:38 | 0:13:41 | |
I've got a mate, lives in the Highlands. | 0:13:41 | 0:13:44 | |
She'll put you up for a bit, if I ask. | 0:13:44 | 0:13:46 | |
Then what? | 0:13:48 | 0:13:50 | |
I don't know. But we'll think of something. | 0:13:50 | 0:13:53 | |
But the main thing is, you'll be running your own life. | 0:13:53 | 0:13:55 | |
And you won't have Billy ordering you about. You'll be safe. | 0:13:55 | 0:13:59 | |
I'm hungry. | 0:14:02 | 0:14:03 | |
There's cornflakes in there. | 0:14:03 | 0:14:05 | |
I was thinking more bacon roll, brown sauce, heavy on the grease. | 0:14:05 | 0:14:10 | |
You know what? That sounds like another plan. | 0:14:10 | 0:14:13 | |
Look, the Oyster'll be open soon. | 0:14:13 | 0:14:14 | |
I'll just splash some water on my face. | 0:14:14 | 0:14:17 | |
Let's see what Mr Malick's been up to. | 0:14:47 | 0:14:50 | |
MALICK: 'It's me again. I left you a message, you're not getting back. | 0:14:56 | 0:15:00 | |
'Anyway, everything's sorted wi' the shipment. | 0:15:00 | 0:15:04 | |
'I've no' told the jannie anything.' | 0:15:04 | 0:15:06 | |
No jannie, eh? | 0:15:07 | 0:15:09 | |
HE SIGHS | 0:15:12 | 0:15:14 | |
-So, the impact of the train threw him over there? -Yes. | 0:15:26 | 0:15:30 | |
No cards? Nothing with a name on it? | 0:15:54 | 0:15:57 | |
Nearest houses, 15 minutes. Ditto pubs, shops, businesses. | 0:16:03 | 0:16:07 | |
And it's a tidy walk from the station. | 0:16:07 | 0:16:09 | |
What about a vehicle? Was there a car he could've used? | 0:16:09 | 0:16:11 | |
No. No car keys, either. | 0:16:11 | 0:16:13 | |
So, in other words, the only way our vic could've got there was on foot. | 0:16:13 | 0:16:17 | |
In the dark. Across a muddy road. | 0:16:17 | 0:16:19 | |
Most they've ever walked on is carpet. | 0:16:19 | 0:16:22 | |
So what was he doing? | 0:16:22 | 0:16:24 | |
And why no credit cards? No other ID? | 0:16:24 | 0:16:28 | |
Find out. | 0:16:28 | 0:16:30 | |
I've got to meet the HMRC guys. Keep me in the loop, yeah? | 0:16:30 | 0:16:33 | |
Can I help you? | 0:16:58 | 0:16:59 | |
Seen Mandy? | 0:16:59 | 0:17:00 | |
Well, should I have? | 0:17:02 | 0:17:03 | |
You're her driver. | 0:17:03 | 0:17:05 | |
Aye, and you're her husband. | 0:17:05 | 0:17:07 | |
What, am I meant to be on call 24/7? | 0:17:07 | 0:17:11 | |
What, have you lost her? | 0:17:11 | 0:17:12 | |
She's busy. | 0:17:13 | 0:17:15 | |
She'll no' be needing you today. | 0:17:15 | 0:17:17 | |
That suits me. | 0:17:17 | 0:17:18 | |
I've got better things to be doing with my time | 0:17:18 | 0:17:20 | |
than carry her shopping about. | 0:17:20 | 0:17:22 | |
You know - having my breakfast. | 0:17:22 | 0:17:24 | |
So if you don't mind... | 0:17:24 | 0:17:25 | |
You do that. | 0:17:28 | 0:17:29 | |
DOOR OPENS | 0:17:53 | 0:17:54 | |
What, you forget how to knock? | 0:17:58 | 0:18:01 | |
Somebody must have knocked the knocker. It's a rough neighbourhood. | 0:18:01 | 0:18:05 | |
I was thinking we should catch up. | 0:18:05 | 0:18:07 | |
We're supposed to be partners, after all. | 0:18:07 | 0:18:10 | |
Were you here last night? | 0:18:10 | 0:18:11 | |
I found a glass on the table. | 0:18:11 | 0:18:14 | |
I was waiting for you. | 0:18:14 | 0:18:16 | |
What? You've no' heard of telephones? | 0:18:16 | 0:18:19 | |
Malick doesnae want us to use them. | 0:18:19 | 0:18:21 | |
Wants us only to talk face-to-face fae now on. | 0:18:21 | 0:18:23 | |
You've seen him, then? | 0:18:23 | 0:18:25 | |
Aye, last night. | 0:18:25 | 0:18:26 | |
That's what I was waiting to tell you. | 0:18:26 | 0:18:29 | |
Man's paranoid about all the polis activity. | 0:18:29 | 0:18:32 | |
He's worried his phone's bugged. | 0:18:32 | 0:18:34 | |
That's just stupid. | 0:18:34 | 0:18:35 | |
They have bugged us before, haven't they? | 0:18:35 | 0:18:38 | |
What did he have to say? | 0:18:38 | 0:18:40 | |
-Have you no' talked to him? -Come on, Billy, just tell us. | 0:18:40 | 0:18:44 | |
Ah... Well, I had to do a wee bit of grovellin'. | 0:18:44 | 0:18:48 | |
I mean, whatever else I am, I'm no' an idiot. | 0:18:50 | 0:18:54 | |
I know which way the wind's blowing. | 0:18:54 | 0:18:56 | |
Malick's not exactly secretary of my fan club, is he? | 0:18:56 | 0:18:58 | |
-What did he say? -Ach... | 0:18:58 | 0:19:00 | |
..went on about how I tried his patience | 0:19:01 | 0:19:03 | |
and how, if it was down to him, I'd be out. | 0:19:03 | 0:19:06 | |
Luckily... | 0:19:06 | 0:19:07 | |
Luckily the Spaniards think I've got a wee bit mair to bring. | 0:19:07 | 0:19:11 | |
You... You don't need to worry. They still want you calling the shots. | 0:19:11 | 0:19:15 | |
You still havenae said what you want. | 0:19:19 | 0:19:21 | |
I just want to be brought up to speed. | 0:19:22 | 0:19:25 | |
Well, it's my shipment, right? | 0:19:25 | 0:19:27 | |
And I get why I wasnae told about the switch. But... | 0:19:27 | 0:19:30 | |
..now I need to know where it went. | 0:19:31 | 0:19:34 | |
Safe. | 0:19:34 | 0:19:35 | |
That's all you need know. | 0:19:35 | 0:19:38 | |
Anybody'd think you didnae trust me. | 0:19:38 | 0:19:40 | |
I'm just following orders. | 0:19:41 | 0:19:44 | |
Spaniards told me to keep on top of things. | 0:19:44 | 0:19:47 | |
If you want to make your own decisions, that's up to you. Right? | 0:19:48 | 0:19:52 | |
Where're you going? | 0:19:55 | 0:19:57 | |
Keep your heid. Just goin' for a leak. | 0:19:57 | 0:20:00 | |
I'm an old man - this cold air's killing me. | 0:20:00 | 0:20:04 | |
DOOR OPENS AND CLOSES | 0:20:07 | 0:20:10 | |
HE WHISTLES TUNELESSLY | 0:20:10 | 0:20:13 | |
PHONE BEEPS | 0:20:28 | 0:20:30 | |
LINE RINGS | 0:20:31 | 0:20:37 | |
MOBILE BUZZES | 0:20:37 | 0:20:39 | |
HE CHUCKLES | 0:20:39 | 0:20:42 | |
Hm. | 0:20:42 | 0:20:43 | |
TOILET FLUSHES | 0:20:52 | 0:20:54 | |
-DOOR CLOSES GABRIEL: -Hey ho, only me. | 0:21:01 | 0:21:03 | |
But, hey, stay well out of sight. | 0:21:03 | 0:21:05 | |
I just saw Billy. | 0:21:06 | 0:21:07 | |
Mandy? | 0:21:09 | 0:21:11 | |
Mandy, you up there? | 0:21:13 | 0:21:15 | |
LINE RINGS | 0:21:17 | 0:21:20 | |
MOBILE RINGS | 0:21:22 | 0:21:25 | |
-It's me. -'Where are you?' | 0:21:31 | 0:21:33 | |
Doesn't matter. Just listen. | 0:21:33 | 0:21:35 | |
'I want to meet. But where I say.' | 0:21:35 | 0:21:39 | |
Whatever you want. | 0:21:39 | 0:21:40 | |
You know I've only ever wanted what's best for you. | 0:21:40 | 0:21:43 | |
Jimmy, you got a second? | 0:21:48 | 0:21:51 | |
-You havenae seen Mandy Kennedy have you? -No, why? | 0:21:56 | 0:21:59 | |
Oh, nae reason. Don't worry. | 0:21:59 | 0:22:01 | |
Has something happened to her? | 0:22:01 | 0:22:03 | |
Why you saying that? | 0:22:03 | 0:22:05 | |
Oh, it's just you looked a bit worried, that's all. | 0:22:05 | 0:22:07 | |
No, I just want to know that she's OK. | 0:22:07 | 0:22:09 | |
-If you see herm let me know. All right? -Aye. | 0:22:09 | 0:22:12 | |
DOOR OPENS | 0:22:43 | 0:22:45 | |
KELLY-MARIE: Hey. It's just me. | 0:22:47 | 0:22:49 | |
Oh, Jimmy. Y'all right? | 0:22:49 | 0:22:52 | |
Hi, Kell. Aye, brand new. | 0:22:52 | 0:22:53 | |
-You looking for Ma? -No... Aye, aye. | 0:22:55 | 0:22:57 | |
She said something about fixing a light. | 0:22:57 | 0:22:59 | |
-Are you OK? -Aye, why wouldn't I be? | 0:23:01 | 0:23:05 | |
Have you no' got Cal wi' you? | 0:23:05 | 0:23:07 | |
Be an hour or so yet. | 0:23:07 | 0:23:09 | |
Aye, s'pose it will. | 0:23:09 | 0:23:10 | |
I thought you'd have all the school times and holidays down pat. | 0:23:10 | 0:23:13 | |
Isn't that the case for us parents? | 0:23:13 | 0:23:15 | |
Aye, maybe that's why I don't. | 0:23:15 | 0:23:18 | |
Right, I know there's something no' right here, so... | 0:23:18 | 0:23:22 | |
are you gonnae tell me what it is? | 0:23:22 | 0:23:24 | |
I'm only ever part-time, hen. Not a proper da. | 0:23:26 | 0:23:29 | |
You know, when I was wee, I used to look up to my dad. | 0:23:29 | 0:23:33 | |
How can Madonna do that wi' me? | 0:23:34 | 0:23:36 | |
What's brought this on? | 0:23:36 | 0:23:38 | |
Never mind, just forget I said anything. | 0:23:39 | 0:23:41 | |
No, Jimmy, tell me. | 0:23:41 | 0:23:43 | |
HE SIGHS | 0:23:44 | 0:23:45 | |
Well, I'm just... | 0:23:47 | 0:23:49 | |
..totting up my life, that's all. | 0:23:50 | 0:23:52 | |
Can I help you? | 0:25:06 | 0:25:08 | |
I'm looking for Paul Malick. | 0:25:08 | 0:25:09 | |
I'm Fi Malick, his wife. You are...? | 0:25:09 | 0:25:12 | |
My name's Murdoch. I'm a colleague. | 0:25:12 | 0:25:14 | |
Paul's never mentioned you before. | 0:25:15 | 0:25:17 | |
Is he here? | 0:25:17 | 0:25:18 | |
Why would he be? He's at work. | 0:25:18 | 0:25:20 | |
No, I tried there. They've not seen him. | 0:25:20 | 0:25:22 | |
I thought you said you were a colleague? | 0:25:22 | 0:25:24 | |
Where is he? | 0:25:26 | 0:25:27 | |
I'd say that was his business. | 0:25:28 | 0:25:30 | |
If he's not at his desk, maybe he'd a meeting. | 0:25:30 | 0:25:33 | |
Why don't you send him an e-mail, like anyone else? | 0:25:33 | 0:25:36 | |
Because I'm not anyone else. | 0:25:36 | 0:25:38 | |
And I think it'd be best if this didn't go in an e-mail. | 0:25:38 | 0:25:40 | |
This way. Wipe your feet. | 0:25:44 | 0:25:46 | |
Nice place. | 0:25:53 | 0:25:54 | |
Here. If you leave it there, I'll make sure he knows. | 0:25:57 | 0:26:00 | |
-DOG BARKS -OK, Tiber. | 0:26:00 | 0:26:01 | |
I won't be a minute. | 0:26:03 | 0:26:04 | |
Come on, darling. Come to Mummy. Come on... | 0:26:06 | 0:26:10 | |
Come on, Tiber. | 0:26:10 | 0:26:11 | |
What on earth are you doing? | 0:26:32 | 0:26:34 | |
Who's this? It's a Spanish number. | 0:26:34 | 0:26:37 | |
How should I know? And it's none of your business. | 0:26:37 | 0:26:40 | |
-I want you out of here! -I couldn't care less, missus. | 0:26:40 | 0:26:43 | |
Because me and your man, | 0:26:43 | 0:26:44 | |
we're supposed to be having a wee chat. | 0:26:44 | 0:26:46 | |
But now he's not answering his calls. | 0:26:46 | 0:26:47 | |
I need to find out where he is. | 0:26:47 | 0:26:49 | |
And that gives you licence to go through his things? | 0:26:49 | 0:26:51 | |
You tell me, then. | 0:26:51 | 0:26:52 | |
Only I'm guessing you've even less of a clue than I have. | 0:26:54 | 0:26:57 | |
We're married. Not joined at the hip. | 0:26:57 | 0:26:59 | |
If he's not answering, | 0:26:59 | 0:27:01 | |
-maybe he's been called away on business. -Spain? | 0:27:01 | 0:27:04 | |
I want you to leave now. That, or I'll call the police. | 0:27:04 | 0:27:07 | |
Yeah, it's me. Listen, Billy Kennedy was at my flat last night. | 0:27:16 | 0:27:20 | |
Did he take one of our cabs home? | 0:27:20 | 0:27:22 | |
All right? Who was the driver? | 0:27:23 | 0:27:25 | |
Right, thanks. | 0:27:28 | 0:27:30 | |
Just a wee change of plan. | 0:27:33 | 0:27:34 | |
Leave the gear where it is, but keep your eye on it, all right? | 0:27:34 | 0:27:36 | |
Jimmy... | 0:27:41 | 0:27:42 | |
A word. | 0:27:44 | 0:27:45 | |
ENGINE STARTS UP | 0:27:58 | 0:28:00 | |
You get a pick-up last night from my place? | 0:28:16 | 0:28:19 | |
-Was it Billy? -Aye. | 0:28:19 | 0:28:21 | |
-Was he alone? -Mm-hm. | 0:28:21 | 0:28:23 | |
Where did you take him? Did he meet anybody? | 0:28:23 | 0:28:25 | |
No, no, just his hotel. | 0:28:25 | 0:28:26 | |
So you didn't see him with this Malick character? | 0:28:30 | 0:28:33 | |
You know, fond of himself - he's been round here before. | 0:28:33 | 0:28:36 | |
No. | 0:28:36 | 0:28:38 | |
But I've got a question for you. | 0:28:39 | 0:28:41 | |
You mind that discussion we had about somebody bigger | 0:28:43 | 0:28:46 | |
maybe pulling the strings behind Cal's kidnapping? | 0:28:46 | 0:28:49 | |
It was Kennedy, wasn't it? | 0:28:51 | 0:28:52 | |
-Don't know what you're talking about. -Aye, you do. | 0:28:55 | 0:28:58 | |
When did you find out? | 0:28:58 | 0:28:59 | |
Well? | 0:29:07 | 0:29:08 | |
-No then. No for sure. -No for sure? | 0:29:09 | 0:29:12 | |
-Or was there a reason you didnae want to find out? -Meaning? | 0:29:14 | 0:29:17 | |
Well, you two are in business. Might have upset things. | 0:29:17 | 0:29:20 | |
You only know half the story, Jimmy. Walk away. | 0:29:22 | 0:29:25 | |
All you care about is money. | 0:29:25 | 0:29:27 | |
He kidnaps Cal, and you still go into business with him. | 0:29:29 | 0:29:31 | |
You think I like it? | 0:29:31 | 0:29:33 | |
I've telt you, there's more to this than you know. | 0:29:34 | 0:29:37 | |
So stay out of it. | 0:29:37 | 0:29:38 | |
The wee man's better off without you as a grandad! | 0:29:38 | 0:29:40 | |
What is it you want, Jimmy? | 0:30:00 | 0:30:01 | |
-You were asking about Mandy Kennedy. -You seen her? | 0:30:03 | 0:30:06 | |
No. But I got the feeling you looked worried. | 0:30:07 | 0:30:10 | |
You've a right to be. | 0:30:10 | 0:30:11 | |
I cannae go into it, but I was with Billy last night. | 0:30:11 | 0:30:14 | |
-Why did you no tell me that before? -I couldnae. | 0:30:14 | 0:30:16 | |
-See, he talked about women... -What do you mean, "talked"? | 0:30:18 | 0:30:21 | |
I think he meant her. | 0:30:21 | 0:30:22 | |
Now, if there's bad blood between them, | 0:30:22 | 0:30:24 | |
she needs to get away fae here. | 0:30:24 | 0:30:25 | |
That nut-job, he's out of control. | 0:30:25 | 0:30:27 | |
She's left him. | 0:30:28 | 0:30:29 | |
But it's all right - we're going to get her somewhere | 0:30:29 | 0:30:31 | |
where he cannae touch her. | 0:30:31 | 0:30:33 | |
I hope you're right about that. | 0:30:33 | 0:30:35 | |
Because if Billy wants to hurt somebody, | 0:30:35 | 0:30:37 | |
there's nothing anybody can dae. | 0:30:37 | 0:30:39 | |
Not the law. Not you, me...naebody. | 0:30:39 | 0:30:41 | |
Yeah, what you got? | 0:31:05 | 0:31:06 | |
Aye, that's Eamonn. | 0:31:09 | 0:31:11 | |
Good man. | 0:31:13 | 0:31:14 | |
OK, get yourself back here. | 0:31:15 | 0:31:17 | |
I'm going back to the hotel. If she shows, you call me, right? | 0:32:06 | 0:32:10 | |
PHONE RINGS | 0:33:03 | 0:33:05 | |
-Yeah, who is this? -Is that Carlos? | 0:33:05 | 0:33:08 | |
-Who's asking? -My name's Murdoch. | 0:33:09 | 0:33:12 | |
How's the weather over there in Spain? | 0:33:12 | 0:33:14 | |
No idea. We've got air con. | 0:33:14 | 0:33:16 | |
Get to the point. | 0:33:16 | 0:33:17 | |
I understand you might've been talking to Paul Malick this morning? | 0:33:17 | 0:33:20 | |
How did you get this number? | 0:33:20 | 0:33:22 | |
What does that matter? Question is, where is he? | 0:33:22 | 0:33:25 | |
Is he over there? | 0:33:25 | 0:33:26 | |
How about I ask you the same question? | 0:33:26 | 0:33:28 | |
Where is he? | 0:33:28 | 0:33:30 | |
Well, if I knew that, I wouldn't be asking you. | 0:33:30 | 0:33:33 | |
-Who are you? -Asking questions is a dangerous hobby. | 0:33:33 | 0:33:37 | |
When I need you, I'll find you. You don't call this number. | 0:33:37 | 0:33:40 | |
-Sir? I just came from the PM. -OK, what you got? | 0:33:56 | 0:33:59 | |
Well, there was enough of his neck intact | 0:33:59 | 0:34:01 | |
for the pathologist to see abrasions consistent with strangulation. | 0:34:01 | 0:34:05 | |
Strangulation? Any prints? | 0:34:05 | 0:34:07 | |
Not recoverable. | 0:34:07 | 0:34:09 | |
His watch. First off, all I saw was an inscription. | 0:34:09 | 0:34:12 | |
"To Paul. L." | 0:34:12 | 0:34:14 | |
Then I noticed there was a serial number. | 0:34:14 | 0:34:16 | |
Each one's individual, so I contacted the manufacturer. | 0:34:16 | 0:34:19 | |
This one was purchased by a Lucy Galbraith, | 0:34:19 | 0:34:22 | |
-lawyer of this parish. -I know her. | 0:34:22 | 0:34:25 | |
She works with Paul Malick. He's the registered owner. | 0:34:25 | 0:34:28 | |
Christ. He's our victim? | 0:34:29 | 0:34:31 | |
If it is him, is it possible it's connected? | 0:34:31 | 0:34:34 | |
We're shaking trees. Maybe someone got rattled. | 0:34:34 | 0:34:36 | |
Next thing, Malick's dead. | 0:34:36 | 0:34:39 | |
And Billy Kennedy arrived in Scotland 36 hours ago. | 0:34:39 | 0:34:41 | |
Can you be quick? I'm late as it is. | 0:34:47 | 0:34:50 | |
What's that...the school run? | 0:34:50 | 0:34:53 | |
No. | 0:34:53 | 0:34:55 | |
So..? | 0:34:55 | 0:34:56 | |
Mrs Malick, I'm afraid I have some very bad news. | 0:34:56 | 0:35:00 | |
A body was found earlier this morning. | 0:35:01 | 0:35:03 | |
He's been positively identified as your husband. | 0:35:03 | 0:35:07 | |
It can't be him. You've identified the wrong person. | 0:35:07 | 0:35:10 | |
Paul always says how inept you people are. | 0:35:11 | 0:35:14 | |
I'm afraid there's been no mistake. | 0:35:15 | 0:35:17 | |
Your husband was arrested for drink-driving about 18 months ago. | 0:35:17 | 0:35:22 | |
Charges were dropped, but his DNA remains on file | 0:35:22 | 0:35:25 | |
and a match has been confirmed. | 0:35:25 | 0:35:27 | |
Perhaps there's someone I could call to be with you? | 0:35:31 | 0:35:33 | |
No. | 0:35:35 | 0:35:36 | |
How...? Was it an accident? | 0:35:38 | 0:35:41 | |
Unfortunately, we're not able to say too much just yet. | 0:35:43 | 0:35:46 | |
We're treating his death as suspicious. | 0:35:46 | 0:35:48 | |
I'm really sorry. | 0:35:51 | 0:35:53 | |
The coroner will require a positive ID. | 0:35:55 | 0:35:57 | |
That won't be just yet. | 0:35:57 | 0:35:58 | |
-And if you're not up to it... -No. | 0:35:58 | 0:36:01 | |
I want to see him. | 0:36:02 | 0:36:03 | |
I'm afraid we'll have to hold on | 0:36:03 | 0:36:05 | |
to his personal effects for the moment, | 0:36:05 | 0:36:07 | |
as part of a wider enquiry. | 0:36:07 | 0:36:09 | |
His clothing. Wallet. Watch. | 0:36:09 | 0:36:12 | |
We'll make sure you have them as soon as we can. | 0:36:13 | 0:36:16 | |
The rest, yes. But not the watch. | 0:36:16 | 0:36:19 | |
She should have it. | 0:36:19 | 0:36:20 | |
When Paul didn't come home last night... | 0:36:21 | 0:36:24 | |
Well, I've gotten used to where he'd be. | 0:36:25 | 0:36:28 | |
I see. | 0:36:28 | 0:36:30 | |
It's him I hated for it. Not her. | 0:36:30 | 0:36:31 | |
What sort of man wears something another woman's given him | 0:36:33 | 0:36:36 | |
and thinks his wife won't see? | 0:36:36 | 0:36:38 | |
Mrs Malick, has Paul ever spoken to you | 0:36:41 | 0:36:44 | |
about any threats he may have received? | 0:36:44 | 0:36:47 | |
No. | 0:36:47 | 0:36:48 | |
What about people he met? Anyone not from your normal circle? | 0:36:48 | 0:36:52 | |
There was someone this morning. | 0:36:55 | 0:36:57 | |
Said he needed to leave a message. | 0:36:57 | 0:36:59 | |
Then started going through Paul's desk. | 0:36:59 | 0:37:01 | |
-Did you get a name? -Murdoch. | 0:37:01 | 0:37:04 | |
Mr Murdoch. | 0:37:29 | 0:37:31 | |
Oh, great. Miss Marple. | 0:37:32 | 0:37:33 | |
I need to ask you some questions. | 0:37:33 | 0:37:35 | |
Then what? You and they clowns gonnae beat it? | 0:37:35 | 0:37:37 | |
Let me get back to running an honest business here? | 0:37:37 | 0:37:39 | |
-You were at Paul Malick's home this morning. -So? | 0:37:40 | 0:37:44 | |
Can we can cut the games? | 0:37:44 | 0:37:46 | |
Malick was found dead earlier this morning. | 0:37:47 | 0:37:50 | |
Someone had made a concerted effort | 0:37:50 | 0:37:51 | |
to disguise the fact that he'd been murdered. | 0:37:51 | 0:37:54 | |
So why don't we start with what you know about that? | 0:37:54 | 0:37:56 | |
Mr Murdoch? | 0:37:58 | 0:37:59 | |
Fine. Exactly nothing. | 0:38:02 | 0:38:05 | |
-So if that's all you came for... -No. | 0:38:06 | 0:38:09 | |
We also had a partial sighting of an Amber Cab | 0:38:09 | 0:38:11 | |
on one of their cameras close to where the body was found. | 0:38:11 | 0:38:15 | |
For some reason, the headlights were off, | 0:38:15 | 0:38:17 | |
as though the driver was trying to avoid | 0:38:17 | 0:38:19 | |
his licence plate being seen. | 0:38:19 | 0:38:21 | |
Now we know by then that Malick was already dead. | 0:38:21 | 0:38:23 | |
So...I'm wondering - was that cab being used to dispose of the body? | 0:38:23 | 0:38:29 | |
My cabs go all over. | 0:38:32 | 0:38:34 | |
Well, you won't mind me bringing in a forensic team, then, | 0:38:34 | 0:38:37 | |
to examine all of your taxis. | 0:38:37 | 0:38:39 | |
You do what you like, sweetheart. Oh... | 0:38:39 | 0:38:41 | |
Just make sure you've got a warrant first. | 0:38:41 | 0:38:44 | |
Is that necessary, if you've nothing to fear? | 0:38:44 | 0:38:46 | |
You get a warrant. Or you keep your hands aff. | 0:38:46 | 0:38:48 | |
Are we clear? | 0:38:49 | 0:38:50 | |
We're clear OK. | 0:38:52 | 0:38:53 | |
I'll be back. | 0:38:55 | 0:38:56 | |
Yeah, it's me. Where are you? | 0:39:13 | 0:39:16 | |
Yeah? Well, get back here. | 0:39:17 | 0:39:19 | |
The Oyster Cafe, soon as. | 0:39:20 | 0:39:21 | |
Hey - keep your cab well out of sight. | 0:39:21 | 0:39:24 | |
You want to tell me what you didnae tell me earlier? | 0:39:39 | 0:39:41 | |
Why the polis are looking to search all my cabs? | 0:39:43 | 0:39:46 | |
Apparently, one was used to dump a body. | 0:39:46 | 0:39:48 | |
I'm not messing about here, Jimmy! | 0:39:49 | 0:39:52 | |
You think I wanted to? | 0:39:52 | 0:39:53 | |
I thought I was gonnae get a bullet in my skull, and that psycho, | 0:39:54 | 0:39:58 | |
he threatened Cal again, and Madonna. | 0:39:58 | 0:40:01 | |
That's how I knew it was him. That animal told me. | 0:40:01 | 0:40:04 | |
But you knew anyway, eh? | 0:40:04 | 0:40:05 | |
Why did you let him away wi' it? | 0:40:06 | 0:40:08 | |
-It wasn't the money. -What, then? | 0:40:09 | 0:40:12 | |
I mean, he wisnae exactly looking out for you, was he? | 0:40:12 | 0:40:14 | |
What do you mean? | 0:40:14 | 0:40:16 | |
He killed that boy in your flat. | 0:40:16 | 0:40:18 | |
Never even told you. | 0:40:18 | 0:40:19 | |
Are you his insurance? | 0:40:21 | 0:40:23 | |
If anything goes wrong, | 0:40:23 | 0:40:25 | |
everything comes straight back at you. | 0:40:25 | 0:40:27 | |
And the cab? | 0:40:30 | 0:40:32 | |
-He ordered me to burn it. -Did you? | 0:40:32 | 0:40:35 | |
What do you think? | 0:40:35 | 0:40:37 | |
I put it where naebody'll find it. | 0:40:37 | 0:40:38 | |
All I want to know is what are you gonnae do about Kennedy? | 0:40:39 | 0:40:42 | |
I've been going out of my mind here. Where the hell have you been? | 0:40:48 | 0:40:51 | |
Do you know what I've been going through? | 0:40:51 | 0:40:53 | |
And why lie to get shot of me? | 0:40:53 | 0:40:55 | |
I didn't want to. | 0:40:57 | 0:40:58 | |
Then why? | 0:40:59 | 0:41:00 | |
Because if you were still here, you'd have stopped me. | 0:41:02 | 0:41:05 | |
From doing what? | 0:41:05 | 0:41:06 | |
-Ringing Billy. -You did what? | 0:41:08 | 0:41:10 | |
No, listen, Gabriel - | 0:41:10 | 0:41:12 | |
I thought if I could make him see it was finished, then maybe... | 0:41:12 | 0:41:15 | |
I don't know... | 0:41:15 | 0:41:17 | |
What, you just thought he would accept that? | 0:41:17 | 0:41:20 | |
Come on! That doesn't sound like the Billy Kennedy I know! | 0:41:20 | 0:41:23 | |
I said listen! | 0:41:23 | 0:41:24 | |
I thought I was doing what was best for us. | 0:41:25 | 0:41:27 | |
Only... | 0:41:30 | 0:41:31 | |
What? | 0:41:31 | 0:41:33 | |
You were right. | 0:41:33 | 0:41:34 | |
He'll never let go. | 0:41:36 | 0:41:37 | |
Not now. | 0:41:39 | 0:41:40 | |
He knows about us | 0:41:43 | 0:41:45 | |
He knew there was someone. | 0:41:47 | 0:41:49 | |
I don't know how he found out it was you. | 0:41:50 | 0:41:53 | |
But I spoke to him earlier. | 0:41:53 | 0:41:54 | |
-What did you say? -What? Nothing! | 0:41:57 | 0:42:00 | |
You must've said something. Or done something. | 0:42:00 | 0:42:03 | |
Or looked at him the wrong way. How else would he have guessed? | 0:42:03 | 0:42:06 | |
What did you say? | 0:42:09 | 0:42:10 | |
I told him he was wrong, about everything. | 0:42:12 | 0:42:15 | |
-That I'd meet him. -Meet him? | 0:42:16 | 0:42:18 | |
And tell him it was all a big mistake, | 0:42:18 | 0:42:20 | |
that I'd made a big mistake. | 0:42:20 | 0:42:22 | |
Are you mental? | 0:42:22 | 0:42:23 | |
I only told him that to get him out of the hotel. | 0:42:23 | 0:42:26 | |
Why? | 0:42:28 | 0:42:29 | |
My passport's in the safe there. | 0:42:29 | 0:42:31 | |
I thought if I could get him out, I could get it. | 0:42:32 | 0:42:35 | |
You went back there for a passport? | 0:42:35 | 0:42:37 | |
I know - I wasn't thinking straight. I was panicking. | 0:42:37 | 0:42:40 | |
I just thought, "We have to get away." | 0:42:40 | 0:42:43 | |
And not to some bloody hut in the Highlands. | 0:42:43 | 0:42:45 | |
He'd find us. | 0:42:45 | 0:42:47 | |
We have to go somewhere he won't - abroad | 0:42:47 | 0:42:51 | |
And when was I going to be included in all this, eh? | 0:42:51 | 0:42:54 | |
First, you lie to get rid of me and now you're planning all this! | 0:42:54 | 0:42:57 | |
-I mean, come on... -I didn't know what else to do. | 0:42:57 | 0:43:00 | |
Hey, hey... | 0:43:05 | 0:43:06 | |
I don't know what I'm saying, all right? It's just... | 0:43:08 | 0:43:11 | |
Either way, least we know now. | 0:43:13 | 0:43:16 | |
The sooner we're out of here, the better. | 0:43:18 | 0:43:21 | |
We can't. | 0:43:23 | 0:43:24 | |
Not now he knows it's you. | 0:43:28 | 0:43:29 | |
Don't you see...? | 0:43:31 | 0:43:33 | |
It was different when it was just me, | 0:43:33 | 0:43:36 | |
when I was the one Billy was after. | 0:43:36 | 0:43:38 | |
But you? | 0:43:39 | 0:43:40 | |
You've got people here you love. | 0:43:42 | 0:43:44 | |
Even if you're gone, he can use them to hurt you, | 0:43:46 | 0:43:51 | |
in any number of ways. | 0:43:51 | 0:43:53 | |
Right, that's it. | 0:43:53 | 0:43:55 | |
I'll phone Leyla, I'll tell her to stay in Aberdeen. | 0:43:55 | 0:43:58 | |
She can keep Zinnie with her. | 0:43:58 | 0:43:59 | |
For how long? And then what? | 0:43:59 | 0:44:03 | |
We can't all just run away forever. | 0:44:06 | 0:44:08 | |
What else can we do? | 0:44:15 | 0:44:16 | |
We have to get it sorted. | 0:44:18 | 0:44:19 | |
I don't know how, but... | 0:44:21 | 0:44:23 | |
And we need to be able to protect ourselves. | 0:44:26 | 0:44:28 | |
It's his. | 0:44:46 | 0:44:47 | |
Use what you need. | 0:44:51 | 0:44:52 | |
SOMEONE KNOCKS THE DOOR | 0:45:13 | 0:45:15 | |
Have you spoken to Malick? | 0:45:35 | 0:45:37 | |
How was I supposed do that? | 0:45:37 | 0:45:38 | |
Through a medium? | 0:45:38 | 0:45:40 | |
I know what happened. He telt you you were out. | 0:45:40 | 0:45:42 | |
You took the huff and you done him in him. | 0:45:42 | 0:45:44 | |
Then you used one of my cabs to dump him? How stupid are you! | 0:45:44 | 0:45:47 | |
The man had it coming. We don't need him. | 0:45:47 | 0:45:49 | |
No, that's where you got it wrong, Billy. | 0:45:49 | 0:45:52 | |
Cos he was the only one keeping you alive. | 0:45:52 | 0:45:54 | |
You took my grandson. I should've killed you then. | 0:45:56 | 0:45:59 | |
He stopped me. | 0:46:00 | 0:46:01 | |
What if I did? It was business. | 0:46:02 | 0:46:04 | |
You know how it works. | 0:46:04 | 0:46:05 | |
Some lines you don't cross. | 0:46:09 | 0:46:10 | |
Bye, Billy. | 0:46:12 | 0:46:13 | |
SOMEONE KNOCKS THE DOOR | 0:46:13 | 0:46:15 | |
Open up, Billy, I know you're in there. | 0:46:15 | 0:46:16 | |
The receptionist told me. | 0:46:16 | 0:46:18 | |
I'm coming! Give a man a chance! | 0:46:19 | 0:46:22 | |
DCI Donald. Be my guest. | 0:46:29 | 0:46:33 | |
Lenny. | 0:46:37 | 0:46:39 | |
Aw, isn't this nice? | 0:46:41 | 0:46:42 | |
You boys having a stag do? | 0:46:45 | 0:46:46 | |
Seeing you're here already, | 0:46:48 | 0:46:49 | |
I hardly need to explain the reason for my visit. | 0:46:49 | 0:46:52 | |
Mr Malick. | 0:46:52 | 0:46:54 | |
Aye, Lenny just told me. | 0:46:54 | 0:46:55 | |
-It's come as an awful shock, so it did. -Of course, it has. | 0:46:55 | 0:46:59 | |
You'll be sure to let us know funeral arrangements. | 0:46:59 | 0:47:01 | |
Don't push it, Billy. | 0:47:01 | 0:47:03 | |
Remind me, what was your relationship again? | 0:47:03 | 0:47:05 | |
Man's a lawyer. | 0:47:05 | 0:47:07 | |
Well...was. | 0:47:07 | 0:47:09 | |
No, Billy. He's not just a lawyer. Friends at Holyrood. | 0:47:09 | 0:47:14 | |
Huh...yeah. I imagine this investigation | 0:47:15 | 0:47:18 | |
is going to be quite the glamour fixture. | 0:47:18 | 0:47:20 | |
Played out in the full glare of the media. | 0:47:20 | 0:47:23 | |
Not a lot's going to go unnoticed. | 0:47:23 | 0:47:24 | |
Incidentally, where were you yesterday, | 0:47:26 | 0:47:28 | |
late evening till the early hours? | 0:47:28 | 0:47:29 | |
-Eh... -What, is this an interview now? | 0:47:29 | 0:47:32 | |
Come on, what's the harm? | 0:47:32 | 0:47:34 | |
-I was with some close pals. -Oh, aye? -Snooker club, Greycross Street. | 0:47:35 | 0:47:39 | |
-Want me to give you some names? -Of course. Your alibi of choice. | 0:47:39 | 0:47:43 | |
I take it Mr Murdoch here was with you? | 0:47:43 | 0:47:45 | |
Eh...no, I cannae say he was. | 0:47:45 | 0:47:49 | |
Listen, I've somewhere I have to be. | 0:47:54 | 0:47:56 | |
So, if there's nothing else you need from me... | 0:47:56 | 0:47:59 | |
Will you tell me where you're going? | 0:48:03 | 0:48:05 | |
I promised the wife I'd take her out for a nice meal. | 0:48:05 | 0:48:07 | |
Bit of an anniversary. | 0:48:07 | 0:48:09 | |
Unless you want to arrest me? Take me down the station. | 0:48:09 | 0:48:11 | |
-Only if you've got a good reason to. -I hope the restaurant's in Glasgow. | 0:48:11 | 0:48:15 | |
Wouldn't like to think you were looking further afield. | 0:48:15 | 0:48:18 | |
Do you think I'm going to run away? Nae danger. | 0:48:18 | 0:48:21 | |
What reason have I got to run, eh, Lenny? | 0:48:22 | 0:48:26 | |
Anyway...make yourselves at home. | 0:48:28 | 0:48:31 | |
If I knew you were coming, I'd have had restocked the minibar. | 0:48:31 | 0:48:34 | |
Chocolate's all gone, think there's a wee bit of Bombay mix. | 0:48:36 | 0:48:39 | |
Help yourselves. | 0:48:39 | 0:48:40 | |
See you later. | 0:48:42 | 0:48:43 | |
Goes for you, too - make any attempt to leave the country, | 0:48:46 | 0:48:48 | |
you'll be intercepted. | 0:48:48 | 0:48:49 | |
-Why would I go anywhere? -You tell me. | 0:48:49 | 0:48:52 | |
You think I killed Malick? Well, tell me this. | 0:48:54 | 0:48:57 | |
Why would I go to his house looking for him | 0:48:57 | 0:48:58 | |
if I knew he was already dead? | 0:48:58 | 0:49:00 | |
Maybe it wasn't him you were looking for. | 0:49:00 | 0:49:02 | |
Mrs Malick told one of my officers | 0:49:02 | 0:49:04 | |
you seemed much more concerned with what was on his desk. | 0:49:04 | 0:49:07 | |
What are you on about? | 0:49:07 | 0:49:08 | |
Well, I'll tell you how that might look. | 0:49:09 | 0:49:11 | |
That you were worried there was something on there confirming you met last night, | 0:49:12 | 0:49:16 | |
prior to his death. | 0:49:16 | 0:49:17 | |
Your cab was stolen? | 0:50:49 | 0:50:51 | |
Aye. | 0:50:51 | 0:50:52 | |
When exactly was this? | 0:50:52 | 0:50:54 | |
About four-ish. I said. | 0:50:54 | 0:50:56 | |
And you didn't think to dial 999? | 0:50:56 | 0:51:00 | |
I was stuck out in Moss Green. Nae phone, nothing. | 0:51:00 | 0:51:03 | |
No CCTV either. | 0:51:03 | 0:51:05 | |
Which is doubly unfortunate that your cab was stolen | 0:51:05 | 0:51:08 | |
in a locale where cameras rarely last longer than 24 hours, | 0:51:08 | 0:51:12 | |
giving us no record. | 0:51:12 | 0:51:16 | |
Mr Mullen, this is part of a murder investigation. | 0:51:16 | 0:51:19 | |
Now if there's anything you know about that, | 0:51:19 | 0:51:22 | |
or you have information, | 0:51:22 | 0:51:23 | |
you do know that's something you have to give us? | 0:51:23 | 0:51:26 | |
My cab was stolen. | 0:51:28 | 0:51:30 | |
The descriptions are rubbish. Three lads, hooded, average height... | 0:51:38 | 0:51:43 | |
And Mullen would have known about the CCTV. | 0:51:43 | 0:51:46 | |
Every taxi driver in the city knows where NOT to stop his cab. | 0:51:46 | 0:51:50 | |
At least we know which cab we're looking for. | 0:51:50 | 0:51:52 | |
So how do you think we should play it? Hold him? | 0:51:52 | 0:51:54 | |
No. Let's find the cab first. Then re-interview. | 0:51:54 | 0:51:57 | |
Thing I don't get is why? Mullen covering for Lenny, | 0:51:57 | 0:52:01 | |
that would be down to misplaced loyalty. | 0:52:01 | 0:52:03 | |
But why cover for Kennedy? | 0:52:03 | 0:52:06 | |
Maybe he is covering for Lenny. | 0:52:06 | 0:52:07 | |
HE SIGHS | 0:52:25 | 0:52:26 | |
Stupid, stupid, stupid! | 0:52:31 | 0:52:33 | |
PHONE RINGS | 0:52:37 | 0:52:38 | |
Hello. | 0:52:40 | 0:52:42 | |
I have been waiting for you. | 0:52:42 | 0:52:43 | |
And waiting is not something I enjoy. | 0:52:43 | 0:52:45 | |
Who's this? | 0:52:45 | 0:52:46 | |
You the guy I spoke to earlier? | 0:52:48 | 0:52:49 | |
I am in the pool room. Get your sorry arse down here. | 0:52:49 | 0:52:52 | |
Carlos. | 0:53:09 | 0:53:10 | |
A bit more privacy upstairs. | 0:53:27 | 0:53:28 | |
Well, you know who I am. | 0:53:41 | 0:53:43 | |
How about telling me who you are? | 0:53:43 | 0:53:46 | |
The only information you need is this - I came to find Malick. | 0:53:46 | 0:53:50 | |
Any insight you can give me regarding that? | 0:53:50 | 0:53:53 | |
I've been looking for him myself. | 0:53:54 | 0:53:56 | |
Bad start. Next question, where is my drugs? | 0:53:58 | 0:54:04 | |
-Your drugs? -You had a delivery. Unpaid for. | 0:54:04 | 0:54:07 | |
Little chance of distributing by the looks of things. | 0:54:08 | 0:54:11 | |
So I want its safe return plus the 100K you owe. | 0:54:11 | 0:54:15 | |
And I will be on my way. | 0:54:15 | 0:54:16 | |
No offence here, but I don't even know if you are who you say you are. | 0:54:16 | 0:54:21 | |
Your first contact was Marsden, aka Pedro. | 0:54:24 | 0:54:27 | |
You put a gun to his head thinking he took your grandson. | 0:54:28 | 0:54:32 | |
I don't have time for your games... | 0:54:32 | 0:54:34 | |
So again, where is my drugs? | 0:54:34 | 0:54:37 | |
Safe. | 0:54:38 | 0:54:39 | |
Me and Malick thought, with the polis around Shieldinch | 0:54:41 | 0:54:44 | |
it was a bit vulnerable, so we moved the merchandise elsewhere. | 0:54:44 | 0:54:48 | |
Sure? Only another interpretation can be put on things. | 0:54:48 | 0:54:52 | |
And what's that? | 0:54:52 | 0:54:53 | |
You took the drugs and took out Malick to cover your tracks. | 0:54:54 | 0:54:58 | |
Then why am I still here? | 0:55:00 | 0:55:02 | |
Do you not think I'd have sold them and be long gone? | 0:55:02 | 0:55:04 | |
You want your gear... I'll take you to it. | 0:55:07 | 0:55:09 | |
They are still in Glasgow? | 0:55:12 | 0:55:13 | |
Couple of miles outside. You can see for yourself. | 0:55:13 | 0:55:17 | |
I have better ways to spend my time. | 0:55:18 | 0:55:20 | |
It is clean. When it rings it will be me. | 0:55:26 | 0:55:30 | |
I will call you tomorrow. Tell you the arrangements. | 0:55:30 | 0:55:34 | |
If you have my money and gear I will try and forget we have ever met. | 0:55:34 | 0:55:39 | |
Of course, if not... | 0:55:39 | 0:55:40 | |
Have you ever been to a bull run, Murdoch? | 0:55:42 | 0:55:45 | |
The bull gets coated with burning wax then chased through the streets. | 0:55:45 | 0:55:50 | |
Whoever kills it, gets to carry its ears, tail and what else, | 0:55:51 | 0:55:55 | |
how do say in English, testicles on a spear. | 0:55:55 | 0:55:58 | |
And later he can eat the best bit. | 0:55:59 | 0:56:01 | |
Is that it? | 0:56:33 | 0:56:34 | |
Just keep the boot open. | 0:56:34 | 0:56:36 | |
You cold son? Huh? | 0:56:39 | 0:56:40 | |
MUFFLED SHOUTING | 0:56:48 | 0:56:51 | |
A friend of mine, a developer, he's willing to lend 100K for 30 days. | 0:57:00 | 0:57:04 | |
Perfect. | 0:57:04 | 0:57:06 | |
-Billy? -I've got a wee delivery job for you Jimmy. | 0:57:06 | 0:57:09 | |
You've got until 3 o'clock to find my drugs. | 0:57:09 | 0:57:12 | |
You don't find it, I will start working my way through | 0:57:12 | 0:57:14 | |
everyone you know to see if they can help me out. | 0:57:14 | 0:57:16 | |
You get Cal, Madonna, Kelly Marie, them all, you get them away. | 0:57:16 | 0:57:19 | |
-Where? -Anywhere, anywhere but here, OK. | 0:57:19 | 0:57:23 | |
Tommy, my man, the driver that's bringing the delivery, | 0:57:23 | 0:57:26 | |
he's seen way too much. | 0:57:26 | 0:57:28 | |
I don't want him coming home. | 0:57:28 | 0:57:31 | |
This is a present, for Lenny Murdoch's grandson. | 0:57:31 | 0:57:34 |