Browse content similar to 25/03/2014. Check below for episodes and series from the same categories and more!
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Malick was found dead earlier this morning. | 0:00:21 | 0:00:24 | |
Someone had made a concerted effort | 0:00:24 | 0:00:26 | |
to disguise the fact that he'd been murdered. | 0:00:26 | 0:00:28 | |
So why don't we start with what you know about that? | 0:00:28 | 0:00:30 | |
I want to meet. | 0:00:30 | 0:00:32 | |
Whatever you want. | 0:00:32 | 0:00:33 | |
You know I've only ever wanted what's best for you. | 0:00:33 | 0:00:35 | |
He knows about us. | 0:00:36 | 0:00:38 | |
He knew there was someone. | 0:00:38 | 0:00:41 | |
'The sooner we're gone the better. | 0:00:43 | 0:00:45 | |
'We can't all just run away forever. | 0:00:45 | 0:00:47 | |
'What else can we do? | 0:00:47 | 0:00:48 | |
'We have to get it sorted, | 0:00:48 | 0:00:51 | |
'and we need to be able to protect ourselves.' | 0:00:51 | 0:00:53 | |
-CARLOS: -'I don't have time for your games.' | 0:00:53 | 0:00:55 | |
Where is my drugs? | 0:00:55 | 0:00:57 | |
Safe. | 0:00:57 | 0:00:58 | |
Keep the boot open. | 0:01:01 | 0:01:02 | |
Here you go. | 0:03:09 | 0:03:11 | |
Thanks. | 0:03:11 | 0:03:12 | |
-BILLY'S VOICE: -'Shut up and listen, you're a family man. | 0:03:21 | 0:03:24 | |
'You know that if you grass me, you wouldn't be the first I'd do.' | 0:03:26 | 0:03:30 | |
How d'you get on? | 0:03:34 | 0:03:35 | |
I've fixed it. | 0:03:35 | 0:03:37 | |
A friend of mine, a developer... | 0:03:37 | 0:03:38 | |
he's willing to lend you 100K for 30 days. | 0:03:38 | 0:03:41 | |
Perfect. | 0:03:41 | 0:03:43 | |
The terms aren't that great, as you might expect. | 0:03:43 | 0:03:45 | |
20% interest for the first month. | 0:03:45 | 0:03:47 | |
Yeah, well, that's fine. | 0:03:47 | 0:03:48 | |
-That's 20 grand. -I can do sums. | 0:03:48 | 0:03:50 | |
If you go over the 30 days, there'll be a daily charge. | 0:03:50 | 0:03:52 | |
Hamish, were you always this boring? | 0:03:52 | 0:03:54 | |
Lenny, this is serious. | 0:03:54 | 0:03:55 | |
You don't repay this loan in time, you could lose everything. | 0:03:56 | 0:03:59 | |
You've no idea. | 0:03:59 | 0:04:01 | |
And you agree to put up the Tall Ship as collateral. | 0:04:01 | 0:04:04 | |
And Amber Cabs. | 0:04:05 | 0:04:07 | |
Will I get the money by 12? | 0:04:11 | 0:04:12 | |
Yep. | 0:04:12 | 0:04:13 | |
Where do I sign? | 0:04:13 | 0:04:15 | |
Something else I want you to do for me. | 0:04:18 | 0:04:21 | |
I want to change my will. | 0:04:21 | 0:04:23 | |
There's plenty time for that. Call into the office. | 0:04:23 | 0:04:25 | |
I want it done now. | 0:04:25 | 0:04:26 | |
Anything there is goes to Cal, OK? | 0:04:26 | 0:04:28 | |
The rest of them are big enough to look after themselves... | 0:04:28 | 0:04:31 | |
There'll be paper work. | 0:04:31 | 0:04:32 | |
Well, get on with it, will you? | 0:04:32 | 0:04:33 | |
OK, Lenny. | 0:04:33 | 0:04:34 | |
I'll be back later with papers for you to sign. | 0:04:34 | 0:04:36 | |
And the money? | 0:04:38 | 0:04:39 | |
Yes. | 0:04:39 | 0:04:40 | |
MOBILE PHONE VIBRATES | 0:04:57 | 0:05:00 | |
PHONE STOPS | 0:05:11 | 0:05:13 | |
DIALS NUMBER | 0:05:26 | 0:05:28 | |
PHONE VIBRATES | 0:05:31 | 0:05:33 | |
Feeling the cold, son? | 0:06:44 | 0:06:45 | |
Close the door. | 0:06:45 | 0:06:47 | |
Malick is dead. | 0:06:52 | 0:06:54 | |
Yeah, | 0:06:54 | 0:06:55 | |
I heard. | 0:06:55 | 0:06:56 | |
Heard... | 0:06:56 | 0:06:57 | |
or saw? | 0:06:57 | 0:06:58 | |
Oh, no, I wasn't there, nothing to do with me. | 0:06:58 | 0:07:00 | |
Don't even think of trying to put me in the frame. | 0:07:00 | 0:07:03 | |
I'd no gripe with Malick. | 0:07:03 | 0:07:04 | |
Maybe your pal Billy did? | 0:07:04 | 0:07:05 | |
Two things. First, Billy is not my pal and never has been. | 0:07:05 | 0:07:08 | |
And yous were the ones | 0:07:08 | 0:07:09 | |
that sent him back from Spain with a spring in his step. | 0:07:09 | 0:07:12 | |
I told you he was a liability, keep him clear. | 0:07:12 | 0:07:14 | |
If you wanted proof of that, maybe you've got it. | 0:07:14 | 0:07:18 | |
Where is he, anyway? | 0:07:20 | 0:07:21 | |
I don't know. | 0:07:21 | 0:07:22 | |
It is your business to. | 0:07:22 | 0:07:23 | |
Well, don't you worry. Finding Billy is top of my to-do list. | 0:07:23 | 0:07:28 | |
After we're cleared. | 0:07:28 | 0:07:30 | |
That is going to be sooner than I thought. | 0:07:31 | 0:07:33 | |
It was one thing having the Revenue over all your businesses, | 0:07:40 | 0:07:44 | |
it is another being in the middle of a murder investigation. | 0:07:44 | 0:07:47 | |
It is too risky. | 0:07:47 | 0:07:49 | |
We are getting out. | 0:07:49 | 0:07:51 | |
The consignment is going back to Spain for redirection. | 0:07:51 | 0:07:53 | |
You know, | 0:07:57 | 0:07:59 | |
that's fine with me. | 0:07:59 | 0:08:00 | |
You are not bothered that you are out of a job? | 0:08:02 | 0:08:04 | |
I'm sure I'll find something else to do with myself. | 0:08:04 | 0:08:07 | |
That was never my game, anyway. | 0:08:07 | 0:08:09 | |
I will need the money you owe. | 0:08:09 | 0:08:11 | |
A couple of hours, tops. | 0:08:11 | 0:08:12 | |
Do I look like I want to hang about? | 0:08:13 | 0:08:15 | |
Look, | 0:08:15 | 0:08:16 | |
I'll take you, we'll get your merchandise. | 0:08:16 | 0:08:18 | |
By that time I'll have the cash. | 0:08:18 | 0:08:20 | |
Thank you. | 0:08:33 | 0:08:35 | |
Right... | 0:08:35 | 0:08:37 | |
Your cousin, the boat. | 0:08:39 | 0:08:41 | |
You ring me when it's set. | 0:08:41 | 0:08:42 | |
OK? | 0:08:42 | 0:08:44 | |
Sure, Billy. | 0:08:44 | 0:08:45 | |
Ah, well, let's go. | 0:08:58 | 0:09:00 | |
HE SPEAKS SPANISH | 0:09:08 | 0:09:13 | |
Listen, listen, I'll find it, OK? | 0:09:19 | 0:09:21 | |
-You think so? -I just need some time. | 0:09:21 | 0:09:24 | |
I don't need to point out that this is a serious problem. | 0:09:24 | 0:09:26 | |
You see this, this is Kennedy. | 0:09:26 | 0:09:28 | |
He's trying to set me up. | 0:09:28 | 0:09:30 | |
So here it is. | 0:09:30 | 0:09:31 | |
You've got until three o'clock to find my goods. | 0:09:31 | 0:09:34 | |
You don't find it... | 0:09:34 | 0:09:35 | |
I will start working my way through everyone you know to see | 0:09:35 | 0:09:38 | |
if they can help me out. | 0:09:38 | 0:09:39 | |
I get it. | 0:09:39 | 0:09:40 | |
Is this why Malick is dead? | 0:09:40 | 0:09:42 | |
He found out you messed up? | 0:09:42 | 0:09:44 | |
No, no chance. | 0:09:44 | 0:09:47 | |
Good. | 0:09:47 | 0:09:48 | |
And please, remember this, | 0:09:48 | 0:09:50 | |
you are not just dealing with me. | 0:09:50 | 0:09:53 | |
You are dealing with my entire family. | 0:09:53 | 0:09:55 | |
You cross me, you cross them. | 0:09:55 | 0:09:57 | |
We will keep coming until we have what is owed. | 0:09:57 | 0:10:00 | |
I'll sort it. | 0:10:03 | 0:10:05 | |
Three o'clock. | 0:10:06 | 0:10:07 | |
Ah-ha, | 0:10:20 | 0:10:21 | |
and where are you going? | 0:10:21 | 0:10:23 | |
Oh, the infirmary? | 0:10:23 | 0:10:24 | |
Nothing serious, I hope? | 0:10:24 | 0:10:27 | |
Oh, poor soul. | 0:10:28 | 0:10:30 | |
Get the High Fibre in for him when he comes home. | 0:10:30 | 0:10:34 | |
I had that done once, | 0:10:34 | 0:10:35 | |
I couldn't go for a week. | 0:10:35 | 0:10:38 | |
Aye. | 0:10:38 | 0:10:40 | |
Well, that's you booked in. | 0:10:40 | 0:10:42 | |
And the driver'll give two rings. Cheery-bye! | 0:10:42 | 0:10:45 | |
It's called passing the time of day. | 0:10:49 | 0:10:52 | |
Not that you'd know anything about that. | 0:10:52 | 0:10:54 | |
All right, Mrs O'Hara? | 0:10:55 | 0:10:57 | |
Oh, help my boab. | 0:10:57 | 0:10:58 | |
If it's no' the taxman, it's the polis! | 0:10:58 | 0:11:01 | |
Sorry, I thought I'd check in | 0:11:01 | 0:11:02 | |
and see if you remembered anything else about the other night? | 0:11:02 | 0:11:05 | |
I have already told you everything. | 0:11:05 | 0:11:08 | |
Which is more than you've told me. | 0:11:08 | 0:11:10 | |
What's this all about, anyway? | 0:11:10 | 0:11:11 | |
I'd like you to take a look at this number plate. | 0:11:11 | 0:11:15 | |
Can you tell me which one of your drivers uses this cab? | 0:11:15 | 0:11:17 | |
I wouldn't know off the top of my head. | 0:11:17 | 0:11:19 | |
Well, can you check? | 0:11:19 | 0:11:21 | |
Mrs O'Hara? | 0:11:31 | 0:11:32 | |
It's Jimmy. | 0:11:34 | 0:11:35 | |
Jimmy Mullen? | 0:11:35 | 0:11:36 | |
What's this about? | 0:11:36 | 0:11:38 | |
I just need you to confirm for me that Jimmy was working last night. | 0:11:38 | 0:11:42 | |
And I'll need a list of all the jobs he took. | 0:11:42 | 0:11:44 | |
Sir. | 0:12:02 | 0:12:03 | |
What's happening with Malick's car? | 0:12:03 | 0:12:06 | |
It was being lifted from Amber Cabs as I left. | 0:12:06 | 0:12:08 | |
Forensics should be getting a start on it. | 0:12:08 | 0:12:10 | |
His phone is somewhere near the pub too. | 0:12:10 | 0:12:12 | |
Or at least it was this morning when we rang it. | 0:12:12 | 0:12:14 | |
We've lost the signal since then. | 0:12:14 | 0:12:15 | |
Everything's pointing to The Tall Ship. | 0:12:15 | 0:12:18 | |
I've spoken to the taxi office. | 0:12:18 | 0:12:19 | |
Jimmy Mullen was definitely driving that cab. | 0:12:19 | 0:12:22 | |
It was his last job of the day, | 0:12:22 | 0:12:24 | |
a five-to-midnight pick-up from the pub, | 0:12:24 | 0:12:26 | |
and the caller specifically requested him. | 0:12:26 | 0:12:29 | |
OK, | 0:12:29 | 0:12:30 | |
lift him. | 0:12:30 | 0:12:32 | |
And get a couple of search warrants. | 0:12:32 | 0:12:34 | |
If he comes in there looking to store anything, | 0:12:37 | 0:12:40 | |
you let me know, OK? | 0:12:40 | 0:12:41 | |
Cheers, mate. | 0:12:41 | 0:12:43 | |
I got your message. | 0:12:43 | 0:12:44 | |
I need you to do something for me. | 0:12:44 | 0:12:46 | |
I'm up to my neck already! | 0:12:46 | 0:12:48 | |
Shut up and listen, will you?! | 0:12:48 | 0:12:49 | |
Yesterday I took delivery of a truckload of merchandise. | 0:12:49 | 0:12:52 | |
-From Spain. -What kind of merchandise? | 0:12:52 | 0:12:53 | |
The stuff you sell on for six figures. | 0:12:53 | 0:12:55 | |
And now it's gone. | 0:12:55 | 0:12:57 | |
Do you think Kennedy's took it? | 0:12:59 | 0:13:00 | |
The Spanish have sent some guy over to collect, OK? | 0:13:00 | 0:13:03 | |
I'm meeting him at three o'clock. | 0:13:03 | 0:13:04 | |
If I don't have that merchandise, I'm a dead man. | 0:13:04 | 0:13:06 | |
-But it's not just me. -How do you mean? | 0:13:06 | 0:13:08 | |
I want you to take the money you got from the safe, | 0:13:08 | 0:13:10 | |
OK, you get Cal, Madonna, Kelly-Marie, them all. You get them away. | 0:13:10 | 0:13:13 | |
What? Where? | 0:13:13 | 0:13:14 | |
Anywhere! Anywhere but here, OK? | 0:13:14 | 0:13:16 | |
How will I convince them to come with me? I'm not exactly flavour of the month, am I? | 0:13:16 | 0:13:20 | |
Just think of something, will you? They should've been out of here, and I mean 20 minutes ago. | 0:13:20 | 0:13:24 | |
What you going to do? | 0:13:24 | 0:13:25 | |
First thing I'm going to do is track down the merchandise. | 0:13:26 | 0:13:29 | |
Then, I'm going to track down Billy. | 0:13:29 | 0:13:31 | |
And finish this. | 0:13:33 | 0:13:34 | |
Amen to that. | 0:13:38 | 0:13:39 | |
DIALS NUMBER | 0:13:45 | 0:13:47 | |
Scarlett, it's me. | 0:13:50 | 0:13:51 | |
I need to talk to you. | 0:13:51 | 0:13:53 | |
No, it can't wait. | 0:13:53 | 0:13:55 | |
I'll see you at the backcourts, two minutes, all right? | 0:13:55 | 0:13:57 | |
PHONE RINGS | 0:14:01 | 0:14:02 | |
Billy. | 0:14:04 | 0:14:05 | |
'Got a wee delivery job for you, Jimmy. | 0:14:05 | 0:14:08 | |
'Get yourself to flat three, second floor, Henning's Rise.' | 0:14:08 | 0:14:11 | |
The thing is... | 0:14:11 | 0:14:12 | |
'And don't forget our wee chat about family.' | 0:14:12 | 0:14:14 | |
Tommy, my man, how's sunny Liverpool? | 0:14:21 | 0:14:24 | |
Aye, that deal we talked about... | 0:14:27 | 0:14:28 | |
turns out I can double the quantity. If you're interested? | 0:14:28 | 0:14:32 | |
Ah, thought you might be. | 0:14:33 | 0:14:35 | |
But we need to play canny here. | 0:14:37 | 0:14:39 | |
Discretion is the watchword. | 0:14:39 | 0:14:41 | |
If they figure out the source, | 0:14:41 | 0:14:43 | |
or that it was me who put it your way... | 0:14:43 | 0:14:45 | |
Anyway, you get the picture. | 0:14:45 | 0:14:47 | |
Oh, there was another wee thing. | 0:14:49 | 0:14:50 | |
The driver that's bringing the delivery, | 0:14:50 | 0:14:52 | |
he's seen way too much. | 0:14:52 | 0:14:55 | |
I don't want him coming home. | 0:14:55 | 0:14:57 | |
Aye, if you could arrange something your end | 0:15:00 | 0:15:02 | |
I'll make it worth your while. | 0:15:02 | 0:15:04 | |
Good man, | 0:15:05 | 0:15:07 | |
cheers. | 0:15:07 | 0:15:08 | |
Jeezo, Jimmy! | 0:15:10 | 0:15:12 | |
Listen, something bad's happening... | 0:15:12 | 0:15:15 | |
-What? -Just trust me, all right. | 0:15:15 | 0:15:16 | |
We need to get the kids away from here. | 0:15:16 | 0:15:18 | |
They're in danger. You all are. | 0:15:18 | 0:15:20 | |
This is Lenny, isn't it? | 0:15:20 | 0:15:22 | |
Oh, no! Not again! | 0:15:24 | 0:15:25 | |
SIRENS WAIL | 0:15:28 | 0:15:30 | |
What's going on? | 0:15:45 | 0:15:46 | |
Search warrant. | 0:15:46 | 0:15:48 | |
What we got? | 0:16:01 | 0:16:03 | |
Nothing yet. Probably more to be had up the stairs. You? | 0:16:03 | 0:16:06 | |
Same. But we'll keep going though, something'll turn up. | 0:16:06 | 0:16:08 | |
I know everything's pointing towards Murdoch | 0:16:08 | 0:16:10 | |
but I wouldn't mind being able to place Kennedy in this somewhere. | 0:16:10 | 0:16:13 | |
Any joy tracking him down? | 0:16:13 | 0:16:14 | |
No. But there's a team on it. | 0:16:14 | 0:16:16 | |
Anything on Mullen? | 0:16:16 | 0:16:17 | |
Not yet. | 0:16:17 | 0:16:18 | |
MUSIC PLAYS | 0:16:18 | 0:16:20 | |
I'm going to make a start upstairs. | 0:16:20 | 0:16:22 | |
Right, you two, let's go. | 0:16:22 | 0:16:24 | |
Mate, any chance of turning that down? | 0:16:25 | 0:16:27 | |
-Up there, Mr Burns. -Do you mind no' calling me that? | 0:16:30 | 0:16:33 | |
I didn't know we had so many good colouring-in people here. | 0:16:35 | 0:16:38 | |
That's very good. You're staying in the lines. | 0:16:38 | 0:16:41 | |
-Hiya. -Daddy! | 0:16:41 | 0:16:44 | |
Hiya, gorgeous. | 0:16:44 | 0:16:46 | |
So... | 0:16:46 | 0:16:47 | |
I've got some big news. | 0:16:47 | 0:16:49 | |
We're going on holiday. | 0:16:49 | 0:16:50 | |
Yeah! | 0:16:50 | 0:16:52 | |
Brilliant. When? | 0:16:52 | 0:16:53 | |
Soon as yous can pack a bag. | 0:16:53 | 0:16:55 | |
What, today? | 0:16:55 | 0:16:57 | |
Aye, I got a last-minute deal for a cottage on the west coast, it's by the beach. | 0:16:57 | 0:17:00 | |
What about work? | 0:17:02 | 0:17:03 | |
Pull a sickie. What chance are we going to get this year | 0:17:03 | 0:17:06 | |
of getting another break away, eh? Come on, start packing. | 0:17:06 | 0:17:08 | |
Right, yous two, come on, | 0:17:08 | 0:17:10 | |
let's look for your jim jams. | 0:17:10 | 0:17:11 | |
Get them packed! | 0:17:11 | 0:17:12 | |
What's going on? | 0:17:12 | 0:17:14 | |
What? Am I not allowed to treat my family now and again? | 0:17:14 | 0:17:17 | |
Like a proper dad? | 0:17:18 | 0:17:20 | |
Aye, something like that. | 0:17:20 | 0:17:21 | |
Better get packing then, eh? | 0:17:23 | 0:17:24 | |
PHONE RINGS | 0:17:28 | 0:17:30 | |
Hello? | 0:17:33 | 0:17:34 | |
MOLLY: 'You still on the loose?' | 0:17:34 | 0:17:36 | |
What you talking about? | 0:17:36 | 0:17:37 | |
'The polis! | 0:17:37 | 0:17:39 | |
'Whatever you got up to in the taxi the other night, they're on to it.' | 0:17:39 | 0:17:42 | |
I didn't get up to anything. | 0:17:42 | 0:17:44 | |
'When're you going to grow up | 0:17:44 | 0:17:45 | |
'and stop playing cops'n'robbers, Jimmy Mullen?' | 0:17:45 | 0:17:48 | |
Gabriel, answer the door, it's me. | 0:18:03 | 0:18:06 | |
What? | 0:18:08 | 0:18:09 | |
Look, I need a favour. | 0:18:09 | 0:18:10 | |
Kennedy's got me doing a job and Lenny's looking for him. | 0:18:10 | 0:18:13 | |
But, I know where he is. | 0:18:13 | 0:18:14 | |
It was flat three, 2 Henning's Rise. Can you tell Lenny? | 0:18:14 | 0:18:17 | |
Why don't you? | 0:18:17 | 0:18:18 | |
I can't get hold of him. And, look, I'm... | 0:18:18 | 0:18:20 | |
up to my neck in it with Kennedy. | 0:18:20 | 0:18:22 | |
This is a way out. Please. | 0:18:22 | 0:18:23 | |
Mr Mullen. | 0:18:23 | 0:18:25 | |
Please. | 0:18:25 | 0:18:27 | |
I'll pass it on. | 0:18:27 | 0:18:28 | |
Right, I owe you. | 0:18:28 | 0:18:29 | |
Can I have a word? | 0:18:29 | 0:18:31 | |
Will it take long? It's just I'm going away with the family for a few days. | 0:18:31 | 0:18:34 | |
-I'm afraid you'll to have to postpone it. -I can't. | 0:18:34 | 0:18:37 | |
I'm detaining you under section 14 of the Criminal Procedure Scotland Act of 1995. | 0:18:37 | 0:18:40 | |
You are required to provide your name, address and date of birth. | 0:18:40 | 0:18:43 | |
-What? -You do not have to answer any further questions | 0:18:43 | 0:18:45 | |
but if you do your answers may be taken down in evidence, do you understand? | 0:18:45 | 0:18:48 | |
What's this about? | 0:18:48 | 0:18:50 | |
We have reason to suspect you of aiding and abetting in the murder of Paul Malick. | 0:18:50 | 0:18:54 | |
Jimmy? | 0:19:00 | 0:19:01 | |
How long are we going to be away for? | 0:19:01 | 0:19:03 | |
Jimmy? | 0:19:04 | 0:19:06 | |
Jimmy? | 0:19:14 | 0:19:15 | |
Just go, eh? | 0:19:15 | 0:19:17 | |
Jimmy Mullen's just been lifted. | 0:19:32 | 0:19:35 | |
That's nothing. Look at this. | 0:19:35 | 0:19:37 | |
TV: 'Police have confirmed the identity | 0:19:38 | 0:19:40 | |
'of a body hit by a train in Glasgow, | 0:19:40 | 0:19:42 | |
'as that of leading defence lawyer Paul Malick. | 0:19:42 | 0:19:44 | |
'Police are now treating the death as suspicious | 0:19:44 | 0:19:46 | |
'and not as suicide, as was first thought.' | 0:19:46 | 0:19:49 | |
Fellow members of the legal profession | 0:19:49 | 0:19:51 | |
have expressed their condolences and voiced concern that | 0:19:51 | 0:19:53 | |
one of their profession may have been targeted by organised crime. | 0:19:53 | 0:19:56 | |
DOORBELL RING | 0:20:26 | 0:20:28 | |
In the name of God, what now? | 0:20:28 | 0:20:30 | |
Hello. | 0:20:32 | 0:20:33 | |
Can I help you? | 0:20:35 | 0:20:36 | |
Maybe. | 0:20:37 | 0:20:38 | |
This is a present. | 0:20:41 | 0:20:42 | |
For Lenny Murdoch's grandson. | 0:20:43 | 0:20:45 | |
Goodbye for now. | 0:20:51 | 0:20:53 | |
You need to tell me what the hell's going on. | 0:21:00 | 0:21:03 | |
Good work. I'll check these out. | 0:21:06 | 0:21:09 | |
Anything? | 0:21:10 | 0:21:11 | |
These. They look like a good match for Malick's car. | 0:21:11 | 0:21:15 | |
So, we've got the car, the keys, the glass. | 0:21:15 | 0:21:20 | |
The late-night phone call to Amber Cabs from the Tall Ship flat. | 0:21:20 | 0:21:23 | |
Whatever happened, happened here. | 0:21:23 | 0:21:25 | |
You're going to have to bring in Lenny Murdoch. | 0:21:25 | 0:21:28 | |
Any news on Kennedy yet? | 0:21:28 | 0:21:30 | |
Sorry. No. | 0:21:30 | 0:21:31 | |
Billy killed Malick. | 0:21:33 | 0:21:35 | |
We don't know that. | 0:21:35 | 0:21:36 | |
Oh, get real. Of course he did! | 0:21:36 | 0:21:38 | |
Malick's a big deal. | 0:21:38 | 0:21:39 | |
Even Billy's not stupid enough to take somebody like that out. | 0:21:39 | 0:21:42 | |
No, not when he's thinking straight. But he isn't. | 0:21:42 | 0:21:45 | |
We're out of time. | 0:21:45 | 0:21:46 | |
We've got a gun. We're safe. | 0:21:46 | 0:21:48 | |
-That's what Paul Malick thought. -That's different. | 0:21:48 | 0:21:50 | |
Have you not been listening to me? I know Billy. | 0:21:50 | 0:21:53 | |
He'll find us wherever we go. | 0:21:53 | 0:21:55 | |
He's not going to have far to look. | 0:21:56 | 0:21:58 | |
He's still in Glasgow. | 0:21:58 | 0:22:00 | |
You know where he is? | 0:22:02 | 0:22:03 | |
Gabriel... | 0:22:05 | 0:22:06 | |
..he's going to kill us. | 0:22:08 | 0:22:09 | |
Fine. | 0:22:18 | 0:22:19 | |
I'll do it myself. | 0:22:20 | 0:22:21 | |
Wait. | 0:22:28 | 0:22:30 | |
You got it, then? | 0:22:37 | 0:22:39 | |
How about, "Thanks for the money, Hamish?" | 0:22:41 | 0:22:43 | |
-Thanks. -Autograph. | 0:22:45 | 0:22:48 | |
The changes to your will. | 0:22:48 | 0:22:49 | |
Listen, you need to go down to the cop shop. | 0:22:50 | 0:22:52 | |
They've lifted Jimmy Mullen. He's going to need a decent rep. | 0:22:52 | 0:22:56 | |
You look like you might need me more. | 0:22:56 | 0:22:59 | |
OK, tell me what's happening. | 0:22:59 | 0:23:00 | |
Later. Right now I need to find Billy. | 0:23:00 | 0:23:03 | |
He's got something I want. | 0:23:03 | 0:23:04 | |
I am gonnae kill Lenny. I really am. | 0:23:52 | 0:23:54 | |
Come on. Come on. | 0:23:54 | 0:23:57 | |
Bubba, it's me, again. | 0:24:00 | 0:24:01 | |
Look, you need to come home, right away. | 0:24:01 | 0:24:03 | |
And we need a motor. | 0:24:03 | 0:24:06 | |
Just call me when you get this, all right? | 0:24:06 | 0:24:09 | |
When he gets that he'll be here. | 0:24:09 | 0:24:11 | |
Aye, and when's that going to be? | 0:24:11 | 0:24:12 | |
You know what he's like at checking his phone. | 0:24:12 | 0:24:14 | |
-He could be on a job miles away. -Gonnae just calm down, all right? | 0:24:14 | 0:24:17 | |
I'll calm down when we've got Cal and Madonna out of here! | 0:24:17 | 0:24:20 | |
PHONE RINGS | 0:24:20 | 0:24:21 | |
That'll be Bob now. Where's the phone? | 0:24:21 | 0:24:23 | |
It's stopped. | 0:24:24 | 0:24:26 | |
Hello? | 0:24:26 | 0:24:28 | |
Cal. What are you doing? | 0:24:28 | 0:24:30 | |
You not away on your holidays yet, son? | 0:24:30 | 0:24:32 | |
A Spanish man was here. | 0:24:32 | 0:24:33 | |
Listen, get your granny on the phone a wee minute. | 0:24:33 | 0:24:35 | |
I've got to find my truck. | 0:24:35 | 0:24:37 | |
Don't... Cal, don't put... | 0:24:37 | 0:24:38 | |
PHONE BEEPS | 0:24:38 | 0:24:39 | |
Did you answer that phone? | 0:24:42 | 0:24:43 | |
Hello? | 0:24:43 | 0:24:45 | |
Hello? | 0:24:46 | 0:24:47 | |
-Was it Uncle Bob? -No. | 0:24:47 | 0:24:49 | |
DIALS NUMBER | 0:24:52 | 0:24:54 | |
PHONE BEEPS | 0:24:58 | 0:24:59 | |
Cooper? | 0:25:11 | 0:25:13 | |
Any sign of Murdoch? | 0:25:13 | 0:25:14 | |
Not yet. There's a call out on him. He won't last long. | 0:25:14 | 0:25:16 | |
Not if he's been taking tips on hide and seek from Billy Kennedy. | 0:25:16 | 0:25:19 | |
-Any further with him? -No. Nothing since he gave us the slip at the hotel. | 0:25:19 | 0:25:22 | |
All we do know is that he's not on a flight back to Spain. | 0:25:22 | 0:25:25 | |
Other than that, he could be anywhere. | 0:25:25 | 0:25:27 | |
Och, well, at least we've got Jimmy Mullen to be talking to. | 0:25:27 | 0:25:30 | |
Is he ready to go? | 0:25:30 | 0:25:31 | |
Sir? Murdoch's on line one. Says it's urgent. | 0:25:31 | 0:25:34 | |
Set to go? | 0:25:37 | 0:25:38 | |
Lenny? | 0:25:42 | 0:25:43 | |
I need protection, for the family. | 0:25:46 | 0:25:51 | |
Round the clock. 24/7. | 0:25:52 | 0:25:54 | |
Why? What's happened? | 0:25:56 | 0:25:58 | |
Kennedy's lost the plot. | 0:25:58 | 0:26:00 | |
Where is he? | 0:26:00 | 0:26:01 | |
'Who knows?' | 0:26:03 | 0:26:04 | |
But he's out there. | 0:26:04 | 0:26:06 | |
And it's not just him. | 0:26:07 | 0:26:09 | |
'He's bringing trouble to my door.' | 0:26:10 | 0:26:12 | |
You have to be more specific. | 0:26:12 | 0:26:14 | |
I just need you to tell me... | 0:26:15 | 0:26:16 | |
..yous'll take care of Cal, | 0:26:19 | 0:26:21 | |
and the rest of the family. | 0:26:21 | 0:26:22 | |
Because they need looked after. | 0:26:24 | 0:26:27 | |
Listen, CID are not at your beck and call, Lenny. | 0:26:27 | 0:26:30 | |
Not least since you're currently evading arrest in connection with a murder. | 0:26:30 | 0:26:33 | |
Can you come down the station and then we can talk? | 0:26:33 | 0:26:37 | |
We've got his location. | 0:26:39 | 0:26:40 | |
If you don't protect them, | 0:26:41 | 0:26:44 | |
they're in serious danger. | 0:26:44 | 0:26:46 | |
Well, you've already got Gareth O'Connor's blood on your hands. | 0:26:51 | 0:26:54 | |
'Let's not have any more mistakes, eh?' | 0:26:54 | 0:26:56 | |
So... | 0:27:02 | 0:27:03 | |
You going to help me? | 0:27:05 | 0:27:06 | |
What are you going to give me? | 0:27:09 | 0:27:11 | |
'Lenny? | 0:27:14 | 0:27:16 | |
'What are you going to give me?' | 0:27:18 | 0:27:19 | |
What's going on? | 0:27:30 | 0:27:31 | |
We've got no time. I'll explain on the way. | 0:27:31 | 0:27:34 | |
Did you get the motor? | 0:27:34 | 0:27:35 | |
Aye, but I cannae just swan off somewhere, I've got MOTs booked and everything. | 0:27:35 | 0:27:38 | |
Then cancel them. This is more important. | 0:27:38 | 0:27:40 | |
Will yous two just slow down and tell me what's happening here? | 0:27:40 | 0:27:43 | |
Lenny Murdoch is what's happening here. | 0:27:43 | 0:27:45 | |
-He's in trouble with some big gang. Now he reckons they're coming after us. -What? | 0:27:45 | 0:27:48 | |
Don't make a fuss, | 0:27:48 | 0:27:50 | |
we've got no time. Get they bags down to the motor. | 0:27:50 | 0:27:53 | |
-KNOCK ON DOOR -Who's that? | 0:27:53 | 0:27:54 | |
I'll deal with this, all right. | 0:27:56 | 0:27:57 | |
Everything all right? | 0:28:02 | 0:28:03 | |
Are you going to let him do this to us again? | 0:28:03 | 0:28:05 | |
This is out of order! | 0:28:05 | 0:28:07 | |
It's not his fault. | 0:28:08 | 0:28:09 | |
Sorry. | 0:28:11 | 0:28:12 | |
You going somewhere? | 0:28:14 | 0:28:15 | |
We were told to get out of here. | 0:28:15 | 0:28:16 | |
Something to do with Lenny. So we're going to the coast. | 0:28:16 | 0:28:18 | |
That's not such a good idea. We've got a protection squad | 0:28:18 | 0:28:21 | |
outside. They can look after you better here. | 0:28:21 | 0:28:24 | |
I can't believe this is happening! | 0:28:24 | 0:28:25 | |
Better to be safe than sorry, eh? | 0:28:25 | 0:28:27 | |
Lenny wants you to talk. | 0:28:29 | 0:28:31 | |
Against Kennedy? | 0:28:32 | 0:28:34 | |
Yep. | 0:28:34 | 0:28:35 | |
Look, | 0:28:36 | 0:28:38 | |
I know I work for Lenny | 0:28:38 | 0:28:40 | |
but you need to think very carefully about this. | 0:28:40 | 0:28:43 | |
Even if Kennedy goes down for Malick's murder, | 0:28:46 | 0:28:48 | |
he'll be able to get you from prison. | 0:28:48 | 0:28:50 | |
I know. | 0:28:50 | 0:28:51 | |
He was in jail when he took my grandson. | 0:28:51 | 0:28:53 | |
Then you know what you're dealing with. | 0:28:53 | 0:28:56 | |
We all set? | 0:29:05 | 0:29:06 | |
Is my family under protection? | 0:29:06 | 0:29:08 | |
-Yes. -For how long? | 0:29:08 | 0:29:10 | |
As long as need be. | 0:29:10 | 0:29:12 | |
Permanently, if necessary. | 0:29:12 | 0:29:13 | |
Don't rush into any decisions. | 0:29:14 | 0:29:16 | |
Think about it. | 0:29:16 | 0:29:17 | |
Thinking isn't going to get rid of Kennedy, is it? | 0:29:19 | 0:29:21 | |
Neither does living in fear of him. | 0:29:21 | 0:29:24 | |
What do you want to do, Mr Mullen? | 0:29:25 | 0:29:27 | |
The right thing. | 0:29:30 | 0:29:31 | |
Lovely jubbly. | 0:29:43 | 0:29:44 | |
I was driving round when the call came in. | 0:29:59 | 0:30:01 | |
It was for a pick up from The Tall Ship. | 0:30:03 | 0:30:05 | |
They asked for me by name so... | 0:30:07 | 0:30:10 | |
I assumed it was Lenny. | 0:30:10 | 0:30:11 | |
I wasn't busy so it didn't bother me. | 0:30:15 | 0:30:18 | |
I waited outside the Ship... | 0:30:20 | 0:30:21 | |
..nobody came out. | 0:30:24 | 0:30:26 | |
I went inside. | 0:30:26 | 0:30:27 | |
I went upstairs... | 0:30:29 | 0:30:30 | |
When I got to the flat... | 0:30:32 | 0:30:33 | |
..there was Kennedy. | 0:30:36 | 0:30:37 | |
And Malick. | 0:30:38 | 0:30:40 | |
Who was dead. | 0:30:42 | 0:30:43 | |
He said if I didn't do it... | 0:30:55 | 0:30:57 | |
he would come after my family. | 0:30:57 | 0:30:59 | |
I did, what I did | 0:31:00 | 0:31:02 | |
cos I was scared for my life, for my daughter's life. | 0:31:02 | 0:31:05 | |
Nobody's safe when Kennedy's out and about. | 0:31:09 | 0:31:11 | |
Nobody. | 0:31:11 | 0:31:12 | |
I'll need you to sign a statement. | 0:31:15 | 0:31:17 | |
What are you doing here? | 0:33:53 | 0:33:54 | |
Where's Mullen? | 0:33:58 | 0:33:59 | |
He couldn't make it. | 0:34:01 | 0:34:03 | |
Said you'd a job needing doing. | 0:34:04 | 0:34:06 | |
Aye. | 0:34:06 | 0:34:08 | |
That's a disappointment. | 0:34:12 | 0:34:13 | |
I'd give you a cup of tea, but there's no power, | 0:34:15 | 0:34:19 | |
no clean cups, no water. | 0:34:19 | 0:34:21 | |
I'm feart to sit down in case I catch something. | 0:34:23 | 0:34:26 | |
Don't need to be so nervous, son. | 0:34:30 | 0:34:32 | |
All that stuff between us? | 0:34:35 | 0:34:37 | |
History. | 0:34:37 | 0:34:38 | |
I'm moving on. | 0:34:40 | 0:34:42 | |
So should you. Come on. | 0:34:42 | 0:34:44 | |
Good. | 0:34:48 | 0:34:51 | |
Good. | 0:34:51 | 0:34:52 | |
I'll have the odd wee run I'll need you to do for me. | 0:34:55 | 0:34:59 | |
But I'm not going to be about much myself. | 0:34:59 | 0:35:02 | |
No? | 0:35:02 | 0:35:03 | |
Nah. Nah, I'm offski. | 0:35:03 | 0:35:06 | |
It's all getting a bit messy round here. | 0:35:06 | 0:35:09 | |
Mandy...other stuff. | 0:35:09 | 0:35:12 | |
Mandy? | 0:35:13 | 0:35:14 | |
Ah, she's no part of the plan. | 0:35:14 | 0:35:16 | |
You'll not be at her beck and call any more. | 0:35:17 | 0:35:19 | |
That'll be a relief, eh? | 0:35:19 | 0:35:21 | |
Seen her lately? | 0:35:23 | 0:35:24 | |
You asked me that yesterday. | 0:35:25 | 0:35:27 | |
Well, I'm asking you again the day. | 0:35:27 | 0:35:29 | |
No, I've not. | 0:35:29 | 0:35:31 | |
How would I? | 0:35:31 | 0:35:32 | |
You're her driver. | 0:35:33 | 0:35:34 | |
You're no very curious, are you? | 0:35:43 | 0:35:45 | |
About what? | 0:35:45 | 0:35:46 | |
You never asked about the job. | 0:35:48 | 0:35:49 | |
And you don't seem all that surprised about me and Mandy. | 0:35:51 | 0:35:54 | |
Do you know something I don't? | 0:35:56 | 0:35:59 | |
Like what? | 0:35:59 | 0:36:01 | |
Like who she's been seeing behind my back. | 0:36:01 | 0:36:05 | |
You're her driver. | 0:36:05 | 0:36:06 | |
You know anything about that? | 0:36:06 | 0:36:08 | |
I can't help you. | 0:36:10 | 0:36:11 | |
Anyway, you steer well clear. She's a user. | 0:36:14 | 0:36:18 | |
There's none so blind, eh? | 0:36:18 | 0:36:20 | |
Did she ever tell you how we met? | 0:36:23 | 0:36:25 | |
She said that you wooed her with flowers. The whole bit. | 0:36:27 | 0:36:29 | |
Did she? | 0:36:29 | 0:36:30 | |
I used to have some clubs in Spain. | 0:36:33 | 0:36:36 | |
Kids would come out on their holidays looking for a good time... | 0:36:37 | 0:36:41 | |
all glow sticks and disco biscuits. | 0:36:41 | 0:36:43 | |
But some of them, some of them didn't know when to stop. | 0:36:45 | 0:36:50 | |
You'd see them hanging about six months after the party's over. | 0:36:50 | 0:36:54 | |
Mandy was one of them. | 0:36:57 | 0:36:58 | |
I helped her. Let her stay at mine. | 0:37:00 | 0:37:03 | |
Don't know why... | 0:37:03 | 0:37:05 | |
We came from the same bit, knew the same people. | 0:37:08 | 0:37:11 | |
Point is, she was a mess back then. | 0:37:13 | 0:37:16 | |
Underneath it all, she's still a mess. | 0:37:16 | 0:37:18 | |
Popping pills, harming herself. | 0:37:18 | 0:37:21 | |
I've looked after her long enough. | 0:37:23 | 0:37:25 | |
So I'll be quite happy to pass the job onto somebody else. | 0:37:27 | 0:37:31 | |
Right. | 0:37:33 | 0:37:34 | |
I want you to take this down to Liverpool. | 0:37:36 | 0:37:39 | |
This is the guy. | 0:37:41 | 0:37:43 | |
Tommy. He's expecting Jimmy.... but you'll do. | 0:37:43 | 0:37:48 | |
It's really important, son, for Jimmy and his family, that you do this. | 0:37:51 | 0:37:55 | |
You are going to do the job, aren't you? | 0:37:58 | 0:38:00 | |
Otherwise, why else are you here, eh? | 0:38:01 | 0:38:03 | |
Good boy. | 0:38:11 | 0:38:12 | |
Aye, aye, Tommy, it's me. | 0:38:28 | 0:38:29 | |
The thing you were doing with the driver for me? | 0:38:31 | 0:38:35 | |
His name is Brodie. | 0:38:35 | 0:38:36 | |
Yeah, still the same deal. | 0:38:38 | 0:38:40 | |
A one-way trip. | 0:38:40 | 0:38:42 | |
Once he's handed over the gear, take him out. | 0:38:44 | 0:38:46 | |
Cheers. | 0:38:48 | 0:38:50 | |
You're a pal. | 0:38:50 | 0:38:51 | |
What are you doing here? | 0:39:23 | 0:39:24 | |
I could ask you the same question. | 0:39:24 | 0:39:26 | |
What do you want? | 0:39:27 | 0:39:28 | |
I'm looking for Gabriel. But you'll do even better. Where's Billy? | 0:39:28 | 0:39:32 | |
I need to find him. | 0:39:32 | 0:39:33 | |
-I don't know. -Don't gie's it, you're married to him! | 0:39:33 | 0:39:36 | |
I've left him. I haven't seen him in days. | 0:39:36 | 0:39:39 | |
C'mon. | 0:40:27 | 0:40:28 | |
You must know where he hangs out when he's in Glasgow. | 0:40:28 | 0:40:31 | |
I don't. I was always in Spain when he was here. | 0:40:31 | 0:40:33 | |
-Oh, for... -If I hear anything, I'll let you know. | 0:40:33 | 0:40:35 | |
Sure you will. | 0:40:35 | 0:40:37 | |
DOOR OPENS | 0:40:37 | 0:40:38 | |
Gabriel? | 0:40:38 | 0:40:40 | |
Were you expecting somebody else? | 0:40:40 | 0:40:41 | |
Where's Billy? | 0:40:42 | 0:40:43 | |
Billy who? | 0:40:46 | 0:40:47 | |
Don't mess wi' me! When'd you last see him? | 0:40:47 | 0:40:49 | |
About half an hour ago. | 0:40:49 | 0:40:52 | |
Where is he? | 0:40:52 | 0:40:53 | |
Just follow the smell. | 0:40:53 | 0:40:55 | |
You drive here? | 0:40:55 | 0:40:57 | |
Where's the car? | 0:40:59 | 0:41:00 | |
Outside. | 0:41:00 | 0:41:01 | |
-Gabriel! -Don't touch me. | 0:41:09 | 0:41:11 | |
Yes. | 0:41:55 | 0:41:57 | |
What happened? | 0:41:58 | 0:42:00 | |
I've been calling and calling. I thought he'd ... | 0:42:00 | 0:42:02 | |
Killed me? | 0:42:02 | 0:42:03 | |
Nah. | 0:42:04 | 0:42:05 | |
See, it turns out he wasn't interested in bumping me off after all. | 0:42:07 | 0:42:11 | |
Do you know why? | 0:42:12 | 0:42:13 | |
Cos he had no idea about you and me. | 0:42:14 | 0:42:18 | |
But he said... | 0:42:18 | 0:42:19 | |
Stop lying. | 0:42:19 | 0:42:20 | |
I went there to blow that man's brains out. | 0:42:22 | 0:42:25 | |
Thinking, if I didn't pull the trigger first | 0:42:25 | 0:42:27 | |
he would murder you, me and my family. | 0:42:27 | 0:42:31 | |
And do you know what he did? | 0:42:33 | 0:42:35 | |
He gave me an address, | 0:42:36 | 0:42:38 | |
and a big bag of smack... | 0:42:38 | 0:42:41 | |
and a nice wee job run to do for him the morra! | 0:42:41 | 0:42:44 | |
He's still alive? | 0:42:50 | 0:42:52 | |
Oh, aye, he's still alive. | 0:42:52 | 0:42:55 | |
See the funny thing is... | 0:42:55 | 0:42:56 | |
..I couldn't kill anyone that wasn't going to kill me first! | 0:42:58 | 0:43:01 | |
Have you ever told me the truth? | 0:43:03 | 0:43:05 | |
About anything? | 0:43:06 | 0:43:08 | |
Of course. | 0:43:08 | 0:43:09 | |
Liar! | 0:43:09 | 0:43:11 | |
Gabriel, whatever he's told you, it's not true! | 0:43:11 | 0:43:13 | |
You know, I don't care if it is or it isnae. | 0:43:13 | 0:43:16 | |
I only care that you lied about it! | 0:43:16 | 0:43:18 | |
Why? | 0:43:18 | 0:43:20 | |
What, did you think it would make me love you any less? | 0:43:23 | 0:43:26 | |
Or was it all just another game, | 0:43:26 | 0:43:29 | |
part of some big plan for you | 0:43:29 | 0:43:31 | |
to find some numpty to murder Kennedy for you? | 0:43:31 | 0:43:34 | |
I lied so we could be free of him. | 0:43:36 | 0:43:38 | |
No, you lied so I would do your husband in. | 0:43:38 | 0:43:41 | |
You'd be free all right. | 0:43:43 | 0:43:45 | |
I don't know about me. | 0:43:45 | 0:43:47 | |
Get out. | 0:43:50 | 0:43:51 | |
Just take it. Get it out my sight. | 0:43:54 | 0:43:57 | |
I'm sorry. | 0:44:04 | 0:44:05 | |
Me too. | 0:44:08 | 0:44:09 | |
HE GROANS | 0:45:24 | 0:45:25 | |
HE GROANS | 0:45:28 | 0:45:30 | |
I'll get away with this. | 0:45:41 | 0:45:42 | |
Years of mental cruelty, assault. | 0:45:42 | 0:45:47 | |
Plus, after what you did to Malick? | 0:45:49 | 0:45:51 | |
They'll give me a medal. | 0:45:51 | 0:45:53 | |
Mandy. | 0:45:53 | 0:45:54 | |
Shut up, Billy! What did you tell Gabriel? | 0:45:54 | 0:45:56 | |
Mandy! Please, I'm bleeding to death here. | 0:45:56 | 0:45:59 | |
Good. | 0:45:59 | 0:46:00 | |
Did you tell him how we met? | 0:46:14 | 0:46:16 | |
Hmm? | 0:46:16 | 0:46:17 | |
Did you tell him how you used to spike the drinks of young girls? | 0:46:17 | 0:46:21 | |
Did you tell him what you did to them? | 0:46:21 | 0:46:24 | |
How you threw them away like they were nothing. | 0:46:24 | 0:46:26 | |
I don't think so. | 0:46:29 | 0:46:30 | |
He'd have blown your brains out. | 0:46:31 | 0:46:33 | |
You stayed, didn't you? | 0:46:33 | 0:46:35 | |
Eh? | 0:46:35 | 0:46:36 | |
You stayed? | 0:46:36 | 0:46:38 | |
Back then I needed the free gear you were pushing, Billy. | 0:46:40 | 0:46:43 | |
Plus, | 0:46:43 | 0:46:45 | |
my own bar, my own villa. | 0:46:45 | 0:46:48 | |
The only price I had to pay was you. | 0:46:49 | 0:46:51 | |
If this hadn't happened here, it would have happened back in Spain. | 0:46:54 | 0:46:58 | |
It was only a matter of time before you were put down. | 0:46:59 | 0:47:01 | |
You're an animal, Billy. | 0:47:03 | 0:47:06 | |
HE GROANS | 0:47:06 | 0:47:07 | |
Aw, does it hurt? Good. | 0:47:07 | 0:47:10 | |
And you'll no be needing this any more. | 0:47:14 | 0:47:17 | |
I'm going to pull up a chair, and watch you die. | 0:47:17 | 0:47:21 | |
You think? | 0:47:21 | 0:47:22 | |
SHE GASPS | 0:47:22 | 0:47:24 | |
Come on! | 0:47:34 | 0:47:35 | |
Going to try and frame me for this one as well? | 0:48:04 | 0:48:06 | |
You don't look good, Billy. | 0:48:13 | 0:48:14 | |
I'll live. | 0:48:14 | 0:48:16 | |
Let me be the judge of that. | 0:48:16 | 0:48:18 | |
Allow me. | 0:48:21 | 0:48:22 | |
You're making this too easy, Billy. | 0:48:23 | 0:48:26 | |
What's this? Fancy some winter sun, did you? | 0:48:28 | 0:48:31 | |
I'll be having this. | 0:48:36 | 0:48:37 | |
All I need now is the gear. | 0:48:44 | 0:48:46 | |
You're too late, pal. It's in transit. | 0:48:46 | 0:48:49 | |
You know how long I've waited for this, eh? | 0:48:49 | 0:48:51 | |
Such a long time. | 0:48:51 | 0:48:54 | |
To put a bullet in your sick head? | 0:48:54 | 0:48:56 | |
Now the moment's arrived... | 0:48:57 | 0:48:59 | |
it just seems too quick, Billy, too easy. | 0:48:59 | 0:49:03 | |
Hmm? | 0:49:05 | 0:49:06 | |
You know they say suffering's good for the soul, | 0:49:06 | 0:49:09 | |
and you're halfway to hell already. | 0:49:09 | 0:49:11 | |
I'll see you there, then, will I? | 0:49:11 | 0:49:14 | |
All they weeks, waiting to find out if Cal was all right. | 0:49:14 | 0:49:18 | |
Not knowing if he was alive, injured or worse. | 0:49:19 | 0:49:23 | |
You thought you got away with that. | 0:49:26 | 0:49:28 | |
You thought you could do that to me? To my family? | 0:49:28 | 0:49:31 | |
Let me tell you the worst of it. | 0:49:32 | 0:49:34 | |
Not knowing what was going to happen next. | 0:49:34 | 0:49:37 | |
Now it's your turn. | 0:49:39 | 0:49:40 | |
You're not gonnae be safe, not in the streets, or in the jail. | 0:49:43 | 0:49:47 | |
There's going to be a queue of guys lining to clip you. | 0:49:47 | 0:49:51 | |
But you'll not know who, and you'll not know when it's coming... | 0:49:51 | 0:49:55 | |
I think I'm going to enjoy that thought. | 0:49:55 | 0:49:58 | |
Without the drugs, you're not going to enjoy anything. | 0:49:58 | 0:50:00 | |
Lenny, Lenny. | 0:50:01 | 0:50:03 | |
If you help us, I'll tell you where they are. | 0:50:03 | 0:50:05 | |
Help you? | 0:50:05 | 0:50:07 | |
Help you? Trust you, you mean? | 0:50:08 | 0:50:09 | |
What could possibly go wrong there? | 0:50:09 | 0:50:13 | |
Police. | 0:50:14 | 0:50:16 | |
3/2 Henning's. | 0:50:17 | 0:50:18 | |
Yeah, I heard gunshots. | 0:50:18 | 0:50:21 | |
That should bring them quick enough, eh? | 0:50:24 | 0:50:25 | |
They'll probably bring an ambulance, | 0:50:25 | 0:50:28 | |
and an Armed Response Team too. | 0:50:28 | 0:50:30 | |
I'm going to go. | 0:50:32 | 0:50:34 | |
You take care, Billy. | 0:50:34 | 0:50:35 | |
SIREN WAILS | 0:50:47 | 0:50:51 | |
PHONE BEEPS | 0:50:51 | 0:50:52 | |
You did good. | 0:51:25 | 0:51:26 | |
Well, I didn't want to keep you waiting. | 0:51:26 | 0:51:28 | |
Not with your suntan fading by the minute. | 0:51:28 | 0:51:30 | |
You think you're funny? | 0:51:32 | 0:51:33 | |
I have my moments. | 0:51:33 | 0:51:34 | |
We done? | 0:51:35 | 0:51:36 | |
Yeah. | 0:51:37 | 0:51:39 | |
If I ever need someone here, maybe I will give you a call. | 0:51:40 | 0:51:44 | |
I think you might find I've changed my number. | 0:51:50 | 0:51:53 | |
SHE GASPS | 0:52:20 | 0:52:23 | |
FOOTSTEPS | 0:52:27 | 0:52:29 | |
Sorry, darlin'. | 0:52:33 | 0:52:35 | |
The Tactical Commander has been delayed. | 0:52:44 | 0:52:47 | |
We're going ahead anyway. | 0:52:51 | 0:52:53 | |
Mr Kennedy. | 0:53:52 | 0:53:54 | |
There are armed police at the front door. | 0:54:00 | 0:54:02 | |
Not far. | 0:54:02 | 0:54:04 | |
In your wee hand, there you go. | 0:54:12 | 0:54:14 | |
There's a step here. | 0:54:14 | 0:54:15 | |
Up, up, up, that's it. | 0:54:15 | 0:54:17 | |
That's it, darlin'. | 0:54:17 | 0:54:19 | |
I repeat. We are armed. | 0:54:22 | 0:54:23 | |
Put your weapon where we can see it. And come out with your arms up. | 0:54:23 | 0:54:27 | |
I don't think so. | 0:54:27 | 0:54:29 | |
Gun. | 0:54:34 | 0:54:35 | |
That was Jimmy. | 0:55:35 | 0:55:37 | |
Says he's on his way over. | 0:55:37 | 0:55:38 | |
He's been released. | 0:55:40 | 0:55:41 | |
Says everything's going to be all right. | 0:55:41 | 0:55:43 | |
But what does that mean? | 0:55:43 | 0:55:46 | |
He said Lenny told him to tell the police everything. | 0:55:46 | 0:55:49 | |
It was him that asked for our protection. | 0:55:49 | 0:55:51 | |
Really? | 0:55:51 | 0:55:52 | |
Aye, Billy Kennedy's been arrested for murder. | 0:55:52 | 0:55:56 | |
Thank God. | 0:55:58 | 0:55:59 | |
At last. | 0:55:59 | 0:56:01 | |
All right, sleepy-head. | 0:56:04 | 0:56:06 | |
I had a dream. | 0:56:06 | 0:56:08 | |
You OK? | 0:56:08 | 0:56:09 | |
The bad man's gone. | 0:56:09 | 0:56:11 | |
I just remember thinking, | 0:56:28 | 0:56:30 | |
he isn't going to give up, | 0:56:30 | 0:56:32 | |
that rather than that he'd fight it out. | 0:56:32 | 0:56:34 | |
Then she was there, | 0:56:34 | 0:56:36 | |
I thought she had a gun. | 0:56:36 | 0:56:37 | |
The next 24 hours are crucial. | 0:56:37 | 0:56:40 | |
If she can get through that, she should make a full recovery. | 0:56:40 | 0:56:43 | |
How about Kennedy? | 0:56:43 | 0:56:45 | |
Bullet went straight through him. | 0:56:45 | 0:56:47 | |
We've got him in a secure ward. | 0:56:47 | 0:56:49 | |
Nobody goes in or out unless I say so. | 0:56:49 | 0:56:50 | |
I'm looking for Mandy. | 0:56:50 | 0:56:52 | |
Billy tried to kill her. | 0:56:52 | 0:56:53 | |
What? | 0:56:53 | 0:56:54 | |
You think you get to walk away from a guy like him? | 0:56:54 | 0:56:57 | |
Those the clothes you were wearing? They'll be required for a forensic analysis. | 0:56:57 | 0:57:00 | |
You will also need to be examined. | 0:57:00 | 0:57:02 | |
Cops are out of control, shooting an unarmed woman. | 0:57:02 | 0:57:04 | |
It was you that put her in the line of fire, not us. | 0:57:04 | 0:57:07 | |
Mind, I'm a victim here. | 0:57:08 | 0:57:09 |