Browse content similar to 01/04/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I did what I did, because I was scared for my life. | 0:00:21 | 0:00:24 | |
Nobody's safe when Kennedy's out and about. | 0:00:24 | 0:00:26 | |
Do you know something I don't? Like what? | 0:00:26 | 0:00:28 | |
About who she's seeing behind my back. | 0:00:28 | 0:00:30 | |
You know I went there to blow that man's brains out. | 0:00:30 | 0:00:33 | |
He's still alive? | 0:00:33 | 0:00:34 | |
Get out my sight. | 0:00:34 | 0:00:35 | |
HE GRUNTS | 0:00:45 | 0:00:46 | |
Mr Kennedy? | 0:00:49 | 0:00:50 | |
There you go. | 0:00:51 | 0:00:53 | |
That's it, darlin'. | 0:00:53 | 0:00:55 | |
Gun! | 0:00:57 | 0:00:58 | |
GUNSHOT | 0:00:58 | 0:01:00 | |
HE LAUGHS | 0:01:00 | 0:01:03 | |
SIREN WAILS | 0:01:06 | 0:01:09 | |
You have to tell him... | 0:01:18 | 0:01:20 | |
Tell him...it was real. | 0:01:23 | 0:01:26 | |
MACHINE BEEPS STEADILY | 0:01:34 | 0:01:37 | |
You should go home. Get some proper sleep. | 0:02:26 | 0:02:29 | |
No, I'm fine, sir. | 0:02:29 | 0:02:30 | |
The next 24 hours are crucial. | 0:02:32 | 0:02:35 | |
If she gets through that, she should make a full recovery. | 0:02:35 | 0:02:39 | |
How about Kennedy? | 0:02:43 | 0:02:45 | |
He's stable, out of surgery. Bullet went right through him. | 0:02:45 | 0:02:50 | |
Is he still here? | 0:02:50 | 0:02:51 | |
I've got him on a secure ward. | 0:02:51 | 0:02:53 | |
No-one goes in or out unless I say so. | 0:02:53 | 0:02:55 | |
What time are the surgical team due back? | 0:02:59 | 0:03:02 | |
They check every half hour. | 0:03:02 | 0:03:04 | |
Thankfully the bullet missed her vital organs. She was lucky. | 0:03:04 | 0:03:08 | |
She wasn't the only one. | 0:03:10 | 0:03:12 | |
Sergeant Reid, any news about him, sir? | 0:03:12 | 0:03:15 | |
He fired the shot? | 0:03:15 | 0:03:17 | |
He's back at the station, waiting to be interviewed. | 0:03:18 | 0:03:21 | |
The whole armed response team are. | 0:03:21 | 0:03:23 | |
They're professionals, | 0:03:23 | 0:03:25 | |
they'll know this kind of thing's an occupational hazard. | 0:03:25 | 0:03:28 | |
Doesn't make any of it any better! | 0:03:32 | 0:03:34 | |
I mean, what the hell was she doing there anyway? | 0:03:36 | 0:03:39 | |
HE SIGHS | 0:03:39 | 0:03:41 | |
The whole thing's a mess! | 0:03:41 | 0:03:43 | |
Yes, sir. | 0:03:44 | 0:03:46 | |
I need to get back to the station. | 0:03:49 | 0:03:51 | |
We've had Lenny Murdoch in a cell all night. | 0:03:51 | 0:03:54 | |
Meantime, you get yourself home. I'll whistle up a replacement. | 0:03:54 | 0:03:58 | |
Then once you've done that we can go over things in more detail, OK? | 0:03:58 | 0:04:02 | |
Actually, sir, I'd like to stay. At least till she comes round. | 0:04:02 | 0:04:06 | |
You're partly responsible for her being here, | 0:04:09 | 0:04:12 | |
are you sure that's wise? | 0:04:12 | 0:04:13 | |
I won't attempt to interview her. | 0:04:13 | 0:04:15 | |
As soon as she's conscious, I'll call it in. | 0:04:15 | 0:04:17 | |
OK. But any change... | 0:04:20 | 0:04:23 | |
Thank you. | 0:04:25 | 0:04:26 | |
Morning, sir. | 0:04:49 | 0:04:51 | |
Is it? Still feels like the middle of the night to me. Murdoch ready? | 0:04:51 | 0:04:56 | |
Waiting in Interview One. What about forensics? | 0:04:56 | 0:04:59 | |
All prelim stuff so far. | 0:04:59 | 0:05:00 | |
They've definitely identified fibres on Billy's clothing | 0:05:00 | 0:05:03 | |
that match with Malick's. Enough to prove he lifted the body? | 0:05:03 | 0:05:06 | |
90%. I'd prefer 100. | 0:05:06 | 0:05:09 | |
And they found a gun at the scene. Any prints? | 0:05:09 | 0:05:12 | |
Mandy Kennedy's and a partial. | 0:05:12 | 0:05:14 | |
We're trying to match that with Billy's now. | 0:05:14 | 0:05:17 | |
OK, let me know as soon as we've got anything solid. | 0:05:17 | 0:05:19 | |
Sir. | 0:05:19 | 0:05:21 | |
Meantime, let's see how Lenny Murdoch spent his night. | 0:05:21 | 0:05:25 | |
Here at last. 'Bout time. | 0:05:33 | 0:05:36 | |
Sorry to keep you, Lenny. | 0:05:42 | 0:05:43 | |
You think that's going on, you've got another think coming. | 0:05:46 | 0:05:49 | |
This is a taped interview, Mr Murdoch. You'll be offered a copy. | 0:05:49 | 0:05:52 | |
Hard of hearing, son? It's fine. | 0:05:52 | 0:05:54 | |
Things finally caught up with you yesterday, eh? | 0:05:59 | 0:06:03 | |
You needed us to protect your family. So we did that. | 0:06:03 | 0:06:08 | |
They're safe. In return, you offered information. | 0:06:08 | 0:06:11 | |
Which I gave you. | 0:06:14 | 0:06:15 | |
Sorry? | 0:06:15 | 0:06:17 | |
Flat 3, 2 Henning's Rise. | 0:06:17 | 0:06:19 | |
I'm sure you found Billy and his dead missus there. | 0:06:19 | 0:06:22 | |
You called it in? I was there. | 0:06:22 | 0:06:25 | |
Though that's the last time you'll hear me admit it. | 0:06:25 | 0:06:27 | |
OK, so you were there? What happened? | 0:06:27 | 0:06:30 | |
I don't know! Maybe they argued about the state of the place. | 0:06:32 | 0:06:36 | |
It was a domestic, as far as I could see. | 0:06:36 | 0:06:39 | |
Her lying there throttled. Him with a bullet in him. | 0:06:39 | 0:06:42 | |
You do the rest. | 0:06:42 | 0:06:43 | |
OK, so you told us where Billy was. What else? | 0:06:45 | 0:06:48 | |
Is he no' enough? | 0:06:48 | 0:06:51 | |
I want names. | 0:06:51 | 0:06:52 | |
You got a statement from Jimmy Mullen, didn't you? | 0:06:56 | 0:07:00 | |
That was on your instructions? | 0:07:00 | 0:07:02 | |
Well, everything now hinges on Mullen's statement. | 0:07:05 | 0:07:09 | |
Which we both know might not be enough. | 0:07:09 | 0:07:11 | |
We need to make sure Kennedy can't get to him. | 0:07:13 | 0:07:15 | |
Or your family. | 0:07:15 | 0:07:18 | |
Which means we have to take Billy out the game. | 0:07:18 | 0:07:20 | |
You look like you could do with a cup of tea, son. | 0:07:28 | 0:07:31 | |
Take five. | 0:07:31 | 0:07:32 | |
You know, Billy made things personal by going after my grandson. | 0:07:50 | 0:07:53 | |
Here. | 0:07:56 | 0:07:58 | |
That's what he would've gave you. That's his whole circle. | 0:07:58 | 0:08:02 | |
Even written on the noted headed paper from his hotel. | 0:08:02 | 0:08:05 | |
Nice touch. | 0:08:05 | 0:08:07 | |
That's great, but I want more than this. | 0:08:10 | 0:08:13 | |
I want the Spanish end. | 0:08:15 | 0:08:17 | |
What do you think I am, your pet? | 0:08:19 | 0:08:22 | |
I've not got a death wish. | 0:08:24 | 0:08:26 | |
You want to talk about the Spanish, you talk to Billy. | 0:08:26 | 0:08:29 | |
Don't hold your breath, though. | 0:08:29 | 0:08:32 | |
OK. | 0:08:32 | 0:08:33 | |
Not to worry. I've got other options. Mrs Kennedy's not dead. | 0:08:35 | 0:08:42 | |
I'm sure she'll be able to tell us | 0:08:42 | 0:08:45 | |
lots of interesting stories about Billy and his Spanish friends, | 0:08:45 | 0:08:48 | |
who knows what else? | 0:08:48 | 0:08:50 | |
So what now? Kennedy's bang to rights. | 0:09:00 | 0:09:03 | |
So let's concentrate on keeping hold of him this time. | 0:09:03 | 0:09:06 | |
And thanks to this... | 0:09:06 | 0:09:08 | |
it's going to look like he's betrayed his whole network. | 0:09:08 | 0:09:11 | |
It'll give us our best possible chance of protecting | 0:09:13 | 0:09:17 | |
a valuable witness. Jimmy Mullen's made a statement. | 0:09:17 | 0:09:20 | |
To protect him and his family, we need Kennedy neutralised. | 0:09:20 | 0:09:25 | |
Morning, darlin'. | 0:09:25 | 0:09:27 | |
Listen, pet, I don't suppose you could tell me how my wife is doing? | 0:09:30 | 0:09:34 | |
Mandy! | 0:10:04 | 0:10:06 | |
Mandy, are you up there? | 0:10:17 | 0:10:19 | |
'Hi, this is Mandy Kennedy. Please leave a message...' | 0:10:32 | 0:10:35 | |
Hey! | 0:11:08 | 0:11:10 | |
What, are you deaf? I was shouting on you! | 0:11:32 | 0:11:35 | |
I heard you. | 0:11:35 | 0:11:36 | |
Why don't you wake up the whole neighbourhood while you're at it? | 0:11:36 | 0:11:39 | |
I'm looking for Mandy - where is she? | 0:11:39 | 0:11:41 | |
She's... It's all right, she's alive, OK. | 0:11:41 | 0:11:44 | |
Alive? What the hell is that supposed to mean? | 0:11:44 | 0:11:47 | |
She's in St Mungo's. Billy tried to kill her. What? | 0:11:47 | 0:11:51 | |
What, are you surprised? | 0:11:51 | 0:11:53 | |
You think you just walk away from a guy like him? | 0:11:53 | 0:11:56 | |
That thing with you and her - I mean, whose bright idea was that? | 0:11:56 | 0:11:59 | |
What does it matter now? Just tell me, Lenny. | 0:11:59 | 0:12:02 | |
Is she OK? | 0:12:02 | 0:12:04 | |
He tried to strangle her, all right. He didn't finish the job. | 0:12:04 | 0:12:08 | |
Now it's your turn to answer me. | 0:12:08 | 0:12:10 | |
I need to see her. Keys. | 0:12:10 | 0:12:13 | |
You want the cab? Fine. | 0:12:13 | 0:12:15 | |
But first, you tell me, when I came looking for you, | 0:12:15 | 0:12:18 | |
how come you were just coming back from seeing Billy? | 0:12:18 | 0:12:20 | |
And how come there was six figures of Class A in that boot?! | 0:12:20 | 0:12:23 | |
HE GROANS Billy wanted them delivered. | 0:12:23 | 0:12:26 | |
And you were gonnae do that? | 0:12:26 | 0:12:28 | |
Knowing that them going missing could've got me killed! | 0:12:28 | 0:12:31 | |
I was trying to get out of there, all right? | 0:12:31 | 0:12:34 | |
I didn't know what I was going to do. | 0:12:34 | 0:12:37 | |
Look, I'm really sorry, all right. But I need to get to the hospital. | 0:12:37 | 0:12:40 | |
What are you, daft? | 0:12:40 | 0:12:42 | |
You'll be keeping a low profile and I mean for a long time. | 0:12:42 | 0:12:44 | |
Keys. | 0:12:44 | 0:12:46 | |
Morning. Hi. | 0:13:09 | 0:13:11 | |
Did you get any sleep? | 0:13:13 | 0:13:15 | |
Not a wink. | 0:13:15 | 0:13:17 | |
Me neither. | 0:13:17 | 0:13:18 | |
I'll stick the kettle on. | 0:13:23 | 0:13:24 | |
Kennedy had a gun, and I was scared of what he'd do to us | 0:13:31 | 0:13:35 | |
if I didn't help him get rid of the body. | 0:13:35 | 0:13:39 | |
I thought he was going to kill me anyway | 0:13:39 | 0:13:41 | |
but if it meant it was an end to it for you... | 0:13:41 | 0:13:43 | |
But if you're a witness against Kennedy, what's to stop him | 0:13:43 | 0:13:46 | |
sending somebody after us to shut you up? | 0:13:46 | 0:13:49 | |
Do you think I don't know that? | 0:13:49 | 0:13:52 | |
I've been up half the night going over and over it. | 0:13:52 | 0:13:54 | |
Did I do the right thing or did I screw up? As per. | 0:13:54 | 0:13:57 | |
Then why did you, then? Why did you talk to them? | 0:13:57 | 0:13:59 | |
Was it cos Lenny told you to do it? | 0:13:59 | 0:14:01 | |
No, I just wanted to do the right thing. | 0:14:01 | 0:14:06 | |
Us being scared of Kennedy... | 0:14:06 | 0:14:08 | |
He'd still be out there, he could do us more harm. | 0:14:10 | 0:14:13 | |
Look, I'm sorry. I...I didn't mean for you and the kids to suffer, | 0:14:15 | 0:14:20 | |
but somebody had to stand up to him. | 0:14:20 | 0:14:22 | |
Trouble is, it's not just him, though, is it? | 0:14:22 | 0:14:24 | |
What, did you not tell him? | 0:14:28 | 0:14:29 | |
Tell me what? | 0:14:31 | 0:14:32 | |
A guy came to the door, not long after you were arrested. | 0:14:36 | 0:14:39 | |
What guy? | 0:14:39 | 0:14:40 | |
What guy? | 0:14:44 | 0:14:45 | |
He had an accent. He was Spanish, I think. | 0:14:45 | 0:14:48 | |
What did he want? | 0:14:48 | 0:14:50 | |
To give Cal a lollipop. | 0:14:52 | 0:14:54 | |
And you never thought to tell me! | 0:14:58 | 0:15:00 | |
After everything I did, they're still going after my family! | 0:15:02 | 0:15:07 | |
Jimmy! | 0:15:08 | 0:15:10 | |
Stay where you are. | 0:15:13 | 0:15:14 | |
DOOR OPENS | 0:15:22 | 0:15:24 | |
Not now, Jimmy. | 0:15:29 | 0:15:31 | |
It'll not take long. | 0:15:31 | 0:15:33 | |
Scarlett and Kelly-Marie had a visitor. Foreign guy. When? | 0:15:34 | 0:15:38 | |
Yesterday. | 0:15:38 | 0:15:40 | |
When I was in the cop shop spilling my guts like you told me to! | 0:15:40 | 0:15:43 | |
Yesterday, I saw the guy, I know that fella. | 0:15:43 | 0:15:47 | |
Don't worry about it, he's gone. He took a flight out. | 0:15:47 | 0:15:51 | |
That makes it all right, eh? I'm going out of my mind here. | 0:15:51 | 0:15:54 | |
I need you to level with me. What do you mean? | 0:15:54 | 0:15:57 | |
HE SCOFFS | 0:15:57 | 0:15:58 | |
Come off it, Lenny. I did everything you asked. | 0:15:58 | 0:16:01 | |
And now I'm in the firing line! | 0:16:01 | 0:16:02 | |
I told you to stay calm, didn't I? Things'll get sorted. Really? | 0:16:02 | 0:16:06 | |
And here's me remembering some psycho with a gun at my heid, | 0:16:06 | 0:16:09 | |
telling me he could get to wee Cal, even from behind bars! | 0:16:09 | 0:16:12 | |
Well, he won't. | 0:16:12 | 0:16:13 | |
He did the last time! What's so different now? | 0:16:13 | 0:16:16 | |
Because I say so. | 0:16:16 | 0:16:18 | |
Whit? Do you think I haven't dreamt about putting a bullet in his brain? | 0:16:18 | 0:16:22 | |
Dreamt, maybe! Done...nothing. No, you left that to me. | 0:16:22 | 0:16:25 | |
I had to go to the cops and grass. Me. A grass! | 0:16:27 | 0:16:30 | |
I'm the only witness seeing what Billy did with Malick. | 0:16:30 | 0:16:33 | |
What do I do with that? Kennedy wanting me dead. | 0:16:33 | 0:16:36 | |
Spanish gangsters on my doorstep. And me labelled a grass. | 0:16:36 | 0:16:40 | |
That's what! Yeah?! Well, maybe we're in the same boat, then. | 0:16:40 | 0:16:42 | |
Look, Billy's going to rot in jail. That's better than any bullet. | 0:16:46 | 0:16:51 | |
You, Jimmy, you go home with your family, you be with them. | 0:16:52 | 0:16:56 | |
You'd better be right about this. | 0:17:02 | 0:17:03 | |
Any indication yet when she might be able to give us something? | 0:17:21 | 0:17:24 | |
I spoke to her doctors again - she'll be like that for a while. | 0:17:24 | 0:17:27 | |
You know, I gave her the chance to talk. | 0:17:30 | 0:17:32 | |
Why the hell didn't she take it? | 0:17:32 | 0:17:34 | |
Fear? Living with Kennedy can't have been a stroll in the park. | 0:17:34 | 0:17:38 | |
Yeah, well, maybe... | 0:17:38 | 0:17:39 | |
In the meantime, we're not doing any good staying here. | 0:17:41 | 0:17:44 | |
Best thing we can do is nail down exactly what happened out there, | 0:17:44 | 0:17:47 | |
and then you can go and get some rest. | 0:17:47 | 0:17:49 | |
You up for going over things just now? Yes, fine. | 0:17:49 | 0:17:52 | |
Cooper, you take over here. Sir. | 0:17:54 | 0:17:56 | |
Let's go. | 0:17:56 | 0:17:58 | |
OK, assume I know nothing. | 0:18:03 | 0:18:05 | |
What I need is the sequence of events as you remember them. | 0:18:05 | 0:18:09 | |
Start with the 999 call. The report was of a weapon discharged. | 0:18:09 | 0:18:14 | |
What then? | 0:18:14 | 0:18:16 | |
Consequent to another investigation, we had reason to | 0:18:16 | 0:18:19 | |
believe that the armed occupant was Billy Kennedy. | 0:18:19 | 0:18:22 | |
There was already a warrant out for his arrest. | 0:18:22 | 0:18:24 | |
What actions did you take? | 0:18:24 | 0:18:26 | |
I deployed uniformed officers to seal off the immediate area. | 0:18:26 | 0:18:30 | |
What about the ARU team? | 0:18:30 | 0:18:32 | |
We liaised. We were waiting for a tactical commander to arrive | 0:18:32 | 0:18:37 | |
and take charge of the raid. | 0:18:37 | 0:18:39 | |
Control informed us that there was a delay. | 0:18:41 | 0:18:45 | |
But you had the area sealed. | 0:18:55 | 0:18:57 | |
You were in control of the situation. Why not wait? | 0:18:57 | 0:19:00 | |
There was no need to proceed without a tactical commander. | 0:19:00 | 0:19:03 | |
I couldn't be sure that it was secure. | 0:19:06 | 0:19:09 | |
Those schemes are like a maze. | 0:19:09 | 0:19:11 | |
It was an empty building, but there's always a chance. | 0:19:21 | 0:19:25 | |
I was worried there may be a risk to members of the public. | 0:19:29 | 0:19:33 | |
So you decided to take matters in to your own hands? | 0:19:36 | 0:19:39 | |
Was any warning given? MACHINES BEEP RAPIDLY | 0:19:39 | 0:19:42 | |
I called out, identifying us as armed officers. | 0:19:42 | 0:19:46 | |
I instructed Kennedy on how he was to respond. | 0:19:46 | 0:19:50 | |
He was to produce any weapons, come out, arms raised. | 0:19:50 | 0:19:54 | |
Go on. | 0:19:54 | 0:19:55 | |
I just remember thinking, "He isn't going to give up." | 0:19:55 | 0:20:00 | |
A man like that, he's not going to spend | 0:20:00 | 0:20:03 | |
the rest of his life in a cell, | 0:20:03 | 0:20:05 | |
that rather than that, he'd fight it out. | 0:20:05 | 0:20:07 | |
Then she was there. | 0:20:08 | 0:20:10 | |
She? | 0:20:11 | 0:20:13 | |
You were clear in your own mind that the person who emerged | 0:20:13 | 0:20:16 | |
after you identified yourself was Mandy not Billy Kennedy? | 0:20:16 | 0:20:19 | |
Yes. I mean, everything happened so fast. When I saw movement, | 0:20:21 | 0:20:26 | |
I expected it to be Kennedy. We thought he was alone. | 0:20:26 | 0:20:29 | |
We'd heard his voice. But then you saw it was her. | 0:20:29 | 0:20:32 | |
And this was before you gave any instruction to fire? | 0:20:32 | 0:20:35 | |
Sergeant, I need you to be totally clear in your mind. | 0:20:36 | 0:20:42 | |
Did you give the officers present any indication that | 0:20:42 | 0:20:46 | |
Mrs Kennedy was a threat to their safety? | 0:20:46 | 0:20:48 | |
Answer the question. | 0:20:48 | 0:20:50 | |
I called out "gun". | 0:20:56 | 0:20:57 | |
I thought she had a gun. | 0:21:04 | 0:21:05 | |
She did. | 0:21:09 | 0:21:10 | |
Just not in her hand. We recovered it from inside the flat. | 0:21:13 | 0:21:18 | |
Mandy Kennedy was holding a TV remote. | 0:21:18 | 0:21:20 | |
So we shot an unarmed woman. | 0:21:22 | 0:21:24 | |
Sir... | 0:21:28 | 0:21:29 | |
They'd no way of anticipating. | 0:21:32 | 0:21:34 | |
She'd seemed stable, then her sats dropped. | 0:21:34 | 0:21:38 | |
They said a delayed cardiac reaction isn't uncommon. | 0:21:38 | 0:21:41 | |
What is it with that man? | 0:21:42 | 0:21:44 | |
Even when we've got a hold of him, he's able to cause chaos! | 0:21:44 | 0:21:46 | |
This is a mess! | 0:21:46 | 0:21:48 | |
I'm not losing this, not now. | 0:21:48 | 0:21:51 | |
All right, I'll speak to the people here. | 0:21:56 | 0:21:59 | |
We need to organise a PM for as soon as we can. | 0:21:59 | 0:22:03 | |
DS Grant, DC Cooper will accompany you back to the station. | 0:22:05 | 0:22:09 | |
You're not to discuss the arrest or any events surrounding it. | 0:22:09 | 0:22:12 | |
You're not to compare or collude over any notes you might have. | 0:22:12 | 0:22:16 | |
Is that understood? But they said she was improving. | 0:22:16 | 0:22:19 | |
Obviously... | 0:22:20 | 0:22:21 | |
..this changes things... considerably. | 0:22:25 | 0:22:28 | |
Sergeant Grant, you are suspended from active duty | 0:22:30 | 0:22:33 | |
pending a formal investigation. | 0:22:33 | 0:22:35 | |
In the interim, there are steps we'll need to take. | 0:22:37 | 0:22:40 | |
Are those the clothes you were wearing? | 0:22:40 | 0:22:43 | |
They'll be required for a forensic analysis. | 0:22:43 | 0:22:45 | |
And you'll also need to be examined. | 0:22:45 | 0:22:48 | |
You're not seriously suggesting I was intoxicated | 0:22:48 | 0:22:51 | |
when I gave the order? | 0:22:51 | 0:22:52 | |
No, Sergeant Grant, I'm not. Obviously I'm not. | 0:22:52 | 0:22:55 | |
Those rules are there to protect you as much as anyone else. | 0:22:55 | 0:22:58 | |
Yes, of course, sir. | 0:22:58 | 0:23:01 | |
I'm truly sorry about this. | 0:23:02 | 0:23:04 | |
Look, I'll see you both back at the station. Sir. | 0:23:08 | 0:23:11 | |
Cooper, keep an eye on her. | 0:23:12 | 0:23:14 | |
Look, come on. Is there nothing you can tell me? | 0:23:20 | 0:23:23 | |
Gabriel? | 0:23:28 | 0:23:30 | |
Oh, hi. | 0:23:30 | 0:23:31 | |
What're you doing here? | 0:23:38 | 0:23:40 | |
I've just heard about Mrs Kennedy. | 0:23:40 | 0:23:42 | |
Oh? Heard what? | 0:23:42 | 0:23:45 | |
Not a lot, just that she was brought in. | 0:23:45 | 0:23:48 | |
I just wanted to see she's OK, | 0:23:48 | 0:23:50 | |
only hatchet face here, she'll not tell me anything. | 0:23:50 | 0:23:53 | |
OK, but how is her being here anything to do with you? | 0:23:53 | 0:23:56 | |
Well, the thing is, I'm her driver, I got to know her a wee bit. | 0:23:58 | 0:24:02 | |
I just want to know how she is. | 0:24:02 | 0:24:04 | |
So...is she OK? | 0:24:04 | 0:24:06 | |
Simple question. I'm sorry. | 0:24:09 | 0:24:10 | |
Tell you what, the DCI's upstairs. Why don't I get him to have a word? | 0:24:10 | 0:24:14 | |
No, listen, honestly... | 0:24:14 | 0:24:15 | |
No, look it's fine. You sit tight. I'll let him know you're here. | 0:24:15 | 0:24:19 | |
Here we are - home sweet home. | 0:24:30 | 0:24:34 | |
Beats a hotel room anyway. | 0:24:34 | 0:24:35 | |
I'll put the kettle on. | 0:24:35 | 0:24:37 | |
That tea's not going to make itself. | 0:24:54 | 0:24:57 | |
Just hope Gabriel's left us some milk. | 0:24:57 | 0:25:00 | |
I don't think he was too worried about milk. | 0:25:00 | 0:25:03 | |
Oh, well, empty house. | 0:25:04 | 0:25:07 | |
Guess he's allowed to get up to whatever he likes. | 0:25:07 | 0:25:10 | |
So I see. | 0:25:12 | 0:25:14 | |
Look, all I want is to see how she is. | 0:25:27 | 0:25:29 | |
You guys are busy, I don't want to mess with that. | 0:25:29 | 0:25:32 | |
So, how's she doing? | 0:25:35 | 0:25:37 | |
First, do you want to tell me how well you know Mrs Kennedy? | 0:25:39 | 0:25:43 | |
DC Cooper says you were her driver. | 0:25:43 | 0:25:45 | |
For a few months. | 0:25:45 | 0:25:46 | |
I got to know her a bit, I suppose. | 0:25:47 | 0:25:49 | |
A bit? Enough for you to come here. | 0:25:49 | 0:25:52 | |
Yeah, well, we were mates too. | 0:25:53 | 0:25:56 | |
Mates? With Billy Kennedy's wife? | 0:25:56 | 0:25:59 | |
Aye. Look, she's not like him. Mandy's OK. | 0:25:59 | 0:26:05 | |
I see. | 0:26:06 | 0:26:08 | |
OK, so you spent a lot of time in the cab together | 0:26:08 | 0:26:12 | |
and got friendly, I can buy that. | 0:26:12 | 0:26:15 | |
Presumably you chatted. I mean... | 0:26:15 | 0:26:19 | |
What about? Billy? | 0:26:19 | 0:26:21 | |
Some. | 0:26:21 | 0:26:22 | |
Such as? | 0:26:24 | 0:26:25 | |
Mr Brodie, let me explain why I'm asking. | 0:26:27 | 0:26:30 | |
Mrs Kennedy was brought in here today because Billy attacked her. | 0:26:30 | 0:26:35 | |
Obviously I need to find out why. I mean, we know Billy's violent, | 0:26:35 | 0:26:40 | |
but he's never attacked her before, as far as we know. | 0:26:40 | 0:26:44 | |
So can you tell me what might have happened to change that? | 0:26:44 | 0:26:47 | |
I'm wondering if it might be | 0:26:47 | 0:26:49 | |
something to do with his business activities, | 0:26:49 | 0:26:51 | |
for example. How aware was Mandy of them? | 0:26:51 | 0:26:54 | |
Not enough to talk to me about them. | 0:26:55 | 0:26:57 | |
What about her movements? Did you see her yesterday? | 0:26:57 | 0:27:00 | |
No. It was my day off. | 0:27:02 | 0:27:04 | |
Did you ever take her to see a guy called Paul Malick? | 0:27:07 | 0:27:10 | |
I don't know. Whoever she meets is her affair. | 0:27:12 | 0:27:15 | |
Look, I just want to see her. | 0:27:15 | 0:27:17 | |
So, please, just tell me how she's doing, eh? | 0:27:17 | 0:27:20 | |
Why don't you take a seat, Mr Brodie? | 0:27:23 | 0:27:26 | |
No, you're all right. | 0:27:26 | 0:27:28 | |
I'm sorry, but it's not good news. | 0:27:31 | 0:27:34 | |
A short while ago Mrs Kennedy | 0:27:36 | 0:27:38 | |
died of complications following a gunshot injury. | 0:27:38 | 0:27:41 | |
He shot her. | 0:27:43 | 0:27:44 | |
This is down to you lot. | 0:27:49 | 0:27:51 | |
You had him! | 0:27:51 | 0:27:53 | |
Why the hell did you ever let her go? | 0:27:53 | 0:27:55 | |
HAUNTING MUSIC | 0:28:05 | 0:28:08 | |
DOOR OPENS | 0:29:17 | 0:29:18 | |
Is that you, Gabriel? | 0:29:27 | 0:29:29 | |
Hey. Hey. | 0:29:39 | 0:29:40 | |
Not much of a welcome. You could at least ask how Nic and Grace are. | 0:29:44 | 0:29:48 | |
Sure, so how are they? Did they get settled OK? | 0:29:48 | 0:29:54 | |
Yeah. You should see the place they have. | 0:29:54 | 0:29:58 | |
Made me quite envious - you know, fresh start and all that. | 0:29:58 | 0:30:02 | |
So, how are things with you? What've you been up to? | 0:30:05 | 0:30:09 | |
You know, usual. | 0:30:09 | 0:30:12 | |
And what's that? | 0:30:15 | 0:30:17 | |
Spending time with your new woman? | 0:30:17 | 0:30:19 | |
Can we stop pretending, Gabriel? | 0:30:20 | 0:30:22 | |
I guessed there was someone at New Year, if you remember. | 0:30:22 | 0:30:25 | |
I suppose...while I've been away, I've had a chance to | 0:30:27 | 0:30:30 | |
think about who that might be. | 0:30:30 | 0:30:33 | |
I don't know what you're on about. Just stop! | 0:30:33 | 0:30:36 | |
It's Mandy Kennedy. | 0:30:40 | 0:30:42 | |
I don't know why I didn't see it earlier, | 0:30:46 | 0:30:49 | |
I mean, you spend every waking moment with her. | 0:30:49 | 0:30:52 | |
Jump when she calls. And now you've brought her here! | 0:30:52 | 0:30:57 | |
My home. A woman like that. | 0:30:57 | 0:31:01 | |
All she'll do is bring trouble. | 0:31:01 | 0:31:03 | |
Whoa, wait a minute, a woman like what? | 0:31:03 | 0:31:06 | |
She must know what he's like. All the...sick things he's done, | 0:31:06 | 0:31:10 | |
even if she shuts her eyes to it. | 0:31:10 | 0:31:12 | |
What? That makes her the same as him, does it? | 0:31:12 | 0:31:15 | |
You really think there's a difference? | 0:31:15 | 0:31:17 | |
Yeah, yeah, I do. I mean, all right, Mandy made mistakes. | 0:31:17 | 0:31:21 | |
But who wouldn't, married to that psychopath? | 0:31:21 | 0:31:24 | |
And what - is that the attraction? | 0:31:25 | 0:31:29 | |
That she's vulnerable? | 0:31:29 | 0:31:31 | |
I mean, what is it with you? Are you on some sort of ego thing? | 0:31:34 | 0:31:37 | |
Always having to play the hero. | 0:31:37 | 0:31:40 | |
Oh, look, here's Gabriel, he'll put things right! He'll rescue her. | 0:31:40 | 0:31:44 | |
Look, just stop, right. You don't know what you're talking about. | 0:31:44 | 0:31:48 | |
I'm just trying to work out why. | 0:31:48 | 0:31:50 | |
Why choose to forget all he's done and go with a woman like her?! | 0:31:52 | 0:31:55 | |
Maybe because I loved her! | 0:31:55 | 0:31:57 | |
But none of that matters now, because it's over. | 0:32:02 | 0:32:07 | |
What? It ended? | 0:32:11 | 0:32:13 | |
She died! | 0:32:14 | 0:32:16 | |
All right? | 0:32:18 | 0:32:20 | |
Happy now? | 0:32:20 | 0:32:22 | |
Gabriel... | 0:32:22 | 0:32:23 | |
I didn't know. I'm... | 0:32:26 | 0:32:27 | |
I'm so sorry. | 0:32:32 | 0:32:34 | |
God! | 0:32:36 | 0:32:37 | |
What happened? | 0:32:40 | 0:32:41 | |
She got shot. | 0:32:42 | 0:32:44 | |
Billy killed her. | 0:32:46 | 0:32:47 | |
SHE GASPS | 0:32:50 | 0:32:52 | |
Gabriel, I'm... | 0:33:00 | 0:33:02 | |
I'm so sorry. | 0:33:04 | 0:33:06 | |
Truly. | 0:33:07 | 0:33:08 | |
But you brought those people and their world into our lives again. | 0:33:11 | 0:33:16 | |
What else do you want me to say, Leyla? | 0:33:16 | 0:33:19 | |
Because right now...I can't do this. | 0:33:19 | 0:33:22 | |
Yeah. She didn't look all that clever last time I saw her. | 0:33:38 | 0:33:42 | |
All them paramedics. | 0:33:44 | 0:33:45 | |
SLIGHT CHUCKLE | 0:33:46 | 0:33:48 | |
Mind you, Mandy always did like to be the centre of attention. | 0:33:48 | 0:33:53 | |
Your concern does you credit, Billy. | 0:33:54 | 0:33:56 | |
Woman's dead. | 0:33:57 | 0:33:59 | |
Greetin' about it's not going to bring her back, is it? | 0:34:00 | 0:34:03 | |
Anyway, it's you that should be worried. | 0:34:05 | 0:34:07 | |
I can't see your bosses being all that pleased, or the papers, eh? | 0:34:09 | 0:34:15 | |
Cops out of control, shooting an unarmed woman. | 0:34:16 | 0:34:19 | |
It was you that put her in the line of fire, not us, | 0:34:19 | 0:34:21 | |
straight after you'd tried strangling her. | 0:34:21 | 0:34:24 | |
You can prove that, can you? | 0:34:24 | 0:34:26 | |
No? That's not what happened? | 0:34:27 | 0:34:31 | |
Come on, then. Your version, Billy. | 0:34:31 | 0:34:33 | |
I wish I knew, Detective Chief Inspector. | 0:34:33 | 0:34:36 | |
I mean, I'm the victim here. | 0:34:38 | 0:34:39 | |
Woman was emotional. | 0:34:40 | 0:34:42 | |
For a wee while back there, I thought maybe she'd took something. | 0:34:43 | 0:34:49 | |
All I know is that she took a gun to me. | 0:34:50 | 0:34:52 | |
What else was I going to do but protect myself with my bare hands? | 0:34:54 | 0:34:57 | |
And that's the story you'll tell the court, is it? | 0:34:57 | 0:35:00 | |
You're the victim here? | 0:35:00 | 0:35:02 | |
That'll be for my lawyer. | 0:35:02 | 0:35:03 | |
Thought you'd killed him? | 0:35:05 | 0:35:07 | |
I didn't kill Malick! Why would I? | 0:35:07 | 0:35:09 | |
You tell me. | 0:35:09 | 0:35:10 | |
Maybe you felt yourself being pushed aside. | 0:35:11 | 0:35:15 | |
Maybe even Mandy could see you were losing it. | 0:35:15 | 0:35:17 | |
Is that why you attacked her? | 0:35:17 | 0:35:19 | |
Just a pity she's not here to give evidence, eh? | 0:35:23 | 0:35:25 | |
There'll be others. | 0:35:27 | 0:35:29 | |
You think? | 0:35:29 | 0:35:30 | |
Meaning what? | 0:35:30 | 0:35:32 | |
Are you suggesting they'll be intimidated? | 0:35:32 | 0:35:35 | |
In which case, that's a threat I'll be reporting, | 0:35:38 | 0:35:41 | |
together with a request to the Fiscal that you be | 0:35:41 | 0:35:43 | |
kept in prison isolation. | 0:35:43 | 0:35:45 | |
HE LAUGHS | 0:35:45 | 0:35:46 | |
Oh, I see your game now - cut me off. | 0:35:46 | 0:35:50 | |
Right, knock yourselves out. I can still get things done. | 0:35:52 | 0:35:58 | |
Really? You're wasting your time. | 0:35:58 | 0:36:00 | |
You've got nothing on me and you know it! | 0:36:02 | 0:36:04 | |
Is that so? | 0:36:04 | 0:36:05 | |
William Kennedy, you're hereby charged | 0:36:13 | 0:36:15 | |
that on 11th March 2014 you did assault Paul Malick by holding | 0:36:15 | 0:36:19 | |
him by the throat to the point of strangulation and did murder him. | 0:36:19 | 0:36:22 | |
How many times? I was in a pool hall! | 0:36:22 | 0:36:26 | |
I can give you names of the guys I was with. | 0:36:26 | 0:36:29 | |
You are further charged that on 12th March 2014 you did attempt to | 0:36:29 | 0:36:33 | |
dispose of the body of Paul Malick by throwing it off a railway bridge | 0:36:33 | 0:36:36 | |
and did attempt to pervert the course of justice. | 0:36:36 | 0:36:38 | |
Do you understand? | 0:36:38 | 0:36:39 | |
Both, clear as day, Detective Chief Inspector, clear as day. | 0:36:39 | 0:36:43 | |
I want to see my lawyer now. | 0:36:45 | 0:36:47 | |
The alive one. | 0:36:49 | 0:36:50 | |
Furthermore, in accordance with subsection three of | 0:36:52 | 0:36:55 | |
the Criminal Procedure Scotland Act, | 0:36:55 | 0:36:57 | |
I'm delaying your right to access to a solicitor | 0:36:57 | 0:37:00 | |
until you are considered fit enough to attend a police station. | 0:37:00 | 0:37:03 | |
How's that for starters? | 0:37:04 | 0:37:06 | |
Right, we need to pick up as many players as we can | 0:37:16 | 0:37:20 | |
from the list Lenny gave us. | 0:37:20 | 0:37:21 | |
I want Billy's people to know they're being targeted. | 0:37:21 | 0:37:23 | |
I want them paranoid. Sir. | 0:37:23 | 0:37:25 | |
But we need to ca' canny if this is going to work. | 0:37:25 | 0:37:28 | |
They know Billy's in custody. | 0:37:28 | 0:37:30 | |
We want them to think that he's doing everything he can - | 0:37:30 | 0:37:32 | |
including selling them out - to get the best possible deal for himself. | 0:37:32 | 0:37:35 | |
It's got to come from them. | 0:37:35 | 0:37:37 | |
We'll scatter the pieces, but it's their job to put them together. | 0:37:37 | 0:37:41 | |
Gabriel Brodie... What about him? | 0:37:41 | 0:37:44 | |
Once this clears, I want to speak to him again. | 0:37:44 | 0:37:46 | |
There's something he's not letting on. Sir. | 0:37:46 | 0:37:49 | |
How's DS Grant holding up? | 0:37:49 | 0:37:52 | |
As well as can be expected. They're processing her now. | 0:37:52 | 0:37:55 | |
Right, thanks. | 0:37:55 | 0:37:57 | |
Sir. | 0:37:57 | 0:37:58 | |
Untie your hair, please. | 0:38:19 | 0:38:21 | |
Separate cells. | 0:38:40 | 0:38:41 | |
I don't want them all having identical stories off pat. | 0:38:41 | 0:38:45 | |
Gentlemen... | 0:38:45 | 0:38:46 | |
in case any of you think lying through your teeth is going | 0:38:46 | 0:38:49 | |
to do you any good, I should probably warn you that my team | 0:38:49 | 0:38:52 | |
already know the answers to any questions that they'll ask you. | 0:38:52 | 0:38:55 | |
Co-operate and maybe we'll go easier on you too. | 0:38:55 | 0:38:59 | |
All yours. | 0:39:02 | 0:39:04 | |
You're back early. I thought you were going to be | 0:39:14 | 0:39:16 | |
feeding Mandy grapes from her bedside. | 0:39:16 | 0:39:18 | |
Leave it out. | 0:39:18 | 0:39:20 | |
Aw, that good, eh? What happened? No, no, let me tell you. | 0:39:20 | 0:39:24 | |
The polis were all over her. | 0:39:24 | 0:39:26 | |
They were there. | 0:39:26 | 0:39:27 | |
Which means you didn't get anywhere near her. | 0:39:27 | 0:39:29 | |
In this instance, I would say that works in your favour. | 0:39:32 | 0:39:37 | |
You think? | 0:39:37 | 0:39:38 | |
Aye, I do, | 0:39:38 | 0:39:40 | |
because now you get a chance to use this for a change! | 0:39:40 | 0:39:44 | |
Look, let her get her claws into some other mug. | 0:39:44 | 0:39:47 | |
I mean, you don't need the hassle. | 0:39:47 | 0:39:50 | |
There's no hassle, Lenny, because she's dead. | 0:39:50 | 0:39:53 | |
So she won't be getting her hooks into anyone. | 0:39:53 | 0:39:57 | |
What're you talking about? | 0:39:57 | 0:39:59 | |
Need me to paint you a picture? | 0:39:59 | 0:40:02 | |
Billy put a bullet in her - she died. | 0:40:02 | 0:40:06 | |
No. You got that the wrong way round. | 0:40:06 | 0:40:09 | |
It wasn't her that got shot. | 0:40:09 | 0:40:11 | |
I was there. Looking for Billy, remember? | 0:40:11 | 0:40:15 | |
So? | 0:40:15 | 0:40:16 | |
He got shot. | 0:40:16 | 0:40:18 | |
She was lying on the floor, with marks on her throat. | 0:40:18 | 0:40:20 | |
But no gunshot wound as far as I could see. | 0:40:20 | 0:40:23 | |
But that's what they said, that she got shot. | 0:40:23 | 0:40:27 | |
The polis might know better but that's not what I saw. | 0:40:29 | 0:40:33 | |
But that doesn't add up. | 0:40:33 | 0:40:36 | |
Did they say it was Billy that shot her? | 0:40:37 | 0:40:41 | |
No, but... I mean, who else? | 0:40:41 | 0:40:43 | |
Sir. | 0:40:51 | 0:40:53 | |
Oh, hi. | 0:40:53 | 0:40:55 | |
Forensics are finished with me. I'm free to write up my report. | 0:40:55 | 0:40:58 | |
Is it OK if I do it at my desk, | 0:40:58 | 0:41:00 | |
or will that compromise the investigation? | 0:41:00 | 0:41:02 | |
No, your desk's fine. | 0:41:02 | 0:41:04 | |
Look, about earlier, | 0:41:05 | 0:41:07 | |
I'm sorry if I seemed I was being hard on you. | 0:41:07 | 0:41:09 | |
I doubt the Senior Investigating Officer will be much easier. | 0:41:09 | 0:41:13 | |
Which makes your report all the more crucial. | 0:41:13 | 0:41:17 | |
It's vital you stress that every decision you took, | 0:41:17 | 0:41:20 | |
right or wrong, was in the interests of public safety. | 0:41:20 | 0:41:23 | |
Sir? | 0:41:23 | 0:41:25 | |
You couldn't seal the area... | 0:41:25 | 0:41:27 | |
you were confronting a man who'd killed less than 18 hours earlier - | 0:41:27 | 0:41:31 | |
any officer, no matter how experienced, would've been on edge. | 0:41:31 | 0:41:34 | |
And what if public safety wasn't the reason we went in? | 0:41:36 | 0:41:39 | |
Sorry? | 0:41:39 | 0:41:41 | |
What if the real reason I didn't wait on the tactical commander | 0:41:41 | 0:41:45 | |
was something else? | 0:41:45 | 0:41:46 | |
Such as? | 0:41:47 | 0:41:48 | |
I've been on this so long, | 0:41:50 | 0:41:52 | |
maybe all I was thinking was, "This is my chance to get him." | 0:41:52 | 0:41:55 | |
What if I allowed that to cloud my judgment? | 0:41:57 | 0:42:00 | |
And because of that... | 0:42:00 | 0:42:02 | |
SHE SOBS | 0:42:02 | 0:42:03 | |
Oh, hey, hey... | 0:42:03 | 0:42:04 | |
I'm sorry, sir. Hey, it's OK. | 0:42:07 | 0:42:10 | |
I'm sorry, sir. This is down to me. I'm the reason she died. | 0:42:10 | 0:42:14 | |
No. Who else is there? | 0:42:14 | 0:42:16 | |
I don't care. You made hard decisions. | 0:42:18 | 0:42:22 | |
Bad ones. The ones you had to make. | 0:42:22 | 0:42:24 | |
Look, I am not losing a first-class officer for no reason. | 0:42:24 | 0:42:29 | |
I'm not losing anyone else, not to Kennedy. | 0:42:29 | 0:42:31 | |
Oh, come here. | 0:42:33 | 0:42:35 | |
I'd better...I've got to... | 0:42:48 | 0:42:49 | |
Yeah. I've got this press thing. I need to be there. | 0:42:49 | 0:42:52 | |
CHATTER | 0:43:10 | 0:43:13 | |
Ladies and gentlemen, if we're all ready, | 0:43:13 | 0:43:16 | |
I'll read from a prepared statement. | 0:43:16 | 0:43:19 | |
"Yesterday afternoon, Shieldinch police detained | 0:43:19 | 0:43:23 | |
"a 67-year-old man in relation to the murder of city lawyer, | 0:43:23 | 0:43:26 | |
"Paul Malick. | 0:43:26 | 0:43:28 | |
"I can now confirm a suspect has been charged. | 0:43:28 | 0:43:31 | |
"William Kennedy is known to us. | 0:43:31 | 0:43:34 | |
"We believe him to be one of the most dangerous criminals in Glasgow | 0:43:34 | 0:43:37 | |
"today, involved in numerous areas of illegal activity, | 0:43:37 | 0:43:40 | |
"which makes his arrest both significant and telling. | 0:43:40 | 0:43:44 | |
"His arrest has also led to the apprehension of a large number | 0:43:44 | 0:43:48 | |
"of further suspects who are currently being questioned | 0:43:48 | 0:43:51 | |
"about both drugs offences, and other matters relating to organised crime. | 0:43:51 | 0:43:55 | |
"Mr Kennedy has also been charged with | 0:43:55 | 0:43:58 | |
"the attempted murder of his wife, Amanda Kennedy. | 0:43:58 | 0:44:01 | |
"We anticipate further charges. We'll update as and when." | 0:44:01 | 0:44:05 | |
That's all I have. Thank you. | 0:44:05 | 0:44:07 | |
The full briefing has already been e-mailed | 0:44:07 | 0:44:09 | |
to your respective pressrooms, | 0:44:09 | 0:44:11 | |
as will any developments. Thank you very much. | 0:44:11 | 0:44:13 | |
Wait a minute, I've got a question! What the hell's he doing here? | 0:44:13 | 0:44:15 | |
You're saying attempted murder on Mrs Kennedy, but she died. | 0:44:15 | 0:44:20 | |
Why isn't it murder? | 0:44:20 | 0:44:22 | |
Sir, this is a press call. | 0:44:22 | 0:44:24 | |
If Billy didn't shoot her, who else did? | 0:44:25 | 0:44:27 | |
I'm not in a position to answer any questions at the moment. | 0:44:27 | 0:44:30 | |
As the full facts become clear, we'll release more statements. | 0:44:30 | 0:44:34 | |
What are you talking about? You've got the facts! What else is there? | 0:44:34 | 0:44:37 | |
She went to the flat. | 0:44:37 | 0:44:39 | |
And when strangling her didn't work, Kennedy put a bullet in her - | 0:44:39 | 0:44:42 | |
what else is there? | 0:44:42 | 0:44:44 | |
Look, please get out my road! It's him I want to speak to! | 0:44:44 | 0:44:47 | |
Who else could've shot her? | 0:44:47 | 0:44:48 | |
That's all for now. OK. Thank you. | 0:44:48 | 0:44:51 | |
Just wait a minute, | 0:44:51 | 0:44:53 | |
it was armed police that took Kennedy down, right? | 0:44:53 | 0:44:55 | |
What does that mean? | 0:44:58 | 0:44:59 | |
It was one of you lot that shot her, wasn't it? | 0:45:01 | 0:45:04 | |
Get him in here. | 0:45:04 | 0:45:05 | |
We need to find out what he knows, before they do. Sir. | 0:45:05 | 0:45:08 | |
'It was one of you lot that shot her, wasn't it?' | 0:45:19 | 0:45:22 | |
Thank you. | 0:45:27 | 0:45:29 | |
Where's Brodie? | 0:45:31 | 0:45:32 | |
Interview One, sir. Right. | 0:45:32 | 0:45:33 | |
We've got final word back on the partial print. | 0:45:33 | 0:45:36 | |
Quality's too poor to find a conclusive match. | 0:45:36 | 0:45:39 | |
So there's no way of knowing who gave her the gun? | 0:45:39 | 0:45:41 | |
No, sir. I think I've got a pretty good idea. | 0:45:41 | 0:45:44 | |
Do you want to tell me exactly what you think you achieved out there? | 0:45:51 | 0:45:53 | |
I'm not trying to achieve anything. All I want is the truth. | 0:45:53 | 0:45:57 | |
The truth? You think the garbled version of events the media are now | 0:45:57 | 0:46:00 | |
going to put out there are going to be that? | 0:46:00 | 0:46:02 | |
You tell me I'm wrong. You tell me it wasn't one of you! | 0:46:02 | 0:46:05 | |
Mrs Kennedy was hit by a bullet fired by one of our officers. | 0:46:08 | 0:46:12 | |
However, it was Billy who put her there. | 0:46:12 | 0:46:15 | |
He's now looking at what happened as his best opportunity to | 0:46:15 | 0:46:17 | |
wriggle out of this. | 0:46:17 | 0:46:19 | |
By creating a media circus, you are playing right into his hands! | 0:46:19 | 0:46:22 | |
Don't give me that. | 0:46:22 | 0:46:24 | |
I want to see him buried as much as you do! | 0:46:24 | 0:46:26 | |
Oh, really? Is that why you got her the gun? | 0:46:26 | 0:46:29 | |
I don't know what you're talking about. | 0:46:32 | 0:46:34 | |
Mrs Kennedy took a gun to where Billy was hiding. | 0:46:36 | 0:46:39 | |
How would she come by something like that? | 0:46:41 | 0:46:43 | |
Billy's contacts would be no good - too risky, | 0:46:43 | 0:46:47 | |
but you... | 0:46:47 | 0:46:48 | |
So I'll ask you again, | 0:46:49 | 0:46:51 | |
why did you supply Amanda Kennedy with a weapon? | 0:46:51 | 0:46:54 | |
There are two sets of prints on the gun. | 0:46:55 | 0:46:58 | |
Mandy's and a partial print. | 0:46:58 | 0:47:00 | |
If I ask forensics to concentrate on you, | 0:47:00 | 0:47:03 | |
what do you think that'll throw up? A match? | 0:47:03 | 0:47:06 | |
That's why you were at the hospital. | 0:47:09 | 0:47:11 | |
You're not just her driver. Any more than the gun used was Billy's. | 0:47:13 | 0:47:17 | |
She took it there to kill him. You know that. | 0:47:17 | 0:47:20 | |
Because you gave it to her! You think what you like. | 0:47:20 | 0:47:22 | |
It's not a matter of what I think. | 0:47:27 | 0:47:30 | |
How Mrs Kennedy came to acquire a weapon may soon become | 0:47:30 | 0:47:33 | |
part of a formal investigation. | 0:47:33 | 0:47:36 | |
What, you're going to do her for shooting Billy?! | 0:47:36 | 0:47:39 | |
No. Patently not. | 0:47:39 | 0:47:41 | |
That doesn't mean we won't go after anyone else implicated. | 0:47:41 | 0:47:44 | |
You see, my feelings aside, | 0:47:44 | 0:47:46 | |
Billy deserves the same protection under the law as anyone else. | 0:47:46 | 0:47:49 | |
Any attempt on his life has to be investigated. | 0:47:49 | 0:47:53 | |
While Mrs Kennedy may be beyond prosecution, | 0:47:53 | 0:47:56 | |
the same does not go for anyone else involved. | 0:47:56 | 0:47:59 | |
I get it, I'm being warned off, right? | 0:47:59 | 0:48:03 | |
No. But we do things my way. | 0:48:03 | 0:48:06 | |
You create a feeding frenzy around this, where all the press hear | 0:48:06 | 0:48:10 | |
about is our mistakes, you undermine an entire case against Billy. | 0:48:10 | 0:48:15 | |
Then he has his best opportunity of just walking away from this. | 0:48:15 | 0:48:19 | |
Tell me - would Mandy thank you for that? | 0:48:19 | 0:48:22 | |
You want to blame us, fine. | 0:48:22 | 0:48:24 | |
But you need to take a long, hard look at yourself. | 0:48:24 | 0:48:26 | |
You knew she was desperate, but instead of persuading her | 0:48:26 | 0:48:30 | |
to come and talk to us, you put a gun in her hand. | 0:48:30 | 0:48:32 | |
The last thing you said to me at the hospital was, | 0:48:37 | 0:48:39 | |
"Why did you let her go?" | 0:48:39 | 0:48:41 | |
I didn't let her go, Gabriel, you did. | 0:48:43 | 0:48:46 | |
We'll need to keep a close eye on Brodie. | 0:49:24 | 0:49:26 | |
He's looking to make trouble. PHONE RINGS | 0:49:26 | 0:49:29 | |
I need to take this. See you back in the office. Sir. | 0:49:29 | 0:49:31 | |
Donald. I hear you've been busy. | 0:49:34 | 0:49:36 | |
'We've had a productive day.' | 0:49:36 | 0:49:38 | |
Meaning? | 0:49:38 | 0:49:39 | |
Meaning, the word is out - Billy's been squealing, | 0:49:39 | 0:49:42 | |
which should leave him without a friend in the world. | 0:49:42 | 0:49:45 | |
He won't have any sway in prison this time. | 0:49:45 | 0:49:47 | |
Provided it works. It has to. | 0:49:47 | 0:49:49 | |
I just need your word nobody knows any of this came from me. | 0:49:49 | 0:49:52 | |
Yes, but you'll need to do your bit too. | 0:49:52 | 0:49:54 | |
Add a wee bit fuel to the fire. | 0:49:54 | 0:49:56 | |
Don't worry about that. | 0:49:56 | 0:49:57 | |
That scumbag's not getting the chance to come back | 0:49:57 | 0:50:00 | |
and threaten my family again. | 0:50:00 | 0:50:02 | |
DS Grant. | 0:50:15 | 0:50:17 | |
Have the press gone yet? You saw that? | 0:50:17 | 0:50:19 | |
Bad timing. | 0:50:20 | 0:50:22 | |
Och... | 0:50:22 | 0:50:24 | |
I should give you this. | 0:50:25 | 0:50:27 | |
Thank you. | 0:50:34 | 0:50:35 | |
Right then... | 0:50:39 | 0:50:40 | |
Look, about before... It was nothing. It was just... | 0:50:40 | 0:50:45 | |
It's been a tough couple of days. We're all running on empty. | 0:50:46 | 0:50:50 | |
True enough. | 0:50:50 | 0:50:52 | |
Do you think the press will come after me? | 0:50:53 | 0:50:56 | |
Just try not to worry about that. | 0:50:56 | 0:50:58 | |
I'll keep your name out of it as long as I can. | 0:50:58 | 0:51:00 | |
Thank you. | 0:51:00 | 0:51:01 | |
I-I meant what I said about not wanting to lose you. | 0:51:03 | 0:51:06 | |
Thanks. | 0:51:10 | 0:51:11 | |
Though, if they do bump me down to uniform, | 0:51:14 | 0:51:16 | |
don't think you can expect special treatment. | 0:51:16 | 0:51:19 | |
We plods stick together. A plague on bloody CID(!) | 0:51:19 | 0:51:24 | |
I'll bear that in mind. | 0:51:24 | 0:51:25 | |
Mr Brodie. | 0:51:55 | 0:51:56 | |
You and her were more than friends, am I right? | 0:52:04 | 0:52:07 | |
What does it matter? | 0:52:08 | 0:52:10 | |
I was with her - Mandy - in the ambulance. | 0:52:10 | 0:52:14 | |
You were there? | 0:52:15 | 0:52:17 | |
She was in a bad way. She asked me to pass on a message. | 0:52:17 | 0:52:20 | |
What message? | 0:52:20 | 0:52:22 | |
I didn't know what she meant at the time | 0:52:22 | 0:52:24 | |
or who she was talking about... until just now. | 0:52:24 | 0:52:26 | |
What message? | 0:52:26 | 0:52:28 | |
Mandy said to tell you "it was real". | 0:52:29 | 0:52:32 | |
That's what she said? | 0:52:36 | 0:52:37 | |
That's what she said. | 0:52:39 | 0:52:40 | |
If I missed anything, then I can drop it off at the cab office. | 0:53:18 | 0:53:22 | |
But I was thorough. | 0:53:22 | 0:53:23 | |
I'm sorry, Gabriel. | 0:53:30 | 0:53:32 | |
But I've lost too many people. | 0:53:34 | 0:53:36 | |
And now you. | 0:53:39 | 0:53:41 | |
It's not because you were sleeping with Mandy Kennedy. | 0:53:45 | 0:53:49 | |
It's because that brought him into our house. | 0:53:52 | 0:53:56 | |
And if you could do that without thinking of the consequences... | 0:53:58 | 0:54:01 | |
If you could put our family at risk again... | 0:54:01 | 0:54:06 | |
Then you're not someone I know any more. | 0:54:09 | 0:54:11 | |
No. I'm not. | 0:54:15 | 0:54:18 | |
So, I'd rather you just go. | 0:54:22 | 0:54:27 | |
Yeah. | 0:54:30 | 0:54:32 | |
HAUNTING MUSIC | 0:54:50 | 0:54:53 | |
I'm leaving you. Is there somebody else, Tattie? | 0:56:06 | 0:56:09 | |
There's no-one else, Bob. | 0:56:09 | 0:56:10 | |
Tattie, it's not your fault, it happens. | 0:56:11 | 0:56:14 | |
I don't think she ever loved me. | 0:56:14 | 0:56:16 | |
Dr Handsome swanned back into town and suddenly she's all over him. | 0:56:16 | 0:56:20 | |
She told me there was nobody else. There's always somebody else. | 0:56:20 | 0:56:24 | |
It's good to have you back. | 0:56:25 | 0:56:27 | |
We've been all over the place without you. | 0:56:27 | 0:56:29 | |
Joe's been sentenced. | 0:56:29 | 0:56:30 | |
He's being detained in a secure psychiatric hospital | 0:56:30 | 0:56:32 | |
for a minimum of five years. | 0:56:32 | 0:56:34 | |
He's not well. He's been through a lot. | 0:56:34 | 0:56:35 | |
Dan, I know he was a friend of yours, but as far as I'm concerned, | 0:56:35 | 0:56:38 | |
he walked in here with a gun. | 0:56:38 | 0:56:40 | |
I've left Bob. | 0:56:40 | 0:56:42 | |
Right. | 0:56:42 | 0:56:43 | |
You're pathetic. Bob, just give me a second. | 0:56:43 | 0:56:47 | |
TATTIE SHRIEKS | 0:56:47 | 0:56:49 |