Browse content similar to 29/04/2014. Check below for episodes and series from the same categories and more!
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We can't all just run away for ever. | 0:00:21 | 0:00:24 | |
What else can we do? | 0:00:24 | 0:00:25 | |
We have to get it sorted. | 0:00:25 | 0:00:27 | |
I lied so we could be free of him. | 0:00:27 | 0:00:29 | |
You lied so I would do your husband in. | 0:00:29 | 0:00:31 | |
Why choose to forget all he's done and go with a woman like her? | 0:00:31 | 0:00:35 | |
Maybe because I loved her! | 0:00:35 | 0:00:38 | |
I didn't let her go, Gabriel. | 0:00:38 | 0:00:40 | |
You did. | 0:00:40 | 0:00:41 | |
If you could put our family at risk gain, | 0:00:41 | 0:00:45 | |
then you're not someone I know any more. | 0:00:45 | 0:00:48 | |
PARTY MUSIC PLAYS | 0:00:50 | 0:00:52 | |
# If you wanna be happy for the rest of your life | 0:00:54 | 0:00:57 | |
# Never make a pretty woman your wife | 0:00:57 | 0:01:00 | |
# So, from my personal point of view | 0:01:00 | 0:01:02 | |
# Get an ugly girl to marry you | 0:01:02 | 0:01:04 | |
# If you wanna be happy... # | 0:01:04 | 0:01:06 | |
MUSIC ECHOES AND BECOMES DISTORTED | 0:01:06 | 0:01:08 | |
'I couldnae kill anyone who wasn't going to kill me first. | 0:01:48 | 0:01:51 | |
'Have you ever told me the truth? About anything? | 0:01:53 | 0:01:56 | |
'I lied so we could be free of him. | 0:01:58 | 0:02:00 | |
'You lied so I would do your husband in. | 0:02:00 | 0:02:02 | |
'Gabriel, he's going to kill us. | 0:02:03 | 0:02:06 | |
'There's nothing to be sorry for. | 0:02:06 | 0:02:08 | |
'Let's just shut the rest of the world out for a while... | 0:02:15 | 0:02:18 | |
'enjoy just being together. | 0:02:18 | 0:02:20 | |
'I just need to be with you tonight.' | 0:02:30 | 0:02:32 | |
540 to Control. | 0:03:06 | 0:03:08 | |
540, roger. I've found a silver-coloured vehicle, | 0:03:14 | 0:03:18 | |
Papa November 56 Mike Victor Golf. | 0:03:18 | 0:03:21 | |
One male occupant. | 0:03:21 | 0:03:23 | |
Wha'? | 0:03:26 | 0:03:28 | |
Hey... Hey. | 0:03:28 | 0:03:30 | |
Can you blow into this, please? | 0:03:34 | 0:03:35 | |
Keep blowing. | 0:03:37 | 0:03:39 | |
I haven't done anything! | 0:03:51 | 0:03:53 | |
You were found in a car, senseless with alcohol, | 0:03:53 | 0:03:56 | |
evidence of drinking in the passenger seat... | 0:03:56 | 0:03:58 | |
Aye. And I was in the back seat. | 0:03:58 | 0:04:00 | |
So how did you get there? | 0:04:00 | 0:04:02 | |
Eh? | 0:04:02 | 0:04:03 | |
How did you and the car get there? | 0:04:03 | 0:04:05 | |
I drove there, then I had a drink. | 0:04:08 | 0:04:11 | |
What, four times over the limit? | 0:04:11 | 0:04:13 | |
So? I was in the back seat! | 0:04:14 | 0:04:17 | |
You've no right to keep me here. | 0:04:20 | 0:04:22 | |
Yeah, well, your complaint is duly noted, Mr Brodie. | 0:04:22 | 0:04:25 | |
I want out of here right now. | 0:04:25 | 0:04:28 | |
Look, you're going nowhere. | 0:04:28 | 0:04:30 | |
I know why you're doing this. | 0:04:32 | 0:04:35 | |
It's because I had a go at you lot, in't it? | 0:04:35 | 0:04:37 | |
Gabriel Brodie, you are charged that on the 29th of April 2014... | 0:04:38 | 0:04:43 | |
How many times? I was in the back seat! | 0:04:43 | 0:04:47 | |
Yeah. ..on the 29th April 2014 you were in charge of a motor vehicle | 0:04:48 | 0:04:54 | |
under the influence... | 0:04:54 | 0:04:56 | |
Please! I'm a taxi driver. How am I supposed to work? | 0:04:56 | 0:05:00 | |
Well, you should have thought about that before you opened the bottle. | 0:05:00 | 0:05:03 | |
..in charge of a motor vehicle on a road or any other public place | 0:05:03 | 0:05:08 | |
-under the influence of... -You cannae prove that I was driving. | 0:05:08 | 0:05:11 | |
-..Road Traffic Act 1988 Section 4... -You can't prove I was driving! | 0:05:11 | 0:05:16 | |
-It's a set-up. -Look, we don't have to prove you were driving. | 0:05:16 | 0:05:19 | |
-You were in charge of the vehicle. -Guilty until proven innocent, then? | 0:05:19 | 0:05:23 | |
Is that what it is? | 0:05:23 | 0:05:25 | |
Scum. | 0:05:25 | 0:05:27 | |
Care of 13 Montego Street? Are you there or not? | 0:05:28 | 0:05:30 | |
I'm kinda in-between places. | 0:05:34 | 0:05:36 | |
Listen, what have you done with the car? | 0:05:37 | 0:05:40 | |
It's been impounded. You can't drive it anyway. The ban is immediate. | 0:05:40 | 0:05:45 | |
You have to present your licence and identification | 0:05:45 | 0:05:48 | |
at the Sheriff's Court within the next two days. | 0:05:48 | 0:05:51 | |
I want out of here right now. | 0:05:51 | 0:05:53 | |
Why, have you got somewhere to be? | 0:05:53 | 0:05:56 | |
Yes. Actually... | 0:05:56 | 0:05:59 | |
it's the anniversary of my brother's murder. | 0:05:59 | 0:06:02 | |
Right? We're supposed to be visiting the grave. | 0:06:02 | 0:06:05 | |
I'm sorry. | 0:06:06 | 0:06:07 | |
I worked on Michael's case. | 0:06:09 | 0:06:11 | |
I was sorry to hear that he had died in prison. | 0:06:11 | 0:06:14 | |
No, no, he was killed in prison, | 0:06:14 | 0:06:17 | |
trying to save some kid in a fight. | 0:06:17 | 0:06:19 | |
I'm sorry. | 0:06:21 | 0:06:22 | |
Yeah, I'm sure you are. Can I go now? | 0:06:22 | 0:06:26 | |
Once we've completed the paperwork. | 0:06:26 | 0:06:29 | |
-So you're away to your work, are you? -Yeah. | 0:06:35 | 0:06:38 | |
Just a minute. | 0:06:38 | 0:06:40 | |
-What's this? -Hey! | 0:06:41 | 0:06:43 | |
-What's going on here? -You tell me, Dad. -Do you know anything about this? | 0:06:45 | 0:06:49 | |
No, no, I don't. | 0:06:49 | 0:06:50 | |
Excuse me. Excuse me, who's in charge here? | 0:06:50 | 0:06:53 | |
That's the gaffer over there. | 0:06:53 | 0:06:55 | |
-Can I have a wee word with him, then? -Yes, no problem. | 0:06:55 | 0:06:59 | |
You need to find out about this. | 0:06:59 | 0:07:00 | |
-Nobody mentioned anything about this. -Just leave this to me, Dad. | 0:07:00 | 0:07:03 | |
Aye, you can do it. You can do it. | 0:07:03 | 0:07:06 | |
Morning. You want to speak to the man in charge? | 0:07:12 | 0:07:15 | |
That's me. Alan Lindsay. | 0:07:15 | 0:07:18 | |
Councillor Eileen Donachie. | 0:07:18 | 0:07:19 | |
Councillor? I wasn't expecting a visit, but welcome. | 0:07:19 | 0:07:23 | |
No, no, no. No, I live here. | 0:07:23 | 0:07:24 | |
All right, I see. | 0:07:24 | 0:07:26 | |
So, what's going on? This land has only just gone up for sale. | 0:07:26 | 0:07:29 | |
-I hav'nae bought it. -Oh, right. Right. | 0:07:29 | 0:07:31 | |
No, no, I'm leasing it from the new owners. | 0:07:31 | 0:07:33 | |
Going to use it as a storage yard and for my new offices. | 0:07:33 | 0:07:36 | |
So it HAS been sold? | 0:07:36 | 0:07:37 | |
The sale went through at last night's council meeting. | 0:07:37 | 0:07:39 | |
Ach, it's about time something was done with that place. | 0:07:39 | 0:07:42 | |
It's been an eyesore for years. | 0:07:42 | 0:07:44 | |
-The sale wasn't on last night's agenda! -I wouldn't know about that. | 0:07:44 | 0:07:48 | |
I just got a phone call last night telling me to go ahead setting up. | 0:07:48 | 0:07:51 | |
So who HAS bought it? | 0:07:51 | 0:07:54 | |
That's not for me to say, but I'm sure you can find out, Councillor. | 0:07:54 | 0:07:57 | |
-Thank you, it's very helpful. -Nice to meet you, Councillor Donachie. | 0:07:57 | 0:08:02 | |
-Dad... -Did you know anything about this? -No. Just give me a wee minute. | 0:08:03 | 0:08:07 | |
Hi. Kelly-Marie? | 0:08:10 | 0:08:13 | |
Who do we know that's in the Estates Department? | 0:08:13 | 0:08:15 | |
No, listen, that is great. Caitlin, thanks, you're a total star. | 0:08:17 | 0:08:22 | |
Right, bye. | 0:08:22 | 0:08:23 | |
Alex McAllister. | 0:08:25 | 0:08:27 | |
Both bits of land, | 0:08:27 | 0:08:28 | |
the building site and the site of the community centre. | 0:08:28 | 0:08:31 | |
What does Alex McAllister want it for? | 0:08:31 | 0:08:33 | |
Why didn't anybody know about this before the meeting? | 0:08:33 | 0:08:36 | |
Apparently there was an emergency addition to the agenda last night, | 0:08:36 | 0:08:39 | |
put forward by Councillor Frank Paton. | 0:08:39 | 0:08:41 | |
Well, nobody told me. This is outrageous! | 0:08:41 | 0:08:44 | |
Aye, but legal, apparently. | 0:08:44 | 0:08:45 | |
But nobody would have a chance to prepare an argument. | 0:08:45 | 0:08:48 | |
So what's McAllister going to do with the community centre? | 0:08:48 | 0:08:50 | |
Well, Caitlin didnae know for sure... | 0:08:50 | 0:08:52 | |
Frank Paton's behind this. | 0:08:52 | 0:08:54 | |
It's all part of his "great vision". I've seen the regeneration proposal. | 0:08:54 | 0:08:57 | |
It's all swanky new flats that nobody round here can afford, | 0:08:57 | 0:09:00 | |
and the community centre will be flattened. | 0:09:00 | 0:09:03 | |
Right, he wants a fight. | 0:09:03 | 0:09:05 | |
We need to let everybody know what's going on here... | 0:09:05 | 0:09:08 | |
Right, well, I'll put the word out on the street then. | 0:09:08 | 0:09:10 | |
I'll give the Enquirer a call. | 0:09:10 | 0:09:11 | |
And the new guy at the local radio station. I'll ring him. | 0:09:11 | 0:09:14 | |
We need to get everybody involved, all ages - | 0:09:14 | 0:09:16 | |
folk at the nursery, after-school care, kids' clubs, salsa classes. | 0:09:16 | 0:09:20 | |
We need to stress "community", | 0:09:20 | 0:09:22 | |
-because this will affect everybody. -Absolutely. | 0:09:22 | 0:09:24 | |
We need to call a meeting tonight. | 0:09:24 | 0:09:26 | |
Tomorrow might be better. Get more people. | 0:09:26 | 0:09:28 | |
Paton and McAllister already have a day on us! Meeting's tonight. | 0:09:28 | 0:09:31 | |
-OK. -OK, I'm going to look into some European planning law. | 0:09:31 | 0:09:33 | |
There must be some legislation we can use. | 0:09:33 | 0:09:35 | |
You get your pal to give us the information, | 0:09:35 | 0:09:38 | |
I don't know, plans, boundaries, certificates, | 0:09:38 | 0:09:40 | |
-just whatever they got last night at that meeting. -Right, I will do. | 0:09:40 | 0:09:43 | |
Hello. It's me again. | 0:09:49 | 0:09:52 | |
PHONE RINGS | 0:10:01 | 0:10:04 | |
-This is a bit of a leap into the unknown, isn't it? -Sorry? | 0:10:11 | 0:10:14 | |
Well, you run bars, and then suddenly you're a property developer? | 0:10:14 | 0:10:17 | |
I've renovated a few places in my time. It's a natural progression. | 0:10:17 | 0:10:21 | |
-Really? -I've been waiting on the right project. | 0:10:21 | 0:10:24 | |
And Frank Paton just had exactly what you were looking for? | 0:10:24 | 0:10:27 | |
It's a great opportunity to regenerate the area. | 0:10:27 | 0:10:30 | |
The sale slipped through last night's meeting pretty easily, eh? | 0:10:30 | 0:10:33 | |
No. It hurt. I had to make a very generous offer | 0:10:33 | 0:10:36 | |
on condition that I got a prompt response. | 0:10:36 | 0:10:39 | |
You and Frank Paton put the pressure on? | 0:10:39 | 0:10:42 | |
I'm sure everyone at the meeting knew they were getting a good deal. | 0:10:42 | 0:10:45 | |
So what's your plans for the site? | 0:10:45 | 0:10:48 | |
-Nothing fixed. -You don't spend all that money without having some idea. | 0:10:48 | 0:10:52 | |
The rumour is it's new flats. | 0:10:52 | 0:10:55 | |
I've seen the drawings in Frank's office. | 0:10:55 | 0:10:57 | |
I can't discuss it till I've firmed up proposals, | 0:10:58 | 0:11:00 | |
ready for the application. | 0:11:00 | 0:11:02 | |
The planning permission will be a lot harder to ease through. | 0:11:02 | 0:11:05 | |
Of course, and so it should be. | 0:11:05 | 0:11:08 | |
Eileen, my aim is to revitalise the area, not destroy it. | 0:11:08 | 0:11:12 | |
And it's just a bonus if you make a million. | 0:11:12 | 0:11:14 | |
Well, get ready. This community centre is just that. | 0:11:14 | 0:11:19 | |
It's the centre of our community, | 0:11:19 | 0:11:21 | |
and we're not giving it up without a fight. | 0:11:21 | 0:11:23 | |
I wouldn't expect anything less. | 0:11:23 | 0:11:25 | |
Trouble? | 0:11:32 | 0:11:34 | |
Nothing I can't handle. | 0:11:34 | 0:11:35 | |
Thanks. | 0:11:56 | 0:11:57 | |
Did you get to Mandy's funeral? | 0:12:00 | 0:12:02 | |
Nah. | 0:12:06 | 0:12:08 | |
Her family didnae want anybody there from the Billy Kennedy years. | 0:12:08 | 0:12:12 | |
It must be hard for you, not being able to process the grief. | 0:12:12 | 0:12:15 | |
-I could recommend a counsellor. -No, wait a minute! | 0:12:16 | 0:12:20 | |
First you jail me, | 0:12:20 | 0:12:22 | |
now what's this? What, are you offering me victim support, aye? | 0:12:22 | 0:12:26 | |
You think if you'd done something else Mandy would still be here? | 0:12:28 | 0:12:31 | |
It's not your fault. | 0:12:32 | 0:12:33 | |
No, I know. | 0:12:36 | 0:12:37 | |
I know it's not my fault. | 0:12:38 | 0:12:40 | |
There was nothing anyone could have done. It was... | 0:12:42 | 0:12:45 | |
an accumulation of events that led to a tragic accident. | 0:12:45 | 0:12:49 | |
What did you just say? What is that? What, cop speak? | 0:12:50 | 0:12:55 | |
What, "an accumulation of events that led to a tragic accident"?! | 0:12:55 | 0:12:58 | |
No! | 0:12:58 | 0:13:00 | |
No, it was an innocent woman being gunned down in the street. Right? | 0:13:00 | 0:13:05 | |
Yeah, well... | 0:13:08 | 0:13:09 | |
-The drink won't help. -Aye, well... | 0:13:11 | 0:13:14 | |
Listen, thanks for the lift, right? | 0:13:15 | 0:13:18 | |
And the wee impromptu therapy session. | 0:13:18 | 0:13:22 | |
You're a miracle worker. | 0:13:22 | 0:13:25 | |
You've done me the world of good. | 0:13:25 | 0:13:26 | |
-Hiya! -How yous doing, darlin'? | 0:13:41 | 0:13:43 | |
Listen, I wonder if you could do me a wee favour. | 0:13:45 | 0:13:48 | |
-Mm-hm. -I'm looking for a toy for my wee young niece. | 0:13:48 | 0:13:51 | |
-Just wondering if you've got anything. -Mm-hm. What about them? | 0:13:51 | 0:13:54 | |
Well, that is absolutely perfect. | 0:13:55 | 0:13:58 | |
Perfect. | 0:13:58 | 0:14:00 | |
A wee dinosaur, eh? | 0:14:00 | 0:14:02 | |
Herro! | 0:14:05 | 0:14:06 | |
That's brilliant. I'll take that off you, thank you. | 0:14:08 | 0:14:11 | |
Can I also take a wee half-bottle of vodka off you, please? | 0:14:11 | 0:14:14 | |
Thanks. | 0:14:14 | 0:14:16 | |
All right, doll? | 0:14:55 | 0:14:57 | |
It's for wee Gracie. Where is she? | 0:14:59 | 0:15:02 | |
Gabriel, where have you been? | 0:15:03 | 0:15:05 | |
I'm here to see Gracie. Where's my wee baby? | 0:15:05 | 0:15:09 | |
It's your Uncle Gabriel! | 0:15:09 | 0:15:10 | |
Darlin', where are you? | 0:15:13 | 0:15:15 | |
-Where are they? -Gabriel, everyone's been looking for you. | 0:15:20 | 0:15:24 | |
I bet she's taking a kip. | 0:15:24 | 0:15:27 | |
What?! | 0:15:27 | 0:15:29 | |
Hiya, Nic! | 0:15:29 | 0:15:31 | |
Nic's back in Aberdeen. | 0:15:31 | 0:15:32 | |
What? | 0:15:34 | 0:15:35 | |
Have you not picked up any of your voice mails? | 0:15:35 | 0:15:38 | |
I lost my phone. | 0:15:39 | 0:15:40 | |
Brilliant(!) | 0:15:42 | 0:15:44 | |
Wait a minute here. What do you mean, Nic's gone? | 0:15:44 | 0:15:47 | |
We agreed to meet here at eleven o'clock on the dot! | 0:15:47 | 0:15:52 | |
Yes. | 0:15:52 | 0:15:53 | |
So what are you going changing times for and no' telling me? | 0:15:53 | 0:15:56 | |
We haven't changed a thing! | 0:15:56 | 0:15:58 | |
We met as agreed, at eleven, on Monday morning. | 0:16:00 | 0:16:03 | |
Today's Tuesday, Gabriel. | 0:16:05 | 0:16:08 | |
She waited for you for hours, Gabriel, | 0:16:33 | 0:16:36 | |
ended up getting the last train back up to Aberdeen, with a baby! | 0:16:36 | 0:16:40 | |
I mean, where were you? | 0:16:40 | 0:16:41 | |
You don't have any idea, do you? | 0:16:43 | 0:16:45 | |
Look, I'll phone her, all right? I'll make it up to her. | 0:16:45 | 0:16:48 | |
How? How will you do that? | 0:16:48 | 0:16:50 | |
I don't know. Look, I made a mistake, right? | 0:16:50 | 0:16:54 | |
But I don't need any lectures frae you. | 0:16:54 | 0:16:57 | |
How many times did Nic have to deal with YOUR crap? | 0:16:57 | 0:16:59 | |
Yeah, thanks for the reminder(!) But we've sorted it. | 0:16:59 | 0:17:02 | |
We've both moved on. | 0:17:02 | 0:17:03 | |
God, Gabriel, you can't do this. | 0:17:11 | 0:17:14 | |
Take a leaf out of your 18-year-old niece's book. | 0:17:16 | 0:17:18 | |
She's starting to rebuild her life. | 0:17:18 | 0:17:20 | |
Aye, we'll see how long that lasts. | 0:17:20 | 0:17:22 | |
Sorry. | 0:17:25 | 0:17:26 | |
I don't even know who you are any more. | 0:17:28 | 0:17:30 | |
This whole thing with Mandy Kennedy... | 0:17:32 | 0:17:34 | |
LEYLA SIGHS | 0:17:41 | 0:17:43 | |
Look, Leyla, I need a favour. | 0:17:51 | 0:17:54 | |
I know you don't want me here. But it's just until I get myself sorted. | 0:17:54 | 0:17:58 | |
You can't stay here, Gabriel. | 0:17:58 | 0:18:00 | |
Just a couple of days, tops. | 0:18:00 | 0:18:03 | |
I'm sorry. | 0:18:03 | 0:18:04 | |
What's this? | 0:18:06 | 0:18:08 | |
Nic and Conor want to sell the house. | 0:18:11 | 0:18:14 | |
It's already been put on the market. | 0:18:14 | 0:18:16 | |
The estate agent's got viewings scheduled. | 0:18:16 | 0:18:19 | |
What do you mean, sell the house? | 0:18:19 | 0:18:22 | |
Nic wants to buy somewhere up in Aberdeen for her and Grace. | 0:18:22 | 0:18:25 | |
It's the right thing for her. She's settled in so well up there, | 0:18:27 | 0:18:30 | |
got in with a lovely bunch of kids. | 0:18:30 | 0:18:32 | |
But what about you? Where are you going to stay? | 0:18:34 | 0:18:37 | |
Adeeb's looking at uni next year. I need to be there for him. | 0:18:38 | 0:18:43 | |
I'm moving back down south, Gabriel. | 0:18:45 | 0:18:47 | |
Right. Good for you. | 0:18:56 | 0:18:59 | |
I'll get out of your road, let you get on with it. | 0:19:02 | 0:19:05 | |
SHE SIGHS DEEPLY | 0:19:32 | 0:19:34 | |
Hey. | 0:19:50 | 0:19:52 | |
In the name of the wee man, Gabriel! | 0:19:52 | 0:19:54 | |
Was there nae soap and water where you've been? | 0:19:54 | 0:19:56 | |
Sh, listen to me. | 0:19:56 | 0:19:58 | |
What's happened? | 0:19:58 | 0:19:59 | |
Never mind, Molly, all right? Just listen to me. Right? | 0:19:59 | 0:20:03 | |
You have not seen me, right? I was not here. | 0:20:03 | 0:20:06 | |
Why? | 0:20:06 | 0:20:07 | |
Because my car is in the police pound | 0:20:07 | 0:20:10 | |
and I need somebody to collect it. | 0:20:10 | 0:20:12 | |
Oh-ho! There he is. The wanderer returns. | 0:20:12 | 0:20:16 | |
Did you enjoy your wee break? | 0:20:16 | 0:20:17 | |
You've been AWOL for two days! | 0:20:19 | 0:20:22 | |
I had the cops on, had to send somebody down and get the cab. | 0:20:22 | 0:20:25 | |
-Drunk-driving? -I wasn't... -How thick are you? | 0:20:27 | 0:20:29 | |
Listen to me. I was asleep in the back of the car. | 0:20:30 | 0:20:33 | |
Oh, well, that's OK(!) You've still got your licence, then? | 0:20:33 | 0:20:37 | |
Because I don't need a driver that cannae drive. | 0:20:37 | 0:20:40 | |
-Look, I'm going to... -Sober up? Great idea. | 0:20:40 | 0:20:42 | |
I mean, look at you. Pathetic, filthy... | 0:20:44 | 0:20:49 | |
Aye, nae thanks to you, from the man that took away my livelihood. | 0:20:49 | 0:20:53 | |
Thanks to me? | 0:20:57 | 0:20:58 | |
It's thanks to me that you're still alive. | 0:21:00 | 0:21:03 | |
You and Kennedy's wife? | 0:21:03 | 0:21:05 | |
You take stupid to a whole new level. | 0:21:05 | 0:21:07 | |
Get yourself a packet of mints. | 0:21:11 | 0:21:13 | |
All right? | 0:21:35 | 0:21:37 | |
Are you all right? | 0:21:37 | 0:21:38 | |
Never better, Stevie boy. Never better. | 0:21:40 | 0:21:43 | |
Can I take a wee JD and Coke off you, please? | 0:21:46 | 0:21:49 | |
There you go. | 0:22:10 | 0:22:12 | |
Ta. | 0:22:12 | 0:22:14 | |
Same again. | 0:22:25 | 0:22:27 | |
Back in a minute. | 0:22:39 | 0:22:40 | |
Eileen? What do you think? | 0:22:40 | 0:22:42 | |
-Yeah, great. -Yep? -Get them out. -Cool. | 0:22:43 | 0:22:46 | |
I tell you one thing, see, the polis round about here, | 0:23:05 | 0:23:09 | |
they're fascists. Nazis. Every single one of 'em. | 0:23:09 | 0:23:13 | |
Hey, and here, they fitted me right up, right? | 0:23:13 | 0:23:18 | |
So I wouldnae be hanging about here, lads, if I was you, | 0:23:18 | 0:23:20 | |
because, see, if you murder someone, it's not a problem. | 0:23:20 | 0:23:24 | |
But if you go for a wee Bo Peep in your car? | 0:23:24 | 0:23:27 | |
Different story altogether. | 0:23:27 | 0:23:29 | |
I saw Nicole yesterday. She was asking where you were. | 0:23:29 | 0:23:32 | |
There you go. There's another thing. Nicole, she's my wee niece, right? | 0:23:32 | 0:23:38 | |
But she had to move all the way up to Aberdeen | 0:23:40 | 0:23:42 | |
cos her boyfriend was found in the Clyde with a bullet in his heid. | 0:23:42 | 0:23:45 | |
That's what happens round about... | 0:23:46 | 0:23:49 | |
What's so funny about that? | 0:23:49 | 0:23:51 | |
-You think that's funny? -Gabriel! -What's funny about that? -Pack it in. | 0:23:51 | 0:23:55 | |
All right. | 0:23:56 | 0:23:57 | |
Same again, Stevie. | 0:24:03 | 0:24:04 | |
So, what about you, big man? | 0:24:05 | 0:24:07 | |
You got a family? | 0:24:07 | 0:24:09 | |
Aye. | 0:24:09 | 0:24:10 | |
-You got a wife? -Aye. | 0:24:10 | 0:24:12 | |
She got any sisters? | 0:24:12 | 0:24:14 | |
-Is she pretty? -Gabriel. | 0:24:14 | 0:24:16 | |
GABRIEL LAUGHS | 0:24:16 | 0:24:18 | |
All right, all right. I was just having a wee bit of a laugh, | 0:24:18 | 0:24:20 | |
you know what I mean? | 0:24:20 | 0:24:22 | |
Calm your pants. It's all about family, isn't it? | 0:24:22 | 0:24:25 | |
It's all about family, isn't it? | 0:24:28 | 0:24:31 | |
Hey, Stevie. | 0:24:31 | 0:24:33 | |
-Give me a double. -I think you should have a break. | 0:24:34 | 0:24:36 | |
A break? That'll be right! Just give me another drink. | 0:24:36 | 0:24:40 | |
In fact, make it a triple. | 0:24:40 | 0:24:43 | |
-Sort it. -There. | 0:24:43 | 0:24:45 | |
Just makes you think, right? | 0:24:45 | 0:24:47 | |
Who's paying the wages down the cop shop these days, eh? | 0:24:47 | 0:24:50 | |
That's the thing. | 0:24:50 | 0:24:52 | |
Come on to grips, Stevie! Give us a drink, eh? | 0:24:52 | 0:24:54 | |
You can have that coffee. | 0:24:54 | 0:24:56 | |
Coffee? That'll be right. | 0:24:56 | 0:24:58 | |
Excuse me. You don't look as if you want that, I'll have that. | 0:24:58 | 0:25:01 | |
-What are you doing? -Gabriel! Right, that's enough. | 0:25:01 | 0:25:04 | |
-Excuse me. -What's the problem? -What are you doing? Put that down! | 0:25:04 | 0:25:07 | |
Stop it! Gabriel, put that down! | 0:25:07 | 0:25:10 | |
Sorry, mate. He's just not been himself. | 0:25:10 | 0:25:12 | |
-What are you doing? -If I'm not myself, then who am I? Eh? | 0:25:12 | 0:25:15 | |
-Do you know who I'd like to be? -Him. | 0:25:15 | 0:25:17 | |
The bold Lenny Murdoch. | 0:25:17 | 0:25:20 | |
He knows everything that's going on around about here. | 0:25:20 | 0:25:23 | |
Causes upset everywhere he goes. | 0:25:23 | 0:25:25 | |
Right, give me another drink, and I'll go away. | 0:25:28 | 0:25:30 | |
I need your help, doll, at the Tall Ship, the now. | 0:25:30 | 0:25:32 | |
That's enough, pack it in. | 0:25:32 | 0:25:34 | |
Right come on get your bag, you're out! Bag. Move it. | 0:25:34 | 0:25:36 | |
-All right, all right. -You're out of order. ..Sorry, boys. | 0:25:36 | 0:25:39 | |
-Come on! -Right, right. | 0:25:39 | 0:25:41 | |
-Less of the manhandling! -Just get out. | 0:25:41 | 0:25:44 | |
-Paws off me! -Come on, man! Calm down! | 0:25:44 | 0:25:47 | |
There's folk in there just wanting a quiet drink. | 0:25:47 | 0:25:50 | |
-Wee Lenny's got you well trained! -What? | 0:25:51 | 0:25:54 | |
He didn't even need to speak to you there. | 0:25:54 | 0:25:57 | |
What, have you been to going to special obedience classes, | 0:25:57 | 0:26:00 | |
or something? | 0:26:00 | 0:26:02 | |
He just gives you a wee whistle. | 0:26:03 | 0:26:05 | |
HE WHISTLES | 0:26:05 | 0:26:07 | |
There's a good boy, Stevie. | 0:26:07 | 0:26:08 | |
Away home and sleep it off, eh? | 0:26:08 | 0:26:10 | |
Home! | 0:26:10 | 0:26:12 | |
What do you mean, home? | 0:26:12 | 0:26:15 | |
This is my home, right? | 0:26:15 | 0:26:18 | |
I've not got anywhere else to go, all right? | 0:26:18 | 0:26:21 | |
-Stevie, give me a drink. Huh? -What? -Just one drink. | 0:26:26 | 0:26:32 | |
Gabriel, just go. Look at the nick of you. | 0:26:32 | 0:26:34 | |
Who do you think you are? | 0:26:34 | 0:26:37 | |
Gabriel, come on! | 0:26:37 | 0:26:38 | |
-Calm down! -Paws off me! | 0:26:38 | 0:26:41 | |
-Paws off me. -Enough! | 0:26:41 | 0:26:42 | |
-Think you're a wide-o? -Gabriel. | 0:26:44 | 0:26:46 | |
-GABRIEL MUTTERS -Gabriel...sake! | 0:26:46 | 0:26:48 | |
-Gabriel! -Come on, get up! | 0:26:48 | 0:26:51 | |
Gabe! | 0:26:51 | 0:26:52 | |
I'm fine! | 0:26:53 | 0:26:54 | |
What is wrong with you? | 0:26:56 | 0:26:58 | |
Are you stupid? | 0:26:58 | 0:27:00 | |
-He'll no' give me a drink. -Ohh! | 0:27:02 | 0:27:04 | |
I wonder why(!) | 0:27:04 | 0:27:05 | |
What's up with you? | 0:27:08 | 0:27:10 | |
I need to get my bag, Stella. | 0:27:10 | 0:27:12 | |
-I'll get your bag. Over the road. -I'm sorry. | 0:27:12 | 0:27:14 | |
It's fine. Come on. | 0:27:14 | 0:27:16 | |
-Will he give me a drink? -No, come on. -Clown! | 0:27:17 | 0:27:20 | |
Enough. | 0:27:20 | 0:27:22 | |
Right, in you get. | 0:27:26 | 0:27:27 | |
I'm sorry, Stella. | 0:27:27 | 0:27:29 | |
You shouldn't go to any bother. | 0:27:29 | 0:27:31 | |
-Sorry. -You're in some state. | 0:27:31 | 0:27:33 | |
-Thanks(!) -How long have you been drinking for? | 0:27:33 | 0:27:36 | |
I don't know, I don't care. | 0:27:36 | 0:27:38 | |
See Stevie, you tell him, | 0:27:38 | 0:27:41 | |
when I'm at myself, I'd take him, easy. | 0:27:41 | 0:27:45 | |
Easy. | 0:27:46 | 0:27:49 | |
They didn't wait, Stella. | 0:27:49 | 0:27:50 | |
They didn't wait. | 0:27:53 | 0:27:55 | |
What? | 0:27:55 | 0:27:57 | |
Then the polis, Keystone Polis, telling me that I'm drunk. | 0:27:57 | 0:28:02 | |
That'll be right. | 0:28:02 | 0:28:04 | |
Is that a wild guess, was it? Aye(!) | 0:28:04 | 0:28:06 | |
Sit down. | 0:28:10 | 0:28:11 | |
They've taken everything, Stella. | 0:28:21 | 0:28:24 | |
Everything. | 0:28:25 | 0:28:27 | |
What are you talking about? | 0:28:29 | 0:28:32 | |
And you know the best bit? | 0:28:33 | 0:28:35 | |
Nobody's bothered. | 0:28:37 | 0:28:39 | |
Nobody gives a monkey's, Stella. | 0:28:41 | 0:28:43 | |
Come on, that's not true. | 0:28:43 | 0:28:45 | |
This isn't the way to pay your respects to Michael, is it? | 0:28:46 | 0:28:50 | |
I've got nothing left, Stella. | 0:29:00 | 0:29:02 | |
Everything's lost. | 0:29:04 | 0:29:05 | |
I've got nothing left. | 0:29:05 | 0:29:07 | |
I don't know what else to do. | 0:29:07 | 0:29:09 | |
Are you going to tell me what's going on? | 0:29:19 | 0:29:22 | |
I'm sorry. I'm sorry, Stella, | 0:29:22 | 0:29:24 | |
I'm so sorry. | 0:29:24 | 0:29:26 | |
I need... | 0:29:30 | 0:29:32 | |
I need to get... | 0:29:33 | 0:29:35 | |
I need to get myself together, Stella. | 0:29:37 | 0:29:40 | |
Only I can do it. | 0:29:42 | 0:29:44 | |
Sorry. | 0:29:44 | 0:29:45 | |
Right. | 0:29:46 | 0:29:48 | |
I'll go and make you something to eat. | 0:29:51 | 0:29:53 | |
All right. | 0:29:58 | 0:30:00 | |
All right. | 0:30:02 | 0:30:03 | |
He was saying some weird stuff earlier on. | 0:30:25 | 0:30:28 | |
I went round the taxi office to see if he was there, and he wasn't, | 0:30:28 | 0:30:31 | |
so I thought he might've came round here. | 0:30:31 | 0:30:34 | |
-He's in some state. -Yeah, it's self-inflicted. | 0:30:34 | 0:30:36 | |
Leyla, I'm really worried about him. | 0:30:39 | 0:30:41 | |
He was here earlier, but I don't think he'll be back in hurry. | 0:30:41 | 0:30:46 | |
Did he have a go at you an' all? | 0:30:46 | 0:30:48 | |
God, we had a go at each other, like we always do. | 0:30:50 | 0:30:53 | |
Whatever he said, you know it was the drink talking. | 0:30:55 | 0:30:58 | |
I think I've made it worse, Stella. | 0:30:58 | 0:31:00 | |
But I can't... I can't have him here any more. | 0:31:04 | 0:31:07 | |
Are you here to remember or forget? | 0:31:29 | 0:31:32 | |
Take it you're back on the drink, then? | 0:31:35 | 0:31:38 | |
I've been looking everywhere for you. | 0:31:40 | 0:31:42 | |
Are you going to tell me what's wrong? | 0:31:42 | 0:31:44 | |
It's me. | 0:31:46 | 0:31:47 | |
It's me that's wrong. | 0:31:49 | 0:31:51 | |
See, even if we were in a perfect world... | 0:31:53 | 0:31:55 | |
..I'd still mess it up somehow. | 0:31:57 | 0:31:59 | |
Who's going to remember me when I'm gone, eh? | 0:32:01 | 0:32:04 | |
There's our Michael... | 0:32:05 | 0:32:07 | |
HE SIGHS | 0:32:07 | 0:32:10 | |
..with everything to live for. | 0:32:10 | 0:32:12 | |
He was always the smart one in the family. | 0:32:13 | 0:32:16 | |
Right, so you're at that stage, are you? | 0:32:19 | 0:32:22 | |
The self-loathing, the self-pity. | 0:32:24 | 0:32:28 | |
You think nobody loves you, don't you? | 0:32:29 | 0:32:32 | |
Well, you'd be right, if you carry on like this. | 0:32:35 | 0:32:38 | |
Look, Gabriel, see if you keep drinking, | 0:32:40 | 0:32:43 | |
you're going to end up in there an' all. | 0:32:43 | 0:32:45 | |
Except nobody's going to visit your grave. | 0:32:45 | 0:32:48 | |
There's not going to be any wreaths | 0:32:49 | 0:32:52 | |
or cards or pictures of weans. | 0:32:52 | 0:32:54 | |
You don't need that, trust me. | 0:32:54 | 0:32:57 | |
You have got a choice. | 0:32:58 | 0:33:01 | |
Look, you messed up, you move on. | 0:33:01 | 0:33:03 | |
It's that easy, is it? | 0:33:04 | 0:33:06 | |
No, well, I never said it was easy. | 0:33:06 | 0:33:08 | |
You just... | 0:33:08 | 0:33:10 | |
One step at a time, eh? | 0:33:10 | 0:33:12 | |
You know where I am if you need me. | 0:33:17 | 0:33:19 | |
Miss you, bro... | 0:34:07 | 0:34:09 | |
..more than you can imagine. | 0:34:12 | 0:34:14 | |
Hello, Bob. | 0:34:52 | 0:34:54 | |
All right? | 0:34:54 | 0:34:56 | |
-I was just... -Please, spare me the details. | 0:34:57 | 0:35:00 | |
I heard you'd moved into Gina's. So are yous two... | 0:35:00 | 0:35:04 | |
No! No, I haven't moved in. | 0:35:04 | 0:35:06 | |
I only popped in... | 0:35:06 | 0:35:08 | |
It's none of my business. | 0:35:08 | 0:35:10 | |
But I wouldn't want you to get the wrong end of the stick. | 0:35:11 | 0:35:14 | |
Whatever? | 0:35:14 | 0:35:16 | |
Christina sends her love. | 0:35:16 | 0:35:18 | |
Aye, she texted me. She stays in touch. | 0:35:18 | 0:35:20 | |
Good. | 0:35:20 | 0:35:22 | |
So, how are things? | 0:35:23 | 0:35:26 | |
-Just dandy. -No! I mean... | 0:35:26 | 0:35:28 | |
I need to go and sign on, all right? | 0:35:28 | 0:35:31 | |
Bob, I really thought we were going to be friends. | 0:35:31 | 0:35:35 | |
Why? To make you feel better? | 0:35:35 | 0:35:37 | |
KNOCK ON DOOR | 0:36:08 | 0:36:11 | |
Hey. | 0:36:14 | 0:36:15 | |
I'm sorry. | 0:36:18 | 0:36:20 | |
You're going to get sick of saying that. | 0:36:22 | 0:36:25 | |
I already am. | 0:36:25 | 0:36:27 | |
Stella...I don't know what to say. | 0:36:30 | 0:36:33 | |
Come here. | 0:36:35 | 0:36:37 | |
Ooft! | 0:36:49 | 0:36:52 | |
Shower's in there. | 0:36:52 | 0:36:53 | |
All right, I take the hint. | 0:36:53 | 0:36:56 | |
-Away you go and sort yourself out, I'll put the tea on. -Thanks. | 0:36:57 | 0:37:02 | |
Are you coming to this meeting? | 0:37:13 | 0:37:15 | |
No, I'll get off home. | 0:37:15 | 0:37:16 | |
You know, you don't need to hide yourself away. | 0:37:18 | 0:37:20 | |
You've done nothing wrong. | 0:37:20 | 0:37:22 | |
You've been upfront and honest with folk, that takes a lot of courage. | 0:37:22 | 0:37:25 | |
Why don't you come back to mine, and I'll cook us dinner when I get home? | 0:37:28 | 0:37:32 | |
-You cooked last night. -Well, I'd take you out for dinner, | 0:37:32 | 0:37:36 | |
but you're not keen on being seen with me in public. | 0:37:36 | 0:37:38 | |
Don't play the sympathy card this early in our relationship. | 0:37:38 | 0:37:42 | |
You might need it later. | 0:37:44 | 0:37:46 | |
Well, that's good to know. | 0:37:46 | 0:37:47 | |
That you think there'll be a later. | 0:37:47 | 0:37:50 | |
I thought you were having doubts. | 0:37:50 | 0:37:52 | |
No. Of course not! | 0:37:52 | 0:37:54 | |
Absolutely not. | 0:37:55 | 0:37:57 | |
So...? | 0:37:57 | 0:37:58 | |
It's just... | 0:37:58 | 0:38:00 | |
I don't want to rush you. | 0:38:00 | 0:38:02 | |
I can have had my own place. | 0:38:02 | 0:38:04 | |
You're not rushing me, OK? | 0:38:04 | 0:38:07 | |
I wanted you to move in as soon as you told me Leyla was leaving. | 0:38:07 | 0:38:10 | |
So I pretended I'd slept on it. | 0:38:10 | 0:38:12 | |
I didn't want to come across as some loved-up, gibbering teenager. | 0:38:12 | 0:38:16 | |
Look, you said no, but the offer still stands, OK? | 0:38:18 | 0:38:20 | |
No cut-off date. | 0:38:20 | 0:38:22 | |
OK. | 0:38:23 | 0:38:24 | |
Come on. | 0:38:24 | 0:38:26 | |
Listen, are you sure about all this fuss? | 0:38:41 | 0:38:44 | |
-What? -Well, with your track record? | 0:38:44 | 0:38:48 | |
Thank you, Raymond, thank you(!) | 0:38:48 | 0:38:49 | |
Right, everyone. Thank you for coming here this evening. | 0:38:55 | 0:38:58 | |
I'm sure you've all got questions about this new development... | 0:38:58 | 0:39:01 | |
Yes, I do. What's in it for you? | 0:39:01 | 0:39:04 | |
What kind of question is that? | 0:39:04 | 0:39:06 | |
A valid one, Malcolm! | 0:39:06 | 0:39:08 | |
-I'm protecting my community. -Is that right? | 0:39:08 | 0:39:11 | |
Because the last time we had a property developer in this street, remember? | 0:39:11 | 0:39:17 | |
That was a completely different scenario. | 0:39:17 | 0:39:19 | |
We need the community centre. | 0:39:19 | 0:39:21 | |
Ooh, a different scenario? And that makes it all right? | 0:39:21 | 0:39:24 | |
And you're telling me we need the community centre?! | 0:39:24 | 0:39:28 | |
I ended up living here | 0:39:28 | 0:39:30 | |
because her Mr Vincent chucked me out of my own home! | 0:39:30 | 0:39:33 | |
And the sight of my Bob on a camp bed is not easily forgotten! | 0:39:33 | 0:39:37 | |
For heaven's sake, that was a long time ago! | 0:39:37 | 0:39:40 | |
Can we just concentrate on what is happening now? | 0:39:40 | 0:39:42 | |
-Give her a chance! -All right. -We don't know what they're doing. There could be work in it. | 0:39:42 | 0:39:47 | |
Don't talk rubbish, Scarlett! There's never any jobs. | 0:39:47 | 0:39:50 | |
-Can we please just be quiet? -Let Councillor Donachie speak. | 0:39:50 | 0:39:53 | |
It'll bring money into the street. | 0:39:53 | 0:39:55 | |
Aye, and it'll go straight into the councillors' pockets! | 0:39:55 | 0:39:58 | |
-Gran, would you shut up? -No, I'll no' shut up. | 0:39:58 | 0:40:00 | |
Right! Can you just... Can you give me a minute? | 0:40:00 | 0:40:03 | |
Molly's raised a relevant point. | 0:40:04 | 0:40:06 | |
I do have to start this meeting off with an apology. | 0:40:07 | 0:40:10 | |
She's right. | 0:40:12 | 0:40:14 | |
I let you all down badly. | 0:40:14 | 0:40:15 | |
I made a mistake | 0:40:15 | 0:40:16 | |
and I caused you massive inconvenience and great distress. | 0:40:16 | 0:40:20 | |
But now all I'm asking is that you hear me out. | 0:40:22 | 0:40:24 | |
At last night's council meeting, | 0:40:27 | 0:40:29 | |
the land to the west of Montego Street, the builder's yard, | 0:40:29 | 0:40:32 | |
and the land to the north, with the community centre, was sold. | 0:40:32 | 0:40:36 | |
But what wasn't made clear was that if this proposal is passed, | 0:40:36 | 0:40:41 | |
it could mean a road running right through here, | 0:40:41 | 0:40:44 | |
and that would include the compulsory purchase | 0:40:44 | 0:40:47 | |
and demolition of the health centre. | 0:40:47 | 0:40:49 | |
GASPS AND MURMURING | 0:40:49 | 0:40:52 | |
Property developers rely on confusion and apathy. | 0:40:59 | 0:41:01 | |
OK, the land is sold, | 0:41:01 | 0:41:03 | |
but the planning permission hasn't been granted. | 0:41:03 | 0:41:05 | |
So, please don't think this battle is over, | 0:41:05 | 0:41:07 | |
because it hasn't even started yet. | 0:41:07 | 0:41:10 | |
Now, I know I've got a nerve but I'm asking you to trust me | 0:41:10 | 0:41:13 | |
and let me lead you through this battle. | 0:41:13 | 0:41:15 | |
Molly asked what's in it for me. | 0:41:15 | 0:41:18 | |
Well, there's my dad's music therapy, | 0:41:18 | 0:41:20 | |
my wee boy's nursery, | 0:41:20 | 0:41:22 | |
Liz's book club. | 0:41:22 | 0:41:25 | |
The fitness classes for folk that can't afford gym membership. | 0:41:25 | 0:41:29 | |
And something that's really close to my heart, | 0:41:29 | 0:41:32 | |
the vital rehab group that we have here | 0:41:32 | 0:41:34 | |
for folk recovering from addictions. | 0:41:34 | 0:41:36 | |
That's what's in it for me. | 0:41:38 | 0:41:39 | |
So, what's in it for everyone else? | 0:41:41 | 0:41:43 | |
Well, there's my job. | 0:41:43 | 0:41:45 | |
I'd just like to point out that right now you've got a doctor | 0:41:46 | 0:41:49 | |
and nurse at the end of your street, instead of a bus ride away. | 0:41:49 | 0:41:53 | |
So, are there any questions? | 0:41:53 | 0:41:55 | |
Right, Eileen, what do you need us to do? | 0:41:55 | 0:41:59 | |
I'd just like to say I don't want to dupe anyone. | 0:41:59 | 0:42:03 | |
Sorry, for those of you who don't know me, | 0:42:03 | 0:42:05 | |
-I'm Alex McAllister and this is... -Alan Lindsay, project manager. | 0:42:05 | 0:42:08 | |
I don't want to hijack the councillor's meeting, | 0:42:08 | 0:42:11 | |
but I wanted to say that we've just put details | 0:42:11 | 0:42:13 | |
of the proposed development on my website | 0:42:13 | 0:42:16 | |
and there's a forum for further conversation. | 0:42:16 | 0:42:18 | |
And does this development still include | 0:42:18 | 0:42:20 | |
the demolition of the medical centre? | 0:42:20 | 0:42:22 | |
Only if absolutely necessary | 0:42:22 | 0:42:23 | |
and then only on the condition | 0:42:23 | 0:42:25 | |
that the council agree to build a new health centre. | 0:42:25 | 0:42:27 | |
You have to forgive me, I'm not willing to take your word for that. | 0:42:27 | 0:42:32 | |
I need a guarantee, not some vague promise. | 0:42:32 | 0:42:34 | |
Are you willing to put that in writing? | 0:42:34 | 0:42:36 | |
Of course. | 0:42:36 | 0:42:38 | |
Why don't we have a joint public meeting, | 0:42:38 | 0:42:40 | |
a question-and-answer session here in the community centre? | 0:42:40 | 0:42:44 | |
Let everybody talk once you've seen the plans. | 0:42:44 | 0:42:46 | |
-Good idea, eh? -Great. The sooner, the better. | 0:42:46 | 0:42:49 | |
We'll be in touch and we can arrange a time. | 0:42:49 | 0:42:52 | |
It shows how special Montego Street is | 0:42:52 | 0:42:55 | |
that so many of you take an active interest in your community. | 0:42:55 | 0:42:58 | |
It's why it's a community that I want to be part of. | 0:42:58 | 0:43:01 | |
Thank you very much for your time. | 0:43:01 | 0:43:04 | |
MURMURING | 0:43:04 | 0:43:06 | |
-MURRAY: -What a pair of... | 0:43:06 | 0:43:08 | |
I have to say I'm impressed. That was well played! | 0:43:12 | 0:43:15 | |
Aye. That was only round one. | 0:43:15 | 0:43:18 | |
Well, thank you everyone for coming | 0:43:21 | 0:43:24 | |
and I'll keep you updated as and when we have any more information. | 0:43:24 | 0:43:27 | |
Thanks again. | 0:43:27 | 0:43:29 | |
CHATTER | 0:43:29 | 0:43:31 | |
TV: 'I'm very excited and somewhat apprehensive because you're going to | 0:43:31 | 0:43:35 | |
'let me loose on the master bedroom | 0:43:35 | 0:43:37 | |
-'and you've got three doubles upstairs with the cottage. -Gosh.' | 0:43:37 | 0:43:40 | |
CHANNEL CHANGES | 0:43:40 | 0:43:44 | |
Whoa. Sorry, did I wake you? | 0:45:07 | 0:45:10 | |
Did you wake me? Can you not hear him, no? | 0:45:10 | 0:45:13 | |
It's like sleeping next to a walrus, man. | 0:45:13 | 0:45:16 | |
I've tried everything - put cotton wool in my ears, | 0:45:16 | 0:45:20 | |
put a pillow over my head, whacked him one an' all. | 0:45:20 | 0:45:23 | |
What's your excuse? | 0:45:23 | 0:45:25 | |
What? | 0:45:35 | 0:45:37 | |
Billy Kennedy's wife? | 0:45:38 | 0:45:40 | |
What about her? | 0:45:42 | 0:45:44 | |
I wasn't just her driver, Stella. | 0:45:49 | 0:45:51 | |
Please tell me you're kidding me on? | 0:45:53 | 0:45:56 | |
Seriously? | 0:45:59 | 0:46:00 | |
Gabriel, what the hell were you thinking? | 0:46:03 | 0:46:06 | |
You must have been off your head! How long...? | 0:46:06 | 0:46:09 | |
About four months. | 0:46:09 | 0:46:11 | |
I really don't know what to say. | 0:46:12 | 0:46:14 | |
I mean... | 0:46:17 | 0:46:19 | |
I didn't know the woman, but... | 0:46:21 | 0:46:23 | |
Well, I'm sorry. | 0:46:25 | 0:46:26 | |
Not as sorry as I am. | 0:46:27 | 0:46:29 | |
Is that why you've been drinking yourself stupid? | 0:46:31 | 0:46:34 | |
How did you not say anything? | 0:46:36 | 0:46:38 | |
Because nobody knew. | 0:46:38 | 0:46:39 | |
Alive and dead, she was just my dirty little secret. | 0:46:41 | 0:46:45 | |
Well, it obviously, wasn't just a fling, then? | 0:46:56 | 0:46:59 | |
The two of you must have known what that rocket would've done if he'd found out. | 0:46:59 | 0:47:03 | |
It must have been something pretty special, | 0:47:04 | 0:47:07 | |
if yous were willing to run that risk. | 0:47:07 | 0:47:10 | |
I knew it was mad but just... | 0:47:10 | 0:47:12 | |
There was something about her. | 0:47:14 | 0:47:16 | |
It couldn't have been easy for her, being stuck with him. | 0:47:17 | 0:47:20 | |
Or with me. | 0:47:20 | 0:47:22 | |
Aye, but she kept coming back, didn't she? | 0:47:22 | 0:47:24 | |
Must have meant something. | 0:47:24 | 0:47:26 | |
For me, too. I tried not to care. | 0:47:26 | 0:47:29 | |
I tried really hard. | 0:47:29 | 0:47:31 | |
Kept telling myself it was nothing, it was just sex. | 0:47:33 | 0:47:37 | |
You cannae keep kidding yourself on, I know. I know what that's like. | 0:47:38 | 0:47:42 | |
I liked that she needed me. | 0:47:42 | 0:47:44 | |
You know? And I needed her, too. | 0:47:46 | 0:47:48 | |
We'd just hide away together. | 0:47:49 | 0:47:51 | |
Block everybody else out. | 0:47:53 | 0:47:55 | |
She pretended that she was as hard as nails but... | 0:47:57 | 0:48:00 | |
And I let her down. | 0:48:02 | 0:48:05 | |
Gabriel, it's over. You cannae keep beating yourself up about it. | 0:48:08 | 0:48:11 | |
And what? Just move on? | 0:48:13 | 0:48:15 | |
Like nothing happened? | 0:48:15 | 0:48:17 | |
No, that's not what I'm saying. | 0:48:17 | 0:48:19 | |
But that's what it feels like to me. | 0:48:21 | 0:48:24 | |
No-one's talking about it, no-one cares. | 0:48:24 | 0:48:27 | |
Like nothing happened. | 0:48:27 | 0:48:29 | |
It's not right. | 0:48:33 | 0:48:35 | |
None of it. | 0:48:35 | 0:48:36 | |
I just wish I could stop things going round and round in my head. | 0:48:39 | 0:48:43 | |
I cannae let it go. | 0:48:48 | 0:48:50 | |
It wasn't your fault. | 0:48:51 | 0:48:54 | |
Then whose is it? | 0:48:54 | 0:48:55 | |
I'm sorry, I don't understand. | 0:49:43 | 0:49:45 | |
What do you mean, you don't understand? | 0:49:45 | 0:49:47 | |
It's what you said, practically word for word. | 0:49:47 | 0:49:49 | |
Look, read it. | 0:49:49 | 0:49:51 | |
"An accumulation of events that led to a tragic accident." | 0:49:51 | 0:49:55 | |
At least you're all singing from the same hymn sheet. | 0:49:55 | 0:49:58 | |
The investigation isn't even finished yet, | 0:49:58 | 0:50:00 | |
but it's being quoted. | 0:50:00 | 0:50:02 | |
No. The review is coming to a conclusion. This is media guesswork. | 0:50:02 | 0:50:06 | |
It's not an official... | 0:50:06 | 0:50:07 | |
It's in black and white! | 0:50:07 | 0:50:10 | |
Word for word! | 0:50:10 | 0:50:11 | |
Oh, right, I get it. | 0:50:14 | 0:50:17 | |
It was you that leaked it to the press. | 0:50:17 | 0:50:19 | |
So you already know what they're going to say, don't you? | 0:50:19 | 0:50:22 | |
The review had made up its mind before they even started. | 0:50:22 | 0:50:25 | |
No. Everyone who was involved with the incident... | 0:50:25 | 0:50:28 | |
Hey, whoa! INCIDENT?! You mean the KILLING? | 0:50:28 | 0:50:32 | |
Right, that's it. | 0:50:32 | 0:50:34 | |
Ho, mate, I want to make an official complaint. | 0:50:34 | 0:50:38 | |
I want an independent investigation. | 0:50:40 | 0:50:42 | |
How would I do that? | 0:50:42 | 0:50:44 | |
Or do you want me to go straight to the press? | 0:50:47 | 0:50:49 | |
Wait here. I'll find a room to officially log your complaint. | 0:50:49 | 0:50:53 | |
Yeah, you do that. | 0:50:55 | 0:50:57 | |
INDISTINCT CHATTER | 0:51:09 | 0:51:12 | |
You'd think a doctor would have more sense. | 0:51:14 | 0:51:17 | |
Aye. The African sun must have frazzled his brain. | 0:51:17 | 0:51:20 | |
Are you OK? | 0:51:28 | 0:51:30 | |
Yeah. | 0:51:30 | 0:51:31 | |
Listen, if that offer's still open, | 0:51:31 | 0:51:35 | |
why don't we move the rest of my stuff into your place today? | 0:51:35 | 0:51:39 | |
Come on. | 0:51:41 | 0:51:43 | |
Here they come. | 0:51:45 | 0:51:47 | |
-Here she is. Just ignore them. -I know. | 0:51:47 | 0:51:50 | |
Ladies. | 0:51:50 | 0:51:52 | |
-I'll "ladies" you! -Mm-hm. Hmph! | 0:51:56 | 0:51:58 | |
Gabriel, are you sure about this? | 0:52:10 | 0:52:13 | |
The official report will be made public in less than a week. | 0:52:15 | 0:52:18 | |
If you've got any concerns, that'll be the time to take matters further. | 0:52:18 | 0:52:23 | |
I've got concerns now... | 0:52:23 | 0:52:25 | |
that Mandy Kennedy is going to just be another file gathering dust. | 0:52:25 | 0:52:29 | |
It's not just the police that'll be under investigation. | 0:52:29 | 0:52:32 | |
Other lines of inquiry will be pursued. There will be others... | 0:52:32 | 0:52:36 | |
-Like Billy Kennedy? -Like Lenny Murdoch. Yourself. | 0:52:36 | 0:52:39 | |
I've got nothing to lose. | 0:52:41 | 0:52:42 | |
DOOR OPENS | 0:52:44 | 0:52:46 | |
DS Grant, DC Cooper. | 0:52:50 | 0:52:53 | |
HE CLEARS HIS THROAT | 0:52:53 | 0:52:55 | |
What have we here? | 0:52:55 | 0:52:57 | |
You're not recording. | 0:52:57 | 0:52:59 | |
This isn't an interview, sir. | 0:52:59 | 0:53:01 | |
So it's true, then. | 0:53:03 | 0:53:04 | |
This is turning into the story of your life, isn't it, Mr Brodie? | 0:53:04 | 0:53:08 | |
The complaint? | 0:53:08 | 0:53:10 | |
I advised you not to continue with this crusade. | 0:53:12 | 0:53:17 | |
If you had anything on me, you'd have charged me by now. | 0:53:17 | 0:53:21 | |
Someone's responsible for Mandy's death. | 0:53:21 | 0:53:23 | |
Absolutely, and there is a thorough incident investigation | 0:53:23 | 0:53:27 | |
being carried out to get to the truth. | 0:53:27 | 0:53:29 | |
That'll be a first. You and the truth. | 0:53:29 | 0:53:32 | |
The facts are shots came from the building, | 0:53:36 | 0:53:39 | |
-Mandy Kennedy came running out, something in her right hand... -What? | 0:53:39 | 0:53:43 | |
-It looked like a gun. -What do you mean, looked like? | 0:53:43 | 0:53:46 | |
My officer had a fraction of a second to make a decision. | 0:53:46 | 0:53:49 | |
The lives of the public and other officers depended on that decision. | 0:53:49 | 0:53:53 | |
-So, what, they shot her? -Tragically, yes. | 0:53:53 | 0:53:56 | |
You cannot imagine what our officers are going through just now. | 0:53:58 | 0:54:03 | |
They're better off than Mandy, though, aren't they? | 0:54:03 | 0:54:06 | |
I mean, they've got the chance to get over it. | 0:54:06 | 0:54:09 | |
She's dead. | 0:54:09 | 0:54:11 | |
Sir, DC Cooper and I are handling this. | 0:54:11 | 0:54:14 | |
Well, if it's an independent investigation you want... | 0:54:16 | 0:54:20 | |
Yeah, I do. | 0:54:20 | 0:54:22 | |
If that's what it takes to ease your guilty conscience, | 0:54:22 | 0:54:25 | |
I'll leave you to it. | 0:54:25 | 0:54:28 | |
Talking about conscience - how's yours? | 0:54:29 | 0:54:33 | |
Because see if Billy Kennedy was a dog, | 0:54:34 | 0:54:37 | |
he'd have been put down long ago. | 0:54:37 | 0:54:39 | |
But not you. You let him back out on the street. | 0:54:39 | 0:54:42 | |
He'd killed before, and you knew that he'd kill again. | 0:54:43 | 0:54:47 | |
I mean, all right, I know I make mistakes, | 0:54:49 | 0:54:51 | |
I don't deny that, | 0:54:51 | 0:54:53 | |
but you? | 0:54:53 | 0:54:54 | |
I don't know how you sleep at night. | 0:54:56 | 0:54:58 | |
What about Gareth O'Connor? Remember him? | 0:54:58 | 0:55:01 | |
You treated that boy like he was dirt, like he was nothing, no-one, | 0:55:01 | 0:55:07 | |
and you think you can do the same with Mandy? | 0:55:07 | 0:55:11 | |
You better think again. | 0:55:11 | 0:55:13 | |
-It was my fault. -We've been through this. | 0:55:28 | 0:55:32 | |
You did nothing wrong. | 0:55:32 | 0:55:34 | |
Yeah, well, I think he deserves an answer. | 0:55:34 | 0:55:37 | |
And he'll get one through the complaints procedure. | 0:55:37 | 0:55:39 | |
Look, Brodie's just looking to let off steam. | 0:55:39 | 0:55:41 | |
God knows, his conscience must be bothering him. | 0:55:41 | 0:55:44 | |
Yeah, and I know how he feels. | 0:55:44 | 0:55:46 | |
I don't want a cover-up. | 0:55:47 | 0:55:49 | |
Good, because there won't be one. | 0:55:49 | 0:55:52 | |
You did what every other police officer | 0:56:00 | 0:56:03 | |
in your situation would've done. | 0:56:03 | 0:56:06 | |
You acted to protect the public and your fellow officers. | 0:56:06 | 0:56:10 | |
There's nothing to cover up. | 0:56:10 | 0:56:12 | |
So how far back will they go? | 0:56:12 | 0:56:14 | |
Who cares? You haven't got anything to hide. | 0:56:14 | 0:56:17 | |
This is the worst thing any police officer can go through. | 0:56:20 | 0:56:24 | |
An innocent person has died, | 0:56:24 | 0:56:27 | |
everybody's looking for someone to blame. | 0:56:27 | 0:56:30 | |
But sometimes, it really is just no-one's fault. | 0:56:30 | 0:56:34 | |
Why don't we go for dinner later? | 0:56:40 | 0:56:42 | |
Somewhere nobody here knows about and then, for a couple of hours, | 0:56:42 | 0:56:46 | |
we can both forget all about Gabriel Brodie and Mandy Kennedy. | 0:56:46 | 0:56:50 | |
Hmm? | 0:56:51 | 0:56:52 | |
I'll see you later. | 0:56:52 | 0:56:54 | |
I had fun last night. I could get used to this. | 0:57:07 | 0:57:10 | |
Mr Brodie, these are very serious accusations. | 0:57:11 | 0:57:14 | |
-My question is, do you have any proof? -What do you want to know? | 0:57:14 | 0:57:18 | |
I've been thinking about what you said about fostering. | 0:57:18 | 0:57:22 | |
-I think I'm ready. -That's great. | 0:57:22 | 0:57:24 | |
Mandy, young Gareth, how many bodies is it going to take | 0:57:24 | 0:57:28 | |
before you realise you're not the good guy here any more? | 0:57:28 | 0:57:32 |