Browse content similar to 16/09/2014. Check below for episodes and series from the same categories and more!
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Lenny found out. | 0:00:21 | 0:00:22 | |
He said he would expose the truth if Eileen didn't toe the line. | 0:00:22 | 0:00:26 | |
-What's on the hard drive? -Could be nothing. | 0:00:26 | 0:00:29 | |
-Or it could be everything. -Please come outside, I want to explain. | 0:00:29 | 0:00:32 | |
-I've had enough of your lies. -I'm trying to tell you the truth! | 0:00:32 | 0:00:35 | |
What is it with you Lindsays? You're lying scum, the lot of you. | 0:00:35 | 0:00:38 | |
D'you mind if I come in for a minute? Have a wee drink? | 0:00:38 | 0:00:41 | |
What have you done? | 0:00:41 | 0:00:43 | |
HE COUGHS | 0:01:34 | 0:01:36 | |
-Have you got your library book? -Uh-huh. | 0:02:07 | 0:02:10 | |
-Have you got your lunchbox? -Yep. | 0:02:10 | 0:02:12 | |
OK, let's get you buttoned up, then, before your daddy comes. | 0:02:12 | 0:02:16 | |
You are going to have a lovely day today. | 0:02:16 | 0:02:18 | |
And guess what? I love you. | 0:02:18 | 0:02:21 | |
-All set? -Yeah, sorry, Raymond should be here any minute. | 0:02:22 | 0:02:25 | |
I know, he's usually here by now. | 0:02:25 | 0:02:27 | |
I just don't think we're top of his list of priorities at the moment. | 0:02:27 | 0:02:30 | |
He'll be here, just you get going. | 0:02:30 | 0:02:33 | |
-Right. See you later. -Bye! | 0:02:33 | 0:02:36 | |
-Is it Raymond Henderson? -Afraid so. | 0:02:51 | 0:02:54 | |
SOCO's just going through everything now. | 0:02:54 | 0:02:56 | |
-What do we know? -Called in by the neighbours. | 0:02:56 | 0:02:59 | |
Indication is that he probably died between nine and eleven. | 0:02:59 | 0:03:01 | |
He's got a cut nose and some bruising to his shoulder. | 0:03:01 | 0:03:05 | |
-A fight? -Or a fall. | 0:03:08 | 0:03:10 | |
There'll need to be a full PM, but it's looking like a hosepipe. | 0:03:10 | 0:03:14 | |
-Some start to the day! -Tell me about it. | 0:03:24 | 0:03:27 | |
I saw him yesterday. | 0:03:27 | 0:03:29 | |
How was he? | 0:03:29 | 0:03:31 | |
He was up to high dough about this housing development. | 0:03:31 | 0:03:35 | |
He wasn't making a lot of sense. But not this. | 0:03:35 | 0:03:39 | |
-I'd better go and tell Eileen Donachie. -Rather you than me. | 0:03:42 | 0:03:46 | |
I'll head now, before she hears it from somewhere else. | 0:03:46 | 0:03:48 | |
I'll speak to Uniform, get the script. | 0:03:48 | 0:03:50 | |
Yeah, find out what they've touched, see if they've compromised the scene. | 0:03:50 | 0:03:54 | |
Even if it's suicide? | 0:03:54 | 0:03:56 | |
It's unexplained until suicide's confirmed, | 0:03:56 | 0:03:59 | |
-but I don't think we're looking for anybody else, do you? -No. | 0:03:59 | 0:04:02 | |
-Craig? -Hi. | 0:04:24 | 0:04:27 | |
What are you doing here? Can I get you a cuppa? | 0:04:27 | 0:04:29 | |
No, thank you. It's not a social call. | 0:04:29 | 0:04:31 | |
Has something happened? Is it my dad? | 0:04:31 | 0:04:35 | |
No, no, no, no. Your dad's fine. | 0:04:35 | 0:04:37 | |
-Well, sounds serious. -It is. | 0:04:39 | 0:04:42 | |
OK. Now you're starting to worry me now. | 0:04:42 | 0:04:46 | |
-KNOCK ON DOOR -Hang on. | 0:04:46 | 0:04:49 | |
I've just dropped a fare off at the new estate. | 0:04:52 | 0:04:55 | |
I was hearing on the radio that your mob are all over Raymond's house. | 0:04:55 | 0:04:58 | |
Yeah, that's why I'm here. | 0:04:58 | 0:05:01 | |
Eileen, Raymond was found dead. | 0:05:01 | 0:05:04 | |
What? What? No, he can't be! | 0:05:07 | 0:05:11 | |
He's got to pick Stuart up. | 0:05:11 | 0:05:14 | |
-Dead? -I'm afraid so. | 0:05:14 | 0:05:16 | |
-I'm really sorry. -Was it an accident? | 0:05:16 | 0:05:19 | |
No, it was no accident. | 0:05:19 | 0:05:21 | |
He was found in his car in his garage. | 0:05:21 | 0:05:24 | |
A neighbour called the police when they heard the engine running | 0:05:24 | 0:05:27 | |
and smelled the exhaust fumes. | 0:05:27 | 0:05:29 | |
There don't appear to be any suspicious circumstances. | 0:05:29 | 0:05:32 | |
Suspicious? What... Raymond wouldn't... | 0:05:32 | 0:05:35 | |
We're keeping an open mind. | 0:05:35 | 0:05:37 | |
Raymond killed himself? Is that what you're saying? | 0:05:37 | 0:05:39 | |
His death is officially being treated as unexplained. | 0:05:39 | 0:05:42 | |
He wouldn't! He wouldn't! He wouldn't! He wouldn't! | 0:05:42 | 0:05:45 | |
-Not with Stuart! -SHE WEEPS | 0:05:45 | 0:05:48 | |
-Eileen, when did you last see Raymond? -I saw him yesterday morning. | 0:05:49 | 0:05:54 | |
-How was he? -He wanted to talk. But I didn't. | 0:05:54 | 0:05:59 | |
I wasn't nice. | 0:05:59 | 0:06:02 | |
I'm really sorry, Eileen, | 0:06:05 | 0:06:07 | |
but we'll need a formal identification of the body. | 0:06:07 | 0:06:11 | |
-Now? -We can't proceed without an identification. | 0:06:11 | 0:06:15 | |
-What do you mean proceed? -Postmortem. | 0:06:15 | 0:06:18 | |
Establish how Raymond died. | 0:06:21 | 0:06:23 | |
What you doing? | 0:06:39 | 0:06:41 | |
Hair of the dog, what's it look like? | 0:06:43 | 0:06:45 | |
Dad, look at you. | 0:06:48 | 0:06:50 | |
What happened last night? | 0:06:51 | 0:06:54 | |
-I'll be fine. -Dad! -Just leave it. | 0:06:55 | 0:07:00 | |
-Where are you going? -Work. Why? -Looking like that? I don't think so. | 0:07:05 | 0:07:10 | |
You're stinking of sweat and booze. | 0:07:12 | 0:07:16 | |
Is that blood? | 0:07:16 | 0:07:18 | |
Looks worse than it is. | 0:07:20 | 0:07:22 | |
Dad, you're an absolute mess. Were you in a fight? | 0:07:22 | 0:07:25 | |
Don't tell your sister. I mean it. | 0:07:28 | 0:07:31 | |
-I got into a wee rammy with Raymond Henderson. -Really? What about? | 0:07:33 | 0:07:38 | |
I'm no' proud. | 0:07:38 | 0:07:40 | |
It was in the Portakabin, I just lost it with him. | 0:07:42 | 0:07:45 | |
He probably got what he deserved. Did you win? | 0:07:45 | 0:07:49 | |
Doesn't feel like it. I'm going for a shower. | 0:07:52 | 0:07:56 | |
Is this the body of Raymond Henderson? | 0:08:28 | 0:08:31 | |
I'm sorry, Eileen. I didnae know what to expect. | 0:09:09 | 0:09:12 | |
-That was grim. -I know. | 0:09:12 | 0:09:14 | |
What harm would it have done, just giving him a kiss goodbye? | 0:09:17 | 0:09:21 | |
I just don't understand it, I was with him a couple of days ago. | 0:09:23 | 0:09:28 | |
-I cannae take it in. -We have to remember the good things. | 0:09:28 | 0:09:31 | |
Don't know how can you be so strong? | 0:09:33 | 0:09:36 | |
I'm not. | 0:09:37 | 0:09:39 | |
-What was that about? -Sorry? | 0:09:42 | 0:09:44 | |
Well, she wanted to say goodbye and you stopped her. | 0:09:44 | 0:09:48 | |
In cases like this... | 0:09:48 | 0:09:50 | |
I'm sorry, I'll take you back to Shieldinch now. | 0:09:50 | 0:09:53 | |
I want to go to the house. | 0:09:53 | 0:09:55 | |
To Raymond's house. | 0:09:57 | 0:09:59 | |
That's not convenient at the moment, they're still working there. | 0:09:59 | 0:10:01 | |
I want to see the house. | 0:10:01 | 0:10:04 | |
That's not too much to ask, is it? | 0:10:05 | 0:10:07 | |
Such a big house. | 0:11:08 | 0:11:10 | |
-That's what he wanted for Stuart. -Had Raymond been here long? | 0:11:12 | 0:11:15 | |
-Just a few weeks. -Have you been here before? | 0:11:15 | 0:11:19 | |
Yeah, once or twice. Just dropping off Stuart. | 0:11:19 | 0:11:23 | |
-I take it there was no problem with that? -No. | 0:11:23 | 0:11:27 | |
Things with Raymond weren't ideal. | 0:11:31 | 0:11:34 | |
The last thing I did was argue with him, | 0:11:42 | 0:11:45 | |
I told him if it wasn't for Stuart, I didn't want him in my life. | 0:11:45 | 0:11:49 | |
Hey, come on. How would you have known? | 0:11:49 | 0:11:51 | |
We all know what he's been like recently. I mean, look. | 0:11:51 | 0:11:56 | |
I didn't realise he was so obsessed. | 0:11:57 | 0:11:59 | |
The last time I spoke to him he just kept on raving on about it. | 0:12:01 | 0:12:04 | |
Is it enough to take his own life? | 0:12:04 | 0:12:08 | |
Oh, Raymond. | 0:12:16 | 0:12:18 | |
It's a kid's bed. | 0:12:20 | 0:12:22 | |
Can I look in the garage? | 0:12:30 | 0:12:32 | |
-They're still working in there. -I'll be fine. | 0:12:33 | 0:12:36 | |
I'm sorry, Eileen, out of bounds. | 0:12:36 | 0:12:39 | |
Dying in your car. It's not right. | 0:12:42 | 0:12:46 | |
Anything comes to mind, call me. | 0:13:16 | 0:13:18 | |
Jimmy, I need to tell my dad. | 0:13:26 | 0:13:30 | |
And Liz and Stuart somehow. | 0:13:30 | 0:13:34 | |
Will you do me a big favour? | 0:13:38 | 0:13:40 | |
-Would you talk to Stevie for me? -Aye, of course. | 0:13:40 | 0:13:44 | |
I don't know why you're here but it's perfect timing, | 0:13:58 | 0:14:02 | |
-I've just made a pot of tea. -No, I'm fine, Liz. | 0:14:02 | 0:14:06 | |
Now, Raymond never appeared, | 0:14:07 | 0:14:10 | |
so Malcolm and I took Stuart to nursery, didn't we? | 0:14:10 | 0:14:13 | |
We did indeed. | 0:14:13 | 0:14:15 | |
-Eileen, is something the matter? -You been crying, pet? | 0:14:16 | 0:14:22 | |
-A bit. -Oh, come on now. | 0:14:23 | 0:14:26 | |
I'll get you a cup and we can share your problems. | 0:14:26 | 0:14:29 | |
No, Liz, just sit down. | 0:14:29 | 0:14:31 | |
Come on. Out with it, pet. | 0:14:32 | 0:14:35 | |
-Dad, Raymond died. -What do you mean, died? | 0:14:40 | 0:14:47 | |
-No! -They think it was suicide. | 0:14:50 | 0:14:53 | |
-No! -I've identified his body. | 0:14:53 | 0:14:57 | |
Oh, God! Eileen, I'm so sorry. | 0:14:57 | 0:15:01 | |
-He was a lovely man. -Yes. | 0:15:01 | 0:15:05 | |
-SHE LAUGHS -That's rubbish! | 0:15:11 | 0:15:15 | |
-That's the absolute truth. -No danger, I'm no' having it. | 0:15:15 | 0:15:18 | |
-Are you all right? -Zinnie, could you get me a large whisky, please? | 0:15:20 | 0:15:24 | |
Make it two. You might need one. | 0:15:25 | 0:15:28 | |
It's...it's about Raymond. | 0:15:45 | 0:15:49 | |
Not again! You should have seen him last night. | 0:15:50 | 0:15:54 | |
Proper on one he was, I had to chuck him out. | 0:15:54 | 0:15:56 | |
That's not what I meant. | 0:15:56 | 0:15:59 | |
What is it, Jimmy? | 0:16:00 | 0:16:03 | |
The police, they found him in his car this morning. | 0:16:05 | 0:16:07 | |
-He's dead. -That's not even funny. | 0:16:10 | 0:16:13 | |
He was just in here last night, in Alan's face. | 0:16:16 | 0:16:19 | |
-They think it's suicide. -No, no, no. Raymond? | 0:16:20 | 0:16:25 | |
-I know. -HE WEEPS | 0:16:30 | 0:16:33 | |
He said he was going to make it right. | 0:16:43 | 0:16:46 | |
-Make what right? -Everything. I never thought he meant this. | 0:16:46 | 0:16:51 | |
Jimmy, he was so good to me. | 0:16:55 | 0:16:59 | |
I don't believe it. | 0:17:01 | 0:17:03 | |
I know. It's hard to believe. | 0:17:05 | 0:17:07 | |
I need to get to work. | 0:17:17 | 0:17:19 | |
Just take a seat, get yourself together. | 0:17:19 | 0:17:22 | |
We'll need to be strong for Eileen, don't we? | 0:17:24 | 0:17:26 | |
Aye. But I still need to work. | 0:17:27 | 0:17:31 | |
-Last night, you came in then you went back out, right? -I did. | 0:17:53 | 0:17:57 | |
So when did you have this fight? Before or after? | 0:17:57 | 0:18:00 | |
Before. Angus, I don't want to talk about this. | 0:18:00 | 0:18:03 | |
So, where did you go after? | 0:18:03 | 0:18:06 | |
-I cannae tell you that, Son. -Dad... -Don't push it! | 0:18:08 | 0:18:11 | |
Look, I know you like the odd dram, | 0:18:17 | 0:18:19 | |
but fighting and getting on the lash first thing, that's not you. | 0:18:19 | 0:18:23 | |
Oh, and by the way, you really impressed Kirsty. | 0:18:27 | 0:18:29 | |
Just leave it, OK? | 0:18:29 | 0:18:32 | |
-I need to go to my work. -Great(!) | 0:18:35 | 0:18:38 | |
Hi, it's me. We need to talk. No, now. | 0:19:03 | 0:19:08 | |
At the Portakabin. | 0:19:10 | 0:19:12 | |
I'll see you in a bit. | 0:19:12 | 0:19:14 | |
What was it like? | 0:20:15 | 0:20:18 | |
I mean, seeing him? | 0:20:18 | 0:20:22 | |
It was unreal. | 0:20:23 | 0:20:25 | |
But it was him. | 0:20:28 | 0:20:30 | |
Raymond. | 0:20:31 | 0:20:33 | |
You know, Scarlett, when I went to Eileen's office this morning, | 0:20:35 | 0:20:39 | |
I thought something wasnae right. | 0:20:39 | 0:20:41 | |
But I never, ever thought... | 0:20:44 | 0:20:46 | |
-We need to keep an eye on her and Stuart. -Of course. | 0:20:52 | 0:20:55 | |
-And Stevie. -Aye. | 0:20:57 | 0:20:59 | |
Jimmy, you all right? | 0:21:03 | 0:21:05 | |
Not really. | 0:21:08 | 0:21:10 | |
Come on, work! | 0:21:18 | 0:21:22 | |
-Work! -It's OK. Look, I'll sort it. | 0:21:23 | 0:21:26 | |
No! It won't work! | 0:21:26 | 0:21:31 | |
Come here. I know, I know. | 0:21:31 | 0:21:33 | |
I love you. | 0:21:37 | 0:21:39 | |
-He was some guy, wasn't he? -Uh-huh. | 0:21:48 | 0:21:51 | |
Come here. Speak to me. | 0:21:53 | 0:21:55 | |
Between me and you... | 0:22:01 | 0:22:03 | |
..I think he was trying to tell me something. | 0:22:05 | 0:22:08 | |
I think he was trying to ask me for help. | 0:22:08 | 0:22:11 | |
No, don't even think about blaming yourself. | 0:22:11 | 0:22:14 | |
Come on, we're going up the road. Just a minute, OK? | 0:22:14 | 0:22:16 | |
Looks like you both had a square go, right enough. | 0:22:21 | 0:22:24 | |
His, I hope? | 0:22:24 | 0:22:26 | |
-What was it about? -I wanted to tell him my side of things, | 0:22:28 | 0:22:32 | |
explain to him how I never wanted any of this. | 0:22:32 | 0:22:36 | |
I even begged him to return the hard drive. | 0:22:36 | 0:22:39 | |
-Is he gonnae? -What do you think? | 0:22:39 | 0:22:43 | |
Hi, Stella. I know this is a bad time, | 0:22:55 | 0:22:58 | |
but I've just got a call from Jimmy Mullen. | 0:22:58 | 0:23:00 | |
-Could I see Stevie, please? -He's no' really that great the now. | 0:23:00 | 0:23:03 | |
I appreciate that. I'll be as quick as I can. | 0:23:03 | 0:23:06 | |
Right, OK. He's in there. | 0:23:06 | 0:23:09 | |
Hi, Stevie. | 0:23:20 | 0:23:22 | |
I understand Raymond was in the Ship last night. | 0:23:28 | 0:23:32 | |
Can you run me through what happened? | 0:23:32 | 0:23:34 | |
He was shouting at Alan Lindsay. | 0:23:37 | 0:23:41 | |
-What about? -I don't know. | 0:23:41 | 0:23:43 | |
Just banging on about chromium, cancer and all that. | 0:23:43 | 0:23:48 | |
Anything else? | 0:23:48 | 0:23:50 | |
He kept saying to Alan that he was in it for the money, | 0:23:53 | 0:23:56 | |
treating folk badly... | 0:23:56 | 0:23:58 | |
Do we really need to do this the now? | 0:23:58 | 0:24:01 | |
-Just take your time, Stevie. -Please! | 0:24:01 | 0:24:03 | |
It was embarrassing. | 0:24:03 | 0:24:06 | |
I told Raymond to leave and take his mad theories with him. | 0:24:09 | 0:24:13 | |
-And Alan Lindsay followed him? -Aye. | 0:24:13 | 0:24:17 | |
-What time was this? -Sevenish? Just after maybe. | 0:24:18 | 0:24:24 | |
That's unforgivable, isn't it? After everything he's done for me? | 0:24:26 | 0:24:30 | |
I just chucked him out. It was his pub! | 0:24:30 | 0:24:33 | |
-You weren't to know. -That doesnae help. | 0:24:33 | 0:24:36 | |
-That's enough, eh? -Of course. Thanks for your time. | 0:24:37 | 0:24:42 | |
-Shouldn't you be cleaning that up? -Later. | 0:24:47 | 0:24:50 | |
As if things couldn't get any worse. Looks like he's made a complaint. | 0:24:50 | 0:24:53 | |
-Brilliant(!) -Don't say anything. See what he says. | 0:24:53 | 0:24:55 | |
-Do you think I'm stupid? -Officer. | 0:24:55 | 0:24:58 | |
Mr McAllister, Mr Lindsay. It's handy you're both here. | 0:25:00 | 0:25:02 | |
Why's that? | 0:25:02 | 0:25:03 | |
Just got a few questions I need to ask you. | 0:25:03 | 0:25:05 | |
Where you were last night? | 0:25:05 | 0:25:07 | |
In the Ship. | 0:25:08 | 0:25:09 | |
All night? | 0:25:09 | 0:25:11 | |
Aye. | 0:25:11 | 0:25:12 | |
And after that? | 0:25:12 | 0:25:14 | |
Home. Bed. | 0:25:14 | 0:25:15 | |
Can anyone back that up? | 0:25:15 | 0:25:18 | |
My kids. | 0:25:18 | 0:25:19 | |
OK, good. And you? | 0:25:19 | 0:25:21 | |
I was with my girlfriend Kelly-Marie. All night. | 0:25:21 | 0:25:24 | |
What's this about? | 0:25:24 | 0:25:27 | |
We found the body of Raymond Henderson this morning. | 0:25:27 | 0:25:31 | |
I'm trying to establish his last movements. | 0:25:31 | 0:25:33 | |
Raymond's dead? | 0:25:33 | 0:25:35 | |
Yeah, I'm afraid so. | 0:25:35 | 0:25:37 | |
How did he die? | 0:25:37 | 0:25:38 | |
It's unexplained. | 0:25:38 | 0:25:40 | |
Until we carry out a postmortem, we can't be certain of how he died. | 0:25:40 | 0:25:43 | |
Well, surely you can tell us more than that? Where did it happen? | 0:25:43 | 0:25:46 | |
In his car in his garage. | 0:25:48 | 0:25:51 | |
I don't understand, why come here? | 0:25:51 | 0:25:53 | |
As I say, we're just trying to piece together his final movements. | 0:25:53 | 0:25:56 | |
I won't keep you long. | 0:25:56 | 0:25:58 | |
I believe you had an altercation with Mr Henderson | 0:25:58 | 0:26:01 | |
in the Ship last night. | 0:26:01 | 0:26:02 | |
We had a few words, if that's what you mean. | 0:26:02 | 0:26:04 | |
What about? Was he part of this development? | 0:26:04 | 0:26:07 | |
Was. Not any more. | 0:26:07 | 0:26:09 | |
I bought him out. | 0:26:09 | 0:26:11 | |
Really? He was unhappy about that, I'd imagine? | 0:26:11 | 0:26:14 | |
Not at all, it was his idea. | 0:26:14 | 0:26:16 | |
I was glad, I'll admit that much. | 0:26:16 | 0:26:19 | |
Because? | 0:26:19 | 0:26:21 | |
He didn't share our vision and that made him a liability. | 0:26:21 | 0:26:25 | |
His behaviour became erratic. | 0:26:25 | 0:26:27 | |
So, people wanted Raymond out of the way? | 0:26:27 | 0:26:29 | |
No. | 0:26:29 | 0:26:31 | |
We were trying to put distance between ourselves and Raymond, | 0:26:31 | 0:26:34 | |
not get rid of him. We're no' the Mafia. | 0:26:34 | 0:26:37 | |
I'm not suggesting you are. | 0:26:37 | 0:26:40 | |
This is just procedure, it's necessary. | 0:26:40 | 0:26:42 | |
Look, a lot of people were getting fed up with Raymond, including me. | 0:26:42 | 0:26:46 | |
He was acting like he'd lost the plot. | 0:26:47 | 0:26:50 | |
Well, I appreciate your candour. | 0:26:50 | 0:26:52 | |
If you think of anything, anything at all, get in touch. | 0:26:52 | 0:26:56 | |
Nae bother. | 0:26:56 | 0:26:57 | |
-He'll find out you lied. -I know that. | 0:27:03 | 0:27:06 | |
I just need some time. | 0:27:07 | 0:27:09 | |
You all right? | 0:27:17 | 0:27:18 | |
That guy I fought with. | 0:27:20 | 0:27:23 | |
He's dead. | 0:27:23 | 0:27:24 | |
I just lied to the police about where I was. | 0:27:25 | 0:27:28 | |
TENSE MUSIC PLAYS | 0:27:28 | 0:27:30 | |
Right, we need to wash these. | 0:27:32 | 0:27:35 | |
-How did he die? -How should I know. | 0:27:40 | 0:27:42 | |
Doesn't matter how he died. | 0:27:42 | 0:27:43 | |
We fought, he's dead. | 0:27:43 | 0:27:45 | |
It looks bad, doesn't it? | 0:27:45 | 0:27:47 | |
Did he no' leave the Portakabin? | 0:27:47 | 0:27:49 | |
Aye. He was fine. I watched him drive away. | 0:27:49 | 0:27:52 | |
He was found in his car. | 0:27:52 | 0:27:53 | |
-The police are treating it as unexplained. -Unexplained? | 0:27:53 | 0:27:56 | |
I have to go and talk to them. | 0:27:56 | 0:27:57 | |
No, of course you shouldn't. You stay well away. | 0:27:57 | 0:27:59 | |
You know what they're like, anything for an easy life | 0:27:59 | 0:28:02 | |
and if they need somebody, you'll do. | 0:28:02 | 0:28:05 | |
-But... -No buts. | 0:28:05 | 0:28:06 | |
We need to think straight. | 0:28:06 | 0:28:08 | |
What if I injured him and that's why he died? | 0:28:08 | 0:28:11 | |
-Come on, Dad, you're hardly Mike Tyson. -I know, but... | 0:28:11 | 0:28:14 | |
If the worst comes to the worst, | 0:28:15 | 0:28:17 | |
-they'll just need to prove it, do you not think? -Angus. | 0:28:17 | 0:28:20 | |
-What if this is my fault, and I killed him? -Well... | 0:28:20 | 0:28:24 | |
You just say that it was a mistake, you were defending your property. | 0:28:25 | 0:28:28 | |
Son, this is serious, it's a man's life we're talking about. | 0:28:28 | 0:28:31 | |
Aye, and I'm talking about yours. | 0:28:31 | 0:28:34 | |
Ours. | 0:28:34 | 0:28:35 | |
You've got to tell me where you were. | 0:28:38 | 0:28:40 | |
I've already said, I can't. | 0:28:42 | 0:28:44 | |
We've already lost Mum. | 0:28:46 | 0:28:48 | |
We cannae lose you as well. | 0:28:48 | 0:28:50 | |
Well, it looks like one of your problems has gone away, | 0:28:58 | 0:29:02 | |
but he's left the other one in his house, the hard drive. | 0:29:02 | 0:29:06 | |
What are you on about? | 0:29:06 | 0:29:07 | |
Alan had a fight with Raymond last night. | 0:29:07 | 0:29:09 | |
And? | 0:29:09 | 0:29:11 | |
Raymond's dead. | 0:29:13 | 0:29:15 | |
They found his body this morning. | 0:29:15 | 0:29:17 | |
Result. | 0:29:19 | 0:29:20 | |
Wouldn't you say? | 0:29:20 | 0:29:22 | |
Is that not a bit harsh? | 0:29:22 | 0:29:24 | |
He used to be one of our investors. | 0:29:24 | 0:29:26 | |
He used to be a pain in the arse. | 0:29:26 | 0:29:27 | |
And now that pain's gone. | 0:29:27 | 0:29:29 | |
Alan lied to the police about being in the pub all night. | 0:29:31 | 0:29:34 | |
Trying to cover up for the fight. | 0:29:34 | 0:29:36 | |
You should talk to them. | 0:29:36 | 0:29:37 | |
It wouldn't look good you lying about it. | 0:29:37 | 0:29:40 | |
And don't worry about the hard drive, I'll sort it. | 0:29:42 | 0:29:45 | |
How? | 0:29:45 | 0:29:47 | |
Just leave it to me. | 0:29:47 | 0:29:49 | |
PANTING | 0:29:55 | 0:29:57 | |
I'm sorry. I just need to be sure of something. | 0:30:29 | 0:30:32 | |
You said last night after Raymond left the pub, | 0:30:32 | 0:30:34 | |
-Alan Lindsay followed him? -That's what I said, aye. | 0:30:34 | 0:30:37 | |
And this was sevenish, absolutely sure? | 0:30:37 | 0:30:40 | |
Quarter past, half past. | 0:30:40 | 0:30:42 | |
When did he come back? | 0:30:42 | 0:30:44 | |
He never did. | 0:30:44 | 0:30:45 | |
OK, thanks very much. I'll see myself out. | 0:30:46 | 0:30:49 | |
If you saw him drive away, you cannae be to blame - | 0:30:56 | 0:30:58 | |
how can you be? | 0:30:58 | 0:30:59 | |
Who's to know what he got himself involved in after he left? | 0:30:59 | 0:31:02 | |
He was looking for trouble, you said he was. | 0:31:02 | 0:31:04 | |
But people saw me leave the Tall Ship with him. | 0:31:04 | 0:31:07 | |
-The Portakabin's covered in his blood. -He walked away. | 0:31:07 | 0:31:10 | |
I know he did. | 0:31:11 | 0:31:12 | |
KNOCK AT DOOR | 0:31:12 | 0:31:14 | |
I'll get it. Stay calm, you've done nothing wrong. | 0:31:14 | 0:31:17 | |
Except lie to the police. | 0:31:19 | 0:31:21 | |
Hello, DI Donald, Shieldinch and Mossgreen police. | 0:31:24 | 0:31:27 | |
I'd like to speak to your father, if he's in. | 0:31:27 | 0:31:30 | |
You told us you were in the Tall Ship pub until closing time. | 0:31:34 | 0:31:37 | |
We have witnesses who say you left well before that - | 0:31:37 | 0:31:41 | |
with Raymond Henderson. | 0:31:41 | 0:31:42 | |
Closing? | 0:31:42 | 0:31:43 | |
Nah, my dad came back about eight. | 0:31:45 | 0:31:46 | |
Angus. | 0:31:46 | 0:31:48 | |
Did you go out again? | 0:31:48 | 0:31:49 | |
No. | 0:31:50 | 0:31:52 | |
-Anyone verify that? -Aye, me. | 0:31:52 | 0:31:54 | |
-Does he have to be here for this? -No. Not at the moment. | 0:31:54 | 0:31:57 | |
-Dad? -On you go. | 0:31:57 | 0:31:59 | |
You sure? | 0:31:59 | 0:32:00 | |
I'll talk to you later, Son. | 0:32:00 | 0:32:02 | |
You been in a fight? | 0:32:08 | 0:32:10 | |
I'm a builder. I pick up cuts and bruises in my line of work. | 0:32:10 | 0:32:14 | |
Didn't think you'd been doing much building lately. | 0:32:14 | 0:32:16 | |
They look fresh. | 0:32:16 | 0:32:18 | |
The body of Raymond Henderson had bruising, | 0:32:19 | 0:32:22 | |
an injury to the nose. | 0:32:22 | 0:32:25 | |
You were seen in a heated debate with the deceased shortly | 0:32:25 | 0:32:27 | |
before you followed him from the pub. | 0:32:27 | 0:32:29 | |
You can see how that looks. | 0:32:29 | 0:32:31 | |
You've got nothing to say about that? | 0:32:34 | 0:32:35 | |
Does my dad understand, do you think? | 0:33:30 | 0:33:33 | |
Oh, yes. | 0:33:33 | 0:33:35 | |
I think so. | 0:33:35 | 0:33:36 | |
He's... | 0:33:38 | 0:33:40 | |
He's struggling with it. | 0:33:40 | 0:33:42 | |
Very quiet. | 0:33:45 | 0:33:46 | |
I need to tell Stuart. | 0:33:49 | 0:33:51 | |
Oh, yes, it would be best. | 0:33:52 | 0:33:56 | |
But how? | 0:33:57 | 0:33:59 | |
How do you tell a wee boy his daddy's gone? | 0:33:59 | 0:34:05 | |
SHE SOBS | 0:34:05 | 0:34:07 | |
It's no' right, pet. | 0:34:12 | 0:34:14 | |
DOORBELL RINGS | 0:34:18 | 0:34:19 | |
Come in. | 0:34:30 | 0:34:32 | |
Thanks. Come through. | 0:34:32 | 0:34:34 | |
Hey, Malcolm. Liz. | 0:34:37 | 0:34:38 | |
It's really nice of you both. | 0:34:41 | 0:34:43 | |
It's the least we could... | 0:34:43 | 0:34:44 | |
We're really sorry. | 0:34:47 | 0:34:49 | |
I don't really know what else to say, I know none of it helps. | 0:34:52 | 0:34:54 | |
It does. | 0:34:54 | 0:34:56 | |
It does help. | 0:34:56 | 0:34:58 | |
I cannae make any sense of it. | 0:34:58 | 0:34:59 | |
It doesn't make any sense, that's why. | 0:35:01 | 0:35:03 | |
Is there anything we can do? | 0:35:10 | 0:35:12 | |
Phone anybody or sort anything out for you? | 0:35:13 | 0:35:15 | |
Thank you, but do you not need to get back to your work? | 0:35:15 | 0:35:19 | |
That's the last thing on our mind the now. | 0:35:20 | 0:35:22 | |
There is one thing you could do, | 0:35:24 | 0:35:26 | |
to take a weight off my mind. | 0:35:26 | 0:35:28 | |
What? | 0:35:28 | 0:35:31 | |
Will you take Stuart for me for a wee while? | 0:35:31 | 0:35:33 | |
I'm not ready for that yet. | 0:35:35 | 0:35:37 | |
Of course! | 0:35:37 | 0:35:39 | |
I'll keep the wee man entertained. | 0:35:39 | 0:35:41 | |
Where is he? | 0:35:41 | 0:35:42 | |
He's at nursery, he'll be finishing soon, | 0:35:42 | 0:35:46 | |
I was just going to go and get him. | 0:35:46 | 0:35:48 | |
No, we'll go get him. | 0:35:48 | 0:35:49 | |
Thank you. | 0:35:50 | 0:35:51 | |
Glad to. | 0:35:51 | 0:35:52 | |
Hiya! | 0:36:11 | 0:36:12 | |
You coming? | 0:36:13 | 0:36:14 | |
Stella! | 0:36:14 | 0:36:15 | |
-Stella! -Ahh! | 0:36:19 | 0:36:21 | |
-Right, you gonnae come with me to Stevie's? Are you? -Yeah. | 0:36:21 | 0:36:25 | |
-Right, what way is it? -That way! -That way! | 0:36:25 | 0:36:27 | |
Right, we'll go this way. | 0:36:30 | 0:36:33 | |
Right, I've cleaned up the Portakabin, | 0:36:37 | 0:36:40 | |
and the steps outside. | 0:36:40 | 0:36:42 | |
I've used so much bleach I've lost my fingerprints. | 0:36:42 | 0:36:45 | |
You think it looked like I killed him. | 0:36:49 | 0:36:50 | |
That's what you're thinking, isn't it? | 0:36:50 | 0:36:52 | |
What I'm thinking really isn't the issue. | 0:36:52 | 0:36:54 | |
It is to me, Son. | 0:36:54 | 0:36:56 | |
You're not going to jail. | 0:36:56 | 0:36:58 | |
Look, Dad, I came down late last night for a drink | 0:36:59 | 0:37:03 | |
and you weren't on that couch. | 0:37:03 | 0:37:05 | |
I'm more than happy to clean up for you, | 0:37:05 | 0:37:07 | |
but you need to be honest with me. | 0:37:07 | 0:37:09 | |
Where were you? | 0:37:09 | 0:37:10 | |
-Where are you going now? -The Portakabin. | 0:37:17 | 0:37:20 | |
I take it we'll be getting those PM results tomorrow? | 0:37:21 | 0:37:23 | |
Yeah, I marked it high priority. | 0:37:23 | 0:37:24 | |
I've just had a weird conversation with that Alan Lindsay. | 0:37:29 | 0:37:33 | |
He had an argument with Raymond Henderson in the Tall Ship last night | 0:37:35 | 0:37:39 | |
and he can't account for his whereabouts after that. | 0:37:39 | 0:37:42 | |
What are you thinking? | 0:37:43 | 0:37:45 | |
I don't know. But it's odd. | 0:37:45 | 0:37:48 | |
You think it might not be suicide? | 0:37:48 | 0:37:50 | |
I'm thinking we need to find out what Lindsay was up to. | 0:37:53 | 0:37:56 | |
Yesterday, Raymond was ranting on about how he thought | 0:37:58 | 0:38:02 | |
one of the guys connected with the development had been...taken out. | 0:38:02 | 0:38:06 | |
I did wonder if it was something else. | 0:38:06 | 0:38:08 | |
You don't think this has anything | 0:38:10 | 0:38:12 | |
-to do with Raymond's past misdemeanours, do you? -No. | 0:38:12 | 0:38:16 | |
I'm going to bring Lindsay in for questioning. | 0:38:19 | 0:38:22 | |
Sergeant Christie, come with me. | 0:38:24 | 0:38:26 | |
Hey, darling. How was school? | 0:38:38 | 0:38:40 | |
Same old same old. | 0:38:40 | 0:38:42 | |
Have you been doing a bit of spring cleaning? | 0:38:42 | 0:38:45 | |
Something like that. | 0:38:45 | 0:38:47 | |
I got your message, by the way. I'm sorry. | 0:38:48 | 0:38:51 | |
Well, you've scrubbed up OK. So I'll let you off. | 0:38:51 | 0:38:54 | |
What are you doing? | 0:38:55 | 0:38:57 | |
Och, paperwork, the usual slog. | 0:38:57 | 0:38:59 | |
I shouldn't be long. | 0:38:59 | 0:39:01 | |
So I'm on dinner tonight - thanks, Dad! | 0:39:01 | 0:39:04 | |
Hey, don't be cheeky. I'll be back in a bit, OK? | 0:39:04 | 0:39:07 | |
Dad, there's...the police out in the yard. | 0:39:15 | 0:39:19 | |
Mr Lindsay, we'd like you to accompany us | 0:39:26 | 0:39:30 | |
down the station, please. | 0:39:30 | 0:39:31 | |
What for? | 0:39:31 | 0:39:33 | |
Further questioning. | 0:39:33 | 0:39:34 | |
I'm also getting Forensics to give your workplace | 0:39:36 | 0:39:38 | |
the once-over. Anything you want to tell us? | 0:39:38 | 0:39:40 | |
Nothing. | 0:39:42 | 0:39:44 | |
OK, let's go. | 0:39:45 | 0:39:46 | |
Dad, what's he talking about? | 0:39:48 | 0:39:49 | |
It's nothing, darlin', just go home. I promise you. | 0:39:49 | 0:39:52 | |
Yeah, but he said FURTHER questioning. | 0:39:52 | 0:39:54 | |
It's just a misunderstanding. | 0:39:54 | 0:39:56 | |
-Why are you guys...? -Kirsty, just go home. | 0:39:56 | 0:39:58 | |
I'm not going to go home! You're not telling me anything! | 0:39:58 | 0:40:01 | |
Dad. | 0:40:05 | 0:40:06 | |
-They're taking Dad away. -What for? | 0:40:16 | 0:40:18 | |
-Questioning. -Kirsty, he'll be fine. -No, he won't! Dad! | 0:40:18 | 0:40:23 | |
-Kirsty! -Angus! Dad! Angus, get off me! Dad! Dad! | 0:40:23 | 0:40:28 | |
Angus, why are they taking him away? | 0:40:32 | 0:40:33 | |
-What did Dad do? -Nothing, honest. | 0:40:33 | 0:40:37 | |
I don't believe you. | 0:40:37 | 0:40:39 | |
Get Forensics down here. | 0:40:41 | 0:40:42 | |
Looks like somebody's been attempting a wee clean-up. | 0:40:42 | 0:40:45 | |
Come on. This really isn't how it looks. | 0:40:48 | 0:40:51 | |
You expect me to believe you? | 0:40:51 | 0:40:53 | |
Of course. Don't get yourself wound up about nothing. | 0:40:53 | 0:40:56 | |
-He's been arrested. -Kirsty, he's been taken in for questioning. | 0:40:56 | 0:40:59 | |
So why have they taken him away? | 0:40:59 | 0:41:01 | |
It looks to them like he might have done something, but he hasn't. | 0:41:01 | 0:41:04 | |
-How do you know that? -He told me. | 0:41:04 | 0:41:06 | |
Somebody died. | 0:41:10 | 0:41:11 | |
That Raymond Henderson guy, | 0:41:11 | 0:41:14 | |
he's been hassling Dad about the development. | 0:41:14 | 0:41:16 | |
They think he killed somebody? | 0:41:16 | 0:41:17 | |
Of course not. It's just procedure. | 0:41:17 | 0:41:19 | |
There's the first bit there... | 0:41:28 | 0:41:31 | |
So we need... | 0:41:32 | 0:41:34 | |
-The sun bit! -The sun bit. | 0:41:34 | 0:41:37 | |
Oh, no, wait, wait. | 0:41:37 | 0:41:39 | |
See if you can make that work. | 0:41:42 | 0:41:43 | |
See, that fits! | 0:41:47 | 0:41:50 | |
See? Well done. | 0:41:50 | 0:41:53 | |
So let's see if you can find the farmer. | 0:41:53 | 0:41:55 | |
-Found it. -Well done. | 0:42:02 | 0:42:05 | |
Put it in. | 0:42:05 | 0:42:06 | |
Stevie. | 0:42:08 | 0:42:10 | |
Be back in a minute, pal. | 0:42:16 | 0:42:18 | |
You OK? | 0:42:23 | 0:42:24 | |
Aye. | 0:42:24 | 0:42:26 | |
I like your tent. | 0:42:27 | 0:42:29 | |
Cheers. | 0:42:29 | 0:42:31 | |
-(He keeps asking about Raymond.) -He's gonnae, isn't he? | 0:42:36 | 0:42:40 | |
I know, but I cannae tell him. | 0:42:40 | 0:42:43 | |
It needs to be Eileen. | 0:42:43 | 0:42:45 | |
Aye, just you keep him occupied the now. | 0:42:45 | 0:42:49 | |
That's what I'm doing. | 0:42:49 | 0:42:50 | |
Do something daft. | 0:42:55 | 0:42:56 | |
You're good at that. | 0:42:58 | 0:43:00 | |
Aye. | 0:43:00 | 0:43:02 | |
-Right, I'll go and make you something to eat. -Thanks. | 0:43:03 | 0:43:06 | |
Right, wee man, | 0:43:08 | 0:43:10 | |
I've had enough of that jigsaw mince. | 0:43:10 | 0:43:14 | |
-Do you want to do something else? -Yeah! | 0:43:14 | 0:43:16 | |
Want to play Superman? Right, stand up, then. | 0:43:16 | 0:43:19 | |
Superman, Superman! | 0:43:19 | 0:43:21 | |
THEY GIGGLE | 0:43:23 | 0:43:25 | |
Superman! | 0:43:28 | 0:43:31 | |
Blahh! See, I can do that better than you! | 0:43:34 | 0:43:37 | |
Blahh! | 0:43:37 | 0:43:39 | |
OK, let's go back through things again, shall we, step by step? | 0:43:44 | 0:43:47 | |
I told you, I went to the Ship, I got talking to Raymond, | 0:43:47 | 0:43:51 | |
he lost the heid, started shouting at me, Stevie asked him to leave. | 0:43:51 | 0:43:55 | |
You followed him from the bar, to have it out? | 0:43:55 | 0:43:59 | |
No. To talk sense into him. | 0:43:59 | 0:44:01 | |
You both ended up in your Portakabin? Why was that? | 0:44:01 | 0:44:06 | |
The Portakabin was private. | 0:44:06 | 0:44:07 | |
It's better than shouting the odds in the street. | 0:44:07 | 0:44:10 | |
And everything was reconciled amicably, was it? | 0:44:10 | 0:44:13 | |
-Or you lost the rag? -We both did. | 0:44:15 | 0:44:17 | |
Land a few punches? | 0:44:18 | 0:44:20 | |
I landed a punch - you could hardly call it a fight. | 0:44:20 | 0:44:23 | |
I know how this looks, but he was very much alive when he left. | 0:44:25 | 0:44:29 | |
So you say. | 0:44:30 | 0:44:32 | |
Your Portakabin...is...spotless. | 0:44:35 | 0:44:40 | |
I cleaned up. | 0:44:41 | 0:44:43 | |
Really? | 0:44:43 | 0:44:44 | |
You know that even with raw bleach, you leave traces of blood behind. | 0:44:46 | 0:44:51 | |
Those faint stains are being analysed as we speak. | 0:44:51 | 0:44:55 | |
So, we've got you | 0:44:55 | 0:44:56 | |
on attempting to pervert the course of justice, if nothing else. | 0:44:56 | 0:45:00 | |
I want a lawyer. | 0:45:02 | 0:45:04 | |
You all right? | 0:45:31 | 0:45:32 | |
It's so stupid. Dad's not capable of killing anyone. | 0:45:34 | 0:45:39 | |
I miss him already. | 0:45:43 | 0:45:45 | |
Don't talk about him as if he isn't coming back. | 0:45:45 | 0:45:48 | |
That's what I'm most scared of. | 0:45:50 | 0:45:52 | |
Me too. | 0:45:52 | 0:45:54 | |
Look, I think that he can prove he didn't do it, | 0:45:57 | 0:46:01 | |
but he just doesn't want to. | 0:46:01 | 0:46:03 | |
I don't know what you mean. | 0:46:04 | 0:46:06 | |
I think he was doing something else, | 0:46:09 | 0:46:11 | |
but...he didn't want to tell me what. | 0:46:11 | 0:46:13 | |
He looked embarrassed. | 0:46:15 | 0:46:17 | |
Do you think he's got a girlfriend? | 0:46:22 | 0:46:24 | |
Dad? | 0:46:24 | 0:46:25 | |
No... | 0:46:27 | 0:46:28 | |
He's got us. | 0:46:30 | 0:46:31 | |
Come on. Coming to watch some telly? | 0:46:33 | 0:46:37 | |
No. | 0:46:37 | 0:46:38 | |
-You know I'm here, right? -I know. | 0:46:40 | 0:46:43 | |
Marks on both you and the victim... | 0:46:59 | 0:47:01 | |
witnesses to an altercation between you both... | 0:47:01 | 0:47:05 | |
you freely admitting | 0:47:05 | 0:47:06 | |
a further, physical altercation in your Portakabin... | 0:47:06 | 0:47:09 | |
an attempt to conceal evidence. | 0:47:09 | 0:47:11 | |
It's not looking good. | 0:47:13 | 0:47:14 | |
You're looking at a very serious charge unless you can prove | 0:47:21 | 0:47:24 | |
where you were last night between the hours of nine and eleven. | 0:47:24 | 0:47:27 | |
At the very least, you're looking at a night in the cells. | 0:47:28 | 0:47:31 | |
OK. Alan Lindsay, I am detaining you for further questioning | 0:47:39 | 0:47:43 | |
in relation to the death of Raymond Henderson on September 15th, 2014. | 0:47:43 | 0:47:47 | |
I'd like to make a call. | 0:47:49 | 0:47:51 | |
About the case? | 0:47:51 | 0:47:53 | |
My kids. Let them know I won't be home tonight. | 0:47:53 | 0:47:57 | |
OK. Interview suspended at 19:42 hours. | 0:47:59 | 0:48:04 | |
Right, OK. | 0:48:07 | 0:48:08 | |
No, no, we'll be fine here. | 0:48:10 | 0:48:12 | |
Right. | 0:48:14 | 0:48:15 | |
I'll let Kirsty know. | 0:48:16 | 0:48:18 | |
Cool, see you then. Bye. | 0:48:20 | 0:48:24 | |
-Was that Dad? -Yeah. | 0:48:26 | 0:48:30 | |
Is he coming home? | 0:48:30 | 0:48:32 | |
He's being kept in overnight. | 0:48:33 | 0:48:35 | |
Can we see him? | 0:48:37 | 0:48:39 | |
Not now. Tomorrow morning. | 0:48:39 | 0:48:41 | |
-Has he got a lawyer? -Yeah. There's nothing more we can do. OK. | 0:48:43 | 0:48:48 | |
Right, well, I guess that's it for tonight, then. | 0:48:50 | 0:48:55 | |
I'm going to be upstairs. | 0:48:55 | 0:48:56 | |
OK. | 0:48:56 | 0:48:58 | |
Did you get in touch with your kids OK? | 0:49:12 | 0:49:15 | |
Are they all right? | 0:49:15 | 0:49:17 | |
What do YOU think? | 0:49:17 | 0:49:19 | |
Alan... | 0:49:22 | 0:49:23 | |
..you need an alibi. Badly. | 0:49:25 | 0:49:27 | |
Look, if the reason you can't tell us is | 0:49:31 | 0:49:33 | |
cos you were somewhere you shouldn't have been | 0:49:33 | 0:49:35 | |
and you're too embarrassed, then I suggest you get over yourself. | 0:49:35 | 0:49:39 | |
Cos whatever it is you were up to, take it from me, it's not | 0:49:39 | 0:49:42 | |
going to be half as embarrassing as facing a murder charge. | 0:49:42 | 0:49:45 | |
My kids can't find out. | 0:49:49 | 0:49:51 | |
BEEP | 0:49:55 | 0:49:57 | |
DI Craig Donald recommencing the interview with | 0:50:00 | 0:50:02 | |
Alan Lindsay at 19:51 hours. | 0:50:02 | 0:50:05 | |
So... | 0:50:05 | 0:50:07 | |
Where were you last night between the hours of nine and eleven? | 0:50:07 | 0:50:11 | |
Who were you with that you shouldn't have been? | 0:50:14 | 0:50:17 | |
My wife. | 0:50:19 | 0:50:20 | |
That's a new one. | 0:50:23 | 0:50:25 | |
She left us. Six months ago. | 0:50:25 | 0:50:27 | |
Went to live in Dubai. | 0:50:27 | 0:50:29 | |
She's got an old school friend out there. | 0:50:29 | 0:50:31 | |
Living the dream, if you believe the photos. | 0:50:31 | 0:50:33 | |
Which Rhona did. | 0:50:33 | 0:50:34 | |
So...last night...? | 0:50:36 | 0:50:39 | |
I'd heard she was back in Glasgow for a couple of days. | 0:50:39 | 0:50:41 | |
Something to do with visa requirements. | 0:50:43 | 0:50:46 | |
She called me and asked me to meet her | 0:50:46 | 0:50:48 | |
at the guest house she's staying at. That's where I went after the fight. | 0:50:48 | 0:50:51 | |
Why is this a big secret? | 0:50:51 | 0:50:53 | |
She hasn't contacted her kids once since she left, not once. | 0:50:53 | 0:50:58 | |
How do you think they're going to feel when they find out | 0:50:58 | 0:51:00 | |
she's been back in Glasgow and hasn't bothered to see them? | 0:51:00 | 0:51:03 | |
So you met up to...have it out? | 0:51:03 | 0:51:06 | |
I met up to make her see what she's doing to these kids. | 0:51:08 | 0:51:12 | |
Try and make her see sense. | 0:51:12 | 0:51:14 | |
Try and make her come home. | 0:51:16 | 0:51:17 | |
What happened? | 0:51:18 | 0:51:20 | |
I met her in the bar in the guest house. | 0:51:20 | 0:51:24 | |
You got a name for the place? | 0:51:24 | 0:51:26 | |
It's in Pollokshields. I've got a card somewhere. | 0:51:26 | 0:51:29 | |
-What time was this? -Back of nine. | 0:51:29 | 0:51:32 | |
Any witnesses? | 0:51:32 | 0:51:33 | |
The barman, a couple of guests. | 0:51:33 | 0:51:35 | |
Good. How long were you there? | 0:51:35 | 0:51:37 | |
Half an hour. Tops. | 0:51:37 | 0:51:40 | |
She only wanted to meet me so that I could sign some paperwork, | 0:51:40 | 0:51:43 | |
separate our bank accounts. | 0:51:43 | 0:51:45 | |
OK, so you were there until about half-nine. What then? | 0:51:48 | 0:51:52 | |
I stayed there about 20 minutes, finishing my drink, | 0:51:54 | 0:51:57 | |
hoping she'd change her mind and come back down from her room. | 0:51:57 | 0:52:01 | |
Then I went to that bar on Pollston Street | 0:52:02 | 0:52:05 | |
and had a few drinks until closing. | 0:52:05 | 0:52:07 | |
-Then what? -Pizza. -Where from? | 0:52:08 | 0:52:11 | |
The Italian next door. Then I went home. | 0:52:11 | 0:52:14 | |
Interview terminated at 19:54 hours. | 0:52:18 | 0:52:21 | |
Right, get the name of this guest house. Get over there and check out | 0:52:22 | 0:52:26 | |
the CCTV. Also the stuff from the bar, the pizza place. | 0:52:26 | 0:52:28 | |
-And get Mrs Lindsay in for an interview. -Is that really necessary? | 0:52:28 | 0:52:32 | |
You better pray she's still there. | 0:52:33 | 0:52:35 | |
Lock him up. | 0:52:35 | 0:52:36 | |
DOORBELL | 0:53:05 | 0:53:07 | |
-Hi. -Hi. In you come. | 0:53:13 | 0:53:15 | |
-How's he been? -Aye, fine. He's tired. | 0:53:18 | 0:53:23 | |
Yeah. It's getting close to his bedtime. | 0:53:23 | 0:53:26 | |
I can't thank you enough. | 0:53:26 | 0:53:29 | |
Don't be daft. | 0:53:29 | 0:53:30 | |
-Is he in there? -Aye, on you go. | 0:53:32 | 0:53:33 | |
And he blows yer hoose doon! | 0:53:38 | 0:53:40 | |
But he won't blow this hoose doon | 0:53:40 | 0:53:42 | |
cos we're inside and we're nice and cosy. | 0:53:42 | 0:53:45 | |
It's lovely. | 0:53:45 | 0:53:46 | |
Stevie. | 0:53:46 | 0:53:48 | |
He's knackered. | 0:53:57 | 0:53:59 | |
Stevie, I saw Alan Lindsay being taken away in a police car. | 0:54:01 | 0:54:04 | |
What, arrested? | 0:54:05 | 0:54:07 | |
Could be. | 0:54:07 | 0:54:08 | |
Well, I told the polis, Alan left the bar with Raymond. | 0:54:09 | 0:54:14 | |
Were they arguing? | 0:54:15 | 0:54:16 | |
Not so much Alan - he was wanting to calm him down. | 0:54:16 | 0:54:19 | |
But...they left together? | 0:54:21 | 0:54:25 | |
Aye. | 0:54:25 | 0:54:26 | |
Listen, Eileen, he keeps asking about Raymond. | 0:54:28 | 0:54:32 | |
Can I ask another favour of you? | 0:54:35 | 0:54:37 | |
Aye, course. | 0:54:37 | 0:54:39 | |
Can I talk to him in there? | 0:54:39 | 0:54:42 | |
It's just, with Dad and Liz... | 0:54:42 | 0:54:45 | |
Of course you can, absolutely. | 0:54:45 | 0:54:48 | |
We'll make ourselves scarce. | 0:54:48 | 0:54:50 | |
-Just you take your time, right? -Thanks. | 0:54:50 | 0:54:53 | |
It's nice in here, isn't it? | 0:55:01 | 0:55:04 | |
With all the sparkly lights and everything. | 0:55:04 | 0:55:07 | |
Do you know what I think this is like? | 0:55:12 | 0:55:15 | |
I think... | 0:55:17 | 0:55:19 | |
I think this is a wee bit like heaven... | 0:55:21 | 0:55:24 | |
..where angels live. | 0:55:27 | 0:55:29 | |
-Angels live there? -They do. | 0:55:29 | 0:55:32 | |
Angels live in heaven, and I think they're really, really happy there. | 0:55:32 | 0:55:36 | |
I think in here it looks... | 0:55:39 | 0:55:41 | |
..it looks a bit like heaven, and... | 0:55:43 | 0:55:46 | |
And Mummy is... | 0:55:50 | 0:55:52 | |
Mummy's just really, really sad today. | 0:55:55 | 0:55:58 | |
Sweetheart... | 0:56:07 | 0:56:09 | |
Daddy had an accident... | 0:56:11 | 0:56:13 | |
..and he's gone to live with the angels now. | 0:56:15 | 0:56:18 | |
And he'll be really happy being an angel... | 0:56:21 | 0:56:25 | |
..but it means that... | 0:56:29 | 0:56:32 | |
..it means that we won't see him any more. | 0:56:34 | 0:56:36 | |
It's just going to be you and me from now on, OK? | 0:56:42 | 0:56:48 | |
Just you and me. | 0:56:49 | 0:56:51 | |
We're going to be fine, OK? | 0:56:53 | 0:56:56 | |
We're going to be fine. | 0:56:57 | 0:57:00 | |
We're just going to think about all the angels in heaven. | 0:57:01 | 0:57:04 | |
Come here. | 0:57:09 | 0:57:10 | |
You ruined my professional reputation, | 0:57:18 | 0:57:20 | |
and all the time you knew that that land was bad. | 0:57:20 | 0:57:23 | |
Eileen has a copy of the report. | 0:57:23 | 0:57:25 | |
Why the hell did I get involved in this? | 0:57:25 | 0:57:27 | |
Frank Paton is promoting developments like this one | 0:57:27 | 0:57:30 | |
-all over Glasgow. -There's nothing illegal about that. -There is. | 0:57:30 | 0:57:34 | |
Detective Inspector Donald, Shieldinch and Mossgreen Police. | 0:57:34 | 0:57:37 | |
-What's this about? -Lenny Murdoch. A friend of yours? | 0:57:37 | 0:57:40 | |
There's not going to be any funeral until I know how he died. | 0:57:40 | 0:57:43 | |
Subtitles by Red Bee Media Ltd | 0:57:58 | 0:58:00 |