
Browse content similar to Blue Lightning - Part 1. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
39. | 0:00:35 | 0:00:37 | |
One chick, fully feathered, two adults. | 0:00:39 | 0:00:41 | |
40. | 0:00:45 | 0:00:46 | |
Empty nest. | 0:00:48 | 0:00:59 | |
Last one. One chick, fully feathered, two adults. | 0:00:51 | 0:00:56 | |
Horrible system forecast from the East later. | 0:00:58 | 0:01:00 | |
Yeah, I saw that. Finlay! | 0:01:00 | 0:01:02 | |
PHONE BEEPS | 0:01:45 | 0:01:48 | |
Hey, kiddo. You arrive OK, then? | 0:02:17 | 0:02:19 | |
'I did, thanks. And I forgot how cold it was over here.' | 0:02:19 | 0:02:21 | |
-So, aside from cold, how is it? -'Windy!' | 0:02:21 | 0:02:23 | |
'Why couldn't you've been born in, like, the Caribbean instead of Fair Isle?' | 0:02:23 | 0:02:28 | |
Ahh... You know I'd miss the rain. | 0:02:28 | 0:02:30 | |
I'm sorry I can't be there. | 0:02:30 | 0:02:33 | |
-How's that pile of paperwork anyway? -'I'm getting through it.' -CEILIDH MUSIC PLAYS | 0:02:33 | 0:02:36 | |
-'Is that music I can hear?' -Yeah. We're just about to go in. | 0:02:36 | 0:02:39 | |
Well, tell your gran and grandad that I'm asking for them | 0:02:39 | 0:02:43 | |
and have a good time with Angus. | 0:02:43 | 0:02:45 | |
And, you know, you behave yourselves. | 0:02:45 | 0:02:48 | |
We will. Love you. | 0:02:48 | 0:02:49 | |
-And I... -PHONE BEEPS | 0:02:49 | 0:02:51 | |
-Hey. -How's your dad? -Fine, I think. Yeah. | 0:02:55 | 0:02:59 | |
-You forgot to ask, didn't you? -Sort of. But he sounded fine. -SHE LAUGHS | 0:02:59 | 0:03:04 | |
-Ah, yes! Thank you, Frank. -Thanks, Frank. | 0:03:04 | 0:03:07 | |
There you are, son. Come on. | 0:03:07 | 0:03:10 | |
-Happy birthday. -Happy birthday. Cheers! -Cheers! | 0:03:10 | 0:03:12 | |
There's Angus! The happiest of birthdays to you. | 0:03:16 | 0:03:21 | |
Happy birthday, Angus. | 0:03:21 | 0:03:24 | |
Happy birthday, Angus. | 0:03:24 | 0:03:26 | |
Hey! I'm good, how are you? | 0:03:26 | 0:03:28 | |
CHATTER AND MUSIC CONTINUE | 0:03:28 | 0:03:31 | |
INDISTINCT CONVERSATION | 0:03:31 | 0:03:34 | |
HE LAUGHS | 0:03:34 | 0:03:36 | |
SHE LAUGHS | 0:03:36 | 0:03:38 | |
MUSIC CONTINUES IN DISTANCE | 0:03:38 | 0:03:41 | |
PHONE BEEPS | 0:03:50 | 0:03:53 | |
How many times have you and your wife wished each other a happy anniversary today? | 0:03:57 | 0:04:01 | |
Haven't you heard? Absence makes the heart grow fond of texting. | 0:04:01 | 0:04:05 | |
-HE SCOFFS -You're like a pair of Canada Geese. | 0:04:05 | 0:04:08 | |
Honk, honk to you, my sad, unpaired friend. | 0:04:08 | 0:04:11 | |
Ha! Unpaired I may be. | 0:04:11 | 0:04:14 | |
Sad about it? | 0:04:14 | 0:04:16 | |
No. | 0:04:16 | 0:04:17 | |
Peter, could I have a word? | 0:04:17 | 0:04:20 | |
-DOOR OPENS -Are you lot going to join in the festivities | 0:04:20 | 0:04:24 | |
or are you going to stay in here like a bunch of antisocial lab rats? | 0:04:24 | 0:04:27 | |
Bit busy right now, Frank. | 0:04:27 | 0:04:29 | |
Working in here isn't a judgment against dancing through there. | 0:04:29 | 0:04:32 | |
Yes, but it doesn't hurt to let the islanders know that we're reasonably normal, | 0:04:32 | 0:04:35 | |
and not just totally obsessed with their bird life. | 0:04:35 | 0:04:38 | |
-Oh, I am totally obsessed with their bird life. -So am I. | 0:04:38 | 0:04:41 | |
Anna, please. It just helps. | 0:04:41 | 0:04:44 | |
-SHE SIGHS Oh, for God's sake. -You wanted a word, Anna? | 0:04:48 | 0:04:51 | |
Oh, yeah. You two go ahead. | 0:04:51 | 0:04:53 | |
FINLAY: First drink on me? | 0:04:53 | 0:04:55 | |
First? How many do you have in mind? | 0:04:55 | 0:04:56 | |
Well, as many as it takes until we lose count. | 0:04:56 | 0:04:59 | |
ANNA: Peter. | 0:04:59 | 0:05:00 | |
-Well? -Close the door. | 0:05:00 | 0:05:02 | |
Close the door...and lock. | 0:05:03 | 0:05:05 | |
Just closed will be fine. | 0:05:05 | 0:05:07 | |
-Drink, please. -I'll get it. | 0:05:54 | 0:05:56 | |
You're all right, Finlay, I'll take it from here. | 0:05:56 | 0:05:58 | |
Little tip. Better to chat her up away from the husband. | 0:05:58 | 0:06:02 | |
Joe? | 0:06:25 | 0:06:26 | |
Joe? | 0:06:36 | 0:06:38 | |
What are you doing here? | 0:06:39 | 0:06:41 | |
Joe? | 0:06:42 | 0:06:43 | |
Tess! | 0:06:51 | 0:06:53 | |
Tessa! | 0:06:53 | 0:06:54 | |
Right, this is my wife Tessa, Frank Blake. | 0:07:02 | 0:07:05 | |
HE SIGHS | 0:07:59 | 0:08:00 | |
TELEPHONE RINGS | 0:08:24 | 0:08:26 | |
Jimmy Perez. | 0:08:33 | 0:08:35 | |
Hang on, say that again. | 0:08:41 | 0:08:42 | |
RADIO: '..overnight to storm force ten that will be accompanied | 0:09:29 | 0:09:33 | |
'by heavy driving rain. | 0:09:33 | 0:09:34 | |
'Due to the conditions, the airport is expected | 0:09:34 | 0:09:37 | |
'to shut down within the hour. | 0:09:37 | 0:09:38 | |
'This will make travel between the Mainland | 0:09:38 | 0:09:40 | |
'and Fair Isle impossible for the next 24 hours...' | 0:09:40 | 0:09:43 | |
There! | 0:09:48 | 0:09:49 | |
-Are you all right, darling? -Yeah. -Bumpy flight, I take it? | 0:10:16 | 0:10:19 | |
Aye... Just a bit. | 0:10:19 | 0:10:20 | |
-Good to see you, Jimmy. -You too, Dad. | 0:10:21 | 0:10:23 | |
This is my colleague, Detective Sergeant Alison McIntosh. | 0:10:23 | 0:10:26 | |
Hello, sorry, I'm not always this shade of puce. | 0:10:26 | 0:10:29 | |
Jimmy's mother's the same. It's the boat for her every time. | 0:10:29 | 0:10:32 | |
Right, now, let's get these things loaded up. | 0:10:32 | 0:10:35 | |
Given how much time we've already lost, | 0:10:35 | 0:10:38 | |
it's probably best if we just crack on. | 0:10:38 | 0:10:40 | |
Did you manage to keep everybody away from the laboratory? | 0:10:40 | 0:10:43 | |
I got Donnie down there and he's put everything on lockdown. | 0:10:43 | 0:10:47 | |
And Isobel is with the family. | 0:10:47 | 0:10:49 | |
The weather is probably going to shut Lerwick down | 0:10:49 | 0:10:52 | |
for 24 hours at least. | 0:10:52 | 0:10:53 | |
So we are on our own, Dad. | 0:10:54 | 0:10:56 | |
We're all devastated, Jimmy. | 0:10:56 | 0:10:59 | |
I know. | 0:10:59 | 0:11:00 | |
There hasn't been an unlawful killing on Fair Isle | 0:11:05 | 0:11:07 | |
for 70 years. And even that was caused by the Luftwaffe. | 0:11:07 | 0:11:10 | |
People are scared. | 0:11:10 | 0:11:12 | |
You're their lay preacher, Dad, just do your best to reassure them. | 0:11:12 | 0:11:16 | |
Hopefully, you'll be able to wrap this up pretty sharpish. | 0:11:16 | 0:11:19 | |
One of the scientists at the Centre hasn't been seen since last night. | 0:11:19 | 0:11:24 | |
Peter Latimer. | 0:11:24 | 0:11:25 | |
What does that mean? | 0:11:25 | 0:11:27 | |
I'm just saying that if I was a bookie, | 0:11:27 | 0:11:29 | |
I wouldn't take any bets on who did it. | 0:11:29 | 0:11:31 | |
It's probably just as well you're not a bookie then, Dad. | 0:11:33 | 0:11:35 | |
Aye, well. | 0:11:35 | 0:11:37 | |
Right, better get started here. | 0:11:54 | 0:11:56 | |
Dad, can take you Tosh down to the harbour and see | 0:11:57 | 0:11:59 | |
if there's any boats missing. | 0:11:59 | 0:12:01 | |
-But can you take Cass home first? -Sure. | 0:12:01 | 0:12:04 | |
And if a boat is missing? Main island coastguard? | 0:12:04 | 0:12:06 | |
Aye. | 0:12:06 | 0:12:07 | |
If he's headed north, that'll almost certainly mean a recovery operation. | 0:12:07 | 0:12:12 | |
That stretch between here and Shetland is notorious. | 0:12:12 | 0:12:15 | |
Even locals like myself struggle to navigate it. | 0:12:15 | 0:12:18 | |
Well, I'm sure they are aware of that, Dad. | 0:12:18 | 0:12:20 | |
Can I help you with that? | 0:12:35 | 0:12:36 | |
I'm Finlay Caulfield. | 0:12:36 | 0:12:39 | |
I was Anna's assistant. | 0:12:39 | 0:12:42 | |
We've been waiting for you, actually. | 0:12:42 | 0:12:44 | |
We thought you wouldn't get here before they shut down the transits. | 0:12:44 | 0:12:47 | |
I'm Detective Inspector Perez. | 0:12:47 | 0:12:50 | |
Could I see Doctor Blake's body now, if you don't mind? | 0:12:50 | 0:12:52 | |
The body is in the lab, just through here. | 0:13:18 | 0:13:22 | |
I'll be fine from here, thanks. | 0:13:25 | 0:13:26 | |
Well, there's no vessels missing. | 0:13:34 | 0:13:36 | |
Really? OK. | 0:13:36 | 0:13:39 | |
So then, this Latimer is still on the island. | 0:13:39 | 0:13:42 | |
Is that a good thing or bad? | 0:13:42 | 0:13:44 | |
Who owns these huts? | 0:13:44 | 0:13:46 | |
Well, that's the, err... | 0:13:47 | 0:13:49 | |
the fishermen there and this belongs to the Research Centre. | 0:13:49 | 0:13:54 | |
Shouldn't we be getting straight back? | 0:13:56 | 0:13:58 | |
Just need to check these, he could be hiding until dark. | 0:13:58 | 0:14:02 | |
Aye, well, there is that. | 0:14:02 | 0:14:04 | |
Hey, wake up. | 0:14:04 | 0:14:06 | |
Hey, Donnie, good to see you. | 0:14:11 | 0:14:13 | |
And you, big man. And you. | 0:14:13 | 0:14:15 | |
Just wish it was under slightly different circumstances, obviously. | 0:14:15 | 0:14:18 | |
Aye. | 0:14:18 | 0:14:19 | |
DOOR CLOSES | 0:14:31 | 0:14:32 | |
Anything? | 0:15:22 | 0:15:23 | |
No, nothing here. And you? | 0:15:23 | 0:15:26 | |
Same. | 0:15:26 | 0:15:27 | |
TELEPHONE RINGS | 0:15:44 | 0:15:46 | |
Tosh? | 0:15:46 | 0:15:47 | |
Sir, there aren't any boats missing and there are no signs of | 0:15:47 | 0:15:50 | |
anyone trying to hide nearby either. | 0:15:50 | 0:15:53 | |
'OK, keep looking and...' | 0:15:53 | 0:15:55 | |
Listen, I want you to ask my dad | 0:15:55 | 0:15:57 | |
if we can set up an incident room in the village hall. | 0:15:57 | 0:15:59 | |
'Also, I've made a start on the crime scene, | 0:15:59 | 0:16:02 | |
'but I just need to check something and then I'll start feeding information' | 0:16:02 | 0:16:05 | |
through to Sandy. OK? | 0:16:05 | 0:16:07 | |
He's gone out for a cigarette. | 0:16:17 | 0:16:19 | |
I thought this might prove useful... | 0:16:19 | 0:16:21 | |
Am I right in saying that visiting researchers | 0:16:26 | 0:16:28 | |
would be given a front door key? | 0:16:28 | 0:16:31 | |
That's correct. | 0:16:31 | 0:16:32 | |
And so, who would have a full set? | 0:16:33 | 0:16:37 | |
That would be the three permanent members of staff. | 0:16:37 | 0:16:40 | |
That's the Blakes and myself. | 0:16:40 | 0:16:42 | |
They're hung up in the office. | 0:16:42 | 0:16:43 | |
-And were they still there this morning? -Yes. | 0:16:44 | 0:16:47 | |
Are these bedrooms? | 0:16:53 | 0:16:54 | |
Erm...yes. | 0:16:54 | 0:16:56 | |
That's mine. Erm... | 0:16:56 | 0:16:58 | |
That's Bill's. | 0:16:58 | 0:17:00 | |
Latimer's. | 0:17:00 | 0:17:01 | |
That's Anna's. And that's Frank's. | 0:17:01 | 0:17:04 | |
So, Dr Blake and her husband, they slept apart? | 0:17:05 | 0:17:09 | |
Yeah. | 0:17:09 | 0:17:10 | |
OK. | 0:17:12 | 0:17:13 | |
DOOR OPENS | 0:17:21 | 0:17:23 | |
I'm so sorry, Frank. | 0:17:27 | 0:17:28 | |
Joe. | 0:17:35 | 0:17:36 | |
Well, in the old days, if I'd have thought of hiding out, | 0:17:40 | 0:17:43 | |
I would head for the lighthouses up at Skroo or at Skadden. | 0:17:43 | 0:17:46 | |
Good vantage points over the whole island. | 0:17:46 | 0:17:49 | |
-Why the old days? -Well, they've both been automated for years, | 0:17:49 | 0:17:52 | |
so they're completely locked up, your man couldn't get in. | 0:17:52 | 0:17:55 | |
Could he break in? | 0:17:55 | 0:17:57 | |
Unlikely. | 0:17:57 | 0:17:58 | |
-You still want to check them out, eh? -Please... -Aye. Good! Good! | 0:17:59 | 0:18:03 | |
Listen, thanks for standing guard. | 0:18:06 | 0:18:08 | |
Oh, not at all, not at all. | 0:18:08 | 0:18:10 | |
I am only happy to help. | 0:18:10 | 0:18:11 | |
-Bit weird though, ain't it? -Aye. | 0:18:13 | 0:18:16 | |
Listen, I just wanted to check something with you. | 0:18:16 | 0:18:20 | |
Has anybody been in or out of that lab since the body was found? | 0:18:20 | 0:18:24 | |
No. | 0:18:26 | 0:18:27 | |
Not since I was there, no. | 0:18:29 | 0:18:30 | |
You're sure? | 0:18:30 | 0:18:32 | |
-Positive, aye. -Right. OK. | 0:18:32 | 0:18:34 | |
Isobel and Angus are looking forward to seeing you. | 0:18:36 | 0:18:38 | |
Did he like his present? | 0:18:38 | 0:18:40 | |
He loved it, Jimmy. | 0:18:40 | 0:18:41 | |
I know I've not been the most hands-on of godfathers... | 0:18:41 | 0:18:44 | |
No, no, listen, we understand. | 0:18:44 | 0:18:47 | |
You and me, we'll get a chance to have a proper catch up later, eh. | 0:18:47 | 0:18:50 | |
Aye, aye, sure. Aye. You get on now. | 0:18:50 | 0:18:53 | |
-I'll see you later. -Right. | 0:18:53 | 0:18:55 | |
There is severe bruising at the left temple... | 0:19:15 | 0:19:19 | |
..but not on the right. | 0:19:22 | 0:19:23 | |
And there's another bruise | 0:19:24 | 0:19:26 | |
on the right cheek. | 0:19:26 | 0:19:28 | |
But there's... | 0:19:30 | 0:19:31 | |
..there's no other signs of physical injury. | 0:19:33 | 0:19:36 | |
OK. Got that. | 0:19:39 | 0:19:41 | |
'There's signs of a violent struggle within the room,' | 0:19:41 | 0:19:44 | |
but there are no blood spatter on the floor... | 0:19:44 | 0:19:48 | |
..or the walls, | 0:19:50 | 0:19:51 | |
'and there's no blood emanating from anywhere on the body.' | 0:19:51 | 0:19:55 | |
Dr Blake's computer is still running, which suggests | 0:19:58 | 0:20:03 | |
'that she didn't have time to shut it down before the attack,' | 0:20:03 | 0:20:07 | |
and it's password protected. | 0:20:07 | 0:20:10 | |
OK. OK. | 0:20:10 | 0:20:12 | |
Some sort of altercation has taken place, during which Anna Blake | 0:20:12 | 0:20:17 | |
has received a severe blow to the left temple... | 0:20:17 | 0:20:22 | |
and she's died. | 0:20:22 | 0:20:23 | |
But the question is...with what? | 0:20:25 | 0:20:28 | |
Would you say Anna Blake was popular with the locals? | 0:20:44 | 0:20:48 | |
Anna was all about the work. And Frank looked after everything else. | 0:20:48 | 0:20:51 | |
But fair play to her. | 0:20:51 | 0:20:53 | |
She kept this island's profile right up there all over the world, | 0:20:53 | 0:20:56 | |
and that put money in everybody's pocket. | 0:20:56 | 0:20:58 | |
Who's that? | 0:21:16 | 0:21:18 | |
That's him. That's Peter Latimer. | 0:21:19 | 0:21:21 | |
Right. Pull in here. | 0:21:21 | 0:21:22 | |
Peter Latimer?! | 0:21:30 | 0:21:32 | |
My name is Detective Sergeant McIntosh. | 0:21:32 | 0:21:34 | |
If you're thinking of running, Mr Latimer, number one - | 0:21:34 | 0:21:37 | |
I was a cross-country champion | 0:21:37 | 0:21:39 | |
-and number two... -Why would I think of running? | 0:21:39 | 0:21:41 | |
Where have you been? | 0:21:46 | 0:21:48 | |
'Come on, Sandy, that's 20 minutes.' | 0:21:50 | 0:21:53 | |
They're coming. They're coming. | 0:21:53 | 0:21:55 | |
Have you got them yet? | 0:21:55 | 0:21:56 | |
I have got them. Finally. I will send them straight to Inverness. | 0:21:57 | 0:22:02 | |
'I need anything that illuminates the choreography | 0:22:02 | 0:22:06 | |
'of her final moments.' | 0:22:06 | 0:22:08 | |
I also want you to pull the phone records for Anna's lab phone. | 0:22:08 | 0:22:13 | |
Cos I want to know who she was talking to in the last few weeks. | 0:22:13 | 0:22:16 | |
And you want her mobile too? | 0:22:16 | 0:22:17 | |
Yes, if I can find it. All right? | 0:22:17 | 0:22:21 | |
OK, good. | 0:22:21 | 0:22:23 | |
DOOR OPENS | 0:22:23 | 0:22:24 | |
Sir? | 0:22:24 | 0:22:25 | |
-Tosh. -I've got Latimer. | 0:22:25 | 0:22:27 | |
Where was he? | 0:22:29 | 0:22:30 | |
We found him walking back to the Centre. | 0:22:30 | 0:22:33 | |
Apparently, he's researching changing migration patterns. | 0:22:33 | 0:22:37 | |
He told me he left the Centre early | 0:22:37 | 0:22:38 | |
because he'd received news that eight... | 0:22:38 | 0:22:41 | |
Icterine Warblers had been reported flying south, | 0:22:41 | 0:22:44 | |
and he didn't want to miss them if they flew over the island. | 0:22:44 | 0:22:46 | |
It's apparently why he stayed out so long...waiting. | 0:22:46 | 0:22:50 | |
Did he have binoculars? | 0:22:50 | 0:22:53 | |
A camera? Notebook? | 0:22:53 | 0:22:55 | |
He claims he slipped on a path on the cliff top, | 0:22:55 | 0:22:58 | |
lost his grip on his backpack, and watched it tumble into the sea. | 0:22:58 | 0:23:02 | |
Well, then, he wouldn't have known that Anna was dead. | 0:23:04 | 0:23:07 | |
He gave no indication that he did. | 0:23:07 | 0:23:09 | |
Did you say anything to him? | 0:23:09 | 0:23:10 | |
-All he knows is that there was "an incident" at the Centre. -Good. | 0:23:10 | 0:23:13 | |
I've asked him to wait alone in one of the reading rooms for the moment. | 0:23:13 | 0:23:17 | |
OK. | 0:23:17 | 0:23:18 | |
Well, I'll speak to him after I've spoken to Anna's family. | 0:23:18 | 0:23:21 | |
Your father made a couple of calls | 0:23:30 | 0:23:32 | |
and says the village hall's ours for as long as we need it. | 0:23:32 | 0:23:34 | |
-Excellent. -He's a connected man, your dad. | 0:23:34 | 0:23:36 | |
Yeah, well, I suppose when you live on an island with 70 people, | 0:23:36 | 0:23:39 | |
being "connected" isn't a bigger deal as you'd think. | 0:23:39 | 0:23:42 | |
Plus he is the lay preacher and that gives him a certain...status... | 0:23:42 | 0:23:47 | |
..which he does enjoy. | 0:23:48 | 0:23:50 | |
Right. I'll talk to Frank, you search Latimer's room. | 0:23:52 | 0:23:56 | |
Because if he did kill Anna, then, he almost certainly left the Centre | 0:23:56 | 0:23:59 | |
early so he could dump whatever he killed her with into the Atlantic, | 0:23:59 | 0:24:03 | |
but see if you can find anything else in there | 0:24:03 | 0:24:06 | |
that links him to Anna. | 0:24:06 | 0:24:07 | |
Mr and Mrs Warren? | 0:24:09 | 0:24:11 | |
Yes, that's right. If there's anything we can do... | 0:24:11 | 0:24:14 | |
Well, at some point, my colleague Detective Sergeant McIntosh | 0:24:14 | 0:24:17 | |
is going to have to take separate statements from you both | 0:24:17 | 0:24:19 | |
regarding where you were last night. | 0:24:19 | 0:24:21 | |
Is that really necessary? We were together the whole evening. | 0:24:21 | 0:24:25 | |
We'll be as quick as we can. | 0:24:25 | 0:24:26 | |
Thanks, Isobel. | 0:24:36 | 0:24:37 | |
They're both in shock. | 0:24:39 | 0:24:40 | |
It's good to have you home, Jimmy. | 0:24:42 | 0:24:44 | |
I am sorry for your loss. | 0:24:50 | 0:24:52 | |
I am going to have to ask you a few questions, Frank, | 0:24:53 | 0:24:55 | |
it's probably best if we do it now. | 0:24:55 | 0:24:57 | |
Joe, would you mind waiting outside? | 0:24:57 | 0:25:00 | |
Joe... | 0:25:04 | 0:25:05 | |
Have the police given any indication when we can return to our rooms? | 0:25:50 | 0:25:53 | |
Tessa needs to lie down. This has been a terrible shock. | 0:25:53 | 0:25:57 | |
Did she know Anna? | 0:25:57 | 0:25:58 | |
Did she have to? To be horrified by what happened to her? | 0:25:58 | 0:26:02 | |
The police have told us to remain downstairs until told otherwise. | 0:26:03 | 0:26:08 | |
Would your wife like a cup of tea? | 0:26:08 | 0:26:11 | |
It would only upset her stomach. | 0:26:11 | 0:26:13 | |
Something to eat? I could make her a sandwich. | 0:26:13 | 0:26:15 | |
Thanks, I doubt she would keep it down. | 0:26:15 | 0:26:18 | |
I wasn't going to fill it full of puffin shit... | 0:26:20 | 0:26:23 | |
you supercilious arse. | 0:26:23 | 0:26:25 | |
When was the last time that you saw your wife? | 0:26:27 | 0:26:30 | |
When I turned in. | 0:26:30 | 0:26:31 | |
At what time was that? Can you remember? | 0:26:32 | 0:26:35 | |
About one. | 0:26:37 | 0:26:38 | |
Was the dance finished by then? | 0:26:38 | 0:26:40 | |
Had everybody gone home? | 0:26:42 | 0:26:43 | |
But by one o'clock, as far as you know, | 0:26:46 | 0:26:49 | |
the only people who were left at the Centre were the people | 0:26:49 | 0:26:52 | |
who were living and working here. | 0:26:52 | 0:26:55 | |
As far as I know. | 0:26:55 | 0:26:56 | |
And none of those people would have had any reason to attack your wife? | 0:26:56 | 0:27:00 | |
-HE SOBS: -She was my wife. | 0:27:05 | 0:27:06 | |
I should have protected her. | 0:27:13 | 0:27:15 | |
Can you name those people for me? | 0:27:21 | 0:27:23 | |
I'm sorry, Frank, I know this is insensitive, | 0:27:25 | 0:27:28 | |
but I just have to ask... | 0:27:28 | 0:27:29 | |
-Can I get you a glass of water or something? -No. | 0:27:29 | 0:27:33 | |
-No, no, I'm fine. -OK. | 0:27:33 | 0:27:35 | |
You want me to name the people who were staying here, OK. | 0:27:39 | 0:27:43 | |
-Yes, please. -OK. | 0:27:43 | 0:27:45 | |
It was myself, Anna, | 0:27:46 | 0:27:50 | |
our son, Joe... | 0:27:50 | 0:27:52 | |
Peter Latimer. Finlay Caulfield. | 0:27:52 | 0:27:55 | |
Bill Warren and his wife, | 0:27:55 | 0:27:57 | |
who turned up to surprise him on their wedding anniversary. | 0:27:57 | 0:28:01 | |
OK? | 0:28:01 | 0:28:02 | |
Thank you. | 0:28:02 | 0:28:03 | |
Did you often go to bed before your wife? | 0:28:14 | 0:28:16 | |
You don't become pre-eminent in your field without putting in the hours. | 0:28:18 | 0:28:22 | |
So she worked hard? | 0:28:22 | 0:28:24 | |
Ferociously hard. | 0:28:24 | 0:28:25 | |
Did you resent that? | 0:28:28 | 0:28:29 | |
In our field, we don't resent those who are cleverer | 0:28:31 | 0:28:36 | |
or more insightful than us. | 0:28:36 | 0:28:38 | |
We applaud it, we're grateful for it. | 0:28:39 | 0:28:43 | |
Cos in the end, it moves us all forward. | 0:28:43 | 0:28:47 | |
So it was because of her hours then that you slept apart? | 0:28:51 | 0:28:53 | |
Don't waste your time by reading anything into that. | 0:28:53 | 0:28:57 | |
Our marriage was fine. | 0:28:58 | 0:28:59 | |
So where was Anna when you said good night to her? | 0:29:05 | 0:29:08 | |
In the lab, working... | 0:29:08 | 0:29:11 | |
..with Peter Latimer. | 0:29:12 | 0:29:14 | |
Working? | 0:29:14 | 0:29:16 | |
With all due respect, shouldn't you be talking to somebody | 0:29:16 | 0:29:19 | |
who wasn't in their bed when she was killed? | 0:29:19 | 0:29:22 | |
I mean, wouldn't that be more useful? | 0:29:22 | 0:29:24 | |
Was there anything unusual in your wife working | 0:29:28 | 0:29:31 | |
-with Peter Latimer late? -There was nothing unusual. | 0:29:31 | 0:29:34 | |
She oversaw all the research here. | 0:29:36 | 0:29:38 | |
And he's a postgraduate student. | 0:29:39 | 0:29:41 | |
Right, so you locked up... | 0:29:41 | 0:29:43 | |
Yes. | 0:29:43 | 0:29:45 | |
..and you said good night to your wife... | 0:29:45 | 0:29:47 | |
Yes. | 0:29:47 | 0:29:49 | |
..and you went to bed. | 0:29:49 | 0:29:51 | |
Yes. | 0:29:51 | 0:29:52 | |
Now, go on and find out who killed her before I do. | 0:29:53 | 0:29:57 | |
TELEPHONE RINGS | 0:29:57 | 0:29:59 | |
Excuse me... | 0:30:00 | 0:30:01 | |
-Sandy... -'The pathologist's had a look at your photographs, | 0:30:06 | 0:30:09 | |
'she's got a possible cause of death for you.' | 0:30:09 | 0:30:11 | |
Extradural haemorrhage, it's caused when a blow to the temple | 0:30:11 | 0:30:16 | |
damages blood vessels running to the top of the brain. | 0:30:16 | 0:30:19 | |
This results in bleeding within the skull. | 0:30:19 | 0:30:22 | |
And if left unchecked, it simply pushes the brain down through | 0:30:22 | 0:30:25 | |
the base of the skull and into the top of the spinal column. | 0:30:25 | 0:30:28 | |
So it's the base of the brain that controls the breathing | 0:30:28 | 0:30:31 | |
and when it's squashed, it just simply stops working. | 0:30:31 | 0:30:34 | |
Any word on Anna's phone records yet? | 0:30:34 | 0:30:38 | |
Hopefully on there way to me now. | 0:30:38 | 0:30:40 | |
All right. | 0:30:40 | 0:30:42 | |
While we're waiting, I have a couple of names | 0:30:42 | 0:30:44 | |
-that I want you to run through the PNC. -OK. | 0:30:44 | 0:30:47 | |
'A Dr Frank Blake, | 0:30:47 | 0:30:49 | |
'Emeritus Professor of Biology at Birmingham University.' | 0:30:49 | 0:30:53 | |
Frank Blake, | 0:30:53 | 0:30:55 | |
'Birmingham Uni.' | 0:30:55 | 0:30:57 | |
And Peter Latimer. | 0:30:57 | 0:30:58 | |
Postgraduate student in Avian Biology at Oxford University. | 0:30:59 | 0:31:03 | |
'Peter Latimer, Oxford.' | 0:31:03 | 0:31:05 | |
I'll get Tosh to e-mail you the rest. | 0:31:05 | 0:31:08 | |
And then you get back to me as soon as you hear anything, OK? | 0:31:08 | 0:31:11 | |
'Will do.' | 0:31:11 | 0:31:12 | |
DOOR OPENS | 0:31:12 | 0:31:14 | |
Excuse me. Are you with the police? | 0:31:14 | 0:31:18 | |
I'm Detective Inspector Perez. | 0:31:18 | 0:31:19 | |
Excellent. | 0:31:19 | 0:31:21 | |
Then perhaps you can tell me what's going on | 0:31:21 | 0:31:23 | |
and why I'm being cooped up in here? | 0:31:23 | 0:31:25 | |
OK... Well, let's not talk out here. | 0:31:26 | 0:31:29 | |
What's "going on"... | 0:31:33 | 0:31:36 | |
is a murder investigation. | 0:31:36 | 0:31:39 | |
A murder? | 0:31:39 | 0:31:40 | |
Yes. | 0:31:40 | 0:31:42 | |
On the island here? | 0:31:42 | 0:31:44 | |
Dr Blake was found murdered in the lab, this morning. | 0:31:44 | 0:31:48 | |
Anna? | 0:31:49 | 0:31:51 | |
I didn't say which Dr Blake. | 0:31:51 | 0:31:53 | |
Sorry. I just assumed. | 0:31:53 | 0:31:55 | |
No, well, you're right, it was Anna, I'm afraid. | 0:31:55 | 0:31:58 | |
Christ almighty! | 0:32:00 | 0:32:01 | |
Wha...what happened? | 0:32:04 | 0:32:05 | |
Her body was found in the lab this morning by Finlay Caufield. | 0:32:05 | 0:32:09 | |
And I have to say your absence from the building seemed to cause... | 0:32:09 | 0:32:13 | |
quite a stir. | 0:32:13 | 0:32:14 | |
-I explained to your colleague... I... -Yes. | 0:32:14 | 0:32:18 | |
Icterine Warblers. | 0:32:18 | 0:32:20 | |
Yes. If the sighting was correct, it's significant cause for concern. | 0:32:20 | 0:32:25 | |
Well, it's not as significant as the woman you've been working alongside | 0:32:25 | 0:32:29 | |
for the last few months being found dead in her lab, surely. | 0:32:29 | 0:32:32 | |
No. No. Of course not, I was just trying to explain its significance. | 0:32:32 | 0:32:38 | |
Sorry, I... | 0:32:38 | 0:32:40 | |
I...think I'm in shock. | 0:32:40 | 0:32:43 | |
Can I ask you something? | 0:32:43 | 0:32:44 | |
How did you find out about the arrival of these birds? | 0:32:44 | 0:32:48 | |
Warblers? Was it e-mail? | 0:32:49 | 0:32:52 | |
Was it a text? Or what was it? | 0:32:52 | 0:32:55 | |
Um... It was an RSS feed. | 0:32:55 | 0:32:58 | |
And did anyone else get this feed? | 0:33:00 | 0:33:03 | |
No, no... No, I don't think so. | 0:33:04 | 0:33:06 | |
Bring it up for me. | 0:33:12 | 0:33:14 | |
I think I should speak to a solicitor. | 0:33:20 | 0:33:22 | |
There is a storm on the Mainland, | 0:33:22 | 0:33:24 | |
you're not going to be able to get a solicitor here | 0:33:24 | 0:33:27 | |
for at least 48 hours. Why don't you just talk to me? | 0:33:27 | 0:33:31 | |
I didn't kill Anna Blake. | 0:33:31 | 0:33:33 | |
I didn't say you did. | 0:33:33 | 0:33:35 | |
-No, but you think I did. -You don't know what I'm thinking. | 0:33:35 | 0:33:38 | |
One thing's for sure - you didn't leave this building this morning | 0:33:38 | 0:33:42 | |
to spot eight birds prematurely flying south for the winter. | 0:33:42 | 0:33:46 | |
So... | 0:33:49 | 0:33:51 | |
don't insult my intelligence. | 0:33:51 | 0:33:53 | |
DOOR OPENS | 0:34:08 | 0:34:09 | |
Well... Latimer wants a solicitor. | 0:34:11 | 0:34:14 | |
You know, I've told him, with the weather coming in, | 0:34:14 | 0:34:17 | |
he's unlikely to get one for at least 48 hours, but he's adamant. | 0:34:17 | 0:34:20 | |
Do we take that as an admission of guilt? | 0:34:20 | 0:34:23 | |
His backpack and equipment aren't here. | 0:34:23 | 0:34:25 | |
He maintains he didn't kill her. | 0:34:25 | 0:34:27 | |
Although, you know "I didn't" can turn into "I didn't mean to". | 0:34:27 | 0:34:30 | |
Mmm. | 0:34:30 | 0:34:32 | |
But then, it's possible he's telling the truth about that | 0:34:32 | 0:34:34 | |
and lying about why he... | 0:34:34 | 0:34:36 | |
FOOTSTEPS APPROACH | 0:34:36 | 0:34:38 | |
DOOR CLOSES | 0:34:41 | 0:34:42 | |
There's someone. | 0:34:43 | 0:34:45 | |
DOOR OPENS | 0:34:59 | 0:35:00 | |
Finlay? I thought I asked everybody to stay downstairs. | 0:35:04 | 0:35:08 | |
Oh, there was something I needed for work. | 0:35:08 | 0:35:10 | |
So quite urgent then? | 0:35:10 | 0:35:12 | |
Urgent enough to disobey a direct police instruction during a murder inquiry? | 0:35:12 | 0:35:15 | |
I just thought it wouldn't matter if I nipped up here briefly, | 0:35:15 | 0:35:18 | |
-and got what I needed and... -It does matter. | 0:35:18 | 0:35:21 | |
What did you come up for? | 0:35:21 | 0:35:23 | |
-Well, I thought it was up here, but... -Finlay, you're beginning to annoy me just a wee bit. | 0:35:23 | 0:35:27 | |
Just answer the question. | 0:35:27 | 0:35:28 | |
Well, it must be down in the lab. | 0:35:28 | 0:35:30 | |
What? The memory card, that one that you're holding in your left hand. | 0:35:30 | 0:35:34 | |
You can stand there looking glaikit all day if you want, I don't mind, | 0:35:36 | 0:35:39 | |
or you can give me the card. | 0:35:39 | 0:35:42 | |
Look...it's not what it looks like. | 0:35:42 | 0:35:44 | |
If you're going to think on your feet, you'll have to be a wee bit quicker than that. | 0:35:44 | 0:35:48 | |
And don't you even think about swallowing that. | 0:35:49 | 0:35:52 | |
Trust me, on the way out, it'll hurt you a lot more than it will me. | 0:35:52 | 0:35:55 | |
Now, for the last time... | 0:35:55 | 0:35:57 | |
..give me the card. | 0:35:58 | 0:35:59 | |
See... Why would you do that? | 0:36:14 | 0:36:15 | |
-FRANK: -'Where were you last night? Look at me. | 0:36:17 | 0:36:20 | |
-'Don't turn your bloody back on me. -Get off me! | 0:36:20 | 0:36:23 | |
-'Where were you last night? -What is wrong with you? | 0:36:23 | 0:36:25 | |
'Where were you? Do you think I'm bloody stupid?' | 0:36:25 | 0:36:28 | |
Do you think I'm bloody stupid?! Do you? | 0:36:28 | 0:36:30 | |
Do you?! | 0:36:30 | 0:36:32 | |
-Do you think I'm bloody stupid?! -Frank! Frank! Frank! | 0:36:32 | 0:36:35 | |
Leave him! | 0:36:35 | 0:36:36 | |
You were in the lab with her last night! | 0:36:39 | 0:36:42 | |
That means nothing. Means nothing. | 0:36:42 | 0:36:44 | |
Means nothing. | 0:36:46 | 0:36:47 | |
Take a minute. | 0:36:50 | 0:36:51 | |
Just think about your boy. | 0:36:54 | 0:36:56 | |
The last thing he needs is his old man in a jail cell right now. | 0:36:56 | 0:36:59 | |
I'm not stupid. You understand? | 0:37:03 | 0:37:04 | |
I'm not stupid. | 0:37:04 | 0:37:06 | |
Angus! | 0:38:27 | 0:38:28 | |
Angus! | 0:38:30 | 0:38:31 | |
Angus! | 0:38:33 | 0:38:34 | |
So I take it everybody on the island knows about the killing? | 0:38:36 | 0:38:39 | |
What do you think? | 0:38:39 | 0:38:41 | |
People are scared, Jim. | 0:38:41 | 0:38:43 | |
Fair Isle doesn't do crime, remember? | 0:38:43 | 0:38:45 | |
Don't you miss that, Jimmy? | 0:38:45 | 0:38:47 | |
Sure, who wouldn't miss that. | 0:38:48 | 0:38:51 | |
So what do you prefer about Lerwick then? | 0:38:51 | 0:38:54 | |
Honestly? | 0:38:54 | 0:38:56 | |
Go on. | 0:38:56 | 0:38:57 | |
Well, it's where I met Fran. | 0:38:59 | 0:39:01 | |
It's where Cassie was born. | 0:39:03 | 0:39:04 | |
It's where her dad lives. | 0:39:06 | 0:39:07 | |
And plus it's about the right size for me. | 0:39:07 | 0:39:10 | |
You know, if you want people to know your business, | 0:39:10 | 0:39:13 | |
then, you can share it with them and if you don't, you don't have to. | 0:39:13 | 0:39:17 | |
You have no choice here. | 0:39:17 | 0:39:18 | |
Aye. | 0:39:18 | 0:39:20 | |
Does he not know how busy you are? | 0:39:21 | 0:39:23 | |
Angus! | 0:39:23 | 0:39:25 | |
-Jimmy's here! -Jim? | 0:39:26 | 0:39:27 | |
What? | 0:39:27 | 0:39:28 | |
Joe Blake... | 0:39:28 | 0:39:30 | |
What about him? | 0:39:30 | 0:39:31 | |
Any idea why he would come back during term time? | 0:39:31 | 0:39:34 | |
How do you mean? When did he come back? | 0:39:36 | 0:39:39 | |
Last night. | 0:39:39 | 0:39:40 | |
Right. I didn't know that... | 0:39:41 | 0:39:43 | |
-It doesn't matter. -Coffee? | 0:39:46 | 0:39:48 | |
Yeah. | 0:39:48 | 0:39:49 | |
Here he is, my favourite godson! | 0:39:49 | 0:39:52 | |
I'm your only godson! | 0:39:52 | 0:39:53 | |
-How are you? -Good. Good. Thanks. | 0:39:54 | 0:39:58 | |
Thanks so much for the iPad, by the way. | 0:39:58 | 0:40:00 | |
That was the right...thing then? | 0:40:00 | 0:40:02 | |
-Bloody brilliant. -Bloody expensive. | 0:40:02 | 0:40:04 | |
You're only 18 once. | 0:40:04 | 0:40:06 | |
Exactly... | 0:40:06 | 0:40:08 | |
I remember when I was 18. | 0:40:08 | 0:40:10 | |
Do you remember when you were 18, Jimmy? | 0:40:10 | 0:40:13 | |
Right, Angus, I've got a problem. | 0:40:20 | 0:40:24 | |
Actually, I've got two problems. | 0:40:24 | 0:40:26 | |
Three if you include not being able to count. | 0:40:26 | 0:40:28 | |
This is problem number one. | 0:40:31 | 0:40:32 | |
That's easy. They don't usually work without the camera. | 0:40:35 | 0:40:38 | |
No, no, no. Seriously now. | 0:40:38 | 0:40:41 | |
Can you get the photographs that were on that? | 0:40:41 | 0:40:44 | |
DOOR OPENS | 0:40:52 | 0:40:54 | |
Hi there, my wife Mary thought you might be hungry | 0:40:56 | 0:40:59 | |
after losing your breakfast on the way over. | 0:40:59 | 0:41:03 | |
Nothing heavy, just food for a tender tummy. | 0:41:03 | 0:41:06 | |
-That's very kind of her. -I'll leave it with... | 0:41:06 | 0:41:09 | |
How could someone do that to a beautiful and intelligent woman? | 0:41:10 | 0:41:13 | |
I just pray that it wasn't an islander. | 0:41:15 | 0:41:18 | |
Does that really matter, Mr Perez? | 0:41:18 | 0:41:20 | |
For us, it does. This community survives on mutual trust. | 0:41:20 | 0:41:24 | |
This could completely destroy it. | 0:41:24 | 0:41:26 | |
Who would have thought it, eh? | 0:41:29 | 0:41:30 | |
Our old village hall - an incident room. | 0:41:30 | 0:41:33 | |
Well, needs must, I'm afraid. | 0:41:33 | 0:41:34 | |
TELEPHONE RINGS | 0:41:34 | 0:41:35 | |
Excuse me... Sorry. | 0:41:35 | 0:41:37 | |
Yes, Sandy... | 0:41:37 | 0:41:38 | |
'Tosh.' | 0:41:38 | 0:41:40 | |
According to Anna Blake's phone records, two weeks back, | 0:41:40 | 0:41:42 | |
she called the airline flying between Fair Isle and Tingwall. | 0:41:42 | 0:41:46 | |
He's on a diet. | 0:41:46 | 0:41:47 | |
So I requested details of any flights booked in her name | 0:41:47 | 0:41:50 | |
and there were two same-day return tickets to Tingwall | 0:41:50 | 0:41:53 | |
on the 23rd of last month, | 0:41:53 | 0:41:55 | |
a week and a half ago. | 0:41:55 | 0:41:57 | |
And the name of the second passenger? | 0:41:57 | 0:41:59 | |
Well, it's damaged. | 0:42:02 | 0:42:04 | |
Yeah. | 0:42:04 | 0:42:05 | |
But as long as the flash memory on the card is intact | 0:42:05 | 0:42:09 | |
and the internal circuit board isn't cracked, | 0:42:09 | 0:42:12 | |
it should be possible to retrieve the files. | 0:42:12 | 0:42:15 | |
Come on, Angus, how long is this going to take? | 0:42:23 | 0:42:25 | |
You're back on Fair Isle now, Uncle Jimmy. | 0:42:25 | 0:42:29 | |
The land where time doesn't just stand still, | 0:42:29 | 0:42:32 | |
it frequently loses its internet connection. | 0:42:32 | 0:42:35 | |
Ah, here we go. | 0:42:38 | 0:42:40 | |
-Uncle Jimmy? -What? -You haven't told me about problem number two! | 0:42:54 | 0:42:57 | |
Aye, I'll speak to you later! | 0:42:57 | 0:42:59 | |
He retrieved the data? | 0:43:19 | 0:43:20 | |
He did indeed. There you go, stick it in. | 0:43:20 | 0:43:23 | |
Do you think it's worth getting him to take a look at Anna's laptop? Unofficially. | 0:43:23 | 0:43:27 | |
If I can't crack it, I'm just going to leave it with him, | 0:43:27 | 0:43:30 | |
and just let his natural, geek-like curiosity run its course... | 0:43:30 | 0:43:34 | |
Oh, Sandy called. | 0:43:34 | 0:43:35 | |
-Uh-huh. -Anna Blake booked two same-day return flights to Lerwick | 0:43:35 | 0:43:38 | |
-a week and a half ago. -Why two? | 0:43:38 | 0:43:40 | |
One for herself. The other for Peter Latimer. | 0:43:40 | 0:43:43 | |
And why would Anna and Peter Latimer | 0:43:45 | 0:43:48 | |
go to the main island just for the day? | 0:43:48 | 0:43:51 | |
I can't imagine(!) | 0:43:51 | 0:43:52 | |
Why would a beautiful woman, married to an older man, | 0:43:52 | 0:43:55 | |
want to get away from the prying eyes of Fair Isle to spend an afternoon alone with an attractive student? | 0:43:55 | 0:43:59 | |
If that was the case, they could just have slipped behind the bike sheds. | 0:43:59 | 0:44:02 | |
-Why go all the way to the main island? -You think? | 0:44:02 | 0:44:05 | |
I mean...Frank maintains that the reason they slept separately was | 0:44:06 | 0:44:10 | |
because she worked all hours. | 0:44:10 | 0:44:12 | |
Yeah, but he would say that, wouldn't he? | 0:44:12 | 0:44:14 | |
And I did get the impression that he did love her very much. | 0:44:14 | 0:44:17 | |
Yeah, but did she still love him? What is he, in his fifties? | 0:44:17 | 0:44:21 | |
No offence, but it would be like me fancying you. | 0:44:21 | 0:44:23 | |
Thanks very much(!) | 0:44:23 | 0:44:25 | |
The fact that he loved her like he did means | 0:44:25 | 0:44:27 | |
he could have been capable of killing her in a jealous rage. | 0:44:27 | 0:44:31 | |
He's got it in him - if we hadn't come in when we did, | 0:44:31 | 0:44:34 | |
Latimer could be dead. | 0:44:34 | 0:44:35 | |
Before you go too far down that road, | 0:44:35 | 0:44:37 | |
just have a look at the contents of Finlay's camera. | 0:44:37 | 0:44:40 | |
If she was the last Icterine Warbler on Earth, | 0:44:54 | 0:44:56 | |
-this number of pictures would be excessive... -Uh-huh. | 0:44:56 | 0:44:59 | |
He is totally obsessed. | 0:45:02 | 0:45:03 | |
The only one he doesn't have is Anna dead. | 0:45:05 | 0:45:07 | |
Was she sexually assaulted? | 0:45:09 | 0:45:11 | |
Well, we'll need the results from the post mortem, | 0:45:11 | 0:45:13 | |
but it didn't look like it, no... | 0:45:13 | 0:45:15 | |
Right, let's say it's Finlay. | 0:45:21 | 0:45:23 | |
He's been here for the best part of a year. | 0:45:24 | 0:45:26 | |
Why last night, what was the trigger? | 0:45:26 | 0:45:29 | |
Has a few drinks at the party for Dutch courage. | 0:45:29 | 0:45:32 | |
Comes on to Anna in the lab. | 0:45:32 | 0:45:34 | |
Get's rebuffed. | 0:45:34 | 0:45:36 | |
Humiliated and angry... | 0:45:38 | 0:45:39 | |
The fact that he tried to destroy the memory card gives us enough | 0:45:41 | 0:45:44 | |
to arrest and question him at least. | 0:45:44 | 0:45:46 | |
That's me heading out, Billy. | 0:46:23 | 0:46:25 | |
In this weather? | 0:46:25 | 0:46:27 | |
I've got a lead on Finlay Caulfield. I'm going to check it out. | 0:46:27 | 0:46:29 | |
THUNDER RUMBLES | 0:46:29 | 0:46:31 | |
I'll not be long. | 0:46:31 | 0:46:32 | |
Where is she, where's Mum? | 0:47:06 | 0:47:10 | |
They took her away. | 0:47:12 | 0:47:14 | |
Where? | 0:47:15 | 0:47:16 | |
They moved her somewhere safe, | 0:47:18 | 0:47:20 | |
then they're going to take her to the Mainland. | 0:47:20 | 0:47:22 | |
I want to see her. | 0:47:22 | 0:47:23 | |
I don't think that's a good idea. | 0:47:27 | 0:47:29 | |
That's not your decision to make. | 0:47:29 | 0:47:31 | |
I think it is, I'm your father. | 0:47:31 | 0:47:35 | |
Be good if you'd acted like it a bit sooner. | 0:47:35 | 0:47:37 | |
Listen, I don't want to argue with you. | 0:47:37 | 0:47:40 | |
I'm just trying to protect you. | 0:47:40 | 0:47:42 | |
I don't want your last memory of your mother to be... | 0:47:42 | 0:47:46 | |
Her corpse. | 0:47:46 | 0:47:48 | |
Yes. | 0:47:48 | 0:47:49 | |
You can't control the way I feel. | 0:47:53 | 0:47:55 | |
Could you tell me where I might find Gina? | 0:48:55 | 0:48:57 | |
She's over there. | 0:48:57 | 0:48:59 | |
Thank you. | 0:48:59 | 0:49:00 | |
Gina? | 0:49:02 | 0:49:03 | |
Detective Constable Wilson. Might I have a word? | 0:49:05 | 0:49:08 | |
What about? | 0:49:08 | 0:49:09 | |
Finlay Caulfield. | 0:49:09 | 0:49:11 | |
Maybe we could take a seat, if you have minute? | 0:49:15 | 0:49:18 | |
Thank you. | 0:49:18 | 0:49:19 | |
I'm sorry for bringing up the past like this. | 0:49:24 | 0:49:26 | |
It's all right, what do you want to know? | 0:49:26 | 0:49:30 | |
You met Finlay at a singles club, here at the library? | 0:49:30 | 0:49:34 | |
That's right. | 0:49:34 | 0:49:35 | |
And you went out on a date? | 0:49:35 | 0:49:37 | |
Just a drink, really. | 0:49:37 | 0:49:40 | |
I wasn't interested in seeing him after that, | 0:49:40 | 0:49:42 | |
so I gently knocked it on the head. | 0:49:42 | 0:49:46 | |
The male ego does bruise easily. | 0:49:46 | 0:49:47 | |
But by that time, he had your e-mail address, is that right? | 0:49:49 | 0:49:52 | |
Yep, that was a mistake. | 0:49:52 | 0:49:55 | |
And he started pestering you? | 0:49:56 | 0:49:58 | |
He wanted to see me again. | 0:49:59 | 0:50:02 | |
I just kept saying no till the e-mails stopped. | 0:50:02 | 0:50:05 | |
Then, after a month, | 0:50:05 | 0:50:07 | |
I started getting e-mails from a different address. | 0:50:07 | 0:50:10 | |
Each one wordless, but with a different attachment. | 0:50:10 | 0:50:13 | |
Gina, what was in the attachments? | 0:50:16 | 0:50:18 | |
Photographs of me going about my life. | 0:50:20 | 0:50:23 | |
You know, normal stuff. | 0:50:23 | 0:50:26 | |
But it was creepy. | 0:50:26 | 0:50:28 | |
I was completely unaware he was watching me like that. | 0:50:28 | 0:50:31 | |
Did he ever threaten you physically? | 0:50:34 | 0:50:36 | |
No. Never. | 0:50:38 | 0:50:40 | |
And now, no more e-mails? | 0:50:41 | 0:50:44 | |
No, thankfully. | 0:50:44 | 0:50:47 | |
Why do you think they stopped? | 0:50:51 | 0:50:53 | |
So... What was her answer? | 0:50:53 | 0:50:55 | |
'She said that after receiving a police caution for harassing her, | 0:50:55 | 0:50:59 | |
'she'd heard he left town' | 0:50:59 | 0:51:00 | |
for the job on Fair Isle at the Research Centre. | 0:51:00 | 0:51:03 | |
Right. | 0:51:03 | 0:51:04 | |
That's great work, Sandy. | 0:51:04 | 0:51:06 | |
Have you heard anything yet about where Anna Blake | 0:51:06 | 0:51:09 | |
and Peter Latimer checked into for their... | 0:51:09 | 0:51:12 | |
..secret tutorial? | 0:51:14 | 0:51:15 | |
Not yet, but it'll take a while for everyone to check their records. | 0:51:15 | 0:51:18 | |
'OK, well, just remember they might've used' | 0:51:18 | 0:51:21 | |
false names, so while you're waiting for something to happen, | 0:51:21 | 0:51:24 | |
start trawling through the CCTV | 0:51:24 | 0:51:27 | |
'between the times of their flights in and out of Tingwall.' | 0:51:27 | 0:51:31 | |
-Will do. -'Anything that will' | 0:51:31 | 0:51:33 | |
help get a confession out of Latimer before his solicitor arrives | 0:51:33 | 0:51:36 | |
is going to be great. | 0:51:36 | 0:51:38 | |
Because, you know, there are 70 souls on a very small island, | 0:51:38 | 0:51:42 | |
Sandy, and one of them is a murderer. People are getting scared. | 0:51:42 | 0:51:45 | |
OK? Bye then. | 0:51:45 | 0:51:48 | |
Right, bring me Finlay Caulfield, will you? | 0:51:51 | 0:51:54 | |
Finlay? | 0:52:53 | 0:52:54 | |
Finlay? | 0:52:57 | 0:52:58 | |
TELEVISION PLAYS | 0:53:09 | 0:53:11 | |
TELEPHONE RINGS | 0:53:11 | 0:53:13 | |
Hi, Dad. | 0:53:14 | 0:53:16 | |
'I missed you today.' | 0:53:16 | 0:53:17 | |
I missed you too. | 0:53:17 | 0:53:18 | |
I am sorry about that. | 0:53:18 | 0:53:21 | |
'It's OK. You can't help it.' | 0:53:21 | 0:53:23 | |
I'll make it up to you. | 0:53:23 | 0:53:24 | |
You don't have to. | 0:53:24 | 0:53:26 | |
'Cas, did you know...' | 0:53:26 | 0:53:30 | |
that Joe was coming back to the island last night? | 0:53:30 | 0:53:33 | |
Why would I? | 0:53:33 | 0:53:34 | |
'Well... No, I just thought maybe he might of mentioned it' | 0:53:34 | 0:53:37 | |
on Facebook or Twitter or... | 0:53:37 | 0:53:41 | |
OK, we both know they are the only two social networking sites | 0:53:41 | 0:53:44 | |
you've ever heard of. | 0:53:44 | 0:53:45 | |
I know Joe, but we're not really friends. | 0:53:47 | 0:53:49 | |
Ask your father when they want their tea? | 0:53:49 | 0:53:52 | |
Nan wants to know what time you want to... | 0:53:52 | 0:53:54 | |
LOUD BLAST | 0:53:54 | 0:53:55 | |
What in God's name...? | 0:53:57 | 0:53:59 | |
Tosh?! | 0:54:00 | 0:54:01 | |
What was that? | 0:54:03 | 0:54:04 | |
I don't know. We can go and have a look in the Land Rover. | 0:54:04 | 0:54:08 | |
We don't have a key. And I can't find anyone. | 0:54:08 | 0:54:10 | |
We're on Fair Isle... Keys'll be in the ignition. | 0:54:10 | 0:54:13 | |
It sounded like it came from Donnybrook. | 0:54:18 | 0:54:20 | |
I didn't grow up here, remember? Be less specific! | 0:54:20 | 0:54:24 | |
That way. | 0:54:24 | 0:54:25 | |
Tosh, be careful. | 0:54:41 | 0:54:42 | |
What's happened? | 0:54:44 | 0:54:46 | |
MAN SCREAMS | 0:54:46 | 0:54:49 | |
Dad, stay where you are. | 0:54:54 | 0:54:56 | |
What is it? What's happened? | 0:55:03 | 0:55:05 | |
Who is it? | 0:55:05 | 0:55:06 | |
It's Peter Latimer. | 0:55:10 | 0:55:11 | |
He's not breathing. | 0:55:13 | 0:55:14 | |
Oh, dear God! | 0:55:16 | 0:55:17 | |
Are you any closer to finding out who actually killed her? | 0:55:46 | 0:55:49 | |
I mean, it's an island, how difficult can it be? | 0:55:49 | 0:55:51 | |
For the sake of this wee lump of rock, Jimmy, | 0:55:51 | 0:55:55 | |
catch this person. | 0:55:55 | 0:55:56 | |
I never would have hurt Anna and I never hurt Gina. | 0:55:58 | 0:56:01 | |
Scared Gina though. | 0:56:01 | 0:56:03 | |
What's going on? Why did you question Donnie? | 0:56:03 | 0:56:05 | |
Talk to me about Joe Blake. Now. | 0:56:05 | 0:56:08 | |
I need to speak to you. | 0:56:08 | 0:56:09 | |
OK. | 0:56:09 | 0:56:10 | |
I know who killed my mother. | 0:56:10 | 0:56:12 |