
Browse content similar to Raven Black - Part 1. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
-I was trying to stay awake. -So funny! Oh, my God. | 0:00:09 | 0:00:12 | |
I might have seen that one, actually. | 0:00:12 | 0:00:14 | |
Catherine, it's late. I have to go home. | 0:00:17 | 0:00:20 | |
Come on, then, baby girl. Let's get you home. | 0:00:22 | 0:00:26 | |
She's late. | 0:00:39 | 0:00:41 | |
She said she'd be home at midnight. She's late. | 0:00:43 | 0:00:45 | |
Jimmy, you've got to stop seeing the world through the eyes of the job. | 0:00:45 | 0:00:49 | |
She's with her mates. | 0:00:49 | 0:00:50 | |
-Nothing's going to happen to her. -I know, I know, I know. | 0:00:50 | 0:00:54 | |
Midsummer. | 0:00:54 | 0:00:55 | |
That's disgusting. | 0:01:03 | 0:01:05 | |
She's going to get so angry with you. God! | 0:01:05 | 0:01:08 | |
She's going to be like, | 0:01:08 | 0:01:09 | |
"Were you hanging out with that Catherine Ross?" | 0:01:09 | 0:01:11 | |
She doesn't like me when I'm with you. She does not like you... | 0:01:11 | 0:01:14 | |
I know. Oh, whatever. | 0:01:14 | 0:01:16 | |
Hurry up! | 0:01:16 | 0:01:17 | |
Watch the rocks, watch the rocks. | 0:01:17 | 0:01:20 | |
The old guy in that croft. Why does everyone think he's weird? | 0:01:26 | 0:01:29 | |
-Why does nobody speak to him? -Cos he is weird. | 0:01:29 | 0:01:32 | |
He's a creepy old man. | 0:01:32 | 0:01:34 | |
Catherine, please, I have to get home. | 0:01:34 | 0:01:37 | |
I thought you liked creepy older men. | 0:01:37 | 0:01:39 | |
It's Sunday tomorrow. Church! | 0:01:39 | 0:01:42 | |
I know. | 0:01:42 | 0:01:43 | |
-Please, let's not! -Come on! | 0:01:45 | 0:01:48 | |
-GIGGLING -It's going to be so awkward! | 0:01:48 | 0:01:51 | |
KNOCK ON DOOR | 0:01:51 | 0:01:53 | |
-Hi, Cass! -Hi, Dad. -You have a good time? -Yeah, it was brilliant. | 0:01:57 | 0:02:01 | |
There's food... | 0:02:01 | 0:02:03 | |
I've seen you. | 0:02:12 | 0:02:14 | |
You live in the Bruce house. | 0:02:15 | 0:02:17 | |
Yeah, I do. | 0:02:17 | 0:02:19 | |
I have cake. Will we have cake? | 0:02:20 | 0:02:24 | |
Jesus! | 0:02:29 | 0:02:31 | |
We can't stay for cake. My friend has to get home. | 0:02:31 | 0:02:34 | |
Sunday tomorrow. Church. | 0:02:34 | 0:02:37 | |
That's right. It's feathers. | 0:02:42 | 0:02:45 | |
Just like the bird. | 0:02:45 | 0:02:47 | |
See? | 0:02:48 | 0:02:49 | |
-Go on, get out. You're late already. -So are you. | 0:03:26 | 0:03:29 | |
I know, but it's Monday, so people make allowances for me. | 0:03:29 | 0:03:32 | |
Que tengas un buen dia. | 0:03:32 | 0:03:35 | |
Glad it's not just the tan I was paying for. | 0:03:35 | 0:03:37 | |
-Bye! -Bye. | 0:03:37 | 0:03:38 | |
Line one. | 0:03:49 | 0:03:51 | |
Tabby. | 0:03:52 | 0:03:54 | |
Come on, darling, let's get a move on. | 0:03:55 | 0:03:57 | |
Jemima... | 0:03:57 | 0:03:58 | |
Sorry we're so late. She's really not feeling very well. | 0:04:01 | 0:04:04 | |
Bye, darling. Come on, up the stairs. | 0:04:04 | 0:04:06 | |
Kitty Collins! | 0:04:06 | 0:04:08 | |
If you're well enough to come to school, you're well enough to stay. | 0:04:08 | 0:04:11 | |
Come on. | 0:04:11 | 0:04:13 | |
And here to address us on a matter that concerns us all | 0:04:16 | 0:04:19 | |
is our Procurator Fiscal, Rhona Kelly. | 0:04:19 | 0:04:21 | |
Good morning. | 0:04:22 | 0:04:25 | |
First of all, I'd like to say it's a real pleasure | 0:04:25 | 0:04:28 | |
to be invited here today to update you | 0:04:28 | 0:04:31 | |
on certain changes in procedure in the Fiscal Office. | 0:04:31 | 0:04:35 | |
DOG BARKS | 0:04:48 | 0:04:51 | |
BIRDS CAW | 0:04:52 | 0:04:54 | |
We should, and we do, prioritise some categories of cases | 0:05:29 | 0:05:33 | |
due to the seriousness | 0:05:33 | 0:05:34 | |
-of the crimes involved... -PHONE RINGS | 0:05:34 | 0:05:37 | |
..and the impact that has on both victims and their families... | 0:05:37 | 0:05:40 | |
Hello? | 0:05:40 | 0:05:41 | |
Duncan... | 0:05:41 | 0:05:43 | |
She flagged me down as I was passing. | 0:05:59 | 0:06:02 | |
She didnae want to leave the lassie in case the birds came back. | 0:06:02 | 0:06:06 | |
They've been pecking. | 0:06:06 | 0:06:08 | |
-Hi, I'm Detective Inspector Perez. -Jess Collins. | 0:06:23 | 0:06:28 | |
Her name's Catherine Ross. She babysits for me. | 0:06:28 | 0:06:31 | |
She's 17. | 0:06:32 | 0:06:34 | |
Do you know how I can get in contact with her parents? | 0:06:35 | 0:06:38 | |
It's just her dad, Euan. | 0:06:38 | 0:06:41 | |
-He works on the rigs. -Which platform? | 0:06:41 | 0:06:44 | |
Um... North Cormorant. | 0:06:44 | 0:06:46 | |
I saw her yesterday. She stopped round at teatime. She was fine. | 0:06:47 | 0:06:51 | |
OK, Jess, I'm going to need to have a word with you at some point, | 0:06:51 | 0:06:55 | |
-but not now. -I can see you back, if you like. | 0:06:55 | 0:06:58 | |
Right. | 0:06:58 | 0:07:00 | |
-Where's Tosh? -On her way. She was at the dentist's. | 0:07:05 | 0:07:08 | |
-I've got the scene tent in the car. -No, there's no point. | 0:07:08 | 0:07:10 | |
The tide's already on in its way in. Can you call Cora McClean for me | 0:07:10 | 0:07:13 | |
-and tell her I need her here now? -Yeah. | 0:07:13 | 0:07:15 | |
Aw, Christ, Jimmy. Why do you have to bring me out for the young ones? | 0:08:06 | 0:08:10 | |
Cora, she's in water, she's cooling by the second. | 0:08:10 | 0:08:14 | |
-Do you need a hand to turn her? -Mm. Thanks. | 0:08:29 | 0:08:33 | |
Rigor's not set in. | 0:08:46 | 0:08:48 | |
She's still warmth in her and she's below the high tide mark. | 0:08:48 | 0:08:52 | |
-I'd say in the last 12 hours. -Can you narrow that? | 0:08:52 | 0:08:54 | |
Crime Scene are on their way. | 0:08:54 | 0:08:56 | |
-My swimming bag's in the boot. Help yourself to the towels. -OK. | 0:08:56 | 0:09:00 | |
SIRENS BLARE | 0:09:19 | 0:09:22 | |
-SHE TAPS TABLE -Come on. Back to work. | 0:09:25 | 0:09:27 | |
Mr Bain? I'm Detective Inspector Perez. | 0:09:43 | 0:09:47 | |
Mind if I come in? | 0:09:47 | 0:09:48 | |
Whar's du fae? | 0:10:12 | 0:10:14 | |
I'm fae Fair Isle. Originally. | 0:10:15 | 0:10:18 | |
Oh. | 0:10:18 | 0:10:20 | |
And then...Glasgow and now I live in Lerwick. | 0:10:20 | 0:10:22 | |
We found a body down by the beach. | 0:10:25 | 0:10:28 | |
I was wondering if maybe you'd seen or heard anything. | 0:10:28 | 0:10:33 | |
I saw the birds. | 0:10:33 | 0:10:34 | |
Aye, they'll peck the eyes out of a sickly lamb. | 0:10:35 | 0:10:38 | |
Then you have to break its neck. | 0:10:38 | 0:10:40 | |
Only... | 0:10:45 | 0:10:47 | |
from up here, I thought maybe you might have seen. | 0:10:47 | 0:10:51 | |
Aye. | 0:10:55 | 0:10:57 | |
Something was bringing the birds. | 0:10:58 | 0:11:00 | |
-So, you thought you'd go have a look. -She was dead. | 0:11:02 | 0:11:05 | |
-Why didn't you phone the police? -I don't have a phone. | 0:11:08 | 0:11:11 | |
You could have called on a neighbour. | 0:11:11 | 0:11:13 | |
My neighbours don't speak to me. | 0:11:13 | 0:11:15 | |
What time was this? | 0:11:15 | 0:11:17 | |
Five. | 0:11:17 | 0:11:19 | |
I dinnae sleep so well in the simmer dim. | 0:11:19 | 0:11:22 | |
It's Catherine Ross. | 0:11:27 | 0:11:29 | |
She was here midsummer night, and the teacher lass. | 0:11:31 | 0:11:35 | |
I didnae ask them. I didnae ken them. They just came. | 0:11:35 | 0:11:39 | |
And then she came back yesterday. She was on the bus. | 0:11:39 | 0:11:42 | |
You saw Catherine Ross on the bus? | 0:11:42 | 0:11:44 | |
No, it wasn't my day for Lerwick. | 0:11:44 | 0:11:47 | |
I was passing the stop and she was getting off. | 0:11:47 | 0:11:50 | |
-This is yesterday? Sunday? -Aye. | 0:11:52 | 0:11:54 | |
She knew I had a cake. | 0:11:54 | 0:11:56 | |
She was hungry. She'd been walking all night. | 0:11:58 | 0:12:01 | |
-Did she say why or where she'd been? -No. | 0:12:01 | 0:12:04 | |
How long did she stay? | 0:12:07 | 0:12:09 | |
An hour. She said she was going home to sleep. | 0:12:10 | 0:12:14 | |
Sorry to disturb, but... | 0:12:18 | 0:12:21 | |
you're needed. | 0:12:21 | 0:12:23 | |
Where were you last night? | 0:12:24 | 0:12:26 | |
Here. In my bed. | 0:12:26 | 0:12:29 | |
OK. I'm going to want to speak to you again, Mr Bain... | 0:12:29 | 0:12:34 | |
so don't go anywhere without letting us know, all right? | 0:12:34 | 0:12:37 | |
Where would I go? It's not my day for Lerwick. | 0:12:37 | 0:12:41 | |
He knew her. She visited him yesterday. | 0:12:42 | 0:12:45 | |
And he saw the body this morning. | 0:12:45 | 0:12:47 | |
-He said that? -He wasn't trying to hide it. | 0:12:47 | 0:12:50 | |
He said he saw her at 5am. | 0:12:50 | 0:12:52 | |
He doesn't sleep so well this time of year. | 0:12:52 | 0:12:55 | |
Who does? It's never dark enough for long enough. | 0:12:55 | 0:12:57 | |
You just wish someone would turn the bloody light off. | 0:12:57 | 0:13:00 | |
From her pockets. | 0:13:00 | 0:13:01 | |
No phone? | 0:13:03 | 0:13:05 | |
They've done what they can, but there's water everywhere. | 0:13:05 | 0:13:07 | |
Plus, there's a primary school up there. | 0:13:07 | 0:13:09 | |
-We should move her as soon as we can. -OK. I'll get onto Aberdeen. | 0:13:09 | 0:13:12 | |
-Hey! -Press. | 0:13:14 | 0:13:15 | |
Yeah, you're right. We should probably move her as quick as we can. | 0:13:18 | 0:13:22 | |
RINGING TONE | 0:13:25 | 0:13:28 | |
PHONE RINGS | 0:13:31 | 0:13:34 | |
RINGING TONE | 0:13:49 | 0:13:51 | |
We haven't managed to reach Catherine's father yet. | 0:14:05 | 0:14:08 | |
-Can you tell me who she stays with when he's offshore? -No-one. | 0:14:08 | 0:14:12 | |
Catherine only came to live with Euan a year ago | 0:14:12 | 0:14:15 | |
when her mother died. | 0:14:15 | 0:14:17 | |
He'd lived on his own for years. She was always at boarding school. | 0:14:17 | 0:14:20 | |
I don't think heavy-duty parenting would have suited either of them. | 0:14:20 | 0:14:23 | |
Doesn't mean they weren't fond of each other. | 0:14:23 | 0:14:25 | |
Someone mentioned the "teacher's lassie". | 0:14:25 | 0:14:27 | |
-Do you know who that would be? -Yeah, that would be Sally Henry. | 0:14:27 | 0:14:30 | |
Her mother, Margaret, is the teacher at the primary. | 0:14:30 | 0:14:33 | |
-She and Catherine were friends. -DOOR SHUTS | 0:14:33 | 0:14:35 | |
It's been a terrible shock for Sally. | 0:14:40 | 0:14:42 | |
A terrible shock for everyone. | 0:14:42 | 0:14:44 | |
Though maybe not a surprise. | 0:14:44 | 0:14:47 | |
She liked to provoke a response, that one. | 0:14:47 | 0:14:50 | |
I am sorry. I have to ask you this. Where were you last night, Sally? | 0:14:50 | 0:14:53 | |
And you, Mrs Henry. | 0:14:53 | 0:14:55 | |
Where do you think? Asleep in our beds. | 0:14:55 | 0:14:57 | |
Do you know what Catherine was up to at the weekend? | 0:14:59 | 0:15:01 | |
Of course, you can't blame the children. | 0:15:01 | 0:15:03 | |
Left to their own devices, | 0:15:03 | 0:15:05 | |
drinking themselves stupid in Lerwick every weekend. | 0:15:05 | 0:15:08 | |
I tell you what, Sally, why don't you and me go for a walk | 0:15:08 | 0:15:11 | |
and we'll get out of your mother's way? | 0:15:11 | 0:15:13 | |
-But I've made coffee. -That's OK, we'll take it with us. | 0:15:13 | 0:15:16 | |
What's going on? Who's that with Sally? | 0:15:26 | 0:15:28 | |
There's been a death. Her friend, Catherine Ross. | 0:15:28 | 0:15:31 | |
Is she all right? | 0:15:33 | 0:15:35 | |
Did you not hear the woman? She's dead. | 0:15:35 | 0:15:37 | |
I meant Sally. | 0:15:37 | 0:15:39 | |
You know, whatever you say to me... stays with me. | 0:15:47 | 0:15:52 | |
Your parents don't get to hear it. | 0:15:53 | 0:15:55 | |
She didn't always tell me what she was doing. | 0:15:57 | 0:16:00 | |
I'm not allowed out so much. | 0:16:03 | 0:16:05 | |
She didn't like to rub it in. | 0:16:07 | 0:16:09 | |
What about Saturday night, when you went calling on Magnus Bain? | 0:16:11 | 0:16:16 | |
Catherine thought it would be a dare to knock on his door. | 0:16:19 | 0:16:22 | |
-And after that? -Went home. | 0:16:24 | 0:16:27 | |
What about Catherine? | 0:16:29 | 0:16:30 | |
Like I said, she didn't always tell me what she was doing. | 0:16:32 | 0:16:35 | |
What about Sunday? | 0:16:35 | 0:16:38 | |
Yesterday. Did you see her then? | 0:16:38 | 0:16:42 | |
She called. Late afternoon. | 0:16:42 | 0:16:46 | |
I couldn't come out cos I had homework. | 0:16:48 | 0:16:50 | |
A good friend, eh? | 0:16:54 | 0:16:56 | |
Never had a friend like her before. | 0:16:56 | 0:16:58 | |
Did Catherine have a boyfriend? | 0:17:05 | 0:17:07 | |
No. | 0:17:07 | 0:17:09 | |
Did she have a girlfriend? | 0:17:09 | 0:17:11 | |
No. | 0:17:12 | 0:17:14 | |
Was anybody after her? | 0:17:14 | 0:17:17 | |
We used to joke about Mr Scott. | 0:17:17 | 0:17:19 | |
-He was always looking at her in class. -A teacher? | 0:17:19 | 0:17:23 | |
She thought he was ridiculous. | 0:17:23 | 0:17:25 | |
Perez isn't a Shetland name. | 0:17:27 | 0:17:29 | |
No. Er... | 0:17:29 | 0:17:32 | |
They say they came over with a shipwreck from the Armada. | 0:17:32 | 0:17:35 | |
And a Spanish sailor fell in love with a girl from Fair Isle. | 0:17:37 | 0:17:41 | |
You don't look very Spanish. | 0:17:41 | 0:17:44 | |
No, I think...! I think I probably take after her. | 0:17:44 | 0:17:48 | |
HE CHUCKLES | 0:17:49 | 0:17:51 | |
What did your mum mean when she said | 0:17:54 | 0:17:55 | |
that Catherine liked to provoke people? | 0:17:55 | 0:17:58 | |
Catherine thought respect was something adults had to earn. | 0:18:02 | 0:18:06 | |
She wasn't always polite. | 0:18:06 | 0:18:08 | |
What, to your mum? | 0:18:08 | 0:18:10 | |
To anyone. | 0:18:10 | 0:18:12 | |
Billy, you had any luck reaching Euan Ross on North Cormorant? | 0:18:15 | 0:18:18 | |
-Not yet. -Keep trying. | 0:18:18 | 0:18:20 | |
We need to search his house, and I want him to get this from us. | 0:18:20 | 0:18:23 | |
-I don't want him to get it from Facebook. -Yeah. | 0:18:23 | 0:18:25 | |
Boss... | 0:18:25 | 0:18:26 | |
I've been getting phone calls from my friend Reg Gilbert, Mr Media, | 0:18:26 | 0:18:31 | |
about a possible serial killer on Shetland. | 0:18:31 | 0:18:34 | |
-I don't know what you're talking about. -For Christ's sake, Jimmy! | 0:18:34 | 0:18:37 | |
You're my most senior detective. | 0:18:37 | 0:18:38 | |
You should be briefing me about this, not the other way round. | 0:18:38 | 0:18:41 | |
SHE SIGHS | 0:18:41 | 0:18:44 | |
I'm sorry, can we go outside? | 0:18:44 | 0:18:45 | |
Ohh... | 0:18:54 | 0:18:55 | |
You know why giving up extends your life? | 0:18:56 | 0:18:59 | |
Cos every bloody hour takes about three days to pass. | 0:18:59 | 0:19:02 | |
19 years ago, a child called Catriona Bruce | 0:19:06 | 0:19:09 | |
went missing from Ravenswick. | 0:19:09 | 0:19:11 | |
Same village? | 0:19:11 | 0:19:14 | |
They never found her body. | 0:19:14 | 0:19:16 | |
The team sent from Inverness concluded there was no foul play | 0:19:16 | 0:19:19 | |
and that she probably fell from the cliff where she was seen playing. | 0:19:19 | 0:19:22 | |
But after today... | 0:19:22 | 0:19:24 | |
Reg is just digging at the moment. | 0:19:24 | 0:19:26 | |
He's fishing for a story, he's looking for a link. | 0:19:26 | 0:19:29 | |
If there's any chance he's going to find one, I want to know about it. | 0:19:29 | 0:19:32 | |
-OK? -This is the same address. | 0:19:32 | 0:19:34 | |
-What? -Catherine and Catriona - it's the same address. | 0:19:34 | 0:19:37 | |
PHONE RINGS | 0:20:09 | 0:20:13 | |
Hello. | 0:20:16 | 0:20:18 | |
Boss, I've got Euan Ross on North Cormorant. | 0:20:18 | 0:20:21 | |
I'm connecting you now, OK? | 0:20:21 | 0:20:23 | |
OK... OK. | 0:20:23 | 0:20:25 | |
Hello? | 0:20:27 | 0:20:28 | |
Hello, Mr Ross. This is Detective Inspector Perez. | 0:20:28 | 0:20:32 | |
Is somebody there with you? | 0:20:33 | 0:20:35 | |
Yeah, they sent my manager. What's going on? | 0:20:35 | 0:20:38 | |
'I've got very bad news for you.' | 0:20:38 | 0:20:42 | |
Your daughter Catherine was found on the beach at Ravenswick. | 0:20:42 | 0:20:45 | |
-LINE BREAKING UP -My... What? My... | 0:20:45 | 0:20:48 | |
Your daughter's dead. | 0:20:48 | 0:20:50 | |
Euan? | 0:20:56 | 0:20:57 | |
LINE BREAKS UP | 0:20:57 | 0:20:59 | |
LINE DIES | 0:21:00 | 0:21:01 | |
PHONE RINGS | 0:21:06 | 0:21:09 | |
Hello? | 0:21:09 | 0:21:10 | |
HE SIGHS Cora. | 0:21:10 | 0:21:12 | |
-Cassie. -Hiya. | 0:21:14 | 0:21:17 | |
I've got to go out for a wee while. I'll be about an hour, OK? | 0:21:17 | 0:21:20 | |
OK. | 0:21:20 | 0:21:22 | |
Hey, what's up? | 0:21:24 | 0:21:27 | |
Is it true Catherine Ross was assaulted? | 0:21:27 | 0:21:30 | |
You know, sexually. | 0:21:30 | 0:21:32 | |
Who's saying that? | 0:21:32 | 0:21:34 | |
People. Facebook. | 0:21:34 | 0:21:37 | |
I've never known a girl be killed | 0:21:49 | 0:21:52 | |
and that not be one of the rumours. | 0:21:52 | 0:21:55 | |
Which is depressing enough. | 0:21:56 | 0:21:59 | |
But in this case I can absolutely promise you | 0:21:59 | 0:22:03 | |
it's pure speculation. | 0:22:03 | 0:22:05 | |
Time of death was between midnight last night | 0:22:07 | 0:22:10 | |
and four o'clock this morning. | 0:22:10 | 0:22:12 | |
She was killed where she was found, strangled with her own scarf. | 0:22:12 | 0:22:16 | |
Any sign of sexual assault? | 0:22:20 | 0:22:22 | |
No. | 0:22:22 | 0:22:24 | |
Anything else? | 0:22:29 | 0:22:31 | |
Hm! I'm just a GP. | 0:22:31 | 0:22:34 | |
Anything else can wait for the pathologist in Aberdeen. | 0:22:34 | 0:22:37 | |
Who's going to tell me the exact same thing you will, | 0:22:37 | 0:22:39 | |
only in three days' time. | 0:22:39 | 0:22:41 | |
Cora... | 0:22:42 | 0:22:44 | |
There were scratch marks on her neck | 0:22:44 | 0:22:48 | |
and skin tissue under her fingernails. | 0:22:48 | 0:22:50 | |
My guess is they'll find it's her own. | 0:22:51 | 0:22:54 | |
Because she was trying | 0:22:54 | 0:22:56 | |
to get her fingers under the scarf to pull it away. | 0:22:56 | 0:22:58 | |
But no defensive injuries. | 0:22:58 | 0:23:01 | |
So either they took her completely by surprise. | 0:23:01 | 0:23:04 | |
What, at this time of year? It's light all night. | 0:23:04 | 0:23:07 | |
Or she knew them well enough to let them get very close. | 0:23:07 | 0:23:10 | |
What's up, eh? | 0:23:17 | 0:23:20 | |
Come on now. | 0:23:22 | 0:23:23 | |
Weesht. | 0:23:25 | 0:23:27 | |
Even if the team from the mainland got it wrong | 0:23:30 | 0:23:33 | |
and Catriona was abducted, | 0:23:33 | 0:23:34 | |
she was a child and her body was never found. | 0:23:34 | 0:23:38 | |
Catherine was ten years older | 0:23:38 | 0:23:39 | |
and her body was left in an open space, in full view. | 0:23:39 | 0:23:43 | |
Different victim profiles, different modus operandi, | 0:23:43 | 0:23:46 | |
let alone the 19 years between them. | 0:23:46 | 0:23:48 | |
I really... I can't see the same hand in both. | 0:23:48 | 0:23:50 | |
What about the fact that they were from the same village, | 0:23:50 | 0:23:53 | |
lived in the same house? | 0:23:53 | 0:23:55 | |
Even their names are similar. | 0:23:55 | 0:23:56 | |
That's a coincidence that the tabloids love, but it's not a link. | 0:23:56 | 0:23:59 | |
What worries me is that people are going to start | 0:23:59 | 0:24:02 | |
talking about this, and before you know it, people are looking | 0:24:02 | 0:24:04 | |
for freaks and monsters and forgetting what they actually saw. | 0:24:04 | 0:24:08 | |
OK. We issue a statement. Despite certain similarities, | 0:24:10 | 0:24:14 | |
the police believe there is no connection | 0:24:14 | 0:24:15 | |
-between the death of... Et cetera, et cetera. -Yeah. | 0:24:15 | 0:24:18 | |
OK. | 0:24:18 | 0:24:19 | |
According to Cora - who, as we all know, is never wrong - | 0:24:21 | 0:24:25 | |
time of death is between midnight on Sunday and 4am on Monday. | 0:24:25 | 0:24:30 | |
Saturday night. Midsummer. | 0:24:31 | 0:24:35 | |
Catherine and her friend Sally go to a beach party | 0:24:35 | 0:24:38 | |
and then call in on Magnus Bain. | 0:24:38 | 0:24:44 | |
Sally goes home, Catherine goes on to spend the night away from home, | 0:24:46 | 0:24:51 | |
presumably in Lerwick, because the next morning, Sunday, | 0:24:51 | 0:24:55 | |
she gets off the Lerwick bus and she bumps into Magnus again, | 0:24:55 | 0:25:00 | |
then goes back to his house for cake. | 0:25:00 | 0:25:03 | |
Teatime on Sunday, she drops in on Jess Collins. | 0:25:04 | 0:25:09 | |
And we know from the door-to-door | 0:25:09 | 0:25:11 | |
that she's seen several times after that. | 0:25:11 | 0:25:13 | |
The last sighting is 8.30, | 0:25:13 | 0:25:15 | |
when she pops into a neighbour's house for milk. | 0:25:15 | 0:25:18 | |
The whole family saw her. | 0:25:18 | 0:25:20 | |
She's killed...here. | 0:25:25 | 0:25:29 | |
Between 12 midnight and 4am. | 0:25:29 | 0:25:32 | |
I'm seeing the name Magnus Bain a lot. | 0:25:32 | 0:25:34 | |
He saw the body and said nothing. Plus, he's pretty odd. | 0:25:34 | 0:25:37 | |
Yeah, pretty odd isn't enough to make us have a look at someone. | 0:25:37 | 0:25:40 | |
Plus, he says his neighbours don't talk to him. | 0:25:40 | 0:25:43 | |
Did we check up on that? | 0:25:43 | 0:25:44 | |
Well, it's not just them avoiding him. He's pretty much a recluse. | 0:25:44 | 0:25:48 | |
-I can see him not reporting it. -You know him? | 0:25:48 | 0:25:51 | |
Only by reputation. Like Tosh says - odd. | 0:25:51 | 0:25:55 | |
If she knew her killer, do you think she'd arranged to meet them? | 0:25:55 | 0:25:58 | |
Maybe she was already with them. | 0:25:58 | 0:26:00 | |
Boss? That was Aberdeen about the footprints you photographed. | 0:26:00 | 0:26:04 | |
They were from her own boots. | 0:26:04 | 0:26:06 | |
Oh, what about the piece of fibre under her nail? | 0:26:08 | 0:26:11 | |
Nothing yet, but the school are expecting you any time now. | 0:26:11 | 0:26:14 | |
Tosh, you're with me. Sandy, you take the Ross house. | 0:26:14 | 0:26:16 | |
Check out Catherine's bedroom. | 0:26:16 | 0:26:18 | |
You all knew Catherine. | 0:26:38 | 0:26:41 | |
And maybe some of you know, or knew, things about her | 0:26:41 | 0:26:45 | |
that she would rather have kept private. | 0:26:45 | 0:26:49 | |
But we need to know who she was with and what she was doing | 0:26:49 | 0:26:55 | |
in the 24 hours leading up to her death. | 0:26:55 | 0:26:58 | |
Whenever someone dies, and especially in circumstances like this, | 0:27:02 | 0:27:06 | |
there's always rumours about what may or may not have happened. | 0:27:06 | 0:27:11 | |
And they don't help. Cos all they do is make people scared. | 0:27:11 | 0:27:18 | |
And I don't want you to be scared. | 0:27:20 | 0:27:23 | |
Sergeant Mackintosh is going to be here all morning. | 0:27:28 | 0:27:32 | |
So, if any of you know something - | 0:27:32 | 0:27:34 | |
doesn't matter what it is - then please come and talk to us. | 0:27:34 | 0:27:39 | |
Could you return to your forms rooms, | 0:27:45 | 0:27:46 | |
unless you have specific information for the police. | 0:27:46 | 0:27:49 | |
Did you know her well? | 0:28:03 | 0:28:05 | |
Hugo Scott? I'm Detective Inspector Perez. | 0:28:30 | 0:28:33 | |
I was wondering if I could have a word with you about Catherine Ross. | 0:28:33 | 0:28:37 | |
PATRONS CHATTER | 0:28:48 | 0:28:51 | |
Sorry. Can I talk to you? | 0:28:58 | 0:29:01 | |
What's up? | 0:29:05 | 0:29:07 | |
I taught her film and photography as part of her Media Studies. | 0:29:07 | 0:29:11 | |
-I was also her registration teacher. -What was she like? | 0:29:11 | 0:29:15 | |
Bright. Challenging. She could be hard work. | 0:29:15 | 0:29:19 | |
But she was also receptive and interested and engaged. | 0:29:19 | 0:29:24 | |
-They're not all like that, believe me. -Was she popular? | 0:29:24 | 0:29:28 | |
Admired, certainly. But perhaps a bit too spiky for real popularity. | 0:29:28 | 0:29:34 | |
A satirical eye and an impressive line in contempt, | 0:29:36 | 0:29:39 | |
even by 17-year-old standards. | 0:29:39 | 0:29:41 | |
It doesn't necessarily endear you to your contemporaries. | 0:29:41 | 0:29:45 | |
No. Or your teachers, I would imagine. | 0:29:45 | 0:29:47 | |
Oh, Catherine and I understood each other very well. | 0:29:47 | 0:29:50 | |
Did you ever see her outside of school? | 0:29:55 | 0:29:58 | |
Not by arrangement, if that's what you're suggesting. | 0:29:58 | 0:30:02 | |
By accident, then? | 0:30:02 | 0:30:05 | |
It's almost impossible to avoid, if you live in Lerwick. | 0:30:05 | 0:30:08 | |
I'm thinking of moving to Bressay and learning to row. | 0:30:08 | 0:30:12 | |
What brought you to Shetland in the first place? | 0:30:12 | 0:30:15 | |
I wanted to be somewhere where there was scope to make a real difference. | 0:30:15 | 0:30:18 | |
You know...hearts and minds. | 0:30:18 | 0:30:21 | |
Honest to God, it was like a confessional in there. | 0:30:21 | 0:30:26 | |
The broken hearts and sexual health of an entire generation, in detail. | 0:30:26 | 0:30:29 | |
I tell you, if Cassie ever brings home a boy called Peanuts, | 0:30:29 | 0:30:32 | |
be very afraid. | 0:30:32 | 0:30:33 | |
What about Catherine? | 0:30:35 | 0:30:36 | |
She was definitely an outsider, but I got the impression it was choice. | 0:30:36 | 0:30:40 | |
They were all going on about how she made a point | 0:30:40 | 0:30:42 | |
of not using social media. | 0:30:42 | 0:30:44 | |
Pretty self-conscious about wanting to stand out from the crowd. | 0:30:44 | 0:30:47 | |
-Did anyone mention anything about a teacher called Hugo Scott? -Not to me. | 0:30:47 | 0:30:51 | |
OK, well, do a wee bit of digging, would you? | 0:30:51 | 0:30:54 | |
-See if there's anything we should be interested in. -OK. | 0:30:54 | 0:30:57 | |
Boss! You had a visitor while you were out. Alan Isbister. | 0:31:00 | 0:31:03 | |
The Whalsay Playboy? | 0:31:03 | 0:31:05 | |
He had to go over to the pier in his Very Expensive Car | 0:31:05 | 0:31:08 | |
for a Very Important Meeting, | 0:31:08 | 0:31:10 | |
but he said he'd call in again on his way back. | 0:31:10 | 0:31:12 | |
Apparently, it's about the case. | 0:31:12 | 0:31:14 | |
Excuse me. I'm looking for Alan Isbister. | 0:31:19 | 0:31:22 | |
-Didn't know you were working here. -You know me. | 0:31:22 | 0:31:25 | |
Jack of all trades, as long as it pays. | 0:31:25 | 0:31:27 | |
Saving up for another wedding to cancel? | 0:31:27 | 0:31:30 | |
-Isbister's in the dry dock. -Thanks, Drew. | 0:31:30 | 0:31:33 | |
Give my best to Tosh. | 0:31:33 | 0:31:35 | |
INDISTINCT SPEECH | 0:31:41 | 0:31:43 | |
Inspector Perez. I told your man I'd call back. | 0:31:49 | 0:31:52 | |
He's my sergeant! He's not my butler. | 0:31:52 | 0:31:55 | |
And the next time you've got information relating to a crime, | 0:31:55 | 0:31:58 | |
you give it to whoever's on the desk, do you understand? | 0:31:58 | 0:32:02 | |
Hey! I'm just trying to do my good citizen thing here, OK? | 0:32:02 | 0:32:04 | |
Well, get on with it. | 0:32:04 | 0:32:06 | |
So, I always throw a midsummer party. | 0:32:06 | 0:32:11 | |
Usually starts when all the others are finishing. | 0:32:11 | 0:32:14 | |
Stop the hangover starting, keep drinking. | 0:32:14 | 0:32:18 | |
Catherine Ross was there. | 0:32:18 | 0:32:21 | |
I didn't...I didn't know her. I just recognised her face from the news. | 0:32:21 | 0:32:25 | |
Who brought her along? | 0:32:25 | 0:32:27 | |
I mean, I just get the booze in, throw open the doors | 0:32:27 | 0:32:31 | |
and let the party take care of itself. | 0:32:31 | 0:32:33 | |
I can give you a list of people I did invite, if that helps you out. | 0:32:33 | 0:32:36 | |
She was just part of the crowd. I hardly noticed her, you know. | 0:32:38 | 0:32:41 | |
And you're, what, 30? | 0:32:41 | 0:32:43 | |
And she was 17. That didn't make her stand out? | 0:32:43 | 0:32:46 | |
It was an open house. | 0:32:48 | 0:32:50 | |
There was probably a couple of 70-year-olds there too. | 0:32:51 | 0:32:54 | |
Where is this open house? | 0:32:54 | 0:32:57 | |
My place on the main island. | 0:32:57 | 0:32:59 | |
The Haa. | 0:33:01 | 0:33:03 | |
You stay on the main island till I tell you different. | 0:33:03 | 0:33:06 | |
This is a list of everyone that he remembers. | 0:33:08 | 0:33:13 | |
What about the ones he doesn't remember? | 0:33:13 | 0:33:16 | |
Well, treat it as a starting point. Where was Catherine? | 0:33:16 | 0:33:19 | |
Who was she with? What was she doing? | 0:33:19 | 0:33:21 | |
You know Isbister's got a reputation? | 0:33:21 | 0:33:23 | |
I mean, I fancied 17-year-olds when I was 17. | 0:33:23 | 0:33:25 | |
-But you're supposed to grow out of it. -Come on, that's cheap gossip. | 0:33:25 | 0:33:28 | |
-Pretty widely circulated. -Alan just never grew up. | 0:33:28 | 0:33:32 | |
His dad's the big man who made the family fortune | 0:33:32 | 0:33:34 | |
with the pelagic trawler. | 0:33:34 | 0:33:36 | |
Plus, his mother never wanted him out of her sight. | 0:33:36 | 0:33:39 | |
-I thought the Isbisters were in haulage. You see trucks everywhere. -The trawling's the real business. | 0:33:39 | 0:33:45 | |
This is half the bloody island. Why wasn't I invited? | 0:33:46 | 0:33:51 | |
Billy, can you get me the CCTV for Union Street, | 0:34:29 | 0:34:35 | |
Harbour Street and Lower Hillhead, on midsummer's night. | 0:34:35 | 0:34:39 | |
-Billy? -Yes? -2.40am. Commercial Street. -Yes, boss. | 0:35:23 | 0:35:29 | |
Where's she heading? | 0:35:32 | 0:35:34 | |
The esplanade? Pier? | 0:35:36 | 0:35:40 | |
Bus station. | 0:35:40 | 0:35:43 | |
How are you getting on with your never-ending list? | 0:35:47 | 0:35:49 | |
-All right. It's going to take a while. -The party you were never invited to. | 0:35:49 | 0:35:54 | |
-Do you know something? -No, what? | 0:35:54 | 0:35:56 | |
Lerwick bus station, Saturday night into Sunday morning. | 0:35:56 | 0:36:00 | |
Excellent. Cheers, Billy. | 0:36:00 | 0:36:03 | |
Maybe we've missed her, maybe she was heading somewhere else. | 0:36:10 | 0:36:13 | |
There she is. | 0:36:17 | 0:36:19 | |
PHONE RINGS | 0:36:22 | 0:36:25 | |
Hello? Police station. | 0:36:29 | 0:36:32 | |
OK. | 0:36:34 | 0:36:35 | |
Boss? That's Euan Ross. He's landed. | 0:36:35 | 0:36:39 | |
OK. | 0:36:42 | 0:36:44 | |
You know, when we found Catherine's body, | 0:36:49 | 0:36:52 | |
she didn't have her house keys or her phone. | 0:36:52 | 0:36:56 | |
We don't usually lock the doors, but her phone? | 0:36:57 | 0:37:02 | |
She never went anywhere without it. Maybe if she left in a rush. | 0:37:02 | 0:37:07 | |
The officer that searched the house couldn't find it there either. | 0:37:07 | 0:37:12 | |
You think someone took it? It's like a mugging that went wrong? | 0:37:12 | 0:37:17 | |
No, it doesn't look like that. | 0:37:18 | 0:37:20 | |
17 is young...to be living alone. | 0:37:35 | 0:37:38 | |
-Is that a question? -No. | 0:37:41 | 0:37:44 | |
I mean, it's a lot of freedom, nobody asking where you're going, | 0:37:44 | 0:37:49 | |
what you're doing, when are you going to be home. | 0:37:49 | 0:37:52 | |
-Do you know what she did with it? -She went out. | 0:37:54 | 0:37:58 | |
Not so much. | 0:38:00 | 0:38:01 | |
She liked her own company. | 0:38:03 | 0:38:05 | |
You know, I went to that school. | 0:38:06 | 0:38:08 | |
From Fair Isle. | 0:38:10 | 0:38:12 | |
It was right cliquey. | 0:38:13 | 0:38:15 | |
Hard, being on the outside. | 0:38:15 | 0:38:17 | |
-Can I ask you a question? -Yeah. | 0:38:23 | 0:38:27 | |
Was it quick? | 0:38:29 | 0:38:31 | |
Quick. Not instant. | 0:38:34 | 0:38:38 | |
Hello, Jess. I'm a wee bit worried about Euan. | 0:39:00 | 0:39:02 | |
What will the neighbours say? Two male visitors in one night. | 0:39:02 | 0:39:05 | |
Practically a knocking shop. | 0:39:05 | 0:39:08 | |
I'm sorry, I didn't mean to interrupt your evening. | 0:39:08 | 0:39:10 | |
Oh, no! Duncan just dropped by to see how I was getting on. | 0:39:10 | 0:39:13 | |
Thank you. | 0:39:13 | 0:39:15 | |
-Hi. -Hi. -How do you two know each other, then? | 0:39:15 | 0:39:19 | |
Well, my ex and Jimmy were together for a long time | 0:39:20 | 0:39:24 | |
before she passed on, | 0:39:24 | 0:39:26 | |
the result of which is that we now share | 0:39:26 | 0:39:29 | |
a very lovely and very strong-willed daughter. | 0:39:29 | 0:39:32 | |
I'm her father, Jimmy's her dad. | 0:39:32 | 0:39:34 | |
Yeah. I should be getting back to her. Good night. | 0:39:34 | 0:39:37 | |
Here. Could you just hold that? I just want to have a word. Jimmy? | 0:39:37 | 0:39:42 | |
-What are you doing? -What? | 0:39:46 | 0:39:49 | |
Have you told her you're married? | 0:39:49 | 0:39:51 | |
Ach, come on! It's just a glass of wine. | 0:39:51 | 0:39:54 | |
Cos you know Cassie's just got over the last time. | 0:39:54 | 0:39:57 | |
Jimmy! | 0:39:57 | 0:39:59 | |
Would you stop taking that dog for a swim of a morning? | 0:40:53 | 0:40:56 | |
It's his wee bath. | 0:40:56 | 0:40:57 | |
How would you like it if I told you to stop washing? | 0:40:57 | 0:41:00 | |
I smell better after I've washed. Wet dog stinks. | 0:41:00 | 0:41:04 | |
Tosh! | 0:41:04 | 0:41:06 | |
This is a briefing. Brief us. | 0:41:06 | 0:41:09 | |
I looked into Hugo Scott. Nice shiny teaching record. | 0:41:09 | 0:41:11 | |
No previous anything. | 0:41:11 | 0:41:12 | |
As for tracing and eliminating everyone in Ravenswick | 0:41:12 | 0:41:15 | |
the night Catherine was killed, most of them were in bed | 0:41:15 | 0:41:18 | |
so verifiable alibis are proving a bit of a problem. | 0:41:18 | 0:41:21 | |
OK. How about Alan Isbister's party guests? | 0:41:21 | 0:41:24 | |
Still working our way through. Nothing from any of them so far. | 0:41:24 | 0:41:27 | |
There's a lot of talk round about Magnus Bain. | 0:41:27 | 0:41:31 | |
I'm not having this investigation being driven by public opinion. | 0:41:31 | 0:41:35 | |
-Maybe we SHOULD be looking at him. -We are. | 0:41:35 | 0:41:38 | |
But we're asking questions, not jumping to conclusions. | 0:41:38 | 0:41:42 | |
-Weirdo! -Retard! -Paedophile! | 0:41:53 | 0:41:56 | |
-Pervert! -Paedo! -Manky old slag! | 0:41:56 | 0:41:59 | |
-CHILDREN LAUGH -Stupid old tosser! | 0:41:59 | 0:42:04 | |
Magnus Bain told me that the reason | 0:42:06 | 0:42:08 | |
Catherine agreed to go back to his house | 0:42:08 | 0:42:11 | |
was because she knew he had cake. | 0:42:11 | 0:42:14 | |
I think she could have got cake from anyone. | 0:42:14 | 0:42:18 | |
I was just wondering if you could think of any other reason | 0:42:18 | 0:42:21 | |
why she might have been drawn back there. | 0:42:21 | 0:42:23 | |
Probably him being so weird. | 0:42:24 | 0:42:26 | |
Catherine liked freaks and misfits. | 0:42:28 | 0:42:30 | |
Why did she like you, then? | 0:42:32 | 0:42:35 | |
Because you don't strike me as either of those two things. | 0:42:35 | 0:42:39 | |
Maybe being a teacher's kid is OK if your parent is popular. | 0:42:39 | 0:42:43 | |
If they're not, it's pretty much the definition of both. | 0:42:45 | 0:42:48 | |
So, you're going to talk to Magnus Bain. | 0:42:48 | 0:42:53 | |
Better late than never, I suppose. | 0:42:53 | 0:42:55 | |
Mrs Henry, is there something you think I should know? | 0:42:57 | 0:42:59 | |
I mean, something concrete. | 0:42:59 | 0:43:02 | |
People used to think they were doing a kindness | 0:43:02 | 0:43:04 | |
letting their children talk to him. | 0:43:04 | 0:43:07 | |
More innocent back then. | 0:43:07 | 0:43:09 | |
We know better these days. Don't we? | 0:43:10 | 0:43:12 | |
Mm. | 0:43:14 | 0:43:15 | |
OK. Thanks for your time. | 0:43:16 | 0:43:18 | |
Where's my dad? | 0:43:22 | 0:43:24 | |
On the hill. | 0:43:24 | 0:43:26 | |
What's wrong with that? | 0:43:26 | 0:43:29 | |
Environmental officer, it's his job. | 0:43:29 | 0:43:32 | |
You know what? | 0:43:33 | 0:43:35 | |
Whatever he's doing and whoever he's doing it with, | 0:43:35 | 0:43:37 | |
I don't blame him! | 0:43:37 | 0:43:39 | |
Who's the wee girl? | 0:43:57 | 0:43:58 | |
-Agnes. She's my sister. She's dead. -Is that your mother? | 0:43:58 | 0:44:04 | |
There's no milk. | 0:44:06 | 0:44:07 | |
It's my day for Lerwick, but I couldn't get out. | 0:44:09 | 0:44:12 | |
You know why they came, don't you, Magnus? | 0:44:19 | 0:44:21 | |
-They think you had something to do with Catherine's death. -No! | 0:44:21 | 0:44:27 | |
What did you do after she'd gone? | 0:44:27 | 0:44:29 | |
TV. | 0:44:31 | 0:44:32 | |
What did you watch? | 0:44:35 | 0:44:38 | |
There was some lad fishing off a boat. Or... | 0:44:40 | 0:44:45 | |
..maybe that was yesterday. | 0:44:47 | 0:44:49 | |
Magnus...did anyone see you | 0:44:51 | 0:44:55 | |
between Catherine leaving here on Sunday morning | 0:44:55 | 0:44:58 | |
and me calling in on you the next day? | 0:44:58 | 0:45:00 | |
Anyone who could say where you were? | 0:45:00 | 0:45:02 | |
OK. | 0:45:08 | 0:45:10 | |
Now, what I'd like to do... | 0:45:10 | 0:45:12 | |
..is I'd like to take your fingerprints. | 0:45:13 | 0:45:16 | |
And a sample of your DNA. | 0:45:16 | 0:45:19 | |
You don't have to do either of those things. | 0:45:23 | 0:45:25 | |
But it would help me to prove where you have and haven't been. | 0:45:26 | 0:45:30 | |
Gets in the cracks. | 0:45:30 | 0:45:32 | |
Takes a long time to come off. | 0:45:32 | 0:45:35 | |
BIRD CALLS | 0:45:37 | 0:45:39 | |
Have you been fingerprinted before? | 0:45:41 | 0:45:43 | |
When Catriona went missing? | 0:45:47 | 0:45:49 | |
No! | 0:45:49 | 0:45:51 | |
I told them I never seen her. | 0:45:51 | 0:45:53 | |
-They went away. -CLATTER | 0:45:53 | 0:45:56 | |
Nobody sends me letters. | 0:46:05 | 0:46:07 | |
It's from Catherine Ross. | 0:46:10 | 0:46:12 | |
What is it? | 0:46:13 | 0:46:14 | |
She's sent me a letter. | 0:46:14 | 0:46:16 | |
So, why did she take that, Magnus? | 0:46:21 | 0:46:24 | |
STIFLED SOBS | 0:46:27 | 0:46:29 | |
PHONE VIBRATES | 0:46:39 | 0:46:41 | |
I'd asked them to come back this term | 0:46:52 | 0:46:54 | |
with a pitch for their end-of-year project. | 0:46:54 | 0:46:57 | |
It could have been something to do with that. | 0:46:57 | 0:46:59 | |
Do you have any idea how it was taken? | 0:46:59 | 0:47:00 | |
Surely the subject would know. | 0:47:00 | 0:47:02 | |
The subject isn't technologically minded. | 0:47:02 | 0:47:05 | |
Er... | 0:47:05 | 0:47:07 | |
Catherine liked retro. | 0:47:07 | 0:47:09 | |
She wanted a Hasselblad, but she couldn't afford one. | 0:47:09 | 0:47:11 | |
What's a Hasselblad? | 0:47:11 | 0:47:12 | |
It's a camera that gives you this square format. They're expensive. | 0:47:12 | 0:47:17 | |
Catherine got an app on her phone instead. | 0:47:17 | 0:47:20 | |
What? That was taken on a phone? | 0:47:21 | 0:47:23 | |
So, she'd have had to have taken it, gone home, | 0:47:23 | 0:47:27 | |
downloaded it and then printed it off? | 0:47:27 | 0:47:29 | |
Well, she could have printed it straight from her phone, | 0:47:29 | 0:47:32 | |
but looking at it, I'd say she did some work on it first - | 0:47:32 | 0:47:36 | |
you know, crunching the blacks. It's very Don McCullin. | 0:47:36 | 0:47:40 | |
And it's very Catherine. | 0:47:40 | 0:47:42 | |
Catherine Ross took a photograph of Magnus Bain | 0:47:47 | 0:47:51 | |
on her phone on the day she died. | 0:47:51 | 0:47:53 | |
So, can we get on to Aberdeen, and see if they can get a timing | 0:47:53 | 0:47:57 | |
-for when she downloaded it onto her laptop? -Sure. | 0:47:57 | 0:48:00 | |
What happened in Ravenswick? | 0:48:00 | 0:48:02 | |
Fingerprinting and a DNA sample. | 0:48:02 | 0:48:05 | |
And, apparently, this isn't the first time Magnus has been fingerprinted. | 0:48:05 | 0:48:09 | |
-So, can you see if we've got anything on record for that? -Got it. | 0:48:09 | 0:48:13 | |
-Alibi? -He doesn't have an alibi! | 0:48:13 | 0:48:17 | |
The man's a recluse. | 0:48:17 | 0:48:19 | |
He doesn't see anybody from one week's end to the next | 0:48:19 | 0:48:22 | |
unless it's his day for bloody Lerwick. | 0:48:22 | 0:48:25 | |
But he has no motive. | 0:48:25 | 0:48:28 | |
There is nothing tying him to this except talk, | 0:48:28 | 0:48:30 | |
and talk can be generated. | 0:48:30 | 0:48:32 | |
What if somebody wants us to be looking at him? | 0:48:34 | 0:48:36 | |
-What if it's misdirection? -Like who? | 0:48:36 | 0:48:39 | |
I don't know. | 0:48:40 | 0:48:42 | |
Somebody with enough money to buy all the rumour-mongering they want. | 0:48:43 | 0:48:48 | |
Sorry, Tosh. | 0:48:49 | 0:48:51 | |
Right. What have I missed? | 0:48:51 | 0:48:54 | |
The pathology report came through. Nothing new. | 0:48:54 | 0:48:56 | |
Basically, it's exactly what Cora said. | 0:48:56 | 0:48:58 | |
And Forensics got back about the fibre under Catherine's nail. | 0:48:58 | 0:49:01 | |
It's hemp, from a rug. | 0:49:01 | 0:49:04 | |
What kind of rug? | 0:49:04 | 0:49:05 | |
"Antique and most probably of Turkish origin." | 0:49:05 | 0:49:08 | |
-Apparently they can tell from the dye. -Uh-huh? | 0:49:08 | 0:49:10 | |
Let me see that Isbister party list. | 0:49:10 | 0:49:13 | |
KNOCK ON DOOR | 0:49:19 | 0:49:21 | |
You said to me that you'd never arranged | 0:49:30 | 0:49:32 | |
-to meet Catherine outside of school. Is that right? -Yeah, that's right. | 0:49:32 | 0:49:36 | |
So, she never came to this flat? | 0:49:36 | 0:49:38 | |
Why would she? | 0:49:38 | 0:49:40 | |
Nice rug. | 0:49:43 | 0:49:44 | |
That Turkish? | 0:49:46 | 0:49:47 | |
-Yes. -Very distinctive. Very distinctive patterns. | 0:49:47 | 0:49:51 | |
Very distinctive dyes, apparently. | 0:49:51 | 0:49:54 | |
Catherine bit her nails, did you notice that about her? | 0:49:58 | 0:50:00 | |
Maybe nerves, I don't know. | 0:50:02 | 0:50:04 | |
Anyway, makes them ragged. | 0:50:05 | 0:50:07 | |
So, things get caught under them, like fibres. | 0:50:07 | 0:50:10 | |
-OK, I want a solicitor. -Yeah, I think that's a good idea. | 0:50:12 | 0:50:16 | |
"Very Don McCullin." | 0:50:18 | 0:50:20 | |
Hm? What does that mean? | 0:50:20 | 0:50:22 | |
You can look at a beautiful photograph | 0:50:22 | 0:50:25 | |
taken with insight and care | 0:50:25 | 0:50:27 | |
and you look at it like you've seen it all before, | 0:50:27 | 0:50:29 | |
like there's nothing new in the world for you at all. | 0:50:29 | 0:50:32 | |
All the things you said about Catherine, that she was interested, | 0:50:32 | 0:50:35 | |
receptive and engaged. That wasn't about her, was it? It was about you. | 0:50:35 | 0:50:39 | |
It was about how she responded to you. | 0:50:39 | 0:50:41 | |
She came in to borrow a DVD. That's all. | 0:50:41 | 0:50:45 | |
And she got a fibre from your rug caught underneath her nail | 0:50:45 | 0:50:49 | |
-how, exactly? -We... | 0:50:49 | 0:50:51 | |
We talked. | 0:50:51 | 0:50:52 | |
She... | 0:50:52 | 0:50:54 | |
She may have sat on the floor. | 0:50:54 | 0:50:57 | |
Am I under arrest? | 0:50:59 | 0:51:01 | |
You are now. | 0:51:01 | 0:51:03 | |
My mum thinks I'm in my room. What if she checks? | 0:51:11 | 0:51:15 | |
Just tell her you fancied a walk. | 0:51:17 | 0:51:19 | |
You should come to the boat sometime. | 0:51:22 | 0:51:24 | |
It's a bit more private. | 0:51:25 | 0:51:27 | |
Would you like that? | 0:51:29 | 0:51:30 | |
Can't hear you at the back. | 0:51:33 | 0:51:36 | |
Yes. | 0:51:36 | 0:51:37 | |
Before term broke up, I'd mentioned a couple of films | 0:51:47 | 0:51:50 | |
I thought she'd like. | 0:51:50 | 0:51:52 | |
I said if she couldn't get hold of them, I'd lend them to her. | 0:51:52 | 0:51:55 | |
What sort of films? | 0:51:55 | 0:51:57 | |
French New Wave. | 0:51:57 | 0:51:59 | |
So, Catherine called in to pick them up when? | 0:51:59 | 0:52:03 | |
-Saturday night. -What time? | 0:52:03 | 0:52:05 | |
Midnight. | 0:52:05 | 0:52:07 | |
-She said she was passing. -At midnight? | 0:52:07 | 0:52:10 | |
I assumed she'd come from a party. | 0:52:10 | 0:52:12 | |
I was just heading out to Isbister's do | 0:52:12 | 0:52:14 | |
and she asked if I could take her along. | 0:52:14 | 0:52:17 | |
Did Catherine know about Isbister's before you mentioned it? | 0:52:17 | 0:52:21 | |
I can't remember. | 0:52:21 | 0:52:23 | |
PEREZ LAUGHS | 0:52:23 | 0:52:24 | |
I'd been drinking. | 0:52:24 | 0:52:26 | |
That's why I was less...circumspect than usual. | 0:52:26 | 0:52:29 | |
And so being less circumspect than usual, you agreed to take her along? | 0:52:29 | 0:52:32 | |
We need you to say it. For the tape. | 0:52:37 | 0:52:40 | |
Yes. I agreed to take her. | 0:52:42 | 0:52:44 | |
Why didn't you tell us this before? | 0:52:44 | 0:52:46 | |
Because once I got her in, she disappeared. | 0:52:46 | 0:52:48 | |
I didn't see her again. I had nothing useful to tell you. | 0:52:48 | 0:52:51 | |
And I knew how it would look. | 0:52:53 | 0:52:54 | |
How's that? | 0:52:54 | 0:52:56 | |
As if I was having an inappropriate relationship with her. | 0:52:56 | 0:52:58 | |
Were you? | 0:52:58 | 0:52:59 | |
No. | 0:53:00 | 0:53:02 | |
-HE SCOFFS -No! | 0:53:04 | 0:53:06 | |
Excuse me. Tosh. | 0:53:08 | 0:53:10 | |
Tosh, we are asking questions. We are not scoring points. | 0:53:18 | 0:53:21 | |
Stop baiting him. | 0:53:21 | 0:53:23 | |
Sorry. | 0:53:23 | 0:53:24 | |
-He's a spineless tosser, though. -I know that, but I mean it. | 0:53:24 | 0:53:29 | |
She was 17. | 0:53:32 | 0:53:33 | |
I met Drew when I was 17. | 0:53:34 | 0:53:36 | |
It's very young. | 0:53:38 | 0:53:39 | |
I'll be fine here. | 0:54:02 | 0:54:03 | |
Are you sure? | 0:54:03 | 0:54:05 | |
It's just across the hill. | 0:54:05 | 0:54:07 | |
You won't get spooked after what happened to your friend? It's misty. | 0:54:08 | 0:54:12 | |
-No. I've done it before. I'll just run. -OK. | 0:54:12 | 0:54:16 | |
See you. | 0:54:24 | 0:54:26 | |
DOOR OPENS | 0:55:02 | 0:55:04 | |
If you have finished sulking, your tea's in the oven. | 0:55:07 | 0:55:10 | |
Oh. I thought you were Sally. | 0:55:13 | 0:55:15 | |
-Where is she? -Upstairs in her room. | 0:55:15 | 0:55:18 | |
No, she's not. I just looked. | 0:55:18 | 0:55:20 | |
She was asking about you. | 0:55:22 | 0:55:23 | |
I said you were on the hill. | 0:55:23 | 0:55:25 | |
After everything that's happened, she's out there alone? | 0:55:25 | 0:55:28 | |
Alex, wait! Alex! | 0:55:28 | 0:55:30 | |
RAIN PATTERS | 0:55:42 | 0:55:44 | |
BIRD CALLS | 0:55:54 | 0:55:55 | |
Sally! | 0:56:09 | 0:56:11 | |
SCREAMING | 0:56:11 | 0:56:13 | |
Catherine? | 0:56:17 | 0:56:18 | |
Catherine! | 0:56:20 | 0:56:21 | |
SCREAMING | 0:56:21 | 0:56:23 | |
Sally! | 0:56:23 | 0:56:24 | |
Sally! | 0:56:24 | 0:56:26 | |
Sally! | 0:56:27 | 0:56:29 | |
Sally! | 0:56:29 | 0:56:30 | |
Dad! Dad! | 0:56:30 | 0:56:33 | |
Sally... Give me your hand. Come on, sweetheart. | 0:56:33 | 0:56:36 | |
-Give me your hand. -Dad, there's something in there! | 0:56:36 | 0:56:39 | |
Dad! | 0:56:39 | 0:56:41 | |
KNOCK ON DOOR | 0:56:52 | 0:56:54 | |
-Sir? -Excuse me. | 0:56:54 | 0:56:56 | |
They've found a body on the hill in Ravenswick. | 0:57:01 | 0:57:04 | |
They think it's Catriona Bruce. | 0:57:04 | 0:57:07 | |
SIRENS WAIL | 0:57:11 | 0:57:12 | |
BIRD CALLS | 0:58:05 | 0:58:06 | |
-Do you know why you're here, Magnus? -The old man. | 0:58:15 | 0:58:17 | |
-Did he kill Catherine too? -Magnus, no! | 0:58:17 | 0:58:20 | |
I don't want to speak ill of the dead, but she was a silly bitch. | 0:58:20 | 0:58:23 | |
Her teacher hated her. | 0:58:23 | 0:58:24 | |
-I told you I don't know. -Ah, come on! | 0:58:24 | 0:58:27 | |
She said she was going to make people angry. | 0:58:27 | 0:58:29 | |
Catherine Ross didn't know a thing! | 0:58:29 | 0:58:31 | |
The only one who knew... was Magnus Bain. | 0:58:31 | 0:58:34 |