Browse content similar to 100% Not Guilty. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:08 | |
# Everybody dance now, yeah. # | 0:00:08 | 0:00:11 | |
HE SNIFFS | 0:00:11 | 0:00:13 | |
# Yeah, yeah, yeah | 0:00:13 | 0:00:16 | |
# Here is the dome Back with the bass | 0:00:16 | 0:00:18 | |
# The jam is live in effect And I don't waste time | 0:00:18 | 0:00:20 | |
# Off the mic with a dope rhyme | 0:00:20 | 0:00:22 | |
# Jump to the rhythm, jump Jump to the rhythm, jump | 0:00:22 | 0:00:24 | |
# And I'm here to combine beats and lyrics | 0:00:24 | 0:00:27 | |
# To make you shake So, yo, what's up | 0:00:27 | 0:00:29 | |
# Hands in the air, come on | 0:00:29 | 0:00:30 | |
# Say yeah, everybody over here, Everybody over there | 0:00:30 | 0:00:32 | |
# The crowd is live And I pursue this groove | 0:00:32 | 0:00:35 | |
# Party people in the house, move | 0:00:35 | 0:00:37 | |
# Work me all night | 0:00:37 | 0:00:39 | |
# Come on, let's... | 0:00:39 | 0:00:42 | |
# Everybody dance now | 0:00:42 | 0:00:44 | |
# Sweat, sweat Let the music take control | 0:00:46 | 0:00:50 | |
# Let the rhythm move you | 0:00:50 | 0:00:52 | |
# Da-da-da-da-da-da-da-da | 0:00:52 | 0:00:54 | |
# Da-da-da-da-da-da-da-da-da-da. # | 0:00:54 | 0:00:58 | |
Gentlemen! Johnnie, I want you to meet everyone. | 0:01:10 | 0:01:13 | |
-You know Lee... -Johnnie, nice to see you. | 0:01:13 | 0:01:15 | |
-..Alan, Barry Scheck and Robert Kardashian. -Barry. | 0:01:15 | 0:01:18 | |
And we have Nate 'n' Al's. The best. | 0:01:18 | 0:01:20 | |
LAUGHTER We've got lox and whitefish. | 0:01:20 | 0:01:23 | |
And this is Carl Douglas and Shawn Chapman. They're working with us. | 0:01:23 | 0:01:26 | |
-Oh! -How are you? -Carl, Shawn, welcome. -How do you do? Nice to meet you. | 0:01:26 | 0:01:29 | |
I just want to stress how honoured and happy we are | 0:01:29 | 0:01:32 | |
to have you join the team. | 0:01:32 | 0:01:33 | |
Yes. | 0:01:33 | 0:01:35 | |
So let's hit the ground running. OK. | 0:01:35 | 0:01:37 | |
First question. | 0:01:37 | 0:01:39 | |
Who thinks OJ did it? | 0:01:39 | 0:01:41 | |
Me neither. | 0:01:49 | 0:01:50 | |
Uh, thank you, Bob. Why don't we talk big-picture strategy? | 0:01:52 | 0:01:57 | |
-I'd say our priority at this juncture is the jury. -Yes. | 0:01:57 | 0:02:00 | |
We know we have a downtown jury, | 0:02:00 | 0:02:02 | |
which means a heavy concentration of African-Americans. | 0:02:02 | 0:02:04 | |
Indeed. Black men obviously are our allies. | 0:02:04 | 0:02:07 | |
Mr Simpson, hero in the community. | 0:02:07 | 0:02:09 | |
And I'm confident that people will assume | 0:02:09 | 0:02:11 | |
he couldn't have committed such a ghastly crime. | 0:02:11 | 0:02:14 | |
But black women, on the other hand, might be a problem. | 0:02:14 | 0:02:17 | |
They don't like their men marrying white girls. | 0:02:17 | 0:02:20 | |
SHAWN LAUGHS Is that true? | 0:02:20 | 0:02:21 | |
Why are you looking at me? | 0:02:21 | 0:02:24 | |
Well, I... | 0:02:24 | 0:02:25 | |
But I believe the generalisation is accurate. | 0:02:25 | 0:02:28 | |
Black women resent successful black men marrying outside the community. | 0:02:28 | 0:02:32 | |
We need to limit that group. | 0:02:32 | 0:02:34 | |
That analysis is smart. | 0:02:34 | 0:02:35 | |
The prosecution thinks they have the upper hand, but they don't. | 0:02:35 | 0:02:39 | |
-Because we have you. -Mm-hm. | 0:02:39 | 0:02:40 | |
And you know how these people think. | 0:02:40 | 0:02:42 | |
"These people." | 0:02:45 | 0:02:46 | |
Bob... Let me give you a helpful piece of advice. | 0:02:46 | 0:02:50 | |
On this case, you need to choose your vernacular very, very carefully. | 0:02:51 | 0:02:56 | |
Mea culpa. OK, but the important thing is that we work together. | 0:02:56 | 0:02:59 | |
-When we face the prelim judge, we want to come out swinging. -Mm. -We concede to nothing. | 0:02:59 | 0:03:02 | |
If Marcia Clark wants to go to the bathroom, we object. | 0:03:02 | 0:03:05 | |
If they say the sky is blue, hearsay. | 0:03:05 | 0:03:07 | |
Nothing will be admitted without challenge and provocation. | 0:03:07 | 0:03:12 | |
GAVEL BANGS | 0:03:12 | 0:03:13 | |
Your Honour, at this time, the State requests | 0:03:19 | 0:03:21 | |
a hair sample to compare to hairs found at the scene of the crime. | 0:03:21 | 0:03:24 | |
Excuse me, Your Honour. | 0:03:24 | 0:03:25 | |
We have some grave concerns about this request. | 0:03:25 | 0:03:27 | |
We would ask that the court limit this sample to only | 0:03:27 | 0:03:30 | |
the number of hairs required for testing. | 0:03:30 | 0:03:33 | |
Ms Clark, how much hair do the People need? | 0:03:33 | 0:03:35 | |
Well, Your Honour, a typical sample, as I'm sure the defence is aware, | 0:03:35 | 0:03:39 | |
takes hairs from each area of the head, | 0:03:39 | 0:03:42 | |
-five to ten hairs per area, amounting to approximately 100 hairs. -100 hairs?! | 0:03:42 | 0:03:46 | |
This is a standard request, Your Honour. It's only as many hairs as the criminalist needs | 0:03:46 | 0:03:50 | |
to compare hairs from the defendant with hairs found at the crime scene. | 0:03:50 | 0:03:53 | |
-100 hairs seems unduly invasive. Your Honour, we offer one hair. -What?! | 0:03:53 | 0:03:56 | |
-Just a second, Ms Clark... -Excuse me, Your Honour, but this objection is beyond ridiculous. | 0:03:56 | 0:04:00 | |
They seem to be on some kind of fishing expedition at my client's expense. | 0:04:00 | 0:04:04 | |
-Your Honour, this is routine. 80 hairs. -Five. -50. | 0:04:04 | 0:04:07 | |
Judge, we're getting nowhere. We request a special hearing on the hair. | 0:04:07 | 0:04:10 | |
So ordered. I call for a hearing regarding the collection of Mr Simpson's hair. | 0:04:10 | 0:04:14 | |
Thank you, Your Honour. | 0:04:14 | 0:04:15 | |
OJ, you got a visitor. | 0:04:30 | 0:04:32 | |
Where's Bob? | 0:04:41 | 0:04:42 | |
He had a dinner. | 0:04:42 | 0:04:44 | |
How are you, my brother? | 0:04:44 | 0:04:46 | |
"He had a dinner." | 0:04:46 | 0:04:48 | |
You should've seen what I had for dinner. | 0:04:48 | 0:04:50 | |
I didn't even know what it was. It was slop. | 0:04:50 | 0:04:52 | |
And then I kept running to the toilet, but my toilet's clogged up, so you can imagine... | 0:04:52 | 0:04:56 | |
You have to be strong. | 0:04:56 | 0:04:58 | |
We're going to get you out of here. | 0:04:58 | 0:05:00 | |
Oh, yeah? Is that what Bob said? | 0:05:00 | 0:05:01 | |
No, no, no. That's what I said. | 0:05:01 | 0:05:03 | |
OJ SIGHS | 0:05:03 | 0:05:04 | |
Look at you. You are a mess! | 0:05:04 | 0:05:06 | |
You can't walk into that courtroom like this. Everyone's going to be watching. | 0:05:08 | 0:05:11 | |
Everybody thinks I'm guilty. | 0:05:11 | 0:05:12 | |
So change their minds! | 0:05:12 | 0:05:14 | |
Have you forgotten who you are? | 0:05:15 | 0:05:18 | |
These walls around you don't change that. | 0:05:18 | 0:05:20 | |
You know what you mean to people? | 0:05:21 | 0:05:24 | |
OK. | 0:05:31 | 0:05:33 | |
Well, then, let me tell you what you were once... | 0:05:35 | 0:05:39 | |
to me. | 0:05:39 | 0:05:40 | |
1978. | 0:05:43 | 0:05:45 | |
I just left private practice, gone back to the LA DA. | 0:05:46 | 0:05:49 | |
Going to be the first black assistant attorney in office. | 0:05:49 | 0:05:53 | |
Going to change things from the inside. Shit. | 0:05:53 | 0:05:56 | |
That wasn't happening. | 0:05:56 | 0:05:58 | |
Same old shit, same rigged system. | 0:05:58 | 0:06:01 | |
Feeling powerless for the first time in my life | 0:06:01 | 0:06:04 | |
and then my first marriage | 0:06:04 | 0:06:06 | |
blows up in my face. | 0:06:06 | 0:06:08 | |
My children won't talk to me. | 0:06:10 | 0:06:12 | |
I'm a failure at work, I'm a failure at home. | 0:06:12 | 0:06:15 | |
I was down, brother. I was way down. | 0:06:15 | 0:06:17 | |
Sunday, sitting on my bed... | 0:06:17 | 0:06:19 | |
surrounded by dead-end paperwork | 0:06:19 | 0:06:20 | |
and divorce lawyer bills, | 0:06:20 | 0:06:22 | |
drinking beer - all right, maybe a little bit too much beer - | 0:06:22 | 0:06:25 | |
feeling sorry for myself, | 0:06:25 | 0:06:26 | |
watching a football game all alone. | 0:06:26 | 0:06:28 | |
Crappy TV. | 0:06:28 | 0:06:29 | |
49ers versus the Falcons. | 0:06:29 | 0:06:31 | |
What I saw you do | 0:06:31 | 0:06:32 | |
on that field that day... | 0:06:32 | 0:06:35 | |
Somehow, as I was watching, | 0:06:35 | 0:06:37 | |
it became as if you were running for me. | 0:06:37 | 0:06:40 | |
Driving up that field, | 0:06:40 | 0:06:41 | |
crowded with adversity and obstacles, | 0:06:41 | 0:06:44 | |
getting knocked on your ass and then popping right back up again! | 0:06:44 | 0:06:48 | |
See, that's what I wanted to do out there on them streets, | 0:06:48 | 0:06:50 | |
back home with my troubles there, but couldn't. | 0:06:50 | 0:06:52 | |
But you, you, you... | 0:06:52 | 0:06:55 | |
You willed what you needed to do | 0:06:55 | 0:06:57 | |
into being with nothing but grace. | 0:06:57 | 0:07:00 | |
-I scored a touchdown that day. -You did. | 0:07:02 | 0:07:05 | |
And when they cut away to the commercial, there you were again, | 0:07:05 | 0:07:08 | |
leaping through the airport for Hertz, | 0:07:08 | 0:07:10 | |
breaking another barrier with charisma, humour, intelligence. | 0:07:10 | 0:07:14 | |
A black man as the public face... | 0:07:14 | 0:07:17 | |
..for one of the world's biggest corporations. | 0:07:18 | 0:07:21 | |
We lost that game. | 0:07:23 | 0:07:24 | |
I don't remember that. | 0:07:26 | 0:07:28 | |
I remember everything else about that game, but not that - | 0:07:28 | 0:07:31 | |
because it didn't have nothing to do with what touched me. | 0:07:31 | 0:07:33 | |
And when the game was over, | 0:07:33 | 0:07:35 | |
I got the hell up off that bed | 0:07:35 | 0:07:37 | |
and jogged the six blocks back to my office | 0:07:37 | 0:07:40 | |
and got right back to work, | 0:07:40 | 0:07:41 | |
and haven't stopped and wallowed in self-pity since that day. | 0:07:41 | 0:07:45 | |
YOU did that for me. | 0:07:45 | 0:07:47 | |
Just like you've done for so many others, | 0:07:48 | 0:07:50 | |
because YOU are OJ Simpson. | 0:07:50 | 0:07:52 | |
YOU are OJ Simpson and YOU are an inspiration. | 0:07:52 | 0:07:56 | |
-I am... -You are... | 0:07:59 | 0:08:01 | |
-..an inspiration. -..an inspiration. | 0:08:01 | 0:08:03 | |
That's who you are. | 0:08:03 | 0:08:05 | |
Yeah. | 0:08:05 | 0:08:06 | |
You're a man who loves people, who people love right back. | 0:08:06 | 0:08:09 | |
That's you. | 0:08:09 | 0:08:10 | |
You're a fighter. | 0:08:10 | 0:08:11 | |
You're a runner. | 0:08:11 | 0:08:12 | |
And when you get knocked down, | 0:08:12 | 0:08:14 | |
I need you to pop right back up | 0:08:14 | 0:08:16 | |
like you know you can | 0:08:16 | 0:08:18 | |
and keep going, because this right here... | 0:08:18 | 0:08:20 | |
This right here, OJ Simpson, | 0:08:20 | 0:08:23 | |
is the run of your life. | 0:08:23 | 0:08:25 | |
SHE SIGHS | 0:08:45 | 0:08:47 | |
Come in. Come in. Shut the door. Shut the door. | 0:08:47 | 0:08:50 | |
Lance, why did you drag me out here in the middle of the day? | 0:08:50 | 0:08:52 | |
I've got some big news. Very big. | 0:08:52 | 0:08:54 | |
They assigned me Simpson. | 0:08:55 | 0:08:58 | |
SHE GASPS Oh, my God. | 0:08:58 | 0:09:00 | |
Yep, yep, yep. | 0:09:00 | 0:09:01 | |
Cecil said that they considered a number of candidates | 0:09:01 | 0:09:04 | |
and that I was the best choice. | 0:09:04 | 0:09:05 | |
He said I have integrity, an open mind and a strong backbone. | 0:09:05 | 0:09:08 | |
"Strong backbone." | 0:09:08 | 0:09:09 | |
I like that. HE CHUCKLES | 0:09:09 | 0:09:12 | |
You'll be under a lot of scrutiny. | 0:09:12 | 0:09:14 | |
I'm not intimidated. | 0:09:14 | 0:09:15 | |
What's important is that this jury gets the full picture. | 0:09:15 | 0:09:18 | |
This trial needs to be pure truth school. | 0:09:18 | 0:09:20 | |
Let them see all the available facts so they make the right decision. | 0:09:20 | 0:09:24 | |
You need to fill out the usual spousal conflict form. | 0:09:24 | 0:09:26 | |
Nope. Nothing rings a bell. | 0:09:42 | 0:09:44 | |
I'm so proud of you. | 0:09:51 | 0:09:52 | |
As you were, Captain York. | 0:09:54 | 0:09:56 | |
MURMURING | 0:10:14 | 0:10:18 | |
All rise. | 0:10:35 | 0:10:37 | |
Court is now in session. | 0:10:38 | 0:10:40 | |
The Honourable Lance A Ito presiding. | 0:10:40 | 0:10:42 | |
You may be seated. | 0:10:52 | 0:10:54 | |
HE CLEARS THROAT | 0:10:59 | 0:11:01 | |
Mr Simpson. | 0:11:01 | 0:11:03 | |
Are you ready to enter a plea at this time? | 0:11:06 | 0:11:08 | |
Yes, Your Honour. | 0:11:08 | 0:11:10 | |
And how do you plead to counts one and two? | 0:11:10 | 0:11:13 | |
Absolutely 100% not guilty. | 0:11:14 | 0:11:17 | |
UPBEAT SOUL MUSIC PLAYS | 0:11:18 | 0:11:25 | |
I love Johnnie, it's just... | 0:11:31 | 0:11:32 | |
We have to keep our eyes on him. | 0:11:32 | 0:11:34 | |
Johnnie's an excellent trial lawyer. | 0:11:34 | 0:11:36 | |
He can sense all the potholes. | 0:11:36 | 0:11:38 | |
That's irrelevant. I don't want him putting ideas into OJ's head. | 0:11:38 | 0:11:41 | |
I mean, the truth is, | 0:11:41 | 0:11:42 | |
we both know there's only one way out of this case. | 0:11:42 | 0:11:44 | |
Come on, Bob, we're just getting started. | 0:11:44 | 0:11:47 | |
We want to have a LITTLE fun. | 0:11:47 | 0:11:49 | |
No, it's my job to serve the client, | 0:11:49 | 0:11:51 | |
and the reality is, it's not winnable. | 0:11:51 | 0:11:53 | |
Johnnie is here to make Gil nervous enough to cut us a deal. | 0:11:53 | 0:11:57 | |
-HE SIGHS -You really think he will? | 0:11:58 | 0:12:01 | |
The race card's sticking, and Johnnie equals LAPD injustice, | 0:12:01 | 0:12:05 | |
and Gil doesn't want to see the city burn down again. | 0:12:05 | 0:12:08 | |
Here you gentlemen go. | 0:12:10 | 0:12:11 | |
Eggs Benedict | 0:12:11 | 0:12:13 | |
and steak and frittata. | 0:12:13 | 0:12:14 | |
Thank you. | 0:12:14 | 0:12:16 | |
Enjoy. | 0:12:16 | 0:12:17 | |
Well, then... | 0:12:17 | 0:12:18 | |
To whom do I invoice my hours? | 0:12:18 | 0:12:21 | |
-Hmm? -Who should I bill? | 0:12:23 | 0:12:25 | |
Lee, you're pro bono. | 0:12:26 | 0:12:27 | |
Could I offer either of you Tabasco or... | 0:12:30 | 0:12:32 | |
No, we're fine. | 0:12:32 | 0:12:34 | |
Bob... | 0:12:35 | 0:12:36 | |
..may I remind you, I was your first call? | 0:12:38 | 0:12:40 | |
I like this case for you. I really do, Lee. | 0:12:42 | 0:12:44 | |
It's a terrific way to get back in the limelight, | 0:12:44 | 0:12:47 | |
reintroduce yourself to the public. | 0:12:47 | 0:12:49 | |
I don't need reintroducing. | 0:12:49 | 0:12:51 | |
I'm F Lee Bailey. | 0:12:52 | 0:12:54 | |
I represented Sam Sheppard, | 0:12:54 | 0:12:56 | |
Patty Hearst, the goddamn Boston Strangler. | 0:12:56 | 0:12:58 | |
That's a long time ago. | 0:12:58 | 0:13:00 | |
Look at the bright side. | 0:13:00 | 0:13:01 | |
This could be the most high-profile criminal case | 0:13:01 | 0:13:04 | |
in the history of the world. | 0:13:04 | 0:13:05 | |
And OJ's easily the most famous American | 0:13:05 | 0:13:08 | |
ever to be put up for murder. | 0:13:08 | 0:13:09 | |
It's a different world, Lee. | 0:13:09 | 0:13:10 | |
I mean, the old days, you'd turn on TV, 6pm the news, | 0:13:10 | 0:13:13 | |
and now it's 24 hours a day. | 0:13:13 | 0:13:14 | |
I have insomnia, I wake up at 3am, | 0:13:14 | 0:13:16 | |
I turn on cable, and boom, there we are. | 0:13:16 | 0:13:19 | |
HE SIGHS Trust me... | 0:13:19 | 0:13:21 | |
you'll dine out on this for the rest of your life. | 0:13:21 | 0:13:24 | |
Yeah. | 0:13:27 | 0:13:28 | |
But Patty Hearst paid. | 0:13:28 | 0:13:29 | |
Nicole was my everything. | 0:13:35 | 0:13:38 | |
You know? She was my... | 0:13:38 | 0:13:39 | |
confidant, my spiritual sister. | 0:13:39 | 0:13:43 | |
You know, now there's just such a void in my life without her. | 0:13:43 | 0:13:47 | |
I went to a psychic and... | 0:13:47 | 0:13:49 | |
she said, "Nicole wants you to write a book." | 0:13:49 | 0:13:53 | |
But I don't want it to be exploitative. | 0:13:54 | 0:13:56 | |
Oh, no, no. | 0:13:56 | 0:13:58 | |
I mean, of course not. | 0:13:58 | 0:14:00 | |
But we need to move fast. | 0:14:00 | 0:14:02 | |
We have to get to press in two weeks. | 0:14:02 | 0:14:04 | |
Faye, just to... Here. | 0:14:04 | 0:14:06 | |
Just to give a general sense, | 0:14:06 | 0:14:08 | |
could you give me an overview of your times with Nicole? | 0:14:08 | 0:14:10 | |
Oh, Nicole was a wonderful person. | 0:14:10 | 0:14:12 | |
She was a terrific mother. | 0:14:14 | 0:14:15 | |
We need to stress that. | 0:14:15 | 0:14:17 | |
We had wonderful times together. | 0:14:17 | 0:14:18 | |
We... | 0:14:18 | 0:14:20 | |
We'd go clubbing and go to parties and, you know, Starbucks. | 0:14:21 | 0:14:25 | |
Sometimes do a little cocaine. | 0:14:25 | 0:14:28 | |
We loved to eat at La Scala. | 0:14:28 | 0:14:29 | |
Cocaine? Really? | 0:14:29 | 0:14:31 | |
I'm trying to manage it. | 0:14:31 | 0:14:33 | |
There's no good time to find out your best friend has been murdered, | 0:14:35 | 0:14:38 | |
but particularly not three days into cocaine treatment. | 0:14:38 | 0:14:41 | |
Did you know Nicole had breast implants? | 0:14:41 | 0:14:43 | |
It was OJ's idea but, I'll be honest with you, she loved them. | 0:14:43 | 0:14:46 | |
What else can I tell you about Nicole? | 0:14:46 | 0:14:49 | |
She loved to give a Brentwood hello. | 0:14:51 | 0:14:54 | |
I'm sorry, a "Brentwood hello"...? | 0:14:54 | 0:14:56 | |
It was a little joke we had... | 0:14:56 | 0:14:58 | |
SHE LAUGHS | 0:14:58 | 0:15:00 | |
..where she would go into... | 0:15:00 | 0:15:03 | |
a guy's bedroom while he was asleep, | 0:15:03 | 0:15:05 | |
and, you know... | 0:15:05 | 0:15:07 | |
give... | 0:15:07 | 0:15:09 | |
Go down on him. | 0:15:09 | 0:15:10 | |
-Ha! -THEY CHUCKLE | 0:15:13 | 0:15:15 | |
Hmm, hmm, hmm. | 0:15:15 | 0:15:16 | |
We are going to sell a lot of books. | 0:15:16 | 0:15:18 | |
In a very nonexploitative way, of course. | 0:15:18 | 0:15:21 | |
AC maintains he was trying to keep OJ alive, | 0:15:25 | 0:15:28 | |
but the evidence says OJ was planning to cross into Mexico. | 0:15:28 | 0:15:31 | |
I mean, he was carrying his passport, | 0:15:31 | 0:15:33 | |
a disguise kit with fake beard and moustache, | 0:15:33 | 0:15:35 | |
make-up adhesive | 0:15:35 | 0:15:36 | |
and 8,700 in cash. | 0:15:36 | 0:15:38 | |
Who takes a passport to his wife's grave? | 0:15:38 | 0:15:40 | |
God, are they guilty?! What does Kardashian say? | 0:15:40 | 0:15:43 | |
We're screwed on Kardashian. | 0:15:43 | 0:15:45 | |
Now he's OJ's lawyer, so he's privileged. He doesn't have to talk. | 0:15:45 | 0:15:48 | |
But it doesn't matter, we've got plenty. | 0:15:48 | 0:15:49 | |
Tell me about the Bahamas. | 0:15:49 | 0:15:51 | |
Well, the couple on the island heard talk about a chartered yacht. | 0:15:51 | 0:15:54 | |
Crew was expecting OJ on the 18th. | 0:15:54 | 0:15:56 | |
-The day after the Bronco? -Yeah. | 0:15:56 | 0:15:57 | |
So, OJ was going to fly out of Mexico the night of the 17th. | 0:15:57 | 0:16:00 | |
Damn, this feels good. HE CHUCKLES | 0:16:00 | 0:16:03 | |
DOOR CLOSES | 0:16:05 | 0:16:07 | |
I just... I can't really... | 0:16:11 | 0:16:13 | |
You know what? I'm going to have to call you back. | 0:16:13 | 0:16:15 | |
I've got to call you back. | 0:16:15 | 0:16:16 | |
Hello. | 0:16:16 | 0:16:17 | |
Hi. Come on in. | 0:16:17 | 0:16:19 | |
Come on in. Have a seat. | 0:16:19 | 0:16:22 | |
Hi. | 0:16:22 | 0:16:24 | |
I'm glad you were both able to find time to come down. | 0:16:35 | 0:16:38 | |
It's good for us to get to know each other. | 0:16:40 | 0:16:42 | |
-I know what you're going through. -Do you?! | 0:16:50 | 0:16:53 | |
Do you have a son who was murdered?! | 0:16:53 | 0:16:55 | |
Ron is dead! | 0:16:56 | 0:16:58 | |
And it's like no-one even cares! | 0:17:00 | 0:17:03 | |
I turn on the TV and it's just OJ and Nicole, | 0:17:03 | 0:17:05 | |
OJ and Nicole. | 0:17:05 | 0:17:06 | |
It's like Ron is a footnote... | 0:17:06 | 0:17:08 | |
to his own murder! | 0:17:08 | 0:17:10 | |
And if they talk about him, | 0:17:10 | 0:17:12 | |
they make him seem like some kind of joke! | 0:17:12 | 0:17:14 | |
It's all so superficial. | 0:17:14 | 0:17:16 | |
He was a male model, | 0:17:16 | 0:17:17 | |
he was a nightclub promoter, | 0:17:17 | 0:17:19 | |
he ran a tanning salon. | 0:17:19 | 0:17:20 | |
It's like they're trying to tarnish him. | 0:17:20 | 0:17:23 | |
Like... | 0:17:23 | 0:17:25 | |
he... | 0:17:25 | 0:17:26 | |
He was asking for it. | 0:17:26 | 0:17:27 | |
Do you know what he did in his spare time? | 0:17:35 | 0:17:37 | |
He volunteered at a clinic | 0:17:38 | 0:17:40 | |
for children with cerebral palsy. | 0:17:40 | 0:17:43 | |
He was a good person! | 0:17:45 | 0:17:47 | |
HE SNIFFLES | 0:17:47 | 0:17:48 | |
He didn't drink, he didn't do drugs. | 0:17:48 | 0:17:51 | |
He should be celebrated! | 0:17:51 | 0:17:52 | |
Not... | 0:17:52 | 0:17:54 | |
this. | 0:17:54 | 0:17:55 | |
When the police called and... | 0:17:57 | 0:17:59 | |
they said Ron had been killed... | 0:17:59 | 0:18:01 | |
..I assumed it was a car accident. | 0:18:03 | 0:18:05 | |
Never, in my worst nightmare, | 0:18:07 | 0:18:09 | |
could I have imagined...the truth. | 0:18:09 | 0:18:13 | |
HE SNIFFLES What this... | 0:18:13 | 0:18:15 | |
..this monster did to him. | 0:18:16 | 0:18:18 | |
Do you have children? | 0:18:22 | 0:18:24 | |
Two boys. | 0:18:26 | 0:18:28 | |
I pray... | 0:18:30 | 0:18:32 | |
that you never have to read an autopsy report | 0:18:32 | 0:18:35 | |
for your own child. | 0:18:35 | 0:18:36 | |
My son's last moments | 0:18:38 | 0:18:41 | |
were filled with such horror... | 0:18:41 | 0:18:44 | |
and such... | 0:18:44 | 0:18:46 | |
pain. | 0:18:46 | 0:18:48 | |
He was stabbed so many times. | 0:18:48 | 0:18:51 | |
He was stabbed in his chest, | 0:18:52 | 0:18:54 | |
his neck, his face... | 0:18:54 | 0:18:57 | |
his head, his hands, his stomach... | 0:18:57 | 0:18:59 | |
..his thigh. | 0:19:01 | 0:19:02 | |
HE SOBS | 0:19:04 | 0:19:05 | |
He was even stabbed... | 0:19:07 | 0:19:08 | |
..after he was dead. | 0:19:10 | 0:19:12 | |
We are going to get him. | 0:19:22 | 0:19:23 | |
You better. | 0:19:25 | 0:19:27 | |
In that scenario, he was lying in wait | 0:19:34 | 0:19:36 | |
when Goldman arrived with the glasses in the envelope. | 0:19:36 | 0:19:39 | |
DOOR OPENS | 0:19:39 | 0:19:41 | |
Sorry I'm late. | 0:19:41 | 0:19:42 | |
Anyway, as Bill and I were discussing, | 0:19:42 | 0:19:44 | |
I've decided to take death penalty off the table. | 0:19:44 | 0:19:47 | |
Gil, we can't do that. | 0:19:47 | 0:19:48 | |
What he did was unspeakable. | 0:19:48 | 0:19:50 | |
-It's special circumstances. -Marcia... | 0:19:50 | 0:19:52 | |
We want death-qualified jurors. | 0:19:52 | 0:19:54 | |
They're more aggressive, more likely to convict. | 0:19:54 | 0:19:56 | |
We have to be realistic. People love OJ. | 0:19:56 | 0:19:58 | |
They're not going to love him once they see those crime scene photos. | 0:19:58 | 0:20:01 | |
I have no doubt you're going to put him behind bars, | 0:20:01 | 0:20:03 | |
but nobody in America is going to vote | 0:20:03 | 0:20:05 | |
to execute OJ Simpson. | 0:20:05 | 0:20:07 | |
Marcia, we can't even execute Charlie Manson. | 0:20:07 | 0:20:10 | |
HE SIGHS | 0:20:11 | 0:20:13 | |
Great. | 0:20:16 | 0:20:17 | |
Now, how about some good news? | 0:20:19 | 0:20:20 | |
Donald Vinson has offered his services to the case for free. | 0:20:20 | 0:20:25 | |
Wow! Vinson? | 0:20:25 | 0:20:26 | |
Oh, come on. We don't need his help. | 0:20:26 | 0:20:28 | |
Marcia, Don's amazing. | 0:20:28 | 0:20:30 | |
He practically invented jury research. | 0:20:30 | 0:20:32 | |
It's not rocket science. | 0:20:32 | 0:20:33 | |
We're going to have a downtown jury, which means heavily black. | 0:20:33 | 0:20:36 | |
If I can make it black women, we are in good shape. | 0:20:36 | 0:20:38 | |
-And why is that? -They'll sympathise with Nicole. | 0:20:38 | 0:20:41 | |
I have handled case after case of battered African-American women. | 0:20:41 | 0:20:44 | |
I have heard their stories. | 0:20:44 | 0:20:45 | |
They'll be able to make the connection. | 0:20:45 | 0:20:47 | |
OJ's abuse... | 0:20:47 | 0:20:49 | |
led to murder. | 0:20:49 | 0:20:50 | |
OK, well, you're probably right... | 0:20:50 | 0:20:53 | |
but it doesn't hurt to be open to outside input. | 0:20:53 | 0:20:55 | |
Go see Vinson. | 0:20:55 | 0:20:56 | |
So, how about that Bronco chase, huh? | 0:21:00 | 0:21:03 | |
-HE CHUCKLES -Anybody see that? | 0:21:03 | 0:21:05 | |
I know I did. | 0:21:05 | 0:21:06 | |
Oh, that was something. | 0:21:06 | 0:21:07 | |
OK, so who thinks he's innocent? | 0:21:09 | 0:21:12 | |
OK. | 0:21:18 | 0:21:20 | |
And who thinks OJ Simpson committed the murders? | 0:21:20 | 0:21:23 | |
OK. | 0:21:28 | 0:21:31 | |
Holy shit. | 0:21:31 | 0:21:32 | |
It's worse than I thought. | 0:21:32 | 0:21:33 | |
'You told the court today that you left the restaurant at 9pm, | 0:21:40 | 0:21:44 | |
'and that you knew that because the restaurant was closing. | 0:21:44 | 0:21:48 | |
'Why did you tell police you were home by 8:30? | 0:21:48 | 0:21:52 | |
'Your Honour, I would like to ask the court | 0:21:52 | 0:21:54 | |
'to instruct the witness to answer the question.' | 0:21:54 | 0:21:56 | |
Give me your impressions of Marcia Clark | 0:21:58 | 0:22:01 | |
based on what you've seen. | 0:22:01 | 0:22:02 | |
Please. Come on. | 0:22:02 | 0:22:04 | |
And I want you to be honest. | 0:22:04 | 0:22:06 | |
OK. | 0:22:08 | 0:22:09 | |
Well, she seems like a bitch. | 0:22:09 | 0:22:11 | |
LAUGHTER | 0:22:11 | 0:22:13 | |
She acts like everybody's stupid. and she's strident. | 0:22:13 | 0:22:17 | |
I wouldn't want to be her boyfriend. | 0:22:17 | 0:22:19 | |
Yeah, a real know-it-all. | 0:22:19 | 0:22:20 | |
And those lips. She's shifty. | 0:22:20 | 0:22:22 | |
Yes, definitely. | 0:22:22 | 0:22:24 | |
VOICES OVERLAP | 0:22:24 | 0:22:27 | |
Black women don't like you. | 0:22:27 | 0:22:29 | |
What?! No. | 0:22:29 | 0:22:31 | |
No, that's idiotic. | 0:22:31 | 0:22:32 | |
I have tried many, many cases in front of black women and won. | 0:22:32 | 0:22:35 | |
I have a rapport with them. | 0:22:35 | 0:22:37 | |
The data doesn't bear that out. | 0:22:37 | 0:22:38 | |
Well, then your data is horseshit. | 0:22:38 | 0:22:40 | |
Some of those black women still write me letters. | 0:22:41 | 0:22:45 | |
Well, that's wonderful anecdotal information, | 0:22:45 | 0:22:47 | |
but I think it would be wise | 0:22:47 | 0:22:49 | |
to limit the number of African-American women on your jury. | 0:22:49 | 0:22:53 | |
You might also consider softening your appearance. | 0:22:53 | 0:22:56 | |
Skirts instead of business suits. | 0:22:56 | 0:22:58 | |
Perhaps a new hairdo. | 0:23:00 | 0:23:03 | |
Maybe try smiling a bit more. | 0:23:03 | 0:23:05 | |
Our focus group rated the participants | 0:23:08 | 0:23:11 | |
on a scale of one to ten, based on how much sympathy they felt. | 0:23:11 | 0:23:13 | |
Among black women, OJ received all nines and tens. | 0:23:13 | 0:23:16 | |
But Nicole scored sevens, | 0:23:16 | 0:23:19 | |
fives and a three. | 0:23:19 | 0:23:21 | |
Really? | 0:23:21 | 0:23:22 | |
The murder victim scored a three? | 0:23:22 | 0:23:24 | |
It was all over the cards. | 0:23:24 | 0:23:25 | |
You saw the cards? | 0:23:25 | 0:23:27 | |
Why didn't I see the cards? | 0:23:27 | 0:23:28 | |
Who's in charge of distributing the cards? | 0:23:28 | 0:23:30 | |
-Gentlemen, let's focus on our client. -Yeah, that's a novel idea. | 0:23:30 | 0:23:33 | |
I will admit I'm surprised that black ladies liked OJ so much. | 0:23:33 | 0:23:36 | |
What exactly did they say? | 0:23:36 | 0:23:38 | |
Oh, it's very positive. | 0:23:38 | 0:23:39 | |
They call OJ "handsome", "masculine" and "charming". | 0:23:39 | 0:23:43 | |
Hmm. | 0:23:43 | 0:23:44 | |
What...? What words did they use to describe Nicole? | 0:23:44 | 0:23:48 | |
Um... | 0:23:48 | 0:23:50 | |
Various terms got thrown around, | 0:23:50 | 0:23:52 | |
but one term came up a lot. | 0:23:52 | 0:23:54 | |
"Gold digger." | 0:23:55 | 0:23:56 | |
"Gold digger"? | 0:23:56 | 0:23:58 | |
That's completely wrong. | 0:23:58 | 0:24:00 | |
I mean, she wasn't like that at all. | 0:24:00 | 0:24:02 | |
I'm just repeating the data. | 0:24:02 | 0:24:04 | |
Nicole wasn't a gold digger. | 0:24:04 | 0:24:06 | |
I mean, I knew her. She loved him. | 0:24:06 | 0:24:08 | |
Well, they were obsessed with each other. | 0:24:12 | 0:24:14 | |
And she really did love him. | 0:24:17 | 0:24:19 | |
They had hot sex - | 0:24:20 | 0:24:22 | |
which, of course, became a problem after they broke up, | 0:24:22 | 0:24:25 | |
because OJ knew that she needed it all the time, | 0:24:25 | 0:24:28 | |
and it absolutely drove him crazy. | 0:24:28 | 0:24:30 | |
You know, when she was at that little house on Gretna Green, | 0:24:30 | 0:24:33 | |
he used to hide in the bushes | 0:24:33 | 0:24:34 | |
and watch her have sex with other guys. | 0:24:34 | 0:24:36 | |
Did she know that OJ was out there? | 0:24:36 | 0:24:38 | |
Of course she did. | 0:24:38 | 0:24:40 | |
She used to love to push his buttons. | 0:24:40 | 0:24:43 | |
And they were constantly reconciling | 0:24:43 | 0:24:45 | |
and then somebody would sleep with someone, | 0:24:45 | 0:24:47 | |
and the fighting would start again. | 0:24:47 | 0:24:49 | |
They were really the most undivorced divorced couple | 0:24:49 | 0:24:53 | |
I think I've ever known. | 0:24:53 | 0:24:55 | |
Hey. Working late? | 0:25:01 | 0:25:03 | |
Jury selection begins tomorrow. | 0:25:03 | 0:25:05 | |
They've called 900 people. | 0:25:05 | 0:25:07 | |
I hear it might be a record. | 0:25:07 | 0:25:09 | |
Maybe I'll make the Guinness Book. | 0:25:09 | 0:25:12 | |
I'll probably be here all night, while Bob Shapiro eats dinner | 0:25:12 | 0:25:14 | |
in some Beverly Hills restaurant I can't afford. | 0:25:14 | 0:25:17 | |
Well, I'll make it quick. | 0:25:17 | 0:25:18 | |
I'm just checking to see where we're at with Cowlings. | 0:25:18 | 0:25:20 | |
Oh, Chris. Damn it. | 0:25:20 | 0:25:22 | |
I'm sorry, I'm so distracted. | 0:25:22 | 0:25:24 | |
I meant to talk to you. | 0:25:24 | 0:25:25 | |
OJ is swallowing up everything. | 0:25:26 | 0:25:29 | |
And considering the available evidence, | 0:25:29 | 0:25:31 | |
Gil thinks we should drop the Cowlings investigation. | 0:25:31 | 0:25:35 | |
You've done a great job, but... | 0:25:36 | 0:25:37 | |
..I'm sorry. | 0:25:39 | 0:25:40 | |
HE SIGHS | 0:25:42 | 0:25:43 | |
Let me buy you a drink. | 0:25:43 | 0:25:46 | |
I only drink tequila. | 0:25:50 | 0:25:52 | |
HE LAUGHS | 0:25:55 | 0:25:56 | |
There's a reason you're the boss, ma'am. | 0:25:57 | 0:26:00 | |
This trial is so crazy. | 0:26:05 | 0:26:08 | |
Usually people are throwing up every excuse | 0:26:08 | 0:26:10 | |
to get out of serving on a long case, | 0:26:10 | 0:26:12 | |
but here, I have to wade through the crackpots and the attention-seekers. | 0:26:12 | 0:26:16 | |
How extensive is the voir dire? | 0:26:16 | 0:26:18 | |
It's endless. | 0:26:18 | 0:26:19 | |
We are asking 294 questions. | 0:26:19 | 0:26:21 | |
-HE WHISTLES -There are so many moving parts. | 0:26:21 | 0:26:23 | |
"Have you ever asked a celebrity for an autograph?" | 0:26:23 | 0:26:26 | |
"Have you ever dated anyone of a different race?" | 0:26:26 | 0:26:29 | |
"Are you a fan of USC football?" | 0:26:29 | 0:26:31 | |
There's a lot of Trojan fans downtown. | 0:26:31 | 0:26:34 | |
I'll deal with them. | 0:26:34 | 0:26:35 | |
THEY LAUGH | 0:26:35 | 0:26:37 | |
Here's what I see as OJ's biggest problem. | 0:26:38 | 0:26:41 | |
That he did it? | 0:26:41 | 0:26:42 | |
THEY LAUGH | 0:26:42 | 0:26:44 | |
OK. Here's what I see as OJ's second biggest problem. | 0:26:44 | 0:26:48 | |
That pile-up of egos called "The Dream Team." | 0:26:48 | 0:26:51 | |
It's a dozen alpha dogs in a cage match. | 0:26:51 | 0:26:53 | |
They are going to tear each other up and implode. | 0:26:53 | 0:26:56 | |
Well... CLEARS THROAT | 0:26:56 | 0:26:57 | |
..that may be true for all the white guys, | 0:26:57 | 0:26:59 | |
but I wouldn't be so quick to judge Johnnie. | 0:26:59 | 0:27:01 | |
Oh, come on. | 0:27:01 | 0:27:03 | |
He's an act! | 0:27:03 | 0:27:04 | |
Those flashy clothes, | 0:27:04 | 0:27:06 | |
the preachy speeches. | 0:27:06 | 0:27:07 | |
How'd he score? | 0:27:07 | 0:27:08 | |
What? | 0:27:08 | 0:27:09 | |
How'd he score? | 0:27:09 | 0:27:11 | |
Pretty high. | 0:27:12 | 0:27:14 | |
Tens from blacks, sixes from whites, | 0:27:14 | 0:27:16 | |
for a weighted average of eight. | 0:27:16 | 0:27:18 | |
Wow. And how'd you score? | 0:27:18 | 0:27:20 | |
Four. | 0:27:25 | 0:27:26 | |
Ouch. | 0:27:27 | 0:27:29 | |
I'm being totally honest with you. | 0:27:37 | 0:27:39 | |
What am I not seeing? | 0:27:41 | 0:27:44 | |
He's real. | 0:27:44 | 0:27:45 | |
I mean, Johnnie's a showboat but, | 0:27:46 | 0:27:49 | |
at the end of the day, | 0:27:49 | 0:27:50 | |
he always fights for community. | 0:27:50 | 0:27:52 | |
He talks like a preacher because he goes to church every Sunday. | 0:27:52 | 0:27:57 | |
When I first started at SID, | 0:27:57 | 0:27:59 | |
if I had a question, he'd always be my first call. | 0:27:59 | 0:28:02 | |
We were on the same side, | 0:28:02 | 0:28:03 | |
just fighting bad cops, | 0:28:03 | 0:28:05 | |
just coming at it from different angles. | 0:28:05 | 0:28:07 | |
I wouldn't underestimate him. | 0:28:10 | 0:28:11 | |
I'll tell you something. | 0:28:16 | 0:28:17 | |
I've known Bob Shapiro a long time... | 0:28:17 | 0:28:19 | |
We're old friends. | 0:28:19 | 0:28:20 | |
I'm the godfather of his oldest son. | 0:28:21 | 0:28:23 | |
..but he does not have the proper... | 0:28:27 | 0:28:30 | |
appetite for this case we find ourselves on. | 0:28:30 | 0:28:33 | |
You and I are creatures of the courtroom. | 0:28:34 | 0:28:39 | |
The parries and jabs, | 0:28:39 | 0:28:40 | |
the turns of phrase. | 0:28:40 | 0:28:42 | |
THAT'S where a case is won. | 0:28:42 | 0:28:45 | |
Not by settling like a pussy. | 0:28:46 | 0:28:48 | |
Johnnie... | 0:28:49 | 0:28:51 | |
..we owe it to our client to take it to the finish line. | 0:28:52 | 0:28:56 | |
It's time for you to make a move. | 0:28:58 | 0:29:00 | |
INDISTINCT CHATTER | 0:29:09 | 0:29:12 | |
Here you go. | 0:29:12 | 0:29:14 | |
This crowd is ridiculous. | 0:29:28 | 0:29:29 | |
It's like when David O Selznick cast Scarlett O'Hara | 0:29:29 | 0:29:32 | |
in Gone With The Wind. | 0:29:32 | 0:29:33 | |
Hey, it's the trial of the century. | 0:29:33 | 0:29:35 | |
Jesus, it's like they all scored | 0:29:35 | 0:29:37 | |
courtside seats at a Lakers game. | 0:29:37 | 0:29:39 | |
Somebody better warn them. | 0:29:39 | 0:29:41 | |
They're about to be sequestered for half a year. | 0:29:41 | 0:29:43 | |
Come to order. | 0:29:43 | 0:29:45 | |
Department 103 is now in session. | 0:29:45 | 0:29:47 | |
-QUIETLY: -Welcome to jury selection. | 0:29:52 | 0:29:54 | |
FEEDBACK FROM MICROPHONE | 0:30:01 | 0:30:03 | |
CLEARS THROAT | 0:30:03 | 0:30:04 | |
Welcome to jury selection. | 0:30:04 | 0:30:07 | |
I have to say, I have never seen a case quite as unusual as this one. | 0:30:08 | 0:30:11 | |
I have no issues with the police. | 0:30:13 | 0:30:15 | |
One time, when my car stalled, | 0:30:15 | 0:30:16 | |
they helped me push it to the side of the road. | 0:30:16 | 0:30:19 | |
Your Honour, the defence asks the court to thank | 0:30:19 | 0:30:22 | |
and excuse prospective juror number 58. | 0:30:22 | 0:30:24 | |
Ma'am, you say on your questionnaire | 0:30:26 | 0:30:28 | |
you've had multiple encounters with the LAPD. | 0:30:28 | 0:30:31 | |
Would you describe those as positive or negative? | 0:30:31 | 0:30:34 | |
-SHE LAUGHS -What's worse than negative? | 0:30:34 | 0:30:36 | |
The People ask the court to thank | 0:30:38 | 0:30:40 | |
and excuse prospective juror number 79. | 0:30:40 | 0:30:42 | |
Yeah, what's the tally? | 0:30:49 | 0:30:51 | |
I feel they're targeting too many blacks. | 0:30:51 | 0:30:53 | |
It seemed pretty balanced to me. | 0:30:53 | 0:30:55 | |
No, no, no, I agree with Johnnie. It's inappropriate. | 0:30:55 | 0:30:58 | |
I should inform the press. | 0:30:58 | 0:31:00 | |
HE MOUTHS | 0:31:01 | 0:31:02 | |
-I think a press conference is a good idea... -Hmm. | 0:31:02 | 0:31:05 | |
..but I don't think you're the most ideal person to... | 0:31:05 | 0:31:09 | |
to speak out on this issue. | 0:31:09 | 0:31:11 | |
I'm the lead attorney. I'll do the press conference. | 0:31:30 | 0:31:33 | |
What the prosecution is doing implies | 0:31:46 | 0:31:49 | |
an insidious effort to remove black jurors | 0:31:49 | 0:31:52 | |
because they are black. | 0:31:52 | 0:31:54 | |
THEY CLAMOUR | 0:31:54 | 0:31:57 | |
-Charlie. -Hey. | 0:31:57 | 0:31:59 | |
Hey, can you fit me in? | 0:31:59 | 0:32:00 | |
For you, always, Johnnie. | 0:32:00 | 0:32:02 | |
Beautiful. | 0:32:02 | 0:32:03 | |
Will it be a buff or a complete shine today? | 0:32:03 | 0:32:05 | |
Complete shine. I got all the time in the world. | 0:32:05 | 0:32:08 | |
-Hey, Johnnie. -Hey. -You're still here. | 0:32:09 | 0:32:11 | |
-Still here, man. -You got a minute to talk? | 0:32:11 | 0:32:13 | |
-I suppose I can fit you in. -All right. | 0:32:13 | 0:32:16 | |
Well, we're really concerned about | 0:32:19 | 0:32:21 | |
the tenor of the prosecution's questions. | 0:32:21 | 0:32:23 | |
We're really bothered by the way they go after certain jurors. | 0:32:23 | 0:32:28 | |
You know, ultimately, it's a... | 0:32:28 | 0:32:29 | |
It's an issue of fairness. | 0:32:29 | 0:32:31 | |
Fairness for whom? | 0:32:31 | 0:32:33 | |
Well, you have eyes and ears. | 0:32:33 | 0:32:36 | |
You tell me. | 0:32:36 | 0:32:38 | |
CLAMOURING | 0:32:38 | 0:32:39 | |
This is total bullshit. | 0:32:41 | 0:32:43 | |
So what? I'm not worried about whether it's true. | 0:32:43 | 0:32:45 | |
I'm worried about perception. | 0:32:45 | 0:32:46 | |
-The optics. -Yes, the optics. | 0:32:46 | 0:32:49 | |
With Cochran taking a larger role, | 0:32:49 | 0:32:50 | |
I think it might make sense for us to balance out our ticket, | 0:32:50 | 0:32:53 | |
stir in a little added flavour. | 0:32:53 | 0:32:54 | |
You mean a black person? | 0:32:54 | 0:32:56 | |
I didn't say that, Bill, | 0:32:56 | 0:32:58 | |
but it's not a bad idea. | 0:32:58 | 0:32:59 | |
Add a third chair. Sure. | 0:33:00 | 0:33:02 | |
Give our team something extra. | 0:33:02 | 0:33:04 | |
-We like where we are. -Uh-huh. | 0:33:04 | 0:33:06 | |
Well, I think you should strongly consider what I'm saying. | 0:33:06 | 0:33:10 | |
What about Chris Darden? | 0:33:17 | 0:33:18 | |
Bob, why is this taking so long? | 0:33:25 | 0:33:28 | |
I missed Halloween, | 0:33:28 | 0:33:29 | |
didn't get to take my kids trick-or-treating. | 0:33:29 | 0:33:31 | |
Now Thanksgiving's coming up. | 0:33:31 | 0:33:33 | |
Holidays are always rough. | 0:33:33 | 0:33:35 | |
What about Christmas? | 0:33:35 | 0:33:37 | |
Well, that's going to be hard. | 0:33:37 | 0:33:38 | |
Excuse me. | 0:33:38 | 0:33:39 | |
The judge would like to see all counsel in his chambers. | 0:33:39 | 0:33:42 | |
Counsel, we have a problem. | 0:33:44 | 0:33:46 | |
-No. -Oh, my God. | 0:33:46 | 0:33:49 | |
You've got to be kidding. | 0:33:49 | 0:33:50 | |
I'm troubled by this. | 0:33:50 | 0:33:52 | |
Her book could have major ramifications on jury selection. | 0:33:52 | 0:33:55 | |
Yes. This unwarranted publicity | 0:33:55 | 0:33:56 | |
could make it impossible | 0:33:56 | 0:33:58 | |
for Mr Simpson to get a fair trial. | 0:33:58 | 0:33:59 | |
Oh, come on, Bob. | 0:33:59 | 0:34:01 | |
How do we know that this book would prevent a fair trial? | 0:34:01 | 0:34:03 | |
-No-one's even read the damn thing. -I said "could," Marcia! | 0:34:03 | 0:34:08 | |
All right, well, why don't we order up some copies? | 0:34:08 | 0:34:10 | |
I will temporarily suspend jury selection. | 0:34:10 | 0:34:13 | |
This is how she pays tribute to her friend. | 0:34:25 | 0:34:27 | |
They're doing coke on every other page. | 0:34:27 | 0:34:29 | |
Wow. | 0:34:29 | 0:34:31 | |
I'll never think of Brentwood the same way again. | 0:34:31 | 0:34:33 | |
This is bad. This is very bad. | 0:34:45 | 0:34:48 | |
Faye's got it all wrong. | 0:34:48 | 0:34:49 | |
That's not true. That's not true. | 0:34:49 | 0:34:51 | |
OK, that's true. | 0:34:53 | 0:34:54 | |
She's a liar! | 0:34:54 | 0:34:56 | |
Faye says Nicole had six abortions | 0:34:56 | 0:34:57 | |
so she wouldn't have another kid with me. | 0:34:57 | 0:34:59 | |
Nicole would never do that! | 0:34:59 | 0:35:01 | |
I can't read this shit. | 0:35:01 | 0:35:02 | |
I wouldn't lose sleep. | 0:35:02 | 0:35:04 | |
The book is trash. | 0:35:04 | 0:35:05 | |
It'll be forgotten in a week. | 0:35:05 | 0:35:07 | |
Lesbian sex, 197. | 0:35:07 | 0:35:10 | |
What? | 0:35:10 | 0:35:11 | |
Judge Ito told us not to read the book, but we clearly did not listen. | 0:35:14 | 0:35:18 | |
Tonight, we welcome the author | 0:35:18 | 0:35:20 | |
of the New York Times number-one best seller, Faye Resnick. | 0:35:20 | 0:35:24 | |
Faye, how are you? | 0:35:24 | 0:35:26 | |
Well, I just hope Lance Ito | 0:35:26 | 0:35:28 | |
is a better judge than he is a book critic. | 0:35:28 | 0:35:31 | |
HE CHUCKLES | 0:35:31 | 0:35:32 | |
What do you want readers to take away from this book? | 0:35:32 | 0:35:36 | |
I told Nicole's story... | 0:35:36 | 0:35:39 | |
so that women could break the chain of violence. | 0:35:39 | 0:35:43 | |
If this book can inspire one wife | 0:35:43 | 0:35:46 | |
or one girlfriend to | 0:35:46 | 0:35:49 | |
escape an abusive relationship... | 0:35:49 | 0:35:53 | |
then any embarrassment I've endured is... | 0:35:53 | 0:35:55 | |
It's a small price to pay. | 0:35:55 | 0:35:57 | |
All right, counsel, I've come to a conclusion. | 0:35:59 | 0:36:02 | |
After careful reading and annotation of Ms Resnick's book, | 0:36:02 | 0:36:05 | |
I am prepared to resume jury selection tomorrow. | 0:36:05 | 0:36:07 | |
Oh, in all due deference, Your Honour, | 0:36:07 | 0:36:09 | |
Mr Simpson has been unfairly tried in the media. | 0:36:09 | 0:36:12 | |
The well has been polluted. | 0:36:12 | 0:36:13 | |
Let's postpone the trial till next year | 0:36:13 | 0:36:15 | |
and allow Mr Simpson to be released on bail. | 0:36:15 | 0:36:18 | |
OJ Simpson is being tried in the media because of you! | 0:36:18 | 0:36:20 | |
You're the one who created this circus. | 0:36:20 | 0:36:22 | |
I am in no way responsible for the media circus around this case. | 0:36:22 | 0:36:26 | |
Judge, seriously, | 0:36:26 | 0:36:27 | |
they can't go five minutes without holding a press conference. | 0:36:27 | 0:36:30 | |
They leaked the Fuhrman story. | 0:36:30 | 0:36:31 | |
They play the race card. | 0:36:31 | 0:36:33 | |
I would never! | 0:36:33 | 0:36:34 | |
I hold myself to the highest ethical standards. | 0:36:34 | 0:36:37 | |
I would never reduce myself to such cheap tricks. | 0:36:37 | 0:36:39 | |
-Bob, calm down. -No, no, Lee, Lee. I'm very upset. | 0:36:39 | 0:36:41 | |
These claims should be sanctioned. | 0:36:41 | 0:36:43 | |
How dare they say that we play the race card? | 0:36:43 | 0:36:46 | |
I stand before you right now | 0:36:46 | 0:36:47 | |
and say race HAS never | 0:36:47 | 0:36:49 | |
and WILL never be an issue in this case. Never! | 0:36:49 | 0:36:52 | |
Bob, it is not that simple. | 0:36:53 | 0:36:56 | |
This is the United States of America, | 0:36:56 | 0:36:58 | |
and we are defending a black man | 0:36:58 | 0:37:00 | |
who is fighting to prove his innocence. | 0:37:00 | 0:37:02 | |
Now, I know I don't have to give anyone here a civics lesson | 0:37:02 | 0:37:07 | |
about the historic injustices visited upon black men | 0:37:07 | 0:37:09 | |
for no other reason other than they're black. | 0:37:09 | 0:37:11 | |
WE didn't introduce that into this trial. | 0:37:11 | 0:37:13 | |
WE didn't introduce that into this case. | 0:37:13 | 0:37:15 | |
It is a plain and simple fact. | 0:37:15 | 0:37:17 | |
But we would not be doing our job | 0:37:17 | 0:37:19 | |
if we did not at least talk about | 0:37:19 | 0:37:21 | |
how race plays a part in this trial! | 0:37:21 | 0:37:24 | |
Now, if that is playing the race card... | 0:37:24 | 0:37:26 | |
..so be it. | 0:37:29 | 0:37:30 | |
Johnnie... | 0:37:36 | 0:37:38 | |
don't EVER contradict me like that again. | 0:37:38 | 0:37:40 | |
You contradict yourself, Bob. | 0:37:40 | 0:37:42 | |
You change narratives like the wind. | 0:37:42 | 0:37:44 | |
We all have longer memories than your previous sound bite. | 0:37:44 | 0:37:48 | |
F Lee Bailey, I'm really glad you're here, | 0:37:53 | 0:37:55 | |
cos the media has been filled, | 0:37:55 | 0:37:57 | |
filled, with accounts of defence team infighting. | 0:37:57 | 0:38:00 | |
So, can you shed some light on the situation? | 0:38:00 | 0:38:02 | |
Larry, these stories, where they emanate from, | 0:38:02 | 0:38:05 | |
I really can't imagine. | 0:38:05 | 0:38:06 | |
This is a tremendous, | 0:38:06 | 0:38:09 | |
tremendous group of attorneys. | 0:38:09 | 0:38:11 | |
Yourself included. | 0:38:11 | 0:38:13 | |
You're very kind. | 0:38:13 | 0:38:14 | |
Well, so, pardon my confusion, | 0:38:14 | 0:38:16 | |
but who the hell is in charge? | 0:38:16 | 0:38:18 | |
Oh, Bob Shapiro is the lead attorney, make no mistake. | 0:38:18 | 0:38:23 | |
All that sniping in the media | 0:38:23 | 0:38:25 | |
that says, "Bob Shapiro is in over his head," | 0:38:25 | 0:38:28 | |
"Bob Shapiro is an empty suit," | 0:38:28 | 0:38:31 | |
"Bob Shapiro can't handle a case of this magnitude..." | 0:38:31 | 0:38:34 | |
Well, that twaddle is truly unfortunate. | 0:38:34 | 0:38:38 | |
Well, then don't say it, asshole! | 0:38:38 | 0:38:41 | |
Fuck! | 0:38:41 | 0:38:43 | |
(We're in terrific shape.) | 0:38:47 | 0:38:49 | |
(We targeted for four black women, we got five.) | 0:38:49 | 0:38:51 | |
(We should stop now.) | 0:38:51 | 0:38:53 | |
(You know, I have to agree with Bob.) | 0:38:53 | 0:38:55 | |
(No...) | 0:38:55 | 0:38:57 | |
(No, we can do better.) | 0:38:57 | 0:38:59 | |
(I'm feeling lucky. I want another divorced black lady.) | 0:38:59 | 0:39:04 | |
(Let's push in our chips.) | 0:39:04 | 0:39:05 | |
Your Honour, the defence asks that the court thank | 0:39:05 | 0:39:08 | |
and excuse prospective juror number 35. | 0:39:08 | 0:39:12 | |
Juror 35, you are excused. | 0:39:14 | 0:39:16 | |
Juror 462. | 0:39:28 | 0:39:30 | |
Juror 462. | 0:39:34 | 0:39:36 | |
I like 229. | 0:39:45 | 0:39:47 | |
She has an open mind. | 0:39:47 | 0:39:48 | |
She had a great questionnaire. | 0:39:48 | 0:39:50 | |
Marcia, we've barely used any of our challenges. | 0:39:50 | 0:39:52 | |
-Well... -Wouldn't it be nice to have a white guy? | 0:39:52 | 0:39:55 | |
I'm a white guy. | 0:39:55 | 0:39:56 | |
We live in Los Angeles, too. | 0:39:56 | 0:39:57 | |
Bill, we cannot be so hung up on skin colour. | 0:39:57 | 0:40:00 | |
This is a reasonable panel. | 0:40:00 | 0:40:02 | |
They're smart people who gave good answers. | 0:40:02 | 0:40:05 | |
My gut says... | 0:40:05 | 0:40:06 | |
trust them. | 0:40:06 | 0:40:07 | |
Your Honour... | 0:40:18 | 0:40:19 | |
..the People accept the panel as presently constituted. | 0:40:22 | 0:40:25 | |
-What do we think? -Yes. | 0:40:30 | 0:40:31 | |
-Your Honour... -Your Honour, the defence jointly accepts the jury. | 0:40:31 | 0:40:34 | |
-Yeah? -If these people convict me, maybe I did do it. | 0:40:42 | 0:40:45 | |
HE CHUCKLES | 0:40:45 | 0:40:48 | |
Good news. | 0:40:50 | 0:40:52 | |
Your next-door neighbour, the Salingers, have a maid | 0:40:52 | 0:40:55 | |
and she was walking their dog that night... | 0:40:55 | 0:40:57 | |
And she saw the Bronco parked outside at 10:15. | 0:40:57 | 0:41:01 | |
If we get her to testify, this could decimate the prosecution's timeline. | 0:41:01 | 0:41:05 | |
That's good. That's good. | 0:41:05 | 0:41:06 | |
It's what I've been telling y'all all along. | 0:41:06 | 0:41:08 | |
I couldn't have done it! | 0:41:08 | 0:41:09 | |
I'm so sorry that I'm late | 0:41:09 | 0:41:11 | |
but I have something considerable to offer. | 0:41:11 | 0:41:14 | |
I've been doing some research at the office about precedent | 0:41:14 | 0:41:16 | |
and about possible options. | 0:41:16 | 0:41:18 | |
I think... | 0:41:18 | 0:41:20 | |
..that we should cut a deal. | 0:41:21 | 0:41:22 | |
We should go for manslaughter. | 0:41:24 | 0:41:26 | |
What we say is that you were mad at Nicole | 0:41:26 | 0:41:29 | |
for not inviting you to dinner at Mezzaluna. | 0:41:29 | 0:41:31 | |
You go home, you brood. | 0:41:31 | 0:41:33 | |
What to do? | 0:41:33 | 0:41:34 | |
So, you decide to get even with her. | 0:41:34 | 0:41:36 | |
So, you take a knife to her place | 0:41:36 | 0:41:38 | |
to slash her tires | 0:41:38 | 0:41:40 | |
but you get caught, | 0:41:40 | 0:41:41 | |
and you're humiliated. You... | 0:41:41 | 0:41:43 | |
You don't know what to do. | 0:41:43 | 0:41:45 | |
Your heart is racing, | 0:41:45 | 0:41:46 | |
your emotions are cracking | 0:41:46 | 0:41:48 | |
and, before you know it, things escalate and you kill her. | 0:41:48 | 0:41:50 | |
And you kill the Goldman boy, too, because you're jealous. | 0:41:52 | 0:41:55 | |
So, Johnnie, when can we meet the maid? | 0:42:03 | 0:42:06 | |
Shit. Shit. | 0:42:09 | 0:42:11 | |
Am I hallucinating? What the hell was that?! | 0:42:11 | 0:42:13 | |
That man is crazy! | 0:42:13 | 0:42:14 | |
He's gone. What an arrogant prick. | 0:42:14 | 0:42:15 | |
It's like he imploded. | 0:42:15 | 0:42:16 | |
-When's he going on that damn Hawaiian vacation? -Tomorrow morning. | 0:42:16 | 0:42:19 | |
Tomorrow afternoon, we're going over to that office | 0:42:19 | 0:42:22 | |
and we're clearing out everything. | 0:42:22 | 0:42:23 | |
I mean everything - witness statements, files, boxes. | 0:42:23 | 0:42:26 | |
It's all leaving Century City. | 0:42:26 | 0:42:28 | |
I'm telling you, this trip can't come soon enough. | 0:42:28 | 0:42:31 | |
Put an ocean between me and Johnnie Cochran. | 0:42:31 | 0:42:34 | |
Did you see the LA Times story? | 0:42:34 | 0:42:36 | |
It said Nicole went to a battered women's shelter | 0:42:37 | 0:42:40 | |
five days before the murder. | 0:42:40 | 0:42:41 | |
So, what do you want me to say? | 0:42:41 | 0:42:43 | |
At lunch today, it's all anybody talked about. | 0:42:43 | 0:42:45 | |
And they keep playing those 911 calls over and over. | 0:42:45 | 0:42:48 | |
I know, I know, I know. | 0:42:48 | 0:42:50 | |
It's the case that'll never end. | 0:42:50 | 0:42:52 | |
I think... | 0:42:52 | 0:42:54 | |
I think maybe you should quit. | 0:42:54 | 0:42:56 | |
Linell, it's what I do. | 0:42:56 | 0:42:58 | |
I can't take on a double homicide | 0:42:58 | 0:42:59 | |
and then suddenly say I'm uncomfortable. | 0:42:59 | 0:43:01 | |
But this is different. | 0:43:01 | 0:43:02 | |
My friends, a lot of them, don't call me back. | 0:43:02 | 0:43:04 | |
Everybody thinks he's guilty. | 0:43:04 | 0:43:06 | |
Don't you think I know that?! | 0:43:06 | 0:43:08 | |
Linell, I'm sorry. | 0:43:10 | 0:43:12 | |
I am so sorry that it's affecting you this way | 0:43:12 | 0:43:15 | |
but I'm more worried about how it'll affect us later. | 0:43:15 | 0:43:17 | |
Everybody. All of us. | 0:43:17 | 0:43:19 | |
If I don't put a lid on Johnnie Cochran, this city is... | 0:43:19 | 0:43:23 | |
HE SIGHS | 0:43:23 | 0:43:25 | |
Listen... | 0:43:31 | 0:43:32 | |
..let's just go away to Hawaii | 0:43:34 | 0:43:36 | |
and have a beautiful weekend, OK? | 0:43:36 | 0:43:38 | |
HE SIGHS | 0:43:39 | 0:43:41 | |
You're afraid there are going to be more riots, aren't you? | 0:43:45 | 0:43:49 | |
You got a minute? | 0:44:08 | 0:44:10 | |
I've got all the time in the world. | 0:44:10 | 0:44:11 | |
OK. Knock off the self-pity. | 0:44:11 | 0:44:14 | |
I'm working on a really big case | 0:44:15 | 0:44:17 | |
and we could use a little help. | 0:44:17 | 0:44:18 | |
Ah. What kind of help? | 0:44:18 | 0:44:21 | |
Chris, you and I have both been in this building for a long time | 0:44:21 | 0:44:24 | |
and I know that you feel | 0:44:24 | 0:44:26 | |
you haven't caught all the breaks you've deserved | 0:44:26 | 0:44:29 | |
but I have total faith in your abilities. | 0:44:29 | 0:44:32 | |
What are you saying, Marcia? | 0:44:32 | 0:44:33 | |
Would you like to be third chair on OJ? | 0:44:33 | 0:44:35 | |
Is that a yes? | 0:44:41 | 0:44:42 | |
I don't even understand these things they're saying about me. | 0:44:47 | 0:44:50 | |
This article says that I've, | 0:44:50 | 0:44:51 | |
"Come to represent the cross-section of racial politics, | 0:44:51 | 0:44:54 | |
"due process and celebrity culture." | 0:44:54 | 0:44:56 | |
I mean, what does that even mean? | 0:44:56 | 0:44:58 | |
HE CHUCKLES | 0:44:58 | 0:44:59 | |
OJ... OJ, we've got to talk. | 0:44:59 | 0:45:01 | |
"Judo defence." | 0:45:01 | 0:45:02 | |
What the hell is that? | 0:45:02 | 0:45:03 | |
Listen, Juice, I think... | 0:45:03 | 0:45:05 | |
I think you got to make a change. | 0:45:05 | 0:45:08 | |
What do you mean? | 0:45:08 | 0:45:09 | |
Look, I pray for you. You know that. | 0:45:11 | 0:45:13 | |
I pray for you every day. | 0:45:13 | 0:45:15 | |
I know you do, Bobby. | 0:45:15 | 0:45:17 | |
I think... I think Johnnie should be lead attorney. | 0:45:17 | 0:45:20 | |
But... | 0:45:21 | 0:45:22 | |
What does Bob say? | 0:45:24 | 0:45:26 | |
Don't worry about Bob. | 0:45:26 | 0:45:27 | |
HE SIGHS | 0:45:27 | 0:45:28 | |
I don't know. I mean, how does that even work? | 0:45:28 | 0:45:31 | |
You know I'm not good at these conflict things. | 0:45:31 | 0:45:33 | |
Juice, Juice, this is your life. | 0:45:33 | 0:45:35 | |
Hey, this is your freedom. | 0:45:35 | 0:45:36 | |
Johnnie is your best chance. | 0:45:36 | 0:45:38 | |
You've got to trust me. | 0:45:39 | 0:45:41 | |
He has got to be lead man. | 0:45:41 | 0:45:43 | |
Happy New Year, dear. | 0:45:54 | 0:45:56 | |
Have a good one? | 0:45:56 | 0:45:57 | |
Linda! | 0:46:05 | 0:46:07 | |
Where'd you put my OJ files? | 0:46:07 | 0:46:08 | |
Cochran's team took them, all of them. | 0:46:10 | 0:46:14 | |
What do you mean, "He took them"? | 0:46:14 | 0:46:15 | |
He came here and took my files? | 0:46:15 | 0:46:17 | |
Well, he can't do that. | 0:46:17 | 0:46:19 | |
I could get him disbarred for that. | 0:46:19 | 0:46:20 | |
Get him on the phone! | 0:46:20 | 0:46:22 | |
I want a meeting with everyone right now! | 0:46:22 | 0:46:23 | |
He already called for a meeting... | 0:46:23 | 0:46:25 | |
..at HIS office. | 0:46:26 | 0:46:28 | |
This also came in. | 0:46:29 | 0:46:31 | |
Somebody talked to the New York Daily News. | 0:46:33 | 0:46:36 | |
We lost the motion to suppress the evidence collected at Rockingham. | 0:46:41 | 0:46:45 | |
It's like Ito has a thing against us. | 0:46:45 | 0:46:47 | |
Don't worry. We'll file a motion to throw out the lab results. | 0:46:47 | 0:46:50 | |
Great. Bob's here. First up... | 0:46:50 | 0:46:52 | |
Before we get into your agenda, let's get into mine. | 0:46:52 | 0:46:54 | |
Bob, OJ's on the phone. | 0:46:54 | 0:46:56 | |
Good. Because we have some very pressing issues to discuss, | 0:46:59 | 0:47:02 | |
because there are some stinky fish in this room. | 0:47:02 | 0:47:04 | |
Everybody here knows that we have to keep a united front. | 0:47:04 | 0:47:07 | |
-So, from now on, -I -am the only one that speaks for the defence team. | 0:47:07 | 0:47:11 | |
I'm the lead attorney. | 0:47:11 | 0:47:13 | |
OJ, do you have something to say? | 0:47:25 | 0:47:28 | |
HE CLEARS THROAT | 0:47:31 | 0:47:32 | |
'Well, this is sort of funny. | 0:47:32 | 0:47:35 | |
'It reminds me of the old days, when I played football. | 0:47:35 | 0:47:38 | |
'I didn't always get along with my team-mates but, on Sunday, | 0:47:38 | 0:47:42 | |
'we put all that bullshit aside and played together.' | 0:47:42 | 0:47:45 | |
I don't get it. I don't... | 0:47:46 | 0:47:47 | |
I don't follow. | 0:47:47 | 0:47:49 | |
'As I see it, Bob, you're the quarterback. | 0:47:50 | 0:47:53 | |
'And Johnnie's the running back, but... | 0:47:53 | 0:47:56 | |
'we won't be throwing the ball all that much.' | 0:47:56 | 0:47:59 | |
But I'm the quarterback, you say. | 0:48:02 | 0:48:05 | |
Is that correct? | 0:48:05 | 0:48:06 | |
'Well... | 0:48:06 | 0:48:07 | |
'Or maybe you're the coach | 0:48:07 | 0:48:09 | |
'and Lee's the quarterback and... | 0:48:09 | 0:48:11 | |
'and Alan's the front offence.' | 0:48:11 | 0:48:14 | |
Juice, Juice, I think you need to be more clear. | 0:48:14 | 0:48:18 | |
All right? What are you trying to say? | 0:48:18 | 0:48:21 | |
Opening statements are less than a month away. | 0:48:21 | 0:48:23 | |
Yes. Opening statements are a month away | 0:48:23 | 0:48:26 | |
and, as the lead attorney, I will be delivering those statements. | 0:48:26 | 0:48:29 | |
Is that right, OJ? | 0:48:29 | 0:48:31 | |
-'Well...' -OJ SIGHS | 0:48:38 | 0:48:40 | |
HE CLEARS THROAT | 0:48:42 | 0:48:43 | |
I would respectfully suggest that our able colleague, Mr Cochran, | 0:48:43 | 0:48:48 | |
is the more appropriate person to deliver the opening statement. | 0:48:48 | 0:48:51 | |
Given the make-up of our... | 0:48:51 | 0:48:52 | |
brilliantly selected jury, | 0:48:52 | 0:48:54 | |
he could translate our message into a "downtown" dialect | 0:48:54 | 0:48:57 | |
that would resonate more powerfully with our audience. | 0:48:57 | 0:49:00 | |
I agree with Lee. | 0:49:10 | 0:49:12 | |
Me, too. | 0:49:14 | 0:49:15 | |
What about you, OJ? | 0:49:17 | 0:49:19 | |
Who do you think should give the opening statement? | 0:49:19 | 0:49:22 | |
'Well...' | 0:49:22 | 0:49:25 | |
HE EXHALES | 0:49:25 | 0:49:27 | |
'Ah, shit.' | 0:49:27 | 0:49:28 | |
Please, Juice. | 0:49:28 | 0:49:30 | |
Juice, we need an answer. | 0:49:30 | 0:49:31 | |
OJ SIGHS | 0:49:40 | 0:49:42 | |
'Let's... | 0:49:42 | 0:49:43 | |
'Let's have Johnnie do it.' | 0:49:43 | 0:49:45 | |
OK. We need to hand out attorney assignments for the week. | 0:49:49 | 0:49:53 | |
Barry, I need you to take the PCR testing. | 0:49:53 | 0:49:56 | |
Carl, take discovery... | 0:49:56 | 0:49:58 | |
# I hit the loose juice | 0:50:03 | 0:50:05 | |
# Ant pulls up in the deuce | 0:50:05 | 0:50:06 | |
# He gives me the scoop about the fake-ass troops | 0:50:06 | 0:50:09 | |
# Crime fighting's what I do | 0:50:09 | 0:50:10 | |
# And ... in my crew don't take lightly to you bustas | 0:50:10 | 0:50:13 | |
# And so we say ... | 0:50:13 | 0:50:15 | |
# Then buck ... tuck you in for the night | 0:50:15 | 0:50:17 | |
# As you think about the paper at the funeral site | 0:50:17 | 0:50:19 | |
# So when I'm hangin' with the clique and we in demand | 0:50:19 | 0:50:22 | |
# I feel good that the City of Angels call me Black Superman | 0:50:22 | 0:50:27 | |
# Now everybody know | 0:50:27 | 0:50:29 | |
# Black Superman | 0:50:29 | 0:50:32 | |
# Now everybody sing... # | 0:50:32 | 0:50:34 | |
When did they get a black guy? | 0:50:34 | 0:50:37 | |
# Now everybody know | 0:50:37 | 0:50:40 | |
# Black Superman | 0:50:40 | 0:50:42 | |
# Now everybody sing Black Superman. # | 0:50:42 | 0:50:46 |