01/02/1974 The Good Old Days


01/02/1974

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Transcript


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APPLAUSE

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FANFARE

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CHEERING

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APPLAUSE

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Once again... CHEERING

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..good evening, ladies and gentlemen!

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CHEERING AND APPLAUSE

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Incontrovertibly... ALL: Ohh!

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..evocative... ALL: Ohh!

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..of preternaturally... ALL: Ohh!

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..inveterate... LAUGHTER

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..volubility and verbosity...

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ALL: Ohh! ..evaluating variety's virtuosi...

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MAN: Wahey! ..inaugurally for your edification...

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LAUGHTER

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..inestimably impeccable...

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the Players' Theatre!

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CHEERING AND APPLAUSE

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# Oh, listen to the band

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# How merrily they play!

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# Oh, don't you think it's grand?

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# Hear everybody say

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# Oh, listen to the band

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# Who doesn't love to hark

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# To the shout of, "Here they come"

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# And the banging of the drum?

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# Oh, listen to the soldiers in the park

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# Georgie took me walking in the park

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# In the park

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# A lovely summer breeze was blowing through the trees

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# As we carved our initials on the bark

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# Georgie bade me sit upon his knees

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# For a squeeze 'neath the trees

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# But my mother told me never to sit down

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# But to keep on walking in the park

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# Why do the boys love all the girls?

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# And why do the girls love boys?

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# Why do they stroll down green, shady lanes

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# While sharing each other's joys?

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# Ever since Eve made poor old Adam grieve

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# Together they're always found

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# No matter the weather

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# You'll find them together

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# Just as long as the world goes round

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# Why do the boys run after the girls?

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# And why do the girls love boys?

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# Why do they stroll down green, shady lanes

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# While sharing each other's joys?

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# Ever since Eve made poor old Adam grieve

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# Together they're always found

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# No matter the weather

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# You'll find them together

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# Just as long as world goes round

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# No matter the weather

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# You'll find them together

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# Just as long as world goes round. #

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CHEERING AND APPLAUSE

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CHEERING

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Why do the girls love the boys?! LAUGHTER

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What a question at this time of night!

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From South America...

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an Argentinian exaltation.

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ALL: Ohh!

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Penetrative, percussive pyrotechnics

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tantamount to a tornadic...

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CHEERING

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..to a tornadic tattoo!

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Arriba! Arriba! Arriba!

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CHEERING

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Dantos!

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APPLAUSE

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BOTH: Oh!

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BOTH HOLLER

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So!

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Yah!

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BOTH HOLLER

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CHEERING AND APPLAUSE

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BOTH HOLLER

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MAN SHOUTS OUT IN SPANISH

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Oh!

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Yah!

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Yah!

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Oh! MAN SHOUTS IN SPANISH

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Oh!

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CHEERING

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APPLAUSE

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HE HOLLERS

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Yah!

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CHEERING AND APPLAUSE

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Yah!

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BOTH: Yah! Yah!

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WOMAN OUT SHOUTS IN SPANISH

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HE SHOUTS OUT IN SPANISH

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WOMAN SHOUTS OUT IN SPANISH

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Yah!

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Yah!

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APPLAUSE

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Yah!

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Yah! Yah!

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Yah!

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CHEERING AND APPLAUSE

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BOTH: Yah!

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Yah!

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BOTH: Yah!

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APPLAUSE

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BOTH: Yah!

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APPLAUSE BOTH: Yah!

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ORCHESTRA STRIKES UP

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CHEERING AND APPLAUSE

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Quite, quite right, madam.

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A lady over there whispering to her daughter,

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"If ever you meet an Argentinian..."

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LAUGHTER

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"..you keep well clear of his boleadoras."

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LAUGHTER

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And now, ladies and gentlemen... LAUGHTER

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Very dangerous! LAUGHTER

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And now, ladies and gentlemen, rhapsodic reciprocity...

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ALL: Ohh!

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..blancherously purveyed by none other

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than Miss Georgia Brown!

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CHEERING AND APPLAUSE

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# I'm a young girl

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# And I just came over

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# Over from the country where they do things big

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# And amongst the boys

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# I've got me a lover

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# And now I've got a lover

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# Why, I don't give a fig

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# The boy I love

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# Is up in the gallery

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# The boy I love

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# Is looking down at me

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# There he is

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# Can't you see?

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# Waving of his handkerchief

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# As merry as a robin

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# What sits on a tree

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# The boy I love

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# They calls him a cobbler

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# But he's not a cobbler, allow me to state

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# Cos Johnny, he's a tradesman

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# And he works in the borough

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# Where they soles and heels them whilst you wait

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# The boy I love

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ALL: # Is up in the gallery

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# The boy I love

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# Is looking down at me

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# Why, there he is

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# Can't you see?

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# Waving of his handkerchief

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# As merry as a robin

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# That sits on a tree

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# Now, if I were a Duchess

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# And I had a lot of money

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# I'd give it to the boy who's going to marry me

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# But I haven't got a penny

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# So we'll live on love and kisses

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# And we'll be just as happy

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# As the birds on the trees

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ALL: # The boy I love

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# Is up in the gallery

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# The boy I love

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# Is looking down at me

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# Why, there he is

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# Can't you see?

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# Waving of his handkerchief

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# As merry as a robin

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# What sits on a tree

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# As merry as a robin

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ALL: # What sits on a tree. #

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CHEERING AND APPLAUSE

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MAN: More! More! CHEERING AND APPLAUSE

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Well, followers of Miss Lloyd

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might call that song a "memento Marie",

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if you'll pardon the paronym.

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Descendants, diminutive,

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from Debrett...

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LAUGHTER

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..that thrice - that book you all read every night -

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that thrice-belted earl, Lord Charles,

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imperceptibly motivated by Mr Ray Alan!

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CHEERING AND APPLAUSE

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SLURRING: Thank you so much.

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Good evening, ladies and gentlemen. LAUGHTER

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By Jove, even Leonard, dear boy...

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CHARLES MUMBLES INCOHERENTLY

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LAUGHTER

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Ladies and gentlemen, I apologise, I've had a couple...

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LAUGHTER

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..but, unfortunately, I haven't got the damn thing with me this evening.

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It's most unfortunate, but there we are. You haven't got what with you?

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The... CHARLES MUMBLES

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LAUGHTER

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Pardon?

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You haven't got what with you? Got what?

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No, no, no. What haven't you got? Where?

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LAUGHTER

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Here?

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LAUGHTER

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What the hell's he on about?

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LAUGHTER

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You, you haven't got it with you.

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LAUGHTER

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H-H-Haven't I?

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Well, apparently not. By Jove, that's damn distressing.

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LAUGHTER

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I can't do me turn as I haven't got the dolly here.

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The dolly? I'm sorry, I'm not with you, what do you want a dolly for?

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My dear fellow,

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I happen to be one of the world's

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foremost amateur ventril... CHARLES TRAILS OFF

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LAUGHTER

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You're a what?

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I said, quite dis...distinctly,

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I'm a ventril... CHARLES TRAILS OFF

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LAUGHTER

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Ventriloquist.

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Oh, I see. You're one of those. No, I'm not!

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LAUGHTER

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I'm telling you, you great fair-haired fool...

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LAUGHTER

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..I'm a ventrilo... Yes.

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I haven't got the dolly, that's a shame.

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If I had the dolly here,

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I'd have these charming ladies and gentlemen in convulsions with her.

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Really? Yes.

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I'm damned good at it. Are you? Yes, indeed I am.

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Well, as you haven't got it, is it not possible to show us

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how you do it without it? LAUGHTER

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Ventriloquism without a dolly? Well, why not?

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Why not, indeed! By Jove, it's a topping idea. Will you do it?

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I'll have a shot it. Good.

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Ladies and gentlemen,

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a demonstration in the art of ventril-ismicom...

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LAUGHTER

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..without a dolly.

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I shall do for you

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the very difficult, almost impossible alphabet.

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That's what I shall do.

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Excuse me, the alphabet, that's been done before.

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Excuse me, but it's going to be done again.

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LAUGHTER

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A, B, C, D, E, F, G.

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H, I, J, K, L, M, N, O, P.

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Q, R, S, T.

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U, V.

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This next thing's a swine, you know?

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LAUGHTER

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RAY LAUGHS

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W, X, Y, Z.

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How's that, by Jove? CHEERING AND APPLAUSE

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Well, ladies and gentlemen,

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you're awfully kind cos I have had rather too much this evening.

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I must take my leave of you.

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Before I go, may I just ask you,

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if you can, go through tomorrow with a great big grin on your face?

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It may not do you any good,

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but it could remind some poor soul to post a letter. Goodnight.

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RAY LAUGHS

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APPLAUSE

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APPLAUSE

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Thank you very much, ladies and gentlemen.

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I've had several requests

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and...I'm ignoring all of them.

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LAUGHTER

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I...

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Because a lot of you have asked to see this character again.

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And for those of you who haven't seen before, I hope you like him.

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Are you all right?

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Huh?

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LAUGHTER

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I said, are you all right? Yeah, yeah, yeah, yeah, yeah.

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LAUGHTER

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What's the matter? They're staring at me.

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LAUGHTER

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Stare back at them. Yeah? Yes.

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OK.

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LAUGHTER

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RAY LAUGHS

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Feel better? Yeah. Good. Now, do you know we going to do? No.

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We're going to sing. A song?

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Yes, it happens to be a song, yes.

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It's a sort of a duet, because I'm going to start it,

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I give you a cue, and then you come in. Oh, good. Good, good.

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A duet? Yes. Yeah.

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Me and him's going to do a duet. Yeah.

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Oh, good. GLOVE CLEARS ITS THROAT

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LAUGHTER

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OK. You ready? Yeah. Right, listen for the music.

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PIANO PLAYS

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LAUGHTER

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What the hell?! What's that?!

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LAUGHTER

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It's the introduction on the piano.

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Just a lousy little piano?

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What do you mean? I want the whole orchestra or I do not sing.

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I didn't arrange for the whole orchestra, the piano's sufficient.

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The whole orchestra...

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or I do...not...sing.

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LAUGHTER

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GLOVE SIGHS

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If you want the orchestra, you'll have to ask Mr Bernard Herrmann.

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Who? Bernard Herrmann.

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Is that him? That's him.

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LAUGHTER

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GLOVE LAUGHS

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LAUGHTER

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GLOVE MAKES VOMITING NOISE LAUGHTER

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I'm sorry, Bernard. Look...

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could you get the boys in and let's have the whole orchestra, OK?

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I'll start. ORCHESTRA STRIKES UP

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# Smile though your heart is aching

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# Smile even though it's breaking

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# When there are clouds in the sky

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# You'll get by

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TUNELESSLY: # If you smile

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# Through your fears and sorrow

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# Maybe... #

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Somebody's out of tune. I know that. LAUGHTER

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# Light up your face with gladness... #

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MAN: Oh! Ah, shut up!

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LAUGHTER

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# Although a tear... #

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What a lousy orchestra. Will you do the song?

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# It's the time

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# You've got to keep trying cos... #

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What a lousy song!

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Euww! LAUGHTER

0:19:530:19:56

# Still worthwhile... #

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GLOVE HOLDS NOTE

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LAUGHTER

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# While... #

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Hey? Yes? This is a duet? That's right.

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Where the hell are you? I'm sorry. LAUGHTER

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# If you just smile. #

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APPLAUSE

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CHEERING AND APPLAUSE

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From France...

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ALL: Ohh!

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No, it's for the ladies this time. LAUGHTER

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Gorgeously galvanic,

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in ingratiatingly glamorous Gallicism,

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for your gregarious gratification.

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Monsieur Michel Gallois!

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APPLAUSE

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# Un fiacre allait, trottinant

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# Cahin, caha

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# Hu, dia, hop la!

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HE HUMS MELODY

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ORCHESTRA PLAYS "La Vie En Rose"

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# Quand elle me prend dans ses bras

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# Elle me parle tout bas

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# Je vois la vie en rose

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# Elle me dit des mots d'amour

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# De mots de tous les jours

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# Et ca me fait quelque chose

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# Elle est entre dans mon coeur

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# Une part de bonheur

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# Dont je connais la cause

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# C'est elle pour moi

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# Moi pour elle dans la vie

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# Elle me l'a dit

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# L'a jure pour la vie

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# Et des que je l'apercois

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# Alors, je sens en moi

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# Mon coeur qui bat

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# Take me to your heart again

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# Let's make a start again

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# Forgiving and forgetting

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# Take me to your heart again

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# And leave behind from then

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# A life of long regretting

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# Darling, let's turn back the years

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# Let smiles come through the tears

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# Like sunshine after rain

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# I'm yearning for you by night and by day

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# Praying I'll soon hear you saying

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# "I love you"

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# Then...we'll never part again

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# If you will take me to your heart again. #

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APPLAUSE

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Thank you.

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Thank you very much for your very kind welcome.

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Many I sing for you now

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another beautiful song from my beloved city of Paris?

0:24:070:24:13

Parlez Moi D'amour.

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ORCHESTRA STRIKES UP

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# Parlez moi d'amour

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# Redites-moi des choses tenders

0:24:300:24:34

# Votre beau discours

0:24:340:24:39

# Mon coeur n'est pas las de l'entendre

0:24:390:24:45

# Pourvu que toujours

0:24:450:24:49

# Vous repetiez ces mots supremes

0:24:490:24:55

# Je vous aime

0:24:570:25:02

# Vous savez bien

0:25:040:25:05

# Que dans le fond je n'en crois rien

0:25:050:25:07

# Mais cependant je veux encore

0:25:070:25:09

# Ecouter ces mots que j'adore

0:25:090:25:12

# Votre voix aux sons caressants

0:25:120:25:15

# Qui les murmure en fremissant

0:25:150:25:18

# Me berce de sa belle histoire

0:25:180:25:21

# Et malgre moi je veux y croire

0:25:210:25:29

# Parlez moi d'amour

0:25:290:25:35

# Redites-moi des choses tenders

0:25:350:25:40

# Votre beau discours

0:25:400:25:45

# Mon coeur n'est pas las de l'entendre

0:25:450:25:51

# Pourvu que toujours

0:25:510:25:56

# Vous repetiez ces mots supremes

0:25:560:26:03

# Je vous aime. #

0:26:050:26:13

CHEERING AND APPLAUSE

0:26:160:26:17

# La mer

0:26:340:26:36

# Qu'on voit danser...# APPLAUSE

0:26:360:26:39

# Le long des golfes clairs

0:26:390:26:43

# A des reflets d'argent

0:26:430:26:47

# La mer

0:26:470:26:49

# Des reflets changeants

0:26:490:26:52

# Sous la pluie

0:26:520:26:57

# La mer

0:26:570:26:59

# Au ciel d'ete confond

0:26:590:27:03

# Ses blancs moutons

0:27:030:27:06

# Avec les anges si purs

0:27:060:27:09

# La mer

0:27:090:27:12

# Bergere d'azur

0:27:120:27:15

# Infinie

0:27:150:27:19

# Voyez

0:27:190:27:21

# Pres des etangs

0:27:210:27:24

# Ces grands roseaux mouilles

0:27:240:27:27

# Voyez

0:27:290:27:32

# Ces oiseaux blancs

0:27:320:27:34

# Et ces maisons rouillees

0:27:340:27:38

# La mer

0:27:380:27:41

# Les a berces

0:27:410:27:44

# Le long des golfes clairs

0:27:440:27:49

# Et d'une chanson d'amour

0:27:490:27:52

# La mer

0:27:520:27:55

# A berce mon coeur pour la vie! #

0:27:550:28:03

CHEERING AND APPLAUSE

0:28:050:28:07

Juxtaposing... AUDIENCE GROANS

0:28:250:28:28

..jaunty juvenilia...

0:28:280:28:31

with frenetic fatuities... LAUGHTER

0:28:310:28:34

..that facetious filibuster -

0:28:340:28:38

Mr Terry Scott!

0:28:380:28:41

CHEERING AND APPLAUSE

0:28:410:28:42

Ha-ha! CHEERING AND APPLAUSE

0:28:440:28:46

LAUGHTER

0:28:480:28:50

Here, I bet...I bet you are surprised.

0:28:520:28:54

LAUGHTER

0:28:540:28:55

I bet you're surprised cos I come on the stage.

0:28:550:28:57

LAUGHTER

0:28:570:28:58

Because...because you just can't walk on a stage,

0:28:580:29:00

because before you come on a stage

0:29:000:29:02

you have to do something. Yeah. LAUGHTER

0:29:020:29:04

Yeah, and I just done something. LAUGHTER

0:29:040:29:06

I showed...I showed the man who runs the place,

0:29:060:29:09

I said... Ah, shut up! You don't know what I've showed him.

0:29:090:29:12

I've showed him my riddles.

0:29:120:29:14

Cos I riddle, yeah. I tell you, riddles will surprise you.

0:29:140:29:17

Ha-ha! Right, the first one.

0:29:170:29:19

Why...? Why...? Oh, get out of it!

0:29:190:29:22

LAUGHTER Why...

0:29:220:29:24

Why did the cow jump over the moon? Ha-ha! You don't know, do you?

0:29:240:29:27

Ha-ha! Cos the man who milked her had got cold hands.

0:29:270:29:30

LAUGHTER

0:29:300:29:32

And I've got another one. My brother...

0:29:320:29:34

I was supposed to bring my brother. I was supposed to bring him.

0:29:340:29:36

Yeah! Cos I've got a brother, you know. He's only five and he's daft.

0:29:360:29:40

But I didn't want to bring him because I have to hold his hand.

0:29:400:29:43

And I don't like holding his hand

0:29:430:29:44

because you never know what he's had in it.

0:29:440:29:47

Cos he's... LAUGHTER

0:29:470:29:48

It goes everywhere with him, his hand does. And - whoa!

0:29:480:29:51

Yeah. LAUGHTER

0:29:510:29:54

But I was going to bring him, I was,

0:29:540:29:56

because...because we had a bath especially.

0:29:560:29:58

And, yeah, a change of water for both of us. And...

0:29:580:30:01

He was going to come,

0:30:010:30:03

but he couldn't because my mum,

0:30:030:30:06

she made us have a sleep before we come here.

0:30:060:30:10

Made us have a sleep, but we didn't wake up

0:30:100:30:12

because she put the alarm on for seven, you see,

0:30:120:30:14

and there are eight of us, I couldn't...

0:30:140:30:17

That was a surprise, wasn't it?

0:30:190:30:21

I have to leave him at home sometimes

0:30:210:30:25

because I have to look after him, and I don't like looking after him.

0:30:250:30:29

But my mum says, "We're all here to help others."

0:30:290:30:32

She's always saying we're all here to help others,

0:30:320:30:35

but she never says what the others are here for.

0:30:350:30:37

My mum says soon I'm going to grow up with girls and everything, yeah.

0:30:380:30:44

Well, you know, because I don't mind them.

0:30:440:30:49

Oh, I saw a girl at the part the other day. I didn't like her.

0:30:490:30:53

And it was a fancy dress party and she was dressed up as a sunflower.

0:30:530:30:57

So I watered her.

0:30:570:30:58

She didn't like it.

0:31:000:31:02

I tell you something, I'll tell you something.

0:31:030:31:07

I'm going to tell you something very private because...

0:31:090:31:12

HE STAMMERS

0:31:120:31:15

We went away on holiday in the summer, yeah.

0:31:150:31:17

And we went to a very, very old place.

0:31:170:31:20

What has, you know, old house and it has a big garden

0:31:200:31:24

and it has, you know...

0:31:240:31:27

It's so old that you have to get your water

0:31:270:31:30

from the middle of the street from a tap.

0:31:300:31:32

And went you want to go, you know... Well, when you...

0:31:320:31:36

Well, when you have to...

0:31:360:31:39

You know what I mean, when you have to go...

0:31:390:31:42

Ah, I can't say it.

0:31:420:31:44

When you have to go somewhere you don't go in the house.

0:31:440:31:47

No, you go to the bottom of the garden.

0:31:470:31:50

Yeah. And it's in a shed right on the edge of the river.

0:31:500:31:55

And we didn't half have some fun down there.

0:31:550:31:58

One day on the holiday my dad came in and said,

0:32:030:32:05

"Here, Knocker" Cos that's me.

0:32:050:32:07

He said, "Knocker, did you push the lav into the river?"

0:32:070:32:13

And I said, "No, Dad, of course I didn't."

0:32:130:32:16

He said, "Here, I'm not asking you again."

0:32:160:32:18

He said, "Did you push the lav

0:32:180:32:20

"that's at the bottom of the garden into the river?"

0:32:200:32:22

I said, "I didn't. Honest."

0:32:220:32:24

So he said, "Now, listen, before we go any further, I tell you a story."

0:32:240:32:27

He said, "This is very important.

0:32:270:32:29

"There was a man called George Washington.

0:32:290:32:32

"And one day, one day, one day

0:32:320:32:34

"George Washington's father, he said to the little boy, he said,

0:32:340:32:37

" 'George, did you cut down my favourite cherry tree?'

0:32:370:32:39

"And the little boy said, 'I cannot tell a lie.

0:32:390:32:41

" 'I did cut down your favourite cherry tree.'

0:32:410:32:44

"And George Washington, cos he told the truth,

0:32:440:32:46

"he gave him a lot of sweets and everything.

0:32:460:32:49

"So, knocker," he said, "did you push...

0:32:490:32:52

"Did you push the lav into the river?"

0:32:550:32:58

And I said, "Well, father, I cannot tell a lie.

0:32:580:33:02

"I did push the lav into the river."

0:33:020:33:04

And he belted me.

0:33:040:33:07

And I said, "Well, that's not very nice.

0:33:070:33:09

"You told me that when George Washington told the truth

0:33:090:33:11

"and said that he cut down his daddy's cherry tree,

0:33:110:33:14

"his daddy didn't smack him."

0:33:140:33:15

He said, "No, but George Washington's daddy

0:33:150:33:18

"wasn't sitting in the flipping tree!"

0:33:180:33:20

I'm going to do something very dangerous for everybody.

0:33:290:33:32

I'm going to sing a song.

0:33:320:33:34

It's a bit rotten and it goes like this.

0:33:340:33:37

OK, off we go.

0:33:370:33:38

# Last summertime I went away to Dover by the sea

0:33:410:33:44

# And thought I'd like to bring a bunch of seaweed home with me

0:33:440:33:48

# It tells you if it's going to rain or if it's going to snow

0:33:480:33:52

# And with it anyone can tell just what he wants to know

0:33:520:33:55

# With me seaweed in me hand I got into the tree

0:33:550:33:59

# All the shops were shut when I got out again

0:33:590:34:02

# I couldn't get a drink with thirst I thought I'd die

0:34:020:34:06

# And as soon as I touched me seaweed

0:34:060:34:08

# I knew I was going to be fine

0:34:080:34:10

# Yes, as soon as I touched me seaweed

0:34:100:34:12

# I knew I was going to be fine... #

0:34:120:34:14

Second verse.

0:34:140:34:16

# Two lovers... # HE FUMBLES

0:34:180:34:20

No, no... LAUGHTER

0:34:200:34:22

Oh, shut up!

0:34:220:34:24

Get out of it!

0:34:240:34:26

I can sing it!

0:34:260:34:28

We're going to do that one again because it's very good.

0:34:280:34:30

I come in with you.

0:34:300:34:33

# Two lovers walk one evening down a quiet country lane

0:34:340:34:38

# The chap was honest William and the girl was Mary Jane

0:34:380:34:41

# They talked and walked and walked and talked.

0:34:410:34:43

# About their future life

0:34:430:34:45

# I heard him say, "I shall be glad when you're my future wife"

0:34:450:34:48

# He kissed her ruby lips and looked at her with pride

0:34:480:34:52

# Said, "I shall be glad when you're my darling bride

0:34:520:34:55

# "Tomorrow we'll be wed and then you will be mine"

0:34:550:34:59

# And as soon as I touched me seaweed

0:34:590:35:01

# I knew it was going to be fine

0:35:010:35:02

# Yes, as soon as I touched me seaweed

0:35:020:35:04

# I knew it was going to be fine. #

0:35:040:35:07

All right.

0:35:070:35:09

CHEERING AND APPLAUSE

0:35:090:35:13

And now celebrating Kate Carney's melodies.

0:35:210:35:27

Resplendent in reincarnation... ALL: Ohh!

0:35:270:35:32

once again, the one and only Georgia Brown.

0:35:320:35:36

APPLAUSE AND CHEERING

0:35:360:35:40

# East End, West End

0:35:400:35:44

# All around the town

0:35:440:35:47

# The kids, they ring a roses

0:35:470:35:51

# But the bridge is falling down

0:35:510:35:55

# Boys and girls together

0:35:550:35:59

# Me and Johnny Brown

0:35:590:36:02

# Tripped in light fantastic

0:36:020:36:06

# On the streets of London Town

0:36:060:36:09

# Strolling along down the Mile End Road

0:36:100:36:15

# Every Monday night

0:36:150:36:19

# Singing a song with a chorus long

0:36:190:36:23

# That is my delight

0:36:230:36:27

# Arm in arm with my young man

0:36:270:36:32

# He's handsome Billy Morgan

0:36:320:36:36

# He's a champion, dynamite

0:36:360:36:41

# Playing his tanner mouthorgan

0:36:410:36:45

# He's a champion, dynamite

0:36:450:36:49

# Playing his tanner mouthorgan

0:36:490:36:53

# At the bottom of Adversity Hill

0:36:590:37:02

# There's a place called Poverty Street

0:37:020:37:06

# And if you should live there well, life's very hard

0:37:060:37:10

# And a friend you will rarely meet

0:37:100:37:13

# The sun of prosperity never shines

0:37:150:37:19

# And it's always dark down there

0:37:190:37:22

# No-one seems to have a friend at all

0:37:240:37:28

# Cos friendship, it's so rare

0:37:280:37:33

# But when you're living down in Poverty Street

0:37:340:37:40

# Nobody knocks at your door... #

0:37:400:37:43

Do they, darling? No.

0:37:430:37:45

# When you're living down in Poverty Street

0:37:450:37:50

# Well, folks all knows you're poor

0:37:500:37:54

# But when your bit of silver turns into gold

0:37:540:38:00

# It drives away all care

0:38:000:38:04

# Course, then you knows that everyone is knocking on your door

0:38:040:38:09

# When you're living in Golden Square! #

0:38:090:38:15

# Three weeks ago, no longer

0:38:220:38:28

# I was as gay as a bird on the wing

0:38:280:38:34

# But now, me and Bill we've been parted, you know

0:38:350:38:41

# And life, it's a blank

0:38:410:38:45

# And it's changed everything

0:38:450:38:47

# I saw him out with another that night

0:38:490:38:54

# No-one can tell how I felt at the sight

0:38:540:38:58

# And with tears in me eyes

0:39:000:39:03

# That I tried to hold back

0:39:030:39:06

# I crept to his side and said

0:39:080:39:13

# Are we to part like this, Bill?

0:39:160:39:22

AUDIENCE SINGS ALONG: # Are we to part this way?

0:39:230:39:27

# Who's it to be, 'er or me?

0:39:300:39:34

# Don't be afraid to say

0:39:360:39:40

# If everything's over between us

0:39:420:39:47

# Don't ever pass me by

0:39:490:39:53

# Cos you and me still friends can be

0:39:550:40:03

# For the sake of those days gone by. #

0:40:030:40:10

All together now.

0:40:100:40:12

ALL: # Are we to part like this, Bill? #

0:40:140:40:19

Are we to part?

0:40:190:40:21

# Are we to part this way? #

0:40:210:40:24

Who's it to be?

0:40:240:40:26

# Who's it to be? # 'Er or me?

0:40:260:40:29

# 'Er or me?

0:40:290:40:32

# Don't be afraid to say. #

0:40:320:40:37

If everything's over!

0:40:370:40:38

# If everything's over between us... #

0:40:380:40:44

Don't ever pass me by! # Don't ever pass me by... #

0:40:440:40:49

Cos you and me.

0:40:490:40:50

# Cos you and me still friends can be

0:40:500:40:58

# For the sake of the days gone by. #

0:40:580:41:08

'Ere, come here, Leonard, I've got something... 'Ere, hold on a minute,

0:41:170:41:21

I want to tell him a story. I want to tell Leonard something.

0:41:210:41:24

# Mr William Henry Blue

0:41:240:41:26

# Came staggering home in such a stew

0:41:260:41:29

# When everyone was sleeping in the square

0:41:290:41:33

# What with the wintry winds that blew

0:41:340:41:37

# And the gin he'd drunk and his nose, ooh!

0:41:370:41:40

# I left him on the knocker hanging there

0:41:400:41:43

# Now, he shouted, Anna! I want to come up to bed!

0:41:450:41:49

# So I puts me head through the bedroom window

0:41:490:41:53

# with me nightcap on and said

0:41:530:41:56

# It's no use you calling nana

0:41:560:42:01

# I'm not coming in tonight

0:42:010:42:05

# You can smoke, smoke, smoke on your Havana

0:42:050:42:09

# You can puff till the broad daylight

0:42:090:42:13

# I can tell you've been drinking by your manner

0:42:130:42:17

# It's no good you putting on airs

0:42:170:42:21

# If I open the door I feel quite sure

0:42:210:42:25

# You'll never get up no, you'll never get up, oh

0:42:250:42:28

# You'll never get up the stairs. #

0:42:280:42:31

Altogether!

0:42:310:42:33

ALL: # It's no use you calling nana

0:42:330:42:36

# You're not coming in tonight

0:42:360:42:40

# You can smoke, smoke, smoke on your Havana

0:42:400:42:44

# You can puff till the broad daylight

0:42:440:42:47

# I can tell you've been drinking by your manner

0:42:470:42:52

# It's no good you putting on airs

0:42:520:42:55

# If I open the door I feel quite sure

0:42:550:43:00

# You'll never, no, never

0:43:000:43:03

# Oh, never get up those stairs! #

0:43:030:43:08

CHEERING AND APPLAUSE

0:43:080:43:11

And now, there's just time to ask Miss Georgia Brown

0:43:230:43:26

to lead the company and yourselves

0:43:260:43:28

in the last chorus for tonight, Down in the Old Bull and Bush.

0:43:280:43:31

Ladies and gentlemen, Miss Georgia Brown, the entire company,

0:43:310:43:34

Mr Bernard Herrmann and the entire and indefatigable orchestra...

0:43:340:43:38

CHEERING AND APPLAUSE

0:43:380:43:40

And this time, chiefly...

0:43:400:43:42

AUDIENCE: Yourselves!

0:43:420:43:45

# Come, come, come and make eyes at me

0:43:480:43:52

# Down at the old Bull and Bush

0:43:520:43:54

# Na-na-na-na-na

0:43:540:43:56

# Come, come, drink some port wine with me

0:43:560:43:59

# Down at the old Bull and Bush

0:43:590:44:02

# Hey, hey!

0:44:020:44:03

# Hear the little German band

0:44:030:44:05

# Na na-na-na-na-na-na

0:44:050:44:06

# Just let me hold your hand, dear

0:44:060:44:10

# Come, come, come and have a drink or two

0:44:100:44:14

# Down at the old Bull and Bush

0:44:140:44:17

# Bush-Bush! #

0:44:170:44:19

CHEERING AND APPLAUSE

0:44:190:44:21

AUDIENCE CLAPS ALONG WITH BAND

0:44:320:44:36

Our service providers work truly all hours

0:44:520:44:54

to bring patients exceptional care.

0:44:540:44:56

When you're old and frail, it's great to know

0:44:560:44:59

that someone from Buccaneer is always watching over you.

0:44:590:45:03

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