Browse content similar to 16/04/1972. Check below for episodes and series from the same categories and more!
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MUSIC: Little Dolly Daydream | 0:00:03 | 0:00:05 | |
# Little Dolly Daydream | 0:00:07 | 0:00:09 | |
# Pride of Idaho | 0:00:09 | 0:00:11 | |
# So now ye know | 0:00:11 | 0:00:12 | |
# And when ye go | 0:00:12 | 0:00:15 | |
# You'll see there's somethin' on her mind | 0:00:15 | 0:00:17 | |
# Don't think | 0:00:17 | 0:00:18 | |
# Cos no-one's got to kiss that girl but me. # | 0:00:18 | 0:00:22 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:26 | |
FANFARE | 0:00:28 | 0:00:30 | |
ROAR OF APPLAUSE | 0:00:33 | 0:00:35 | |
CHEERING | 0:00:44 | 0:00:46 | |
Once again... | 0:00:46 | 0:00:48 | |
..good evening, | 0:00:49 | 0:00:51 | |
ladies and gentlemen! | 0:00:51 | 0:00:53 | |
-AUDIENCE: -Good evening! | 0:00:55 | 0:00:56 | |
Unequivocally... | 0:00:58 | 0:01:00 | |
-AUDIENCE: -Ooh! | 0:01:00 | 0:01:02 | |
..accredited, adulatory accolades... | 0:01:02 | 0:01:05 | |
-AUDIENCE: -Whoa! | 0:01:05 | 0:01:06 | |
..our inaugural artistes | 0:01:06 | 0:01:09 | |
exultantly exhibit... | 0:01:09 | 0:01:12 | |
-AUDIENCE: -Ooh! | 0:01:12 | 0:01:14 | |
..executants' expertise! | 0:01:14 | 0:01:16 | |
THEY CHEER | 0:01:16 | 0:01:18 | |
..Mr Terry Lightfoot and his band! | 0:01:18 | 0:01:22 | |
CHEERING AND APPLAUSE | 0:01:22 | 0:01:25 | |
MUSIC: When The Saints Go Marching In by Terry Lightfoot And His Band | 0:01:33 | 0:01:37 | |
AUDIENCE SINGS ALONG | 0:02:06 | 0:02:08 | |
# And my old man | 0:03:04 | 0:03:06 | |
# Said follow the van | 0:03:06 | 0:03:08 | |
# And don't dilly dally on the way | 0:03:08 | 0:03:11 | |
# Off went the van with the home packed in it | 0:03:13 | 0:03:17 | |
# I walked behind with me old cock linnet | 0:03:17 | 0:03:21 | |
# But I dillied and dallied | 0:03:21 | 0:03:24 | |
# Dallied and dillied | 0:03:24 | 0:03:26 | |
# Lost the van and don't know where to roam | 0:03:26 | 0:03:29 | |
# You can't trust the specials like the old time coppers | 0:03:30 | 0:03:34 | |
# When you can't find your way home... # | 0:03:34 | 0:03:38 | |
Yes! | 0:03:38 | 0:03:39 | |
# You can't trust the specials like the old time coppers | 0:03:39 | 0:03:43 | |
# When you can't find your way home... # | 0:03:43 | 0:03:47 | |
CHEERING AND APPLAUSE | 0:03:50 | 0:03:52 | |
An exuberantly... | 0:04:00 | 0:04:03 | |
AUDIENCE CHEERS | 0:04:03 | 0:04:05 | |
..extrovert, like you, | 0:04:05 | 0:04:07 | |
extravaganza of uninhibited | 0:04:07 | 0:04:12 | |
hilarity | 0:04:12 | 0:04:13 | |
and equilibristic... | 0:04:13 | 0:04:16 | |
AUDIENCE CHEERS | 0:04:16 | 0:04:18 | |
..acumen. | 0:04:18 | 0:04:19 | |
Funny acrobatics. | 0:04:20 | 0:04:22 | |
The Macardis! | 0:04:24 | 0:04:26 | |
Ladies and gentlemen... | 0:04:34 | 0:04:36 | |
CHEERING AND APPLAUSE | 0:05:14 | 0:05:15 | |
APPLAUSE | 0:05:23 | 0:05:24 | |
CHEERING AND APPLAUSE | 0:05:52 | 0:05:54 | |
CHEERING AND APPLAUSE | 0:06:45 | 0:06:48 | |
AUDIENCE CLAP ALONG | 0:07:10 | 0:07:12 | |
CHEERING AND APPLAUSE | 0:07:16 | 0:07:18 | |
Albert, as you see, prepares, ladies and gentlemen, | 0:07:34 | 0:07:38 | |
for that nonpareil | 0:07:38 | 0:07:43 | |
nenuphar... | 0:07:43 | 0:07:45 | |
AUDIENCE CHEERS | 0:07:45 | 0:07:46 | |
..of nubility. | 0:07:46 | 0:07:49 | |
Your own, | 0:07:49 | 0:07:50 | |
your very, very own, | 0:07:50 | 0:07:52 | |
Eira Heath! | 0:07:52 | 0:07:55 | |
CHEERING AND APPLAUSE | 0:07:55 | 0:07:57 | |
# Now Jim O'Shea was cast away | 0:08:00 | 0:08:03 | |
# Upon a desert isle | 0:08:03 | 0:08:05 | |
# The natives there they liked his hair | 0:08:05 | 0:08:08 | |
# They liked his Irish smile | 0:08:08 | 0:08:10 | |
# So made him chief Panjandrum the Nabob of them all | 0:08:10 | 0:08:14 | |
# They called him Jij-ji-boo Jhai | 0:08:14 | 0:08:17 | |
# And decked him out so gay | 0:08:17 | 0:08:19 | |
# So he wrote to Dublin Bay To his sweetheart | 0:08:19 | 0:08:23 | |
# Just to say | 0:08:23 | 0:08:26 | |
# Sure I've got rings | 0:08:26 | 0:08:30 | |
# On my fingers | 0:08:30 | 0:08:33 | |
# Bells on my toes | 0:08:33 | 0:08:35 | |
# Elephants to ride upon | 0:08:35 | 0:08:37 | |
# My little Irish rose | 0:08:37 | 0:08:40 | |
# So come to your Nabob | 0:08:40 | 0:08:42 | |
# And next Patrick's Day | 0:08:42 | 0:08:44 | |
# Be Mrs Mumbo Jumbo Jij-ji-boo Jhai | 0:08:44 | 0:08:47 | |
# O'Shea. # | 0:08:48 | 0:08:50 | |
CHEERING AND APPLAUSE | 0:08:50 | 0:08:52 | |
# In the gloaming | 0:09:02 | 0:09:04 | |
# Oh, my darling | 0:09:05 | 0:09:09 | |
# When the lights are dim and low | 0:09:09 | 0:09:14 | |
# And the quiet | 0:09:17 | 0:09:20 | |
# Shadows falling | 0:09:20 | 0:09:23 | |
# Softly come | 0:09:24 | 0:09:27 | |
# And softly go | 0:09:27 | 0:09:31 | |
# When the winds are sobbing faintly | 0:09:32 | 0:09:38 | |
# With a gentle unknown woe | 0:09:38 | 0:09:43 | |
# Will you think of me | 0:09:46 | 0:09:50 | |
# And love me | 0:09:50 | 0:09:53 | |
# As you did once long ago | 0:09:53 | 0:09:59 | |
# In the gloaming | 0:10:07 | 0:10:10 | |
# Oh, my darling | 0:10:10 | 0:10:13 | |
# Think not bitterly of me | 0:10:13 | 0:10:18 | |
# Though I past away in silence | 0:10:19 | 0:10:25 | |
# Left you lonely, set you free. | 0:10:25 | 0:10:30 | |
# For my heart was crushed with longing | 0:10:32 | 0:10:36 | |
# What had been would never be | 0:10:37 | 0:10:43 | |
# It was best we parted thus, dear | 0:10:45 | 0:10:51 | |
# Best for you and best for me | 0:10:53 | 0:10:58 | |
# It was best we parted thus | 0:11:01 | 0:11:06 | |
# Best for you | 0:11:08 | 0:11:12 | |
# And best for me. # | 0:11:12 | 0:11:19 | |
APPLAUSE | 0:11:25 | 0:11:29 | |
AUDIENCE JOIN IN | 0:11:29 | 0:11:31 | |
# The twi-twi-twi-light | 0:11:31 | 0:11:34 | |
# Out in the beautiful twilight | 0:11:34 | 0:11:38 | |
# They all go out for a walk, walk, walk | 0:11:38 | 0:11:42 | |
# A quiet old spoon and a talk, talk, talk | 0:11:42 | 0:11:45 | |
# That's the time they long for | 0:11:45 | 0:11:50 | |
# Just before the night | 0:11:50 | 0:11:53 | |
# And many a grand little wedding is planned | 0:11:53 | 0:11:57 | |
# In the twi-twi-light | 0:11:57 | 0:12:01 | |
# A sweet and blushing girl you see | 0:12:02 | 0:12:06 | |
# A queen of high society | 0:12:06 | 0:12:09 | |
# Fond of fun as fond can be | 0:12:09 | 0:12:12 | |
# When it's on the strict QT | 0:12:12 | 0:12:16 | |
# I'm not too young and not too old | 0:12:16 | 0:12:19 | |
# Not too timid, not too bold | 0:12:19 | 0:12:23 | |
# Just the kind you'd like to hold | 0:12:23 | 0:12:26 | |
# Just the kind for sport I'm told... # | 0:12:26 | 0:12:30 | |
-AUDIENCE: -Ooh! | 0:12:30 | 0:12:31 | |
-AUDIENCE JOIN IN -# Ta-ra-ra | 0:12:31 | 0:12:34 | |
# Boom de-ay! | 0:12:34 | 0:12:36 | |
# Ta-ra-ra Boom de-ay! | 0:12:36 | 0:12:38 | |
# Ta-ra-ra Boom de-ay! | 0:12:38 | 0:12:41 | |
# Ta-ra-ra Boom de-ay! | 0:12:41 | 0:12:43 | |
# Ta-ra-ra Boom de-ay! | 0:12:43 | 0:12:45 | |
# Ta-ra-ra Boom de-ay! | 0:12:45 | 0:12:47 | |
# Ta-ra-ra Boom de-ay! | 0:12:47 | 0:12:49 | |
# Ta-ra-ra Boom de-ay! | 0:12:49 | 0:12:54 | |
# Oh, Mr Porter | 0:12:54 | 0:12:56 | |
# What shall I do? | 0:12:56 | 0:12:59 | |
# I want to go to Birmingham and they're taking me on to Crewe | 0:12:59 | 0:13:02 | |
# Send me back to London as quickly as you can | 0:13:02 | 0:13:06 | |
# Oh, Mr Porter what a silly girl I am | 0:13:06 | 0:13:10 | |
# In the shade of the old apple tree | 0:13:14 | 0:13:20 | |
# When the love in your eyes I could see | 0:13:20 | 0:13:26 | |
# When the voice that I heard like the song of the bird | 0:13:26 | 0:13:32 | |
# Seemed to whisper sweet music to me | 0:13:32 | 0:13:37 | |
# I could hear the dull buzz of the bee | 0:13:38 | 0:13:44 | |
# In the blossoms as you said to me | 0:13:44 | 0:13:48 | |
# With a heart that is true | 0:13:49 | 0:13:53 | |
# I'll be waiting for you | 0:13:53 | 0:13:57 | |
# In the shade of the old apple tree... # | 0:13:57 | 0:14:03 | |
-AUDIENCE JOIN IN -# With a heart that is true | 0:14:03 | 0:14:07 | |
# I'll be waiting for you | 0:14:07 | 0:14:12 | |
# In the shade of the old apple tree. # | 0:14:13 | 0:14:20 | |
APPLAUSE | 0:14:22 | 0:14:24 | |
-The apotheosis. AUDIENCE: -Ooh! | 0:14:40 | 0:14:43 | |
The acme, the zenith of lustrous legerdemain | 0:14:43 | 0:14:47 | |
and prestidigitation. | 0:14:47 | 0:14:50 | |
-AUDIENCE: -Ooh! | 0:14:50 | 0:14:52 | |
Magic. | 0:14:52 | 0:14:53 | |
Illimitable inelegance, | 0:14:53 | 0:14:56 | |
Mr Larry Parker! | 0:14:56 | 0:14:59 | |
BAND PLAYS | 0:14:59 | 0:15:01 | |
MUSIC: I Could Have Danced All Night | 0:15:08 | 0:15:12 | |
LAUGHTER | 0:15:13 | 0:15:15 | |
Hey! Hup! | 0:15:15 | 0:15:17 | |
Hup! Hup! | 0:15:19 | 0:15:20 | |
HE EXHALES | 0:15:23 | 0:15:25 | |
-AUDIENCE: -Ooh! | 0:15:27 | 0:15:30 | |
Ah! Now, ah! | 0:15:32 | 0:15:34 | |
HE GIGGLES | 0:15:43 | 0:15:44 | |
Hup! | 0:15:54 | 0:15:55 | |
LAUGHTER | 0:15:58 | 0:16:01 | |
LAUGHTER AND APPLAUSE | 0:16:10 | 0:16:15 | |
HE WHISTLES | 0:16:21 | 0:16:24 | |
LAUGHTER | 0:16:24 | 0:16:27 | |
CHEERING AND APPLAUSE | 0:16:33 | 0:16:38 | |
STUTTERS: Ladies and gentlemen, | 0:16:44 | 0:16:46 | |
I have now two completely unprepared... | 0:16:46 | 0:16:48 | |
LAUGHTER | 0:16:48 | 0:16:50 | |
I have two completely unprepared... Hey! Ho! Fa! Fa-fa-fa! | 0:16:50 | 0:16:54 | |
HE GIGGLES | 0:16:54 | 0:16:56 | |
Now, I take two hankies. | 0:16:56 | 0:16:58 | |
Tie the hankies by the... | 0:16:58 | 0:17:00 | |
HE STUTTERS | 0:17:00 | 0:17:03 | |
For the.... Ah! | 0:17:03 | 0:17:05 | |
Ah! Placed in the... | 0:17:07 | 0:17:09 | |
Now, I have also one completely unprepared Union Jack. | 0:17:09 | 0:17:12 | |
Hey! Ho! Hoo! | 0:17:12 | 0:17:14 | |
T-take... Place the Union Jack in the handling, in the handling | 0:17:15 | 0:17:18 | |
for the eh-eh... For the... Ah! | 0:17:18 | 0:17:20 | |
LAUGHTER | 0:17:20 | 0:17:23 | |
Sprinkling with the dust... With the... | 0:17:23 | 0:17:25 | |
HE LAUGHS | 0:17:25 | 0:17:28 | |
HE CLEARS HIS THROAT | 0:17:28 | 0:17:30 | |
Sprinkling once more... HE STUTTERS | 0:17:32 | 0:17:35 | |
That's it... Hey! Ho! | 0:17:35 | 0:17:37 | |
Now... Ah! APPLAUSE | 0:17:37 | 0:17:41 | |
HE STUTTERS | 0:17:43 | 0:17:46 | |
Way! Ha! Ho! Hup! | 0:17:46 | 0:17:48 | |
LAUGHTER | 0:17:48 | 0:17:51 | |
Ah! LAUGHTER | 0:17:52 | 0:17:55 | |
FANFARE | 0:17:55 | 0:17:57 | |
GENTLE MUSIC PLAYS | 0:18:04 | 0:18:05 | |
Hey! | 0:18:07 | 0:18:09 | |
-AUDIENCE: -Ooh! | 0:18:09 | 0:18:11 | |
Oi! | 0:18:16 | 0:18:18 | |
LAUGHTER | 0:18:26 | 0:18:29 | |
Completely hypnotised. Completely, completely... Oi! | 0:18:30 | 0:18:33 | |
The eyeballs... The eyeballs... Completely kaput. | 0:18:36 | 0:18:39 | |
There's nothing at all there. LAUGHTER | 0:18:39 | 0:18:42 | |
Hey! | 0:18:43 | 0:18:45 | |
Eyeball's kaput! The eyeball's completely kaput! There's nothing... | 0:18:45 | 0:18:49 | |
LAUGHTER | 0:18:49 | 0:18:52 | |
Ah! | 0:19:00 | 0:19:02 | |
Hey! Ha! Ho! | 0:19:04 | 0:19:06 | |
Ah! | 0:19:11 | 0:19:12 | |
-AUDIENCE: -Ah! | 0:19:12 | 0:19:14 | |
LAUGHTER | 0:19:27 | 0:19:30 | |
LAUGHTER AND APPLAUSE | 0:19:38 | 0:19:42 | |
APPLAUSE | 0:19:56 | 0:19:59 | |
DRUMROLL | 0:20:05 | 0:20:06 | |
Hey! | 0:20:09 | 0:20:10 | |
CLUCKING | 0:20:10 | 0:20:12 | |
CLUCKING CONTINUES | 0:20:15 | 0:20:17 | |
FRANTIC CLUCKING | 0:20:18 | 0:20:19 | |
GUNSHOT | 0:20:21 | 0:20:22 | |
LAUGHTER | 0:20:22 | 0:20:24 | |
CHEERING | 0:20:25 | 0:20:26 | |
In a sonorous synthesis of sibling... | 0:20:45 | 0:20:51 | |
-AUDIENCE: -Ooh! | 0:20:51 | 0:20:52 | |
..synchronisation and scintillant simple...simultaneity... | 0:20:52 | 0:20:58 | |
CHEERING | 0:20:58 | 0:20:59 | |
I've got a very good dentist. | 0:21:01 | 0:21:03 | |
LAUGHTER | 0:21:03 | 0:21:04 | |
..the Barry Brothers. | 0:21:04 | 0:21:06 | |
APPLAUSE | 0:21:06 | 0:21:08 | |
# Johnny O'Connor had an automobile | 0:21:14 | 0:21:17 | |
# He took his sweetheart for a ride on Sunday | 0:21:17 | 0:21:21 | |
# Johnny was dressed up in his best Sunday clothes | 0:21:21 | 0:21:24 | |
# She nestled close to his side | 0:21:24 | 0:21:28 | |
TOGETHER: # Things went just dandy till they'd gone down the road | 0:21:28 | 0:21:31 | |
# Then something happened to the old machinery | 0:21:31 | 0:21:35 | |
# The engine got his goat | 0:21:35 | 0:21:37 | |
# Off went his hat and coat | 0:21:37 | 0:21:38 | |
# Everything needed repairs | 0:21:38 | 0:21:41 | |
# So he'd have to get under | 0:21:41 | 0:21:43 | |
# Get out and get under | 0:21:43 | 0:21:45 | |
# To fix his little machine | 0:21:45 | 0:21:49 | |
# Though he was dying to cuddle his queen | 0:21:49 | 0:21:52 | |
# But every minute when he'd begin it | 0:21:52 | 0:21:55 | |
# He'd have to get under | 0:21:55 | 0:21:57 | |
# Get out and get under | 0:21:57 | 0:21:59 | |
# Then he'd get back at the wheel | 0:21:59 | 0:22:02 | |
# To hug and squeeze he'd boldly get to work | 0:22:02 | 0:22:05 | |
# And then the brakes would jam | 0:22:05 | 0:22:07 | |
# There'd be a jerk | 0:22:07 | 0:22:09 | |
# And then he'd have to get under | 0:22:09 | 0:22:11 | |
# Get out and get under | 0:22:11 | 0:22:13 | |
# And fix up his automobile. # | 0:22:13 | 0:22:15 | |
# And then he'd row, row, row | 0:22:15 | 0:22:18 | |
# Way up the river he would row, row, row | 0:22:18 | 0:22:20 | |
# A hug he'd give her | 0:22:20 | 0:22:22 | |
# Then he'd kiss her now and then | 0:22:22 | 0:22:23 | |
# She would tell him when | 0:22:23 | 0:22:25 | |
# They'd fool around and fool around | 0:22:25 | 0:22:27 | |
# And then they'd kiss again | 0:22:27 | 0:22:28 | |
# And then he'd row, row, row | 0:22:28 | 0:22:31 | |
# A little further how he'd row-oh-oh-oh-oh | 0:22:31 | 0:22:35 | |
# Then he'd throw both his oars | 0:22:35 | 0:22:36 | |
# Take a few more encores | 0:22:36 | 0:22:38 | |
# And then he'd row, row, row-oh-oh-oh | 0:22:38 | 0:22:41 | |
# And then he'd row-oh, row-oh | 0:22:41 | 0:22:45 | |
# Row-oh-oh-oh! # | 0:22:45 | 0:22:51 | |
APPLAUSE | 0:22:51 | 0:22:53 | |
# Moonlight and roses | 0:23:05 | 0:23:12 | |
# Bring wonderful memories of you | 0:23:12 | 0:23:19 | |
# My heart reposes | 0:23:19 | 0:23:27 | |
# In beautiful thoughts so true | 0:23:27 | 0:23:34 | |
# June light discloses | 0:23:34 | 0:23:41 | |
# Love's golden dreams sparkling anew | 0:23:41 | 0:23:49 | |
# Moonlight and roses | 0:23:49 | 0:23:55 | |
# Bring memories | 0:23:55 | 0:23:59 | |
# Of you | 0:23:59 | 0:24:03 | |
# Moonlight and roses | 0:24:03 | 0:24:10 | |
# Bring memories | 0:24:10 | 0:24:16 | |
# Of you. # | 0:24:16 | 0:24:22 | |
APPLAUSE | 0:24:22 | 0:24:23 | |
Verisimilitudinous... | 0:24:44 | 0:24:47 | |
-AUDIENCE: -Ooh! | 0:24:47 | 0:24:48 | |
That's like you - lifelike. | 0:24:50 | 0:24:52 | |
..in vertiginous virtuosity of ventrilingual... | 0:24:53 | 0:24:59 | |
CHEERING | 0:24:59 | 0:25:00 | |
..vocalisation, Mr Neville King! | 0:25:00 | 0:25:04 | |
CHEERING AND APPLAUSE | 0:25:05 | 0:25:07 | |
MUSIC: Smoke Gets In Your Eyes | 0:25:13 | 0:25:16 | |
LAUGHTER | 0:25:20 | 0:25:21 | |
-FROM THE WINGS: -What a load of rubbish this is. | 0:25:37 | 0:25:39 | |
What a load of codswallop. | 0:25:44 | 0:25:46 | |
-Just stop. -MUSIC STOPS | 0:25:48 | 0:25:50 | |
-Rubbish. Rubbish! -What's the matter with you? | 0:25:50 | 0:25:53 | |
-I'm fed up... -Come here, come here, come here, come here. | 0:25:53 | 0:25:56 | |
I'm fed up of seeing bloody conjurers. | 0:25:56 | 0:25:58 | |
LAUGHTER | 0:25:58 | 0:25:59 | |
We've got a glut of conjurers... | 0:26:03 | 0:26:05 | |
APPLAUSE | 0:26:05 | 0:26:07 | |
We've got a glut - a glut of conjurors on this show | 0:26:11 | 0:26:15 | |
and I'm fed up of seeing them. | 0:26:15 | 0:26:16 | |
-Now what do you know about show business? -Everything. | 0:26:18 | 0:26:22 | |
So you come here, interfering with my act | 0:26:22 | 0:26:23 | |
and you think you know everything about show business? | 0:26:23 | 0:26:26 | |
-I've done the lot. -You've done the lot? -Everything. | 0:26:26 | 0:26:29 | |
I see. And what did you do in show business? | 0:26:29 | 0:26:33 | |
I worked for a ventriloquist. | 0:26:33 | 0:26:35 | |
LAUGHTER | 0:26:35 | 0:26:37 | |
Very, very clever. I see, you worked for a ventril... | 0:26:37 | 0:26:40 | |
-You were one of those little dollies that they sort of... -Gottle of geer. | 0:26:40 | 0:26:43 | |
Yes, yes, I remember, and then you sang a little song and then, | 0:26:43 | 0:26:46 | |
I remember, then the ventriloquist sort of eased you up there | 0:26:46 | 0:26:50 | |
-on top of a big case, put you in the case. -Not me. | 0:26:50 | 0:26:53 | |
Oh, yes, I saw the act, you see, what happened... | 0:26:53 | 0:26:55 | |
-No, no, take your hands off. -LAUGHTER | 0:26:55 | 0:26:58 | |
You see, what actually happened... | 0:26:58 | 0:27:00 | |
Take your bloody hands off me! | 0:27:00 | 0:27:01 | |
LAUGHTER | 0:27:01 | 0:27:03 | |
-I've seen the act. -I'm not... I'm not going in any bloody case! | 0:27:03 | 0:27:06 | |
LAUGHTER | 0:27:06 | 0:27:07 | |
I've seen the act. I know what happens. | 0:27:09 | 0:27:11 | |
This is a load of codswallop. | 0:27:15 | 0:27:17 | |
Now listen, how can I get him in that case? | 0:27:17 | 0:27:20 | |
-I know. I'll hypnotise him. -You what? | 0:27:20 | 0:27:22 | |
-You are now going very, very queer. -I say! | 0:27:25 | 0:27:29 | |
Your head feels very, very heavy. | 0:27:29 | 0:27:31 | |
It's going round and round and round. | 0:27:31 | 0:27:34 | |
LAUGHTER | 0:27:34 | 0:27:35 | |
You are now going in a deep, deep sleep. | 0:27:37 | 0:27:42 | |
Sleep! | 0:27:44 | 0:27:46 | |
SNORING | 0:27:47 | 0:27:49 | |
LAUGHTER | 0:27:55 | 0:27:57 | |
Completely in my power. Now, ladies and gentlemen... | 0:27:57 | 0:28:00 | |
I'm not going in that case! | 0:28:00 | 0:28:02 | |
GENTLE MUSIC | 0:28:24 | 0:28:25 | |
Eugh! | 0:28:46 | 0:28:47 | |
Oh-h! | 0:29:00 | 0:29:01 | |
I like that. | 0:29:03 | 0:29:04 | |
DRUMROLL | 0:29:27 | 0:29:30 | |
APPLAUSE | 0:29:31 | 0:29:34 | |
LAUGHTER AND APPLAUSE | 0:29:58 | 0:30:02 | |
Eliminating the impedimenta of illusion, | 0:30:18 | 0:30:22 | |
Albert is harbinger | 0:30:22 | 0:30:24 | |
for the advent of the vibrant dynamism... | 0:30:24 | 0:30:29 | |
-AUDIENCE: -Oh! | 0:30:29 | 0:30:30 | |
..the galvanic diablerie... | 0:30:30 | 0:30:33 | |
-AUDIENCE: -Oh! | 0:30:33 | 0:30:34 | |
..of that torrid tornado of titillation... | 0:30:34 | 0:30:38 | |
-AUDIENCE: -Oh! | 0:30:38 | 0:30:40 | |
..the one and only Eartha Kitt! | 0:30:40 | 0:30:44 | |
# When I was young and innocent | 0:31:02 | 0:31:05 | |
# You stole into my heart | 0:31:06 | 0:31:10 | |
# You told me things I now repent | 0:31:10 | 0:31:14 | |
# Whenever we're apart | 0:31:14 | 0:31:16 | |
# You told me that the world was wide | 0:31:18 | 0:31:23 | |
# A bit too wide | 0:31:23 | 0:31:26 | |
# And now, I'm not satisfied... # | 0:31:26 | 0:31:30 | |
MURMURS AND GIGGLES | 0:31:30 | 0:31:33 | |
# With just a cup of tea | 0:31:36 | 0:31:39 | |
# I was... | 0:31:42 | 0:31:45 | |
SHE GASPS | 0:31:49 | 0:31:51 | |
# A good little girl | 0:31:51 | 0:31:56 | |
# Till I met you | 0:31:56 | 0:31:59 | |
# You put my head in a whirl | 0:32:01 | 0:32:05 | |
# My poor heart too | 0:32:05 | 0:32:09 | |
# Oh, how you told me the tale | 0:32:09 | 0:32:13 | |
# You always do | 0:32:16 | 0:32:19 | |
# I was a good little girl | 0:32:19 | 0:32:22 | |
# Till I met you | 0:32:24 | 0:32:27 | |
# I never stayed out late at night | 0:32:33 | 0:32:37 | |
# At least, not after ten | 0:32:39 | 0:32:42 | |
# I was indifferent to men | 0:32:44 | 0:32:47 | |
# Until you came, and then | 0:32:49 | 0:32:54 | |
# You took me walking in the park | 0:32:55 | 0:32:59 | |
# You talked like Romeo... # | 0:32:59 | 0:33:01 | |
LAUGHTER | 0:33:01 | 0:33:05 | |
# And then you kissed me in the dark... # | 0:33:06 | 0:33:10 | |
AUDIENCE: Ooh! | 0:33:10 | 0:33:13 | |
# Poor me, I did not know... # | 0:33:14 | 0:33:19 | |
AUDIENCE: Aw! | 0:33:19 | 0:33:22 | |
SHE GASPS | 0:33:22 | 0:33:24 | |
# I was... | 0:33:24 | 0:33:26 | |
# A good little girl | 0:33:32 | 0:33:35 | |
# Till I met you | 0:33:37 | 0:33:41 | |
# You put my heart in a whirl | 0:33:41 | 0:33:45 | |
# My poor head too | 0:33:45 | 0:33:48 | |
# Oh, how you told me the tale | 0:33:50 | 0:33:54 | |
# You always do | 0:33:56 | 0:33:58 | |
# I was a good little girl | 0:34:00 | 0:34:04 | |
# Till I met you | 0:34:04 | 0:34:07 | |
# I was a good little girl | 0:34:10 | 0:34:15 | |
# Till I met you. # | 0:34:17 | 0:34:22 | |
LAUGHTER AND APPLAUSE | 0:34:22 | 0:34:26 | |
# Won't you come home, Bill Bailey? | 0:34:39 | 0:34:41 | |
# Won't you come home? | 0:34:41 | 0:34:43 | |
# She cried the whole night long | 0:34:43 | 0:34:46 | |
# I'll do the cooking and I'll pay the rent | 0:34:46 | 0:34:50 | |
# I know I've done you wrong | 0:34:50 | 0:34:54 | |
# Remember that early evening I threw you out? | 0:34:54 | 0:34:58 | |
# Just with a fine-tooth comb | 0:34:59 | 0:35:02 | |
# I know I'm to blame | 0:35:02 | 0:35:04 | |
# Ain't it a shame? | 0:35:04 | 0:35:06 | |
# Bill Bailey, won't you please come home? # | 0:35:06 | 0:35:09 | |
SHE PURRS | 0:35:09 | 0:35:11 | |
# Come home, Bill Bailey | 0:35:11 | 0:35:12 | |
# Won't you come home? | 0:35:12 | 0:35:14 | |
# She cried the whole night long | 0:35:14 | 0:35:17 | |
# I'll do the cooking and I'll pay the rent | 0:35:17 | 0:35:21 | |
# I know I've done you wrong | 0:35:21 | 0:35:25 | |
# Remember that rainy evening I threw you out? | 0:35:25 | 0:35:29 | |
# Nothing but a fine-tooth comb | 0:35:29 | 0:35:32 | |
# I know I'm to blame and ain't it a shame? | 0:35:32 | 0:35:36 | |
# Bill Bailey, won't you please come home? # | 0:35:36 | 0:35:40 | |
PIANO INTRODUCTION | 0:35:40 | 0:35:42 | |
LAUGHTER | 0:35:47 | 0:35:49 | |
# You made me love you | 0:35:56 | 0:35:59 | |
# I didn't wanna do it | 0:36:01 | 0:36:04 | |
# I didn't wanna do it | 0:36:06 | 0:36:08 | |
# You made me love you | 0:36:14 | 0:36:18 | |
# And all the time you knew it | 0:36:20 | 0:36:23 | |
# I guess you always knew it | 0:36:23 | 0:36:25 | |
# You made me happy sometimes | 0:36:25 | 0:36:28 | |
# And you made me glad | 0:36:30 | 0:36:32 | |
# But there were times, dear | 0:36:34 | 0:36:36 | |
# You made me feel so...unnecessary | 0:36:37 | 0:36:43 | |
# You made me sad for | 0:36:46 | 0:36:51 | |
# I didn't want to tell you | 0:36:53 | 0:36:56 | |
# I didn't want to tell you | 0:36:56 | 0:37:00 | |
# I want some love | 0:37:00 | 0:37:02 | |
# That's true | 0:37:04 | 0:37:05 | |
# Yes, I do | 0:37:05 | 0:37:07 | |
# Indeed I do | 0:37:07 | 0:37:08 | |
# You know I do | 0:37:08 | 0:37:11 | |
# Gimme, gimme, gimme, gimme | 0:37:11 | 0:37:15 | |
# What I sigh for | 0:37:15 | 0:37:18 | |
# You know you got the brand of kisses that I'd die... | 0:37:18 | 0:37:23 | |
# You know you made me love you. # | 0:37:26 | 0:37:32 | |
ORCHESTRA STARTS UP | 0:37:35 | 0:37:38 | |
# Who were you with last night | 0:37:38 | 0:37:42 | |
# Out in the pale moonlight? | 0:37:42 | 0:37:45 | |
# It wasn't your sister | 0:37:45 | 0:37:47 | |
# It wasn't your ma | 0:37:47 | 0:37:49 | |
# Ah! | 0:37:49 | 0:37:53 | |
# Who were you with last night | 0:37:53 | 0:37:56 | |
# Out in the pale moonlight? | 0:37:56 | 0:37:59 | |
# Are you gonna tell your missus when you get home? | 0:37:59 | 0:38:03 | |
# Who were you with last night? | 0:38:03 | 0:38:06 | |
# Who were you with last night | 0:38:07 | 0:38:10 | |
# Out in the pale moonlight? | 0:38:10 | 0:38:14 | |
# It wasn't your missus | 0:38:14 | 0:38:16 | |
# It wasn't your ma... # | 0:38:16 | 0:38:18 | |
SHE PURRS | 0:38:18 | 0:38:21 | |
# Who were you with last night | 0:38:21 | 0:38:25 | |
# Out in the pale moonlight? | 0:38:25 | 0:38:28 | |
# Are you gonna tell your missus when you get home? | 0:38:28 | 0:38:32 | |
# Who were you with last night? | 0:38:32 | 0:38:34 | |
# You gonna tell your missus when you get home? I will! | 0:38:36 | 0:38:39 | |
# Who were you with last night? # | 0:38:39 | 0:38:47 | |
CHEERING AND APPLAUSE | 0:38:47 | 0:38:50 | |
Inimitable... | 0:39:08 | 0:39:09 | |
..incomparable... | 0:39:10 | 0:39:11 | |
..endearingly irresistible, | 0:39:13 | 0:39:15 | |
your own, your very, very, very own | 0:39:15 | 0:39:19 | |
Arthur Askey! | 0:39:19 | 0:39:21 | |
APPLAUSE AND CHEERING | 0:39:21 | 0:39:23 | |
Thank you! | 0:39:26 | 0:39:28 | |
-Hello, playmates! -AUDIENCE: -Hello! | 0:39:33 | 0:39:36 | |
-Would you like me to come out there? -Yes! | 0:39:36 | 0:39:39 | |
Well, no touching. | 0:39:39 | 0:39:40 | |
-You used to be over there. -Oh, no, I never! | 0:39:43 | 0:39:46 | |
-Oh, yes, you did! -No, I... | 0:39:46 | 0:39:49 | |
Oh, yes, you did! | 0:39:49 | 0:39:51 | |
-Oh, yes, you did. -Oh... | 0:39:51 | 0:39:54 | |
I remember it. | 0:39:54 | 0:39:56 | |
Once again, ladies and gentlemen... | 0:39:58 | 0:40:01 | |
You didn't do it properly, Albert. | 0:40:05 | 0:40:07 | |
That was supposed to break! | 0:40:09 | 0:40:10 | |
Goodnight... | 0:40:13 | 0:40:15 | |
What are you blushing about? Go on, saw it. | 0:40:17 | 0:40:21 | |
Ah, that's better. | 0:40:21 | 0:40:22 | |
APPLAUSE | 0:40:26 | 0:40:29 | |
He's doing it! | 0:40:29 | 0:40:30 | |
There, that's what would have happened, you see. | 0:40:32 | 0:40:35 | |
When's the new man coming, Barney? | 0:40:36 | 0:40:38 | |
Right, are you all right, Bernard, and the boys? | 0:40:39 | 0:40:42 | |
Well, I'm going to sing you one, playmates, | 0:40:42 | 0:40:44 | |
I haven't flogged quite as much as the others. | 0:40:44 | 0:40:46 | |
It's a little song called The Penguin. | 0:40:46 | 0:40:48 | |
I do actions. | 0:40:50 | 0:40:52 | |
# Flippity-floppity flap, flap, flap | 0:40:57 | 0:41:02 | |
# I'm a little penguin such a funny little chap | 0:41:02 | 0:41:05 | |
# Bandy-legged bath bun | 0:41:05 | 0:41:08 | |
# Nothing like a swan | 0:41:08 | 0:41:10 | |
# The only bird that stands upon its sit-upon | 0:41:10 | 0:41:14 | |
# Dressed up in my dicky and my evening suit | 0:41:14 | 0:41:18 | |
# Everyone who sees me says he does look cute | 0:41:18 | 0:41:22 | |
# Then up comes the keeper with a biting swish | 0:41:22 | 0:41:26 | |
# Slaps me in the kisser with a stinking fish | 0:41:26 | 0:41:30 | |
# I'm a penguin | 0:41:30 | 0:41:32 | |
# Such a funny little chap | 0:41:32 | 0:41:34 | |
# With my flippity-floppity flap, flap, flap... # | 0:41:34 | 0:41:39 | |
All right. | 0:41:39 | 0:41:40 | |
Starched me cottons. | 0:41:42 | 0:41:44 | |
# Flippity-floppity flap, flap, flap | 0:41:47 | 0:41:51 | |
# I'm a little penguin such a funny little chap | 0:41:51 | 0:41:55 | |
# In the Arctic regions once I used to dwell | 0:41:55 | 0:41:59 | |
# Imagine how I suffered - it was downright hell | 0:41:59 | 0:42:04 | |
# Waggling around on the cold ice floes | 0:42:04 | 0:42:08 | |
# With icicles suspended from my parson's nose | 0:42:08 | 0:42:12 | |
# Sitting on an iceberg months and months - that's me | 0:42:12 | 0:42:16 | |
# All brass monkeys have my sympathy | 0:42:16 | 0:42:20 | |
# I'm a penguin | 0:42:20 | 0:42:22 | |
# Such a funny little chap | 0:42:22 | 0:42:24 | |
# With my flippity-floppity flap, flap, flap... # | 0:42:24 | 0:42:28 | |
I'll give you a treat this time, all right? | 0:42:30 | 0:42:33 | |
Serve them all alike! | 0:42:33 | 0:42:35 | |
# Flippity-floppity flap, flap, flap | 0:42:37 | 0:42:41 | |
# I'm a little penguin such a funny little chap | 0:42:41 | 0:42:45 | |
# One of nature's funnymen certain to amuse | 0:42:45 | 0:42:49 | |
# But underneath these feathers I've a heart like you | 0:42:49 | 0:42:53 | |
# So when you are laughing think about me, please | 0:42:53 | 0:42:58 | |
# Rubbing out my footprints with my duck's disease | 0:42:58 | 0:43:02 | |
# Look at Charlie Chaplin, he can make you yell | 0:43:02 | 0:43:05 | |
# But I'm a better comic - I lay eggs as well | 0:43:05 | 0:43:10 | |
# I'm a penguin | 0:43:10 | 0:43:12 | |
# Such a funny little chap | 0:43:12 | 0:43:14 | |
# With a flippity-floppity | 0:43:14 | 0:43:16 | |
# Flippity-floppity | 0:43:16 | 0:43:18 | |
# Le Penguinello | 0:43:18 | 0:43:22 | |
# Flippity-floppity flap, flap, flap. # | 0:43:22 | 0:43:26 | |
Thank you. | 0:43:39 | 0:43:40 | |
Once again, good... | 0:43:42 | 0:43:44 | |
Oh, we'll leave it, shall we? Ugh! | 0:43:45 | 0:43:47 | |
I'm going to give you one of my little poems. See how you like it. | 0:43:51 | 0:43:54 | |
A plumber went to mend a bath | 0:43:54 | 0:43:56 | |
There was a lady in it | 0:43:56 | 0:43:58 | |
As naked as a newborn babe and singing like a linnet. | 0:43:58 | 0:44:02 | |
She screamed and grabbed the bath mat | 0:44:02 | 0:44:04 | |
That's how she met her fate | 0:44:04 | 0:44:06 | |
The mat had "welcome" on it | 0:44:06 | 0:44:08 | |
Now she's a plumber's mate. | 0:44:08 | 0:44:09 | |
LAUGHTER AND APPLAUSE | 0:44:09 | 0:44:11 | |
All right. | 0:44:14 | 0:44:15 | |
Well, now, playmates, I'm going to sing you a little chorus song. | 0:44:22 | 0:44:25 | |
Now, don't get panicky, | 0:44:25 | 0:44:26 | |
I'm not going to ask you to sing a whole chorus | 0:44:26 | 0:44:29 | |
or anything like that, but when I get to the end of my second chorus | 0:44:29 | 0:44:32 | |
I would like you, if you will, just to nip in here and there. | 0:44:32 | 0:44:35 | |
-Will you do that for me? -Yes. | 0:44:35 | 0:44:37 | |
-Promise? -Yes! | 0:44:37 | 0:44:38 | |
All right, take the oath. | 0:44:38 | 0:44:40 | |
Say "we"... | 0:44:41 | 0:44:43 | |
We... | 0:44:43 | 0:44:44 | |
That's the quietest "we" I've heard for a long time. | 0:44:48 | 0:44:51 | |
Put a bit of body in it. We... | 0:44:51 | 0:44:54 | |
We! | 0:44:54 | 0:44:55 | |
..the audience... | 0:44:55 | 0:44:57 | |
..the audience... | 0:44:57 | 0:44:58 | |
..do hereby declare... | 0:44:58 | 0:45:00 | |
..do hereby declare... | 0:45:00 | 0:45:01 | |
..that Arthur Askey... | 0:45:01 | 0:45:03 | |
..that Arthur Askey... | 0:45:03 | 0:45:04 | |
..will here and now... | 0:45:04 | 0:45:06 | |
..will here and now... | 0:45:06 | 0:45:08 | |
-Before your... -ALL: -..very eyes... | 0:45:08 | 0:45:11 | |
They couldn't wait, you see! | 0:45:11 | 0:45:13 | |
You can't wait! | 0:45:13 | 0:45:14 | |
Anyway, I'm singing this little chorus - | 0:45:15 | 0:45:17 | |
I'll tell you what I want you to do after. OK, off we go. | 0:45:17 | 0:45:20 | |
# Down in Casey's Court they're what you'd call right into fashion | 0:45:24 | 0:45:28 | |
# Down in Casey's Court they've got the greyhound racing passion | 0:45:28 | 0:45:32 | |
# Someone cleared the boatyard out and made a racing track | 0:45:32 | 0:45:35 | |
# And everybody entered dogs | 0:45:35 | 0:45:37 | |
# Any dogs, many dogs | 0:45:37 | 0:45:39 | |
# There were four-a-penny dogs | 0:45:39 | 0:45:41 | |
# They were a comely pet | 0:45:41 | 0:45:43 | |
# Dogs too thin, dogs too stout | 0:45:43 | 0:45:45 | |
# Dogs with whiskers and without | 0:45:45 | 0:45:47 | |
# And some went woof, some went yap | 0:45:47 | 0:45:49 | |
# Some went bow-wow-wow | 0:45:49 | 0:45:51 | |
# Dogs too long, dogs too short | 0:45:51 | 0:45:53 | |
# Freaks of every shape and sort | 0:45:53 | 0:45:55 | |
# And some went woof, some went yap | 0:45:55 | 0:45:57 | |
# Some went bow-wow-wow | 0:45:57 | 0:45:59 | |
# Their tails were short and thick | 0:45:59 | 0:46:01 | |
# Some were long and thin | 0:46:01 | 0:46:02 | |
# Some came too far out | 0:46:02 | 0:46:04 | |
# Some went too far in | 0:46:04 | 0:46:06 | |
# Pugs and pups, pings and pongs | 0:46:06 | 0:46:08 | |
# Wagged their little tos and froms | 0:46:08 | 0:46:10 | |
# And some went woof, some went yap | 0:46:10 | 0:46:12 | |
# Some went bow-wow-wow. # | 0:46:12 | 0:46:14 | |
That's it. Now, I'll tell you what I want you to do, playmates. | 0:46:14 | 0:46:16 | |
I want you to imagine that this is a dog show | 0:46:16 | 0:46:20 | |
and you're all little dogs. | 0:46:20 | 0:46:22 | |
So we'll let the men do the woofing | 0:46:22 | 0:46:24 | |
and we'll leave the yapping to the ladies, all right? | 0:46:24 | 0:46:27 | |
Yeah! | 0:46:27 | 0:46:28 | |
Then all together, bow-wow-wow. | 0:46:28 | 0:46:31 | |
Gentlemen woof, ladies yap, then all together bow-wow-wow. You ready? | 0:46:31 | 0:46:35 | |
-Yes, yes. -One, two, three, four. | 0:46:35 | 0:46:38 | |
# Dogs too thin, dogs too stout | 0:46:38 | 0:46:40 | |
# Dogs with whiskers and without | 0:46:40 | 0:46:42 | |
-# And some went -Woof! | 0:46:42 | 0:46:44 | |
-# Some went -Yap! | 0:46:44 | 0:46:45 | |
-# Some went -Bow-wow-wow! | 0:46:45 | 0:46:47 | |
# Dogs too long, dogs too short | 0:46:47 | 0:46:49 | |
# Freaks of every shape and sort | 0:46:49 | 0:46:51 | |
-# And some went -Woof! | 0:46:51 | 0:46:53 | |
-# Some went -Yap! | 0:46:53 | 0:46:54 | |
-# Some went -Bow-wow-wow! | 0:46:54 | 0:46:56 | |
# Their tails were short and thick | 0:46:56 | 0:46:58 | |
# Some were long and thin | 0:46:58 | 0:47:00 | |
# Some came too far out | 0:47:00 | 0:47:03 | |
# Some went too far in | 0:47:03 | 0:47:05 | |
# Pugs and pups, pings and pongs | 0:47:05 | 0:47:07 | |
# Wagged their little tos and froms | 0:47:07 | 0:47:09 | |
-# And some went -Woof! | 0:47:09 | 0:47:11 | |
-# Some went -Yap! | 0:47:11 | 0:47:12 | |
-# Some went -Bow-wow-wow! # | 0:47:12 | 0:47:14 | |
Very, good, very good! But you know... | 0:47:14 | 0:47:17 | |
Thank you. | 0:47:18 | 0:47:19 | |
Do you know, playmates, when I was a little boy, I never had a dog. | 0:47:22 | 0:47:26 | |
-Aww. -Aww. | 0:47:26 | 0:47:28 | |
-And do you know why? -No. | 0:47:28 | 0:47:30 | |
# Daddy wouldn't buy me a bow-wow | 0:47:31 | 0:47:35 | |
# Bow-wow | 0:47:35 | 0:47:37 | |
# Daddy wouldn't buy me a bow-wow | 0:47:37 | 0:47:40 | |
# Bow-wow | 0:47:40 | 0:47:42 | |
# I've got a little cat | 0:47:42 | 0:47:44 | |
# And I'm very fond of that | 0:47:44 | 0:47:46 | |
# But I'd rather have a bow-wow-wow. # | 0:47:46 | 0:47:52 | |
CHEERING AND APPLAUSE | 0:47:52 | 0:47:55 | |
Now, ladies and gentlemen, | 0:48:09 | 0:48:11 | |
there's just time to ask Mr Arthur Askey and Ms Eartha Kitt | 0:48:11 | 0:48:13 | |
to lead you in the last chorus for tonight, | 0:48:13 | 0:48:15 | |
Down At The Old Bull And Bush. | 0:48:15 | 0:48:16 | |
Ladies and gentlemen, Mr Arthur Askey, Ms Eartha Kitt, | 0:48:16 | 0:48:19 | |
the entire company, Mr Bernard Hammond, the entire orchestra. | 0:48:19 | 0:48:23 | |
CHEERING AND APPLAUSE | 0:48:23 | 0:48:26 | |
-And this time, chiefly... -Yourselves! | 0:48:26 | 0:48:30 | |
# Come, come, come and make eyes at me | 0:48:34 | 0:48:38 | |
# Down at the Old Bull and Bush | 0:48:38 | 0:48:40 | |
# Da, da, da, da, da | 0:48:40 | 0:48:41 | |
# Come, come, drink some port wine with me | 0:48:41 | 0:48:45 | |
# Down at the Old Bull and Bush | 0:48:45 | 0:48:47 | |
# Hear the little German band | 0:48:48 | 0:48:50 | |
# Da, da, da, da, da | 0:48:50 | 0:48:52 | |
# Just let me hold your hand dear | 0:48:52 | 0:48:55 | |
# Come, come, come and have a drink or two | 0:48:55 | 0:48:59 | |
# Down at the Old Bull and Bush | 0:48:59 | 0:49:02 | |
# Bush, Bush! # | 0:49:02 | 0:49:04 | |
APPLAUSE AND CHEERING | 0:49:04 | 0:49:07 |