Browse content similar to 10/02/1977. Check below for episodes and series from the same categories and more!
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# ..I'm always scheming | 0:00:02 | 0:00:04 | |
# Because I want you | 0:00:04 | 0:00:08 | |
# And only you | 0:00:08 | 0:00:12 | |
# Every little while | 0:00:14 | 0:00:16 | |
# My heart is aching | 0:00:16 | 0:00:20 | |
# Every little while | 0:00:22 | 0:00:24 | |
# I miss your smile | 0:00:24 | 0:00:28 | |
# And all the time I seem to miss you | 0:00:28 | 0:00:33 | |
# I want to, want to kiss you | 0:00:33 | 0:00:38 | |
# Every, every | 0:00:38 | 0:00:40 | |
# Every little while. # | 0:00:40 | 0:00:48 | |
CHEERING AND APPLAUSE | 0:00:48 | 0:00:50 | |
ORCHESTRA PLAYS FANFARE | 0:00:50 | 0:00:56 | |
RAPTUROUS CHEERING | 0:00:56 | 0:00:58 | |
-AUDIENCE: -Whoo! | 0:01:04 | 0:01:06 | |
Once again, good evening, ladies and gentlemen! | 0:01:06 | 0:01:13 | |
-RAUCOUSLY: -Good evening! | 0:01:13 | 0:01:17 | |
Mellifluousness... | 0:01:17 | 0:01:19 | |
-AUDIENCE: -Ooh! | 0:01:19 | 0:01:21 | |
..made manifest in lush, lunar miscellany... | 0:01:21 | 0:01:27 | |
-AUDIENCE: -Ooh! | 0:01:27 | 0:01:29 | |
..with the impeccable expertise of the Players' Theatre | 0:01:29 | 0:01:33 | |
and the provocative piquancy... | 0:01:33 | 0:01:37 | |
-AUDIENCE: -Whoo! | 0:01:37 | 0:01:38 | |
..of Miss Jenny Wren! | 0:01:38 | 0:01:41 | |
APPLAUSE | 0:01:41 | 0:01:43 | |
# I'm such a silly when the moon comes out | 0:01:48 | 0:01:51 | |
# I hardly seem to know what I'm about | 0:01:51 | 0:01:55 | |
# Skipping, hopping, never, never stopping | 0:01:55 | 0:01:58 | |
# I can't keep still although I try | 0:01:58 | 0:02:02 | |
# I'm all a-quiver when the moonbeams glance | 0:02:02 | 0:02:05 | |
# That is the moment when I long to dance | 0:02:05 | 0:02:08 | |
# I can never close a sleepy eye | 0:02:08 | 0:02:12 | |
# When the moon comes creeping up the sky | 0:02:12 | 0:02:15 | |
# When the moon comes creeping up the sky | 0:02:15 | 0:02:20 | |
# Shine on, shine on, harvest moon | 0:02:20 | 0:02:26 | |
# Up in the sky | 0:02:26 | 0:02:28 | |
# I've had no loving | 0:02:28 | 0:02:32 | |
# Since January, February, June or July | 0:02:32 | 0:02:37 | |
# Snow time ain't no time | 0:02:37 | 0:02:41 | |
# To stay outdoors and spoon | 0:02:41 | 0:02:45 | |
# So shine on, shine on, harvest moon | 0:02:45 | 0:02:51 | |
# For me and my gal | 0:02:51 | 0:02:54 | |
# The moonlight blossoms only come out at night, you know | 0:02:54 | 0:02:58 | |
# Moonlight blossoms beneath the electric light, because | 0:02:58 | 0:03:02 | |
# We bloom all right | 0:03:02 | 0:03:04 | |
# But in morning's dew | 0:03:04 | 0:03:06 | |
# The poppies are busy and gathering up the moonlight's bloom | 0:03:06 | 0:03:10 | |
# Moon of love | 0:03:16 | 0:03:21 | |
# Romantic gypsy moon | 0:03:21 | 0:03:27 | |
# Shine above | 0:03:27 | 0:03:31 | |
# Your light will fade too soon | 0:03:31 | 0:03:38 | |
# Life is fair | 0:03:38 | 0:03:42 | |
# A path with roses strewn | 0:03:42 | 0:03:48 | |
# When you're there | 0:03:48 | 0:03:54 | |
# Romantic gypsy moon | 0:03:54 | 0:04:02 | |
# By the light | 0:04:05 | 0:04:07 | |
# Of the silvery moon | 0:04:07 | 0:04:11 | |
# I want to spoon | 0:04:11 | 0:04:15 | |
# To my honey I'll croon love's tune | 0:04:15 | 0:04:20 | |
# Honey moon, keep a shinin' in June | 0:04:20 | 0:04:27 | |
# Your silvery beams will bring love's dreams | 0:04:27 | 0:04:31 | |
# We'll be cuddling soon | 0:04:31 | 0:04:35 | |
# By the silvery moon | 0:04:35 | 0:04:39 | |
# By the silvery moon. # | 0:04:39 | 0:04:44 | |
Homeric... | 0:04:58 | 0:05:00 | |
..Herculean... | 0:05:01 | 0:05:02 | |
-AUDIENCE: -Ooh! | 0:05:02 | 0:05:03 | |
..histrionics... | 0:05:03 | 0:05:06 | |
..from Austria, Markus and Rosita! | 0:05:06 | 0:05:12 | |
CHEERING AND APPLAUSE | 0:05:12 | 0:05:15 | |
APPLAUSE | 0:06:38 | 0:06:40 | |
APPLAUSE | 0:06:53 | 0:06:54 | |
MUSIC DROWNS OUT SPEECH | 0:06:55 | 0:06:58 | |
APPLAUSE | 0:07:00 | 0:07:03 | |
-AUDIENCE: -Oh! | 0:08:16 | 0:08:18 | |
APPLAUSE | 0:08:18 | 0:08:21 | |
APPLAUSE | 0:08:29 | 0:08:32 | |
DRUMROLL | 0:08:46 | 0:08:49 | |
APPLAUSE | 0:09:07 | 0:09:10 | |
FANFARE MUSIC | 0:09:15 | 0:09:18 | |
APPLAUSE | 0:09:18 | 0:09:23 | |
Don't hold it against your husband, madam. | 0:09:39 | 0:09:42 | |
LAUGHTER | 0:09:42 | 0:09:44 | |
They are our exercises. | 0:09:44 | 0:09:46 | |
From the city, | 0:09:47 | 0:09:49 | |
sensuous, celebrant of svelte sophistication, | 0:09:49 | 0:09:56 | |
Miss Zena Millar! | 0:09:56 | 0:09:58 | |
APPLAUSE | 0:09:58 | 0:10:01 | |
INTRO MUSIC | 0:10:01 | 0:10:04 | |
# Though you'd assume from my feminine features | 0:10:11 | 0:10:14 | |
# A permanent tizzy I'm in | 0:10:14 | 0:10:17 | |
# I am not one of those scatterbrained creatures | 0:10:17 | 0:10:20 | |
# I'm bright and as sharp as a pin | 0:10:20 | 0:10:23 | |
# I can turn cartwheels and such acrobatics | 0:10:23 | 0:10:27 | |
# I passed with distinction in Greek and Mathematics | 0:10:27 | 0:10:31 | |
# On all my school sports days I won every race | 0:10:31 | 0:10:34 | |
# I'm not just a pretty face | 0:10:34 | 0:10:38 | |
# Though I may look quite alarmingly fragile | 0:10:39 | 0:10:42 | |
# Please don't let it cause you distress | 0:10:42 | 0:10:45 | |
# For you will find me surprisingly agile at getting me out of a mess | 0:10:45 | 0:10:50 | |
# My name on the programme is certain to pull 'em | 0:10:50 | 0:10:54 | |
# One season I played centre forward for Fulham! # | 0:10:54 | 0:10:58 | |
LAUGHTER | 0:10:58 | 0:10:59 | |
# I'm not advertising but just watch this space | 0:10:59 | 0:11:02 | |
# I'm not just a pretty face. # | 0:11:02 | 0:11:08 | |
APPLAUSE | 0:11:08 | 0:11:10 | |
CHEERING | 0:11:10 | 0:11:13 | |
# Wallflower, wallflower | 0:11:20 | 0:11:24 | |
# I'm tired of being a wallflower | 0:11:24 | 0:11:28 | |
# I try to look cheerful as well as I can | 0:11:28 | 0:11:32 | |
# But all that I want is a man | 0:11:32 | 0:11:37 | |
# I tried for the handsomest men at the ball | 0:11:37 | 0:11:40 | |
# But anything's better than nothing at all | 0:11:40 | 0:11:44 | |
# To dance with a millionaire prince would be nice | 0:11:44 | 0:11:48 | |
# But now I'll start faking it | 0:11:49 | 0:11:53 | |
# Using Old Spice... # | 0:11:53 | 0:11:56 | |
LAUGHTER | 0:11:56 | 0:11:57 | |
# Wallflower, wallflower | 0:11:57 | 0:12:01 | |
# I'm tired of being a wallflower | 0:12:01 | 0:12:05 | |
# I try to look cheerful as well as I can | 0:12:05 | 0:12:09 | |
# But all that I want is a man | 0:12:09 | 0:12:13 | |
# I've done all the things the advertisements say | 0:12:13 | 0:12:17 | |
# The right shade of lipstick | 0:12:17 | 0:12:19 | |
# The right kind of spray | 0:12:19 | 0:12:21 | |
# I've bought magazines to the end of me wealth | 0:12:21 | 0:12:25 | |
# But now I'll start taking in | 0:12:25 | 0:12:29 | |
# Do It Yourself | 0:12:29 | 0:12:33 | |
# Wallflower, wallflower | 0:12:34 | 0:12:38 | |
# Unsated, frustrated wallflower | 0:12:38 | 0:12:42 | |
# I try to look cheerful as well as I can | 0:12:42 | 0:12:45 | |
# But all that I want is a man | 0:12:45 | 0:12:48 | |
# Is a man | 0:12:48 | 0:12:50 | |
# But all that I want... | 0:12:50 | 0:12:52 | |
# ..is a man. # | 0:12:54 | 0:12:56 | |
APPLAUSE | 0:12:58 | 0:13:01 | |
Esoteric... | 0:13:15 | 0:13:17 | |
-ALL: -Ooh! | 0:13:17 | 0:13:18 | |
..ethnic Argentinian exoticism... | 0:13:18 | 0:13:24 | |
Ooh! | 0:13:24 | 0:13:25 | |
..percussively corybantic, | 0:13:25 | 0:13:28 | |
South American folk dancing. | 0:13:28 | 0:13:31 | |
Ooh! | 0:13:31 | 0:13:32 | |
Arriba, arriba, arriba! | 0:13:32 | 0:13:35 | |
Los Gauchos! | 0:13:35 | 0:13:37 | |
APPLAUSE | 0:13:37 | 0:13:40 | |
Operationally antiphonal, | 0:16:11 | 0:16:15 | |
for your adulatory approbation... | 0:16:15 | 0:16:17 | |
Ooh! | 0:16:17 | 0:16:19 | |
..two celebrated siblings. | 0:16:19 | 0:16:23 | |
A singing brother and sister, | 0:16:23 | 0:16:26 | |
Maryetta and Vernon Midgley! | 0:16:26 | 0:16:30 | |
CHEERING AND APPLAUSE | 0:16:30 | 0:16:33 | |
THEY SING IN ITALIAN | 0:16:51 | 0:16:54 | |
MUSIC: Funiculi, Funicula | 0:19:52 | 0:19:55 | |
# Some think the world is made for fun and frolic | 0:19:55 | 0:19:59 | |
# And so do I | 0:19:59 | 0:20:01 | |
# And so do I | 0:20:01 | 0:20:03 | |
# Some think it well to be all melancholic | 0:20:03 | 0:20:07 | |
# To pine and sigh | 0:20:07 | 0:20:09 | |
# To pine and sigh | 0:20:09 | 0:20:11 | |
# But I I love to spend my time in singing | 0:20:11 | 0:20:15 | |
# Some joyous song | 0:20:15 | 0:20:17 | |
# Some joyous song | 0:20:17 | 0:20:19 | |
# To set the air with music bravely ringing | 0:20:19 | 0:20:23 | |
# Is far from wrong | 0:20:23 | 0:20:24 | |
# Is far from wrong | 0:20:24 | 0:20:27 | |
# Listen, listen, music sounds afar | 0:20:27 | 0:20:30 | |
# Listen, listen, music sounds afar | 0:20:30 | 0:20:33 | |
# Funiculi, funicula | 0:20:33 | 0:20:35 | |
# Funiculi, funicula | 0:20:35 | 0:20:37 | |
# Music sounds afar | 0:20:37 | 0:20:38 | |
# Funiculi, funicula | 0:20:38 | 0:20:40 | |
# La-la, la-la | 0:20:40 | 0:20:42 | |
# La-la-la, la-la | 0:20:42 | 0:20:44 | |
# La-la, la-la | 0:20:44 | 0:20:46 | |
# La-la-la, la-la | 0:20:46 | 0:20:47 | |
# Funiculi, funicula | 0:20:47 | 0:20:49 | |
# Funiculi, funicula | 0:20:49 | 0:20:53 | |
# Music sounds afar | 0:20:53 | 0:20:55 | |
# Funiculi, funicula | 0:20:55 | 0:20:57 | |
# Some think it wrong to set the feet a-dancing | 0:20:59 | 0:21:03 | |
# But not so I | 0:21:03 | 0:21:05 | |
# Not I! | 0:21:05 | 0:21:07 | |
# Some think that eyes should keep from coyly glancing | 0:21:07 | 0:21:11 | |
# Upon the sly | 0:21:11 | 0:21:13 | |
# Upon the sly | 0:21:13 | 0:21:15 | |
# But, oh, to me the mazy dance is charming | 0:21:15 | 0:21:19 | |
# Divinely sweet | 0:21:19 | 0:21:20 | |
# Divinely sweet! | 0:21:20 | 0:21:23 | |
# And surely There is nought that is alarming | 0:21:23 | 0:21:27 | |
# In nimble feet? | 0:21:27 | 0:21:28 | |
# In nimble feet? | 0:21:28 | 0:21:30 | |
# Listen, listen, echoes sound afar | 0:21:30 | 0:21:34 | |
# Listen, listen, echoes sound afar | 0:21:34 | 0:21:37 | |
# Funiculi, funicula | 0:21:37 | 0:21:38 | |
# Funiculi, funicula | 0:21:38 | 0:21:40 | |
# Echoes sound afar | 0:21:40 | 0:21:42 | |
# Funiculi, funicula | 0:21:42 | 0:21:44 | |
# La-la-la-la, la-la-la-la | 0:21:44 | 0:21:46 | |
# La-la-la-la, la-la | 0:21:46 | 0:21:47 | |
# La-la-la-la-la-la La-la-la-la-la-la | 0:21:47 | 0:21:49 | |
# La-la-la-la, la-la | 0:21:49 | 0:21:50 | |
# Funiculi, funicula | 0:21:50 | 0:21:52 | |
# Funiculi, funicula | 0:21:52 | 0:21:56 | |
# Echoes sound afar | 0:21:56 | 0:21:58 | |
# Echoes sound afar | 0:21:58 | 0:22:00 | |
# Afar! | 0:22:00 | 0:22:06 | |
# Hey! # | 0:22:06 | 0:22:07 | |
CHEERING AND APPLAUSE | 0:22:07 | 0:22:10 | |
Frivolous fatuities... | 0:22:29 | 0:22:32 | |
Ooh! | 0:22:32 | 0:22:33 | |
..anarchic asininities... | 0:22:33 | 0:22:36 | |
Ooh! | 0:22:36 | 0:22:37 | |
..from our garrulous guest artistes, | 0:22:37 | 0:22:40 | |
Messrs Mike and Bernie Winters! | 0:22:40 | 0:22:45 | |
CHEERING AND APPLAUSE | 0:22:45 | 0:22:48 | |
Hello! Thank you very much. | 0:22:53 | 0:22:56 | |
May I say how very pleased I am to be here this evening. | 0:22:56 | 0:22:59 | |
-Bernie, say good evening. -Z-z-z-z-z! | 0:22:59 | 0:23:01 | |
I must say, though, Bern, what a lovely-looking audience | 0:23:03 | 0:23:07 | |
-we have here tonight. -Fantastic. -Terrific. | 0:23:07 | 0:23:09 | |
Why don't you say good evening to all the ladies? | 0:23:09 | 0:23:11 | |
I will do. Good evening, ladies! | 0:23:11 | 0:23:13 | |
Good evening! | 0:23:13 | 0:23:14 | |
Actually, that wasn't very good, was it? | 0:23:16 | 0:23:18 | |
-It was wonderful. -No, they can do much better than that. | 0:23:18 | 0:23:21 | |
Look, girls, my name is Mike and when I say, "Hello, girls," | 0:23:21 | 0:23:24 | |
will you please all answer back nice and loudly, "Hello, Mike!"? | 0:23:24 | 0:23:27 | |
All right, you ready? | 0:23:27 | 0:23:28 | |
Hello, girls! | 0:23:28 | 0:23:31 | |
-Hello, Mike! -Terrific. | 0:23:31 | 0:23:33 | |
I'll beat that easy. Good evening, gentlemen! | 0:23:33 | 0:23:36 | |
ONE MAN RESPONDS | 0:23:36 | 0:23:37 | |
LAUGHTER | 0:23:37 | 0:23:38 | |
I must say, ladies and gentlemen, it's great being back here in Leeds. | 0:23:41 | 0:23:45 | |
I'll tell you something, Bernie here has this leaning | 0:23:45 | 0:23:48 | |
-for anything Yorkshire, right? -Oh, I have the leaning for Yorkshire. | 0:23:48 | 0:23:51 | |
LAUGHTER | 0:23:51 | 0:23:52 | |
-He does. -I have, really. | 0:23:52 | 0:23:55 | |
I have this...leaning | 0:23:55 | 0:23:57 | |
towards Yorkshire, | 0:23:57 | 0:23:59 | |
especially Dewsbury. I'm very popular there. | 0:23:59 | 0:24:02 | |
-It's a good name you've got there. -Dewsbury! You got it? | 0:24:02 | 0:24:05 | |
Yes! Right on, big daddy, | 0:24:05 | 0:24:07 | |
right on! | 0:24:07 | 0:24:08 | |
A very finely turned-out audience, if I may say so. | 0:24:08 | 0:24:11 | |
Yes, they look very elegant. | 0:24:11 | 0:24:13 | |
And I'll tell you this, Bernie, tonight, for you, you look good. | 0:24:13 | 0:24:16 | |
-Well, I've had a bath tonight. -I know, you look, kind of, different. | 0:24:16 | 0:24:19 | |
-Yes, I saw my German barber. -What's his name? | 0:24:19 | 0:24:22 | |
Herr Kutt. | 0:24:22 | 0:24:23 | |
LAUGHTER | 0:24:23 | 0:24:24 | |
Jawohl! | 0:24:24 | 0:24:26 | |
Come along. | 0:24:30 | 0:24:32 | |
-Where are we going? -Now, listen, | 0:24:34 | 0:24:36 | |
for my little experiment this evening, I require... | 0:24:36 | 0:24:40 | |
..I require a lady volunteer from the audience. | 0:24:41 | 0:24:44 | |
-What about one for me? -It is for you, it is for you. | 0:24:44 | 0:24:46 | |
-What about 'er down there, in the pink? -Would you help us out? | 0:24:46 | 0:24:49 | |
No, you're lovely. Come on, get her up. Round of applause! | 0:24:49 | 0:24:52 | |
APPLAUSE | 0:24:52 | 0:24:54 | |
Can you get your leg up there, dear? | 0:24:54 | 0:24:56 | |
-I'm too fat! -No, you're not fat! I'm fat! | 0:24:56 | 0:24:59 | |
Welcome, welcome. Lovely. | 0:24:59 | 0:25:01 | |
LAUGHTER | 0:25:03 | 0:25:06 | |
Charming. | 0:25:08 | 0:25:10 | |
Thank you very much. What is your first name? | 0:25:10 | 0:25:12 | |
-Elsie. -Elsie. | 0:25:12 | 0:25:14 | |
-What can you say? -After all these years, Elsie Tanner! | 0:25:14 | 0:25:18 | |
LAUGHTER | 0:25:18 | 0:25:20 | |
Elsie. I'm Bernie. | 0:25:20 | 0:25:22 | |
-How do you do? -Very pleased to meet you, Elsie. | 0:25:22 | 0:25:25 | |
This is my father, Michael, here. A young-looking father. | 0:25:25 | 0:25:28 | |
-Where are you from, Elsie? -Didsbury. -From Didsbury! | 0:25:28 | 0:25:32 | |
You're not from Didsbury! Are you really?! Oh, that's wonderful. | 0:25:32 | 0:25:35 | |
-I know Didsbury well. Lovely place. -Beautiful. Beautiful. | 0:25:38 | 0:25:41 | |
Listen, Elsie, just to relax proceedings, | 0:25:44 | 0:25:46 | |
would you give Bernie a friendly little kiss hello, | 0:25:46 | 0:25:49 | |
just to relax you both? All right? | 0:25:49 | 0:25:50 | |
It's difficult, isn't it? | 0:25:57 | 0:25:58 | |
-That's marvellous! -Elsie, do you collect the stamps? | 0:26:02 | 0:26:05 | |
-Why? -Well, you have got sticky lips. | 0:26:06 | 0:26:08 | |
Elsie, we are going to try and be romantic now, all right? | 0:26:11 | 0:26:14 | |
You're going to help me out. | 0:26:14 | 0:26:15 | |
Would you put your arms round Bernie's waist? | 0:26:15 | 0:26:17 | |
That's the fat bit round there! | 0:26:17 | 0:26:19 | |
-You're a fat one, too! -Yes, I know, Elsie. | 0:26:19 | 0:26:22 | |
-Can you get closer? -I am, I am. | 0:26:22 | 0:26:24 | |
-Closer, Bern. -I am, I am. | 0:26:24 | 0:26:27 | |
-Closer! -If I get any closer, I'll be behind her! | 0:26:27 | 0:26:30 | |
Break a minute. I'll tell you what we'll do, | 0:26:31 | 0:26:34 | |
we'll get a nice romantic picture. | 0:26:34 | 0:26:36 | |
-You kneel down and dangle Elsie on your lap. -What? | 0:26:36 | 0:26:39 | |
LAUGHTER | 0:26:39 | 0:26:41 | |
You kneel down and dangle Elsie on your lap. | 0:26:43 | 0:26:45 | |
Do you know what I mean? | 0:26:45 | 0:26:47 | |
That's good. That's lovely. | 0:26:47 | 0:26:49 | |
It looks good. It looks good. Elsie, would you run your fingers | 0:26:52 | 0:26:55 | |
up and down Bernie's chest, like that? | 0:26:55 | 0:26:59 | |
Do I do that to Elsie? | 0:26:59 | 0:27:00 | |
No, you don't, no. No. No. | 0:27:00 | 0:27:02 | |
And, Elsie, as you are doing that, I want you to say, very romantically, | 0:27:02 | 0:27:07 | |
"Eeny, meeny, miny, mo". | 0:27:07 | 0:27:09 | |
LAUGHTER | 0:27:09 | 0:27:10 | |
Eeny, meeny, miny, mo. | 0:27:10 | 0:27:13 | |
That's as far as you can go. | 0:27:14 | 0:27:17 | |
I think you'd better stand up. I can see the agony on his face. | 0:27:17 | 0:27:21 | |
Can't you be more romantic? | 0:27:26 | 0:27:28 | |
My underpants are all twisted up. I can't move. | 0:27:28 | 0:27:30 | |
When you are with a lovely girl like Elsie, | 0:27:30 | 0:27:32 | |
the first thing you always do is offer the lady a drink. | 0:27:32 | 0:27:35 | |
We sell a lovely wine here in the bar. It's a lovely wine. | 0:27:35 | 0:27:37 | |
-It's a mixture between muscatel and hock. -What's it called? | 0:27:37 | 0:27:40 | |
Muck. | 0:27:40 | 0:27:41 | |
LAUGHTER | 0:27:41 | 0:27:44 | |
Elsie... | 0:27:46 | 0:27:47 | |
-It's up to you, Elsie. You're going to act now. -Yes. | 0:27:48 | 0:27:52 | |
I want you to be very romantic and act this bit for me, all right? | 0:27:52 | 0:27:55 | |
-Put your arms round Bernie's neck. -Please, Elsie. | 0:27:55 | 0:27:58 | |
Oh, Elsie. | 0:27:58 | 0:28:00 | |
And I want you to say, "Bernie..." | 0:28:00 | 0:28:02 | |
-Yes, Michael? -No... | 0:28:02 | 0:28:03 | |
LAUGHTER | 0:28:03 | 0:28:06 | |
Elsie is going to say this. | 0:28:06 | 0:28:08 | |
You say, "Bernie, I want what I want when I want it." | 0:28:08 | 0:28:13 | |
LAUGHTER | 0:28:13 | 0:28:14 | |
Can you remember that? | 0:28:14 | 0:28:16 | |
I'll cue you in, all right? | 0:28:16 | 0:28:18 | |
-Action... Take one! -Which one shall I take? | 0:28:18 | 0:28:20 | |
Oh, stop it! | 0:28:20 | 0:28:21 | |
"I want what I want when I want it." Action! | 0:28:21 | 0:28:24 | |
I want what I want when I want it. | 0:28:24 | 0:28:27 | |
-Very good! -Oh, Elsie! What a move! | 0:28:30 | 0:28:33 | |
All right? | 0:28:34 | 0:28:35 | |
Now... | 0:28:35 | 0:28:37 | |
-Now, you answer her. -Well, you'll get what I've got when I get it! | 0:28:37 | 0:28:40 | |
Elsie, thank you very much! | 0:28:40 | 0:28:43 | |
A kiss for my little partner there. And one for me, Elsie. | 0:28:43 | 0:28:46 | |
And a round of applause for Elsie! | 0:28:46 | 0:28:48 | |
CHEERING AND APPLAUSE | 0:28:48 | 0:28:51 | |
This is our latest silly one. Hope you like it. | 0:28:58 | 0:29:01 | |
# Mums and dads go together | 0:29:02 | 0:29:05 | |
# Like a hand goes hand-in-hand | 0:29:05 | 0:29:07 | |
# Mums and dads go together | 0:29:07 | 0:29:09 | |
# Like the music in a band | 0:29:09 | 0:29:10 | |
# Mums and dads go together | 0:29:10 | 0:29:13 | |
# Like a sparrow in a tree | 0:29:13 | 0:29:15 | |
# Mums and dads like you and me | 0:29:15 | 0:29:19 | |
# Mums and dads go together | 0:29:19 | 0:29:21 | |
# Like a sausage goes with mash | 0:29:21 | 0:29:23 | |
# Mums and dads go together | 0:29:23 | 0:29:26 | |
# Like my banker needs the cash | 0:29:26 | 0:29:28 | |
# Mums and dads go together | 0:29:28 | 0:29:30 | |
# Like the strawberries in a jam | 0:29:30 | 0:29:32 | |
# Mums and dads, that's what we have | 0:29:32 | 0:29:36 | |
# A house could never be a home | 0:29:36 | 0:29:39 | |
# There wouldn't be kids even | 0:29:41 | 0:29:44 | |
# Saucepan lids | 0:29:44 | 0:29:45 | |
# If mums and dads weren't known | 0:29:45 | 0:29:49 | |
# And love would never, ever grow | 0:29:49 | 0:29:54 | |
# Mums and dads are just people | 0:29:56 | 0:29:58 | |
# And they start out very small | 0:29:58 | 0:30:01 | |
# Little children ain't people | 0:30:01 | 0:30:02 | |
# Till they're nearly six feet tall | 0:30:02 | 0:30:05 | |
# Mums and dads give and take love | 0:30:05 | 0:30:07 | |
# They give more than they take | 0:30:07 | 0:30:09 | |
# Just remember Before it gets too late... # | 0:30:09 | 0:30:13 | |
You know, what? It would sound much better if we had a choir. | 0:30:13 | 0:30:16 | |
Well, dear, oh, dear, we have got the best choir in the world here. | 0:30:16 | 0:30:19 | |
-No, they won't sing. -Course you'll sing, won't you?! | 0:30:19 | 0:30:22 | |
-ALL: -Yes! | 0:30:22 | 0:30:23 | |
No, unfortunately they don't know the words. | 0:30:23 | 0:30:25 | |
It's easy. If you wouldn't mind, all you have to sing is things like | 0:30:25 | 0:30:28 | |
# Mums and dads... # And they could be the backing group. | 0:30:28 | 0:30:31 | |
-We could try it. -We'll try? Two, three and four... | 0:30:31 | 0:30:35 | |
ALL: # Mums and dads Oh, mums and dads | 0:30:35 | 0:30:40 | |
# Mums and dads | 0:30:40 | 0:30:41 | |
# Oh, mums and dads | 0:30:41 | 0:30:44 | |
# Oh, mums and dads | 0:30:44 | 0:30:46 | |
# Oh, mums and dads | 0:30:46 | 0:30:48 | |
# Mums and dads, like you and me... # | 0:30:48 | 0:30:52 | |
# Who put the fishy on the dishy when the boat comes in.. # | 0:30:52 | 0:30:56 | |
Three and four... | 0:30:57 | 0:30:58 | |
# Mums and dads | 0:30:58 | 0:31:01 | |
# Oh, mums and dads | 0:31:01 | 0:31:02 | |
# Mums and dads go together like the music in a band | 0:31:02 | 0:31:07 | |
# Mums and dads go together like a sparrow in a tree | 0:31:07 | 0:31:12 | |
# Mums and dads, like you and me! # | 0:31:12 | 0:31:20 | |
CHEERING | 0:31:20 | 0:31:25 | |
Beguiling... | 0:31:40 | 0:31:41 | |
-ALL: -Ooh! | 0:31:41 | 0:31:42 | |
.. in unabashed blandishments... | 0:31:42 | 0:31:45 | |
-ALL: -Ooh! | 0:31:45 | 0:31:46 | |
..your own, your very, very own, | 0:31:46 | 0:31:49 | |
Mr Frankie Vaughan! | 0:31:49 | 0:31:52 | |
CHEERING AND APPLAUSE | 0:31:52 | 0:31:55 | |
Thank you. Thank you. | 0:32:05 | 0:32:07 | |
WHOOPING | 0:32:09 | 0:32:12 | |
MUSIC: Paradise | 0:32:12 | 0:32:14 | |
# And then she holds | 0:32:14 | 0:32:18 | |
# My hand | 0:32:18 | 0:32:20 | |
# La-la-la-la | 0:32:21 | 0:32:23 | |
# La-la-la | 0:32:24 | 0:32:25 | |
# And then I understand | 0:32:28 | 0:32:32 | |
# La-la-la-la | 0:32:34 | 0:32:35 | |
ALL: # La-la-la-la... # | 0:32:37 | 0:32:39 | |
LAUGHTER | 0:32:39 | 0:32:41 | |
# Her eyes afire | 0:32:41 | 0:32:46 | |
# With one desire | 0:32:48 | 0:32:52 | |
# Then a heavenly kiss | 0:32:55 | 0:32:58 | |
# Could I resist? | 0:33:02 | 0:33:05 | |
# Then she dimmed | 0:33:06 | 0:33:10 | |
# The light | 0:33:10 | 0:33:11 | |
# La-la-la-la | 0:33:13 | 0:33:16 | |
ALL: # La-la-la-la | 0:33:16 | 0:33:18 | |
# And then I hold | 0:33:19 | 0:33:23 | |
# Her tight | 0:33:23 | 0:33:26 | |
# La-la-la-la | 0:33:26 | 0:33:28 | |
# La-la-la | 0:33:28 | 0:33:31 | |
# Each kiss | 0:33:32 | 0:33:35 | |
# Her sweet caress | 0:33:35 | 0:33:38 | |
# Lead the way | 0:33:38 | 0:33:40 | |
# To much happiness | 0:33:42 | 0:33:45 | |
# Yes... # | 0:33:45 | 0:33:47 | |
LAUGHTER | 0:33:47 | 0:33:49 | |
# She takes me | 0:33:49 | 0:33:51 | |
# To paradise. # | 0:33:53 | 0:34:00 | |
MUSIC: Ragtime Piano Joe | 0:34:12 | 0:34:15 | |
# The man who made his name in the moving picture show | 0:34:18 | 0:34:21 | |
# Was a man whose face we saw | 0:34:22 | 0:34:25 | |
# But his voice we didn't know | 0:34:25 | 0:34:26 | |
# The only things we heard him say | 0:34:28 | 0:34:30 | |
# Were on cards we read too slow | 0:34:30 | 0:34:33 | |
# The man who made him speak | 0:34:34 | 0:34:37 | |
# Was Ragtime Piano Joe | 0:34:37 | 0:34:39 | |
# It was the only thing that he knew | 0:34:43 | 0:34:47 | |
# Ragtime Piano Joe | 0:34:47 | 0:34:49 | |
# It was the only thing he could do | 0:34:49 | 0:34:53 | |
# That's Ragtime Piano Joe | 0:34:53 | 0:34:55 | |
# And when the hero walked through the door | 0:34:55 | 0:34:59 | |
# Or Charlie Chaplin fell through the floor | 0:34:59 | 0:35:02 | |
# Who was it made the show? | 0:35:02 | 0:35:05 | |
# Ragtime Piano Joe | 0:35:05 | 0:35:07 | |
# Al Jolson mooned and crooned | 0:35:12 | 0:35:15 | |
# And the talking pictures came to town | 0:35:15 | 0:35:17 | |
# Hoagy Carmichael played a tune | 0:35:18 | 0:35:20 | |
# It really brought you down | 0:35:22 | 0:35:24 | |
# Then Busby Berkeley clinched the deal | 0:35:24 | 0:35:26 | |
# And all the films had sound | 0:35:27 | 0:35:29 | |
# Joe took his life one night | 0:35:31 | 0:35:33 | |
# They say that he was drowned | 0:35:34 | 0:35:36 | |
# It was the only thing that he knew | 0:35:41 | 0:35:44 | |
# Ragtime Piano Joe | 0:35:44 | 0:35:47 | |
# It was the only thing he could do | 0:35:47 | 0:35:50 | |
# That's Ragtime Piano Joe | 0:35:50 | 0:35:53 | |
# And when the hero walked through the door | 0:35:53 | 0:35:56 | |
# Or Charlie Chaplin fell through the floor | 0:35:56 | 0:36:00 | |
# Who was it made the show? | 0:36:00 | 0:36:02 | |
# Ragtime Piano Joe | 0:36:02 | 0:36:05 | |
# It's late at night and to the movie house you go | 0:36:09 | 0:36:12 | |
# Sit at the back, stay out of sight | 0:36:13 | 0:36:16 | |
# You can still hear Ragtime Joe | 0:36:16 | 0:36:18 | |
# When the crowds have gone | 0:36:20 | 0:36:22 | |
# And the old-time songs | 0:36:22 | 0:36:24 | |
# The ones we used to know | 0:36:24 | 0:36:26 | |
# Can still be heard, but very faint | 0:36:26 | 0:36:30 | |
# It's the ghost of poor old Joe | 0:36:30 | 0:36:33 | |
# It was the only thing that he knew | 0:36:37 | 0:36:41 | |
# Ragtime Piano Joe | 0:36:41 | 0:36:44 | |
# It was the only thing he could do | 0:36:44 | 0:36:47 | |
# That's Ragtime Piano Joe | 0:36:47 | 0:36:49 | |
# And when the hero walked through the door | 0:36:49 | 0:36:52 | |
# Or Charlie Chaplin fell through the floor | 0:36:52 | 0:36:55 | |
# Who was it made the show? | 0:36:56 | 0:36:59 | |
# Ragtime Piano Joe. # | 0:36:59 | 0:37:02 | |
APPLAUSE | 0:37:02 | 0:37:04 | |
CHEERING | 0:37:04 | 0:37:10 | |
Thank you. | 0:37:10 | 0:37:11 | |
Thank you very much. | 0:37:14 | 0:37:15 | |
I'm very thrilled to be on The Good Old Days. | 0:37:18 | 0:37:21 | |
This stage means an awful lot to me. | 0:37:21 | 0:37:23 | |
It is the stage where first I did my very first professional engagement. | 0:37:25 | 0:37:30 | |
And this next song is one of the first songs I ever sang in that act. | 0:37:30 | 0:37:33 | |
Thank you very much. | 0:37:33 | 0:37:35 | |
MUSIC: Sonny Boy | 0:37:38 | 0:37:41 | |
# When there are grey skies | 0:37:49 | 0:37:53 | |
# I don't mind the grey skies | 0:37:56 | 0:38:01 | |
# You make them blue | 0:38:03 | 0:38:07 | |
# Sonny Boy | 0:38:07 | 0:38:11 | |
# Friends may forsake me | 0:38:15 | 0:38:19 | |
# Let them all forsake me | 0:38:22 | 0:38:26 | |
# You'll pull me through | 0:38:29 | 0:38:32 | |
# Sonny Boy | 0:38:34 | 0:38:37 | |
# You're sent from heaven | 0:38:41 | 0:38:45 | |
# And I know your worth | 0:38:47 | 0:38:52 | |
# You made a heaven | 0:38:55 | 0:38:58 | |
# For me, here on Earth | 0:39:00 | 0:39:05 | |
# When I'm old and grey, dear | 0:39:09 | 0:39:13 | |
# Promise you won't stray, dear | 0:39:15 | 0:39:20 | |
# For I love you so | 0:39:22 | 0:39:26 | |
# Sonny Boy | 0:39:26 | 0:39:29 | |
# Oh | 0:39:30 | 0:39:33 | |
# I love you so | 0:39:35 | 0:39:39 | |
# Sonny | 0:39:39 | 0:39:41 | |
# Boy. # | 0:39:41 | 0:39:49 | |
APPLAUSE | 0:39:49 | 0:39:56 | |
CHEERING | 0:40:00 | 0:40:05 | |
MUSIC: Give Me The Moonlight | 0:40:10 | 0:40:13 | |
# I never worry | 0:40:13 | 0:40:15 | |
# If a girl is bashful | 0:40:15 | 0:40:17 | |
# Or if a girl is shy | 0:40:18 | 0:40:19 | |
# You may wonder | 0:40:22 | 0:40:24 | |
# What I'd do | 0:40:24 | 0:40:25 | |
# There's nothing strange about it | 0:40:27 | 0:40:29 | |
# Here is all I ask of you... # | 0:40:31 | 0:40:36 | |
ALL: # Ooh! | 0:40:36 | 0:40:38 | |
Hooligans. | 0:40:39 | 0:40:41 | |
LAUGHTER | 0:40:41 | 0:40:42 | |
# Give me the moonlight... # | 0:40:42 | 0:40:45 | |
CYMBAL CRASH AND DRUMROLL | 0:40:45 | 0:40:47 | |
# Give me the girl | 0:40:47 | 0:40:50 | |
# And leave the rest | 0:40:50 | 0:40:52 | |
HE CHUCKLES | 0:40:52 | 0:40:54 | |
# To me | 0:40:54 | 0:40:57 | |
# Give me a shady nook | 0:40:57 | 0:41:00 | |
# By a babbling brook | 0:41:00 | 0:41:03 | |
# Where no-one else | 0:41:05 | 0:41:08 | |
# Can see | 0:41:08 | 0:41:09 | |
# Give me a bench for two | 0:41:11 | 0:41:13 | |
# Where we can bill and coo | 0:41:15 | 0:41:17 | |
# Mine, she's gonna be | 0:41:19 | 0:41:24 | |
# If there's anyone in doubt | 0:41:25 | 0:41:29 | |
# And they'd like to try me out | 0:41:29 | 0:41:32 | |
# Give me the moonlight | 0:41:32 | 0:41:34 | |
# Give me the girl | 0:41:36 | 0:41:38 | |
# And leave the rest | 0:41:40 | 0:41:42 | |
# To me | 0:41:44 | 0:41:46 | |
# Give me the girl | 0:41:51 | 0:41:53 | |
# To me | 0:41:58 | 0:42:00 | |
# Give me a bench for two | 0:42:14 | 0:42:16 | |
# Where we can bill and coo | 0:42:18 | 0:42:20 | |
# Mine, she's gonna be | 0:42:22 | 0:42:27 | |
# If there's anyone in doubt | 0:42:29 | 0:42:31 | |
# And they'd like to try me out | 0:42:32 | 0:42:34 | |
# Give me the moonlight | 0:42:36 | 0:42:38 | |
# Give me the girl | 0:42:39 | 0:42:41 | |
# And leave the rest | 0:42:42 | 0:42:44 | |
# To me, yeah! # | 0:42:47 | 0:42:50 | |
APPLAUSE | 0:42:50 | 0:42:55 | |
There is just time for one more chorus - | 0:43:28 | 0:43:31 | |
Down At The Old Bull And Bush. | 0:43:31 | 0:43:32 | |
Ladies and gentlemen, Mr Frankie Vaughan, Mike and Bernie Winters, | 0:43:32 | 0:43:36 | |
the entire company, Mr Bernard Hermann and the entire - | 0:43:36 | 0:43:39 | |
and absolutely indispensible - orchestra! | 0:43:39 | 0:43:42 | |
CHEERING AND APPLAUSE | 0:43:42 | 0:43:43 | |
But this time, simply yourselves! | 0:43:43 | 0:43:48 | |
MUSIC: Down At The Old Bull And Bush | 0:43:48 | 0:43:51 | |
# Come, come | 0:43:51 | 0:43:53 | |
# Come and make eyes at me | 0:43:53 | 0:43:55 | |
# Down at the Old Bull and Bush | 0:43:55 | 0:43:57 | |
# Da-da, da-da-da | 0:43:57 | 0:43:59 | |
# Come, come | 0:43:59 | 0:44:00 | |
# Drink some port wine with me | 0:44:00 | 0:44:02 | |
# Down at the Old Bull and Bush | 0:44:02 | 0:44:05 | |
# Hear the little German band | 0:44:06 | 0:44:08 | |
# Da-da-da, da-da-da-da | 0:44:08 | 0:44:10 | |
# Just let me hold your hand, dear | 0:44:10 | 0:44:13 | |
# Come, come | 0:44:13 | 0:44:15 | |
# Come and have a drink or two | 0:44:15 | 0:44:17 | |
# Down at the Old Bull and Bush | 0:44:17 | 0:44:21 | |
# Bush, Bush! # | 0:44:21 | 0:44:22 | |
CHEERING AND APPLAUSE | 0:44:23 | 0:44:26 | |
AUDIENCE CLAPS IN TIME WITH FINALE MUSIC | 0:44:26 | 0:44:30 |