Browse content similar to 26/12/1974. Check below for episodes and series from the same categories and more!
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# God rest ye merry, gentlemen | 0:00:06 | 0:00:08 | |
# Let nothing you dismay | 0:00:08 | 0:00:10 | |
# Remember Christ our Saviour | 0:00:10 | 0:00:13 | |
# Was born on Christmas day | 0:00:13 | 0:00:15 | |
# To save us all from Satan's power | 0:00:15 | 0:00:17 | |
# When we were gone astray | 0:00:17 | 0:00:19 | |
# O tidings of comfort and joy | 0:00:19 | 0:00:23 | |
# Comfort and joy | 0:00:23 | 0:00:24 | |
# O tidings of comfort and joy. # | 0:00:24 | 0:00:29 | |
# Good King Wenceslas looked out | 0:00:29 | 0:00:32 | |
# On the feast of Stephen | 0:00:32 | 0:00:34 | |
# When the snow lay round about | 0:00:34 | 0:00:37 | |
# Deep and crisp and even | 0:00:37 | 0:00:40 | |
# Brightly shone the moon that night | 0:00:40 | 0:00:42 | |
# Though the frost was cruel | 0:00:42 | 0:00:44 | |
# When a poor man came in sight | 0:00:44 | 0:00:47 | |
# Gath'ring winter fuel. # | 0:00:47 | 0:00:55 | |
APPLAUSE | 0:00:55 | 0:00:59 | |
Hurray! | 0:01:04 | 0:01:07 | |
Hurray! | 0:01:12 | 0:01:14 | |
Once again! | 0:01:14 | 0:01:17 | |
Hurray! | 0:01:17 | 0:01:20 | |
Good evening... | 0:01:20 | 0:01:22 | |
ladies and gentlemen! | 0:01:22 | 0:01:27 | |
Hurray! | 0:01:27 | 0:01:30 | |
LAUGHTER | 0:01:30 | 0:01:33 | |
-Promulgatorally... -Ooh! | 0:01:33 | 0:01:36 | |
-..the peripherally... -Ooh! | 0:01:36 | 0:01:41 | |
-..plenitudinous... -Ooh! | 0:01:41 | 0:01:44 | |
..Players Theatre | 0:01:44 | 0:01:46 | |
propinquitous to that paragon. | 0:01:46 | 0:01:51 | |
The one and only... | 0:01:51 | 0:01:54 | |
Mr Edward Woodward! | 0:01:54 | 0:01:59 | |
APPLAUSE | 0:01:59 | 0:02:03 | |
# Everybody knows him in his old brown hat | 0:02:07 | 0:02:09 | |
# That he's got on his pim-pim-pimple | 0:02:09 | 0:02:11 | |
# It only cost him a tenner down the cut | 0:02:11 | 0:02:13 | |
# But it looks all right on his little wooden nut | 0:02:13 | 0:02:15 | |
# Oh, I say, what do you think of that? | 0:02:15 | 0:02:19 | |
# If he can't get what he orders in a pot | 0:02:19 | 0:02:21 | |
# He'll have it in his old brown hat Well, why not? | 0:02:21 | 0:02:23 | |
# Have it in his old brown hat Well, why not? | 0:02:23 | 0:02:25 | |
# Have it in my old brown hat. # | 0:02:25 | 0:02:27 | |
# I'm 'Enery the Eighth, I am | 0:02:27 | 0:02:31 | |
# 'Enery the Eighth I am, I am | 0:02:31 | 0:02:34 | |
# I'm getting married to the widow next door | 0:02:34 | 0:02:38 | |
# She's been married seven times before | 0:02:38 | 0:02:42 | |
# Every one was an 'Enery | 0:02:42 | 0:02:45 | |
# She wouldn't have a Willie or a Sam | 0:02:45 | 0:02:49 | |
# I'm her eighth old man called 'Enery | 0:02:49 | 0:02:53 | |
# 'Enery the Eighth, I am. # | 0:02:53 | 0:02:56 | |
# What a mouth! What a mouth! What a North and South | 0:02:56 | 0:02:59 | |
# Ker-i-key! What a mouth he's got | 0:02:59 | 0:03:01 | |
# When he was a youngster, Oh, Lord Lovell | 0:03:01 | 0:03:03 | |
# His poor old mother used to feed him with a shovel | 0:03:03 | 0:03:06 | |
# What a gap! Poor chap! He's never been known to laugh | 0:03:06 | 0:03:09 | |
# Cos if he did, it's a penny to a quid | 0:03:09 | 0:03:11 | |
# His face'd fall in half | 0:03:11 | 0:03:13 | |
# Da-da-da-da-da, da-da-da-da-da # Ba-da, ba-da | 0:03:13 | 0:03:16 | |
# In half! # | 0:03:16 | 0:03:18 | |
# There's one day a week when we feel a bit gay | 0:03:24 | 0:03:27 | |
-# That's Saturday -# Saturday | 0:03:27 | 0:03:29 | |
That's what I said, Saturday! | 0:03:29 | 0:03:32 | |
# When your wages you get, it's all 'Hip-hoo-ray' | 0:03:32 | 0:03:34 | |
-# On Saturday -# Saturday | 0:03:34 | 0:03:37 | |
# You can go through the week p'r'aps not getting a sub | 0:03:38 | 0:03:42 | |
# But the day dawns at last when your 'oof-tish' you rub | 0:03:42 | 0:03:45 | |
# And directly you've got it, you're down to the pub | 0:03:45 | 0:03:49 | |
-# On Saturday -# Saturday | 0:03:49 | 0:03:52 | |
# Oh, Saturday! That's the day for me | 0:03:53 | 0:03:56 | |
It is, too! | 0:03:56 | 0:03:58 | |
# We have a fair old beano and we spend our L-S-D | 0:03:58 | 0:04:01 | |
It's a lovely day, Saturday | 0:04:01 | 0:04:02 | |
# On Monday morning we are always B-R-O-K-E | 0:04:02 | 0:04:04 | |
Nice to see you, sir. Hello. Good evening. | 0:04:04 | 0:04:06 | |
-# Oh, Saturday! -Oh, you're a lovely-looking lot. | 0:04:06 | 0:04:09 | |
-Beautiful! -# Lovely, lovely Saturday | 0:04:09 | 0:04:10 | |
Sprouting hairs there. Lovely. Very nice. | 0:04:10 | 0:04:12 | |
# Is a day for... # | 0:04:12 | 0:04:15 | |
# Boiled beef and carrots, Boiled beef and carrots | 0:04:15 | 0:04:19 | |
# That's the stuff for your darby-kel | 0:04:19 | 0:04:21 | |
# Keeps you fit and it makes you well | 0:04:21 | 0:04:22 | |
# Don't live like vegetarians, on food they give to parrots | 0:04:22 | 0:04:26 | |
# From morn till night, blow out your kite | 0:04:26 | 0:04:28 | |
# On boiled beef and carrots. # | 0:04:28 | 0:04:30 | |
# Any old iron, any old iron, any, any, any old iron? | 0:04:30 | 0:04:34 | |
# You look neat, talk about a treat | 0:04:34 | 0:04:36 | |
# You look dapper from your napper to your feet | 0:04:36 | 0:04:38 | |
# Dressed in style, lovely tile | 0:04:38 | 0:04:40 | |
# Your father's old green tie on | 0:04:40 | 0:04:41 | |
# I wouldn't give you tuppence for your old watch chain | 0:04:41 | 0:04:44 | |
# Old iron, old iron | 0:04:44 | 0:04:46 | |
# Any old iron, any old iron, any, any, any old iron? | 0:04:46 | 0:04:49 | |
# You look neat... # | 0:04:49 | 0:04:51 | |
MUSIC STOPS Gotcha! | 0:04:51 | 0:04:53 | |
Ooh, you've got to look alive tonight, my darlings. | 0:04:53 | 0:04:55 | |
You got to look alive tonight, I tell ya. | 0:04:55 | 0:04:57 | |
# Ooh, you look neat, talk about a treat | 0:04:57 | 0:04:59 | |
# You look dapper from your napper to your feet | 0:04:59 | 0:05:01 | |
# Dressed in style... | 0:05:01 | 0:05:02 | |
MUSIC STOPS, HE LAUGHS | 0:05:02 | 0:05:05 | |
I got caught myself then, didn't I? LAUGHTER | 0:05:05 | 0:05:07 | |
Here we go, then. | 0:05:07 | 0:05:08 | |
# Dressed in style, brand-new tile | 0:05:08 | 0:05:10 | |
# Your father's old green tie on | 0:05:10 | 0:05:11 | |
# I wouldn't give you tuppence for your old watch chain | 0:05:11 | 0:05:14 | |
# Old iron, old iron. # | 0:05:14 | 0:05:15 | |
Gotcha! Oh, no, no, no. | 0:05:15 | 0:05:17 | |
One, a-two, a-three. | 0:05:17 | 0:05:18 | |
# Old iron, old iron... # | 0:05:18 | 0:05:20 | |
Very nice. | 0:05:20 | 0:05:22 | |
# Oh, I say, what do you think of that? | 0:05:22 | 0:05:24 | |
# If he can't get what he orders in a pot | 0:05:24 | 0:05:26 | |
# He'll have it in his old brown hat Oh, why not? | 0:05:26 | 0:05:29 | |
# Have it in his old brown hat Oh, why not? | 0:05:29 | 0:05:30 | |
-# Have it in his old brown hat -# Have it in my old brown hat | 0:05:30 | 0:05:36 | |
# Have it in his old brown hat! # | 0:05:36 | 0:05:38 | |
APPLAUSE AND CHEERING | 0:05:38 | 0:05:42 | |
Thank you. Thank you. | 0:05:42 | 0:05:45 | |
I promise you, ladies and gentlemen, you will have | 0:05:53 | 0:05:56 | |
Mr Edward Woodward once again later on in the programme. | 0:05:56 | 0:06:01 | |
CHEERING | 0:06:01 | 0:06:04 | |
All of him, ladies. LAUGHTER | 0:06:04 | 0:06:07 | |
The proliferation of paraphernalia | 0:06:07 | 0:06:10 | |
is held harbinger for a Parisian exhibition. | 0:06:10 | 0:06:16 | |
Ooh! | 0:06:16 | 0:06:18 | |
Ladies and gentlemen, Brahma! | 0:06:18 | 0:06:22 | |
APPLAUSE | 0:06:22 | 0:06:27 | |
APPLAUSE | 0:06:54 | 0:06:58 | |
APPLAUSE | 0:07:14 | 0:07:19 | |
APPLAUSE | 0:07:39 | 0:07:43 | |
APPLAUSE | 0:07:54 | 0:07:58 | |
LAUGHTER | 0:08:28 | 0:08:33 | |
APPLAUSE | 0:08:46 | 0:08:51 | |
APPLAUSE | 0:09:29 | 0:09:34 | |
LAUGHTER | 0:10:06 | 0:10:09 | |
APPLAUSE | 0:10:14 | 0:10:18 | |
APPLAUSE | 0:11:37 | 0:11:42 | |
Well, I'm no lip-reader, | 0:11:56 | 0:11:57 | |
but I distinctly saw that lady in the middle of the fourth row | 0:11:57 | 0:12:02 | |
in the pink and lilac... | 0:12:02 | 0:12:06 | |
or mauve pillbox hat, | 0:12:06 | 0:12:08 | |
I distinctly saw her turn to her neighbour | 0:12:08 | 0:12:10 | |
and say what she wouldn't do for diamonds next Christmas. | 0:12:10 | 0:12:14 | |
A devastating juxtaposition... | 0:12:16 | 0:12:20 | |
Oh! | 0:12:20 | 0:12:22 | |
That merely means putting side-by-side. | 0:12:22 | 0:12:24 | |
..of ingenious and ingenuous juvenilia, for your delight, | 0:12:26 | 0:12:33 | |
Little Miss Sheila Bernette. | 0:12:33 | 0:12:37 | |
APPLAUSE | 0:12:37 | 0:12:38 | |
# When I was born, my Ma and Pa | 0:12:46 | 0:12:50 | |
# They looked at me and said Oh, pshaw! | 0:12:50 | 0:12:53 | |
# The doctor said It's a girl, I think | 0:12:56 | 0:12:59 | |
# And Pa went out and got a drink | 0:12:59 | 0:13:02 | |
# Then Ma said I looked just like Pa | 0:13:02 | 0:13:04 | |
# And Pa said I took after Ma | 0:13:04 | 0:13:07 | |
# Aunt Jane said I looked like a quince | 0:13:07 | 0:13:10 | |
# And I've been a stepchild ever since | 0:13:10 | 0:13:14 | |
# They always, always pick on me | 0:13:15 | 0:13:19 | |
# They never, never let me be | 0:13:19 | 0:13:23 | |
# I'm so very lonesome, awfully sad | 0:13:23 | 0:13:27 | |
# It's a long time since I've been glad | 0:13:27 | 0:13:31 | |
# But I know what I'll do by and by | 0:13:31 | 0:13:35 | |
# I'll eat some worms and then I'll die | 0:13:35 | 0:13:38 | |
# And when I'm gone you wait and see | 0:13:38 | 0:13:43 | |
# They'll all be sorry that they picked on me | 0:13:43 | 0:13:46 | |
# So there | 0:13:46 | 0:13:47 | |
# One morning just at four o'clock | 0:13:50 | 0:13:53 | |
# Somebody tried to pick our lock | 0:13:53 | 0:13:56 | |
# I knew 'twas Papa sure as sin | 0:13:56 | 0:13:59 | |
# And opened the door and let him in | 0:13:59 | 0:14:02 | |
TRUMPET NOTE FALLS DRUM THUMPS | 0:14:02 | 0:14:04 | |
# My ma said What time is it, Pa? | 0:14:06 | 0:14:10 | |
# It's 12 o'clock my pa told Ma | 0:14:10 | 0:14:13 | |
# Just then the cuckoo cuckooed four | 0:14:13 | 0:14:16 | |
# And Pa made me cuckoo eight times more | 0:14:17 | 0:14:22 | |
# Ooh-ooh, ooh-ooh... | 0:14:24 | 0:14:29 | |
# They always, always pick on me | 0:14:29 | 0:14:34 | |
# They never, never let me be | 0:14:34 | 0:14:39 | |
# I'm so very lonesome, awfully sad | 0:14:39 | 0:14:43 | |
# It's a long time since I've been glad | 0:14:43 | 0:14:48 | |
# But I know what I'll do by and by | 0:14:49 | 0:14:53 | |
# I'll eat some worms | 0:14:53 | 0:14:57 | |
# Then I'll die | 0:14:57 | 0:14:59 | |
# And when I'm gone you wait and see | 0:14:59 | 0:15:03 | |
# They'll all be sorry that they picked on me | 0:15:03 | 0:15:07 | |
# They always, always pick on me | 0:15:12 | 0:15:17 | |
# They never, never let me be | 0:15:17 | 0:15:21 | |
# I'm so very lonesome, awfully sad | 0:15:21 | 0:15:25 | |
# It's a long time since I've been glad | 0:15:25 | 0:15:28 | |
# But I know what I'll do by and by | 0:15:28 | 0:15:32 | |
# I'll eat some worms and then I'll die | 0:15:32 | 0:15:35 | |
# And when I'm gone you wait and see | 0:15:35 | 0:15:38 | |
# They'll all be sorry | 0:15:38 | 0:15:40 | |
# Yes, they'll all be sorry | 0:15:40 | 0:15:42 | |
# Yes, they'll all be sorry that they picked on | 0:15:42 | 0:15:46 | |
# Me-e-e-e. # | 0:15:46 | 0:15:50 | |
APPLAUSE | 0:15:50 | 0:15:52 | |
Scintillants in a sextuplicity... | 0:16:07 | 0:16:13 | |
-Ooh! -AUDIENCE MEMBER: -Yes, please! | 0:16:13 | 0:16:15 | |
..of soaring symphonic serendipity. | 0:16:15 | 0:16:20 | |
Ooh! | 0:16:20 | 0:16:22 | |
Which merely means six chaps in a musical melange or, | 0:16:22 | 0:16:27 | |
if you prefer the vulgar, mishmash. | 0:16:27 | 0:16:31 | |
Ladies and gentlemen, | 0:16:31 | 0:16:32 | |
The King's Singers. | 0:16:32 | 0:16:36 | |
CHEERING | 0:16:36 | 0:16:38 | |
# Where have you been all the day Billy Boy, Billy Boy? | 0:16:51 | 0:16:55 | |
# Where have you been all the day My Billy Boy? | 0:16:55 | 0:16:58 | |
# I've been walking all the day with my charming Nancy Gray | 0:16:58 | 0:17:01 | |
# And me Nancy, tickled me fancy Oh, me charming Billy Boy | 0:17:01 | 0:17:04 | |
# Billy Boy, Billy Boy Billy Boy, Billy Boy | 0:17:04 | 0:17:08 | |
# Is she fit to be yer wife Billy Boy, Billy Boy? | 0:17:08 | 0:17:11 | |
# Is she fit to be yer wife Me Billy Boy? | 0:17:11 | 0:17:14 | |
# She's as fit to be my wife As the fork is to the knife | 0:17:14 | 0:17:17 | |
# And me Nancy, tickled me fancy Tickled me fancy, fancy, fancy | 0:17:17 | 0:17:21 | |
# And me Nancy, tickled me fancy | 0:17:21 | 0:17:22 | |
# Tickled me fancy, fancy, fancy | 0:17:22 | 0:17:24 | |
# Diddle-dee-yom Bom-bom | 0:17:24 | 0:17:26 | |
# Diddle-dee-yom Bom-bom | 0:17:26 | 0:17:28 | |
# Can she cook a bit of steak Billy Boy, Billy Boy? | 0:17:28 | 0:17:31 | |
# Can she cook a bit of steak Me Billy Boy? | 0:17:31 | 0:17:34 | |
# She can cook a bit of steak Aye, and make a girdle cake... # | 0:17:34 | 0:17:37 | |
HE MIMICS BAGPIPES | 0:17:37 | 0:17:39 | |
# Me charming Billy Boy | 0:17:39 | 0:17:40 | |
# Diddle-dee-yom Bom-bom | 0:17:40 | 0:17:42 | |
# Diddle-dee-yom Bom-bom | 0:17:42 | 0:17:43 | |
# Diddle-dee-yom Billy, Billy, Billy Boy | 0:17:43 | 0:17:46 | |
# Billy Boy | 0:17:46 | 0:17:48 | |
# Can she make an Irish stew Billy Boy, Billy Boy? | 0:17:48 | 0:17:52 | |
# Can she make an Irish stew Me Billy Boy? # | 0:17:52 | 0:17:55 | |
-She can make an Irish stew, ha-ha! -Mmm! | 0:17:55 | 0:17:57 | |
LAUGHTER | 0:17:57 | 0:18:00 | |
And I'm able to state most emphatically that her | 0:18:00 | 0:18:03 | |
culinary attainments are, in many other respects, noteworthy. | 0:18:03 | 0:18:08 | |
# Oh, me Nancy, tickled me fancy Oh, me charming Billy Boy | 0:18:08 | 0:18:12 | |
# Ch, boy Ch-ch, Billy Boy, ch. # | 0:18:12 | 0:18:15 | |
# George Jones had a meeting at his house last night | 0:18:29 | 0:18:33 | |
# For to name his first-born child | 0:18:33 | 0:18:36 | |
# To give him a high-tone name and start him off right | 0:18:36 | 0:18:38 | |
# For George was almost wild | 0:18:38 | 0:18:41 | |
# Now the day of the Christening Parson Brown inquired | 0:18:41 | 0:18:44 | |
# What's this child's name going to be? | 0:18:44 | 0:18:47 | |
# Someone hollered, Ham! Another shouted, Sam! | 0:18:47 | 0:18:50 | |
# But George said Let's name this one for me | 0:18:50 | 0:18:55 | |
# Gonna name him | 0:18:56 | 0:18:57 | |
# George George Washington | 0:18:59 | 0:19:01 | |
# Christopher Columbus Madison and Douglas Lee | 0:19:01 | 0:19:04 | |
# Gonna name him Jim Jim Jeffries, Jack Johnson | 0:19:04 | 0:19:07 | |
# Ring in Booker T | 0:19:07 | 0:19:09 | |
# Admiral Admiral Dewey, Thomas Jefferson | 0:19:09 | 0:19:12 | |
# McKinley and Sherlock Holmes | 0:19:12 | 0:19:15 | |
# Obadiah | 0:19:15 | 0:19:20 | |
# Hezekiah | 0:19:20 | 0:19:26 | |
# Abraham-a-Lincoln. | 0:19:26 | 0:19:27 | |
# Oh, I said I said Abe Lincoln | 0:19:27 | 0:19:29 | |
# And I mean I mean Abe Lincoln Jones | 0:19:29 | 0:19:31 | |
# Now, little George's twin sister didn't have no name | 0:19:32 | 0:19:36 | |
# So George said Let's name this one too | 0:19:36 | 0:19:39 | |
# He turned to the parson saying, Reverend Brown | 0:19:39 | 0:19:41 | |
# Now I will tell you what we will do | 0:19:41 | 0:19:44 | |
# Now it ain't so important as a namin' my son | 0:19:44 | 0:19:47 | |
# To that I'm sure you will agree | 0:19:47 | 0:19:50 | |
# When up spoke the wife just as big as holy life | 0:19:50 | 0:19:53 | |
# And she said You leave this one to me | 0:19:53 | 0:19:59 | |
# Gonna name her | 0:20:00 | 0:20:05 | |
# Martha Martha Washington | 0:20:05 | 0:20:06 | |
# Aimee Semple McPherson | 0:20:06 | 0:20:08 | |
# Shirley Temple, Gypsy Rose Lee | 0:20:08 | 0:20:10 | |
# Gonna name her Cleopatra | 0:20:10 | 0:20:11 | |
# Peggy Hopkins Joyce | 0:20:11 | 0:20:13 | |
# Ring in a Lidia P | 0:20:13 | 0:20:15 | |
# Aunt Je- Aunt Jemima, Texas Guinan | 0:20:15 | 0:20:18 | |
# Victoria and Kate Malone | 0:20:18 | 0:20:20 | |
# Adeline | 0:20:22 | 0:20:27 | |
# Gertrude Stein | 0:20:27 | 0:20:33 | |
# Lindy Lou Eliza | 0:20:33 | 0:20:34 | |
# Oh, I said I said Eliza | 0:20:34 | 0:20:35 | |
# And I mean I mean Eliza Jones. # | 0:20:35 | 0:20:38 | |
APPLAUSE | 0:20:40 | 0:20:43 | |
# Deck the halls with boughs of holly | 0:20:57 | 0:20:59 | |
# Fa la la la la la la la la | 0:20:59 | 0:21:01 | |
# 'Tis the season to be jolly | 0:21:01 | 0:21:03 | |
# Fa la la la la la la la la | 0:21:03 | 0:21:04 | |
# Fill the glasses raise the wassail | 0:21:04 | 0:21:07 | |
# Fa la la, la la la la la la la | 0:21:07 | 0:21:08 | |
# Sing the ancient Christmas carol | 0:21:08 | 0:21:10 | |
# Fa la la la la la la la la | 0:21:10 | 0:21:13 | |
# Do-do do-do do-do-do-do | 0:21:13 | 0:21:15 | |
# Do, do-do do-do | 0:21:15 | 0:21:18 | |
# See the flowing bowl before us | 0:21:18 | 0:21:20 | |
# Fa la la la, la la bee-doo ba! | 0:21:20 | 0:21:22 | |
# Start the band and join the chorus | 0:21:22 | 0:21:23 | |
# Fa-la la-la la la la-la-la | 0:21:23 | 0:21:25 | |
# Follow me in merry measure | 0:21:25 | 0:21:27 | |
# Fa-la-la-la-la fa-la-la-la-la La-la-la-la la-la-la | 0:21:27 | 0:21:29 | |
# While we sing of mirth and pleasure | 0:21:29 | 0:21:31 | |
# While we sing of mirth and pleasure | 0:21:31 | 0:21:33 | |
# While we sing of mirth and pleasure | 0:21:33 | 0:21:35 | |
# Fa la la la la, la la la la | 0:21:35 | 0:21:37 | |
# Hum da-da-da-da Hum da-da-da-da | 0:21:37 | 0:21:38 | |
# La la la-la la-la la-la | 0:21:38 | 0:21:40 | |
# Fa la la la la, la la la la... # | 0:21:40 | 0:21:43 | |
VERY LOW SINGING LAUGHTER | 0:21:43 | 0:21:45 | |
# Do-do-bee-do-ba Do-do-bee-do-ba | 0:21:45 | 0:21:47 | |
# Do-do-bee-do, do-do-bee-do do-do-bee-do-ba | 0:21:47 | 0:21:50 | |
# Fast the festive season passes... # | 0:21:50 | 0:21:52 | |
THEY PLAY KAZOOS | 0:21:52 | 0:21:54 | |
# Join the fun ye lads and lasses | 0:21:54 | 0:21:55 | |
# Singing gaily all together | 0:21:57 | 0:21:59 | |
AS A DRUNKEN CHORUS: # Fa la la la la, la la la la... # | 0:22:00 | 0:22:05 | |
Hiccup! | 0:22:05 | 0:22:06 | |
# Mindless of the wind and weather | 0:22:06 | 0:22:09 | |
# Fa la la la Fa la la la | 0:22:09 | 0:22:10 | |
# Fa la la la La la la la la | 0:22:10 | 0:22:11 | |
# Very merry Christmas to you. # | 0:22:11 | 0:22:14 | |
APPLAUSE | 0:22:14 | 0:22:16 | |
The exultant, ultimate in... | 0:22:33 | 0:22:38 | |
-..vehement virility... -Oh! | 0:22:41 | 0:22:44 | |
CHUCKLING: ..affiliated... | 0:22:45 | 0:22:47 | |
..affiliated to feminine fallibility. | 0:22:48 | 0:22:52 | |
Ladies and gentlemen, Hercules hectic with Venus. | 0:22:52 | 0:22:58 | |
Oh! | 0:22:58 | 0:23:00 | |
Ted Durante and Hilda. | 0:23:00 | 0:23:03 | |
APPLAUSE | 0:23:04 | 0:23:06 | |
HE SPEAKS COD GERMAN | 0:23:17 | 0:23:20 | |
LAUGHTER | 0:23:23 | 0:23:24 | |
Danke, danke. | 0:23:27 | 0:23:29 | |
MUSIC: Over The Waves by Juventino Rosas | 0:23:29 | 0:23:31 | |
Beautiful. | 0:23:31 | 0:23:32 | |
HE YELLS | 0:23:38 | 0:23:40 | |
Ooh! | 0:23:42 | 0:23:44 | |
HE SINGS ALONG | 0:23:53 | 0:23:55 | |
HE YELLS | 0:24:01 | 0:24:02 | |
APPLAUSE | 0:24:05 | 0:24:07 | |
LAUGHTER | 0:24:15 | 0:24:17 | |
Ooh! | 0:24:17 | 0:24:20 | |
HE SPEAKS COD GERMAN | 0:24:26 | 0:24:28 | |
WOLF WHISTLES | 0:24:32 | 0:24:34 | |
Ooh! | 0:24:38 | 0:24:39 | |
LAUGHTER | 0:24:44 | 0:24:46 | |
HE SHOUTS IN COD GERMAN | 0:24:51 | 0:24:54 | |
LAUGHTER | 0:25:22 | 0:25:26 | |
There's a little hole, stick it up! | 0:25:49 | 0:25:52 | |
HE YELLS | 0:26:00 | 0:26:03 | |
LAUGHTER | 0:26:27 | 0:26:29 | |
HE YELLS | 0:26:43 | 0:26:45 | |
Vash bin Doncaster? | 0:27:01 | 0:27:03 | |
HE INSTRUCTS HER IN COD GERMAN | 0:27:07 | 0:27:09 | |
FABRIC TEARS | 0:27:18 | 0:27:20 | |
LAUGHTER | 0:27:20 | 0:27:22 | |
AUDIENCE HOWLS | 0:27:26 | 0:27:29 | |
Arait? Reng bleng splitzee jacksie? | 0:27:40 | 0:27:43 | |
HE YELLS | 0:27:57 | 0:28:00 | |
HE INSTRUCTS HER IN COD GERMAN | 0:28:15 | 0:28:18 | |
Nicht aus, up on the compf. | 0:28:21 | 0:28:23 | |
On the compf! | 0:28:31 | 0:28:33 | |
Up on the compf! | 0:28:37 | 0:28:41 | |
Gut. | 0:28:41 | 0:28:43 | |
On the compf, up! | 0:28:43 | 0:28:45 | |
On the compf, up! | 0:28:47 | 0:28:48 | |
LAUGHTER | 0:28:50 | 0:28:52 | |
HE YELLS | 0:29:01 | 0:29:02 | |
APPLAUSE | 0:29:07 | 0:29:10 | |
HE YELLS | 0:29:21 | 0:29:23 | |
Oi-oi-oi, oi-oi oi! | 0:29:24 | 0:29:26 | |
Vat is the ferret? | 0:29:27 | 0:29:29 | |
On the compf! | 0:29:38 | 0:29:41 | |
Twit! | 0:29:41 | 0:29:43 | |
On the compf! HE BLOWS A RASPBERRY | 0:29:49 | 0:29:52 | |
APPLAUSE | 0:30:10 | 0:30:14 | |
HE YELLS | 0:30:18 | 0:30:20 | |
HE YELLS | 0:30:23 | 0:30:25 | |
LAUGHTER | 0:30:28 | 0:30:31 | |
HE YELLS IN COD GERMAN | 0:30:31 | 0:30:32 | |
Get off me! | 0:30:33 | 0:30:35 | |
APPLAUSE | 0:30:40 | 0:30:42 | |
My neck! | 0:30:53 | 0:30:54 | |
I've lost my neck. | 0:30:56 | 0:30:57 | |
Look for it. | 0:30:58 | 0:30:59 | |
What are you going to do about the neck? | 0:31:01 | 0:31:04 | |
Vas is this? | 0:31:04 | 0:31:05 | |
HE YELPS | 0:31:05 | 0:31:08 | |
Ja! That's it. | 0:31:08 | 0:31:10 | |
Voila. | 0:31:11 | 0:31:13 | |
APPLAUSE | 0:31:13 | 0:31:15 | |
I am extremely happy to tell you that Ted and Hilda | 0:31:36 | 0:31:40 | |
are more than just good friends. | 0:31:40 | 0:31:42 | |
LAUGHTER | 0:31:42 | 0:31:44 | |
I've just met their lovely little daughter and now, | 0:31:44 | 0:31:48 | |
ladies and gentlemen, all the way from, believe it or not, | 0:31:48 | 0:31:52 | |
Polynesia, for our velutinous inveiglement. | 0:31:52 | 0:31:58 | |
Welcome, thrice welcome, to | 0:32:00 | 0:32:05 | |
the planturously amplitudinous | 0:32:05 | 0:32:10 | |
opulences is of Miss Wilma Reading. | 0:32:10 | 0:32:16 | |
CHEERING | 0:32:16 | 0:32:17 | |
# Oh, they say some people long ago | 0:32:29 | 0:32:37 | |
# Were searching for a different tune | 0:32:37 | 0:32:40 | |
# One that they could croon | 0:32:40 | 0:32:43 | |
# As only they can | 0:32:43 | 0:32:48 | |
# They only had the rhythm | 0:32:50 | 0:32:53 | |
# So they started swaying to and fro | 0:32:53 | 0:33:02 | |
# They didn't know just what to use | 0:33:02 | 0:33:05 | |
# This is how the blues really began | 0:33:05 | 0:33:12 | |
# They heard the breeze in the trees | 0:33:14 | 0:33:21 | |
# Singing weird melodies | 0:33:21 | 0:33:26 | |
# And they made that | 0:33:26 | 0:33:30 | |
# The start of the blues | 0:33:30 | 0:33:35 | |
# And from a jail came a wail | 0:33:35 | 0:33:40 | |
# Of a down-hearted frail | 0:33:40 | 0:33:45 | |
# And they played that | 0:33:45 | 0:33:48 | |
# As part of the blues | 0:33:48 | 0:33:54 | |
# From a whippoorwill | 0:33:54 | 0:33:56 | |
# Way high on a hill | 0:33:56 | 0:33:59 | |
# They took a new note | 0:33:59 | 0:34:03 | |
# And they pushed it through a horn | 0:34:03 | 0:34:06 | |
# Until it was worn | 0:34:06 | 0:34:09 | |
# Into a blue note | 0:34:09 | 0:34:11 | |
# And then they nursed it and rehearsed it | 0:34:12 | 0:34:18 | |
# And they gave out the news | 0:34:18 | 0:34:22 | |
# That the Southland | 0:34:22 | 0:34:25 | |
# Gave birth to the blues | 0:34:26 | 0:34:31 | |
# Oh, they nursed it Rehearsed it | 0:34:31 | 0:34:35 | |
# And gave out the news | 0:34:35 | 0:34:37 | |
# That the Southland | 0:34:37 | 0:34:40 | |
# Gave birth | 0:34:40 | 0:34:42 | |
# To the blues. # | 0:34:42 | 0:34:50 | |
APPLAUSE | 0:34:50 | 0:34:53 | |
Ooh! | 0:35:06 | 0:35:08 | |
# I'm sitting on top of the world | 0:35:08 | 0:35:12 | |
# Just rollin' along I'm rollin' along | 0:35:14 | 0:35:19 | |
# I'm quittin' the blues of the world | 0:35:20 | 0:35:24 | |
# I'm singin' a song just singin' a song | 0:35:25 | 0:35:30 | |
# Glory, Hallelujah I just saw the parson | 0:35:30 | 0:35:34 | |
# Said, Par, get ready to call | 0:35:34 | 0:35:38 | |
# Just like Humpty Dumpty | 0:35:38 | 0:35:39 | |
# Oh! | 0:35:39 | 0:35:41 | |
# I started to fall | 0:35:41 | 0:35:43 | |
# I'm sitting on top of the world | 0:35:43 | 0:35:47 | |
# Just rollin' along Just rollin' along. # | 0:35:48 | 0:35:53 | |
# You made me love you | 0:36:04 | 0:36:09 | |
# I didn't want to do it | 0:36:09 | 0:36:12 | |
# I didn't want to do it | 0:36:12 | 0:36:14 | |
# You made me want you | 0:36:16 | 0:36:22 | |
# And all the time you knew it | 0:36:22 | 0:36:25 | |
# I guess you always knew it | 0:36:25 | 0:36:27 | |
# You made me happy sometimes | 0:36:29 | 0:36:33 | |
# You made me sad... # LAUGHTER | 0:36:35 | 0:36:38 | |
# But there were times, dear | 0:36:40 | 0:36:45 | |
# Oh, you made me feel so bad | 0:36:45 | 0:36:49 | |
# Ha, whoo! | 0:36:49 | 0:36:50 | |
# You made me sigh for | 0:36:52 | 0:36:57 | |
# I didn't wanna tell you | 0:36:57 | 0:36:59 | |
# I didn't want to tell you | 0:36:59 | 0:37:03 | |
# I want a love, that's true | 0:37:03 | 0:37:09 | |
# yes, I do, indeed I do you know I do | 0:37:09 | 0:37:14 | |
# Give me, give me, give me give me what I sigh for | 0:37:14 | 0:37:19 | |
# You know ya got the brand o' kisses that I'd die for | 0:37:19 | 0:37:26 | |
# You know you made me love you.. # | 0:37:26 | 0:37:33 | |
Here we go now. | 0:37:34 | 0:37:36 | |
AUDIENCE JOINS IN | 0:37:36 | 0:37:38 | |
# You made me love you | 0:37:38 | 0:37:42 | |
# I didn't want to do it | 0:37:42 | 0:37:45 | |
# I didn't want to do it | 0:37:45 | 0:37:47 | |
# You made me love you | 0:37:48 | 0:37:54 | |
# Yes, I do, indeed I do you know I do | 0:37:54 | 0:37:59 | |
# Give me, give me, give me give me what I sigh for | 0:38:00 | 0:38:05 | |
# You know ya got the brand o' kisses that I'd die for | 0:38:05 | 0:38:12 | |
# You know you made me love you. # | 0:38:12 | 0:38:20 | |
APPLAUSE | 0:38:20 | 0:38:23 | |
Whoo! | 0:38:23 | 0:38:26 | |
# Come on and hear Come on and hear | 0:38:43 | 0:38:46 | |
# Alexander's ragtime band | 0:38:46 | 0:38:49 | |
# Come on and hear Come on and hear | 0:38:49 | 0:38:52 | |
# It's the best band in the land | 0:38:52 | 0:38:54 | |
# They can play a bugle call | 0:38:54 | 0:38:56 | |
# Like you never heard before | 0:38:56 | 0:38:58 | |
# So natural that you want to go to war | 0:38:58 | 0:39:00 | |
# It's just the bestest band | 0:39:00 | 0:39:03 | |
# What-am, ma-honey lamb | 0:39:03 | 0:39:05 | |
# Come on along, come on along | 0:39:05 | 0:39:08 | |
# Let me take you by the hand | 0:39:08 | 0:39:11 | |
# Up to the man, to the man | 0:39:11 | 0:39:14 | |
# Who's the leader of the band | 0:39:14 | 0:39:16 | |
# Now if you care to hear | 0:39:16 | 0:39:18 | |
# The Suwannee River played in ragtime | 0:39:18 | 0:39:22 | |
# Come on and hear Come on and hear | 0:39:22 | 0:39:25 | |
# Alexander's ragtime band. # | 0:39:25 | 0:39:34 | |
CHEERING | 0:39:34 | 0:39:37 | |
If this very English audience can bring itself to say | 0:39:56 | 0:39:59 | |
two words in a foreign language, I will be grateful. | 0:39:59 | 0:40:01 | |
Can you say buena suerte? | 0:40:01 | 0:40:04 | |
-Buena suerte. -That's lovely. | 0:40:04 | 0:40:06 | |
Because at this time of year we ought | 0:40:06 | 0:40:10 | |
and we do welcome the strangers in our midst. | 0:40:10 | 0:40:14 | |
From Mexico, and so we say buena suerte | 0:40:15 | 0:40:21 | |
to The Orlandos. | 0:40:21 | 0:40:25 | |
APPLAUSE | 0:40:25 | 0:40:27 | |
LIGHT APPLAUSE | 0:40:54 | 0:40:56 | |
DRUM ROLL | 0:41:55 | 0:41:58 | |
APPLAUSE | 0:42:37 | 0:42:40 | |
CHEERING | 0:42:51 | 0:42:53 | |
DRUM ROLL | 0:43:18 | 0:43:20 | |
APPLAUSE | 0:43:47 | 0:43:49 | |
Once again, this time, in uncharacteristically, | 0:44:16 | 0:44:23 | |
uncircumscribed... | 0:44:23 | 0:44:25 | |
Ooh! | 0:44:25 | 0:44:27 | |
You really are awful. | 0:44:29 | 0:44:31 | |
..cachinnatary convocation, | 0:44:33 | 0:44:36 | |
the always endearing Miss Sheila Bernette. | 0:44:36 | 0:44:43 | |
APPLAUSE | 0:44:43 | 0:44:44 | |
# Rosie sitting waiting at the window | 0:44:52 | 0:44:55 | |
# Rosie's eyes are peeping down the street | 0:44:55 | 0:44:58 | |
# So nicely she's dressed she's looking her best | 0:44:58 | 0:45:02 | |
# From head to toe her toilet is complete | 0:45:02 | 0:45:05 | |
# She scarcely looks at people who are passing | 0:45:05 | 0:45:09 | |
# For they of no importance seem to be | 0:45:09 | 0:45:12 | |
# But in a little while | 0:45:12 | 0:45:14 | |
# She smiles a sunny smile | 0:45:14 | 0:45:16 | |
# At something interesting she can see | 0:45:16 | 0:45:19 | |
# Someone's turning round the corner | 0:45:20 | 0:45:24 | |
# Quickly to the glass she goes | 0:45:24 | 0:45:27 | |
# Spends a moment there | 0:45:27 | 0:45:29 | |
# Dabbing at her hair | 0:45:29 | 0:45:31 | |
# Rubs a little powder on her nose | 0:45:31 | 0:45:33 | |
# What makes Rosie so excited? | 0:45:34 | 0:45:37 | |
# Guess that conundrum if you can | 0:45:38 | 0:45:40 | |
# There's someone ra-ta-ta-ta-tatting at the door | 0:45:40 | 0:45:44 | |
# It's Rosie's young man | 0:45:44 | 0:45:47 | |
# Sitting there together in the parlour | 0:45:51 | 0:45:54 | |
# He and she on one big easy chair | 0:45:54 | 0:45:58 | |
# I need not tell you | 0:45:58 | 0:45:59 | |
# What they say and do | 0:45:59 | 0:46:01 | |
# For judging by your faces you've been there | 0:46:01 | 0:46:04 | |
# But when they say goodnight it's really painful | 0:46:04 | 0:46:08 | |
# As if they nevermore are doomed to meet | 0:46:08 | 0:46:11 | |
# But everything's all right | 0:46:11 | 0:46:13 | |
# For there tomorrow night | 0:46:13 | 0:46:15 | |
# You'll find Miss Rosie peeping down the street | 0:46:15 | 0:46:18 | |
# Someone's turning round the corner | 0:46:19 | 0:46:22 | |
# Quickly to the glass she goes | 0:46:22 | 0:46:26 | |
# Spends a moment there | 0:46:26 | 0:46:27 | |
# Dabbing at her hair | 0:46:27 | 0:46:29 | |
# Rubs a little powder on her nose Ah-choo! | 0:46:29 | 0:46:33 | |
# What makes Rosie so excited? | 0:46:33 | 0:46:36 | |
# Guess that conundrum if you can | 0:46:36 | 0:46:39 | |
# There's someone ra-ta-ta-ta-tatting at the door | 0:46:39 | 0:46:42 | |
# It's Rosie's young man | 0:46:42 | 0:46:46 | |
# Someone's coming round the corner | 0:46:46 | 0:46:49 | |
# Quickly to the glass she goes | 0:46:49 | 0:46:52 | |
# Spends a moment there | 0:46:52 | 0:46:54 | |
# Dabbing at her hair | 0:46:54 | 0:46:56 | |
# Rubs a little powder on her nose Ah-choo! | 0:46:56 | 0:46:59 | |
# What makes Rosie so excited? | 0:46:59 | 0:47:02 | |
# Guess that conundrum if you can | 0:47:02 | 0:47:06 | |
# There's someone ra-ta-ta-ta-tatting at the door | 0:47:06 | 0:47:09 | |
# It's Rosie's young man! # | 0:47:09 | 0:47:12 | |
APPLAUSE | 0:47:12 | 0:47:15 | |
As promised, and this time, plus, and it's a very big plus, | 0:47:28 | 0:47:34 | |
a pliability of pool deluxe... | 0:47:34 | 0:47:37 | |
You can ask your fella what that means. | 0:47:37 | 0:47:39 | |
Impeccable, imperturbable, | 0:47:42 | 0:47:47 | |
immaculacy incarnate. | 0:47:47 | 0:47:52 | |
-Oh! -Your own, your very, very own Edward Wadsworth. | 0:47:52 | 0:47:59 | |
CHEERING | 0:47:59 | 0:48:00 | |
# I've come back through Paris | 0:48:08 | 0:48:11 | |
# From the sunny southern shore | 0:48:11 | 0:48:14 | |
# I to Monte Carlo went | 0:48:14 | 0:48:17 | |
# Just to raise my winter's rent | 0:48:17 | 0:48:19 | |
# Dame Fortune smiled upon me | 0:48:19 | 0:48:22 | |
# As she's never smiled before | 0:48:22 | 0:48:25 | |
# Now I've now such a lot of money I'm a gent | 0:48:25 | 0:48:28 | |
# Ye-e-e-s... # | 0:48:30 | 0:48:35 | |
Yes, you're quite right. I'll take that note back in the morning. | 0:48:36 | 0:48:40 | |
# Now I've now such lots of money I'm a gent | 0:48:40 | 0:48:43 | |
# As I walk along the Bois de Boulogne | 0:48:45 | 0:48:51 | |
# With an independent air | 0:48:51 | 0:48:53 | |
# You can hear the girls declare | 0:48:53 | 0:48:55 | |
# He must be a millionaire | 0:48:55 | 0:48:57 | |
# You can hear them sigh and wish to die | 0:48:57 | 0:49:00 | |
# You can see them wink the other eye | 0:49:00 | 0:49:02 | |
# At the man who broke the bank at Monte Carlo... # | 0:49:02 | 0:49:06 | |
Well, ladies and gentlemen, it's very nice to be here this evening. | 0:49:06 | 0:49:09 | |
Very, very nice indeed. What a merry lot you are. | 0:49:09 | 0:49:13 | |
What a lovely moustache you have there, sir! | 0:49:13 | 0:49:17 | |
What a lovely moustache! Or have you been drinking cocoa? | 0:49:17 | 0:49:21 | |
Have a word in his ear, darling, will you? Have a word in his ear. | 0:49:21 | 0:49:24 | |
I don't have to be here tonight, you know, sir. | 0:49:24 | 0:49:26 | |
I mean, the only reason I'm here tonight is because, | 0:49:26 | 0:49:28 | |
in my profession in this city, | 0:49:28 | 0:49:30 | |
it's vastly overcrowded. | 0:49:30 | 0:49:32 | |
I'm a shepherd. | 0:49:32 | 0:49:33 | |
Thank you very much. All contributions kindly received. | 0:49:34 | 0:49:38 | |
Ladies and gentlemen, | 0:49:38 | 0:49:39 | |
at this juncture in time I would like to ask you to join me | 0:49:39 | 0:49:41 | |
in a final rousing chorus | 0:49:41 | 0:49:43 | |
of The Man Who Broke The Bank At Monte Carlo. | 0:49:43 | 0:49:46 | |
I'm merely asking you, not because I need your help, | 0:49:46 | 0:49:48 | |
but because I do feel the band need a bit of practice. | 0:49:48 | 0:49:52 | |
So, sir, if you please and even if you don't please, | 0:49:52 | 0:49:55 | |
a-one, a-two, a-three. | 0:49:55 | 0:49:57 | |
# As I walk along the Bois de Boulogne | 0:49:57 | 0:50:03 | |
# With an independent air | 0:50:03 | 0:50:05 | |
# You can hear the girls declare | 0:50:05 | 0:50:07 | |
# He must be a millionaire | 0:50:07 | 0:50:09 | |
# You can hear them sigh and hope to die | 0:50:09 | 0:50:12 | |
# You can see them wink the other eye | 0:50:12 | 0:50:14 | |
# At the man who broke the bank at Monte Carlo. # | 0:50:14 | 0:50:18 | |
Now, of course, having got all that money, what do you do with it? | 0:50:18 | 0:50:22 | |
I'll tell you what I did. | 0:50:22 | 0:50:24 | |
# I went down to Maxim's | 0:50:25 | 0:50:29 | |
# Where fun and frolic beams | 0:50:29 | 0:50:32 | |
# With all the girls I'd chatter | 0:50:32 | 0:50:36 | |
# I'd laugh, I'd kiss, I'd flatter | 0:50:36 | 0:50:39 | |
# Low, low, do-do, shoo-shoo | 0:50:41 | 0:50:46 | |
# Clo-clo, Margo, fru-fru | 0:50:47 | 0:50:51 | |
# For surnames do not matter | 0:50:53 | 0:50:58 | |
# I take the first to hand. # | 0:50:58 | 0:51:03 | |
# And when they told me | 0:51:09 | 0:51:15 | |
# How beautiful you are | 0:51:15 | 0:51:20 | |
# I wouldn't believe them | 0:51:20 | 0:51:24 | |
# They wouldn't believe me | 0:51:24 | 0:51:27 | |
# Your face, your eyes your lips, your hair | 0:51:28 | 0:51:33 | |
# Are in a class beyond compare | 0:51:33 | 0:51:37 | |
# You're the loveliest girl I've ever seen | 0:51:37 | 0:51:43 | |
# And when I tell them | 0:51:45 | 0:51:51 | |
# And I'm certainly going to tell them | 0:51:51 | 0:51:55 | |
# That I'm the man whose wife one day you'll be | 0:51:55 | 0:52:02 | |
# They'll never believe me | 0:52:03 | 0:52:07 | |
# They'll never believe me | 0:52:08 | 0:52:12 | |
# That from this great big world | 0:52:13 | 0:52:16 | |
# You've chosen me. # | 0:52:16 | 0:52:24 | |
# Goodbye, Dolly, I must leave you | 0:52:32 | 0:52:38 | |
# Though it breaks my heart to go | 0:52:38 | 0:52:44 | |
# Something tells me I am needed | 0:52:44 | 0:52:50 | |
# At the front to fight the foe | 0:52:50 | 0:52:56 | |
# See, the soldier boys are marching | 0:52:56 | 0:53:01 | |
# And I can no longer stay | 0:53:01 | 0:53:07 | |
# Hark, I hear the bugle calling | 0:53:07 | 0:53:13 | |
# Goodbye, Dolly Gray | 0:53:13 | 0:53:18 | |
# Goodbye, Dolly, I must leave you | 0:53:18 | 0:53:24 | |
# Though it breaks my heart to go | 0:53:24 | 0:53:30 | |
# Something tells me I am needed | 0:53:30 | 0:53:34 | |
# At the front to fight the foe | 0:53:34 | 0:53:40 | |
# See, the soldier boys are marching | 0:53:40 | 0:53:45 | |
# And I can no longer stay | 0:53:45 | 0:53:51 | |
# Hark, I hear the bugle calling | 0:53:51 | 0:53:56 | |
# Goodbye, Dolly Gray | 0:53:56 | 0:54:01 | |
# Goodbye, Dolly Gray. # | 0:54:01 | 0:54:11 | |
APPLAUSE | 0:54:11 | 0:54:13 | |
CHEERING | 0:54:31 | 0:54:34 | |
There's only, only, | 0:54:39 | 0:54:40 | |
only just time for one last chorus - Down At The Old Bull And Bush. | 0:54:40 | 0:54:45 | |
Ladies and gentlemen, we have Mr Edward Woodward, | 0:54:45 | 0:54:48 | |
the entire company, the leader of the band, | 0:54:48 | 0:54:51 | |
Mr Bernard Herrmann, and his entire | 0:54:51 | 0:54:54 | |
and totally articulated orchestra, | 0:54:54 | 0:54:59 | |
but this time chiefly... | 0:54:59 | 0:55:02 | |
-AUDIENCE: -Yourselves! | 0:55:02 | 0:55:04 | |
# Come, come, come and make eyes at me down at the Old Bull and Bush | 0:55:08 | 0:55:14 | |
# Da-da, da-da-da | 0:55:14 | 0:55:16 | |
# Come, come, drink some port wine with me | 0:55:16 | 0:55:20 | |
# Down at the Old Bull and Bush | 0:55:20 | 0:55:24 | |
# Hear the little German Band | 0:55:24 | 0:55:26 | |
# Da, da, da-da-da-da-da-da-da | 0:55:26 | 0:55:28 | |
# Just let me hold your hand, dear | 0:55:28 | 0:55:31 | |
# Do, do come and have a drink or two | 0:55:31 | 0:55:35 | |
# Down at the Old Bull and Bush | 0:55:35 | 0:55:39 | |
# Bush, bush. # | 0:55:39 | 0:55:40 | |
CHEERING | 0:55:40 | 0:55:43 |