Browse content similar to 17/01/1975. Check below for episodes and series from the same categories and more!
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# My old man said follow the van | 0:00:07 | 0:00:11 | |
# And don't dilly dally on the way | 0:00:11 | 0:00:15 | |
# Off went the van wiv me 'ome packed in it | 0:00:15 | 0:00:19 | |
# I followed on wiv me old cock linnet | 0:00:19 | 0:00:23 | |
# I dillied and dallied, dallied and dillied | 0:00:23 | 0:00:27 | |
# Lost me way and don't know where to roam | 0:00:27 | 0:00:31 | |
# Stopped on the way to have the old half-quartern | 0:00:31 | 0:00:35 | |
# And I can't find my way 'ome. # | 0:00:35 | 0:00:40 | |
CHEERING AND APPLAUSE | 0:00:40 | 0:00:43 | |
Once again... | 0:00:59 | 0:01:03 | |
Good evening, ladies and gentlemen. | 0:01:03 | 0:01:10 | |
-ALL: -Good evening. | 0:01:10 | 0:01:12 | |
-Concomitantly corybantic... -ALL: -Oh! -..dancing. | 0:01:12 | 0:01:17 | |
With the Players' Theatre, Miss Jenny Wren. | 0:01:18 | 0:01:22 | |
APPLAUSE | 0:01:23 | 0:01:26 | |
# Put on your tat-ta little girlie | 0:01:31 | 0:01:36 | |
# Do what I want you to | 0:01:36 | 0:01:38 | |
# Far from the busy hurly burly | 0:01:38 | 0:01:42 | |
# I've got lots to say to you | 0:01:42 | 0:01:46 | |
# My head's completely twirly whirly | 0:01:46 | 0:01:49 | |
# My girl I want you to be | 0:01:49 | 0:01:53 | |
# So put on your tat-ta Your pretty little tat-ta | 0:01:53 | 0:01:56 | |
# And come out a tat-ta | 0:01:56 | 0:01:58 | |
# Come out a tat-ta | 0:01:58 | 0:02:00 | |
# Yes, come out a tat-ta with me | 0:02:00 | 0:02:02 | |
# I was a good little girl till I met you | 0:02:02 | 0:02:10 | |
# You set my head in a whirl | 0:02:12 | 0:02:16 | |
# My poor heart too | 0:02:16 | 0:02:20 | |
# Oh, how you told me the tale | 0:02:20 | 0:02:24 | |
# You always do | 0:02:24 | 0:02:28 | |
# I was a good little girl till I met you | 0:02:28 | 0:02:36 | |
# Josh-u-ah, Josh-u-ah | 0:02:39 | 0:02:43 | |
# Why don't you call and see Mama | 0:02:43 | 0:02:46 | |
# She'll be pleased to know | 0:02:46 | 0:02:50 | |
# You are my best beau | 0:02:50 | 0:02:54 | |
# Josh-u-ah, Josh-u-ah | 0:02:54 | 0:02:58 | |
# Nicer than lemon squash you are | 0:02:58 | 0:03:01 | |
# Yes, by gosh you are | 0:03:01 | 0:03:05 | |
# Josh-u-osh-u-ah | 0:03:05 | 0:03:09 | |
# I wonder why I always sigh the way I do | 0:03:15 | 0:03:21 | |
# And now it seems that all my dreams are all of you | 0:03:21 | 0:03:25 | |
# You used to be so nice to me in days gone by | 0:03:27 | 0:03:31 | |
# But all that now has changed somehow | 0:03:31 | 0:03:36 | |
# I wonder why | 0:03:36 | 0:03:41 | |
# You called me Baby Doll a year ago | 0:03:41 | 0:03:47 | |
# You told me I was very nice to know | 0:03:50 | 0:03:55 | |
# I soon learned what love was | 0:03:56 | 0:04:00 | |
# I thought I knew | 0:04:00 | 0:04:04 | |
# But all I've learned has only taught me how to love you | 0:04:04 | 0:04:11 | |
# You made me think you loved me in return | 0:04:13 | 0:04:19 | |
# Don't tell me you were fooling after all | 0:04:19 | 0:04:26 | |
# For if you go away | 0:04:26 | 0:04:30 | |
# You'll be sorry someday | 0:04:30 | 0:04:35 | |
# You left behind a broken doll | 0:04:35 | 0:04:43 | |
# You called me Baby Doll a year ago | 0:04:47 | 0:04:52 | |
# Year ago, year ago, year ago | 0:04:52 | 0:04:55 | |
# You told me I was very nice to know | 0:04:55 | 0:05:00 | |
# Nice to know, nice to know, nice to know | 0:05:00 | 0:05:03 | |
# I soon learned what love was | 0:05:03 | 0:05:07 | |
# I thought I knew | 0:05:07 | 0:05:11 | |
# But all I've learned has only taught me how to love you | 0:05:11 | 0:05:17 | |
# You made me think you loved me in return | 0:05:17 | 0:05:23 | |
# In return, in return, in return | 0:05:23 | 0:05:27 | |
# Don't tell me you were fooling after all | 0:05:27 | 0:05:34 | |
# For if you go away | 0:05:34 | 0:05:38 | |
# You'll be sorry someday | 0:05:38 | 0:05:42 | |
# You left behind a broken doll | 0:05:42 | 0:05:50 | |
# Jere-Jeremiah, my heart is on fire | 0:05:51 | 0:05:58 | |
# Play again that sweet refrain | 0:05:58 | 0:06:01 | |
# Um-tarara, um-tarara | 0:06:01 | 0:06:05 | |
# Jere-Jeremiah, it's the finest tune I've known | 0:06:05 | 0:06:12 | |
# Rag it, rag it | 0:06:12 | 0:06:14 | |
# Zig, zigzag it on your Ragtime trombone | 0:06:14 | 0:06:19 | |
# Jere-Jeremiah, my heart is on fire | 0:06:20 | 0:06:26 | |
# Play again that sweet refrain | 0:06:26 | 0:06:29 | |
# Um-tarara, um-tarara | 0:06:29 | 0:06:33 | |
# Jere-Jeremiah, it's the finest tune I've known | 0:06:33 | 0:06:40 | |
# Rag it, rag it | 0:06:40 | 0:06:42 | |
# Zig, zigzag it | 0:06:42 | 0:06:44 | |
# On the Ragtime | 0:06:44 | 0:06:46 | |
# Ra-ra-ra-ra Ragtime... | 0:06:46 | 0:06:49 | |
# Ra-ra-ra-ra Ragtime... | 0:06:49 | 0:06:53 | |
# Trombone. # | 0:06:53 | 0:06:58 | |
CHEERING AND APPLAUSE | 0:06:58 | 0:07:05 | |
Ladies and gentlemen, polyglottally... | 0:07:15 | 0:07:19 | |
AUDIENCE: Oh! | 0:07:19 | 0:07:22 | |
For your gratification, Mr John Bouchier. | 0:07:23 | 0:07:28 | |
CHEERING AND APPLAUSE | 0:07:28 | 0:07:33 | |
Thank you very much indeed, Mr Chairman | 0:07:35 | 0:07:37 | |
for that very nice introduction. | 0:07:37 | 0:07:39 | |
Very nice? You didn't understand a word of it! | 0:07:39 | 0:07:41 | |
LAUGHTER | 0:07:41 | 0:07:42 | |
-Yes, I did. -Well, I didn't. | 0:07:42 | 0:07:44 | |
That's because you're not very well educated | 0:07:44 | 0:07:46 | |
and without education you'll never be able to work. | 0:07:46 | 0:07:49 | |
I was working all last summer. I was a lifeguard on the beach all summer. | 0:07:49 | 0:07:53 | |
-Oh! -Saving the girls. | 0:07:53 | 0:07:54 | |
-What for? -The winter. | 0:07:54 | 0:07:56 | |
LAUGHTER | 0:07:56 | 0:07:58 | |
-What's that thing? -That's got nothing whatever to do with you, | 0:07:58 | 0:08:00 | |
but as you mention it, I'd like to show the ladies and gentleman. | 0:08:00 | 0:08:03 | |
You sit down for a bit and I'll show them. | 0:08:03 | 0:08:05 | |
In fact, you sit over here like this. That's the idea. | 0:08:05 | 0:08:08 | |
You just sit there. | 0:08:08 | 0:08:09 | |
And you can turn your head round like that. Good. | 0:08:09 | 0:08:13 | |
LAUGHTER | 0:08:13 | 0:08:17 | |
A little girl came up to me and said, "Would you do me a favour?" | 0:08:17 | 0:08:19 | |
I said certainly. She said, "Could you mend my dolly for me?" | 0:08:19 | 0:08:22 | |
I said, "Yes, if you've got the parts". So she gave me the body. | 0:08:22 | 0:08:25 | |
I said, is there any more? She said, "No." | 0:08:25 | 0:08:27 | |
I thought, well, it needs a head so I got a sort of a tennis ball, | 0:08:27 | 0:08:29 | |
cut it in half, painted it so it would look like a face | 0:08:29 | 0:08:32 | |
and placed it on the back of my hand like this with a piece of elastic. | 0:08:32 | 0:08:36 | |
HE COUGHS | 0:08:36 | 0:08:37 | |
-Excuse me. -HE COUGHS | 0:08:37 | 0:08:39 | |
-My throat needs clearing. -Needs cutting! | 0:08:39 | 0:08:42 | |
LAUGHTER | 0:08:42 | 0:08:45 | |
-That wasn't very polite. -No, but it was sincere. | 0:08:47 | 0:08:50 | |
LAUGHTER | 0:08:50 | 0:08:52 | |
I said, "How's that?" She said, "That's fine." | 0:08:52 | 0:08:54 | |
APPLAUSE | 0:08:54 | 0:08:59 | |
-Hello, Andy. -Hello. | 0:09:00 | 0:09:02 | |
-How are you? -Very well, thank you. | 0:09:02 | 0:09:05 | |
Good, I'm very pleased to hear that. Tell me, do you go to school? | 0:09:05 | 0:09:09 | |
-I go to two schools. -Oh, two schools. | 0:09:09 | 0:09:11 | |
-Weekday school. -Yeah. -And Sunday school. | 0:09:11 | 0:09:13 | |
-Oh, and which school do you like best? -Sunday school. | 0:09:13 | 0:09:16 | |
-Why is that? -Only go once a week. | 0:09:16 | 0:09:19 | |
LAUGHTER | 0:09:19 | 0:09:21 | |
-Do you mind if I smoke? -Don't care if you burn. -Well that's very... | 0:09:21 | 0:09:24 | |
LAUGHTER | 0:09:24 | 0:09:26 | |
That's nice coming from a little boy. Tell me, how old are you? | 0:09:26 | 0:09:30 | |
-Four years old. -Four years old and you say something like that. | 0:09:30 | 0:09:33 | |
-When will you be five? -On my birthday. | 0:09:33 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:37 | |
-Do you mind if I smoke? -No, can I smoke? -No, you're too young. | 0:09:37 | 0:09:40 | |
A little boy like you should be learning to sing, not smoke. | 0:09:40 | 0:09:43 | |
-Can you sing? -I can do the scales. | 0:09:43 | 0:09:45 | |
All right, do the scales for me. | 0:09:45 | 0:09:47 | |
# Do re mi fa so la ti do. | 0:09:47 | 0:09:51 | |
That's not bad, but you must learn to hold a note. | 0:09:51 | 0:09:53 | |
-Could you hold a note? -Certainly. -How long for? -As long as you can. | 0:09:53 | 0:09:57 | |
LAUGHTER | 0:09:59 | 0:10:00 | |
Well, I... | 0:10:00 | 0:10:02 | |
APPLAUSE | 0:10:02 | 0:10:05 | |
I tell you what, we'll have a little practice, | 0:10:05 | 0:10:07 | |
see if you can hold a note for everybody here. | 0:10:07 | 0:10:09 | |
-Now? -Yes, now. -OK. | 0:10:09 | 0:10:11 | |
LONG, HIGH-PITCHED NOTE | 0:10:13 | 0:10:21 | |
NOTE DESCENDS | 0:10:22 | 0:10:29 | |
-OK? -That's fine. | 0:10:29 | 0:10:31 | |
APPLAUSE | 0:10:31 | 0:10:38 | |
-Listen, what have you been doing today? -I went fishing. | 0:10:38 | 0:10:41 | |
-Did you catch anything? -Caught something you've never seen before. | 0:10:41 | 0:10:43 | |
Can you bring that fish on I caught this afternoon, please? | 0:10:43 | 0:10:47 | |
Here she comes. | 0:10:47 | 0:10:48 | |
AUDIENCE: Oh! | 0:10:48 | 0:10:51 | |
Lovely. Thank you very much. Get a few chips. | 0:10:51 | 0:10:53 | |
-We can have a little fish supper after. -This is fantastic, isn't it? | 0:10:53 | 0:10:58 | |
Very nice indeed, yeah. 36, 24 and three and six a pound. | 0:10:58 | 0:11:03 | |
LAUGHTER | 0:11:03 | 0:11:06 | |
-Where did you find it? -I didn't. I'm still looking for it. | 0:11:06 | 0:11:08 | |
I can't find it. | 0:11:08 | 0:11:10 | |
I think you're very lovely. | 0:11:13 | 0:11:15 | |
Mmm! | 0:11:15 | 0:11:16 | |
But I think you have to go back. | 0:11:18 | 0:11:19 | |
-Tell me, did you have a mother and father? -No. -No. | 0:11:19 | 0:11:22 | |
No, she's an act of cod. | 0:11:22 | 0:11:24 | |
LAUGHTER | 0:11:24 | 0:11:27 | |
And thereby hangs a tale and all! | 0:11:27 | 0:11:30 | |
-John? -Yes. -I like you. | 0:11:30 | 0:11:34 | |
-Oh, thank you very much. -I think you're rather good-looking. | 0:11:34 | 0:11:37 | |
-Oh! Now, you're only saying that! -No, you're saying it, mate! | 0:11:39 | 0:11:43 | |
LAUGHTER | 0:11:43 | 0:11:45 | |
He's the only one who does and all, aren't you? | 0:11:45 | 0:11:47 | |
-I also like the chairman. -You like the chairman? | 0:11:47 | 0:11:50 | |
AUDIENCE: Whoa! | 0:11:50 | 0:11:53 | |
-What's his name? -His name is Leonard. -Leonard. | 0:11:53 | 0:11:57 | |
No, not Leonard. | 0:12:00 | 0:12:01 | |
LAUGHTER | 0:12:01 | 0:12:05 | |
Just Leonard. | 0:12:05 | 0:12:06 | |
Leh-nerd. | 0:12:07 | 0:12:09 | |
LAUGHTER | 0:12:09 | 0:12:10 | |
-Has she got a bone in her throat or something? -I don't know. | 0:12:10 | 0:12:13 | |
I think it's your fault really | 0:12:13 | 0:12:14 | |
because you're ven-treacle-twist, aren't you? | 0:12:14 | 0:12:17 | |
-I'm a ventriloquist. -Ven-trickle-ist. | 0:12:19 | 0:12:23 | |
Ventriloquist! | 0:12:23 | 0:12:25 | |
How come she can say it and I can't? | 0:12:25 | 0:12:28 | |
LAUGHTER | 0:12:28 | 0:12:29 | |
I really have no idea, but I think we've all said too much already | 0:12:29 | 0:12:32 | |
so I'd like you to say goodnight to everybody. | 0:12:32 | 0:12:34 | |
From me, Charlie, goodnight. | 0:12:34 | 0:12:36 | |
From me, goodnight, Mr Chairman. | 0:12:36 | 0:12:37 | |
And from me, John Bouchier, | 0:12:37 | 0:12:39 | |
goodnight and thank you very much indeed. | 0:12:39 | 0:12:41 | |
APPLAUSE | 0:12:41 | 0:12:49 | |
Ladies, the very glass of fashion and the mould of form, | 0:12:54 | 0:13:00 | |
Mr Barry Kent. | 0:13:00 | 0:13:02 | |
APPLAUSE | 0:13:02 | 0:13:08 | |
ORCHESTRA PLAYS | 0:13:11 | 0:13:14 | |
SINGS LONG OPERATIC NOTE | 0:13:14 | 0:13:22 | |
# Aye! | 0:13:25 | 0:13:27 | |
# If I catch Alphonso Spagoni, the Toreador | 0:13:27 | 0:13:33 | |
# With a mighty swipe I will dislocate his bally jaw! | 0:13:33 | 0:13:38 | |
# I'll find this bullfighter, I will | 0:13:40 | 0:13:42 | |
# And if I catch the bounder | 0:13:42 | 0:13:44 | |
# The blighter I'll kill | 0:13:44 | 0:13:45 | |
# He shall die! (He shall die!) | 0:13:45 | 0:13:47 | |
# He shall die (He shall die) | 0:13:47 | 0:13:49 | |
# He shall die-di-di-di-di! | 0:13:49 | 0:13:52 | |
# He shall die! | 0:13:52 | 0:13:54 | |
# He shall die! | 0:13:54 | 0:13:57 | |
# For I'll raise a bunion on his Spanish onion | 0:13:57 | 0:14:00 | |
# If I catch him bending tonight! | 0:14:00 | 0:14:03 | |
# I tracked him to London | 0:14:07 | 0:14:10 | |
# But he gave me the slip once again | 0:14:10 | 0:14:12 | |
# And they told me this morning | 0:14:14 | 0:14:17 | |
# That he'd doubled and gone back to Spain | 0:14:17 | 0:14:20 | |
# But whatever it costs me I'll catch him | 0:14:22 | 0:14:25 | |
# Then no more will he give me the slip | 0:14:25 | 0:14:29 | |
# With my last one and nine pence | 0:14:29 | 0:14:32 | |
# I'm going on Sunday | 0:14:32 | 0:14:34 | |
# To Spain on a no-return trip | 0:14:34 | 0:14:37 | |
Are you ready? | 0:14:38 | 0:14:40 | |
# Oh, yes! | 0:14:40 | 0:14:41 | |
AUDIENCE: Oh, no! | 0:14:42 | 0:14:45 | |
Ladies and gentlemen, remember where you are. | 0:14:45 | 0:14:47 | |
A nice "refeened" one! | 0:14:47 | 0:14:49 | |
# Oh, yes! | 0:14:50 | 0:14:52 | |
# (Oh, no!) | 0:14:52 | 0:14:56 | |
# And then the dark deed will be du-uh-uh | 0:14:56 | 0:15:01 | |
HIGH NOTE: # Done! | 0:15:01 | 0:15:03 | |
# If I catch Alphonso Spagoni, the toreador | 0:15:03 | 0:15:09 | |
# With one mighty swipe I will dislocate his bally jaw! | 0:15:09 | 0:15:14 | |
# I'll find that bullfighter, I will | 0:15:16 | 0:15:19 | |
# And if I catch the bounder | 0:15:19 | 0:15:20 | |
# The blighter I'll kill He shall die! | 0:15:20 | 0:15:23 | |
# He shall die! He shall die tiddly-i-ti-ti-ti-ti-ti-ti! | 0:15:23 | 0:15:27 | |
# He shall die! He shall die! | 0:15:28 | 0:15:31 | |
# For I'll raise a bunion on his Spanish onion | 0:15:33 | 0:15:37 | |
# If I catch him bending tonight! | 0:15:37 | 0:15:40 | |
# Oh, I'll raise a bunion on his Spanish onion | 0:15:40 | 0:15:42 | |
# If I catch him bending tonight! | 0:15:42 | 0:15:43 | |
# Ole! | 0:15:43 | 0:15:45 | |
APPLAUSE | 0:15:45 | 0:15:51 | |
# There's a little brown road | 0:16:01 | 0:16:06 | |
# Windin' over the hill | 0:16:06 | 0:16:10 | |
# To a little white cot by the sea | 0:16:10 | 0:16:18 | |
# There's a little green gate | 0:16:18 | 0:16:25 | |
# At whose trellis I wait | 0:16:25 | 0:16:32 | |
# While two eyes o' blue | 0:16:32 | 0:16:37 | |
# Come smilin' through at me | 0:16:37 | 0:16:45 | |
# There's a grey lock or two in the gold of her hair | 0:16:48 | 0:16:56 | |
# There's some silver in mine too, I see | 0:16:56 | 0:17:03 | |
# But in all the long years | 0:17:03 | 0:17:10 | |
# When the clouds brought their tears | 0:17:10 | 0:17:17 | |
# Those two eyes o' blue | 0:17:17 | 0:17:22 | |
# Kept smilin' through at me | 0:17:22 | 0:17:30 | |
# And if ever I'm left in this world all alone | 0:17:34 | 0:17:42 | |
# I shall wait for my call patiently | 0:17:42 | 0:17:48 | |
# And if heaven be kind | 0:17:50 | 0:17:57 | |
# I shall wait there to find | 0:17:57 | 0:18:04 | |
# Those two eyes o' blue | 0:18:04 | 0:18:09 | |
# Still smilin' through | 0:18:09 | 0:18:15 | |
# At me. # | 0:18:15 | 0:18:22 | |
APPLAUSE | 0:18:23 | 0:18:28 | |
CHEERING AND APPLAUSE | 0:18:39 | 0:18:45 | |
From Denmark, for your multiple mystification... | 0:18:45 | 0:18:48 | |
..Saxburger! | 0:18:49 | 0:18:54 | |
APPLAUSE | 0:18:54 | 0:19:00 | |
CROWD: Awww! | 0:19:10 | 0:19:12 | |
CROWD: URGH! | 0:19:13 | 0:19:15 | |
APPLAUSE | 0:19:32 | 0:19:35 | |
LAUGHTER | 0:19:44 | 0:19:47 | |
APPLAUSE | 0:19:52 | 0:19:56 | |
APPLAUSE | 0:20:24 | 0:20:32 | |
APPLAUSE | 0:21:03 | 0:21:07 | |
APPLAUSE | 0:21:13 | 0:21:17 | |
APPLAUSE | 0:21:57 | 0:21:59 | |
APPLAUSE | 0:22:08 | 0:22:11 | |
LAUGHTER | 0:22:20 | 0:22:22 | |
APPLAUSE | 0:22:42 | 0:22:47 | |
CROWD: Awww! | 0:23:00 | 0:23:02 | |
CROWD: Awww! | 0:23:20 | 0:23:23 | |
APPLAUSE | 0:23:41 | 0:23:43 | |
APPLAUSE | 0:23:59 | 0:24:03 | |
CHEERING AND APPLAUSE | 0:24:10 | 0:24:15 | |
APPLAUSE | 0:24:26 | 0:24:31 | |
APPLAUSE | 0:24:44 | 0:24:47 | |
CROWD GASP | 0:24:47 | 0:24:49 | |
APPLAUSE | 0:24:49 | 0:24:52 | |
MUSIC: The Colonel Bogey March | 0:24:52 | 0:25:00 | |
Super abundantly! | 0:25:07 | 0:25:09 | |
Stimulant of sybaritic susceptibilities. | 0:25:11 | 0:25:16 | |
Superlatively soaring in sentimental sumptuousness. | 0:25:17 | 0:25:25 | |
Your own... | 0:25:26 | 0:25:27 | |
Your very, very own... | 0:25:27 | 0:25:30 | |
Miss Lyn Kennington. | 0:25:30 | 0:25:33 | |
APPLAUSE | 0:25:33 | 0:25:41 | |
# Falling in love with love is falling for make believe | 0:25:41 | 0:25:49 | |
# Falling in love with love is playing a fool | 0:25:49 | 0:25:55 | |
# Caring too much is such a juvenile fancy | 0:25:55 | 0:26:01 | |
# Learning to trust is just for children in school | 0:26:01 | 0:26:09 | |
# I fell in love with love one night when the moon was full | 0:26:09 | 0:26:16 | |
# I was unwise with eyes unable to see | 0:26:16 | 0:26:23 | |
# I fell in love with love With love everlasting | 0:26:23 | 0:26:30 | |
# But love fell out with me | 0:26:30 | 0:26:36 | |
# I'll be always loving you | 0:26:43 | 0:26:51 | |
# So there will be no time for tears | 0:26:51 | 0:26:59 | |
# Just keep remembering the love we knew | 0:27:00 | 0:27:08 | |
# The secret happiness I shared with you | 0:27:09 | 0:27:17 | |
# I'll be always loving you | 0:27:20 | 0:27:27 | |
# Through all the days that turn to eves | 0:27:27 | 0:27:35 | |
# For as long as I live | 0:27:35 | 0:27:42 | |
# For as long as I love | 0:27:42 | 0:27:46 | |
# I will always be loving you... # | 0:27:46 | 0:27:54 | |
APPLAUSE | 0:27:54 | 0:28:00 | |
# Falling in love. # | 0:28:00 | 0:28:02 | |
# Falling in love | 0:28:06 | 0:28:09 | |
# I fell in love with love | 0:28:09 | 0:28:11 | |
# With love everlasting | 0:28:11 | 0:28:15 | |
# But love fell out with me. # | 0:28:15 | 0:28:23 | |
APPLAUSE | 0:28:26 | 0:28:33 | |
# The roses each one | 0:28:43 | 0:28:46 | |
# Met with the sun | 0:28:46 | 0:28:49 | |
# Sweetheart when I met you | 0:28:49 | 0:28:55 | |
# The sunshine has fled | 0:28:55 | 0:28:59 | |
# The roses were dead | 0:28:59 | 0:29:04 | |
# Sweetheart when I lost you | 0:29:04 | 0:29:10 | |
# I lost the sunshine and roses | 0:29:13 | 0:29:20 | |
# I lost the heavens of blue | 0:29:20 | 0:29:28 | |
# I lost the beautiful rainbow | 0:29:28 | 0:29:35 | |
# I lost the morning dew | 0:29:35 | 0:29:43 | |
# I lost the angel who gave me | 0:29:43 | 0:29:51 | |
# Summer the whole winter through | 0:29:51 | 0:29:59 | |
# I lost the gladness that turned into sadness | 0:29:59 | 0:30:07 | |
# When I lost you | 0:30:07 | 0:30:14 | |
# I lost the sunshine and roses | 0:30:16 | 0:30:24 | |
# I lost the heavens of blue | 0:30:24 | 0:30:31 | |
# I lost the beautiful rainbows | 0:30:31 | 0:30:38 | |
# I lost the morning dew | 0:30:38 | 0:30:45 | |
# I lost the angel who gave me | 0:30:45 | 0:30:52 | |
# Sunshine the whole winter through | 0:30:52 | 0:30:59 | |
# I lost the gladness that turned into sadness | 0:30:59 | 0:31:07 | |
# When I lost you. # | 0:31:07 | 0:31:15 | |
APPLAUSE | 0:31:16 | 0:31:19 | |
-Cyclonically... -AUDIENCE CHEER | 0:31:39 | 0:31:42 | |
..seismographic, | 0:31:42 | 0:31:46 | |
the one and only Mr Ken Dodd! | 0:31:46 | 0:31:51 | |
CHEERING | 0:31:51 | 0:31:53 | |
KEN SHOUTS | 0:31:56 | 0:31:58 | |
Come on! | 0:31:58 | 0:32:00 | |
Right, sir... | 0:32:00 | 0:32:02 | |
APPLAUSE DROWNS HIM OUT | 0:32:02 | 0:32:05 | |
Whoa! Thank you, sir... | 0:32:05 | 0:32:07 | |
-SILENCE -Shut it! | 0:32:09 | 0:32:12 | |
LAUGHTER | 0:32:12 | 0:32:13 | |
LIVELY MUSIC STRIKES UP | 0:32:13 | 0:32:16 | |
# When I'm picking | 0:32:20 | 0:32:22 | |
# The beetroots dear | 0:32:22 | 0:32:24 | |
# That's when my heart beats for you | 0:32:24 | 0:32:28 | |
# When I'm picking | 0:32:28 | 0:32:30 | |
# Those blue berries | 0:32:30 | 0:32:32 | |
# That's when I feel blue for you | 0:32:32 | 0:32:35 | |
# And when I'm picking | 0:32:35 | 0:32:37 | |
# Those pickled onions | 0:32:37 | 0:32:40 | |
# That's the only time I cry for you | 0:32:40 | 0:32:43 | |
# But when banana skins are falling | 0:32:43 | 0:32:47 | |
# I'll come sliding back to you | 0:32:47 | 0:32:51 | |
# Yes, when banana skins are falling | 0:32:51 | 0:32:55 | |
# I'll come sliding back to you! # | 0:32:55 | 0:33:02 | |
CHEERING | 0:33:02 | 0:33:05 | |
Ladies! | 0:33:05 | 0:33:08 | |
Thank you, thank you. | 0:33:08 | 0:33:10 | |
-HE COUGHS -By Jove, I needed that. | 0:33:10 | 0:33:13 | |
It's better out than in. Ladies and gentlemen... | 0:33:13 | 0:33:16 | |
LAUGHTER | 0:33:16 | 0:33:17 | |
-Ladies and gentlemen, I'd like to say... -HIGH PITCHED: -..how...! | 0:33:17 | 0:33:21 | |
How tickled I am, yes, how tickled I am by all this good will. | 0:33:21 | 0:33:24 | |
Have you ever been tickled by goodwill, Miss? | 0:33:24 | 0:33:27 | |
Hello, good, old Willy. Tickled! | 0:33:27 | 0:33:29 | |
I'll show you, Mrs. By Jove, this calls for a... | 0:33:29 | 0:33:32 | |
-CHEERING -Yes... | 0:33:32 | 0:33:35 | |
By Jove... | 0:33:41 | 0:33:42 | |
CHEERING | 0:33:42 | 0:33:45 | |
That's surprising, isn't it, eh? | 0:33:45 | 0:33:47 | |
You thought you were going to see the main feature a bit early. | 0:33:47 | 0:33:50 | |
LAUGHTER | 0:33:50 | 0:33:51 | |
Mrs, I'm coming down to see you, love, | 0:33:51 | 0:33:54 | |
cos it's tickling me to see you. This is it, love. | 0:33:54 | 0:33:57 | |
You can be tickled anywhere you like, ladies. | 0:34:02 | 0:34:05 | |
You can be tickled anywhere you like, thanks to a new Post Office | 0:34:05 | 0:34:07 | |
-service called Inter-tickle. -LAUGHTER | 0:34:07 | 0:34:10 | |
A knock on the front door and you shoot down the lobby, | 0:34:10 | 0:34:13 | |
or foyer, if you live in Harrogate... | 0:34:13 | 0:34:15 | |
-LAUGHTER -Open the front door and the telegram | 0:34:15 | 0:34:18 | |
boy will be standing there with a huge tickling stick. | 0:34:18 | 0:34:20 | |
He'll say, "Charlie Addleston sent this, love. Happy birthday!" | 0:34:20 | 0:34:24 | |
"Wish you were here, stop, wish I was there, don't stop." Rubbish. | 0:34:24 | 0:34:27 | |
A little tickle down here... Oh... | 0:34:27 | 0:34:30 | |
Here you are, Albert! | 0:34:30 | 0:34:32 | |
He's going away for the weekend to Brighton anyway. | 0:34:32 | 0:34:35 | |
Now, ladies, first of all, I'd like to say how absolutely | 0:34:35 | 0:34:38 | |
discomnockerated, how, how... | 0:34:38 | 0:34:39 | |
Oh, yes, Miss, how full of plong-ciousness. | 0:34:39 | 0:34:42 | |
I do. Tonight, I feel completely goolified, standing here... | 0:34:42 | 0:34:45 | |
LAUGHTER | 0:34:45 | 0:34:46 | |
Standing here in this magnificent, giant...shoebox. | 0:34:46 | 0:34:50 | |
LAUGHTER | 0:34:50 | 0:34:52 | |
Oh, I have so much to give. | 0:34:52 | 0:34:55 | |
You're going to get it, too. I'm going to make you have it. | 0:34:55 | 0:34:58 | |
LAUGHTER | 0:34:58 | 0:34:59 | |
What a fantastic day! What a potty day for doing something political! | 0:34:59 | 0:35:03 | |
Dashing into a maternity home and shouting, | 0:35:03 | 0:35:05 | |
"It's your own fault for voting Labour!" | 0:35:05 | 0:35:07 | |
Well! | 0:35:07 | 0:35:09 | |
Votes for women! | 0:35:09 | 0:35:11 | |
Squirting a hosepipe up Emmeline Pankhurst's bloomers, | 0:35:11 | 0:35:13 | |
saying, "How's that for a suffering jet?" | 0:35:13 | 0:35:16 | |
You know! | 0:35:16 | 0:35:19 | |
APPLAUSE | 0:35:19 | 0:35:21 | |
Yeah! Go on! Go on! | 0:35:21 | 0:35:24 | |
Here we are, ladies and gentlemen, there's a wonderful atmosphere | 0:35:27 | 0:35:30 | |
in here tonight, just like a clinic. | 0:35:30 | 0:35:32 | |
You know what it is? It's the north, love, the north. | 0:35:32 | 0:35:35 | |
Cos we're the greatest, in the north, aren't we? | 0:35:35 | 0:35:37 | |
-ALL: -Yes! | 0:35:37 | 0:35:38 | |
And the most modest. Ah, to the north. | 0:35:38 | 0:35:42 | |
-Utterly Waring... -HE SHOUTS INCOMPREHENSIBLY | 0:35:42 | 0:35:45 | |
LAUGHTER AND APPLAUSE | 0:35:45 | 0:35:47 | |
Eddie Waring, the talking trilby. | 0:35:53 | 0:35:56 | |
Eddie Waring, the thinking man's Womble. | 0:35:56 | 0:35:58 | |
This is... | 0:35:58 | 0:36:00 | |
You see, I stand here tonight, ladies and gentlemen, full of it. | 0:36:01 | 0:36:06 | |
And I finally feel that I've arrived. | 0:36:07 | 0:36:10 | |
You don't get a chance to play to millionaires every day | 0:36:10 | 0:36:13 | |
of the week and just coming here and seeing all the quality. | 0:36:13 | 0:36:15 | |
I think I look back to my start in showbiz and realise I owe it all | 0:36:15 | 0:36:18 | |
to one little old basket. | 0:36:18 | 0:36:22 | |
Here it is, ladies and gentlemen. The one little old basket. | 0:36:22 | 0:36:25 | |
It's all in here. My little old prop basket. By Jove! | 0:36:25 | 0:36:28 | |
Now this is an interesting one, here. This little... | 0:36:28 | 0:36:32 | |
This little cane with arthritis... | 0:36:32 | 0:36:35 | |
And this little hat on there. Now, who does that remind you of? | 0:36:37 | 0:36:40 | |
There we are, there we are. By Jove! | 0:36:40 | 0:36:42 | |
One of the greatest of our music hall comedians today, | 0:36:42 | 0:36:46 | |
Mr George Robey. | 0:36:46 | 0:36:47 | |
I like to go out walking alone by myself. | 0:36:51 | 0:36:54 | |
Tis merely for exercise. | 0:36:54 | 0:36:56 | |
I wonder around like a mischievous elf, for I always expect a surprise. | 0:36:56 | 0:37:01 | |
T'other day... | 0:37:01 | 0:37:04 | |
Desist, temper your frivolity with a modicum of decorum. | 0:37:05 | 0:37:08 | |
T'other day, I was walking alongside a hedge | 0:37:11 | 0:37:13 | |
and the hedge was apropos of some trees. | 0:37:13 | 0:37:16 | |
I got my surprise as I walked along the edge as a sound | 0:37:19 | 0:37:23 | |
wafted my way on the breeze. | 0:37:23 | 0:37:25 | |
So I stopped and I looked and I listened, | 0:37:26 | 0:37:30 | |
and I tried to locate the sound. | 0:37:30 | 0:37:33 | |
First, I thought it was there, then I thought it was there, | 0:37:33 | 0:37:37 | |
a most peculiar sound I really declare. | 0:37:37 | 0:37:40 | |
I'd heard it before but I cannot say where, | 0:37:40 | 0:37:43 | |
so I thought that the sound must be found. | 0:37:43 | 0:37:45 | |
So I stopped and I looked and I listened | 0:37:46 | 0:37:50 | |
and the sound seemed to come from the ground. | 0:37:50 | 0:37:53 | |
Someone said, "Do." Someone said, "Don't." | 0:37:55 | 0:38:00 | |
Someone said, "Will." | 0:38:00 | 0:38:02 | |
Someone said, "Won't." | 0:38:04 | 0:38:07 | |
So I stopped and I looked and I left. | 0:38:07 | 0:38:11 | |
APPLAUSE | 0:38:14 | 0:38:17 | |
Ah! Ah! Here's a little friend of mine, ladies and gentlemen. | 0:38:23 | 0:38:27 | |
-A little friend of mine all the way from Knotty Ash. Aren't you? -Yes. | 0:38:27 | 0:38:32 | |
-You've walked all the way? -Yes. -You must be very tired. -Yes. | 0:38:32 | 0:38:36 | |
-But you are glad to be here? -Yes. -Can you say anything else but, yes? | 0:38:37 | 0:38:41 | |
-Yes. -What's that? -No. | 0:38:41 | 0:38:43 | |
-I believe your name is Dicky Mint. -Yes, cock. | 0:38:44 | 0:38:47 | |
-Pardon? -Yes, cock. -When you talk to me, you must say, "Sir." | 0:38:49 | 0:38:52 | |
-Sir? -Yes. -Yes, sir, cock. | 0:38:52 | 0:38:54 | |
It's good stuff this, you know, not ruggish. | 0:38:56 | 0:38:59 | |
I mean rubbish. | 0:38:59 | 0:39:00 | |
Well if you've walked all the way from Knotty Ash, | 0:39:03 | 0:39:05 | |
-you must be very thirsty. -Yes. | 0:39:05 | 0:39:07 | |
So would you like a big bottle of brown beer. | 0:39:07 | 0:39:10 | |
A big bottle of brown beer and some brown bread and butter | 0:39:10 | 0:39:13 | |
-or a shandy. -Shandy. -Good, now... | 0:39:13 | 0:39:16 | |
LAUGHTER | 0:39:16 | 0:39:18 | |
Right. | 0:39:18 | 0:39:19 | |
Ah, this is it. | 0:39:23 | 0:39:25 | |
This is the most valuable thing I have in my little basket, | 0:39:25 | 0:39:29 | |
ladies and gentlemen. Music. | 0:39:29 | 0:39:31 | |
If music be the food of love, give us a thrill with your sausage roll. | 0:39:31 | 0:39:36 | |
Shakespeare. Shakespeare said that just before they took him away. | 0:39:36 | 0:39:40 | |
I love Handel's Largo. It refreshes the parts that cocoa cannot reach. | 0:39:41 | 0:39:45 | |
La Donna E Mobile translated, does anybody want to buy a lady's bike? | 0:39:49 | 0:39:53 | |
La Donna E Mobile. Thank you. | 0:39:53 | 0:39:56 | |
MUSIC PLAYS | 0:39:56 | 0:39:57 | |
MUSIC STOPS | 0:40:01 | 0:40:02 | |
What's the matter? | 0:40:02 | 0:40:06 | |
TROMBONE PLAYS | 0:40:06 | 0:40:08 | |
LAUGHTER | 0:40:13 | 0:40:18 | |
TROMBONE PLAYS CONTINUOUSLY | 0:40:18 | 0:40:24 | |
LAUGHTER | 0:40:24 | 0:40:32 | |
It's him, sir. | 0:40:38 | 0:40:39 | |
# La donna e mobile | 0:40:42 | 0:40:44 | |
# Qual piuma al vento | 0:40:44 | 0:40:46 | |
# Muta d'accento | 0:40:46 | 0:40:48 | |
# E di pensiero | 0:40:48 | 0:40:50 | |
# Sempre un a mabile | 0:40:50 | 0:40:52 | |
# Leggiadro viso | 0:40:52 | 0:40:54 | |
# In pianto o in riso, Mensognero. | 0:40:54 | 0:40:58 | |
# La donna e mobile | 0:40:58 | 0:41:00 | |
# Qual piuma al vento | 0:41:00 | 0:41:01 | |
# Muta d'accento | 0:41:01 | 0:41:06 | |
# E di pensier | 0:41:06 | 0:41:08 | |
# Da-da da-da | 0:41:08 | 0:41:10 | |
# E di pensier | 0:41:10 | 0:41:12 | |
# E di pensier! | 0:41:12 | 0:41:19 | |
APPLAUSE | 0:41:22 | 0:41:24 | |
MUSIC STOPS | 0:41:25 | 0:41:27 | |
What's the matter? | 0:41:27 | 0:41:29 | |
DRUM PLAYS CONTINUOUSLY | 0:41:30 | 0:41:38 | |
In English. | 0:41:46 | 0:41:47 | |
# Woman is fickle | 0:41:47 | 0:41:49 | |
# Give her a tickle | 0:41:49 | 0:41:51 | |
# Hold her waist tightly | 0:41:51 | 0:41:54 | |
# Do it twice nightly | 0:41:54 | 0:41:56 | |
# All over Italy | 0:41:58 | 0:42:00 | |
# Birds sing so prettily | 0:42:00 | 0:42:02 | |
# Two key per tidy town | 0:42:02 | 0:42:04 | |
# They all fly upside down | 0:42:04 | 0:42:06 | |
# My auntie Nelly has a big... | 0:42:07 | 0:42:11 | |
# Telly. | 0:42:11 | 0:42:13 | |
# But my Aunti Lil has a bigger one still | 0:42:13 | 0:42:19 | |
# Da-da da-da | 0:42:19 | 0:42:21 | |
# You should see my uncle Jack | 0:42:21 | 0:42:24 | |
# E di pensier! | 0:42:24 | 0:42:29 | |
# E di pensier! | 0:42:33 | 0:42:36 | |
# E di pensier! | 0:42:38 | 0:42:41 | |
# La donna e mobile! # | 0:42:41 | 0:42:44 | |
CHEERING AND APPLAUSE | 0:42:46 | 0:42:54 | |
Thank you. | 0:43:03 | 0:43:06 | |
Thank you. | 0:43:08 | 0:43:11 | |
Now, ladies and gentlemen, there is only just time for the last | 0:43:18 | 0:43:22 | |
chorus of the night. | 0:43:22 | 0:43:24 | |
Down At The Old Bull And Bush. | 0:43:26 | 0:43:29 | |
Ladies and gentlemen, Mr Ken Dodd, the entire company, | 0:43:29 | 0:43:32 | |
Mr Bernard Hammond and the entire and almost unflagging orchestra, | 0:43:32 | 0:43:39 | |
-but this time, chiefly... -ALL: -Yourselves. | 0:43:39 | 0:43:44 | |
# Come, come, come and make eyes at me | 0:43:48 | 0:43:52 | |
# Down at the old Bull and Bush | 0:43:52 | 0:43:54 | |
# Come, come, drink some port wine with me | 0:43:56 | 0:44:00 | |
# Down at the old Bull and Bush | 0:44:00 | 0:44:03 | |
# Hear the little German band | 0:44:03 | 0:44:05 | |
# Da-da-da-da-da-da-da | 0:44:05 | 0:44:07 | |
# Just let me hold your hand, dear | 0:44:07 | 0:44:11 | |
# Do, do, come and have a drink or two | 0:44:11 | 0:44:15 | |
# Down at the old Bull and Bush | 0:44:15 | 0:44:18 | |
# Bush-Bush! # | 0:44:18 | 0:44:20 | |
APPLAUSE AND CHEERING | 0:44:20 | 0:44:26 |