Episode 6 Later... with Jools Holland


Episode 6

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Welcome to another show cram packed with amazing talent. We begin with

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KT Tunstall. # You know that nothing

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changes # You know that nothing

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The dazzling and wonderful KT Tunstall! Hard Girls. We are in a of

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talented and beautiful people and I will be chatting with Pete Tong. We

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will be enjoying from Norwich Let's Eat Grandma. And we welcome, from

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Saint Paul Minnesota, Haley Bonar. From London, we're so pleased to

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have Teleman. Just wait. Legendary, one of the great groups of all time,

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we are going to be having the Temptations. And chatting to one of

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the Four Tops, the wonderful Duke Fakir. But now, let's continue the

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music with, from Birmingham, Alabama, St Paul The Broken Bones.

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# No they don't, they don't, no no no

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# I can't tell what side I'm on

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# But we get lost in the sound

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# Please just try to hold her tightly, tightly, tightly

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CHEERING AND APPLAUSE St Paul The Broken Bones, All I

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Ever Wondered. Superb people in the studio this evening. First time on

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Later, we welcome Teleman. # Don't you want to know

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why I left you there # All alone on the

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carousel spinning away? # Dusseldorf looms

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in a cold grey light # I love everyone

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that I meet tonight # Another great town

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in the afternoon # Hello to the girl

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with the yellow balloon # I haven't got a place

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where to lay my hat # I long for a five-star

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life like that # She lifts the star,

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lifts, drops it down # The ice

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is melting all around # Don't you want to know

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why I left you there # Alone on the carousel

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spinning away? # Another great town

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and it's all right # I love everyone

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that I meet tonight # She lifts the star,

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lifts, drops it down # The ice is melting

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all around # Put on,

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put on your favourite song # The girl from Dusseldorf

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has gone... # She lifts

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the star, lifts, drops it down # The ice is melting

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all around # The girl

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from Dusseldorf has gone # The girl from

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Dusseldorf has gone #. Thank you, Teleman! From their

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album, Brilliant Sanity! Thank you, Teleman! Now, the only original

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surviving members, from one of my favourite groups of all time, the

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Four Tops, we welcome Duke Fakir! Such an honour to have you

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here, I am such a fan. It is more than an honour and a privilege, to

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come to the UK, this is our favourite stop, of all the stops in

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the world that we make, every year, when I leave here, I'm dying to get

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right it's wonder. White going back to the beginning, how did you

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originally get together? We got together going to parties. To meet

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some birds, if you don't mind(!) LAUGHTER

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You have clearly spends time in England! We were young men, we

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thought about singing, a little bit...! This young lady gave some

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wonderful parties, a group of girls, all really fine, and a special club,

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and they invited Levi and myself to sing. We wanted to do a group thing.

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Ronaldo Vincent, Lawrence Payton, they said that they would come,

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because we told them about the birds! LAUGHTER

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They said, Levi, sing a song, we will back you up, they began

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singing, and we backed him up, and the voices blended so well, and we

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looked at each other and said, yeah! Right after it was over, he said,

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this is a group. What did you sing at the party? 60 minute man! You

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remember that one. Very easy to harmonise on that one. We blended

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well together. We have a little bit of footage of the Four Tops from

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about 1970... On the BBC... You won't recognise us!

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LAUGHTER You will be

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LAUGHTER work, when

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LAUGHTER what is good, they keep us on our

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toes! They really do. what is good, they keep us on our

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there and b.s. , you folks know what people doing that before. That comes

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from Mr and Al Davis moves, Nice started doing that, and

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we just changed it up, moves, Nice started doing that, and

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been going on for years. It was good moves, Nice started doing that, and

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for Motown music, the greater greatest... They

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Holland, Dozier and Holland, they would do it with the

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Holland, Dozier and Holland, they week they would do it with Vandelas

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dorm, a College union room, great week they would do it with Vandelas

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Four Tops, the Temptations, week they would do it with Vandelas

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to young people in the week they would do it with Vandelas

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if you want to be a rapper, do it week they would do it with Vandelas

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# I lick the salt and toss my hair in a moment.

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# Don't I remind you of somebody somewhere?

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# If you want to catch me you're no friend of mine

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# And now we're the kids who got kids at parties

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# I was impossible when I was beautiful and now

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# Cartoon death just don't seem so funny

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# So don't you want to take me for a ride?

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# We can leave together, sleep in cars

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# Silver firecracker knows where we are

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# And when did I bury my own dreams of running?

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-- we are in a room of amazing was beautiful and now

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-- we are in a room of amazing people here tonight, and none more

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amazing than the tenth Asians! -- the Temptations!

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# I can build a castle from a single grain of sand

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# I can make a ship sail, on dry land

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# But my life is incomplete and I'm so blue

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# Hey, and I can buy anything that money can't buy

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# I can turn a river into a raging fire

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# Unimportant are all the things I can do

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# I can make the seasons change, just by waving my hand

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# I can change anything from old to new

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# The things I want to do the most, I'm unable to do

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# Unhappy am I with all the powers I possess

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# Cos, girl, you're the key to my happiness

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# Girl, you're blowing my mind cos I can't get

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# Can't you see these tears I'm crying?

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# Can't you see these tears I'm crying?

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# Thought it was all, all I could have

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# And it was better, it was better than nothing

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# It took me so long to get here but here I am

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# It took me so long I can't believe it

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# It took me so long to get here but here I am

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# It took me so long I can't believe it

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# It took me so long to get here but here I am

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# I can't safely say I wouldn't change it

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# There were things left me feeling ashamed

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# Like how I didn't stand up for myself

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# But the truth led to you calling my name

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# It took me so long to get here but here I am

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# It took me so long I can't believe it

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# Everything I tried and # All the things I dreamed of

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# It took me so long I can't believe it

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# It took me so long to get here but here I am

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# And it didn't seem fair, no it didn't seem fair

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# I could feel it in the air, feel it in the air

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# It took me so long to get here but here I am

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# It took me so long I can't believe it

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# It took me so long to get here but here I am

:27:57.:27:59.

# It took me so long I can't believe it

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# It took me so long to get here but here I am

:28:10.:28:20.

# It took me so long I can't believe it

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# It took me so long to get here but here I am

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# It took me so long I can't believe it

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# It took me so long to get here but here I am

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# It took me so long I can't believe it

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Thank you, KT Tunstall. That is from her album Khin. Before that, we

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enjoyed the Temptations. Great dance legends and now a contemporary dance

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legend, Pete Tong. Welcome. Great to see you. Banksy having the. There's

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a drink for you, a drink for me and a mysterious glass of water to

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cleanse our mouths between chats. You've collaborated with conductor

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and arranger James Buckley on an orchestral record, which is a

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brilliant idea but an unusual mix. How did it come about? Radio 1 were

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approached last year to curate a prom and they asked me. I said, why

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don't we celebrate going to be further 20 years? We spent about six

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months putting together with the Heritage Orchestra and we had this

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magical night in the Albert Hall and it was a great night and there was

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loads of excitement but it was really the days afterwards, it kind

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of went viral on the iPlayer and YouTube. Everyone was saying, did

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you see what happened there? The momentum built and demand was out

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there to do it again so we worked out how to do it at the beginning of

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this year, but shows on sale and find the studio and make the album.

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How big is the orchestra? He's got a very large orchestra! So big we

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couldn't bring it today. 65 piece. That was part of the reason why it

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took so long to organise it because we wanted that scale and it really

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does move you. The orchestral thing is fantastic. There must be quite a

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lot of challenges if you are combining those two sorts of music.

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I wanted to honour how great this music was. These tunes first came

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out in the late 80s and early 90s at the beginning of house music, rave,

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techno and these were really special records and sometimes I don't think

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they get the props they deserve so proving to people that you can

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orchestrate them and perform them in that way, that's why I think it got

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such a great reaction. When these tracks were made, the musicians in

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Chicago and Detroit couldn't do it with an orchestra. They did it with

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one finger wizardry. We've got a clip here of Insomnia at the Royal

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Albert Hall in 2015. APPLAUSE

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That is quite amazing. We kept the players playing with some hand

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signals between me and Jules and they were cursing is at the end

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because they had to go round and round. It is quite a challenging

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thing to get some sort of pulse of music to keep it rhythmic. Live

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music is often a challenge. They play it all. There is nothing

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running underneath. Had you played the Albert Hall before? Never. It

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was a first and that's my couldn't turn it down. I'd never done

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anything like that before but when you get offered the Albert Hall, you

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have to do it! So people have got another experience, to see if they

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can experience it live. We are going to Birmingham, London and

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Manchester. It is a marvellous record. We look forward to hearing

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more of that. Thank you for joining us, Pete Tong.

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APPLAUSE Jules Buckley and Pete Tong, what an

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interesting mix. Speaking of interesting mixes, let's now welcome

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this brand-new duo, from Norwich, Let's Eat Grandma.

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# Create a basin and put your face in

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# Voice and skin hidden in the basement

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# And to explain the game is a giveaway

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# Stay, create a place and backdrop it

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# Create a basin and put your face in

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# Acetone tears rolling down the pavement

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# To retain the blame is a heavy weight

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# Stay, I need your help to unblock it

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# Create a basin and put your face in

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# Porcelain skin is an understatement

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# Yeah, I just didn't know what to say

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# Is it the way that my body grooves?

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# I feel it, I'll never let you go # I won't let you go

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Amazing people. Over here, we have met Mr Duke Fakir the four Tops and

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we have one of the Temptations who is performing with this this

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evening, Otis Williams! What fantastic music, millions of people

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love your music, minions of people love your records, now you are on

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tour with the four Tops, you have got Grammys, you must go back a long

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way with them. Do you have fun? It is a friendly rivalry, we love them,

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but on stage, we try to kill them! LAUGHTER

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He's here now, just behind me. Hey! How you doing! When you go on stage,

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the friendliness is gone. I know that the four Tops will be trying to

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slay the Temptations, that is a friendly rivalry that has been going

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on since the 60s. Great for them to see, so what do people see when they

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come out of the show? They will see the traditional Temptations, as we

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have been going, the fancy suits, and whatever, so we will still be

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the character that we have been since Day 1. You are going to do

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another song in a moment. We are going to do just my imagination.

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APPLAUSE I remember when that record came

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out, put it on, and I was 16, girls would burst into tears, there is one

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chord, the five chord, they would burst into tears. The power of

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music, especially when you can move "the birds"(!) LAUGHTER

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We will be hearing Just My Imagination With These Fine Fellows

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In Just A Moment. And now we welcome back, Haley Bonar.

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# Born in the spring, I've always needed

:43:51.:43:52.

# And come to think of it now, so did you

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# Maybe that explains this fascination with death

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# "The cross protects you from the shame"

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# That comes along with living in the kind of world

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# Where boys can only kiss the girls

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# Excuse me, sir, do you have a light?

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# But that's what makes us brighter than the rest

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# Who'd think a weight like this could make you feel blessed?

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# Not bittersweet, the taste of living

:44:57.:45:46.

# But we both know your future wasn't with me

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# Long before your body betrayed you

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# Royalty, through the streamers and the beams

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# They tied you up and called you queen

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# Passed out in a bathroom stall

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# You still looked better than them all

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# Watched the castle dance in flames #.

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# I say to myself # You're such a lucky guy

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# Out of all the fellas in the world # She belongs to you

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# It was just my imagination # Runnin' away with me

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# With a cosy little home out in the country

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# This couldn't be a dream for too real it all seems

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# Don't ever let another take her away from me

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# When her arms enfold me I hear a tender rhapsody

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# But in reality, she doesn't even know me

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The Temptations! I have the best job in the world! Just my imagination,

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the Temptations. Before that, we enjoyed Haley Bonar. The brand-new

:51:28.:51:38.

wonderful music, now, we welcome, Teleman!

:51:39.:52:23.

# Could it be you came to rescue me

:52:24.:52:32.

# But I can't get close enough, you see

:52:33.:52:52.

# There's a concrete wave that's pulling me

:52:53.:53:06.

# Wanna dance that foxtrot here for me?

:53:07.:53:24.

# And I can't get close enough tonight

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# To the heat from your red firelight

:53:37.:53:47.

# How long must we circle before we can touch down

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# How deep must we swing to pick up what we've found?

:53:57.:53:59.

APPLAUSE Teleman! Tangerine! Their album,

:54:00.:55:11.

Brilliant Sanity! An artist who I'm delighted to say that we welcome

:55:12.:55:14.

back to the show, tremendous new album out, this song is Evil Eye and

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this is KT # Say you don't listen

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to every word that I say # Kind of explains it

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all in some peculiar way # There's no distance

:55:46.:55:51.

gonna keep you safe # Got an evil eye

:55:52.:56:04.

# Look at you # Teaching you lessons,

:56:05.:56:24.

and now I'm meant to behave # While you change like a season

:56:25.:56:26.

inside a single day # But you're never

:56:27.:56:29.

gonna get your way # 'Cause there's an evil

:56:30.:56:39.

eye # There's an evil eye

:56:40.:56:40.

# Look at you # There's an evil eye

:56:41.:56:43.

# Watching you # There's an evil eye

:56:44.:56:45.

# Cuts right through # There's no danger you'll

:56:46.:57:19.

be left on the shelf # For you're the poster boy

:57:20.:57:21.

for falling in love yourself # But one's only gonna get

:57:22.:57:28.

lonely # Let the light into that crack

:57:29.:57:31.

in your shell # 'Cause you got

:57:32.:57:35.

an evil eye # Got an evil eye

:57:36.:57:37.

# Look at you # Got an evil eye

:57:38.:57:41.

# Watching you # Cuts right through you

:57:42.:57:49.

# 'Til I know you're sorry there's an arrow for your chest

:57:50.:58:03.

# Tell a different story and put my heart at rest

:58:04.:58:39.

# Well there's an evil eye # Watching you

:58:40.:58:42.

# Got an evil eye # Look at you

:58:43.:58:44.

# There's an evil eye # Watching you

:58:45.:58:46.

# Got an evil eye # Cuts right through #.

:58:47.:59:00.

# Can I find you in that sea, those ole gravel highways

:59:01.:59:37.

# That you can hear my same sad songs

:59:38.:00:11.

# But the numbness that grows in my heart

:00:12.:00:19.

# By the stones of that young heartache

:00:20.:01:33.

# I'm tellin' everybody, I'm burnin' Rome!

:01:34.:02:18.

APPLAUSE Dazzling bit of talent, saying Paul

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and the broken bones, burning Rome! -- St. Paul and the broken bones. We

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will be back on Tuesday, so much more to come. Now I would like to

:03:43.:03:46.

invite the Temptations bands to give as a bit of a groove, if you will,

:03:47.:03:58.

please. Thank you, to the Temptations. Thank you, Teleman!

:03:59.:04:10.

Thank you, Haley Bonar! Thank you, Let's Eat Grandma! Thank you, Pete

:04:11.:04:20.

Tong! Thank you, KT Tunstall! Thank you, the beautiful people here!

:04:21.:04:31.

Thank you, St Paul The Broken Bones! From the four Tops, thank

:04:32.:04:35.

you, Duke Fakir!

:04:36.:04:36.

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