Episode 5 Later... with Jools Holland

This programme contains very strong language.

APPLAUSE.

Welcome to another superb evening of stuff.

Let's start with the brilliant Pretenders.

One, two, three, four.

# I-I-I'm

# A Mass of devotion

# I-I-I'm

# In a Holy commotion

# I just want, I want, I want to see your face

# I just want, I want, I want to change your place

# Lift your veil off, uh

# I-I-I'm

# A mass of devotion

# I-I-I'm

# In a Holy commotion

# I just want, I want, I want to lead the blind

# I just want, I want, I want to change your mind

# Come on baby

# I-I-I

# Devotion, devotion, devotion

# I-I-I

# In a Holy commotion

# I just want, I want, I want to see the light

# I just want, I want, I want to dance all night

# Come on, baby!

# When the walls come tumbling down

# And the love drags all around

# And the dogs of war come around no more

# No more rape or torture or mutilation

# One love, one word

# One humanity

# One love, one word

# One humanity

# Oooooh

# I-I-I

# Devotion, devotion

# Ooooh, I, yeah

# Come on, baby

# Oooooh

# Heal me, Jesus

# Oooooh

# One love

# Let's get out! #

CHEERING.

What a pleasure and joy it is to have the Pretenders

back in this room.

Joined by Dan Auerbach.

I will be talking to Chrissie Hynde and Dan later on.

We have a room full of amazing people here this evening.

In this corner, Loudon Wainright III!

CHEERING.

I will be talking to the legendary and re-formed amazing Bad

Company. CHEERING.

I will be delighted at the sound of the woman

from Lewisham, it is Ray BLK.

CHEERING.

I will be thrilling to the voice and the guitar of Joanne Shaw

Taylor.

CHEERING.

I shall also be very enjoying south-east London's Samm

Henshaw.

CHEERING.

And now a remarkable act that has had an enormous amount of coverage

in this room.

We welcome, from Australia, Empire of the Sun.

# Now we are running in a pack to the place you don't know

# And I want you to know that I'll always be around

# Down where the summer and the late nights last forever

# There's a house on the hill and we can travel now

# Alice D, you're on your way home

# Way home

# I feel most times we're high and low (high and low)

# If I had my way, never let you go (never let you go)

# I feel most times we're high and low (high and low)

# If I had my way, never let you go (never let you go)

# Let's get together and forget all our troubles and just float

# I don't want you to go

# I need to be closer to now

# Alice D, you're on your way home

# Way home

# I feel most times we're high and low (high and low)

# If I had my way, never let you go (never let you go)

# I'll be on both sides, babe

# High and low (high and low)

# If I had my way, never let you go (never let you go)

# Alice D is on her way home

# She's been out all night again

# She don't want nobody's help now

# She sees stars and rocket ships

# I'll be on both sides, babe, high and low (high and low)

# If I had my way, never let you go (never let you go)

# I'll be on both sides, babe, high and low (high and low)

# If I had my way, never let you go (never let you go). #

CHEERING.

Empire of the Sun, High and Low. From their forthcoming

album Two Vines.

What a dazzling display of music, dancing and foliage.

This next artist has been supported by 1Xtra

and BBC Introducing.

Why is that?

It's because he is an extremely promising and talented young fellow.

We welcome Samm Henshaw.

# Said that I know

# I know it's been hard on you

# I know it's getting under your skin

# That they don't think that much of you, yeah

# Help me out

# And I see

# I see the things that they don't see

# They think I'm too wrapped up in your needs

# But you would do the same for me

# Oh, Lord

# And I tell them that it's you that I want

# Yeah, and they tell me that I've got it all wrong

# Said it don't matter if they think that we're lost

# Cos they don't

# They don't understand our love

# Sing, our love

# They don't get it, baby

# Sing our love

# Our love

# Yeah

# They try convincing me, but I got no doubt

# Hey, hey

# Say she's infected, but I can't do without

# Hey, hey

# No matter what they say I know what I found

# Hey, hey

# I got a need for two make any man proud

# Oh, said I...

# Tell them that it's you that I want

# And they tell me, baby

# Tell me that I've got it all wrong

# Said it don't matter if they think if we're lost

# Cos they don't

# They don't understand our love

# Our love

# Oh yeah, sing our love

# Sing our love

# Hands up with me now

# Tell me, tell me, tell me Do you, do you feel it, babe?

# Yeah

# Sing, come on

# Tell me, tell me, tell me Do you, do you feel it, babe?

# Yeah, yeah, yeah

# Said I tell them that it's you that I want

# And they tell me that I've got it all wrong

# It don't matter if they think we're lost

# Cos they don't, they don't, they don't understand our love

# Yeah, yeah, yeah

# Our love

# They don't get it now, baby, sing

# Our love

# Oh yeah, our love

# When I wake up in the morning

# When I go to sleep at night

# They don't understand what we got, baby

# How much I want to hold you tight, yeah

# Sing, our love. #

CHEERING.

Samm Henshaw.

Our Love.

An album out next year.

What a great voice that man has.

Speaking of great voices, I am delighted to say that Bad Company,

one of the great supergroups of all time.

Joining us now here, Paul Rodgers, Simon Kirke

and Mick Ralphs from Bad Company.

Lovely to see you.

Thank you so much for coming.

It is a great treat.

You have reformed, and you were of course one

of the original supergroups.

I mean an amazing group.

How did you all get together in the first place?

It was myself and Paul started working together, writing songs.

We were going to do an album.

And then Simon turned up out of the blue.

Brazil, I was in Brazil.

Blue Brazil.

And sat in on the drums, and I said to Paul, well,

if we had a bass player, we have got a group.

And it was a supergroup, because you all came through,

there was Mott the Hoople, there was all these different...

On paper it was a supergroup.

We didn't think as such.

But then once you got back together, which you have done now,

has that been an enjoyable experience for you?

It has been great, actually.

We have just done a tour of the states, with Joe Walsh,

actually, we were sharing a headline.

And it was absolutely fantastic.

We didn't have Mick with us at that time, but we've

got him back now for this.

Because often when bands get together, sometimes

it is pleasant and agreeable, but sometimes the rekindling

can lead to arguments and resentments and petty fights.

Really?

You have never had any of that?

Good lord, no!

We are English.

It is a show that I would look forward to seeing.

There are a lot of Bad Company fans out there, but we have got a little

bit of footage of you back in 1975 I think it is.

# I'm a man

# I got my pride

# I don't need no woman to hurt inside

# I need love like any other

# So go on and leave me, leave me for another

# Good loving gone bad

# Good loving gone bad

# Don't stand in my way

# Baby, you got me mad now...

APPLAUSE.

One of the great voices of all time.

Looking back, that was in the early '70s.

I suppose that the time of innocence, in my mind,

the '60s have gone, and by the time we got to the early '70s,

it is just a Roman orgy, the whole thing.

Is that what it was like?

Oh, yes.

LAUGHTER.

And you had fun?

We had fun.

But now you have quietened down a bit?

Yes!

Do you have to keep them in order?

Not really.

It's really, it's about the music, and we had something

in the beginning, it was like a chemistry that

happened, it it ignited.

And when we got on stage, it kind of exploded.

And I think we still have that.

I don't think we'd do it if we didn't,

really.

No.

It's great.

All the records were great.

What sort of thing can people look forward to hearing,

what have you been doing out in America?

Well, putting the show together, it is kind of the best

of over all the years, and it is great to be able to...

I think of it as kind of like one big song, the whole set.

And so it has to have all the ingredients of excitement

and intimacy with the audience and a feeling that they are part

of the show as well, so that is what we do,

it is connection with the crowd.

Fantastic songs, great voice, great players.

You can't go wrong.

The tour is called the Swansong Tour, but it isn't the last?

It's a nod in the direction of our record company,

Swansong, Led Zeppelin.

Because we rereleased the first five albums, which were all on Swansong.

We don't tour in England very often, about every six years,

so if you put six years, I don't know how we will feel in six years,

will you want to do another?

We'll be about 102 by then!

Might feel pretty ropey.

But you sound great, mate.

But we have got to be in bed soon.

Well, thank you for a lot of barefaced lies!

And for joining us this evening.

We would look forward to hearing and seeing them on tour,

the re-formed marvellous Bad Company, Paul Rodgers,

Simon Kirke, Mick Ralphs.

APPLAUSE.

Now, this next artist plays the guitar amazingly,

but she doesn't stop there.

She sings amazingly and has incredible songs.

We welcome Joanne Shaw Taylor.

# You can't let go

# See that old black crow

# Feel the cold wind blow

# Cos you're dyin' to know

# You think you're free

# Truth is you will bleed

# Pure as the driven snow

# And you're dyin' to know

# Lost in that haze

# Nights turn to days

# Trying to find your way home

# Dyin' to know

# Lost in a haze

# Nights turn to days

# Trying to find your way home

# Dyin' to know

# Holes in your veins

# Blue, bruised and shamed

# Where does this road go?

# You're dyin' to know

# You made friends with that old black crow

# You're dyin' to know

# You're dyin' to know. #

CHEERING.

What a voice, what a guitar.

Joanne Shaw Taylor.

Dyin' to Know from her album Wild.

More from her later on.

The room is filled with wonderful people this evening.

In this corner, a fantastic new talent.

Please welcome Ray BLK.

# Socks and sliders everywhere and every day

# Full English breakfast at a caff, not a cafe

# No, no, baby, we don't let strangers come our way

# But you should come to my hood, my hood, my hood

# Meet me at Morley's, best fried chicken is in South

# I'll show you gangsters, don't you go running your mouth

# Mopeds are racing, 2am outside my house, oh yeah, it's loud

# But come to my hood, my hood, my hood

# Oh, you should come to my hood, my hood, my hood, my hood

# You should come to my hood, my hood, my hood

# Said you should come to my hood, my hood, my hood

# You should come to my hood, my hood, my hood

# Barely anyone at school after 15

# We're chasing paper then Blue Borough should be green

# I won't lie, finding a way out is our dream

# But you should come to my hood, my hood, my hood

# Top floor of Pepys estate, we'll show you our world

# That building turns you to a woman from a girl

# Now time to stop, life flashes past you in a whirl

# But you should come to my hood, my hood, my hood

# Cos on these streets, these streets

# In the dark, we glow

# On these streets, these streets

# Yeah, we're high when it's low

# On these streets, these streets

# Through concrete, flowers grow

# In my hood, my hood, my hood, my hood

# You should come to my hood, my hood, my hood

# There's no place like home

# No place like home

# Buy me any ticket, I don't want to go

# To a town where there's no one like me around

# Don't take me there or anywhere

# Oh, no

# No, oh, no, no, no

# No, oh, no, no, no

# No, oh, no, no, no

# No, oh, no, no, no

# Cos on these streets, these streets, in the dark we glow

# These streets, these streets

# We are high when it's low

# These streets, these streets

# Through concrete flowers grow

# Oh, in my hood, my hood, my hood

# You should come to my hood, my hood, my hood

# Said you should come to my hood, my hood, my hood

# You should come to my hood, my hood, my hood #.

CHEERING.

The wonderful Ray BLK.

My Hood from her album Durt.

Ray BLK!

CHEERING.

We have had on this show the marvellous Martha Wainwright.

We have also had the sensational Rufus Wainwright.

But now we have the daddy of them all, Loudon Wainwright III.

CHEERING.

Great to have you here, Loudon.

You were also on our second show 350 shows a go.

25 years ago.

Could it be true?

Why haven't you called me in the last 25 years?

I have been busy, you know, and I have had things to do,

and I have been busy getting your children on,

who have been great, if I may say so.

They are all very great.

You went on tour with them, I think, in Alaska?

Right.

A year ago in Alaska, five cities, Rufus, my daughter

Lucy Wainwright Roche who is also a singer, her mom, Suzzy Roche

from the Roches and my sister Sloan did a tour of Alaska

where the audience travelled with us, so we were trapped

with our audience.

How big was the audience?

About 300 scary people.

Wow.

When you say five, are there five cities in Alaska?

There's only five cities in Alaska.

But wherever you go with 300 people, that's a city!

We took a train one day, we took a boat.

We went and looked at glaciers and whales and a bus trip,

and it was fun, actually.

Unfortunately, Martha was not able to attend,

and my youngest daughter Lexie Kelly was in school, so she had a good

excuse not to be there.

But all of your children are very talented.

Who do you attribute that to?

Their mothers!

Correct answer!

We look forward to hearing that song in a moment,

and we will throw to Pretenders.

APPLAUSE.

What am I gonna do today?

# Go to the newstand

# Check out the war zone

# See the listings, see what's good on

# Oh, there's one I've been wanting to see

Anyone here up for a movie? I am.

# Nobody tells me I can't

# Nobody tells me I shan't

# Nobody says you're doing it wrong

# I'm at my best, I'm where I belong

# Alone

# Yeah

# I like it

# Now I'm down on the street hanging out

# With the poets and the Greeks and the deadbeats

# And I'm taking my time, sitting on park benches

# All the glamour starts down here This is where the trends begin

# Life's a canvas and I'm on it

# Nobody tells me I can't

# Nobody tells me I shan't

# No-one to say you're doing it wrong

# I'm at my best, I'm where I belong

# Alone

# I like it

# I like being alone

# The other thing I like to do

# Go to the graveyard and hang out with you

# And sit back and have a smoke and practice my autograph

# And reread your epitaph, and it says

# Don't you laugh as you walk by For as you are so once was I

# And as I am so you shall be Prepare for death and follow me

# Alone

# Yeah, I like that

# I like being alone

# Nobody tells me I can't

# Nobody tells me I shan't

# No-one to say you're doing it wrong

# I'm at my best, I'm where I belong

# Alone

# Yeah

# I like it

# I like being alone. #

What are you gonna do about it, huh?

Absolutely fuck all.

Yeah, I'll do exactly what I want.

One, two, three, get out!

CHEERING.

# Meet the Wainwrights

# On the train, the boat, the bus

# Join the family

# Come on, rub elbows with us

# We're the Wainwrights

# That singing family

# For five days and five nights come sample our reality

# In Alaska, that wild and crazy state

# It's a safe distance from the lower 48

# Yes, we're the Wainwrights

# We get looks and we get stares

# More than eagles, Eskimos, glaciers, moose and bears

# Meet the Wainwrights

# Yes, we finally have a show

# Forget the Osbournes Those Kardashians must go

# We're the Wainwrights

# We can play and we can sing

# Our Sound Of Music, kind of a screwed up Von Trapp type thing

# Rufus Wainwright, oh yeah, you remember him

# Once was a tit man

# Now he checks pecs out at the gym

# He has a trainer travelling with him on the bus

# Cos he's more famous and much richer than the rest of us

# Da-doo-dee-da

# Da-da-da-doo-de-der-day-duh

# Dum-dum-dum-dum-dum-dum-dum-dum

# Duh-duh-da-de-doo-de-dee-da-doo-da

# Bee-ba-boo-boo-eh-ya

HE CONTINUES SCATTING.

# We got Roches from that awesome singing crew

# Suzzy and Lucy, they're a mother-daughter twosome

# But they're Wainwrights

# And for that we all are glad

# Once upon a happy time Suz slept with Lucy's dad

# Sloanie Wainwright has a voice that will not quit

# Bears and eagles and whales are afraid of it

# And Sarah Palin, she runs the other way

# Is Sarah in Alaska or has she moved to LA?

Clap your hands!

HE SCATS.

# Martha Wainwright and Lexie Kelley are not here

# Lex is in college, Martha just chose to steer clear

# Being a Wainwright can be a little much

# But Martha and the bloody motherfucking asshole stay in touch

# Loudon Wainwright

# Yeah, he's the patriarch

# He's a skunkman who can get a little dark

# He is important and would like to make it clear

# If it were not for Loudon, none of you folks would be here

# So meet the Wainwrights

# On the train, the boat, the bus

# Join the family

Clap your hands!

# Come on, rub elbows with us

# We're the Wainwrights, that singing family

# For five days and five nights, come sample our reality

# The adventure of a lifetime

# With the Wainwright family. #

CHEERING.

As fresh and enchanting as when he first appeared

on this show 350 shows ago, 25 years.

Loudon Wainright III with Meet the Wainwrights.

A beautiful family song for us all.

Before that we enjoyed the Pretenders.

CHEERING.

And now, behind this beautiful and lovely scene,

we welcome Empire of the Sun.

# We got the best years ahead, we know we do

# We reach for love, it meets us on the headway

# We reach for love, it meets us on the headway

# Blind to the upcoming eye

# Caught in the fuss above

# Right in the prime of your life

# Struck by the force of us

# And all because we trust two vines

# Slowly growing right into your ears

# Show me all the life

# Lead us in your wind tonight

# Two vines, two vines

# We're going out tonight, won't you come along?

# We'll wake the dawn, like replaying memories

# Right to the sky up above

# Born into all of us

# Right in the prime of our lives

# Struck by the course of love

# And all because we trust two vines

# Slowly growing right into your ears

# Show me all the life

# Lead us in your wind tonight

# Two vines, two vines

# I wonder what it's like

# There's only one way tonight

# I wonder every time

# We're going to a place that no one's ever been before

# There's only one ocean that can hold the door

# No reason to rush, just taking it slow

# All the universe is humming with me

# And all because we trust two vines

# Slowly growing right into your ears

# Show me all the life

# Lead us in your wind tonight

# Two vines, two vines

# Slowly growing right into your ears

CHEERING.

Top of the range Empire of the Sun.

The title track of their album, Two Vines.

Empire of the Sun.

Great stuff.

Unique, unusual and dazzling in this room to have such a lovely display,

and there is another lovely display at this table,

because Dan Auerbach and Chrissie Hynde are here.

Welcome to the show.

We love you madly.

Now, it is great to have you both here.

So, the Pretenders record, the first Pretenders record

for eight, eight years.

What inspired you to decide to make one now?

Well, there was another one, but it just had my name

on it for some reason.

I was so tired of talking about why it wasn't a solo thing.

I see.

It's all the same.

Anyway, anything that has got you...

I have got my Kell Brook T-shirt on.

Very nice, yes.

And Alone.

Where did you get that title?

Any other good titles you had?

Actually, Dan thought of that.

I was bragging about how much time I spend alone,

and he said, write a song about it.

That is what we did.

It is very good.

And Dan, how did you get involved in this whole thing?

I know Chrissie, and I see her every once in awhile, and we always

about making a record.

And it just happened.

I really don't remember what...

Divine intervention.

What made it happen all of a sudden.

I didn't think he would play with me or that he would go

for it, but he did.

The result is great, and you're both from Ohio,

is that a coincidence?

It is a coincidence.

Do you chat about that sort of thing

in the studio?

No!

Anyway, so, as a producer, how is Chrissie to work with?

Is she easy?

What is your role as a producer? From me, I just...

I just have to...

He did it all.

It's his album.

She tends to be slightly negative about herself, and I just had

to give her a little...

I have known her for years, I have never heard her be

negative about herself.

And it was easy, really.

I don't know.

It either works or it doesn't.

Who would get in the studio first?

We would all get there together.

I was always first.

So, hang on a second.

Is it my imagination, or is there Watt?

Did you say you always first and you said we get

there together?

Pretty much.

You get the album title?

Alone.

Good.

And of course you are in the Pretenders now?

Apparently I am.

Is he a Pretender?

A guitar hero, that is why I chose him to produce my record.

I liked the way he holds the guitar.

It is all about guitar.

It is all about the guitar.

Well, we have got a bit of footage of the Pretenders in I believe 1979.

# I got rhythm

# I can't miss a beat

# I got new skank

# It's so reet

# I got something

# I'm winking at you

# Gonna make you, make you, make you notice

# Gonna use my arms

# Gonna use my legs

# Gonna use my style

# Gonna use my sidestep

# Gonna use my fingers

# Gonna use my, my imagination...

CHEERING.

That's great.

That's a great period, isn't it?

It was.

Actually, it was, when we had James Honeyman-Scott.

Of course Martin is still here the last Pretender standing.

Martin, come and be here.

You are not miked up, but it doesn't matter.

I'll shout!

That's probably a good thing.

I'd like to say what a blast it has been having Dan with us

the last rehearsals.

It has been fantastic.

Thank you.

So you are paying him now?

I'm paying everybody.

Well, it is great seeing that beautiful bit of footage,

great having you here.

We are looking forward to more things from this wonderful record.

Thank you for joining us, Chrissie and the band.

Legendary producer, legendary person.

We love you.

Over here, brand-new talent in the exquisite

form of Sam Henshaw.

APPLAUSE.

# I've been procrastinating for far too long

# I don't know where I'm heading

# But I'll move further, just move further

# I'm so used to rejection but I don't mind

# Said I'll be alright, said I'll be just fine

# I'm working on my masterpiece

# And I'm making it with these hands

# This fate is not my destiny

# So I'm shaping it with these hands

# Well, I'm giving and giving my all

# Oh, well I give till I can't give no more

# I'm working on my masterpiece

# And I'm shaping it with these hands

# There's beauty in progression and no hope in fear

# Said you can't keep me in the same position

# I refuse, refuse to stay here

# Not always learned my lesson, but I don't mind

# Said I will be all right, I will be just fine

# I'll keep working on my masterpiece

# And I'm making it with these hands

# This fate is not my destiny

# No, no, so I'm shaping it with these hands

# Sing, oh, well, I'm giving and giving my all

# Oh, well I give till I can't give no more

# Working on my masterpiece

# And I'm making it with these hands

# Oh, these hands are only made of flesh and bone

# And I will stand, not ready give up on home

# I will go wherever I may need to go

# I won't give up

# I won't give up, no

# Oh

# I'll keep working on it

# With these hands

# Oh, well I'm giving and giving my all

# Oh, well, I give till I can't give no more

# Oh, keep working

# With these hands

# I'm working on my masterpiece

# And I'm making it with these hands

# Said this fate is not my destiny

# So I'm shaping it with these hands

# Said, when I give, when I give my all

# When I gave till I can't give no more

# Working on my masterpiece

# And I'm making it with these hands

# Oh #.

CHEERING.

# Summertime and the livin' is easy

# Fish are jumpin'

# Fish are jumpin'

# And the cotton is high

# Your daddy's rich

# And your ma is good-lookin'

# So hush little baby

# Don't you cry

# Don't you cry

# Don't you cry

# One of these mornings

# You're going to rise up singin'

# You'll spread your wings

# And you'll take to the sky

# But till that morning

# There ain't nothing can harm you

# With Daddy and Mamma standing by

# Standing by

# They're standing by

CHEERING.

The amazing Joanne Shaw Taylor.

Summertime, from her album Wild, Joanne Shaw Taylor.

Before that, we welcomed another marvellous

talent, Samm Henshaw.

CHEERING.

More new great stuff.

A wonderful, brilliant new artist from London,

singing about London.

We welcome Ray BLK.

APPLAUSE.

Yeah, yeah, yeah, yeah, yeah, yeah.

Yeah, yeah, yeah.

Yeah.

Yeah, yeah, yeah, yeah, yeah, yeah.

# Yeah, yeah, yeah

# Love me, love me, say that you love me

# Call me, call me, you never do

# Money, money, always above me

# You're too busy selling food

# Are you really ready or are you wasting my time?

# Cos if you ain't try'na wife me you need to get off my line

# Don't make me beg

# Don't make me beg

# Don't make me beg

# Don't make me beg

# Cos I want you

# Say, I want you

# Eh, I want you

# Say, I want you

# What, 50/50, that's all you give me

# And I give 100 to you

# Takeaway, we don't go for dinner

# Making love, no, we barely do

# If you really want me you gotta step up your game

# You better make it quick before I don't feel the same

# Don't make me beg

# Don't make me beg

# Don't make me beg

# Don't make me beg

# Cos I want you

# Say, I want you

# Yeah, I want you

# Say, I want you

# But you got me stressin', got me beggin'

# Feeling like I'm just your bredrin You got me stressin'

# Oh boy, you do my head in You got me beggin'

# Feeling like I'm just your bredrin Just your bredrin

# Got me stressin', you got me beggin'

# Feeling like I'm just your bredrin Just your bredrin

# Oh boy, you do my head in You got me beggin'

# Feeling like I'm just your bredrin Just your bredrin

Yeah!

# I want you

# Yeah, yeah, yeah, yeah, yeah, yeah

# I want you

Lewisham, what we sayin'?

# Cos I want you

# Say I want you

# Yeah, I want you

# Say I want you

# Say I want you. #

CHEERING.

Ray BLK.

5050 from her album Durt.

And now we welcome back in this corner, Pretenders!

One, two, three, four.

# You gotta wait

# Hold it back and hold it tight

# You gotta wait

# Another day, another night

# You gotta wait

# Steady as a judge

# You gotta wait

# Wait it like a grudge

# You gotta wait, wait, hold the date

# Hesitate and wait

# Wait, wait, don't be late

# Save a plate

# Wait, wait, reinstate, too late

# Wait

# You gotta wait

# Like a car that wouldn't start

# You gotta wait

# At the pharmacy in Walmart

# You gotta wait

# For an oxycontin comedown

# You gotta wait

# Unload and put your gun down

# You gotta wait, wait, hold the date

# Hesitate and wait

# Wait, wait, save the plate

# Don't be late - wait

# Wait, wait, reinstate, take the bait

# Wait

Go, Danny boy, go!

# Wait

# When the waiting list is long

# You gotta wait

# Can you see where you belong?

# You gotta wait

# A hundred million faces

# You gotta wait

# You'll be going stranger places

One, two, three

# You gotta wait, wait, hold the date

# Hesitate and wait

# Wait, wait, save a plate, don't be late

# Wait, wait, take the bait, hesitate

# Wait.#

CHEERING.

# We can remember

# Swimming in December

# Heading for the city lights

# In 1975

# We share in each other

# Nearer than farther

# The scent of a lemon

# Drips from your eyes

# We are the people

# That rule the world

# A force running in

# Every boy and girl

# All rejoicing in the world

# Take me now

# We can try

# We lived an adventure

# Love in the summer

# Followed the sun till night

# Reminiscing other times of life

# For each every other

# The feeling stronger

# The shock hit eleven

# Got lost in your eyes

# Can't do well when I think

# You're gonna leave

# But I know I try

# Are you gonna leave me now?

# Can't you be believing now?

# I can't do well when I think

# You're gonna leave

# But I know I try

# Are you gonna leave me now?

# Can't you be believing now?

# Can you remember and humanise

# It was still where we'd energised

# Lie in the sand and visualise

# Like it's '75 again

# We are the people

# That rule the world

# A force running in every boy and girl

# All rejoicing in the world

# Take me now

# We can try

# I can't do well

# When I think you're gonna leave me

# But I know I try

# Are you gonna leave me now?

# Can't you be believing now?

# I can't do well

# When I think you're gonna leave me

# But I know I try

# Are you gonna leave me now?

# Can't you be believing now?

# I know everything about you

# You know everything about me

# Know everything about us

# I know everything about you

# I can't do well

# When I think you're gonna leave me

# But I know I try

# Are you gonna leave me now?

# Can't you be believing now?

# I can't do well

# When I think you're gonna leave me

# But I know I try

# Are you gonna leave me now?

# Can't you be believing now?

# I can't do well

CHEERING.

What precision.

What fun.

Empire of the Sun!

What a fantastic, lovely spectacle with these beautiful hydroponic

plants and everything.

Next week, please join us.

You can see more on our website if you want to see more

of this week.

Please join us.

We will have KT Tunstall, Haley Bonar, the Temptations,

Let's Eat Grandma, lots more.

But now, let's thank all of our guests, and we are going to invite

Joanne Shaw Taylor to give us a groove with that splendid guitar

that you've got about your person.

Yes, I'd like to thank Joanne Shaw Taylor.

CHEERING.

Samm Henshaw and his wonderful band.

CHEERING.

We thank and we enjoyed Empire of the Sun.

CHEERING.

It's Loudon Wainright III.

CHEERING.

The daddy of them all.

Thank you, Pretenders.

CHEERING.

Thank you, Bad Company.

CHEERING.

The greatest voice on earth.

Thank you, Ray BLK.

CHEERING.

Be seeing you, then.