
Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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Let's face it, our world is downright weird... | 0:00:10 | 0:00:14 | |
-Oh! -LAUGHTER | 0:00:15 | 0:00:17 | |
..crawling with creatures you've never heard of... | 0:00:17 | 0:00:21 | |
I can't believe that is a living thing. | 0:00:21 | 0:00:24 | |
..full of the unexpected. | 0:00:24 | 0:00:25 | |
Like freak weather exploding out of the blue... | 0:00:27 | 0:00:31 | |
I thought I was going to die. | 0:00:31 | 0:00:33 | |
..and rocks that spontaneously combust. | 0:00:33 | 0:00:36 | |
I thought it was dynamite going off. | 0:00:36 | 0:00:39 | |
And the unexplained. | 0:00:39 | 0:00:40 | |
An unborn twin... | 0:00:42 | 0:00:44 | |
discovered inside a brain! | 0:00:44 | 0:00:46 | |
There was multiple hair follicles, bone and teeth. | 0:00:46 | 0:00:50 | |
We've scoured the globe to bring you the very weirdest stories. | 0:00:54 | 0:00:58 | |
MAN SHOUTS | 0:00:58 | 0:01:00 | |
LAUGHTER | 0:01:00 | 0:01:02 | |
I could feel this intense pain, | 0:01:02 | 0:01:04 | |
as if you were being stabbed by hundreds of syringes. | 0:01:04 | 0:01:07 | |
In this series, we are going to examine the evidence, | 0:01:12 | 0:01:15 | |
test the science and unravel the mysteries. | 0:01:15 | 0:01:19 | |
We are going to discover what in the weird world is going on. | 0:01:19 | 0:01:25 | |
In this episode, we'll uncover the secrets behind some | 0:01:36 | 0:01:40 | |
of the natural world's oddest occurrences. | 0:01:40 | 0:01:44 | |
Like what caused an Antarctic glacier | 0:01:44 | 0:01:47 | |
to flow blood red. | 0:01:47 | 0:01:50 | |
And why frogs in California started growing too many limbs. | 0:01:50 | 0:01:55 | |
What could possibly create this weird work of art | 0:01:55 | 0:01:59 | |
on an arm in Texas? | 0:01:59 | 0:02:02 | |
And how could a creature generate a force | 0:02:02 | 0:02:04 | |
so powerful it could knock down a fisherman in South America? | 0:02:04 | 0:02:08 | |
But first, we are going on a journey to the end of the world. | 0:02:16 | 0:02:21 | |
Antarctica... | 0:02:27 | 0:02:29 | |
..a remote, frozen wilderness. | 0:02:32 | 0:02:34 | |
And hidden away in this world of white | 0:02:37 | 0:02:41 | |
is a gaping wound in the ice. | 0:02:41 | 0:02:44 | |
This is Blood Falls. | 0:02:51 | 0:02:54 | |
A bizarre mystery that's intrigued scientists for more than a century. | 0:02:56 | 0:03:02 | |
And for one, it became a lifelong fascination. | 0:03:02 | 0:03:06 | |
The first time I saw Blood Falls was in a graduate glaciology class, | 0:03:08 | 0:03:12 | |
and I saw a picture of it and I got really excited | 0:03:12 | 0:03:14 | |
and intrigued as to what this feature was. | 0:03:14 | 0:03:17 | |
But Jill wasn't the first to be intrigued by Blood Falls. | 0:03:20 | 0:03:24 | |
This is not a new discovery. | 0:03:26 | 0:03:28 | |
Blood Falls, as it's known, | 0:03:28 | 0:03:30 | |
was first spotted by Griffith Taylor, an Australian geologist, in 1911. | 0:03:30 | 0:03:35 | |
And everyone thought that the incredible spectacle was down to | 0:03:35 | 0:03:39 | |
a phenomenon called watermelon snow. | 0:03:39 | 0:03:42 | |
Yes, watermelon snow is caused by algae which grow at low temperatures. | 0:03:45 | 0:03:50 | |
The algae produce a pigment that acts as a natural sunscreen. | 0:03:51 | 0:03:55 | |
And it's this pigment that gives the snow a pink appearance, | 0:03:57 | 0:04:02 | |
and a faint smell of watermelon. | 0:04:02 | 0:04:05 | |
Hence the name. | 0:04:06 | 0:04:08 | |
And it is a logical explanation, right? Case solved. | 0:04:08 | 0:04:12 | |
Well, actually, no, case not solved, | 0:04:12 | 0:04:14 | |
because it is a lot less to do with this, and a lot more to do with this. | 0:04:14 | 0:04:19 | |
But what could a rusty piece of iron have to do with a bleeding glacier? | 0:04:22 | 0:04:27 | |
When some chemists and glaciologists went to the site in the '60s | 0:04:27 | 0:04:31 | |
and '70s, they did a lot of chemical analysis on the material | 0:04:31 | 0:04:35 | |
and they determined that it was various iron oxides. | 0:04:35 | 0:04:39 | |
And this is basically rust. | 0:04:39 | 0:04:41 | |
So, iron oxides were found to be the cause of Blood Falls. | 0:04:42 | 0:04:47 | |
The water, oozing out from under the glacier, contains massive | 0:04:48 | 0:04:52 | |
concentrations of dissolved iron that turns the ice red. | 0:04:52 | 0:04:57 | |
But the big question for Jill was, | 0:04:59 | 0:05:02 | |
where is this huge amount of iron actually coming from? | 0:05:02 | 0:05:06 | |
Well, you see, some glaciers, when they are sliding downhill, grind up | 0:05:08 | 0:05:12 | |
the bedrock, releasing iron into the water. | 0:05:12 | 0:05:15 | |
But this one was hardly moving. | 0:05:15 | 0:05:18 | |
There's a little bit of iron there, but not enough to turn anything red. | 0:05:18 | 0:05:22 | |
So Jill suspected that something was going on under the glacier. | 0:05:22 | 0:05:28 | |
Determined to find answers, Jill and her team travelled to Antarctica's | 0:05:28 | 0:05:32 | |
Dry Valleys, one of the most remote | 0:05:32 | 0:05:35 | |
and inhospitable places on Earth. | 0:05:35 | 0:05:37 | |
It is a polar desert. | 0:05:37 | 0:05:39 | |
The first explorers walked in there, they called this the Valley of the Dead. | 0:05:39 | 0:05:43 | |
Feels what is must feel like to be on Mars. | 0:05:43 | 0:05:46 | |
I've never seen anything like it before. | 0:05:46 | 0:05:49 | |
But for Jill, it was the opportunity of a lifetime. | 0:05:49 | 0:05:53 | |
Chasing down your curiosity | 0:05:53 | 0:05:54 | |
and following it is...is a pretty exciting process. | 0:05:54 | 0:05:58 | |
In order to explore far beneath the glacier, Jill's team used a | 0:05:59 | 0:06:03 | |
huge antenna to measure electromagnetic forces below the ice. | 0:06:03 | 0:06:09 | |
This created a map of a hidden world. | 0:06:09 | 0:06:13 | |
What they found was more astonishing than anyone ever imagined. | 0:06:13 | 0:06:17 | |
A vast reservoir of salty water... | 0:06:20 | 0:06:23 | |
..stretching at least 5km beneath the glacier. | 0:06:25 | 0:06:29 | |
And it has remained untouched for at least one million years. | 0:06:29 | 0:06:34 | |
What they discovered was an environment that's as close | 0:06:34 | 0:06:38 | |
to out of this world that we're ever going to find. | 0:06:38 | 0:06:41 | |
Isolated for millions of years. | 0:06:41 | 0:06:44 | |
Frozen at minus five degrees, | 0:06:44 | 0:06:47 | |
deprived of oxygen, and totally dark. | 0:06:47 | 0:06:51 | |
Jill probed further for answers, | 0:06:51 | 0:06:53 | |
by taking samples from the core of the glacier. | 0:06:53 | 0:06:56 | |
After being intrigued her entire adult life, she was finally | 0:06:59 | 0:07:03 | |
in a position to solve the mystery of Blood Falls. | 0:07:03 | 0:07:07 | |
A world first discovery. | 0:07:07 | 0:07:09 | |
In a place seemingly devoid of life... | 0:07:12 | 0:07:15 | |
..Jill found life under the glacier. | 0:07:17 | 0:07:21 | |
Jill's work revealed a massive community of bacteria, | 0:07:23 | 0:07:27 | |
organisms that survive in a place that seems inconceivable. | 0:07:27 | 0:07:33 | |
Locked away in a time capsule for at least one million years. | 0:07:33 | 0:07:38 | |
But what does this incredible discovery have to do with | 0:07:38 | 0:07:41 | |
Blood Falls? | 0:07:41 | 0:07:43 | |
Well, without oxygen to breathe, | 0:07:45 | 0:07:47 | |
these ingenious life forms have evolved a way to live | 0:07:47 | 0:07:51 | |
off elements in the rock, extracting minerals, | 0:07:51 | 0:07:54 | |
like iron, to produce energy. | 0:07:54 | 0:07:57 | |
In the process, iron is dissolved into the water | 0:07:58 | 0:08:02 | |
and it is that that turns red as it exits the glacier. | 0:08:02 | 0:08:05 | |
So a century after Blood Falls was first discovered, | 0:08:07 | 0:08:11 | |
the mystery was finally solved. | 0:08:11 | 0:08:13 | |
And it might actually have ramifications for the next | 0:08:13 | 0:08:16 | |
century beyond our planet. | 0:08:16 | 0:08:19 | |
Because so far, Jill and her team have only scratched the surface. | 0:08:20 | 0:08:25 | |
If Blood Falls is just a small component of this much larger | 0:08:25 | 0:08:30 | |
subsurface ecosystem, | 0:08:30 | 0:08:32 | |
I was wondering what it might tell us about the potential | 0:08:32 | 0:08:35 | |
for life on other planets, for example under the ice caps of Mars. | 0:08:35 | 0:08:39 | |
Jill's discovery of bacteria under the glacier proves that life can | 0:08:41 | 0:08:46 | |
thrive in the most unexpected places. | 0:08:46 | 0:08:49 | |
And now we have a clue to what life under the ice caps of distant | 0:08:49 | 0:08:53 | |
planets could actually look like. | 0:08:53 | 0:08:56 | |
All thanks to Jill's determined curiosity to investigate | 0:08:56 | 0:09:01 | |
the mystery of Blood Falls. | 0:09:01 | 0:09:03 | |
Weird forms of life can survive in the most inhospitable | 0:09:06 | 0:09:10 | |
environments, and who knows, | 0:09:10 | 0:09:12 | |
they might even occur on planets at the other side of the galaxy. | 0:09:12 | 0:09:16 | |
But one thing I do know for sure is that even stranger things can | 0:09:16 | 0:09:20 | |
happen in familiar places. | 0:09:20 | 0:09:22 | |
So for the next story, we are going to travel to a much more familiar | 0:09:26 | 0:09:30 | |
environment. | 0:09:30 | 0:09:31 | |
A humble pond. | 0:09:31 | 0:09:33 | |
In 1999, a team of scientists in California began investigating | 0:09:35 | 0:09:39 | |
a strange phenomena. | 0:09:39 | 0:09:41 | |
Reports of what appeared to be mutant frogs | 0:09:41 | 0:09:45 | |
with extra limbs. | 0:09:45 | 0:09:48 | |
It became an environmental mystery of national significance. | 0:09:48 | 0:09:53 | |
'When we were first working on this topic and we were starting to | 0:09:53 | 0:09:56 | |
'examine malformed amphibians under microscopes,' | 0:09:56 | 0:09:59 | |
we were trying to figure out what might be causing the deformities. | 0:09:59 | 0:10:02 | |
Whether it was chemical pollutants, | 0:10:05 | 0:10:07 | |
whether it was UV radiation, | 0:10:07 | 0:10:10 | |
or even whether it was just an isolated phenomenon of inbreeding. | 0:10:10 | 0:10:14 | |
And what happens is, if you start to put these animals under | 0:10:14 | 0:10:17 | |
the microscope, what you begin to notice is that right around the | 0:10:17 | 0:10:21 | |
base of where the limbs are growing, you find these tiny white dots. | 0:10:21 | 0:10:26 | |
These spots were a clue, because they allowed scientists to uncover | 0:10:31 | 0:10:35 | |
a link between our sadly malformed frogs | 0:10:35 | 0:10:39 | |
and a snail. | 0:10:39 | 0:10:41 | |
Just a simple freshwater snail that | 0:10:45 | 0:10:48 | |
lives a pretty unremarkable life, | 0:10:48 | 0:10:51 | |
except for the vital role it was found to | 0:10:51 | 0:10:54 | |
play in the mystery of the malformed frogs. | 0:10:54 | 0:10:57 | |
If we were to open up this snail, | 0:10:57 | 0:11:00 | |
what you would find inside of it is a large population of parasites. | 0:11:00 | 0:11:04 | |
Somewhere in the order of a few hundred to several thousand | 0:11:05 | 0:11:08 | |
parasites live inside this snail. | 0:11:08 | 0:11:10 | |
They transform the snail into a parasite factory. | 0:11:12 | 0:11:16 | |
Where they clone themselves by the thousand. | 0:11:17 | 0:11:20 | |
Then, under the cover of darkness, swarms of parasitic larvae | 0:11:23 | 0:11:28 | |
emerge from the snail and swim around the pond. | 0:11:28 | 0:11:32 | |
Having left the snail, where they multiplied, | 0:11:32 | 0:11:35 | |
the parasites are on the hunt for a new abode. | 0:11:35 | 0:11:38 | |
The next stage of the adventure is about to begin. | 0:11:40 | 0:11:44 | |
Because they are on the lookout for tadpoles. | 0:11:44 | 0:11:47 | |
They will land on the tadpole's body, they will move all over | 0:11:48 | 0:11:52 | |
the body until they find the exact spot where they want to infect, | 0:11:52 | 0:11:55 | |
which is where the hind limbs are ultimately going to develop. | 0:11:55 | 0:11:59 | |
And they start producing these highly specialised, but very powerful, acids. | 0:11:59 | 0:12:03 | |
Those acids allow the parasite to burn its way inside, and once inside, | 0:12:04 | 0:12:10 | |
these crafty intruders cause the tadpole's legs | 0:12:10 | 0:12:14 | |
to malform as it grows. | 0:12:14 | 0:12:17 | |
As the tadpole is turning into a frog, | 0:12:17 | 0:12:20 | |
the spots where there should be just one leg either have none or too many. | 0:12:20 | 0:12:25 | |
It is a horrific form of manipulation. | 0:12:25 | 0:12:29 | |
And the reason why this puppeteering parasite perpetrates with such | 0:12:29 | 0:12:33 | |
precision this malformation is equally | 0:12:33 | 0:12:36 | |
as ingeniously callous. | 0:12:36 | 0:12:40 | |
These deformities are going to increase the probability that that | 0:12:40 | 0:12:43 | |
frog is unable to escape a bird when it comes down to search for prey. | 0:12:43 | 0:12:47 | |
The parasite is basically playing a waiting game. | 0:12:49 | 0:12:51 | |
And it is waiting for that frog to eventually be eaten by a bird. | 0:12:51 | 0:12:56 | |
So first the parasite turns the snail into a breeding chamber, | 0:12:56 | 0:13:01 | |
and then it deforms the frog's legs. | 0:13:01 | 0:13:05 | |
These cumbersome appendages make the frog unable to escape. | 0:13:05 | 0:13:10 | |
Easy pickings for a bird. | 0:13:10 | 0:13:12 | |
But why go to so much effort just to get eaten by a bird? | 0:13:12 | 0:13:18 | |
Well, the bird is vital for the parasite. | 0:13:18 | 0:13:21 | |
Because the bird's stomach acids help the parasites mature into adults. | 0:13:21 | 0:13:25 | |
This stomach is the place to be, | 0:13:27 | 0:13:30 | |
as all the parasites gather to find a mate. | 0:13:30 | 0:13:33 | |
Here they reproduce sexually and release eggs into the bird's faeces. | 0:13:33 | 0:13:38 | |
Now I know it might not sound like the most pleasant place to raise a | 0:13:38 | 0:13:42 | |
family, but for these parasites, the best way to start life | 0:13:42 | 0:13:46 | |
is in bird poo. | 0:13:46 | 0:13:48 | |
Once the birds defecate in those ponds, | 0:13:48 | 0:13:50 | |
the parasite eggs will hatch and infect more snails. | 0:13:50 | 0:13:53 | |
So let's get this straight. | 0:13:54 | 0:13:56 | |
The parasite goes from snail to frog to bird... | 0:13:56 | 0:14:00 | |
to bird faeces in the pond, and then back to the snail. | 0:14:00 | 0:14:05 | |
It sounds absolutely exhausting, | 0:14:05 | 0:14:07 | |
so why would it evolve such a long and complex life cycle? | 0:14:07 | 0:14:12 | |
This is a brilliant mode of dispersal, | 0:14:14 | 0:14:17 | |
because rather than being dependent on the movement of a snail, | 0:14:17 | 0:14:19 | |
which doesn't move that far, or the movement of a frog, which | 0:14:19 | 0:14:23 | |
might get a little bit farther but is still pretty limited, | 0:14:23 | 0:14:25 | |
the parasites are now being transported around by birds, | 0:14:25 | 0:14:29 | |
which can move miles, sometimes even hundreds or thousands of miles. | 0:14:29 | 0:14:33 | |
So this is an excellent way for the parasite to disperse rapidly | 0:14:34 | 0:14:38 | |
and pretty effortlessly across the landscape. | 0:14:38 | 0:14:41 | |
Let's just think about things from the parasite's point of view. | 0:14:48 | 0:14:52 | |
It wants to reproduce as much as possible, | 0:14:52 | 0:14:55 | |
to spread as widely as possible, using whatever means possible. | 0:14:55 | 0:15:00 | |
So it's bad news for the frog and it's bad news for the snail, | 0:15:00 | 0:15:04 | |
but it is great news for the parasite. Mystery solved. | 0:15:04 | 0:15:08 | |
It wasn't the UV radiation, it wasn't chemical pollutants, it wasn't | 0:15:08 | 0:15:12 | |
a malignant mutation in the frog, | 0:15:12 | 0:15:15 | |
it was a tiny little parasite | 0:15:15 | 0:15:17 | |
intent on world domination. | 0:15:17 | 0:15:20 | |
Don't tell me that nature is not a weirdly wonderful thing. | 0:15:20 | 0:15:25 | |
I'd say so. | 0:15:25 | 0:15:27 | |
And of course, we humans, well, we are | 0:15:27 | 0:15:30 | |
immune to such bizarre phenomena. Aren't we? | 0:15:30 | 0:15:34 | |
In the US state of Washington, when applying for benefits, | 0:15:35 | 0:15:39 | |
standard procedure requires DNA testing for proof of parentage. | 0:15:39 | 0:15:44 | |
But when one woman's family fell on hard times, | 0:15:46 | 0:15:50 | |
taking this routine test turned her life into a living hell. | 0:15:50 | 0:15:55 | |
You see, the test results stated she was not the mother | 0:15:58 | 0:16:02 | |
of her own children. | 0:16:02 | 0:16:04 | |
Getting the actual documents showing, | 0:16:06 | 0:16:09 | |
"Mother - 0.00%" | 0:16:09 | 0:16:12 | |
was just unbelievable to me. | 0:16:12 | 0:16:15 | |
With that evidence, they in fact can come and get my kids. | 0:16:15 | 0:16:18 | |
SHE SOBS | 0:16:18 | 0:16:20 | |
Every morning I felt like I was saying goodbye to them. | 0:16:20 | 0:16:23 | |
Lydia's nightmare began just a few weeks after taking the test. | 0:16:28 | 0:16:32 | |
I get a call from a prosecutor, who wants me to come | 0:16:33 | 0:16:37 | |
up to his office, concerning the DNA results. | 0:16:37 | 0:16:40 | |
Right away he started saying, | 0:16:43 | 0:16:45 | |
"Who are you, what is your real name, | 0:16:45 | 0:16:47 | |
"whose kids are these?" | 0:16:47 | 0:16:49 | |
And I said, "What are you talking about? These are my children. | 0:16:49 | 0:16:52 | |
"I've had them with my partner." | 0:16:52 | 0:16:54 | |
He goes, "Oh, well, we know he is the father, | 0:16:54 | 0:16:56 | |
"he came back 99.9% the father. | 0:16:56 | 0:16:59 | |
"But the DNA test came back that you are in no way | 0:16:59 | 0:17:02 | |
"possible the mother of these children." | 0:17:02 | 0:17:05 | |
So what was going on? | 0:17:06 | 0:17:09 | |
Was Lydia lying? | 0:17:09 | 0:17:10 | |
In my mind, I'm like, "OK, there must have been a mistake, | 0:17:12 | 0:17:15 | |
"let's do another test." | 0:17:15 | 0:17:17 | |
But the result was the same as the first DNA test. | 0:17:17 | 0:17:22 | |
I didn't know what was going on. | 0:17:22 | 0:17:24 | |
I didn't know why my DNA wasn't coming back as the mother. | 0:17:24 | 0:17:27 | |
It just wasn't making sense to me. | 0:17:27 | 0:17:30 | |
Lydia knew she was the mother, | 0:17:30 | 0:17:32 | |
but the test said she was lying. | 0:17:32 | 0:17:35 | |
And now, with no-one believing her story, her whole family was at risk. | 0:17:35 | 0:17:40 | |
Just imagine knowing that you are the mother | 0:17:42 | 0:17:46 | |
but a lab result says otherwise. | 0:17:46 | 0:17:48 | |
A result so powerful you could have your children taken away | 0:17:48 | 0:17:53 | |
and never see them again. | 0:17:53 | 0:17:55 | |
This nightmare became Lydia's reality. | 0:17:57 | 0:18:01 | |
When the prosecutor had threatened me that any day someone could | 0:18:01 | 0:18:04 | |
come and get my children from me, just solely on that DNA evidence alone, | 0:18:04 | 0:18:08 | |
going to work and dropping them off at daycare, I would pray with | 0:18:08 | 0:18:10 | |
my children and hug them as if it was going to be last time I was going to see them. | 0:18:10 | 0:18:15 | |
Yeah. | 0:18:18 | 0:18:19 | |
SHE SOBS | 0:18:19 | 0:18:20 | |
Facing charges of fraud and even kidnapping her own children, | 0:18:21 | 0:18:26 | |
getting to the bottom of this mystery was vital. | 0:18:26 | 0:18:29 | |
That just brought back memories, I'm sorry. | 0:18:31 | 0:18:34 | |
Lydia needed help. | 0:18:34 | 0:18:36 | |
When I first met with Lydia and started learning about the facts | 0:18:40 | 0:18:43 | |
of the case, I was very intrigued by it because it was certainly | 0:18:43 | 0:18:46 | |
unlike any other paternity case I had ever dealt with. | 0:18:46 | 0:18:49 | |
One of the things that had to be ruled out | 0:18:52 | 0:18:54 | |
is that there wasn't some sort of criminal thing going on. | 0:18:54 | 0:18:57 | |
If they're not related to her, then whose children are they? | 0:18:57 | 0:19:00 | |
But Lydia was about to give birth to her third child. | 0:19:00 | 0:19:04 | |
An opportunity for her lawyer to gather some evidence. | 0:19:04 | 0:19:08 | |
The court ordered someone be in that room when I give birth, | 0:19:10 | 0:19:14 | |
to take DNA directly from me and the baby right after birth. | 0:19:14 | 0:19:18 | |
That's what happened, someone was there, took DNA from me | 0:19:18 | 0:19:21 | |
and the child right away. | 0:19:21 | 0:19:23 | |
And when those tests came back, the baby came back as not mine. | 0:19:23 | 0:19:27 | |
Now Lydia had legal verification | 0:19:30 | 0:19:33 | |
that this new child was hers. | 0:19:33 | 0:19:36 | |
She could prove that she wasn't lying, and yet still | 0:19:36 | 0:19:40 | |
the DNA said otherwise. | 0:19:40 | 0:19:42 | |
There could only be one possible conclusion, | 0:19:42 | 0:19:45 | |
and that was that the DNA test was wrong. | 0:19:45 | 0:19:49 | |
And if this was the case, | 0:19:49 | 0:19:51 | |
it could have massive implications across the entire legal system. | 0:19:51 | 0:19:56 | |
DNA evidence is powerful evidence. | 0:20:00 | 0:20:02 | |
People have been sentenced to death in this country | 0:20:02 | 0:20:05 | |
because their DNA is at a crime scene | 0:20:05 | 0:20:07 | |
and other people have been released from death row | 0:20:07 | 0:20:09 | |
because their DNA isn't at a crime scene. | 0:20:09 | 0:20:12 | |
These tests aren't supposed to be inaccurate | 0:20:13 | 0:20:16 | |
and so it led not only to the questions of this woman's maternity, | 0:20:16 | 0:20:20 | |
but the larger question of whether or not these tests | 0:20:20 | 0:20:22 | |
could be trusted in any circumstance. | 0:20:22 | 0:20:24 | |
Her case was really testing the integrity of the DNA testing regime. | 0:20:25 | 0:20:30 | |
So there had to be some sort of scientific explanation | 0:20:30 | 0:20:32 | |
as to why her test did not match up. | 0:20:32 | 0:20:35 | |
With time running out, | 0:20:39 | 0:20:40 | |
Lydia's case was still baffling the experts. | 0:20:40 | 0:20:44 | |
But then, all of a sudden, something very similar cropped up | 0:20:44 | 0:20:48 | |
2,000 miles away in Boston. | 0:20:48 | 0:20:50 | |
You see, a lady there needed a kidney transplant, | 0:20:51 | 0:20:56 | |
but when they DNA tested her three sons, | 0:20:56 | 0:20:58 | |
they found no maternal compatibility - | 0:20:58 | 0:21:02 | |
a very similar thing to what was going on with Lydia. | 0:21:02 | 0:21:06 | |
So could this finally give her the answer she needed? | 0:21:06 | 0:21:09 | |
Her lawyer sent some samples to Harvard University, | 0:21:09 | 0:21:13 | |
hair, blood, a mouth swab and a cervical smear. | 0:21:13 | 0:21:18 | |
And it was this last sample that proved conclusive | 0:21:18 | 0:21:22 | |
with absolutely astonishing results. | 0:21:22 | 0:21:25 | |
You see Lydia was, in fact, a chimera. | 0:21:25 | 0:21:28 | |
Chimera is a word from Greek mythology, | 0:21:31 | 0:21:34 | |
describing a creature made of different animals. | 0:21:34 | 0:21:38 | |
Something that simply could not exist in the real world. | 0:21:38 | 0:21:43 | |
But for Lydia, her condition was very real indeed. | 0:21:43 | 0:21:46 | |
Unbeknown to Lydia, she started life in the womb as a twin, | 0:21:48 | 0:21:53 | |
but her sibling never fully developed and Lydia absorbed those cells. | 0:21:53 | 0:21:59 | |
So when she was born, Lydia was made up of two sets of genes | 0:21:59 | 0:22:03 | |
instead of the usual one. | 0:22:03 | 0:22:06 | |
And in her case, her ovaries | 0:22:06 | 0:22:09 | |
contained her sister's DNA. | 0:22:09 | 0:22:12 | |
Her twin, | 0:22:12 | 0:22:13 | |
that she never knew existed, | 0:22:13 | 0:22:15 | |
was technically the biological | 0:22:15 | 0:22:17 | |
mother of her children, | 0:22:17 | 0:22:19 | |
which is why the DNA test results | 0:22:19 | 0:22:22 | |
were so confusing. | 0:22:22 | 0:22:23 | |
Lydia is one of only 30 people in the US confirmed to have this condition, | 0:22:24 | 0:22:30 | |
but any one of us could be a chimera. | 0:22:30 | 0:22:33 | |
As most of us are unlikely to take a DNA test, we'll never know. | 0:22:33 | 0:22:38 | |
It's an amazing story. | 0:22:38 | 0:22:40 | |
It seems unreal. But...these things can happen. | 0:22:40 | 0:22:45 | |
I mean, it happened to me. | 0:22:45 | 0:22:46 | |
From alien life forms under the ice to malformed frogs, | 0:22:52 | 0:23:00 | |
and a case of deceitful DNA, | 0:23:00 | 0:23:03 | |
the tiniest things in nature can have enormous consequences. | 0:23:03 | 0:23:08 | |
Where next? | 0:23:20 | 0:23:21 | |
Well, we're going to take you on a romp | 0:23:21 | 0:23:24 | |
through a manifestation of your worst possible nightmares. | 0:23:24 | 0:23:28 | |
From a never-ending tropical storm of enormous magnitude | 0:23:28 | 0:23:32 | |
to a close encounter with a zombie cockroach. | 0:23:32 | 0:23:36 | |
But first, let's get to grips | 0:23:36 | 0:23:38 | |
with one of nature's most powerful forces. | 0:23:38 | 0:23:42 | |
Lightning. THUNDER CRASHES | 0:23:42 | 0:23:45 | |
Shocking and unpredictable. | 0:23:45 | 0:23:47 | |
Out here, it can strike without warning. | 0:23:51 | 0:23:54 | |
But, of course, they do say | 0:23:54 | 0:23:55 | |
that lightning never strikes twice in the same place. | 0:23:55 | 0:23:58 | |
But what if I told you there is a place where lightning never ends? | 0:24:02 | 0:24:06 | |
It must be a place like no other, a true hell on Earth. | 0:24:10 | 0:24:14 | |
Actually, it's the Catatumbo region in Venezuela. | 0:24:18 | 0:24:21 | |
Now, it might look like an idyllic, tranquil haven, | 0:24:23 | 0:24:27 | |
but every evening, the atmosphere changes dramatically. | 0:24:27 | 0:24:30 | |
It's one of the world's most violent and frightening natural spectacles. | 0:24:34 | 0:24:38 | |
These storms are so frequent, they happen on such a regular basis | 0:24:41 | 0:24:45 | |
and for such a long period of time, they've been nicknamed | 0:24:45 | 0:24:48 | |
everlasting storms. | 0:24:48 | 0:24:50 | |
The storms develop about 160 days of the year | 0:24:53 | 0:24:57 | |
and we can see 280 strikes of lightning in just an hour. | 0:24:57 | 0:25:02 | |
And the local fishermen actually use it | 0:25:08 | 0:25:10 | |
as a way of directing themselves back into shore. | 0:25:10 | 0:25:13 | |
This is the eternal lightning storm of Catatumbo. | 0:25:16 | 0:25:21 | |
It's been going on for centuries. | 0:25:21 | 0:25:24 | |
It's the stuff of legend. | 0:25:24 | 0:25:26 | |
In 1595, Sir Francis Drake | 0:25:27 | 0:25:31 | |
was planning a surprise attack on this location. | 0:25:31 | 0:25:34 | |
He waited for night-time when it was dark, but at midnight, | 0:25:35 | 0:25:38 | |
the sky lit up and his whole surprise attack was just foiled. | 0:25:38 | 0:25:43 | |
But what's going on in Catatumbo | 0:25:50 | 0:25:52 | |
that makes these ferocious storms everlasting? | 0:25:52 | 0:25:56 | |
Well, it's all down to geography. | 0:25:56 | 0:25:59 | |
Electrical storms require two basic ingredients - | 0:26:01 | 0:26:06 | |
warm, moist air and cold air. | 0:26:06 | 0:26:09 | |
Being located just above the equator, | 0:26:11 | 0:26:14 | |
Catatumbo's weather is pretty much the same all year round, | 0:26:14 | 0:26:17 | |
with a constant supply of warm, moist air | 0:26:17 | 0:26:21 | |
blowing in from the Caribbean Sea. | 0:26:21 | 0:26:24 | |
It's also supplied with a constant source of cold air that cascades down | 0:26:24 | 0:26:29 | |
from the snow-capped mountains that surround the area on three sides. | 0:26:29 | 0:26:34 | |
But the final and vital ingredient | 0:26:34 | 0:26:37 | |
that creates these never-ending storms | 0:26:37 | 0:26:39 | |
arises because of the massive lake nearby. | 0:26:39 | 0:26:43 | |
During the day, the hot tropical sun evaporates | 0:26:44 | 0:26:47 | |
huge volumes of water from the lake, | 0:26:47 | 0:26:50 | |
but every night, winds rush in from the mountains. | 0:26:50 | 0:26:53 | |
They're known as a low level jet. | 0:26:53 | 0:26:56 | |
And it's this which | 0:26:56 | 0:26:57 | |
forces the air to rise, | 0:26:57 | 0:26:59 | |
boosting the formation | 0:26:59 | 0:27:01 | |
of electrical storms. | 0:27:01 | 0:27:03 | |
Which is why these storms develop from about midnight | 0:27:03 | 0:27:06 | |
and then drop away at dawn time when this low level jet dissipates. | 0:27:06 | 0:27:10 | |
So the location really pulls all the ingredients together | 0:27:13 | 0:27:17 | |
to make this the perfect storm generating system. | 0:27:17 | 0:27:21 | |
Catatumbo is a delicately balanced | 0:27:21 | 0:27:24 | |
lightning generating machine, | 0:27:24 | 0:27:26 | |
and it's one that could run eternally... | 0:27:26 | 0:27:28 | |
..providing all the ingredients remain in place. | 0:27:31 | 0:27:34 | |
But extreme forces of nature can sometimes combine | 0:27:37 | 0:27:40 | |
to create even stranger things. | 0:27:40 | 0:27:42 | |
Back in 2011 in Texas, | 0:27:43 | 0:27:46 | |
whilst his girlfriend Daphne was out of town, | 0:27:46 | 0:27:48 | |
electrician Winston Kemp spent a weekend in the garden, | 0:27:48 | 0:27:53 | |
tending his prize pumpkins. | 0:27:53 | 0:27:56 | |
When I went outside that day, | 0:27:56 | 0:27:58 | |
my mind was pretty much on the pumpkins. | 0:27:58 | 0:28:01 | |
But it turned out to be a very weird weekend for Winston. | 0:28:05 | 0:28:09 | |
When Daphne returned, he had something very strange to show her. | 0:28:09 | 0:28:13 | |
An impossibly intricate work of art on his arm. | 0:28:15 | 0:28:19 | |
When it happened, I was back home in St Angelo visiting my family. | 0:28:21 | 0:28:25 | |
When I came back, I saw his arm | 0:28:28 | 0:28:31 | |
and I took a picture and I posted it online and I asked, | 0:28:31 | 0:28:34 | |
"So, what does your boyfriend do when you go out of town? | 0:28:34 | 0:28:37 | |
"Well, this is what happens to mine." | 0:28:37 | 0:28:39 | |
A lot of people thought it was a fake. | 0:28:43 | 0:28:45 | |
They were like, no, this didn't happen to him. | 0:28:45 | 0:28:47 | |
They thought it was, like, henna or a tattoo. | 0:28:47 | 0:28:49 | |
But Winston hadn't made an ill-advised trip | 0:28:51 | 0:28:54 | |
to the tattoo parlour. | 0:28:54 | 0:28:56 | |
No, what had actually happened was far weirder. | 0:28:56 | 0:29:00 | |
I was trying to save my pumpkins from all the rain we were having. | 0:29:03 | 0:29:07 | |
So I went outside to try and divert some of the water away from them. | 0:29:09 | 0:29:14 | |
I heard a really loud noise and I saw a flash. | 0:29:14 | 0:29:18 | |
There was a lot of shock and my arm started to burn. | 0:29:18 | 0:29:22 | |
Winston had been struck by lightning. | 0:29:23 | 0:29:26 | |
But rather than killing him, | 0:29:30 | 0:29:31 | |
he'd been left with a remarkable temporary tattoo, | 0:29:31 | 0:29:35 | |
a bizarre branching pattern etched from shoulder to elbow. | 0:29:35 | 0:29:40 | |
But how could the lightning have made such a such a beautiful design? | 0:29:44 | 0:29:48 | |
It was raining heavily on the night | 0:29:51 | 0:29:53 | |
that Winston was trying to save his precious pumpkins, | 0:29:53 | 0:29:56 | |
so a layer of water was running across his skin. | 0:29:56 | 0:30:00 | |
And this water may just have saved his life. | 0:30:01 | 0:30:04 | |
You see, when he was struck by lightning, | 0:30:06 | 0:30:09 | |
conditions combined in a perfect way. | 0:30:09 | 0:30:12 | |
Thousands of volts of electricity discharged through the water, | 0:30:13 | 0:30:17 | |
bypassing his vital organs | 0:30:17 | 0:30:19 | |
and instead dispersing across the surface of his skin. | 0:30:19 | 0:30:24 | |
Heat and pressure created what's known as a Lichtenberg figure. | 0:30:25 | 0:30:29 | |
The pattern on his arm showed exactly where the lightning moved | 0:30:31 | 0:30:35 | |
as it found the path of least resistance. | 0:30:35 | 0:30:37 | |
To demonstrate how this happens, | 0:30:44 | 0:30:46 | |
let's substitute rain with a metal Faraday suit. | 0:30:46 | 0:30:50 | |
Metal and water are more conductive than skin, | 0:30:57 | 0:31:00 | |
so if you're fully covered, lightning will flow around you. | 0:31:00 | 0:31:04 | |
It's called the skin effect. | 0:31:06 | 0:31:08 | |
Which is why this man is able to play with lightning, | 0:31:15 | 0:31:19 | |
and why Winston got away with only a pattern on his arm to show for it. | 0:31:19 | 0:31:24 | |
Quite extraordinary and Winston was so extremely lucky | 0:31:30 | 0:31:34 | |
to walk away with just a work of art on his arm, | 0:31:34 | 0:31:37 | |
because every year in the US, | 0:31:37 | 0:31:39 | |
hundreds of people are struck by lightning. | 0:31:39 | 0:31:41 | |
Around 40 are killed and many more have permanent injuries. | 0:31:41 | 0:31:46 | |
But in South America, | 0:31:46 | 0:31:48 | |
it's not always danger from above that you have to worry about. | 0:31:48 | 0:31:51 | |
Hiding in the mud beneath rivers and swamps is a shocking secret. | 0:31:57 | 0:32:01 | |
They are legendarily unpleasant to encounter. | 0:32:04 | 0:32:07 | |
They have a fearsome reputation | 0:32:10 | 0:32:12 | |
and it's pretty well earned. | 0:32:12 | 0:32:14 | |
The local fishermen call them arimna, | 0:32:14 | 0:32:16 | |
which means to deprive of motion. | 0:32:16 | 0:32:19 | |
So exactly what is lurking beneath the surface of the water? | 0:32:22 | 0:32:26 | |
In 2013, in South America, one unlucky fisherman discovered | 0:32:28 | 0:32:33 | |
first hand whilst reeling in his line. | 0:32:33 | 0:32:36 | |
HE YELLS | 0:32:38 | 0:32:40 | |
He'd caught an Electrophorus electricus... | 0:32:48 | 0:32:51 | |
..otherwise known as an electric eel. | 0:32:56 | 0:32:59 | |
The obvious thing about them | 0:33:00 | 0:33:02 | |
is they're giving off this unusual force. | 0:33:02 | 0:33:04 | |
What I kind of call the weapons of mass destruction. | 0:33:04 | 0:33:07 | |
In terms of voltage, | 0:33:09 | 0:33:10 | |
they can give off 600 volts for a very large eel. | 0:33:10 | 0:33:13 | |
It's a very significant current. | 0:33:13 | 0:33:15 | |
600 volts... That's nearly three times the amount | 0:33:21 | 0:33:25 | |
we get out of our electrical sockets. | 0:33:25 | 0:33:27 | |
But how can a fish produce such deadly power? | 0:33:27 | 0:33:30 | |
All muscle cells can generate some electricity. | 0:33:33 | 0:33:37 | |
Think of a heart monitor - that spike is a wave of electrical charge | 0:33:37 | 0:33:41 | |
generated by a muscle. | 0:33:41 | 0:33:43 | |
But electric eels have evolved a way of amping up their muscle cells | 0:33:43 | 0:33:47 | |
to create a massive charge. | 0:33:47 | 0:33:50 | |
A shock powerful enough to immobilise a horse! | 0:33:50 | 0:33:54 | |
An animal that can generate 600 volts, that is just incredible. | 0:33:55 | 0:34:00 | |
If that didn't exist and I said it could exist, | 0:34:00 | 0:34:02 | |
you would never believe me, right? | 0:34:02 | 0:34:04 | |
Ken's fascination with electric eels | 0:34:05 | 0:34:07 | |
led him to make a ground-breaking discovery. | 0:34:07 | 0:34:10 | |
It's using electricity to sort of | 0:34:12 | 0:34:14 | |
reach into other animals' nervous systems | 0:34:14 | 0:34:16 | |
and activate the neurons in their bodies as a way of remote control. | 0:34:16 | 0:34:21 | |
It's just phenomenal. | 0:34:21 | 0:34:22 | |
But how does the eel do this? | 0:34:22 | 0:34:25 | |
So when the electric eel gives off its high voltage pulses, | 0:34:26 | 0:34:30 | |
it's a lot like the signal that comes through our nerves. | 0:34:30 | 0:34:33 | |
It can either stop you moving or make you move | 0:34:35 | 0:34:37 | |
depending on what its purpose is at the time. | 0:34:37 | 0:34:41 | |
So really what it's doing is remotely controlling | 0:34:41 | 0:34:43 | |
the nervous system of the animal that's nearby. | 0:34:43 | 0:34:46 | |
The eel mimics the signals running through your own nerves. | 0:34:48 | 0:34:52 | |
So you can't even control your own body. | 0:34:55 | 0:34:58 | |
And if you're a fish in the Amazon, | 0:35:00 | 0:35:02 | |
nowhere is safe from the eels' electrical weaponry. | 0:35:02 | 0:35:06 | |
Let's say you're hidden in the mud, for example. | 0:35:07 | 0:35:09 | |
What it does is it gives off two of these pulses. | 0:35:09 | 0:35:12 | |
And what that causes is a massive whole-body involuntary twitch. | 0:35:13 | 0:35:18 | |
You can't help it, | 0:35:18 | 0:35:19 | |
because your nervous system is remotely activated. | 0:35:19 | 0:35:21 | |
And the eel in turn is very sensitive to water movement | 0:35:21 | 0:35:24 | |
so it detects that twitch. | 0:35:24 | 0:35:26 | |
And then it's game over. | 0:35:26 | 0:35:27 | |
After you've been forced to give away your location, | 0:35:29 | 0:35:31 | |
in a flash, the eel unleashes its highest setting. | 0:35:31 | 0:35:36 | |
When the eel starts its high voltage output, | 0:35:37 | 0:35:40 | |
within three milliseconds - that's three one thousandths of a second - | 0:35:40 | 0:35:45 | |
the prey is completely frozen up. | 0:35:45 | 0:35:48 | |
You get massive contraction of all the muscles, | 0:35:49 | 0:35:52 | |
essentially imitating what a Taser does, | 0:35:52 | 0:35:55 | |
but sort of a super-powered Taser. | 0:35:55 | 0:35:56 | |
And once paralysed, you're easy pickings for the eel. | 0:35:58 | 0:36:03 | |
You don't stand a chance. | 0:36:05 | 0:36:06 | |
A good reason to never get out of the boat | 0:36:12 | 0:36:14 | |
should you venture up the Amazon. | 0:36:14 | 0:36:16 | |
And as strange as tasering your meal might sound, | 0:36:16 | 0:36:19 | |
I have to tell you, there is one other tiny species | 0:36:19 | 0:36:23 | |
that goes to far more extraordinary lengths | 0:36:23 | 0:36:27 | |
to bring food to its table. | 0:36:27 | 0:36:28 | |
For our next story, we travel to Hawaii | 0:36:30 | 0:36:33 | |
where in 2011, a film-maker captured this extraordinary | 0:36:33 | 0:36:37 | |
David and Goliath contest, | 0:36:37 | 0:36:40 | |
a tiny jewel wasp dragging along a cockroach five times its size. | 0:36:40 | 0:36:46 | |
The cockroach is one of the fastest and toughest insects around. | 0:36:48 | 0:36:53 | |
With a strong exoskeleton and powerful mandibles, | 0:36:53 | 0:36:56 | |
it's a formidable beast to deal with. | 0:36:56 | 0:36:59 | |
The jewel wasp is a beautiful creature, but on size alone, | 0:36:59 | 0:37:04 | |
it's no match for the cockroach, which should easily win this battle. | 0:37:04 | 0:37:08 | |
But instead, it's being led by the wasp without putting up a fight. | 0:37:09 | 0:37:14 | |
So how does the wasp get the cockroach to follow it? | 0:37:16 | 0:37:20 | |
And what's it going to do with it? | 0:37:20 | 0:37:22 | |
Take it for a walk? | 0:37:22 | 0:37:23 | |
Well, obviously not. | 0:37:23 | 0:37:25 | |
But the truth is far weirder than you could ever imagine. | 0:37:25 | 0:37:28 | |
It's a process that takes some careful planning. | 0:37:30 | 0:37:34 | |
To begin, the wasp hunts down a cockroach | 0:37:34 | 0:37:37 | |
and administers a sting to the thorax. | 0:37:37 | 0:37:40 | |
Now, that's a risky move for the wasp, but it's one that pays off. | 0:37:42 | 0:37:47 | |
This first hit temporarily paralyses the cockroach's front legs, | 0:37:47 | 0:37:52 | |
vital for the next stage in the fight. | 0:37:52 | 0:37:55 | |
The cockroach needs to be almost motionless | 0:37:55 | 0:37:58 | |
while the wasp administers the much more accurate second sting. | 0:37:58 | 0:38:01 | |
This second sting needs to be to a specific part | 0:38:03 | 0:38:06 | |
of the cockroach's brain. | 0:38:06 | 0:38:07 | |
And it does that almost with the precision of a surgeon's scalpel. | 0:38:07 | 0:38:11 | |
This second hit goes straight to the cockroach's brain. | 0:38:11 | 0:38:15 | |
Instead of fighting back, | 0:38:15 | 0:38:16 | |
the cockroach responds with some strange behaviour. | 0:38:16 | 0:38:20 | |
It starts to groom obsessively, | 0:38:20 | 0:38:23 | |
but I'll come back to that in a moment. | 0:38:23 | 0:38:26 | |
And then, as the wasp's venom takes over, | 0:38:26 | 0:38:29 | |
it knocks out the cockroach's ability to fight back or even run away. | 0:38:29 | 0:38:34 | |
It's been turned into a zombie completely under the wasp's control. | 0:38:36 | 0:38:42 | |
But the cockroach's ordeal isn't over yet. | 0:38:44 | 0:38:47 | |
The wasp leads it like a puppet to its dark lair, | 0:38:47 | 0:38:52 | |
where the true purpose behind this brutal clash is finally revealed. | 0:38:52 | 0:38:57 | |
The cockroach has become a larder for the wasp's larva. | 0:38:57 | 0:39:02 | |
So, initially, the wasp larva feeds outside | 0:39:03 | 0:39:05 | |
on the body of the cockroach. | 0:39:05 | 0:39:06 | |
But after a few days, it tunnels into the cockroach's abdomen, | 0:39:06 | 0:39:09 | |
then it feeds on its internal organs. | 0:39:09 | 0:39:11 | |
And to keep the cockroach alive as long as possible, | 0:39:11 | 0:39:13 | |
it feeds on the organs sequentially | 0:39:13 | 0:39:15 | |
so it leaves the most important organs until last, | 0:39:15 | 0:39:18 | |
effectively keeping the cockroach alive for as long as it can. | 0:39:18 | 0:39:21 | |
As dark and twisted as it sounds, | 0:39:23 | 0:39:27 | |
everything the wasp does has a purpose. | 0:39:27 | 0:39:31 | |
Remember that excessive grooming? | 0:39:31 | 0:39:32 | |
Well, now that comes into its own. | 0:39:32 | 0:39:35 | |
The cockroach is keeping itself clean so that the wasp larvae survive. | 0:39:35 | 0:39:42 | |
Imagine that. Keeping yourself in tiptop condition | 0:39:42 | 0:39:45 | |
just so that some other animal can eat you alive from the inside. | 0:39:45 | 0:39:50 | |
Not very nice. By committing that cockroach to such a miserable end, | 0:39:51 | 0:39:57 | |
the female wasp insures that her larvae will survive, | 0:39:57 | 0:40:01 | |
and that's what it's all about. | 0:40:01 | 0:40:04 | |
And it's astonishing the lengths that some species will go to, | 0:40:04 | 0:40:08 | |
just to ensure that their kids get the very best start in life. | 0:40:08 | 0:40:13 | |
The lightning never ends in Venezuela, | 0:40:16 | 0:40:20 | |
but leaves its mark on skin in Texas. | 0:40:20 | 0:40:23 | |
Eels use electricity to make underwater weapons, | 0:40:25 | 0:40:29 | |
and wasps rewire the circuitry of their cockroach slaves. | 0:40:29 | 0:40:34 | |
The forces that shape our world are not only weird, | 0:40:37 | 0:40:41 | |
but they're also deadly. | 0:40:41 | 0:40:43 | |
And finally, I'm going to tell you a story | 0:40:56 | 0:40:59 | |
which I can absolutely promise you | 0:40:59 | 0:41:01 | |
will change the way you think about our weird and wonderful world, | 0:41:01 | 0:41:05 | |
from some eye-opening dentistry to a cyborg with an ear for colour. | 0:41:05 | 0:41:12 | |
So let's start with something that really has to be seen to be believed. | 0:41:12 | 0:41:16 | |
In 1998, Ian Tibbetts from Shropshire | 0:41:18 | 0:41:22 | |
began having problems with his eyes. | 0:41:22 | 0:41:25 | |
I went blind in my right eye. | 0:41:27 | 0:41:29 | |
My left eye slowly going what the right one did. | 0:41:32 | 0:41:37 | |
Gradually, I got to being able to only see shadows. | 0:41:37 | 0:41:40 | |
As his eyesight got worse, | 0:41:44 | 0:41:46 | |
it slowly robbed him of everything that he liked doing. | 0:41:46 | 0:41:49 | |
Worse still, Ian and Alex had recently had twin boys, | 0:41:52 | 0:41:58 | |
but Ian had never seen their faces. | 0:41:58 | 0:42:01 | |
It was quite scary in the fact that.. | 0:42:01 | 0:42:04 | |
..I'd never be able to see my children... | 0:42:05 | 0:42:07 | |
..or the wife again. | 0:42:10 | 0:42:11 | |
Or anybody again, actually. | 0:42:11 | 0:42:12 | |
Then, one day, at his lowest, | 0:42:15 | 0:42:18 | |
Ian stumbled across a lifeline. | 0:42:18 | 0:42:21 | |
I saw this picture on the TV, on the news, | 0:42:21 | 0:42:24 | |
this miraculous cure to help people who were going blind. | 0:42:24 | 0:42:30 | |
It was my last chance, really, the last chance saloon. | 0:42:30 | 0:42:34 | |
Ian reached out to a very specialist eye surgeon. | 0:42:34 | 0:42:38 | |
I did a very detailed assessment and told him there was a good chance | 0:42:38 | 0:42:43 | |
I could help him regain his sight. | 0:42:43 | 0:42:45 | |
Ian was in luck, | 0:42:48 | 0:42:49 | |
but Professor Liu's solution | 0:42:49 | 0:42:51 | |
was weirder than he could have ever have imagined. | 0:42:51 | 0:42:55 | |
With Ian's eyes, the outside of his eyes was the problem. | 0:42:55 | 0:42:59 | |
The insides were fine. | 0:42:59 | 0:43:01 | |
He'd need to consider an artificial cornea. | 0:43:01 | 0:43:04 | |
Professor Liu wanted to replace the entire front of Ian's eye. | 0:43:06 | 0:43:11 | |
That would be his cornea, his iris and his lens. | 0:43:11 | 0:43:17 | |
But, of course, that sort of surgery is anything but standard. | 0:43:17 | 0:43:21 | |
When I went to see him and he told me | 0:43:24 | 0:43:26 | |
what he would like to try and do to me... | 0:43:26 | 0:43:29 | |
..I just thought in the back of my mind, "He must be crazy." | 0:43:32 | 0:43:36 | |
But this new part of Ian's eye | 0:43:37 | 0:43:40 | |
wasn't going to be totally artificial. | 0:43:40 | 0:43:43 | |
Oh, no. | 0:43:43 | 0:43:44 | |
It was going to be made out of something very strange indeed. | 0:43:44 | 0:43:47 | |
The implant consists of two parts. | 0:43:51 | 0:43:55 | |
One is the lens, or optical cylinder, | 0:43:55 | 0:43:59 | |
and that is like a camera lens. | 0:43:59 | 0:44:02 | |
The other part is made | 0:44:02 | 0:44:04 | |
from the patient's tooth, root and surrounding jawbone. | 0:44:04 | 0:44:08 | |
Yes, you heard right! | 0:44:11 | 0:44:13 | |
Professor Liu wanted to use one of Ian's teeth | 0:44:13 | 0:44:16 | |
to rebuild his eye. | 0:44:16 | 0:44:18 | |
It must be one of the most bizarre treatments | 0:44:18 | 0:44:21 | |
for blindness you can imagine. | 0:44:21 | 0:44:23 | |
What's putting a tooth in the back of the eye going to help me see? | 0:44:26 | 0:44:30 | |
Can't work. I thought he was delusional. | 0:44:31 | 0:44:35 | |
The procedure that Professor Liu wanted to perform | 0:44:38 | 0:44:42 | |
has got a bit of a name. | 0:44:42 | 0:44:44 | |
It's called osteo-odonto-keratoprosthesis. | 0:44:44 | 0:44:47 | |
Yeah, it's a bit of a mouthful. | 0:44:47 | 0:44:50 | |
But the big question is, why did he need to use a bit of a tooth? | 0:44:50 | 0:44:55 | |
Well, it's all about fooling Ian's eyes. | 0:44:55 | 0:44:59 | |
If you just put the plastic lens onto the eye | 0:45:03 | 0:45:05 | |
then it will just reject it. | 0:45:05 | 0:45:08 | |
If we surround it with a picture frame | 0:45:08 | 0:45:11 | |
made with the patient's own tooth and surrounding jawbone, | 0:45:11 | 0:45:15 | |
it can trick the eye into accepting it. | 0:45:15 | 0:45:18 | |
So, to help Ian see again, Professor Liu needed to use | 0:45:18 | 0:45:22 | |
something from Ian's body with the perfect structure | 0:45:22 | 0:45:25 | |
and blood supply to hold an artificial lens, | 0:45:25 | 0:45:30 | |
and a tooth happens to be just right for the job. | 0:45:30 | 0:45:35 | |
But this surgery wasn't without risk. | 0:45:35 | 0:45:37 | |
If it went wrong, Ian could be plunged into darkness forever. | 0:45:38 | 0:45:43 | |
Professor Liu performed the operation in two parts. | 0:45:46 | 0:45:51 | |
First, a tooth was removed and shaped to hold the lens. | 0:45:54 | 0:45:58 | |
It was then implanted for four months under Ian's cheek | 0:46:01 | 0:46:05 | |
to grow soft tissue around it. | 0:46:05 | 0:46:08 | |
In the second part of the surgery, | 0:46:09 | 0:46:11 | |
the front of the eye was removed | 0:46:11 | 0:46:13 | |
and replaced with the new artificial lens embedded in the tooth. | 0:46:13 | 0:46:18 | |
All in all, it's an incredibly complex and delicate procedure. | 0:46:21 | 0:46:25 | |
But there was no way to know if it had worked | 0:46:27 | 0:46:30 | |
until the bandages were removed 24 hours later. | 0:46:30 | 0:46:34 | |
When they took the bandages off, | 0:46:36 | 0:46:39 | |
I couldn't see a thing. | 0:46:39 | 0:46:41 | |
It was worse, actually, than it was before. | 0:46:43 | 0:46:45 | |
I couldn't actually see at all. | 0:46:45 | 0:46:47 | |
I thought I was going to be blind for life. | 0:46:48 | 0:46:50 | |
I just started crying. | 0:46:50 | 0:46:52 | |
I sat down on the floor and cried. | 0:46:56 | 0:46:59 | |
And that's about all I can remember of that part. | 0:46:59 | 0:47:01 | |
But a few weeks later, something truly remarkable happened. | 0:47:04 | 0:47:07 | |
Callum comes in and I look at him | 0:47:15 | 0:47:19 | |
and I could actually see his face clearly. | 0:47:19 | 0:47:23 | |
By then, Ryan had come running in and I could see him, too. | 0:47:25 | 0:47:29 | |
It made me feel ecstatic, over the moon. | 0:47:30 | 0:47:34 | |
That I could actually see them. | 0:47:35 | 0:47:38 | |
My little boys. | 0:47:39 | 0:47:41 | |
He could see his sons for the very first time. | 0:47:42 | 0:47:45 | |
And none of it would have been possible | 0:47:47 | 0:47:49 | |
without this incredible surgery. | 0:47:49 | 0:47:51 | |
It's wonderful, because it's given him some life again. | 0:47:53 | 0:47:55 | |
You know, some quality. | 0:47:55 | 0:47:57 | |
It's changed my life for the better. | 0:47:58 | 0:48:00 | |
What about that? | 0:48:08 | 0:48:09 | |
That's really something, isn't it? | 0:48:09 | 0:48:12 | |
A real life-changing moment. | 0:48:12 | 0:48:14 | |
I suppose you could say that the phrase "seeing is believing" | 0:48:14 | 0:48:18 | |
has never been more apt. | 0:48:18 | 0:48:20 | |
But then we all experience what we see in slightly different ways. | 0:48:21 | 0:48:25 | |
Double rainbow! Oh, my God. | 0:48:26 | 0:48:29 | |
It's a double rainbow, all the way. | 0:48:29 | 0:48:31 | |
We've all been excited when we've spotted rainbows. | 0:48:35 | 0:48:39 | |
Double complete rainbow... | 0:48:39 | 0:48:44 | |
in my front yard. | 0:48:44 | 0:48:46 | |
LAUGHTER | 0:48:46 | 0:48:49 | |
But perhaps some more than others. | 0:48:51 | 0:48:53 | |
Oh, my God, it's so bright and vivid. Oh! | 0:48:54 | 0:48:58 | |
In 2010, Paul Vasquez saw a double rainbow | 0:48:58 | 0:49:02 | |
from his California back yard near Yosemite National Park. | 0:49:02 | 0:49:06 | |
Double rainbow all the way across the sky! | 0:49:07 | 0:49:10 | |
Oh, my God. | 0:49:16 | 0:49:18 | |
Whoo! | 0:49:19 | 0:49:21 | |
Yeah! | 0:49:21 | 0:49:24 | |
Oh... | 0:49:24 | 0:49:25 | |
He recorded his dramatic reaction and the clip went viral | 0:49:25 | 0:49:29 | |
and has been viewed by millions around the world. | 0:49:29 | 0:49:32 | |
What does this mean? | 0:49:37 | 0:49:39 | |
Paul, Paul, calm down. There's a perfectly logical explanation. | 0:49:39 | 0:49:44 | |
So how does a double rainbow work? | 0:49:49 | 0:49:51 | |
The answer lies in a single drop of water. | 0:49:51 | 0:49:55 | |
A rainbow is created when light refracts as it enters a raindrop. | 0:50:03 | 0:50:08 | |
It then bounces off the back of the droplet | 0:50:08 | 0:50:11 | |
and refracts again as it exits the water. | 0:50:11 | 0:50:15 | |
This splits the colour spectrum and causes a rainbow to appear | 0:50:15 | 0:50:19 | |
at an angle of around 42 degrees relative to the incoming light. | 0:50:19 | 0:50:25 | |
OK, that explains a single rainbow. | 0:50:25 | 0:50:29 | |
But some light bounces twice before it exits the drop, | 0:50:29 | 0:50:33 | |
this time at an angle of around 53 degrees, | 0:50:33 | 0:50:37 | |
creating a second rainbow just above the first one. | 0:50:37 | 0:50:41 | |
Scale all of this up with millions of water drops | 0:50:41 | 0:50:45 | |
and you get a double rainbow. | 0:50:45 | 0:50:47 | |
And the way to know that your eyes aren't deceiving you? | 0:50:52 | 0:50:56 | |
Well, because of this second reflection, | 0:50:56 | 0:50:58 | |
the colours in a second rainbow are reversed. | 0:50:58 | 0:51:02 | |
Now the blue is on the outside and the red on the inside, | 0:51:02 | 0:51:06 | |
just like the double rainbow that was so intense for Paul. | 0:51:06 | 0:51:11 | |
Oh! | 0:51:11 | 0:51:13 | |
Oh, my... | 0:51:13 | 0:51:16 | |
Oh, my God, look at that. | 0:51:16 | 0:51:18 | |
It's starting to look like a TRIPLE rainbow. | 0:51:18 | 0:51:22 | |
Oh, my God, it's full-on. | 0:51:22 | 0:51:25 | |
Double rainbow all the way across the sky. | 0:51:25 | 0:51:28 | |
Oh, my God! | 0:51:31 | 0:51:33 | |
So a double rainbow had given Paul Vasquez the moment of his life. | 0:51:37 | 0:51:42 | |
But try and imagine this - | 0:51:42 | 0:51:44 | |
try and imagine that you can't see any colour at all. | 0:51:44 | 0:51:48 | |
A whole world without colour, | 0:51:48 | 0:51:49 | |
a world made up only of shades of grey. | 0:51:49 | 0:51:54 | |
What then would you give to see that world in colour? | 0:51:55 | 0:51:58 | |
Something that we all take for granted. | 0:51:58 | 0:52:01 | |
New York City. And this is Neil Harbisson. | 0:52:04 | 0:52:09 | |
He has never seen colour. | 0:52:09 | 0:52:12 | |
Born with a condition called achromatopsia, | 0:52:15 | 0:52:18 | |
he only sees a world of black and white. | 0:52:18 | 0:52:21 | |
But despite this limitation, Neil became an artist, | 0:52:23 | 0:52:27 | |
and in 2004 began an incredible journey | 0:52:27 | 0:52:31 | |
to bring him closer to the world of colour. | 0:52:31 | 0:52:34 | |
There's lots of red things. | 0:52:34 | 0:52:35 | |
Very F street. | 0:52:36 | 0:52:39 | |
This is more F sharp. | 0:52:39 | 0:52:41 | |
The woman sounded... very high-pitched E. | 0:52:45 | 0:52:47 | |
I was always curious about colour | 0:52:51 | 0:52:52 | |
cos everyone is using it | 0:52:52 | 0:52:54 | |
in daily life. | 0:52:54 | 0:52:55 | |
They are mentioning it every single day. | 0:52:55 | 0:52:58 | |
So I was always interested in sensing colour. | 0:52:58 | 0:53:00 | |
Not because I wanted to change my sight, | 0:53:00 | 0:53:02 | |
but because I wanted to have this element of colour in my life. | 0:53:02 | 0:53:06 | |
With the help of a team of engineers and doctors, | 0:53:06 | 0:53:08 | |
he created something straight out of science fiction. | 0:53:08 | 0:53:13 | |
Neil had an electronic device implanted inside his skull. | 0:53:13 | 0:53:18 | |
So this is a colour sensor. It picks up light frequencies. | 0:53:20 | 0:53:24 | |
It sends the light frequency to a chip | 0:53:24 | 0:53:26 | |
and the chip transforms the light frequency to a real vibration | 0:53:26 | 0:53:30 | |
that moves inside the skull. | 0:53:30 | 0:53:32 | |
So the vibration inside my skull | 0:53:32 | 0:53:34 | |
becomes a sound in my inner ear and each colour | 0:53:34 | 0:53:37 | |
has a different vibration, so it creates a different note. | 0:53:37 | 0:53:40 | |
So now the antenna is picking up | 0:53:45 | 0:53:46 | |
the light frequencies of this colour. | 0:53:46 | 0:53:49 | |
People can see the light frequencies and they say it's blue. | 0:53:49 | 0:53:52 | |
I can say it's blue | 0:53:52 | 0:53:53 | |
because the light frequencies are being converted | 0:53:53 | 0:53:55 | |
into a vibration in my skull. | 0:53:55 | 0:53:57 | |
In the same way that people can see this frequency, | 0:53:57 | 0:53:59 | |
I can sense it through vibrations in my head. | 0:53:59 | 0:54:02 | |
So, for example, red is very low. It's an F. | 0:54:14 | 0:54:16 | |
And then blue sounds C sharp and the green sounds A. | 0:54:16 | 0:54:20 | |
So when I look at this wall, I hear lots of music. | 0:54:20 | 0:54:23 | |
So it's a musical wall. | 0:54:23 | 0:54:24 | |
And there's lots of sound coming out of these colours. | 0:54:24 | 0:54:27 | |
So let's get this absolutely straight. | 0:54:36 | 0:54:39 | |
When Neil looks up at a clear blue sky, | 0:54:39 | 0:54:41 | |
he doesn't see the colour blue, he hears a note. | 0:54:41 | 0:54:46 | |
MID-RANGE NOTE | 0:54:46 | 0:54:48 | |
And if he were here, looking at this green tree, he wouldn't see green. | 0:54:48 | 0:54:53 | |
He'd hear another note. | 0:54:53 | 0:54:55 | |
HIGHER NOTE | 0:54:55 | 0:54:57 | |
But he's not happy. | 0:54:57 | 0:54:58 | |
He's not happy just being able to transpose colours into sounds. | 0:54:58 | 0:55:02 | |
Oh, no, he wants a technical upgrade. | 0:55:02 | 0:55:05 | |
I didn't see why I should stop to only human colour perception. | 0:55:07 | 0:55:11 | |
I could also sense colours that other animal species sense. | 0:55:11 | 0:55:14 | |
Just like some species of snake, Neil can sense infrared light. | 0:55:18 | 0:55:22 | |
For example, I can go in a shop and detect | 0:55:24 | 0:55:26 | |
if the alarms are on or off, because if there is infrared, | 0:55:26 | 0:55:29 | |
it means that there's movement detectors. | 0:55:29 | 0:55:31 | |
At the other end of the light spectrum, | 0:55:33 | 0:55:35 | |
Neil can also sense ultraviolet... | 0:55:35 | 0:55:38 | |
..just like many birds can. | 0:55:40 | 0:55:43 | |
Male and female bluetits look identical to us, | 0:55:43 | 0:55:46 | |
but they can see UV light. | 0:55:46 | 0:55:48 | |
It's how they tell each other apart | 0:55:51 | 0:55:53 | |
because males like this one have brighter UV patches than females. | 0:55:53 | 0:55:57 | |
But for Neil, the ability to see UV light | 0:56:02 | 0:56:05 | |
has even more useful ramifications. | 0:56:05 | 0:56:08 | |
On a day like today, with all the UV light pouring out of the sun | 0:56:12 | 0:56:17 | |
potentially damaging me, | 0:56:17 | 0:56:19 | |
Neil could hear whether it was safe enough to go out. | 0:56:19 | 0:56:23 | |
And what's even more astonishing | 0:56:24 | 0:56:27 | |
is that he can perceive parts of the spectrum that we will never see. | 0:56:27 | 0:56:32 | |
And even more amazing | 0:56:32 | 0:56:33 | |
is what's actually going on inside his brain. | 0:56:33 | 0:56:36 | |
The next stage that was a big stage | 0:56:39 | 0:56:41 | |
was when I started to dream in colour. | 0:56:41 | 0:56:43 | |
So when I sleep, my brain creates the sound of colours, | 0:56:43 | 0:56:46 | |
so I dream in colour, and that was also a very big emotional step. | 0:56:46 | 0:56:50 | |
There's something absolutely amazing going on here. | 0:56:57 | 0:57:01 | |
You see, the pathways in Neil's brain | 0:57:01 | 0:57:03 | |
have adapted to these new sensory inputs. | 0:57:03 | 0:57:07 | |
And over time, it's got to the extent | 0:57:07 | 0:57:10 | |
that he doesn't need to even hear a particular sound | 0:57:10 | 0:57:14 | |
to relate it to a specific colour. | 0:57:14 | 0:57:16 | |
It's happening automatically. | 0:57:16 | 0:57:18 | |
To the extent that, when he goes to sleep and the machine is turned off, | 0:57:18 | 0:57:22 | |
his brain can still produce those sounds, | 0:57:22 | 0:57:26 | |
so that he can dream in colour. | 0:57:26 | 0:57:29 | |
What about that? | 0:57:29 | 0:57:31 | |
The technology has fused to the circuitry in his brain, | 0:57:31 | 0:57:35 | |
effectively making Neil a cyborg. | 0:57:35 | 0:57:40 | |
A cyborg! | 0:57:40 | 0:57:41 | |
From sight-saving surgery, | 0:57:44 | 0:57:46 | |
to a mind-bending double rainbow | 0:57:46 | 0:57:50 | |
and music creating a cacophony of colour in a world of grey, | 0:57:50 | 0:57:55 | |
we may all see things differently, but one thing is certain. | 0:57:55 | 0:58:00 | |
This world of ours it just wonderfully weird. | 0:58:00 | 0:58:03 | |
Next time... | 0:58:05 | 0:58:06 | |
How did this man find himself in the middle of a waterspout? | 0:58:06 | 0:58:10 | |
And what creates this underwater wonderland? | 0:58:13 | 0:58:17 | |
Are these the world's weirdest worms? | 0:58:18 | 0:58:21 | |
And just why has this rat developed a death wish? | 0:58:23 | 0:58:26 |