Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The nation's favourite antiques experts, one big challenge - who will make the most profit | 0:00:02 | 0:00:07 | |
buying and selling antiques as they drive around the jolly old UK? | 0:00:07 | 0:00:11 | |
-Oh, you're such a temptress. How much can you sell it to me for? -Is that your very best? | 0:00:11 | 0:00:16 | |
By the end of their trip, they should have made some big money, but it's not as easy as it sounds. | 0:00:16 | 0:00:22 | |
And only one will be crowned champion at the final auction in London. | 0:00:22 | 0:00:27 | |
This is the Antiques Road Trip. | 0:00:27 | 0:00:29 | |
Our two experts today are James Lewis and David Harper. | 0:00:36 | 0:00:39 | |
Will it be a marriage made in heaven or a fight to the death? | 0:00:40 | 0:00:44 | |
This, for us, is effectively a blind date. | 0:00:44 | 0:00:46 | |
-We've met a couple of times, never worked together, have we? -Never. | 0:00:46 | 0:00:50 | |
James is a Derbyshire auctioneer who bid at his first auction aged six. | 0:00:50 | 0:00:56 | |
He took an early lead in yesterday's show. | 0:00:56 | 0:00:59 | |
Remarkable. | 0:00:59 | 0:01:00 | |
-I'm shaking now. -No, I'm very impressed. Well done, James. | 0:01:00 | 0:01:03 | |
David's an antique dealer from Co Durham specialising in furniture. | 0:01:03 | 0:01:08 | |
He's got the ambition to beat James but has he got the nerve? | 0:01:08 | 0:01:11 | |
It's a good sale but I might struggle to make a profit. | 0:01:11 | 0:01:14 | |
I won't make much of a loss but not much of a profit. | 0:01:14 | 0:01:17 | |
They're on the second leg of their road trip in David's classic soft-top. | 0:01:21 | 0:01:26 | |
They started off at the Giant's Causeway in Northern Ireland | 0:01:28 | 0:01:32 | |
and are heading all the way over to Market Harborough in Leicestershire. | 0:01:32 | 0:01:36 | |
They've left Belfast, taking the ferry to Stranraer, and in today's programme | 0:01:38 | 0:01:43 | |
they'll be shopping their way to auction in Kendal in Cumbria. | 0:01:43 | 0:01:47 | |
They're taking the scenic route, seeking out the most remote antique shops to strike some good deals. | 0:01:47 | 0:01:54 | |
Each expert started with £200. | 0:01:56 | 0:01:58 | |
James has taken an impressive early lead and now has £384.24. | 0:01:58 | 0:02:06 | |
But his rival, David, is not far behind him. He's starting today's show with £341.25. | 0:02:06 | 0:02:13 | |
In daft hat and sunglasses, these two clowns have decided to travel incognito. | 0:02:15 | 0:02:21 | |
-I thought it was part of a theme. -Well, all right, if I'm honest I just think I look pretty good in it. | 0:02:21 | 0:02:27 | |
-I think you look like a pirate. -A pirate? | 0:02:27 | 0:02:29 | |
Yeah. Just like Johnny Depp, David. | 0:02:29 | 0:02:32 | |
Well, what do you know, they've found a dealer in the middle of nowhere. | 0:02:32 | 0:02:36 | |
Hats off, boys, or you'll scare him. | 0:02:36 | 0:02:39 | |
-Doesn't look very shop-like, but... -Interesting. | 0:02:39 | 0:02:42 | |
Dennis Hamilton has given up sheep farming and is trying to eke a crust out of antiques. | 0:02:42 | 0:02:48 | |
His lounge is his showroom. | 0:02:48 | 0:02:50 | |
So these highly competitive experts end up trying to do deals with the same dealer at the same time. Yikes! | 0:02:50 | 0:02:56 | |
What sort of money have you got on that? | 0:02:56 | 0:03:00 | |
Erm... I've got £12.50 on that. | 0:03:00 | 0:03:02 | |
What's the ballpark area for you? | 0:03:02 | 0:03:04 | |
-I paid £130 for that. -Did you? Yes. | 0:03:04 | 0:03:07 | |
On that clock, I've got £1,600. | 0:03:07 | 0:03:10 | |
And what would trade do on that? | 0:03:10 | 0:03:13 | |
Trade price on that would be... | 0:03:13 | 0:03:14 | |
It's too much, it's too much, it's too much. | 0:03:14 | 0:03:19 | |
These Chinese vases should be affordable. | 0:03:19 | 0:03:22 | |
James gives the dealer a history lesson. | 0:03:22 | 0:03:25 | |
In the 1960s, when Chairman Mao was in China, | 0:03:25 | 0:03:28 | |
he stopped all Chinese having things from the Imperial past | 0:03:28 | 0:03:33 | |
and if they were caught with early 18th-century or 17th-century, or even 19th-century, works of art, | 0:03:33 | 0:03:39 | |
they were thrown in jail. | 0:03:39 | 0:03:41 | |
So what a lot of the Chinese people did was, the very valuable things they buried in the back garden | 0:03:41 | 0:03:46 | |
or exported and sold to exporters. | 0:03:46 | 0:03:48 | |
But of course now, the biggest growing market in the world is China, | 0:03:48 | 0:03:53 | |
and what they haven't got is they haven't got things from their own past. | 0:03:53 | 0:03:57 | |
So they're starting to buy things and it's a growing market, and I think they've got a chance. | 0:03:57 | 0:04:03 | |
The shape of the vases is known as double gourd, | 0:04:03 | 0:04:06 | |
and they are reticulated, a Chinese technique which makes it look as if they've got holes in, | 0:04:06 | 0:04:12 | |
but they're actually double skinned. | 0:04:12 | 0:04:14 | |
-I'd take £100 for them. -Would you be able to do them any less than £100? -Make me an offer. | 0:04:14 | 0:04:20 | |
I don't want to insult you. | 0:04:20 | 0:04:22 | |
Go on, make me an offer. | 0:04:22 | 0:04:24 | |
They're worth £40 but I'll offer you £55. | 0:04:24 | 0:04:28 | |
55, I didn't pay a lot for them. | 0:04:28 | 0:04:31 | |
-All right, you've got a deal. -Yeah? | 0:04:31 | 0:04:33 | |
-Yeah, you've got a deal. -Deal. Fab. | 0:04:33 | 0:04:36 | |
Shame, because I was about to offer you £105, but then again, not to worry. | 0:04:36 | 0:04:41 | |
Dennis wants David to look at a pretty Victorian writing slope inlaid with mother of pearl. | 0:04:42 | 0:04:48 | |
-We've got rosewood, haven't we? -Yes. | 0:04:48 | 0:04:50 | |
-Then probably lined in mahogany, would you say, James? -Yes. | 0:04:50 | 0:04:53 | |
Portable writing desks like this provided a flat surface for letter writing | 0:04:53 | 0:04:58 | |
and storage for quills, inkbottles, and paper. | 0:04:58 | 0:05:01 | |
James thinks there's a lot more to it than meets the eye. | 0:05:01 | 0:05:04 | |
That should pop out, there you go. | 0:05:06 | 0:05:10 | |
-Well, I'll be... -Behind there. | 0:05:10 | 0:05:12 | |
Well done. | 0:05:12 | 0:05:13 | |
Most of them have them. I want five gold sovereigns in the last. | 0:05:13 | 0:05:17 | |
-How much is it? -Nothing springs out. | 0:05:17 | 0:05:19 | |
It's nice, isn't it? I didn't know that happened with the drawers. | 0:05:19 | 0:05:22 | |
David's interested so it's down to the nitty-gritty. | 0:05:22 | 0:05:26 | |
-The least I could let that go for would be £140. -The thing is, | 0:05:26 | 0:05:30 | |
I've got to sell... No, I can't. | 0:05:30 | 0:05:32 | |
-I don't think it's going to make any profit in a general sale, do you? -I think it would make 140-180. | 0:05:32 | 0:05:37 | |
Unless it could be drastically cheaper, Dennis. I've got £80. | 0:05:37 | 0:05:40 | |
-No, no. -Final chance. | 0:05:40 | 0:05:43 | |
£110 and it's a deal, that's it. That's my final offer. | 0:05:43 | 0:05:47 | |
-I can't, Dennis, I'll go £80 cash now. -£100 and that's it. | 0:05:47 | 0:05:50 | |
£100 or it stays where it stands. | 0:05:50 | 0:05:53 | |
-I'll do £80, Dennis, it's the best I can do. -No, no. | 0:05:53 | 0:05:56 | |
-Cash in my pocket. -Can't do it. Can't do it. Sorry, can't do it for that. | 0:05:56 | 0:06:00 | |
If I was buying it for myself, I would, but £20 in this game. | 0:06:00 | 0:06:07 | |
£90, and that's it. | 0:06:07 | 0:06:10 | |
I'm not going any lower on that box. | 0:06:10 | 0:06:14 | |
I tell you what I'll do, I'll stick my hand out now and meet you half way. | 0:06:14 | 0:06:17 | |
85 and it's a deal. | 0:06:17 | 0:06:19 | |
Good man. | 0:06:19 | 0:06:21 | |
I'm happy with that. | 0:06:21 | 0:06:23 | |
Phew, got there in the end but David's playing it real tough. | 0:06:23 | 0:06:26 | |
-Dennis, it's been a pleasure meeting you and to do business. -It's been a pleasure meeting you all. | 0:06:26 | 0:06:29 | |
There you go, that's 20, 40, 50, and five. | 0:06:29 | 0:06:33 | |
-Thank you very much. -And thank you very much. | 0:06:33 | 0:06:35 | |
They're heading for Castle Douglas, where they've checked that two shops are open for business. | 0:06:39 | 0:06:44 | |
This time, they're hitting a shop each so that they can guard their tactics more closely. | 0:06:46 | 0:06:52 | |
James likes a Georgian bow front corner cupboard | 0:06:53 | 0:06:55 | |
but it's missing a lot of its decorative edging or moulding. | 0:06:55 | 0:06:59 | |
-How about the bits at the top there? -No, they're not in. -No? -No. | 0:06:59 | 0:07:04 | |
In lovely condition at the height of the market, these were £500-£600, weren't they? | 0:07:04 | 0:07:08 | |
But think it's going to cost more to put it right than it is worth. | 0:07:08 | 0:07:12 | |
I'm not going to offer you something for it because it's worth more than I'd pay you. | 0:07:12 | 0:07:18 | |
For me it would be worth £30-£40, that's all. | 0:07:18 | 0:07:22 | |
-It's a lovely thing and I hope somebody will buy it and love it. -That's fine. | 0:07:22 | 0:07:27 | |
I don't think the profit is there at the auction to make it worthwhile. | 0:07:27 | 0:07:33 | |
James is determined to beat David at the auction in Kendal, so he's wary of making any mistakes. | 0:07:33 | 0:07:40 | |
Hazel, the long case clock? | 0:07:40 | 0:07:43 | |
Pendulum clocks under 1.5 metres tall are known as granddaughter clocks, | 0:07:43 | 0:07:49 | |
over 1.5 metres and it's a grandmother clock, | 0:07:49 | 0:07:52 | |
and this beauty, which is over 1.8 metres high, is a grandfather clock. | 0:07:52 | 0:07:58 | |
I love the fact that we've got the subsidiary seconds dial and the date dial, | 0:07:58 | 0:08:01 | |
and the twin winding holes there for the eight-day movement. | 0:08:01 | 0:08:05 | |
The painting's in good order, the clock's in good order. What would be your best for it? | 0:08:05 | 0:08:09 | |
Well, can you tell me what your best is, I have to get my money back, so... | 0:08:09 | 0:08:14 | |
For me, I think that would make £350-£400 at auction, | 0:08:14 | 0:08:19 | |
so the most I could give you would be £250. | 0:08:19 | 0:08:23 | |
I don't think I could sell it for £250. | 0:08:26 | 0:08:28 | |
I don't blame you, I really don't. | 0:08:28 | 0:08:30 | |
-I would have to get £350 anywhere for it. -OK. | 0:08:30 | 0:08:34 | |
James sure means business, he's piling the pressure on dealer Hazel Hall. | 0:08:34 | 0:08:39 | |
He's got £329.24 to spend and he needs to get the best possible price. | 0:08:39 | 0:08:46 | |
For it to stand any chance, it's got to be under £350, it's got to be under there... | 0:08:46 | 0:08:52 | |
so... | 0:08:52 | 0:08:54 | |
to get it up above the £300 mark, how about the clock | 0:08:56 | 0:08:59 | |
and the corner cupboard at £320? | 0:08:59 | 0:09:03 | |
-Just because you're such a nice guy. -Yeah? -Yes. -Fantastic. -Thank you. | 0:09:07 | 0:09:10 | |
Deal, thank you so much. | 0:09:10 | 0:09:12 | |
Well, I'm taking a big gulp, James. | 0:09:12 | 0:09:15 | |
We'll call that £250 for the clock and £70 for the corner cupboard. | 0:09:15 | 0:09:19 | |
Up the road in Castle Douglas, David's still thinking he'll beat James by spending little. | 0:09:19 | 0:09:26 | |
He's badly underestimated the boldness of his rival. | 0:09:26 | 0:09:29 | |
-I don't have very much money. -No, I realise that's going to be... | 0:09:29 | 0:09:33 | |
-I mean £200 isn't going to buy that, is it? -No. -Out of interest. -No. | 0:09:33 | 0:09:37 | |
Let's have a look at these vases, what do we know about these? | 0:09:37 | 0:09:41 | |
-I suppose they're handkerchief vases, aren't they? -Yes, yes. | 0:09:41 | 0:09:43 | |
In the shape of a handkerchief. | 0:09:43 | 0:09:45 | |
-Any damage on them? -I don't think so. | 0:09:45 | 0:09:47 | |
Does that one ring all right? Give it a ring. | 0:09:47 | 0:09:49 | |
SHE TAPS THE VASE | 0:09:49 | 0:09:50 | |
Playing a tune here, Ann. Maybe we're in the wrong business. | 0:09:52 | 0:09:56 | |
They're more than likely to be Venetian, aren't they? Italian, probably. | 0:09:56 | 0:10:00 | |
Venice, and particularly the island of Murano, | 0:10:00 | 0:10:03 | |
has been a centre of glassmaking for 800 years | 0:10:03 | 0:10:07 | |
and Italian glassware remains highly desirable. | 0:10:07 | 0:10:11 | |
What'd be the best on those? | 0:10:11 | 0:10:12 | |
Um... | 0:10:12 | 0:10:14 | |
Well, | 0:10:14 | 0:10:16 | |
they're 15... | 0:10:16 | 0:10:18 | |
-What about ten? -What about five? -Oh, I don't think I could go down as low as that. | 0:10:18 | 0:10:22 | |
-Sure you could if you... -I don't think so. -If you really tried. -No, we would have to stick at ten. | 0:10:22 | 0:10:29 | |
-You're not feeling the pain, Ann, at ten, are you? -No. | 0:10:29 | 0:10:33 | |
So that's how he's playing it, squeezing the dealer till it hurts. | 0:10:33 | 0:10:37 | |
I don't want to offer less than ten because it starts getting ridiculous, | 0:10:37 | 0:10:40 | |
-7, 8, 9... Go on, ten, I'll have them for ten. -OK, fine. | 0:10:40 | 0:10:43 | |
-OK, I'll hold that one, thank you very much. -Pleasure. | 0:10:43 | 0:10:47 | |
Hmm, more vases. | 0:10:47 | 0:10:49 | |
David's bought a pair of vases, James has bought a pair of vases. Copycat shopping, David? | 0:10:49 | 0:10:55 | |
-OK, thank you very much. -You're welcome. | 0:10:55 | 0:10:58 | |
-And I hope they make you a nice big profit. -Do you think they might? | 0:10:58 | 0:11:01 | |
-SHE CHUCKLES Do you think they will? -I hope so. | 0:11:01 | 0:11:05 | |
TILL RINGS | 0:11:05 | 0:11:06 | |
-Oh, that was lovely, what a sound. -Now that was worth £10, wasn't it? | 0:11:06 | 0:11:10 | |
And with the ping of an antique till still ringing in his ears, | 0:11:12 | 0:11:16 | |
David slopes off for a drive along the Solway Firth coast road, | 0:11:16 | 0:11:20 | |
which takes him past the ruin of Sweetheart Abbey. | 0:11:20 | 0:11:23 | |
It was founded in 1273 by a grieving widow in memory of her husband, | 0:11:23 | 0:11:29 | |
whose embalmed heart she carried around in an ivory casket. | 0:11:29 | 0:11:33 | |
When she died, Lady Devorguilla of Galloway was also buried here | 0:11:33 | 0:11:38 | |
clutching her husband's heart to her bosom. | 0:11:38 | 0:11:41 | |
Just take a look at that. | 0:11:44 | 0:11:47 | |
There are viewpoints all the way along this road, you can enjoy it in a gorgeous classic soft-top, | 0:11:47 | 0:11:52 | |
but when you get out and you look at that, | 0:11:52 | 0:11:54 | |
where else on this Earth would you rather be on a good summer's day | 0:11:54 | 0:11:58 | |
than anywhere like this in Britain? | 0:11:58 | 0:12:00 | |
It's a new day, and with the promise of more shopping ahead, | 0:12:13 | 0:12:17 | |
our intrepid antique hunters are breaking for the Border. | 0:12:17 | 0:12:21 | |
David has spent £95 and still has £246.25. | 0:12:21 | 0:12:27 | |
James has parted with nearly all his money, £375, | 0:12:27 | 0:12:31 | |
and he's only got £9.24 left. | 0:12:31 | 0:12:35 | |
On his way to the next antique shop, | 0:12:37 | 0:12:39 | |
James is stopping off near Annan for a little play | 0:12:39 | 0:12:42 | |
with the dollies in Margaret Lockerbie's incredible collection. | 0:12:42 | 0:12:47 | |
Margaret's passion was ignited with a bridal doll and it, well, | 0:12:47 | 0:12:52 | |
blossomed from there. | 0:12:52 | 0:12:54 | |
She now has 3,500 dolls in her collection. | 0:12:54 | 0:12:58 | |
I think you need to have a bit of an appreciation for dolls to... | 0:13:00 | 0:13:04 | |
Oh, my goodness. | 0:13:04 | 0:13:06 | |
-This is insane. -It is, but who says sanity comes into it, you know? | 0:13:06 | 0:13:12 | |
There isn't... I do not know a good collector who is sane. | 0:13:12 | 0:13:17 | |
So which is the oldest doll? | 0:13:17 | 0:13:19 | |
The oldest doll is my mother's doll and it's the German one. | 0:13:19 | 0:13:25 | |
-Oh, yes. -It was my grandmother's doll as well. | 0:13:25 | 0:13:27 | |
This is the bisque head, the classic German with the papier mache joints. | 0:13:27 | 0:13:32 | |
Yes, she was made between 1890 and 1910. | 0:13:32 | 0:13:35 | |
Yes, these are the sort of things that we do see in the salerooms. | 0:13:35 | 0:13:39 | |
Let's have a look at that. | 0:13:39 | 0:13:40 | |
Yeah, Armand Marseille, Germany. | 0:13:40 | 0:13:43 | |
Armand Marseille, a Frenchman, | 0:13:43 | 0:13:45 | |
eccentrically produced dolls in Koppelsdorf, southern Germany, | 0:13:45 | 0:13:51 | |
from about 1885 to 1930. | 0:13:51 | 0:13:54 | |
And Margaret's piece de resistance? | 0:13:54 | 0:13:56 | |
I commissioned a lady to make me the replica of Lady Diana's wedding dress. | 0:13:56 | 0:14:01 | |
-Oh, it's Diana's. -So there's a 12-and-a-half foot train and veil here, because she scaled it. | 0:14:01 | 0:14:07 | |
Do you know, I've never seen so many dolls anywhere? | 0:14:10 | 0:14:14 | |
Gosh, absolutely amazing. | 0:14:14 | 0:14:16 | |
Wow. | 0:14:16 | 0:14:17 | |
Back on the road, the boys are still heading in the general direction of their next auction. | 0:14:21 | 0:14:27 | |
They drive through the famous Border town of Gretna Green - anyone for a marriage? - | 0:14:27 | 0:14:31 | |
on their way to Cockermouth in Cumbria. | 0:14:31 | 0:14:33 | |
When they get to Cockermouth, | 0:14:34 | 0:14:36 | |
they find a pretty Georgian town on the edge of the Lake District, | 0:14:38 | 0:14:42 | |
famous as the birthplace of poet William Wordsworth. | 0:14:42 | 0:14:46 | |
-OK if I have a quick look around? -By all means, feel free. | 0:14:46 | 0:14:49 | |
Good. OK, well I tell you what I'm looking for, anything a bit out of the ordinary, quirky. | 0:14:49 | 0:14:54 | |
Quirky? What about Old Bill? | 0:14:54 | 0:14:56 | |
Second War, came from Canada with chocolates in it for the kids at Christmas time. | 0:14:56 | 0:15:02 | |
-Really? -Yeah. | 0:15:02 | 0:15:04 | |
-Came with chocolates in him? -Yeah. | 0:15:04 | 0:15:06 | |
He's quirky, but he might be TOO quirky for a general sale. | 0:15:06 | 0:15:10 | |
A general sale, it's like anything, if you get two at it, you've cracked the job. | 0:15:10 | 0:15:15 | |
I know. OK, let's think about him. The thing is, I've got a couple of hundred quid to spend. | 0:15:15 | 0:15:19 | |
Oh, well, no, no... | 0:15:19 | 0:15:21 | |
That's the worst mistake in the world you can ever make, I've just fallen into the worst trap. | 0:15:22 | 0:15:28 | |
Colin, sorry I mean to say I've got £20 to spend. | 0:15:28 | 0:15:30 | |
Aha, typical. | 0:15:30 | 0:15:32 | |
Very flash with your cash, David. | 0:15:32 | 0:15:35 | |
James has got less than a tenner left | 0:15:35 | 0:15:37 | |
but he's still browsing with intent. | 0:15:37 | 0:15:40 | |
What about three Cranberry tumblers for £9? | 0:15:40 | 0:15:44 | |
Little money bank, £9? | 0:15:44 | 0:15:46 | |
You could have that quite nice Art Deco figure for £9. | 0:15:46 | 0:15:51 | |
I don't like her, though. | 0:15:51 | 0:15:52 | |
-You're a very difficult customer. -I know! I'm so sorry. | 0:15:52 | 0:15:56 | |
How much is your big pot? | 0:15:56 | 0:15:58 | |
To you, with your £9, 65. | 0:15:58 | 0:16:03 | |
Ah a bit above me. | 0:16:03 | 0:16:05 | |
Can't you find any more money than £9? | 0:16:05 | 0:16:07 | |
-£9.33. -No. | 0:16:07 | 0:16:09 | |
How about a nice pair of jam spoons? | 0:16:09 | 0:16:12 | |
I don't like them. | 0:16:12 | 0:16:14 | |
Oh, they're such a bargain. | 0:16:14 | 0:16:16 | |
-Really you want things which are worth £60, for £9 - that's the problem. -That's the idea. | 0:16:16 | 0:16:22 | |
-How about that? -That's a little... | 0:16:22 | 0:16:26 | |
I think probably late Victorian jade. | 0:16:26 | 0:16:30 | |
-Chinese, isn't it? -Chinese, I would think, yes. -Little hardwood stand. | 0:16:30 | 0:16:34 | |
Yes, you can have that for nine. | 0:16:34 | 0:16:37 | |
Yeah, I think that's worth £9. | 0:16:37 | 0:16:39 | |
-Yes, OK? -I think we've got a deal. | 0:16:39 | 0:16:41 | |
-Right, good. -Fantastico! -Thank you very much. | 0:16:41 | 0:16:43 | |
Meanwhile, dealer Colin Graham is hoping to lighten David's wallet with a jet fighter lighter. | 0:16:43 | 0:16:51 | |
What date do you think it is? | 0:16:51 | 0:16:53 | |
-It seems a bit newer. -1954. | 0:16:53 | 0:16:55 | |
Chunky chrome table lighters like this were fashionable | 0:16:55 | 0:16:59 | |
when smoking was in, in the '50s and '60s, | 0:16:59 | 0:17:01 | |
and are now collectible. | 0:17:01 | 0:17:03 | |
What's the absolute death on that, Colin? | 0:17:03 | 0:17:07 | |
-Make it a tenner, Colin. -No, I couldn't do that. | 0:17:07 | 0:17:10 | |
I was thinking 25. | 0:17:10 | 0:17:13 | |
Give us £20, call it quits. | 0:17:13 | 0:17:16 | |
-Well, it's going to make £20-£40, isn't it? -It's going to make that, easily. | 0:17:16 | 0:17:20 | |
And on a very good day it might make 60, on a very bad day it might sell for a fiver. | 0:17:20 | 0:17:24 | |
Yeah, that's a gamble you lads are taking. | 0:17:24 | 0:17:27 | |
£20, you've got a chance. | 0:17:27 | 0:17:30 | |
-Go on then, £20. -Good man. -All right. | 0:17:31 | 0:17:35 | |
James is all spent up and the boys decide to crack their journey south. | 0:17:38 | 0:17:43 | |
When they reach the banks of lovely Lake Ullswater, | 0:17:43 | 0:17:46 | |
it's time to reveal exactly what they're taking to auction. | 0:17:46 | 0:17:49 | |
First David's writing box, which he paid £85 for. | 0:17:49 | 0:17:54 | |
I bought it because you were raving about it. | 0:17:54 | 0:17:56 | |
Do you know, I wish I hadn't. I really like it. I think it's great. | 0:17:56 | 0:18:00 | |
-I do, I'm very, very happy with this. -You can see mine as well. | 0:18:00 | 0:18:04 | |
I think they're rare because they're reticulated. | 0:18:04 | 0:18:07 | |
-That's the thing that will sell them. -I think so. | 0:18:07 | 0:18:10 | |
I'm hoping that the Chinese buyers will love them. What's next? | 0:18:10 | 0:18:13 | |
OK, will they be in Kendal? Well, here we go, | 0:18:13 | 0:18:16 | |
-it's a pair of... grab that one, I think you might recognise what that is. -Ahh. | 0:18:16 | 0:18:21 | |
-Honest opinion, go on. -I don't like them. | 0:18:21 | 0:18:24 | |
I don't love them, they're the wrong colour, but the handkerchief vases they're very arty. | 0:18:24 | 0:18:29 | |
They're probably Murano, Italian probably, but they were dead cheap. | 0:18:29 | 0:18:33 | |
-They need to be. -A tenner the pair. | 0:18:33 | 0:18:35 | |
-Oh, no. -Oh, come on, they're worth £20 each, aren't they? -Should be, got to be. | 0:18:35 | 0:18:39 | |
That classy glass should be a winner at the price David paid, surely? | 0:18:39 | 0:18:43 | |
Well, it doesn't take a genius to work these out. | 0:18:43 | 0:18:46 | |
I think I can see what that is. | 0:18:46 | 0:18:48 | |
-Here we go. -Here we go. -One deal, this was one deal. | 0:18:48 | 0:18:50 | |
One deal? George III corner cupboard. | 0:18:50 | 0:18:53 | |
-George III corner cupboard and... -Mahogany. | 0:18:53 | 0:18:56 | |
-Well, I can see the George III clock. -There we go. | 0:18:56 | 0:18:59 | |
Provincial thing, oak, mahogany. 1808, do you think, about that? | 0:18:59 | 0:19:05 | |
-Possibly 1830. -Could be bit later because it's provincial, yeah. | 0:19:05 | 0:19:08 | |
But you know, I thought the corner cupboard was tatty, | 0:19:08 | 0:19:12 | |
-that was the first thing I spotted and I thought it was great. -Yeah. -But then I decided not to buy it. | 0:19:12 | 0:19:17 | |
-Then I couldn't get the clock cheap enough so I got them both. -How much money for the pair? -£320. | 0:19:17 | 0:19:21 | |
-They're very cheap. -I think they're OK. It's the clock that I wanted but the corner cupboard swung it. | 0:19:21 | 0:19:27 | |
David thinks he's got a good deal on his boy's toy. | 0:19:27 | 0:19:31 | |
-How much was it? -How much do you think? | 0:19:31 | 0:19:33 | |
-It's a good one. -Well, they're normally £80-£100, aren't they? | 0:19:33 | 0:19:37 | |
-Well, they can be. I've sold them in auction for as little as 40. -OK. | 0:19:37 | 0:19:41 | |
-And I've sold them for as much as 125. -Yeah. | 0:19:41 | 0:19:43 | |
-So that's the limit, isn't it? -Yes. | 0:19:43 | 0:19:45 | |
-Bargain, 20 quid. -Oh, my goodness. | 0:19:45 | 0:19:48 | |
-Absolutely fantastic. -Yeah. -Well... -Another one? I thought you were spent up. | 0:19:48 | 0:19:53 | |
I am. I had £9 left and | 0:19:53 | 0:19:56 | |
I didn't want to spend the whole day on the Lakes. | 0:19:56 | 0:20:00 | |
-If this is the biggest profit-maker I'm... -It's a funny little thing, really. | 0:20:00 | 0:20:04 | |
-Oh, it's Chinese. -It's Chinese and it's jade. -Ooh, jade. | 0:20:04 | 0:20:07 | |
And it's probably 1920s, but it's one of those useless ornaments. | 0:20:07 | 0:20:10 | |
I liked the enamel and jade butterfly. | 0:20:10 | 0:20:13 | |
It's sweet, bit of a cloisonne look going on there, isn't there? | 0:20:13 | 0:20:17 | |
Well, at £9 | 0:20:17 | 0:20:19 | |
it probably was worth a punt. | 0:20:19 | 0:20:21 | |
What do they think now they've seen what the other one's bought? | 0:20:21 | 0:20:24 | |
I'm now a little bit nervous. | 0:20:24 | 0:20:27 | |
I've spent every single penny that I had so if these items bomb, I'm wiped out. | 0:20:27 | 0:20:33 | |
I've hardly spent any money, but I've got more hope for my things. I'm feeling confident, quietly confident. | 0:20:33 | 0:20:40 | |
It's auction day. A journey touching three countries in the Union - | 0:20:42 | 0:20:46 | |
Northern Ireland, Scotland, and now England - | 0:20:46 | 0:20:49 | |
takes our two experts to Kendal to sell their antiques. | 0:20:49 | 0:20:54 | |
Kendal is one of the gateways to the Lake District. | 0:20:56 | 0:21:00 | |
It's the home of sensible K Shoes and mint cake, | 0:21:00 | 0:21:04 | |
which is a favourite with outdoorsy types because of its high energy content. | 0:21:04 | 0:21:08 | |
Well, for our experts there's nothing like an auction for high energy content. | 0:21:08 | 0:21:14 | |
Despite the great age of the company, 1818 Auctioneers | 0:21:14 | 0:21:19 | |
have very modern regular sales with Internet bidding and fancy screens displaying the lots. | 0:21:19 | 0:21:25 | |
However, this sale isn't specifically for antiques | 0:21:25 | 0:21:28 | |
so the boys are worried that the right buyers won't be here. | 0:21:28 | 0:21:31 | |
Starting this leg of their road trip with £384.24, | 0:21:31 | 0:21:36 | |
James has confidently blown all bar 24p so he's playing a high-risk game. | 0:21:36 | 0:21:41 | |
David had £341.25 at the beginning of this leg and has only spent £115, | 0:21:42 | 0:21:49 | |
so he's banking more than £200. | 0:21:49 | 0:21:53 | |
First up is David's stylish retro lighter. | 0:21:55 | 0:21:59 | |
-20 for this, please. £20. -£20 start? | 0:21:59 | 0:22:03 | |
£20 start bid, surely? Thank you, sir, £20 bid in the room there, | 0:22:03 | 0:22:07 | |
20... Bidding. 25. You're bidding, sir. | 0:22:07 | 0:22:09 | |
-28... 30 now. -Come on. | 0:22:09 | 0:22:11 | |
£32... 35 on the internet, I've seen it. | 0:22:11 | 0:22:16 | |
38... 38 in the room, I'm selling against the internet, | 0:22:16 | 0:22:20 | |
it's against you, sir, 38 now. Selling at £38. | 0:22:20 | 0:22:23 | |
-Oh, no. -It's going, make no mistake. | 0:22:23 | 0:22:26 | |
Good gosh, I just... Well, I'm devastated. | 0:22:26 | 0:22:31 | |
Well, that's taken the wind out of David's sails. | 0:22:31 | 0:22:34 | |
He'd hoped for a lot more. | 0:22:34 | 0:22:36 | |
-'Next, James's little table decoration.' -£50... | 0:22:36 | 0:22:41 | |
against the internet, against the room, 50, | 0:22:41 | 0:22:43 | |
£40... | 0:22:43 | 0:22:45 | |
I'm asking £40 anywhere, | 0:22:45 | 0:22:48 | |
£30... 30, it's here to be sold, come on, £30... | 0:22:48 | 0:22:52 | |
30. 20? | 0:22:52 | 0:22:56 | |
Surely £20. Anyone on the internet, anyone in China want to bid £20? | 0:22:56 | 0:23:00 | |
£20 anywhere... | 0:23:00 | 0:23:02 | |
Surely £20, I've got a bid at the back there £20, I will sell at £20, | 0:23:02 | 0:23:08 | |
somebody wants a nice decorative item for their bathroom. £20 now. | 0:23:08 | 0:23:12 | |
-I'm selling. -Come on, wake up. -It's going... | 0:23:12 | 0:23:15 | |
Oh, no. | 0:23:15 | 0:23:16 | |
Not great then, James. | 0:23:16 | 0:23:19 | |
They both expected higher profits than this. | 0:23:19 | 0:23:22 | |
-I can't believe that made 20 quid and my blinkin' aeroplane didn't make much more. -Aargh. | 0:23:22 | 0:23:27 | |
James's rather battered corner cupboard is next. | 0:23:28 | 0:23:34 | |
£50... thank you, I have 50, bidding 55... | 0:23:34 | 0:23:38 | |
-55, -Come on. -60... 65, 70... 70 now. | 0:23:38 | 0:23:43 | |
-Come on! -We're on commission now at £70. -One more. -Any advance... | 0:23:43 | 0:23:45 | |
-75 fresh bid. -Yes! -75 in the room... the lady must like it. | 0:23:45 | 0:23:50 | |
-75... -She's got taste. -Selling at £75... | 0:23:50 | 0:23:53 | |
He'll give you a kiss in a minute, | 0:23:53 | 0:23:54 | |
-I don't want to put her off. -75 now. | 0:23:54 | 0:23:57 | |
Sold to the lady for £75. | 0:23:58 | 0:24:02 | |
David's lovely writing slope is next. | 0:24:04 | 0:24:07 | |
£100... someone here, anything from the internet? No. £100... | 0:24:07 | 0:24:12 | |
Start me again at 50 and we'll work upwards, all over the place, 50... | 0:24:12 | 0:24:16 | |
55, 60... 65. 70... 75. | 0:24:16 | 0:24:21 | |
-Come on. -80... 80 with the gentleman. Are you bidding at the back? 85. | 0:24:21 | 0:24:24 | |
Bidding... 85 at the back of the room, it's here to be sold. | 0:24:24 | 0:24:29 | |
-Come on, come on. -85 at the back of the room now... | 0:24:29 | 0:24:32 | |
-selling at £85. -Go on, no. | 0:24:32 | 0:24:34 | |
-Ow! -Well, this isn't going according to David's plan. | 0:24:34 | 0:24:39 | |
That was horrible. | 0:24:39 | 0:24:41 | |
A change of auctioneer, and it's James's long-case clock next, | 0:24:41 | 0:24:44 | |
which he bought with the corner cupboard. | 0:24:44 | 0:24:47 | |
What are you starting me today for? | 0:24:47 | 0:24:49 | |
I'll start at £300 only... 300 bid. | 0:24:49 | 0:24:51 | |
320... 320, 340, 360... 380, | 0:24:51 | 0:24:56 | |
380. 400 where now, 400... | 0:24:56 | 0:24:58 | |
420, 420... | 0:24:58 | 0:25:00 | |
I'll take 50, 450, thank you... 450. | 0:25:00 | 0:25:03 | |
-Come on. -Are we all done this time? | 0:25:03 | 0:25:06 | |
We're going to sell this time at 450. | 0:25:06 | 0:25:09 | |
-Commission buyer. -Commission bid. -Phew. | 0:25:09 | 0:25:12 | |
No complaints there. | 0:25:12 | 0:25:14 | |
James bought well and the profit is good. | 0:25:14 | 0:25:17 | |
Another auctioneer and it's James's Chinese vases. | 0:25:17 | 0:25:21 | |
-£70 for them. -Oh, no. -£50. | 0:25:21 | 0:25:25 | |
-Come on. -Surely £50? | 0:25:25 | 0:25:27 | |
£30 we go, thank you, £30 bid... | 0:25:27 | 0:25:29 | |
-£30. -No way. -At 30... £30, 35... | 0:25:29 | 0:25:33 | |
-£40 with me... £40. -No way. | 0:25:33 | 0:25:37 | |
45, thank you... | 0:25:37 | 0:25:38 | |
£50 still on commission, 55... | 0:25:38 | 0:25:41 | |
60, £60 on commission... | 0:25:41 | 0:25:44 | |
At £60, any further interest at £60? | 0:25:44 | 0:25:48 | |
The way things are going, | 0:25:49 | 0:25:50 | |
in all honesty that could have been an awful lot worse. | 0:25:50 | 0:25:54 | |
Less commission, it's not going to amount to a profit, I'm afraid. | 0:25:54 | 0:25:58 | |
Now it's David's glass vases, which he's selling separately. | 0:25:58 | 0:26:02 | |
We'll start with me at £20. £20 on commission. | 0:26:02 | 0:26:05 | |
-Ooh. -£20... 22, 25... 28. -Yes. | 0:26:05 | 0:26:10 | |
Commission's out, 28... | 0:26:10 | 0:26:11 | |
30, thank you sir, 32. 35? | 0:26:11 | 0:26:14 | |
-35 in the room. -That's more like it, that's more like it. -35... | 0:26:14 | 0:26:18 | |
Any further interest at £35? | 0:26:18 | 0:26:21 | |
Well, that's a brilliant return on a fiver. | 0:26:23 | 0:26:26 | |
Now the other one. | 0:26:26 | 0:26:28 | |
35 again, sir... 35, £20 then... | 0:26:28 | 0:26:31 | |
Thank you, sir, £20 bid... | 0:26:31 | 0:26:33 | |
-22, 25... 28. -Yes, yes, come on. -30... | 0:26:33 | 0:26:38 | |
-£30. -Come on. -£30 on the front row... at £30. | 0:26:38 | 0:26:41 | |
-I can't believe what these are doing, -No. | 0:26:41 | 0:26:43 | |
-The world is mad, but I'm not bothered. -£32 at the back... £32. | 0:26:43 | 0:26:47 | |
Excellent. | 0:26:47 | 0:26:49 | |
-A pair of 1950s mottled glass vases. -They're beautiful, what's wrong with you? -They've just made more | 0:26:51 | 0:26:56 | |
-than a pair of 19th-century Chinese porcelain vases. -Get in there, that's what I say. | 0:26:56 | 0:27:01 | |
Another excellent profit. | 0:27:01 | 0:27:04 | |
Good idea to sell them separately. | 0:27:04 | 0:27:06 | |
It's all down to who's buying on the day. | 0:27:07 | 0:27:10 | |
James has made some big money, | 0:27:10 | 0:27:12 | |
£200 profit on his clock before commission, but David is not a happy bunny. | 0:27:12 | 0:27:18 | |
I feel fed up. I'm really genuinely trying to put a brave face. | 0:27:18 | 0:27:22 | |
I mean the two vases did really well, surprisingly well, and it helped me, | 0:27:22 | 0:27:26 | |
but my first two sales, James, were absolutely devastating. | 0:27:26 | 0:27:30 | |
-Well, I was thrilled with the clock... -I know. -and the corner cupboard combined. | 0:27:30 | 0:27:34 | |
I bought them for £320, sold them combined for what... £520. | 0:27:34 | 0:27:38 | |
-Amazing. -£200 profit, that's great. | 0:27:38 | 0:27:40 | |
James started this leg of the road trip with £384.24. | 0:27:41 | 0:27:46 | |
After paying commission, his profit was £116.64 | 0:27:46 | 0:27:51 | |
so his new total is a massive £500.88. Wow. | 0:27:51 | 0:27:55 | |
That has stretched his lead significantly. | 0:27:55 | 0:27:58 | |
David will have to pull a rabbit out of the hat to catch James up. | 0:27:58 | 0:28:02 | |
He started this leg on £341.25. | 0:28:02 | 0:28:06 | |
After paying auction costs, he made a profit of only £42.22, | 0:28:06 | 0:28:12 | |
so he's now got £383.47. | 0:28:12 | 0:28:15 | |
-Righty-ho. -Well, off to old Yorkshire, I believe. -Keys for me. | 0:28:16 | 0:28:21 | |
-Oh, no, please. -Come on. | 0:28:21 | 0:28:23 | |
That was risky. | 0:28:23 | 0:28:25 | |
Well, risky you driving, mate, that's what's risky. | 0:28:25 | 0:28:28 | |
The next leg of the road trip takes our experts to Yorkshire, | 0:28:31 | 0:28:34 | |
where the shopping is easy. | 0:28:34 | 0:28:36 | |
I love little bits and pieces. | 0:28:36 | 0:28:38 | |
But then, it's one disaster... | 0:28:38 | 0:28:41 | |
If you're right, James, then I've learnt. | 0:28:41 | 0:28:43 | |
..after another. | 0:28:43 | 0:28:45 | |
The news is not good. | 0:28:45 | 0:28:46 | |
That's all to come later, but first they're back on the road | 0:28:50 | 0:28:53 | |
and it's not all a bed of roses. | 0:28:53 | 0:28:55 | |
They don't always see eye to eye, these chaps. | 0:28:55 | 0:29:00 | |
Do you agree on date... late 19th century? | 0:29:00 | 0:29:02 | |
-No. Now, this isn't fair! -Honest opinion, go on. | 0:29:02 | 0:29:06 | |
I don't like it. I don't like it. | 0:29:06 | 0:29:08 | |
David is an antique dealer from County Durham, who loves classic cars and quirky furniture. | 0:29:08 | 0:29:13 | |
That colour comes from 200 years of use. I could lick it! | 0:29:13 | 0:29:19 | |
James is an auctioneer from Derbyshire, | 0:29:19 | 0:29:20 | |
who has also been known to dribble when he sees yummy antiques. | 0:29:20 | 0:29:26 | |
Oh, my God! | 0:29:26 | 0:29:28 | |
I've got tingles going all over my body. I just absolutely love it. | 0:29:28 | 0:29:33 | |
There's a thought. Each expert started with £200. | 0:29:35 | 0:29:38 | |
James won the first two legs and is now on a massive £500.88. | 0:29:38 | 0:29:44 | |
But David is determined to beat him. | 0:29:44 | 0:29:47 | |
His starting budget of £200 is now up to £383.47. | 0:29:47 | 0:29:53 | |
So, it's the next leg for our zoot-suited road trippers, | 0:29:54 | 0:29:58 | |
and there's everything to play for. | 0:29:58 | 0:30:01 | |
They started off at the Giant's Causeway in Northern Ireland | 0:30:01 | 0:30:05 | |
and are heading all the way over to Market Harborough in Leicestershire. | 0:30:05 | 0:30:09 | |
They've left Kendal, and in today's programme, | 0:30:09 | 0:30:12 | |
they are taking a very scenic shopping loop through Yorkshire, | 0:30:12 | 0:30:16 | |
before going to auction in Liverpool. | 0:30:16 | 0:30:18 | |
On their way to Gargrave, they stop to check the route next to the magnificent Ribblehead Viaduct. | 0:30:18 | 0:30:25 | |
This stunning feat of Victorian design and engineering | 0:30:25 | 0:30:28 | |
across the Ribble Valley has 24 arches and took four years to build. | 0:30:28 | 0:30:34 | |
Suddenly, the local farmer is zooming towards them on his quad bike. | 0:30:34 | 0:30:38 | |
He wants to know what these two oddballs are doing, but there's a twist. | 0:30:38 | 0:30:42 | |
-You're an antique dealer?! David Harper. -Nice to meet you. | 0:30:42 | 0:30:46 | |
-I'm Leonard Handley. -Great to meet you. Where are your antiques? | 0:30:46 | 0:30:49 | |
They're in the York Antiques Centre. | 0:30:49 | 0:30:52 | |
What kind of things are you dealing in? | 0:30:52 | 0:30:55 | |
Small wooden boxes, treen, 19th century, 18th, 19 century items, | 0:30:55 | 0:31:01 | |
and porcelain as well. | 0:31:01 | 0:31:03 | |
With a promise to pop in and maybe do some business when they get to York, our plucky experts move on. | 0:31:04 | 0:31:11 | |
They pull into Gargrave, where there's a choice of antique shops in the high street. | 0:31:11 | 0:31:16 | |
-How about a bit of a hunt around? -Lovely old sweet shop there. | 0:31:16 | 0:31:19 | |
-Fantastic. -I can see this boot being filled with sweets in about 30 minutes. | 0:31:19 | 0:31:25 | |
-I'll go that way, you go that way. Meet back here for lunch. Half an hour? -OK. | 0:31:25 | 0:31:30 | |
Simon Myers wants to share something special with fellow dealer David. | 0:31:34 | 0:31:38 | |
How are you on Japanese furniture? | 0:31:38 | 0:31:40 | |
I'm probably better on Japanese ceramics, but I'll have a look. What have you got? | 0:31:40 | 0:31:44 | |
As is often the case, the most interesting bit's in the kitchen. | 0:31:44 | 0:31:48 | |
He has taken him through to the back of the shop to see an exquisite new piece he is very excited about. | 0:31:49 | 0:31:55 | |
It's an elaborate version of a table that would have been used in traditional Japanese tea ceremonies. | 0:31:55 | 0:32:01 | |
So how do you see it... late 19th century? | 0:32:01 | 0:32:03 | |
-No, about 1800. -You see it earlier? | 0:32:03 | 0:32:06 | |
-Yes. -Do you? -Yeah. | 0:32:06 | 0:32:08 | |
Actually, I've got to say it is so precise, like something out of an old Rolls Royce. | 0:32:08 | 0:32:14 | |
It is incredible. | 0:32:14 | 0:32:16 | |
And all this is thick gold foil. | 0:32:16 | 0:32:18 | |
All carved and then mother of pearl. | 0:32:18 | 0:32:21 | |
Mother of pearl. Look at the way the drawer fits... | 0:32:21 | 0:32:24 | |
it almost looks like | 0:32:24 | 0:32:26 | |
-it is a make-believe drawer because it is so precise. -Absolutely. | 0:32:26 | 0:32:30 | |
It just blends in. I love the leg. | 0:32:30 | 0:32:33 | |
Yeah. I thought it was based on an elephant's trunk. | 0:32:33 | 0:32:37 | |
-You are right. -That's what they have drawn it from, isn't it? | 0:32:37 | 0:32:41 | |
But it is such a pleasing, | 0:32:41 | 0:32:44 | |
-harmonious thing. -Dare I ask what sort of money? | 0:32:44 | 0:32:47 | |
Yeah, go on, clear your throat! | 0:32:47 | 0:32:49 | |
No, I'm not clearing my throat because of that, because I don't really quite know. | 0:32:49 | 0:32:54 | |
I think it's probably about £3,500, which I don't think is out of the way. | 0:32:54 | 0:32:58 | |
I don't. I've got 350 quid. | 0:32:58 | 0:33:00 | |
Yes. | 0:33:00 | 0:33:03 | |
Maybe you could pay it off in instalments, David. Try something more affordable, eh? | 0:33:03 | 0:33:08 | |
DING! | 0:33:10 | 0:33:11 | |
I've just rung the bell, Simon. | 0:33:11 | 0:33:13 | |
That rings well. | 0:33:13 | 0:33:15 | |
What's trade on this? | 0:33:17 | 0:33:20 | |
-What is it, late 19th century? -Yes. | 0:33:20 | 0:33:22 | |
And the style, what style would you describe that as? | 0:33:22 | 0:33:25 | |
Well, it's famille verte. It is a copy of a K'ang-hsi sort of plate, isn't it? | 0:33:25 | 0:33:30 | |
K'ang-hsi famille verte began being produced in the late 17th century | 0:33:31 | 0:33:35 | |
and takes its name from the distinctive shades of green the Chinese artisans used. | 0:33:35 | 0:33:41 | |
19th century copies like this one are more common. | 0:33:41 | 0:33:44 | |
It's decorative, it's got three hairline cracks in it. | 0:33:44 | 0:33:47 | |
Because I am a believer in leaving a profit for the next man, £50. | 0:33:50 | 0:33:55 | |
£50? Um... | 0:33:55 | 0:33:59 | |
It's got a nice weight, hasn't it? | 0:33:59 | 0:34:01 | |
-It looks good. -Could it be 25, Simon? | 0:34:03 | 0:34:06 | |
Take the shop! Give me £30, go on. | 0:34:06 | 0:34:09 | |
-30 quid? -Yes, go on. -Happy? | 0:34:09 | 0:34:12 | |
-No. -Good. | 0:34:12 | 0:34:14 | |
I'm happy if you're happy. | 0:34:14 | 0:34:16 | |
I'm happy if you're happy. Exactly, making each other happy. | 0:34:16 | 0:34:19 | |
That's what antique dealers do best. | 0:34:19 | 0:34:21 | |
Yeah, right, David. Pass me the sick bag. | 0:34:21 | 0:34:25 | |
James is down on bended knee praying for a bargain, I suspect. | 0:34:25 | 0:34:29 | |
I'll go to my comfort zone and ask about the snuff boxes. | 0:34:29 | 0:34:32 | |
When he says comfort zone, he's not joking. | 0:34:32 | 0:34:35 | |
James has a personal collection of over 1,000 snuff boxes. | 0:34:35 | 0:34:39 | |
-How about this little one? -The little papier mache one. | 0:34:39 | 0:34:42 | |
I'll just look at the condition of that one. | 0:34:42 | 0:34:44 | |
A little bit of damage there. £25. | 0:34:44 | 0:34:50 | |
-1820s, isn't it? -Yes. | 0:34:50 | 0:34:52 | |
Just that little problem, yes. | 0:34:52 | 0:34:55 | |
-25, OK. -Yup. | 0:34:55 | 0:34:57 | |
-How about the little box? -I'm not entirely sure about the box. I don't know if it's Indian or... | 0:34:58 | 0:35:03 | |
Quite nicely engraved, a bit primitive. | 0:35:03 | 0:35:05 | |
How much is that one? | 0:35:05 | 0:35:06 | |
£65. | 0:35:06 | 0:35:08 | |
OK. | 0:35:08 | 0:35:10 | |
There's nothing I can find to make a profit so far. | 0:35:10 | 0:35:12 | |
What about the little Staffordshire enamel? | 0:35:12 | 0:35:15 | |
Unfortunately damaged, but incredibly cheap... £30. | 0:35:15 | 0:35:19 | |
18th century. | 0:35:19 | 0:35:21 | |
And from snuff boxes to patch boxes. | 0:35:21 | 0:35:24 | |
A couple of hundred years ago, people use to carry around a spare stash of fake beauty spots, | 0:35:24 | 0:35:30 | |
or patches, in boxes like this. | 0:35:30 | 0:35:32 | |
The mirror inside was crucial to help you place it correctly | 0:35:32 | 0:35:36 | |
because where you put your beauty spot had a meaning. | 0:35:36 | 0:35:40 | |
For instance, at the corner of the eye might signify passion. | 0:35:40 | 0:35:45 | |
-How about the other one? -Similarly damaged. | 0:35:45 | 0:35:48 | |
Again, an 18th century Bilston enamel. | 0:35:48 | 0:35:51 | |
The largest and most famous production of decorative enamel boxes was in Bilston, Staffordshire, | 0:35:51 | 0:35:58 | |
which started in the early 1700s. | 0:35:58 | 0:36:00 | |
-30 quid? -Yup. | 0:36:00 | 0:36:02 | |
What could you do those for? | 0:36:02 | 0:36:04 | |
-50 for the two. -No. | 0:36:04 | 0:36:06 | |
40 and you've got a deal. | 0:36:06 | 0:36:08 | |
-45. -I don't think I'll make a profit. -You'll pull it out. | 0:36:08 | 0:36:12 | |
I won't, not after commission. | 0:36:12 | 0:36:14 | |
-I won't. -OK. Go on. | 0:36:14 | 0:36:17 | |
-£40? -Yes. -Deal. | 0:36:17 | 0:36:19 | |
-Thank you very much. -Thank you. | 0:36:19 | 0:36:21 | |
They are pretty, but it's a shame they're not perfect. | 0:36:21 | 0:36:25 | |
So, the massive total of £20. | 0:36:25 | 0:36:30 | |
Keep rolling, keep rolling. Thank you very much, James. | 0:36:30 | 0:36:33 | |
On to Harrogate, an antiques hot spot, | 0:36:34 | 0:36:37 | |
where our very own David often comes to wheel and deal. | 0:36:37 | 0:36:42 | |
Right, well, two centres I think, James, first. | 0:36:43 | 0:36:47 | |
Bearing in mind this is my part of the world. | 0:36:47 | 0:36:50 | |
It is, I bet you know all these dealers. You're going to get real bargains, aren't you? | 0:36:50 | 0:36:54 | |
I only know one or two, that's all. There's one up there. | 0:36:54 | 0:36:56 | |
James disappears off to one of the largest antiques centres in the north of England. | 0:36:58 | 0:37:03 | |
Just when he's thinking it might all be out of his price range, | 0:37:03 | 0:37:07 | |
he spots a lonely old ceramic frog that, like James, | 0:37:07 | 0:37:11 | |
comes from Derbyshire. | 0:37:11 | 0:37:14 | |
This is interesting. | 0:37:14 | 0:37:15 | |
It is ugly, it's not that early - it's probably 1930s - and it's a frog. | 0:37:15 | 0:37:21 | |
It hasn't got any great qualities in the moulding, | 0:37:21 | 0:37:24 | |
but it's interesting because it's called Lawley on the ticket, | 0:37:24 | 0:37:30 | |
but it is not Lawley. | 0:37:30 | 0:37:31 | |
It is Lovatt's Langley Ware, and that was made about ten miles from where I live. | 0:37:31 | 0:37:37 | |
The interesting and unusual frog was made by a pottery | 0:37:38 | 0:37:42 | |
better known for producing useful household items, like tableware and ink bottles. | 0:37:42 | 0:37:47 | |
Now, you'll probably shout at me for this, but that's made in Derbyshire, | 0:37:49 | 0:37:55 | |
close to me, and as a memory of home, what would your best deal be? | 0:37:55 | 0:37:59 | |
I've been learning from David Harper, you see. He's a dealer, | 0:37:59 | 0:38:03 | |
-and he always knocks the prices really low. -Well... | 0:38:03 | 0:38:07 | |
I'll do what he does. | 0:38:07 | 0:38:08 | |
How about £5? | 0:38:08 | 0:38:10 | |
It is ridiculous, I know. That was to soften the blow. | 0:38:10 | 0:38:13 | |
-Ah, OK. -How about 18? | 0:38:13 | 0:38:16 | |
-I think we can do that for you. -Really? | 0:38:16 | 0:38:18 | |
-Yes, absolutely. -It works! | 0:38:18 | 0:38:20 | |
No wonder Harper gets such bargains! | 0:38:20 | 0:38:22 | |
-Really? -Yes, absolutely. | 0:38:22 | 0:38:25 | |
-Let's do it. -Fantastic. | 0:38:25 | 0:38:28 | |
Let's hope it turns into a handsome prince - I mean profit - at the auction. | 0:38:28 | 0:38:33 | |
-Thank you very much. -Thank you, James. -Thank you. | 0:38:33 | 0:38:36 | |
David has gone to see a dealer he knows, Paul Wetherall. | 0:38:38 | 0:38:41 | |
Mr Wetherall. Tell me, what have you got? | 0:38:41 | 0:38:45 | |
-What are you looking for, furniture? -Furniture would be fine. | 0:38:45 | 0:38:48 | |
That's a nice Georgian table, how much is that? | 0:38:48 | 0:38:50 | |
-£2,500. -Yeah. I've got £350 or thereabouts. | 0:38:50 | 0:38:53 | |
Right, goodbye. | 0:38:53 | 0:38:55 | |
There's a little bowl there, | 0:38:55 | 0:38:57 | |
a Crown Derby bowl. | 0:38:57 | 0:38:59 | |
David is looking interested. | 0:38:59 | 0:39:01 | |
Royal Crown Derby is highly prized and collected the world over. | 0:39:01 | 0:39:05 | |
-Is that the Imari pattern? -Yes. | 0:39:05 | 0:39:07 | |
-What have you got on that? -£150. | 0:39:07 | 0:39:10 | |
-Any damage? -No, no, it's immaculate. | 0:39:10 | 0:39:12 | |
It's actually funny, because that's the Imari pattern | 0:39:12 | 0:39:15 | |
based on the Japanese Imari, but that is actually a better quality | 0:39:15 | 0:39:20 | |
-than the original Japanese Imari. It is a bit bonkers, isn't it? -It is. | 0:39:20 | 0:39:23 | |
In the early 17th century, Imari was from a particular part of Japan | 0:39:24 | 0:39:29 | |
and got its name from the port it was exported from. | 0:39:29 | 0:39:33 | |
Nowadays, Imari is a term used to describe a palette | 0:39:33 | 0:39:38 | |
and decorative form or style. | 0:39:38 | 0:39:41 | |
What date have we got on this? Royal Crown Derby. | 0:39:41 | 0:39:45 | |
It would be 20th century. | 0:39:45 | 0:39:47 | |
DING! | 0:39:47 | 0:39:49 | |
-I say, that sounds good, doesn't it? -It does. | 0:39:49 | 0:39:52 | |
It might be too dear, Paul, for me. What is the absolute best trade on that? | 0:39:52 | 0:39:57 | |
What do you want to give me for it? | 0:39:57 | 0:39:59 | |
-Do you really want to know that? -Not really. | 0:39:59 | 0:40:02 | |
Because I'll tell you what I really want to give for it. | 0:40:02 | 0:40:05 | |
-I would love to give 50 quid for it, but it's not going to happen. -It's not going to happen. | 0:40:05 | 0:40:09 | |
I'd like to pay 80 quid for it. | 0:40:09 | 0:40:11 | |
-Make me a sensible offer. -85. -120. -Haven't we said 120 already? | 0:40:11 | 0:40:17 | |
-No, 150. That's the ticket price on it. -Did you? Oh, I thought you said 120. | 0:40:17 | 0:40:20 | |
-90 quid? -£100 and you've got a deal. | 0:40:20 | 0:40:23 | |
100 quid. What's that going to do in sale? It should be a profit. | 0:40:23 | 0:40:26 | |
There should be a good profit in that. | 0:40:26 | 0:40:29 | |
Go on, then, 100 quid. | 0:40:29 | 0:40:32 | |
-It's yours. -Good man. | 0:40:32 | 0:40:34 | |
David seems to have got himself a great deal there. | 0:40:34 | 0:40:37 | |
The boys are rounding off their day with a cuppa in Betty's Tea Rooms. | 0:40:37 | 0:40:42 | |
In this Harrogate institution, with its distinctive wrought iron canopy, | 0:40:42 | 0:40:47 | |
they've been serving the nation's favourite brew since 1919. | 0:40:47 | 0:40:52 | |
With two purchases each under their belts, David and James are on the road again. | 0:40:56 | 0:41:02 | |
James has been unusually frugal so far, | 0:41:02 | 0:41:05 | |
having parted with £18 for the Langley Ware frog, | 0:41:05 | 0:41:09 | |
and £40 for a pair of Georgian patch boxes. | 0:41:09 | 0:41:12 | |
That leaves him with a hefty £442.88 in his wallet. | 0:41:12 | 0:41:17 | |
David has gone potty on porcelain with the Chinese plate, | 0:41:19 | 0:41:23 | |
which only cost him £30, and the Royal Crown Derby bowl, for which he paid £100. | 0:41:23 | 0:41:27 | |
That means he has £253.47 left to spend. | 0:41:27 | 0:41:32 | |
James and David are leaving Harrogate and heading for York. | 0:41:34 | 0:41:39 | |
York is one of our most ancient and beautiful cities, | 0:41:40 | 0:41:44 | |
important to the Romans, the Anglo Saxons, the Vikings | 0:41:44 | 0:41:48 | |
and now the Antiques Road Trippers. | 0:41:48 | 0:41:50 | |
They are immersing themselves in culture, taking a stroll down the historic Shambles. | 0:41:50 | 0:41:55 | |
Look at the way the houses are almost touching. | 0:41:55 | 0:41:58 | |
There can't be any more than three or four feet between each house. | 0:41:58 | 0:42:01 | |
-There's not much privacy there, is there? -No. Could be very interesting. | 0:42:01 | 0:42:05 | |
-Looking into each other's bedrooms! -If you had a good-looking neighbour! | 0:42:05 | 0:42:08 | |
But look at that depth of the street, James. You see where the carts used to go. | 0:42:08 | 0:42:12 | |
-Oh, yes. -Do you know why it's so deep? | 0:42:12 | 0:42:14 | |
It's the butcher's alley, isn't it? | 0:42:14 | 0:42:16 | |
Yes, 26 butchers down here one time. | 0:42:16 | 0:42:19 | |
Twice a week they would slop out, chuck all the waste... | 0:42:19 | 0:42:22 | |
all the blood, guts and gore | 0:42:22 | 0:42:24 | |
onto the street and then wash it down the lane. | 0:42:24 | 0:42:26 | |
Imagine the stench. | 0:42:26 | 0:42:28 | |
And then up here people would open the windows and chuck out their toilet waste, | 0:42:28 | 0:42:33 | |
so you would have to dive under, let it land, and then continue again. | 0:42:33 | 0:42:37 | |
-It would be good fun aiming it at the people you didn't like! -Yes! | 0:42:37 | 0:42:41 | |
They're splitting up again to shop. | 0:42:42 | 0:42:44 | |
-That has got to be yours. -That is my cabinet. | 0:42:44 | 0:42:47 | |
David is catching up with Leonard, the farmer from the Ribblehead Viaduct. | 0:42:47 | 0:42:51 | |
He is looking a bit more like an antique dealer now, though. | 0:42:51 | 0:42:54 | |
You'll have to help me out here. | 0:42:54 | 0:42:56 | |
What you have got that stands you really handy | 0:42:56 | 0:42:59 | |
-that's quality, quirky, could make a profit? What have you got? -Quality, quirky and could make a profit. | 0:42:59 | 0:43:04 | |
I mean, what about the little mouse vesta. | 0:43:04 | 0:43:07 | |
-Yes... -It's funny, isn't it? | 0:43:07 | 0:43:09 | |
It puts a smile on your face. | 0:43:09 | 0:43:12 | |
Yes. Late 19th century vesta case. | 0:43:12 | 0:43:15 | |
The head opens up. | 0:43:15 | 0:43:18 | |
-Then you bung your matches in there. -The matches go in there. | 0:43:18 | 0:43:22 | |
Just turn it over so we can see the bottom. | 0:43:22 | 0:43:24 | |
The match strikes on the base there. | 0:43:24 | 0:43:26 | |
Isn't it good? He's really sweet. | 0:43:26 | 0:43:28 | |
What would be the absolute death trade on him? | 0:43:28 | 0:43:31 | |
You could have that for £50. | 0:43:31 | 0:43:33 | |
While David mulls it over, James has made another shopping decision. | 0:43:36 | 0:43:40 | |
We will see what he bought later. | 0:43:40 | 0:43:44 | |
-A quirky nutcracker has caught David's eye. -He is nice, isn't he? | 0:43:44 | 0:43:48 | |
How does he work, then? | 0:43:48 | 0:43:50 | |
Is that about 1850? | 0:43:50 | 0:43:53 | |
1850, 1870. You put the nut in there. | 0:43:53 | 0:43:57 | |
This screws up and cracks the nut. | 0:43:57 | 0:44:00 | |
Oh, I see, got you. Is it fruit wood? | 0:44:00 | 0:44:04 | |
It's walnut. | 0:44:04 | 0:44:06 | |
Is that supposed to screw in there? | 0:44:06 | 0:44:07 | |
-Yes. -It needs a bit of oil on it. -It needs a little bit of wax on it. | 0:44:07 | 0:44:11 | |
Yes, that's a nice thing. Crikey. | 0:44:11 | 0:44:14 | |
Trade on him? | 0:44:16 | 0:44:18 | |
150. | 0:44:22 | 0:44:24 | |
They are quite rare. | 0:44:26 | 0:44:28 | |
I'm worried it doesn't work. | 0:44:28 | 0:44:30 | |
Can we blag a bit of wax? | 0:44:30 | 0:44:32 | |
-I'll grab a bit of wax, see if we can get it working. -OK. -Just give me one moment. -All right. | 0:44:32 | 0:44:37 | |
This is the one I want. | 0:44:37 | 0:44:38 | |
Bung a bit more on, for goodness' sake! | 0:44:40 | 0:44:42 | |
Don't skimp it. | 0:44:42 | 0:44:44 | |
Are you sure you've got enough? | 0:44:44 | 0:44:47 | |
Yeah. There you go. | 0:44:49 | 0:44:51 | |
-You know where I am. It's got to be 80. -Yeah. | 0:44:51 | 0:44:56 | |
Shall we try 90? Are we getting close at 90? | 0:44:56 | 0:44:59 | |
80 would be better. Did I bid 80? I can't remember, Leonard, you're confusing me. | 0:45:00 | 0:45:04 | |
I tell you what, why don't we split the difference between 80 and 90? | 0:45:04 | 0:45:07 | |
What's that, 82? You'd go at 85? | 0:45:07 | 0:45:11 | |
-I'll go at 85. -Yeah? Happy with that? OK. | 0:45:11 | 0:45:15 | |
-Thank you very much. -Thank you. | 0:45:15 | 0:45:17 | |
The experts have agreed that they don't want to spend any more money, | 0:45:17 | 0:45:21 | |
so they are ready to divulge their purchases to each other. And what a spot they have picked. | 0:45:21 | 0:45:26 | |
Next to the iconic York Minster, one of the great cathedrals of the world. | 0:45:26 | 0:45:32 | |
James is kicking off with his patch boxes. | 0:45:32 | 0:45:35 | |
-There we go. -A patch box. -Yup, two of them. Oh, it's got the mirror. | 0:45:35 | 0:45:40 | |
Yes, both of them have got the mirrors, which I love. | 0:45:40 | 0:45:43 | |
They have both got bits of damage but almost all of the ones I see in the auction rooms | 0:45:43 | 0:45:47 | |
have either got some damage or they've been restored at some stage anyway. | 0:45:47 | 0:45:51 | |
They always are, and that's a lovely pink Georgian enamel, isn't it? | 0:45:51 | 0:45:54 | |
-What did you pay for them? -What do you think they're worth? | 0:45:54 | 0:45:57 | |
-50, 60 quid the pair. -Right, well, I paid £40 for them. | 0:45:57 | 0:46:00 | |
Very nice. Right, here's mine. | 0:46:00 | 0:46:03 | |
You might like this or you might not. | 0:46:03 | 0:46:06 | |
It's quite heavy. | 0:46:06 | 0:46:09 | |
-That is fantastic. -Do you like it? | 0:46:09 | 0:46:10 | |
I love it. Famille verte. | 0:46:10 | 0:46:12 | |
A good weight to it. A nice ring. | 0:46:12 | 0:46:14 | |
Might help if I do that. | 0:46:14 | 0:46:18 | |
CLOCK CHIMES | 0:46:18 | 0:46:19 | |
Oh! Perfect! | 0:46:19 | 0:46:21 | |
That's me, that. | 0:46:21 | 0:46:24 | |
-That is outstanding. -Do you like it, really? | 0:46:24 | 0:46:27 | |
I love it, I absolutely love it. | 0:46:27 | 0:46:28 | |
-Do you agree on date... late 19th century? -No. | 0:46:28 | 0:46:31 | |
Do you think it's a little earlier? | 0:46:31 | 0:46:33 | |
-Yes. -Good, I thought it might be. I am erring on the safety side. | 0:46:33 | 0:46:38 | |
-1830, 1850. -Even better. -What did you pay for it? | 0:46:38 | 0:46:41 | |
-Not very much. -Go on. -Do you want to guess? | 0:46:41 | 0:46:44 | |
-No, tell me. -30 quid. | 0:46:44 | 0:46:46 | |
-Trade price. -30 quid?! | 0:46:46 | 0:46:49 | |
Judging by James's reaction, David should do very well with his charger. | 0:46:49 | 0:46:54 | |
This next one, | 0:46:54 | 0:46:55 | |
you'll either love it or hate it. | 0:46:55 | 0:47:00 | |
I've got to say I hate it, but I don't care because if there's money in it, it doesn't matter. | 0:47:00 | 0:47:04 | |
It's not me. Langley, yeah. | 0:47:06 | 0:47:08 | |
It's not me at all. | 0:47:08 | 0:47:10 | |
-But they are collected, aren't they? -They are. It could be 1920s, 1930s. | 0:47:10 | 0:47:13 | |
They were designed to go outside, so a lot of them are damaged. | 0:47:13 | 0:47:17 | |
That one's got a crack on the side, but I've sold them for £100 damaged | 0:47:17 | 0:47:20 | |
-and I've sold them for £150 perfect, so... -Well, well, well, I say. He's growing on me. | 0:47:20 | 0:47:24 | |
-I think he's quite cute. -He was 18 quid. -Well, he's a bargain! | 0:47:24 | 0:47:27 | |
Right, you may wonder what's in my pocket. | 0:47:27 | 0:47:30 | |
-I was wondering just that! -You are going to love this. You are going to absolutely adore it. | 0:47:30 | 0:47:35 | |
-That... -You've got to love it. | 0:47:35 | 0:47:36 | |
-I don't like it. -I know you love it. | 0:47:36 | 0:47:38 | |
-I don't like it. -You don't like it? | 0:47:38 | 0:47:40 | |
-I don't like it. -You adore it. You're dreaming about it already. | 0:47:40 | 0:47:44 | |
-No, I don't like it. -You're lusting after it. -I love it. | 0:47:44 | 0:47:48 | |
-I think that's fantastic. -Isn't it gorgeous? | 0:47:48 | 0:47:50 | |
£80 to £120. | 0:47:50 | 0:47:52 | |
I paid £85. | 0:47:52 | 0:47:54 | |
That's auction estimate £80, £120. I wouldn't be surprised if you made £150. | 0:47:54 | 0:47:57 | |
That's what I'm really hoping for, £150. | 0:47:57 | 0:48:00 | |
Next it's the speedy purchase James made earlier in York. | 0:48:00 | 0:48:04 | |
A decorative Victorian silver tray. | 0:48:06 | 0:48:10 | |
-Oh! -You weren't expecting that, were you? -I wasn't expecting that. | 0:48:10 | 0:48:13 | |
-Neither was I when I first saw it. -I thought it was silver plate. | 0:48:13 | 0:48:17 | |
The hallmark, which is larger than usual, proves it is solid silver. | 0:48:17 | 0:48:22 | |
London maker. But it doesn't feel silver to me. | 0:48:22 | 0:48:26 | |
What is it? | 0:48:26 | 0:48:28 | |
I just think it's really unusual. Because it's got the deep sides, it's not a salver, | 0:48:28 | 0:48:32 | |
it's a tray, so that makes it more saleable. And it's solid silver. | 0:48:32 | 0:48:36 | |
I gave it a quick balance on the scales and it is 18 ounces. | 0:48:36 | 0:48:39 | |
-What are they paying an ounce these days? -£6.67. | 0:48:39 | 0:48:42 | |
-What's that, then? -That's scrap. | 0:48:42 | 0:48:44 | |
That's £120 scrap value. | 0:48:44 | 0:48:46 | |
-OK, it's got to be 150, 180, has it not? Or even more. -I think so. | 0:48:46 | 0:48:51 | |
-What did you pay for it? -85 quid. | 0:48:51 | 0:48:53 | |
It's a bargain, it's an absolute bargain. | 0:48:53 | 0:48:55 | |
I think so. That's my best buy, I think. | 0:48:55 | 0:48:57 | |
Next up is David's bowl. | 0:48:57 | 0:49:00 | |
It's no surprise that James, the man from Derby, | 0:49:00 | 0:49:03 | |
is a world class expert on Royal Crown Derby, and he's just dropped a bombshell. | 0:49:03 | 0:49:09 | |
He thinks this bowl is a fake, | 0:49:12 | 0:49:14 | |
a very clever copy that was probably produced in the Far East. | 0:49:14 | 0:49:18 | |
The things that make me feel uneasy - | 0:49:18 | 0:49:20 | |
it's meant to be 1128 pattern with the filled gold. | 0:49:20 | 0:49:23 | |
The mark is pale. | 0:49:23 | 0:49:26 | |
The mark of this period of Royal Crown Derby | 0:49:26 | 0:49:29 | |
is a little bit more vibrant, a little bit darker. | 0:49:29 | 0:49:32 | |
The body is very white and quite shiny. | 0:49:32 | 0:49:35 | |
-What, on this one? -On this one. | 0:49:35 | 0:49:37 | |
It's almost glassy. | 0:49:37 | 0:49:39 | |
And I don't feel this is the right body for Royal Crown Derby. I don't think it is the right porcelain. | 0:49:39 | 0:49:44 | |
The gilding is hand done around here. | 0:49:44 | 0:49:48 | |
On Royal Crown Derby, that part of the gilding on these bowls isn't hand done. | 0:49:48 | 0:49:52 | |
I was under the impression that now they are all transferware, | 0:49:52 | 0:49:56 | |
but in those days and even in the '80s, they were finishing it by hand. | 0:49:56 | 0:49:59 | |
Yes, in some individually made pieces they were, but in these, I don't think it's right. | 0:49:59 | 0:50:05 | |
-So? -I feel the gilding is too garish and too bright, | 0:50:05 | 0:50:11 | |
a little bit too shiny. It's all about opinions and I just... | 0:50:11 | 0:50:15 | |
I'm not happy with it, but you might find somebody that is. | 0:50:15 | 0:50:20 | |
It takes someone with James' experience and expertise to spot fakes as good as this. | 0:50:22 | 0:50:26 | |
However, David wants to send it back to the manufacturers to get their opinion. | 0:50:26 | 0:50:32 | |
I think I need to take it to a couple of specialist dealers and speak to Royal Crown Derby. | 0:50:32 | 0:50:36 | |
If you're right, James, I've learnt a big lesson and I'll take it back to the dealer | 0:50:36 | 0:50:41 | |
-and he'll happily give me my money back, and I'll just have two items in the sale. -If it's right, £400. | 0:50:41 | 0:50:45 | |
I paid £100 for it. | 0:50:45 | 0:50:48 | |
If it turns out to be a fake, it will be a real blow to David, | 0:50:48 | 0:50:53 | |
missing out on what might have been a big profit. | 0:50:53 | 0:50:55 | |
It's auction day. This leg of the trip, which started in Kendal, | 0:50:59 | 0:51:02 | |
is finishing in Liverpool, where the experts will sell their items. | 0:51:02 | 0:51:07 | |
Liverpool, | 0:51:07 | 0:51:10 | |
famous for the Liver Building, football and some '60s boy band. | 0:51:10 | 0:51:16 | |
David sent his bowl to Royal Crown Derby. | 0:51:17 | 0:51:19 | |
They've confirmed it is a fake and did tests to prove it. | 0:51:19 | 0:51:24 | |
He accepts their verdict and is phoning the dealer to give him the bad news. | 0:51:24 | 0:51:29 | |
Look, mate, I sent it off to Royal Crown Derby. It's devastating, but they have actually impounded it. | 0:51:29 | 0:51:34 | |
They are quite certain it's a fake. | 0:51:34 | 0:51:37 | |
No, I realise that. | 0:51:37 | 0:51:40 | |
No, I know, Paul, what can I do? | 0:51:40 | 0:51:43 | |
I'm sure you're entitled... | 0:51:43 | 0:51:45 | |
Yes. | 0:51:45 | 0:51:47 | |
No, well, that's very honourable of you. | 0:51:47 | 0:51:49 | |
The dealer is very upset to hear it's a fake, but has agreed to give David his £100 back. | 0:51:49 | 0:51:55 | |
That is jammy! It's time they got to the auction now. | 0:51:55 | 0:51:59 | |
John Crane launched Cato Crane 25 years ago, and holds weekly collectors' auctions. | 0:51:59 | 0:52:06 | |
As if David's bowl wasn't disaster enough, their day is about to get much worse. | 0:52:08 | 0:52:14 | |
Both experts are in for a terrible shock. | 0:52:14 | 0:52:17 | |
David's plate and James's frog have been broken in transit. | 0:52:19 | 0:52:23 | |
-I can't believe this. -It came like this. | 0:52:23 | 0:52:28 | |
Oops, that's our fault. | 0:52:28 | 0:52:30 | |
The boys didn't pack them, we did, | 0:52:30 | 0:52:31 | |
so we're going to have to pay them out at the auctioneers' valuation. | 0:52:31 | 0:52:35 | |
A fair valuation because it could have made more, John, that's the thing. | 0:52:35 | 0:52:39 | |
It could have made less. I think £300 would be a fair valuation. | 0:52:39 | 0:52:43 | |
That'll teach us to pack things properly next time! | 0:52:43 | 0:52:46 | |
The auctioneer also recognised the potential of James's frog and valued it at £120. | 0:52:48 | 0:52:55 | |
So our poor packing calamity has worked out rather well for these two. | 0:52:55 | 0:52:59 | |
David spent £215 and James spent £143. | 0:53:03 | 0:53:08 | |
But as things have turned out, they have only got three items remaining between them to sell. | 0:53:08 | 0:53:14 | |
First up, it's David's only lot... the nutcracker. | 0:53:14 | 0:53:18 | |
A lovely, lovely thing. Nicely carved, really, really good. | 0:53:18 | 0:53:21 | |
So there we go, where do we start? | 0:53:21 | 0:53:23 | |
£20 for it? 50 if you like, I don't mind. I have got a bid here at £50. | 0:53:23 | 0:53:28 | |
I will take 60 on the phone, | 0:53:28 | 0:53:30 | |
70, 80, 90, 100, 120, 140... | 0:53:30 | 0:53:37 | |
140 is bid. I have got 150 here. | 0:53:37 | 0:53:40 | |
Would you like 160? 170, 180? | 0:53:40 | 0:53:44 | |
180 is bid. 190 at the back. | 0:53:44 | 0:53:47 | |
200. £200. And five? I can go to £210. | 0:53:47 | 0:53:52 | |
I am now out on commission. 210 with you. It's your bid. | 0:53:52 | 0:53:56 | |
210 is bid. | 0:53:56 | 0:53:58 | |
Any further bid in the room? 210 on the telephone, £210 now, selling. | 0:53:58 | 0:54:05 | |
Well done. Well done, well earned. | 0:54:05 | 0:54:07 | |
-Thank you. -Amazing profit. | 0:54:07 | 0:54:09 | |
It just shows what can happen when two people really want something. | 0:54:09 | 0:54:13 | |
Next it is James's rather damaged little enamel boxes. | 0:54:13 | 0:54:18 | |
What do we say on these? What do you make of them? | 0:54:18 | 0:54:20 | |
20 is bid. I will take 25. | 0:54:20 | 0:54:22 | |
25? | 0:54:22 | 0:54:24 | |
£20 is bid. Are we going to sell for £20? | 0:54:24 | 0:54:28 | |
25, I've got 30. | 0:54:28 | 0:54:30 | |
£35, £40. 45? Come on, one more, sir. £45. | 0:54:30 | 0:54:34 | |
Can we sell at £45? | 0:54:34 | 0:54:36 | |
Are we all done at 45? | 0:54:36 | 0:54:38 | |
It is going, last time, yes. | 0:54:38 | 0:54:41 | |
£45. | 0:54:41 | 0:54:42 | |
That's really disappointing. | 0:54:42 | 0:54:46 | |
After commission, that's a loss. | 0:54:46 | 0:54:49 | |
Finally, James's silver tray, | 0:54:49 | 0:54:51 | |
which he's hoping will do a lot better than those patch boxes. | 0:54:51 | 0:54:54 | |
Several bids on this, ladies and gentlemen. Several bids on the book. | 0:54:54 | 0:54:57 | |
-What do we say, £50? -What?! | 0:54:57 | 0:55:00 | |
£50 is bid. £50 is bid. | 0:55:00 | 0:55:02 | |
I will take £60, 70, 80, 90, 100, 110... 110, sir. | 0:55:02 | 0:55:10 | |
I have got 120 and it is a bid, sir. | 0:55:10 | 0:55:12 | |
120, 130, 140, 150? | 0:55:12 | 0:55:13 | |
I have got 140 with me. 150... £150. | 0:55:13 | 0:55:20 | |
I am selling at £150. £155, £155. | 0:55:20 | 0:55:26 | |
All done this time? | 0:55:26 | 0:55:28 | |
All done at £155. | 0:55:28 | 0:55:30 | |
-Well done, matey. -Thank you. -Well done. | 0:55:30 | 0:55:33 | |
-I think it was worth that. -It was. | 0:55:33 | 0:55:36 | |
Bang on. It made exactly what it was worth. | 0:55:36 | 0:55:38 | |
Thanks to the auctioneer's liberal valuation on their broken items, | 0:55:38 | 0:55:43 | |
these two have done surprisingly well. | 0:55:43 | 0:55:46 | |
James started this leg of the road trip with £500.88. | 0:55:48 | 0:55:52 | |
With a generous valuation on his broken frog | 0:55:52 | 0:55:55 | |
and having paid auction costs on his other two lots, | 0:55:55 | 0:55:57 | |
he has made £127.54 profit, | 0:55:57 | 0:56:00 | |
so his fund has swollen to £628.42. | 0:56:00 | 0:56:06 | |
But David has overtaken him. | 0:56:08 | 0:56:10 | |
He started this leg on £383.47. | 0:56:12 | 0:56:16 | |
Having got his £100 back for the fake bowl, | 0:56:16 | 0:56:19 | |
his very high valuation for the plate, | 0:56:19 | 0:56:23 | |
and having paid commission on the nutcracker, | 0:56:23 | 0:56:27 | |
he's got an astonishing £731.60. | 0:56:27 | 0:56:30 | |
Well, every cloud has a silver lining. | 0:56:31 | 0:56:36 | |
David's in the lead for the first time. | 0:56:36 | 0:56:37 | |
In the next episode, avoiding mishaps, | 0:56:42 | 0:56:45 | |
the Rocky Horror road trip takes them towards Nantwich in Cheshire. | 0:56:45 | 0:56:50 | |
David tries a new look. | 0:56:52 | 0:56:53 | |
-Suits you. -I'm keeping it on. | 0:56:53 | 0:56:55 | |
And James meets an old friend. | 0:56:55 | 0:56:57 | |
Hello. | 0:56:57 | 0:56:59 | |
Subtitles by Red Bee Media Ltd | 0:57:09 | 0:57:12 |