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It's the nation's favourite antiques experts... | 0:00:02 | 0:00:04 | |
What about that? | 0:00:04 | 0:00:06 | |
..with £200 each, a classic car and a goal | 0:00:06 | 0:00:09 | |
to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Can I buy everything here? | 0:00:11 | 0:00:13 | |
The aim - to make the biggest profit at auction - | 0:00:13 | 0:00:15 | |
but it's no mean feat. | 0:00:15 | 0:00:17 | |
Feeling a little SAW. | 0:00:17 | 0:00:18 | |
This is going to be an epic battle. | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:24 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:24 | 0:00:28 | |
-The honeymoon is over. -I'm sorry. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah. | 0:00:34 | 0:00:35 | |
It's been a triumphal week in the company | 0:00:40 | 0:00:43 | |
of Natasha Raskin, Charlie Ross and a TR6. | 0:00:43 | 0:00:46 | |
Look at this scenery, Charlie. We spend our lives in leafy lane. | 0:00:48 | 0:00:51 | |
Can that be the name of our memoirs? Our Life In A Leafy Lane. | 0:00:51 | 0:00:55 | |
My Leafy Lane by Natasha Raskin. | 0:00:55 | 0:00:59 | |
Back in her hometown of Glasgow, Natasha's an auctioneer | 0:00:59 | 0:01:02 | |
and an expert on Scottish contemporary art. | 0:01:02 | 0:01:05 | |
-I don't know if I've lost the plot. My goodness, should we do it? -OK. | 0:01:05 | 0:01:09 | |
She's also just passed her driving test. | 0:01:09 | 0:01:11 | |
Would you like a car like this? | 0:01:11 | 0:01:13 | |
Oh, come on, driving around the streets of Glasgow in this? | 0:01:13 | 0:01:16 | |
-I'd be pelted with eggs. -I disagree. | 0:01:16 | 0:01:18 | |
-I think you'd be surprised who you might pull. -Oh, Charlie! | 0:01:18 | 0:01:22 | |
Charlie Ross from Oxfordshire has had a licence for ages... | 0:01:22 | 0:01:26 | |
I was a young man when I started out. | 0:01:26 | 0:01:28 | |
..and he's been an auctioneer | 0:01:28 | 0:01:30 | |
and a road trip doyen for almost as long. | 0:01:30 | 0:01:32 | |
The reason why I will never drive this car again | 0:01:32 | 0:01:35 | |
is because then there would be the risk | 0:01:35 | 0:01:37 | |
of having an alternative passenger. | 0:01:37 | 0:01:39 | |
And never again will I be able to have a passenger as wonderful, | 0:01:39 | 0:01:42 | |
as celebrated, as handsome as you. | 0:01:42 | 0:01:45 | |
Oh, be still my beating heart. | 0:01:45 | 0:01:48 | |
Thankfully, sentiments had little to do with our new girl's | 0:01:48 | 0:01:51 | |
spirited performances this week... | 0:01:51 | 0:01:53 | |
-Fresh bidder. -I give in. | 0:01:53 | 0:01:55 | |
..as she's piled on the profits with some canny buys. | 0:01:55 | 0:01:58 | |
I start the bidding at £80. | 0:01:58 | 0:02:01 | |
What?! Oh, sorry. Sorry. | 0:02:01 | 0:02:03 | |
Charlie started out with £200 | 0:02:04 | 0:02:07 | |
and, after the ups and downs of four auctions, | 0:02:07 | 0:02:09 | |
he now has £236.02. | 0:02:09 | 0:02:12 | |
While Natasha, who also began with £200, | 0:02:13 | 0:02:16 | |
has recovered from a tricky start to at last take the lead | 0:02:16 | 0:02:19 | |
with £292.84. | 0:02:19 | 0:02:22 | |
Because I was winning at the beginning of this trip... | 0:02:22 | 0:02:26 | |
and slowly but surely I've been going down the sink. | 0:02:26 | 0:02:29 | |
Do you know? I was not expecting to end up in front, Charlie. | 0:02:29 | 0:02:32 | |
-I don't know how I feel about it. -No. -I'd rather see you in front. | 0:02:32 | 0:02:36 | |
Really, Natasha? | 0:02:36 | 0:02:38 | |
Our journey began in Cornwall, at Falmouth, | 0:02:38 | 0:02:41 | |
and headed east taking them | 0:02:41 | 0:02:43 | |
to most of southern England along the way before ending up, | 0:02:43 | 0:02:46 | |
over 900 miles later, at Stansted Mountfitchet. | 0:02:46 | 0:02:49 | |
Later we'll be heading for that climactic auction in Essex, | 0:02:51 | 0:02:56 | |
but were starting out in Leicestershire at Ashby-de-la-Zouch. | 0:02:56 | 0:03:00 | |
-Drop me off in heaven. -Give us a kiss. Mwah. | 0:03:01 | 0:03:05 | |
You drive carefully when I'm not with you. | 0:03:05 | 0:03:07 | |
-I've never seen such an exotic array of stock. -Have fun! | 0:03:07 | 0:03:13 | |
Ah, down the alleyway. | 0:03:13 | 0:03:14 | |
-Good morning. -Good morning, Charlie. | 0:03:14 | 0:03:16 | |
-It's James, is it? -Yes, nice to meet you. -Nice to see you. | 0:03:16 | 0:03:19 | |
Is there anything you particularly like or deal in? What's your...? | 0:03:19 | 0:03:23 | |
-Anything I can sell. -Well said. Including vestments, it seems. | 0:03:23 | 0:03:27 | |
Good Lord, where did you get that from? | 0:03:27 | 0:03:29 | |
-It came from a recent estate clearance. -Really? -Yeah. | 0:03:29 | 0:03:35 | |
God, it's absolutely fantastic. | 0:03:35 | 0:03:36 | |
It'd be wonderful for a little bit of amateur dramatics, wouldn't it? | 0:03:36 | 0:03:40 | |
-Yeah, yeah. -Can I try that on? -Certainly, feel free. | 0:03:40 | 0:03:42 | |
What was the house like where you got this from? | 0:03:42 | 0:03:44 | |
Did they walk around in these sort of clothes? | 0:03:44 | 0:03:47 | |
No, I believe they were into Civil War re-enactment. | 0:03:47 | 0:03:51 | |
-It's slightly tight. James, would you mind? -No, certainly. | 0:03:51 | 0:03:55 | |
Thank you very much indeed. | 0:03:55 | 0:03:57 | |
He looks the part. | 0:03:59 | 0:04:00 | |
-Very regal. -Isn't it? | 0:04:00 | 0:04:02 | |
The king of the car park. | 0:04:02 | 0:04:04 | |
What do you think? | 0:04:04 | 0:04:06 | |
Slightly small, isn't it? | 0:04:06 | 0:04:08 | |
No, just far away, Charlie. | 0:04:08 | 0:04:10 | |
Is it unbelievably reasonable, James? Or is it...? | 0:04:10 | 0:04:13 | |
-I could do it for 20 quid. -I'm quite tempted by that. | 0:04:13 | 0:04:16 | |
So we see. | 0:04:16 | 0:04:18 | |
-I'll keep this on, if I may. -Yeah. -I feel rather comfy in this. | 0:04:18 | 0:04:21 | |
It's a surplus. | 0:04:21 | 0:04:23 | |
I shudder to think what he's going to come up with next. | 0:04:23 | 0:04:26 | |
Meanwhile, Natasha's heading for her first shop, | 0:04:26 | 0:04:29 | |
motoring north into Derbyshire and Melbourne. | 0:04:29 | 0:04:32 | |
Not as sunny as its namesake, obviously, | 0:04:32 | 0:04:35 | |
although the travel agent Thomas Cook was born here in 1808. | 0:04:35 | 0:04:40 | |
Here I come. | 0:04:40 | 0:04:42 | |
-Hello, hi. -Pleased to meet you. | 0:04:42 | 0:04:44 | |
-Hello, hi, I'm Natasha, nice to meet you. Helen, you must be. -Yes, yes. | 0:04:44 | 0:04:48 | |
Lovely to meet you. What a fantastic shop, it looks burgeoning. | 0:04:48 | 0:04:52 | |
As in, put forth new shoots? | 0:04:52 | 0:04:54 | |
Natasha, with her lucky silver shoes, | 0:04:54 | 0:04:56 | |
certainly seems to be sprouting a competitive streak. | 0:04:56 | 0:04:59 | |
I am in the lead now and I'm quite significantly in the lead, | 0:04:59 | 0:05:02 | |
actually, I think by 50 quid or something. | 0:05:02 | 0:05:04 | |
So I think if I let it all go now, I don't know... | 0:05:04 | 0:05:06 | |
You'd never hear the end of it, would you? | 0:05:06 | 0:05:08 | |
Maybe so but don't get too tense, love, whatever you do. | 0:05:08 | 0:05:11 | |
Something will turn up. | 0:05:11 | 0:05:13 | |
£48, and it's just the oddest thing I've ever seen but I quite like it, | 0:05:13 | 0:05:17 | |
but I don't know why. It's described as Gothic style, | 0:05:17 | 0:05:21 | |
I don't know if it really is Gothic style. | 0:05:21 | 0:05:23 | |
On reflection... | 0:05:23 | 0:05:25 | |
It's got a nice turned wooden handle | 0:05:25 | 0:05:27 | |
and then it's got this pierced brass fixture in a... What? | 0:05:27 | 0:05:30 | |
One, two, three, four, five, six... An octagonal shape. | 0:05:30 | 0:05:34 | |
I want to buy something nice, but it's too weird I think. | 0:05:34 | 0:05:39 | |
Not as weird as Charlie in a frock. | 0:05:39 | 0:05:42 | |
-What is that? -I believe it's a cheroot cutter. | 0:05:42 | 0:05:46 | |
German, circa World War I. | 0:05:46 | 0:05:48 | |
I've never seen anything quite like it. | 0:05:48 | 0:05:51 | |
Oh, I see, you put the end of your cheroot in there. | 0:05:51 | 0:05:54 | |
-What's it made from? -I believe it's brass. | 0:05:54 | 0:05:58 | |
It's brass, is it? | 0:05:58 | 0:05:59 | |
The ticket price is £55. | 0:05:59 | 0:06:02 | |
Is there much leeway in the price or did it cost you an arm and a leg? | 0:06:02 | 0:06:05 | |
-I paid a fair bit for it. -Did you? -I could dock a tenner off it. | 0:06:05 | 0:06:11 | |
And that would be about it, would it? | 0:06:11 | 0:06:12 | |
Duly noted. Now, from cigars to jam. | 0:06:12 | 0:06:15 | |
-Handsome, isn't it? -It is, yeah. | 0:06:15 | 0:06:18 | |
Quite late, I think. | 0:06:18 | 0:06:20 | |
I believe, through a bit of research, it's 1939. | 0:06:20 | 0:06:24 | |
What have you done, just put a silver-plated spoon in there? | 0:06:24 | 0:06:27 | |
-No, I believe the spoon's silver as well. -Is it? | 0:06:27 | 0:06:32 | |
-But nothing to do with this. Or is it? -It's the same maker. | 0:06:32 | 0:06:36 | |
Good Lord, it is! HHP. I thought H and H would be Hukin & Heath, | 0:06:36 | 0:06:40 | |
but I don't know who HHP are. | 0:06:40 | 0:06:44 | |
Henry Hodson Plante, actually, | 0:06:44 | 0:06:46 | |
silversmiths of London and Birmingham. | 0:06:46 | 0:06:49 | |
I could enjoy my jam out of that. | 0:06:49 | 0:06:53 | |
65. Is there much leeway on that or is that a slender profit | 0:06:53 | 0:06:56 | |
like the cheroot holder? | 0:06:56 | 0:06:57 | |
-I can move on that one. -Can you? | 0:06:57 | 0:06:59 | |
Well, that would make an old man in a silk gown very happy. | 0:06:59 | 0:07:03 | |
30 quid is not doable, or is it? I would pay £30 for that. | 0:07:03 | 0:07:07 | |
-I was thinking 40. -Were you? | 0:07:07 | 0:07:09 | |
But I could meet you in the middle at 35. | 0:07:09 | 0:07:12 | |
I'm getting on famously here. | 0:07:12 | 0:07:14 | |
-I'm going to clear your shop in a minute, James. -Please, feel free. | 0:07:14 | 0:07:17 | |
Brisk business. How are things in Melbourne? | 0:07:17 | 0:07:20 | |
I have to say, I quite like this saucepan. | 0:07:20 | 0:07:22 | |
-It's a nice big lump, isn't it? Is it OK to take it down? -Yes, sure. | 0:07:22 | 0:07:26 | |
I'll tell you what... Oh, it's a shame | 0:07:26 | 0:07:28 | |
it's so oxidised inside, but it's such a lovely thing. | 0:07:28 | 0:07:31 | |
What kind of age do you reckon that is? | 0:07:31 | 0:07:32 | |
Probably more 20th century than 19th, would you say? | 0:07:32 | 0:07:35 | |
-Yeah, probably turn-of-the-century, round about then. -Yeah. | 0:07:35 | 0:07:38 | |
So it's a jam pan. Oh, I thought it was more of a, sort of a... | 0:07:38 | 0:07:41 | |
I don't know what I really thought it was. | 0:07:41 | 0:07:43 | |
Oh, so it's specifically for jam. | 0:07:43 | 0:07:44 | |
I quite like it but I've just had a wee shufty at the price - | 0:07:44 | 0:07:47 | |
I'm a little bit afraid of it. | 0:07:47 | 0:07:48 | |
£48, I mean, gosh... | 0:07:48 | 0:07:52 | |
Have you got a lot of leeway on this piece? | 0:07:52 | 0:07:54 | |
I have got a little leeway, so we could do you a better price. | 0:07:54 | 0:07:57 | |
Oh, you do? | 0:07:57 | 0:07:58 | |
-I mean, I'd ideally love to get that from you at around £20 or so. -£20? | 0:07:58 | 0:08:03 | |
-That's a little bit low from 48, I think. -It is. | 0:08:03 | 0:08:07 | |
We could perhaps do a deal around £30. | 0:08:07 | 0:08:11 | |
Oh, I don't know, gosh. | 0:08:11 | 0:08:13 | |
I mean, we do have some slightly later copper at the door - | 0:08:13 | 0:08:15 | |
there are some cheaper bits. I don't know if you noticed as you came in. | 0:08:15 | 0:08:18 | |
I didn't, no. | 0:08:18 | 0:08:20 | |
Let's have a look outside, then. | 0:08:20 | 0:08:22 | |
I mean, this is quite a big basin, as well. | 0:08:22 | 0:08:24 | |
-I mean, it's obviously a 20th century one. -Yeah. | 0:08:24 | 0:08:26 | |
I am quite into the hand-planished vibe | 0:08:26 | 0:08:29 | |
but, I mean, you can see the sheen on it here. | 0:08:29 | 0:08:32 | |
That's more of a repro thing, isn't it? | 0:08:32 | 0:08:34 | |
-Yeah, they are later... -I quite like these down here. | 0:08:34 | 0:08:38 | |
These are quite fun. Large copper pan. | 0:08:40 | 0:08:44 | |
I don't know, I do prefer the jam pan. It's really nice. | 0:08:44 | 0:08:47 | |
What do you reckon? What if I just said to you, Helen, | 0:08:47 | 0:08:51 | |
please could I have the jam pan for £28? | 0:08:51 | 0:08:54 | |
-Yes, I would say deal. -Go for it? Oh, Helen, OK! | 0:08:56 | 0:09:00 | |
So, with £28 for the pan she discovered first, | 0:09:00 | 0:09:03 | |
she's off the mark. | 0:09:03 | 0:09:05 | |
Right, one down. | 0:09:05 | 0:09:07 | |
Charlie's got quite a few items reserved, | 0:09:08 | 0:09:11 | |
but he's not actually parted with any cash yet. | 0:09:11 | 0:09:14 | |
Oh, I keep seeing things. | 0:09:14 | 0:09:15 | |
They're rather sweet. Pair of salts. They're free, I see. | 0:09:15 | 0:09:19 | |
Got no price on them. Aren't they pretty? | 0:09:21 | 0:09:24 | |
Can they be ever so cheap? | 0:09:24 | 0:09:25 | |
Yeah, I could do those for £10. | 0:09:25 | 0:09:28 | |
Come on, Charlie. | 0:09:28 | 0:09:30 | |
If I rolled up the jam pot | 0:09:30 | 0:09:33 | |
and the salts as a sort of job lot, would you take 40? | 0:09:33 | 0:09:39 | |
A bit of a swallowing going on there, or is that a bit tight? | 0:09:39 | 0:09:42 | |
-No, I could do that. -Could you do that for £40? | 0:09:42 | 0:09:45 | |
Was that a deal? I think it was. | 0:09:45 | 0:09:47 | |
I'm still intrigued by your World War I cheroot cutter. | 0:09:47 | 0:09:52 | |
And, you're still wearing that frock. | 0:09:52 | 0:09:54 | |
-It was 55. You could do a tenner off it, could you? -Yeah. -45. | 0:09:54 | 0:10:00 | |
And that's the "Good night, Sooty" price, is it? | 0:10:00 | 0:10:02 | |
Other puppets are available. | 0:10:02 | 0:10:05 | |
-I'd be happy to do it for 40, I paid 40 for it. -Did you? | 0:10:05 | 0:10:09 | |
-You bought it fairly recently, didn't you? -I bought it yesterday. | 0:10:09 | 0:10:12 | |
Oh, generous, James. | 0:10:12 | 0:10:14 | |
I'm still quite taken by your outfit. | 0:10:14 | 0:10:17 | |
How much was it? 20 quid? | 0:10:17 | 0:10:19 | |
-20 quid, yeah. -So that would be around 100 quid, wouldn't it? | 0:10:19 | 0:10:23 | |
-If we said 90 for the group... -Would you do that? -Yeah. -90 quid! | 0:10:23 | 0:10:28 | |
Put it there. | 0:10:28 | 0:10:29 | |
So, what with a cigar cutter, a jam pot, some salts | 0:10:29 | 0:10:33 | |
and a curious outfit, he's acquired an awful lot already. | 0:10:33 | 0:10:36 | |
Thank you very much. | 0:10:36 | 0:10:38 | |
I'll tell you what, before you go, for an extra fiver | 0:10:38 | 0:10:40 | |
to complete your outfit... HE LAUGHS | 0:10:40 | 0:10:45 | |
I can't resist them. | 0:10:45 | 0:10:47 | |
Lordy. Let's leave our little pilgrim in Ashby, shall we? | 0:10:47 | 0:10:50 | |
And follow Natasha instead. | 0:10:52 | 0:10:54 | |
Tootling her Triumph toward Donington Park | 0:10:56 | 0:10:58 | |
on the racing circuit, | 0:10:58 | 0:11:00 | |
which hosted one of the most exciting Grand Prix of all time. | 0:11:00 | 0:11:04 | |
Kevin, lovely to meet you, I'm Tasha. How are you? | 0:11:06 | 0:11:09 | |
-I'm very well, how are you? -I'm amazed! | 0:11:09 | 0:11:10 | |
Look at where we're standing. We're at the start line. | 0:11:10 | 0:11:13 | |
Welcome to Donington, I'll give you a tour round. | 0:11:13 | 0:11:15 | |
-Let's go. -Oh, please do. Yes! | 0:11:15 | 0:11:17 | |
Donington first became a racetrack over 80 years ago | 0:11:19 | 0:11:22 | |
and amongst the crowds who attended the thrilling | 0:11:22 | 0:11:24 | |
races of the late '30s was Kevin's father, Tom Wheatcroft. | 0:11:24 | 0:11:29 | |
Many years later in 1971, Wheatcroft, | 0:11:29 | 0:11:32 | |
now a successful businessmen, sited his incredible Grand Prix | 0:11:32 | 0:11:36 | |
collection here at England's first permanent park circuit. | 0:11:36 | 0:11:40 | |
I'm absolutely amazed by the number of cars | 0:11:42 | 0:11:44 | |
and the number of halls here. It just goes on and on. | 0:11:44 | 0:11:47 | |
We could fill it again. There's 150 cars here... | 0:11:47 | 0:11:50 | |
And it's unbelievable. | 0:11:50 | 0:11:52 | |
..spanning pre-Second World War right until maybe three years ago. | 0:11:52 | 0:11:56 | |
And your father was someone who had amassed a good amount of money | 0:11:56 | 0:11:59 | |
in their career and they'd always been passionate | 0:11:59 | 0:12:02 | |
about driving and they thought, | 0:12:02 | 0:12:03 | |
"What better way of spending my money than on beautiful cars?" | 0:12:03 | 0:12:07 | |
The collection is a must for all fans of motor racing and | 0:12:07 | 0:12:10 | |
includes cars once driven by some of the greatest drivers of all time. | 0:12:10 | 0:12:14 | |
But unfortunately the track, which first inspired Kevin's father, | 0:12:14 | 0:12:18 | |
hadn't actually hosted a race since the advent of World War II. | 0:12:18 | 0:12:22 | |
Donington was closed down because the war department | 0:12:22 | 0:12:25 | |
housed military vehicles here. | 0:12:25 | 0:12:27 | |
They couldn't move out quick enough after World War II, so Donington | 0:12:27 | 0:12:32 | |
never had its post-war chance of operating the Grand Prix again, | 0:12:32 | 0:12:36 | |
hence it went to Silverstone. | 0:12:36 | 0:12:39 | |
Wheatcroft set about changing all that, rebuilding the derelict | 0:12:39 | 0:12:43 | |
circuit so that in 1977 they began racing here again. | 0:12:43 | 0:12:47 | |
He'd also, by that time, become a respected sponsor and team owner. | 0:12:49 | 0:12:53 | |
He would've loved to have been a driver but by the time he had | 0:12:53 | 0:12:57 | |
got the wherewithal to afford it he was too old to do it. | 0:12:57 | 0:13:00 | |
And within a very short time he entered just about every | 0:13:00 | 0:13:03 | |
Formula from Atlantic, Formula 3, Formula 2, Formula 1 | 0:13:03 | 0:13:07 | |
and then ending it as a constructor of his own chassis. | 0:13:07 | 0:13:11 | |
But Tom's ultimate ambition was for Donington to once more stage | 0:13:11 | 0:13:15 | |
motor sport's most prestigious event, | 0:13:15 | 0:13:18 | |
something he achieved in 1993. | 0:13:18 | 0:13:21 | |
This was the car Senna won the 1993 European Grand Prix, | 0:13:21 | 0:13:24 | |
here at Donington in, | 0:13:24 | 0:13:26 | |
-against massive odds and set some unbelievable records. -That amazing. | 0:13:26 | 0:13:32 | |
Fastest lap even though he was in the pit lane. | 0:13:32 | 0:13:35 | |
Passed five of the best drivers in one lap in torrential rain. | 0:13:35 | 0:13:40 | |
-Oh, my goodness. -I mean, this helped cement the legend of Senna. | 0:13:40 | 0:13:44 | |
Senna wrote to Tom and I after the event saying | 0:13:44 | 0:13:47 | |
that, in his opinion, it was his greatest victory. | 0:13:47 | 0:13:51 | |
Oh, your dad must have been so over the moon. | 0:13:51 | 0:13:53 | |
Yeah, it can't get any better than that, can it? | 0:13:53 | 0:13:56 | |
It was the crowning achievement of a life in motor racing. | 0:13:56 | 0:14:00 | |
Tom Wheatcroft, who passed away in 2009, | 0:14:04 | 0:14:07 | |
had done the old circuit proud. | 0:14:07 | 0:14:09 | |
How would you feel about me taking a little lap around the track? | 0:14:09 | 0:14:13 | |
I wouldn't mind. I don't know what McLaren would think. | 0:14:13 | 0:14:16 | |
Not in this car! In the Triumph TR6 I've got parked outside. | 0:14:16 | 0:14:19 | |
I think that's the best thing you could do. | 0:14:19 | 0:14:22 | |
Just don't expect any records to be broken today, though. | 0:14:24 | 0:14:27 | |
I can't believe that we're doing this! It's like Senna '93. | 0:14:37 | 0:14:42 | |
And here we are, what, clocking 20. 20mph. | 0:14:42 | 0:14:45 | |
Don't worry, I'll be home in three weeks. | 0:14:45 | 0:14:47 | |
Come on, driving instructor, why did you fail me twice? There we go. | 0:14:47 | 0:14:53 | |
We're clocking 30 now. | 0:14:53 | 0:14:55 | |
Oh, the famous rivalry between Raskin and Ross, | 0:14:56 | 0:14:59 | |
her famous team-mate. | 0:14:59 | 0:15:01 | |
Ah, but he's stuck in a lawnmower. | 0:15:01 | 0:15:04 | |
I don't think Lewis Hamilton has too much to worry about, do you? | 0:15:04 | 0:15:07 | |
Oh, my goodness, she's done it, she's beaten everyone! | 0:15:07 | 0:15:09 | |
She's beaten Charlie Ross! | 0:15:09 | 0:15:12 | |
Charlie, meanwhile, has gone for a burton. Well, to Burton, actually. | 0:15:12 | 0:15:17 | |
Burton upon Trent in Staffordshire, intent on acquiring | 0:15:17 | 0:15:21 | |
yet more lots. Good man. | 0:15:21 | 0:15:24 | |
-Is it Jim? -It is, yes. -Charlie, nice to see you. | 0:15:24 | 0:15:28 | |
Introductions complete, Jim has a lot of nice furniture | 0:15:28 | 0:15:31 | |
here but Charlie, for once, had other ideas. | 0:15:31 | 0:15:34 | |
I did spot that which is not Roscoe, really, but it's quite a fun thing. | 0:15:34 | 0:15:40 | |
Yeah, nice, kitchen clock. | 0:15:40 | 0:15:41 | |
Because it's not battery-operated, is it? | 0:15:41 | 0:15:44 | |
No, no, it's proper movement. | 0:15:44 | 0:15:45 | |
It's a proper job. It's a typical English drop-dial, or even | 0:15:45 | 0:15:48 | |
American drop-dial wall clock and that's Bakelite, isn't it? | 0:15:48 | 0:15:52 | |
-Yeah, Bakelite plastic. -But it's got a proper wind mechanism. | 0:15:52 | 0:15:56 | |
-Yeah, that pulls up... -Look at that. | 0:15:56 | 0:15:58 | |
-I can find you a key for that, so you've got a key. -Could you? -Yeah. | 0:15:58 | 0:16:02 | |
-Very 1950s. -What can you hear, Charlie? | 0:16:02 | 0:16:05 | |
It's very 1950s and the saleroom said to me | 0:16:05 | 0:16:07 | |
that they could sell things from the 1950s | 0:16:07 | 0:16:09 | |
better than they could sell antiques. | 0:16:09 | 0:16:11 | |
Oh, so there's been a sneaky call, eh? | 0:16:11 | 0:16:14 | |
Charlie's getting all competitive too. | 0:16:14 | 0:16:17 | |
-Quite fun. -Yeah. | 0:16:17 | 0:16:18 | |
-35 quid on that. I'll do you 20 quid on it. -20 quid? -Yeah. | 0:16:18 | 0:16:22 | |
-20 quid to include a key? -Yeah. | 0:16:22 | 0:16:25 | |
That's the quickest deal I've ever done. | 0:16:25 | 0:16:27 | |
-Thank you very much, sir. -All right, mate. | 0:16:27 | 0:16:29 | |
20 quid, I'll give you 20 quid now for that. | 0:16:29 | 0:16:31 | |
Another little deal quickly sealed. | 0:16:31 | 0:16:33 | |
But upstairs there's potentially, at least, some even bigger bargains. | 0:16:33 | 0:16:38 | |
Good grief. | 0:16:38 | 0:16:40 | |
Rummage, I should say. | 0:16:40 | 0:16:43 | |
I think he's decided it's a case of never mind the quality. | 0:16:43 | 0:16:47 | |
Good grief, it's silver. That's a nice bit of wirework there. | 0:16:47 | 0:16:51 | |
Really, Charlie? | 0:16:51 | 0:16:52 | |
Bit ordinary, but... | 0:16:52 | 0:16:54 | |
I think the answer here is to make up a box of goodies. | 0:16:54 | 0:16:57 | |
Instant ancestor. | 0:16:57 | 0:16:59 | |
Check. | 0:16:59 | 0:17:01 | |
Jim would be pretty thrilled to be rid of that, I think. | 0:17:01 | 0:17:04 | |
It's like going round a supermarket. | 0:17:04 | 0:17:06 | |
Time to see Jim at the checkout. Er, loyalty card, sir? | 0:17:06 | 0:17:09 | |
Right, asparagus jelly mould - lovely item. | 0:17:09 | 0:17:12 | |
TILL BEEPS | 0:17:12 | 0:17:13 | |
-The trouble is it's bust. -It's had a life. | 0:17:13 | 0:17:15 | |
It's had a life? Yes, so have I. | 0:17:15 | 0:17:17 | |
-Soapdish. -I think it's an onion pattern. | 0:17:17 | 0:17:20 | |
-Widecombe Fair. -Yeah. | 0:17:20 | 0:17:23 | |
I'd like to call that an Imari bowl, I suppose it is. | 0:17:23 | 0:17:25 | |
-TILL BEEPS -Teapot, Chinese. | 0:17:25 | 0:17:27 | |
-This optimistic portrait. -TILL BEEPS | 0:17:27 | 0:17:29 | |
-Plated salt. -A bit of plate, yeah. TILL BEEPS | 0:17:29 | 0:17:31 | |
You like that one, don't you? TILL BEEPS | 0:17:31 | 0:17:33 | |
-Old frame but it's very modern. -It is a bit modern, yeah. | 0:17:33 | 0:17:38 | |
So, what's this little basketful likely to cost? | 0:17:38 | 0:17:40 | |
That lot? 50 quid. | 0:17:40 | 0:17:42 | |
Good lots for that. And I'll throw the basket in. | 0:17:43 | 0:17:46 | |
-30 quid. -I couldn't do it. Meet you halfway, 40 quid. | 0:17:47 | 0:17:51 | |
You know, at 40 quid, that lot might make a profit. | 0:17:51 | 0:17:53 | |
-Lob them in. Are you happy with that? -Yes, I am. | 0:17:55 | 0:17:58 | |
Yeah, frankly, you never want to see them again, do you, really? | 0:17:58 | 0:18:01 | |
Well, let's hope someone else is a bit more enthusiastic. | 0:18:01 | 0:18:04 | |
Ten items to be auctioned as one lot. | 0:18:04 | 0:18:06 | |
I have to say, in Jim's favour, the price was right. | 0:18:06 | 0:18:11 | |
Charlie desperately wants to win. | 0:18:11 | 0:18:13 | |
They're still the best of friends though, I think. | 0:18:13 | 0:18:16 | |
Oh, Charlie, it has been so great getting to know you. | 0:18:16 | 0:18:19 | |
# Getting to know me? | 0:18:19 | 0:18:20 | |
# Getting to know you | 0:18:20 | 0:18:22 | |
# Getting to know all about you... # | 0:18:22 | 0:18:26 | |
SHE MIMICS A PIANO | 0:18:26 | 0:18:28 | |
# Getting to like you | 0:18:28 | 0:18:30 | |
# Getting to hope you like me | 0:18:30 | 0:18:32 | |
-# Yes, I do -Yes, I do. # | 0:18:32 | 0:18:34 | |
Night-night, then. | 0:18:34 | 0:18:36 | |
Not only is Natasha in the lead but her driving's come on too. | 0:18:39 | 0:18:43 | |
You started virtually as a learner, | 0:18:43 | 0:18:46 | |
you've ended up as Mrs Stirling Moss. | 0:18:46 | 0:18:49 | |
-You should have seen me on that track, Charlie. -I know. | 0:18:49 | 0:18:51 | |
-You should have seen it. -I'd have been worried for your safety | 0:18:51 | 0:18:54 | |
and probably mine. | 0:18:54 | 0:18:55 | |
Charlie's almost in the home straight. | 0:18:55 | 0:18:58 | |
After his lightning start, he picked up a preserved pot and some salts, | 0:18:58 | 0:19:02 | |
a Bakelite clock, a cigar cutter, a cape and some shoes, | 0:19:02 | 0:19:07 | |
plus a whole basket of sundries. | 0:19:07 | 0:19:09 | |
How much for that lot? | 0:19:09 | 0:19:11 | |
Total cost £155, leaving him just over 80 available for today. | 0:19:11 | 0:19:17 | |
While Natasha hung onto her cash, | 0:19:17 | 0:19:20 | |
parting with a mere £28 for a jam pan... | 0:19:20 | 0:19:24 | |
It's quite a good lump. | 0:19:24 | 0:19:25 | |
..which means she still has over £260 left. | 0:19:25 | 0:19:29 | |
-What did you buy yesterday, one lot? -One lot. | 0:19:29 | 0:19:31 | |
-One miserable little lot? -Well, it was... | 0:19:31 | 0:19:34 | |
-Don't tell me what it is but how much did it cost? -It was weighty. | 0:19:34 | 0:19:36 | |
-SCOTTISH ACCENT: -Weighty? Weighty! | 0:19:36 | 0:19:39 | |
I've bought something that's weighty. | 0:19:39 | 0:19:42 | |
Later they'll be making for the deciding auction | 0:19:43 | 0:19:45 | |
at Stansted Mountfitchet in Essex, | 0:19:45 | 0:19:48 | |
but their next stop is in the County of Lincolnshire at Stamford. | 0:19:48 | 0:19:53 | |
The historic town on the River Welland, | 0:19:55 | 0:19:58 | |
noted for its medieval churches, | 0:19:58 | 0:20:00 | |
its ancient coaching inns and its antique shops. | 0:20:00 | 0:20:04 | |
-Well, goodbye, my petal. -Enjoy yourself. | 0:20:04 | 0:20:08 | |
-Wish me luck. -Spend badly! | 0:20:08 | 0:20:11 | |
-I don't want any more profits from you. -Bye, Charlie. | 0:20:11 | 0:20:14 | |
Never mind Charlie, he's all right, | 0:20:16 | 0:20:17 | |
it's you who's got a fair bit of shopping left to do. | 0:20:17 | 0:20:21 | |
-Oh, hello, good morning. -Hello. -Hi there, I'm Natasha. | 0:20:21 | 0:20:23 | |
-I'm Lucinda, nice to meet you. -Good morning, Lucinda. | 0:20:23 | 0:20:26 | |
This is fabulous, this is huge. | 0:20:26 | 0:20:29 | |
Yes, it is on the large side, | 0:20:29 | 0:20:30 | |
but strangely our Natasha doesn't seem too bothered about that. | 0:20:30 | 0:20:34 | |
I always get a bit overwhelmed when everything is very traditional | 0:20:34 | 0:20:37 | |
and beautiful and finely polished because it's too refined, | 0:20:37 | 0:20:40 | |
whereas when you've got stuff that's quirky and a bit mad | 0:20:40 | 0:20:43 | |
and needs a bit of a polish | 0:20:43 | 0:20:44 | |
and just is totally bonkers, it just gets people talking in the saleroom. | 0:20:44 | 0:20:49 | |
It's like this massive brass horse. Actually, that's quite cool. | 0:20:49 | 0:20:52 | |
He's huge. Oh, well, he's £225, so we'll steer clear but he is... | 0:20:52 | 0:20:56 | |
That is exactly the kind of thing that would get people | 0:20:56 | 0:20:59 | |
talking in an auction. | 0:20:59 | 0:21:00 | |
Yeah, we get the idea. | 0:21:00 | 0:21:02 | |
There's a sale on, too. Any quirk in that, I wonder? | 0:21:02 | 0:21:05 | |
That is so sweet. Novelty toast rack. | 0:21:05 | 0:21:08 | |
That has to be Carlton Ware. Carlton Ware. It is Carlton Ware. | 0:21:08 | 0:21:12 | |
And this is so cute because it is wee geese and they're picking up | 0:21:12 | 0:21:15 | |
a worm and they're picking up the same worm. It's too sweet. | 0:21:15 | 0:21:18 | |
Looking closely at it there, this one has been off | 0:21:18 | 0:21:21 | |
and the rest of them are absolutely fine, | 0:21:21 | 0:21:23 | |
but is that not just so gorgeous? | 0:21:23 | 0:21:27 | |
Not sure about that but it's quirky and it's reduced to just £6.25. | 0:21:27 | 0:21:32 | |
Now, that's very Natasha. | 0:21:33 | 0:21:36 | |
I like this. Oh, it's so modern | 0:21:36 | 0:21:39 | |
and it is really 20th-century design. | 0:21:39 | 0:21:42 | |
I bet it's comfy. | 0:21:42 | 0:21:44 | |
Oh, it's actually really good because, look at that, if you had | 0:21:44 | 0:21:47 | |
your laptop or something in front of you, you can't slouch. | 0:21:47 | 0:21:50 | |
This is the original posture chair, I'm telling you, that's amazing. | 0:21:50 | 0:21:54 | |
We'll have to take your word for that. | 0:21:54 | 0:21:57 | |
£58. Not the scariest thing I've ever heard in my life. | 0:21:57 | 0:22:00 | |
People just go wild for these in the auction. | 0:22:00 | 0:22:03 | |
She'll be getting everything here at this rate. | 0:22:03 | 0:22:06 | |
This is a pretty cool bamboo bookcase. | 0:22:06 | 0:22:10 | |
That has real appeal to it, what a real cool item, I love it. | 0:22:10 | 0:22:14 | |
And what I like about it is the height | 0:22:14 | 0:22:16 | |
because it's that perfect bookcase height where you can | 0:22:16 | 0:22:19 | |
put your items in the main body of it, | 0:22:19 | 0:22:21 | |
but you can also put items on top. | 0:22:21 | 0:22:24 | |
I don't think that's especially unique. | 0:22:24 | 0:22:26 | |
Oh, late 19th century bamboo bookcase. | 0:22:26 | 0:22:29 | |
Careful, Natasha, it may be an antique. | 0:22:29 | 0:22:32 | |
£57.50. If I could shave off a few quid, | 0:22:32 | 0:22:35 | |
I think I'd be quite happy with that. | 0:22:35 | 0:22:37 | |
So, three practical items on her list so far. | 0:22:37 | 0:22:40 | |
Not sure how those function though. Balance? | 0:22:40 | 0:22:43 | |
Look at these. These are so joyful. | 0:22:43 | 0:22:47 | |
They've got that Edwardian look, but they're not. | 0:22:47 | 0:22:49 | |
They're more sort of '70s/'80s. | 0:22:49 | 0:22:51 | |
They've got that mimic of diamonds, the paste, | 0:22:51 | 0:22:54 | |
so popular in costume jewellery and they've got a long, | 0:22:54 | 0:22:57 | |
kind of lyre shape. They're really attractive. | 0:22:57 | 0:23:01 | |
They are just instant glam. | 0:23:01 | 0:23:02 | |
They take you from the office to cocktails in three seconds flat. | 0:23:02 | 0:23:06 | |
Now, it's paste, so that's a technique | 0:23:06 | 0:23:08 | |
that's used to mimic the look of diamonds, | 0:23:08 | 0:23:10 | |
but these are quality paste because don't they sparkle? | 0:23:10 | 0:23:13 | |
I reckon they could make £40-50 at auction, easy. | 0:23:13 | 0:23:16 | |
And I really hope there's a little bit of leeway on the price. | 0:23:16 | 0:23:19 | |
I'm looking straight at it, it's £18, | 0:23:19 | 0:23:21 | |
but if I could get those for £10-12, | 0:23:21 | 0:23:22 | |
oh, my goodness, we're onto a winner. | 0:23:22 | 0:23:26 | |
Quite a pile. Time to talk to Tina. | 0:23:26 | 0:23:29 | |
Shall we start with these? | 0:23:29 | 0:23:30 | |
So, earrings, have a price on them of £18. | 0:23:30 | 0:23:34 | |
We could do those for £15 four you. | 0:23:34 | 0:23:37 | |
-For £15, and that's the very best price? -That's a really good buy. | 0:23:37 | 0:23:41 | |
And this one, everything from this stall is reduced to half price. | 0:23:41 | 0:23:44 | |
That would work out at £6. | 0:23:44 | 0:23:47 | |
The only thing that I noticed about it was that it's come off. | 0:23:47 | 0:23:50 | |
This total side, here, has come off. | 0:23:50 | 0:23:52 | |
I know it's awfully cheeky, | 0:23:52 | 0:23:54 | |
but I just wondered if it would be possible | 0:23:54 | 0:23:56 | |
-to have the toast rack for a fiver. -Yeah. | 0:23:56 | 0:23:59 | |
All very convivial so far. | 0:23:59 | 0:24:01 | |
Next up is our chair. | 0:24:01 | 0:24:03 | |
I really like the chair, | 0:24:03 | 0:24:05 | |
so I wonder if it would be possible to shave off a good few pounds? | 0:24:05 | 0:24:08 | |
-For you, £40. -£40? | 0:24:08 | 0:24:10 | |
It'll give you a really good start because it's a good buy. | 0:24:10 | 0:24:13 | |
That's amazing. Thank you so much. | 0:24:13 | 0:24:15 | |
The last thing is a bookcase which is in at £57.50, specifically. | 0:24:15 | 0:24:18 | |
What would be the very best price on that? Because I don't know... | 0:24:18 | 0:24:22 | |
-£50, really. -You think 50? | 0:24:22 | 0:24:23 | |
It would usually be about £52 but we can do that for about £50. | 0:24:23 | 0:24:27 | |
We couldn't say £45? | 0:24:27 | 0:24:30 | |
£50, really, is on that one. It's a really good buy. | 0:24:30 | 0:24:34 | |
Tina's sticking on that, so £110 for the lot, then. | 0:24:34 | 0:24:38 | |
Shall we do it? | 0:24:38 | 0:24:39 | |
All four items. Tina, you are so great. | 0:24:39 | 0:24:42 | |
No messing about. | 0:24:42 | 0:24:44 | |
There's a definite spring in her step today. | 0:24:44 | 0:24:47 | |
Now, how's Charlie? | 0:24:50 | 0:24:51 | |
Enjoying a solo spin in the TR6 | 0:24:51 | 0:24:53 | |
towards Deene Park in Northamptonshire, | 0:24:53 | 0:24:57 | |
the home of the man who led | 0:24:57 | 0:24:59 | |
the most notorious cavalry charge in British military history. | 0:24:59 | 0:25:03 | |
-Good morning. -Good morning and welcome to Deene. | 0:25:03 | 0:25:06 | |
-Thank you very much indeed. -Hello, Robert Brudenell. | 0:25:06 | 0:25:08 | |
Robert. Charlie Ross. Hello, Charlotte. | 0:25:08 | 0:25:10 | |
This is absolutely magnificent. | 0:25:10 | 0:25:12 | |
It's been in the Brudenell family now for 500 years... | 0:25:12 | 0:25:15 | |
with the same name. | 0:25:15 | 0:25:17 | |
-With the same name? -Yes, the first Robert Brudenell | 0:25:17 | 0:25:19 | |
came in 1514 and here we have the latest Robert Brudenell. | 0:25:19 | 0:25:22 | |
Our guide Charlotte can tell you that several have also been | 0:25:22 | 0:25:26 | |
Earls of Cardigan. | 0:25:26 | 0:25:27 | |
Our story rests with the seventh Earl, James Brudenell, | 0:25:27 | 0:25:31 | |
a Victorian military hero forever associated | 0:25:31 | 0:25:34 | |
with the 19th century Crimean War and the Charge of the Light Brigade. | 0:25:34 | 0:25:38 | |
How much history is in this room? | 0:25:38 | 0:25:41 | |
Yes, we've collated here all the memorabilia | 0:25:41 | 0:25:44 | |
from the seventh Earl of Cardigan and Balaclava. | 0:25:44 | 0:25:47 | |
What sort of a chap was he? | 0:25:47 | 0:25:49 | |
I think he was dead arrogant and dead spoiled. | 0:25:49 | 0:25:51 | |
He always wanted to join the army | 0:25:51 | 0:25:53 | |
and I think probably has parents weren't frightfully happy | 0:25:53 | 0:25:56 | |
about that, being the only son, | 0:25:56 | 0:25:57 | |
-but he bought a commission in one regiment for £35,000... -What?! | 0:25:57 | 0:26:01 | |
-..which was a lot in those days. -£35,000, then? | 0:26:01 | 0:26:04 | |
He then unfortunately was kicked out of that regiment. | 0:26:04 | 0:26:09 | |
What, for bad behaviour? | 0:26:09 | 0:26:10 | |
Oh, there were duals fought and various incidents. | 0:26:10 | 0:26:13 | |
The Earl wasn't discouraged however | 0:26:13 | 0:26:15 | |
and he soon managed to get back into the Army. | 0:26:15 | 0:26:18 | |
His love life was pretty colourful too, | 0:26:18 | 0:26:20 | |
including stealing his best friend's wife | 0:26:20 | 0:26:23 | |
and then getting hitched to his much younger mistress Adeline de Horsey. | 0:26:23 | 0:26:27 | |
-She's a very, very beautiful woman. -She's stunning, isn't she? | 0:26:27 | 0:26:31 | |
But she was never accepted at court | 0:26:31 | 0:26:33 | |
because Queen Victoria didn't really approve of the marital situation. | 0:26:33 | 0:26:37 | |
Every inch a Victorian aristocrat, | 0:26:37 | 0:26:39 | |
the Earl famously lavished huge sums | 0:26:39 | 0:26:42 | |
on kitting out his cavalry regiment with stylish uniforms | 0:26:42 | 0:26:45 | |
and cherry picker trousers. And when he travelled to the Crimea, | 0:26:45 | 0:26:49 | |
the Earl and his horse Ronald sailed by private yacht. | 0:26:49 | 0:26:53 | |
It's no wonder he appears as a bit of a villain | 0:26:53 | 0:26:56 | |
in several of the Flashman novels. | 0:26:56 | 0:26:58 | |
Which one would he have worn in the battle? | 0:26:58 | 0:27:01 | |
I'm told that he would have worn this one | 0:27:01 | 0:27:04 | |
with the fur collar on the top. | 0:27:04 | 0:27:06 | |
He'd have worn this hat here with the cockade on the top. | 0:27:06 | 0:27:09 | |
That's splendid. | 0:27:09 | 0:27:10 | |
And he would have had the sword, the middle one, there. | 0:27:10 | 0:27:12 | |
He didn't actually use it to kill anybody | 0:27:12 | 0:27:15 | |
during the Charge of the Light Brigade, | 0:27:15 | 0:27:16 | |
but it would have been by his side. | 0:27:16 | 0:27:18 | |
On 25th October 1854, | 0:27:18 | 0:27:21 | |
Lord Raglan, the overall commander at the Battle of Balaclava, | 0:27:21 | 0:27:25 | |
ordered light cavalry to rescue some guns from retreating Russian forces. | 0:27:25 | 0:27:29 | |
But, because of a tragic miscommunication, | 0:27:29 | 0:27:32 | |
the men were sent instead against a different, well-defended position. | 0:27:32 | 0:27:37 | |
Lucan said to Cardigan, "You must lead this charge." | 0:27:37 | 0:27:40 | |
And Cardigan said, "But the Russian guns are in front of us." | 0:27:40 | 0:27:43 | |
And he said, "We have to obey orders." | 0:27:43 | 0:27:45 | |
So Cardigan set off through the charge with the | 0:27:45 | 0:27:48 | |
immortal words of "Here goes the last of the Brudenells." | 0:27:48 | 0:27:51 | |
600 of them. | 0:27:51 | 0:27:52 | |
-600 of them, yes. -"Ours is not to reason why..." | 0:27:52 | 0:27:56 | |
Indeed, "Ours but to do and die." | 0:27:56 | 0:27:58 | |
-Two-thirds of them didn't come back. -Two-thirds? | 0:27:58 | 0:28:01 | |
They had a double whammy because up they went through the valley being | 0:28:01 | 0:28:04 | |
shot at by the Russians either side, and then the Russian guns at | 0:28:04 | 0:28:08 | |
the end and then, they came back, so they had the same salvo coming back. | 0:28:08 | 0:28:13 | |
It was quite remarkable that any of them survived, really. | 0:28:13 | 0:28:16 | |
Despite utter failure, the Charge, as immortalised by Tennyson, | 0:28:18 | 0:28:23 | |
was celebrated for its valour. | 0:28:23 | 0:28:25 | |
And the man who obeyed orders became the hero of Balaclava. | 0:28:25 | 0:28:29 | |
The Earl was mobbed on his return | 0:28:29 | 0:28:32 | |
and soon invited to Windsor to tell his story. | 0:28:32 | 0:28:35 | |
Plus, the cardigan, a knitted waistcoat modelled on what | 0:28:35 | 0:28:38 | |
he'd worn at the Crimea, became highly fashionable. | 0:28:38 | 0:28:41 | |
At Deene Park, they have several of the trophies he was awarded. | 0:28:41 | 0:28:45 | |
Gosh, here it is, the sword. | 0:28:46 | 0:28:48 | |
It's a remarkable piece of workmanship, isn't it? | 0:28:48 | 0:28:51 | |
It's exquisite, isn't it? | 0:28:51 | 0:28:53 | |
And that image, there, | 0:28:53 | 0:28:54 | |
of him charging is extremely atmospheric, isn't it? | 0:28:54 | 0:29:00 | |
It's that picture that we have up there, isn't it? | 0:29:00 | 0:29:03 | |
-It is, and I think the poem sums it all up rather well. -Tennyson's poem. | 0:29:03 | 0:29:07 | |
-I've got a copy of it here. -Have you? -Yes. | 0:29:07 | 0:29:09 | |
"Forward, the Light Brigade, | 0:29:09 | 0:29:10 | |
"charge for the guns, he said. | 0:29:10 | 0:29:14 | |
"Into the Valley of Death rode the 600." | 0:29:14 | 0:29:17 | |
Which all seems a very long way from Peterborough. | 0:29:22 | 0:29:26 | |
The Cambridgeshire city that's Natasha's latest destination. | 0:29:26 | 0:29:30 | |
Looks like she's not too bothered about the shops though. | 0:29:30 | 0:29:33 | |
More intent on a bit of R&R. Come on, girl, get your skates on. | 0:29:33 | 0:29:37 | |
Every day on this trip all I've been doing is worrying, worrying, | 0:29:37 | 0:29:40 | |
worrying and making snap decisions and panicking in the next shop. | 0:29:40 | 0:29:43 | |
Day five, finally get the hang of it, everything done and dusted | 0:29:43 | 0:29:48 | |
in a couple of hours and now, | 0:29:48 | 0:29:49 | |
here I am running around on some ice skates. | 0:29:49 | 0:29:52 | |
Why did I not do this earlier? | 0:29:52 | 0:29:55 | |
I just hope she won't regret an afternoon at the rink | 0:30:04 | 0:30:07 | |
come the auction. | 0:30:07 | 0:30:08 | |
Meanwhile, her rival is hard at it. | 0:30:12 | 0:30:15 | |
Taking our route | 0:30:15 | 0:30:17 | |
towards the Northamptonshire town of Wellingborough, | 0:30:17 | 0:30:20 | |
with just over £80 left in his wallet. | 0:30:20 | 0:30:23 | |
Hello. | 0:30:23 | 0:30:24 | |
-Hello there. -Is it Nick? -It is, how are you? -Charlie, nice to see you. | 0:30:24 | 0:30:27 | |
-And you. -What is that? -It's fantastic. -It's a Harley? | 0:30:27 | 0:30:31 | |
-It is, yes, it's fairly well to scale. -Not very practical, though. | 0:30:31 | 0:30:34 | |
Unlike the umpteen telephones, which Nick's shop can boast of. | 0:30:34 | 0:30:38 | |
They all worked...once. | 0:30:38 | 0:30:40 | |
Look, there's an original Monet. That's fantastic. | 0:30:40 | 0:30:44 | |
Oh, no, it's not, it's van Gogh. | 0:30:44 | 0:30:46 | |
In fact, it's a combination of the two, I think. | 0:30:46 | 0:30:49 | |
I think that's van Monet. | 0:30:49 | 0:30:51 | |
Well, that didn't make much of an impression. | 0:30:51 | 0:30:54 | |
Maybe he does crave utility after all. | 0:30:54 | 0:30:57 | |
-There's something of a scale flavour here, isn't there? -There is. | 0:30:57 | 0:31:00 | |
-Do you like weighing things? -Not particularly, no. | 0:31:00 | 0:31:03 | |
I had to buy a job lot. | 0:31:03 | 0:31:04 | |
I actually wanted that set and the set behind the doors, there. | 0:31:04 | 0:31:07 | |
The lady who had them used to cater for antique fares | 0:31:07 | 0:31:10 | |
and would pick them up over a 20-year career. | 0:31:10 | 0:31:12 | |
-How many did you buy? -28. | 0:31:12 | 0:31:14 | |
Now that's what you call economy of scale. | 0:31:14 | 0:31:17 | |
I think Charlie might be onto something here, let's weigh it up. | 0:31:17 | 0:31:20 | |
There's even more scales. Love these Salters. | 0:31:20 | 0:31:22 | |
Wonderful brass dial on those. | 0:31:23 | 0:31:28 | |
God, they weigh a tremendous weight, up to 100 pounds. | 0:31:28 | 0:31:31 | |
Now, we know that they came for nothing, don't we? | 0:31:31 | 0:31:34 | |
Well, we like to think they did. | 0:31:34 | 0:31:36 | |
-Nick? -Yeah. -Are they ever so cheap? | 0:31:36 | 0:31:38 | |
-No, nothing is. -Are they not? | 0:31:38 | 0:31:41 | |
How much are they? | 0:31:41 | 0:31:42 | |
I think there's about £35 on them, | 0:31:42 | 0:31:45 | |
which isn't a huge amount of money bearing in mind the age. | 0:31:45 | 0:31:48 | |
Bearing in mind the age... | 0:31:48 | 0:31:50 | |
They're older than I am! | 0:31:50 | 0:31:52 | |
-Something had to be. -Good point, Nick. | 0:31:52 | 0:31:55 | |
-These are number 15, by the way. -They are. | 0:31:55 | 0:31:57 | |
I was hoping they were £15, that was the trouble. | 0:31:57 | 0:31:59 | |
-That would be a little bit too generous, I think. -Would it? | 0:31:59 | 0:32:02 | |
I can probably get to £25 but I think £15's too far. | 0:32:02 | 0:32:04 | |
I could put them with my wonderful Smiths Bakelite drop dial wall clock | 0:32:04 | 0:32:10 | |
from the 1950s. | 0:32:10 | 0:32:11 | |
Ah, that is useful. A sort of kitchen combo. | 0:32:11 | 0:32:14 | |
Hang on, there's a compact version too. | 0:32:14 | 0:32:17 | |
There's a baby brother of those ones. | 0:32:17 | 0:32:19 | |
I think choice could be a problem here. | 0:32:20 | 0:32:22 | |
Those are quite fun too. | 0:32:22 | 0:32:24 | |
A little bit later but very... | 0:32:24 | 0:32:27 | |
What do we think, very First World War? | 0:32:27 | 0:32:29 | |
Between the wars I would have said. | 0:32:29 | 0:32:31 | |
Between the wars, yes. | 0:32:31 | 0:32:32 | |
You could actually use those, they're a lot less hard-core. | 0:32:32 | 0:32:34 | |
How much are those ones? | 0:32:34 | 0:32:35 | |
They're around £35. Obviously there's a little bit of movement. | 0:32:35 | 0:32:38 | |
-This is a standard starting price here, I can feel it. -There is, yes. | 0:32:38 | 0:32:41 | |
I'll be honest with you, I think they'll make £20-30 at auction. | 0:32:41 | 0:32:46 | |
-Could you make 20? -20 quid. | 0:32:46 | 0:32:49 | |
Can you do £15? | 0:32:49 | 0:32:51 | |
I'm sure we could do something, sir. Well done, sir. | 0:32:51 | 0:32:54 | |
Top man! No, well done you, sir! | 0:32:54 | 0:32:56 | |
In fact, I'm so thrilled, I'll pay you now. | 0:32:56 | 0:32:58 | |
So, with the formalities all but concluded, | 0:33:00 | 0:33:02 | |
let's have a look at their buys. | 0:33:02 | 0:33:05 | |
Natasha spent just £138 on jam pan, | 0:33:05 | 0:33:09 | |
some earrings, | 0:33:09 | 0:33:11 | |
a toast rack, | 0:33:11 | 0:33:13 | |
a book case and a swivel chair. | 0:33:13 | 0:33:15 | |
While Charlie parted with £170 for a cigar cutter, | 0:33:16 | 0:33:20 | |
a cape and shoes, | 0:33:20 | 0:33:22 | |
a preserve pot and salts, | 0:33:22 | 0:33:24 | |
a basket of various items and a Bakelite clock and some scales. | 0:33:24 | 0:33:29 | |
What did they make of all that? | 0:33:29 | 0:33:31 | |
Charlie's cape is genius, it's absolutely genius. | 0:33:31 | 0:33:34 | |
These costumes sell so well at auction. | 0:33:34 | 0:33:37 | |
Someone is easily going to pay much higher | 0:33:37 | 0:33:40 | |
than the £15 Charlie has paid for that. | 0:33:40 | 0:33:42 | |
That is going to be his star lot for sure. | 0:33:42 | 0:33:44 | |
Now that chair is good. | 0:33:44 | 0:33:46 | |
I think it's ghastly but, of course, | 0:33:46 | 0:33:48 | |
the more ghastly I think it is, the better it'll sell. | 0:33:48 | 0:33:51 | |
It could make £100, in which case, good night, Roscoe | 0:33:51 | 0:33:56 | |
After setting off from Ashby-de-la-Zouch, | 0:33:56 | 0:33:59 | |
our experts are now heading for Stansted Mountfitchet | 0:33:59 | 0:34:03 | |
and their final auction together. | 0:34:03 | 0:34:05 | |
-I'm welling up. -Don't well up, don't cry, because if you cry... | 0:34:05 | 0:34:10 | |
You soppy pair. | 0:34:10 | 0:34:12 | |
Hard to believe that this quaint Saxon settlement | 0:34:12 | 0:34:15 | |
is just four miles away from the busy Essex airport | 0:34:15 | 0:34:19 | |
of that same name. | 0:34:19 | 0:34:20 | |
-Shall we do it? -Shall we take the keys out? -Yes. | 0:34:20 | 0:34:23 | |
-Somebody might run away with our car. -Oh, sorry. | 0:34:23 | 0:34:26 | |
I'm glad you're here. | 0:34:28 | 0:34:29 | |
Sworders have been in business around here since 1782, | 0:34:30 | 0:34:34 | |
so I'm sure Charlie and Natasha are in capable hands. | 0:34:34 | 0:34:37 | |
How does auctioneer Richard Harrison rate their lots, though? | 0:34:37 | 0:34:41 | |
The silver top preserve pot is very nice, I quite like that myself. | 0:34:41 | 0:34:44 | |
Stylistically, it's very simple, very plain. | 0:34:44 | 0:34:46 | |
And the two Victorian shell salts, again, just nice, neat little | 0:34:46 | 0:34:50 | |
things, can fit anywhere, so hopefully they'll find a good home. | 0:34:50 | 0:34:53 | |
The swivel chair is something very much in vogue | 0:34:53 | 0:34:56 | |
and very fashionable now. | 0:34:56 | 0:34:57 | |
That's the sort of thing that just might attract two buyers who | 0:34:57 | 0:35:00 | |
have just got the perfect place for it, so that might do quite well. | 0:35:00 | 0:35:03 | |
That should please Natasha. | 0:35:03 | 0:35:05 | |
-Are you sitting comfortably? -No. | 0:35:05 | 0:35:07 | |
Then I'll begin. | 0:35:07 | 0:35:09 | |
Looks like we already have, with Natasha's sparkling earrings | 0:35:10 | 0:35:14 | |
-but I'm not sure they've noticed. -At £25, is bid. | 0:35:14 | 0:35:17 | |
At £25, I'm bid, I'll take 30 now. | 0:35:17 | 0:35:19 | |
-What lot number's he on, any idea? -I don't know. -30... | 0:35:19 | 0:35:22 | |
Good grief, it's one of yours! | 0:35:22 | 0:35:23 | |
35 is bid, I have 40, 45. | 0:35:23 | 0:35:26 | |
At 45, I'll take 50, anyone else now? Selling at £45. | 0:35:26 | 0:35:30 | |
We missed your earrings. They've been sold. | 0:35:32 | 0:35:35 | |
Yes, and for a very good profit too. | 0:35:35 | 0:35:37 | |
Pay attention. Pay attention. | 0:35:37 | 0:35:40 | |
About time. Charlie's preserve pot and salts next. | 0:35:40 | 0:35:43 | |
-Who's going to start us? £30. -Yes, 30... | 0:35:43 | 0:35:46 | |
-Straight in at 30 when they saw the boys. -Straight away. -£30 is bid. | 0:35:46 | 0:35:50 | |
£30 is bid, got one bid here, 35. 40, 5, 50. | 0:35:50 | 0:35:55 | |
£50 is bid, right in the middle. Selling at £50... | 0:35:55 | 0:35:59 | |
-There's somebody over here, sir! -55...is hiding. | 0:35:59 | 0:36:03 | |
-At 55, all going to finish then. -Well spotted! | 0:36:03 | 0:36:05 | |
Good job I pointed that out. | 0:36:05 | 0:36:07 | |
More profits. We've started well. | 0:36:08 | 0:36:10 | |
Next, it's Natasha's bargain toast rack. | 0:36:12 | 0:36:14 | |
Let's hope the worm won't put them off. | 0:36:14 | 0:36:16 | |
£20 for this. 20 bid. | 0:36:16 | 0:36:18 | |
£20 is bid. Do I see 5 anywhere else now? £20 for the toast rack. | 0:36:21 | 0:36:24 | |
Maiden bid, then. At £20, all done at £20? | 0:36:24 | 0:36:28 | |
All done? | 0:36:28 | 0:36:29 | |
One bid! Have you ever thought of printing money? | 0:36:31 | 0:36:35 | |
The new girl still has a commanding lead. | 0:36:35 | 0:36:38 | |
I wonder what Charlie's kitchen lot can do? | 0:36:38 | 0:36:40 | |
It might not be your clock, | 0:36:40 | 0:36:42 | |
it might be your scales that tip you over the edge. | 0:36:42 | 0:36:44 | |
No... Very good. | 0:36:44 | 0:36:47 | |
Retro fashion. Shall we start this at £30? £30, 20... | 0:36:47 | 0:36:52 | |
-These are going to be a disaster. -Sea of blank faces. £20 is bid here. | 0:36:52 | 0:36:56 | |
£20 is bid, we're off the mark. 5. | 0:36:56 | 0:36:59 | |
30. 35. 40. | 0:36:59 | 0:37:03 | |
-£40 is bid. -£40! | 0:37:03 | 0:37:04 | |
You're in profit! | 0:37:04 | 0:37:07 | |
All done? | 0:37:07 | 0:37:08 | |
-Yes! -Was that 40? -40. | 0:37:08 | 0:37:10 | |
Weighs in at a loss after auction costs, I'm afraid. | 0:37:10 | 0:37:13 | |
Now, for his supermarket sweep. | 0:37:13 | 0:37:15 | |
Who'll start me off at £30? £30 is bid. | 0:37:15 | 0:37:19 | |
-30's bid! -Shh-sh, steady. | 0:37:19 | 0:37:21 | |
£30 is bid, do I see 5? At £30, I'm bid. | 0:37:21 | 0:37:24 | |
Single bid here at £30. 5, 35. | 0:37:24 | 0:37:27 | |
-40. -Oh, we can do better than 40. | 0:37:27 | 0:37:31 | |
Selling at £40. All done at 40. All done? | 0:37:31 | 0:37:34 | |
-Ah, I thought you had a bid. -40. | 0:37:34 | 0:37:38 | |
So, no hidden gems there then. | 0:37:38 | 0:37:40 | |
He won't catch her up at this rate. | 0:37:40 | 0:37:42 | |
Let's get jamming. Natasha's pan. | 0:37:42 | 0:37:45 | |
I'm quite into these jam pans, | 0:37:45 | 0:37:46 | |
we call them, in Glasgow, a jeelly pan. | 0:37:46 | 0:37:48 | |
-A what? -A jeelly pan. -A jeelly pan! -Yeah. | 0:37:48 | 0:37:50 | |
Who's going to start us? £30 for it. | 0:37:50 | 0:37:53 | |
£30. Quiet night in, polishing it. | 0:37:53 | 0:37:56 | |
20 then. That's tempted you, £20 is bid. | 0:37:56 | 0:38:00 | |
£20, that's a serious result. | 0:38:00 | 0:38:02 | |
£20 is bid. I'll take 5 anywhere else now. | 0:38:02 | 0:38:05 | |
Selling at £20, all finished then at £20. All done at 20. | 0:38:05 | 0:38:08 | |
-Oh, 20. -That's not a great result, is it? -It's not. | 0:38:10 | 0:38:13 | |
Jammy for one East Anglican preserve maker though. | 0:38:13 | 0:38:17 | |
What about the am-dram set? | 0:38:17 | 0:38:19 | |
Ready for panto season, who's going to start me? £30. £30 for it. | 0:38:19 | 0:38:24 | |
Come on. Come on. | 0:38:24 | 0:38:26 | |
Any interest? 30. | 0:38:26 | 0:38:29 | |
-£30 is bid. -Yes! Told you. | 0:38:29 | 0:38:31 | |
£30 is bid on my right. Do I see 35 anywhere? At £30, is bid. | 0:38:31 | 0:38:35 | |
-35 anywhere else now? I'm going to sell at the maiden bid. -One bit. | 0:38:35 | 0:38:39 | |
£30, all finished then? At £30. | 0:38:39 | 0:38:42 | |
£30! | 0:38:42 | 0:38:44 | |
Is it destined for a tragedy or a farce, I wonder? | 0:38:44 | 0:38:47 | |
Natasha made great claims for the postural benefits of this chair. | 0:38:47 | 0:38:52 | |
Retro furniture, £30. | 0:38:52 | 0:38:55 | |
30. | 0:38:55 | 0:38:56 | |
-£30, £20 then. -Oh, no. | 0:38:58 | 0:39:02 | |
5, 30. It would go well with your robe. | 0:39:02 | 0:39:06 | |
-£30 is bid. -Don't worry, don't worry. | 0:39:06 | 0:39:08 | |
Do I see 5 anywhere else now? Good looking chair there. | 0:39:08 | 0:39:11 | |
£30 is bid, 5. Anyone else now? | 0:39:11 | 0:39:13 | |
We're selling, then, at £30. All finished at £30. | 0:39:13 | 0:39:17 | |
No! No! | 0:39:17 | 0:39:18 | |
You've fallen off your horse! | 0:39:18 | 0:39:19 | |
There haven't been many losses this week | 0:39:19 | 0:39:22 | |
but that one will definitely encourage Charlie. | 0:39:22 | 0:39:25 | |
Charlie, this is tight, this is tight. | 0:39:25 | 0:39:27 | |
It is getting tighter. | 0:39:27 | 0:39:28 | |
-BOTH: -Ooh! | 0:39:28 | 0:39:30 | |
Bamboo bookcase, just the right height, too. | 0:39:30 | 0:39:32 | |
What drew you to the bamboo bookcase? | 0:39:32 | 0:39:34 | |
Can I tell you? It's really mean. | 0:39:34 | 0:39:35 | |
-Go on, tell me. -When you did your road trip with Christina, | 0:39:35 | 0:39:38 | |
-you splashed out on some bamboo. You've told me. -£150. | 0:39:38 | 0:39:42 | |
-And you were ahead. -I was. -And then you fell behind. -I did. | 0:39:42 | 0:39:45 | |
And I'm really nasty because I thought...how funny it would be if | 0:39:45 | 0:39:50 | |
I were to win and bamboo was your nemesis, yet again. | 0:39:50 | 0:39:54 | |
Who's going to start me? £40. | 0:39:54 | 0:39:56 | |
-Yes, come on. -For £40, for 30 then. | 0:39:56 | 0:40:01 | |
50 for it. You paid 50. | 0:40:01 | 0:40:04 | |
Oh, no, darling, no-one's bidding. No-one is bidding. | 0:40:04 | 0:40:07 | |
20 then. Bookcase at 20. | 0:40:07 | 0:40:11 | |
There's got to be somebody out there that still reads. £20 is bid. | 0:40:11 | 0:40:14 | |
-How much? -20. Oh, darling. Bamboo's going to be my nemesis! | 0:40:14 | 0:40:19 | |
At £20, 5 anywhere now. All finished? 25. | 0:40:19 | 0:40:24 | |
5! | 0:40:24 | 0:40:25 | |
In the doorway at 25, 25 is bid. We're selling then at £25. | 0:40:26 | 0:40:31 | |
Oh, dear. | 0:40:31 | 0:40:32 | |
-25 was it? -Yeah. | 0:40:33 | 0:40:34 | |
-Well, that's not so good, is it? -It's not great, is it? | 0:40:34 | 0:40:37 | |
Quite, Charlie. It's down to the very last lot. | 0:40:37 | 0:40:41 | |
I've done some rough calculations. | 0:40:41 | 0:40:44 | |
I would say that my cigar cutter | 0:40:44 | 0:40:47 | |
has got to be getting on for £100, really. | 0:40:47 | 0:40:50 | |
It's a big ask but you never know. | 0:40:50 | 0:40:53 | |
-Shall we both stand for this last lot? -I don't know. | 0:40:53 | 0:40:55 | |
In memory of our road trip. | 0:40:55 | 0:40:57 | |
-Charlie. -For the first time in my trip, | 0:40:59 | 0:41:01 | |
I can confess to being nervous. | 0:41:01 | 0:41:03 | |
-Are you nervous? -Who wants to start me at £30? | 0:41:03 | 0:41:06 | |
£30 for it, £20 for it. | 0:41:06 | 0:41:09 | |
Any interest at £20? Is bid, lady's bid £20, 25, Nigel. | 0:41:10 | 0:41:14 | |
25, 30, 35, 40, | 0:41:14 | 0:41:18 | |
45, 50. | 0:41:18 | 0:41:20 | |
55, 60, 65. | 0:41:20 | 0:41:24 | |
£65, desperate voice sounding there. | 0:41:24 | 0:41:27 | |
At £65, where's 70? | 0:41:27 | 0:41:29 | |
-Gentlemen's bid at £65. 70, anyone else? -One more. | 0:41:29 | 0:41:32 | |
Selling at £65. | 0:41:32 | 0:41:34 | |
Good, but not quite good enough. Although Charlie does win today. | 0:41:36 | 0:41:40 | |
Number of road trips - one. Number of wins - one. | 0:41:40 | 0:41:44 | |
I should quit while you're ahead. Come on. | 0:41:44 | 0:41:47 | |
Nonsense. | 0:41:47 | 0:41:48 | |
Let's hope our debutant will one day be a seasoned Tripper. | 0:41:48 | 0:41:52 | |
Charlie, who started out with £236.02 made, | 0:41:53 | 0:41:57 | |
after paying auction costs, a profit of £18.60, | 0:41:57 | 0:42:00 | |
leaving him with £254.62. | 0:42:00 | 0:42:04 | |
While Natasha began with £292.84 | 0:42:04 | 0:42:08 | |
and after paying auction costs, | 0:42:08 | 0:42:10 | |
made a loss of £23.20, | 0:42:10 | 0:42:13 | |
but she wins the week with £269.64. | 0:42:13 | 0:42:17 | |
All profits go to Children In Need. Well done, Natasha. | 0:42:17 | 0:42:20 | |
You're good at this game, aren't you? | 0:42:22 | 0:42:24 | |
Thank you. I've had such a blast. | 0:42:24 | 0:42:26 | |
Yes, there's a new name on the Road Trip Hall of Fame. | 0:42:26 | 0:42:29 | |
Good auctioneer... | 0:42:29 | 0:42:30 | |
-Great auctioneer. -..but not quite good enough. | 0:42:30 | 0:42:33 | |
Don't say that, Charlie. | 0:42:33 | 0:42:34 | |
-Don't be a sore loser. -Well done. | 0:42:34 | 0:42:37 | |
-Thank you for everything. -Brilliant. | 0:42:37 | 0:42:39 | |
Thank you, everyone. | 0:42:39 | 0:42:41 | |
And thanks to you two, it's been quite a week. | 0:42:41 | 0:42:44 | |
Argh! | 0:42:44 | 0:42:46 | |
-Argh! -Oh, my God! | 0:42:46 | 0:42:49 | |
It's got that real G plan, Danish kind of feel. | 0:42:50 | 0:42:53 | |
Yeah, Charlie's on his knees. | 0:42:54 | 0:42:56 | |
Get away. | 0:42:58 | 0:42:59 | |
Farewell, folks. | 0:43:03 | 0:43:05 |