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-It's the nation's favourite antiques experts. -What about that? | 0:00:02 | 0:00:06 | |
With £200 each, a classic car | 0:00:06 | 0:00:09 | |
and a goal to scour Britain for antiques. | 0:00:09 | 0:00:11 | |
Can I buy everything here? | 0:00:11 | 0:00:13 | |
The aim, to make the biggest profit at auction. But it's no mean feat. | 0:00:13 | 0:00:17 | |
Feeling a little saw. | 0:00:17 | 0:00:18 | |
This is going to be an epic battle. | 0:00:18 | 0:00:20 | |
There'll be worthy winners and valiant losers. | 0:00:20 | 0:00:23 | |
So, will it be the high road to glory or the slow road to disaster? | 0:00:23 | 0:00:28 | |
-The honeymoon is over. -I'm sorry. | 0:00:28 | 0:00:29 | |
This is the Antiques Road Trip. | 0:00:29 | 0:00:31 | |
Yeah! | 0:00:34 | 0:00:36 | |
This week's road trip brings together | 0:00:36 | 0:00:38 | |
two of antiques finest fellows. | 0:00:38 | 0:00:41 | |
You're a man who's been about the antique arena for many years now. | 0:00:41 | 0:00:45 | |
-Impress me. -Oh... | 0:00:45 | 0:00:47 | |
Please, impress me. | 0:00:47 | 0:00:49 | |
With over two decades of experience in the antiques trade, | 0:00:49 | 0:00:52 | |
Mark Stacey's a safe pair of hands. | 0:00:52 | 0:00:55 | |
I don't think that's supposed to happen, is it? | 0:00:57 | 0:01:00 | |
But cheeky Charles Hanson knows his stuff | 0:01:00 | 0:01:03 | |
and hit Mark for six in the first leg. | 0:01:03 | 0:01:05 | |
There we are. | 0:01:05 | 0:01:06 | |
You know that's a paddle, don't you? | 0:01:06 | 0:01:09 | |
Our two experts started with £200 each | 0:01:09 | 0:01:11 | |
and on today's second leg there's exactly £25 between them. | 0:01:11 | 0:01:15 | |
Mark barely broke even in the first auction, | 0:01:16 | 0:01:18 | |
giving him just £201.80 to spend today. | 0:01:18 | 0:01:21 | |
While Charles only took three items to the opening auction, | 0:01:23 | 0:01:25 | |
but managed to scrape a slightly healthier profit, | 0:01:25 | 0:01:28 | |
giving him the lead and £226.80 to spend | 0:01:28 | 0:01:32 | |
as they hit the road again. | 0:01:32 | 0:01:34 | |
After all my hard work, I'm just over a pound up, Charles. | 0:01:34 | 0:01:38 | |
Just say you made 100 pence, which sounds better, doesn't it? | 0:01:38 | 0:01:41 | |
Yes, it does. I'm 100 pence up. | 0:01:41 | 0:01:43 | |
That won't even pay the petrol to your next shop, Mark. | 0:01:43 | 0:01:48 | |
But onwards they travel in their classic, | 0:01:48 | 0:01:50 | |
yet rather unreliable, 1950s Austin Metropolitan convertible. | 0:01:50 | 0:01:54 | |
It isn't fitted with seat belts | 0:01:54 | 0:01:56 | |
but that's perfectly legal for a car that predates the law. | 0:01:56 | 0:02:01 | |
Our experts' epic expedition will take them | 0:02:01 | 0:02:04 | |
from Yorkshire to Nottinghamshire, | 0:02:04 | 0:02:05 | |
Lincolnshire, Cambridgeshire, | 0:02:05 | 0:02:07 | |
Leicestershire, Buckinghamshire, | 0:02:07 | 0:02:09 | |
Herefordshire and West Midlands, | 0:02:09 | 0:02:11 | |
Hampshire, Warwickshire, Coventry, | 0:02:11 | 0:02:13 | |
Gloucestershire, Shropshire, Staffordshire | 0:02:13 | 0:02:15 | |
and ending in Flintshire in Wales. | 0:02:15 | 0:02:16 | |
Phew! | 0:02:16 | 0:02:18 | |
The second stint is a scenic saunter from Ely in Cambridgeshire | 0:02:19 | 0:02:23 | |
down to the auction in Bourne End in Buckinghamshire. | 0:02:23 | 0:02:27 | |
Crikey. | 0:02:27 | 0:02:29 | |
Do you know much about Ely? | 0:02:29 | 0:02:31 | |
All I know is that Ely, many, many, | 0:02:31 | 0:02:33 | |
probably thousands of years ago, was a swamp where eels used to swim. | 0:02:33 | 0:02:38 | |
Not bad, Charles. | 0:02:39 | 0:02:41 | |
While Ely is very proud of its connection with eels, | 0:02:41 | 0:02:44 | |
this historic city is full of charm and beauty | 0:02:44 | 0:02:46 | |
and is home to one of the most magnificent cathedrals in England. | 0:02:46 | 0:02:51 | |
-Well, Charles, I've got shopping to do. -Yeah, enjoy yourself. | 0:02:51 | 0:02:54 | |
-Listen, enjoy your shopping. -Good luck. | 0:02:54 | 0:02:55 | |
Now, Mark, shop to drop and don't forget, | 0:02:55 | 0:02:58 | |
-impress me. -Bye. | 0:02:58 | 0:03:00 | |
-Impress me. -Oh, it's so difficult to impress you, Charles. | 0:03:00 | 0:03:02 | |
Impress me. See you later. | 0:03:02 | 0:03:04 | |
Nothing like a bit of a challenge to ramp up the competition. | 0:03:06 | 0:03:10 | |
Owner, Barry, is standing by at Cloisters Art & Antiques | 0:03:10 | 0:03:13 | |
to help you on your way. | 0:03:13 | 0:03:16 | |
I'm chasing Charlie Hanson, who has bought absolute rubbish | 0:03:16 | 0:03:19 | |
-and made a profit. I bought quality items and didn't. -Right. | 0:03:19 | 0:03:22 | |
So, I don't know what that's telling you. | 0:03:22 | 0:03:25 | |
Well, I can sell you rubbish that will make money. | 0:03:25 | 0:03:27 | |
That's one way to go, Barry. | 0:03:27 | 0:03:29 | |
The shop has items from Georgian times to modern-day, | 0:03:29 | 0:03:32 | |
but Mark is resisting the lure of anything contemporary. | 0:03:32 | 0:03:36 | |
This is a little Victorian porcelain scent bottle. | 0:03:36 | 0:03:40 | |
I think it's English, even though it has that sort of French look | 0:03:40 | 0:03:43 | |
about it, with this sort of rather rococo cartouche on the front, | 0:03:43 | 0:03:48 | |
hand-painted with a little exotic bird. | 0:03:48 | 0:03:51 | |
The scent bottle and stopper is dated circa 1850. | 0:03:51 | 0:03:55 | |
It's ticketed at £88, almost half of Mark's budget. | 0:03:55 | 0:04:00 | |
But he may have found a way to knock some money off. | 0:04:00 | 0:04:04 | |
Barry, I mean, I do, I think it's been restored, do you? | 0:04:04 | 0:04:06 | |
Have you noticed? | 0:04:06 | 0:04:08 | |
If you look, both on this side and the other side, | 0:04:08 | 0:04:12 | |
it's got that quite heavy gilding... | 0:04:12 | 0:04:13 | |
Yes, the gilding has been restored, I would have thought. | 0:04:13 | 0:04:16 | |
I suspect what's happened is it was a treasured possession, | 0:04:16 | 0:04:19 | |
somebody dropped it, | 0:04:19 | 0:04:20 | |
maybe it came off and then they've re-gilded it. | 0:04:20 | 0:04:24 | |
I could do two crisp £20 notes for that. | 0:04:24 | 0:04:26 | |
I'm sure you could. | 0:04:26 | 0:04:27 | |
Oh, is that the sweet scent of a profit, I wonder? | 0:04:29 | 0:04:32 | |
Boom-boom. | 0:04:32 | 0:04:34 | |
Huh, but before the deal is sealed, | 0:04:34 | 0:04:36 | |
Barry's got another item to tempt Mark's fancy. | 0:04:36 | 0:04:39 | |
Oh. | 0:04:40 | 0:04:42 | |
Butter of Pitlochry, that's Scottish... | 0:04:42 | 0:04:44 | |
Scottish, yeah, and it's actually got Pitlochry on the top, I think. | 0:04:44 | 0:04:48 | |
Oh, the Black Watch. | 0:04:48 | 0:04:50 | |
-Oh, gosh, yeah, the Black Watch. -Yeah. | 0:04:50 | 0:04:53 | |
So, I think that's rather fun. | 0:04:53 | 0:04:55 | |
Marked at £55, this Shelley crested ware dog kennel | 0:04:55 | 0:04:58 | |
with a black bulldog and the arms and motto of The Black Watch | 0:04:58 | 0:05:02 | |
is of military interest. | 0:05:02 | 0:05:04 | |
And of interest to our Mark, at the right price, of course. | 0:05:04 | 0:05:07 | |
-Barry, I'm going to make you a very mean offer. -OK. | 0:05:07 | 0:05:10 | |
For the two, all right? | 0:05:10 | 0:05:12 | |
-I'm glad you're sitting down. -Yes, fine. | 0:05:12 | 0:05:15 | |
I'm going to offer you £50 for the two. | 0:05:15 | 0:05:17 | |
-OK. -Are you sure? -Yeah, deal. | 0:05:17 | 0:05:20 | |
-Thank you. -Thank you. | 0:05:20 | 0:05:23 | |
That's £30 for the scent bottle | 0:05:23 | 0:05:25 | |
and £20 for the crested ware dog kennel. | 0:05:25 | 0:05:27 | |
Here's hoping for some profit in them, Mark. | 0:05:27 | 0:05:31 | |
Whoops! Mind your step. | 0:05:31 | 0:05:32 | |
Meanwhile, Charles is kicking off his shopping 11 miles south | 0:05:34 | 0:05:37 | |
in the small Cambridgeshire village of Landbeach. | 0:05:37 | 0:05:42 | |
The village has three architectural sites with | 0:05:42 | 0:05:44 | |
the remains of medieval manor houses, | 0:05:44 | 0:05:46 | |
and Charles is here to dig up some artefacts of interest in Stantiques. | 0:05:46 | 0:05:52 | |
-Good morning. -Good morning. | 0:05:52 | 0:05:54 | |
-How are you? -Good. | 0:05:54 | 0:05:56 | |
I'm Charles, your name is? | 0:05:56 | 0:05:57 | |
-Hi, I'm Stan. -Stan the man. -Stan the man. | 0:05:57 | 0:06:00 | |
Stan the man of Stan Antiques. | 0:06:00 | 0:06:01 | |
Stantiques. Stan the man from Stantiques. | 0:06:01 | 0:06:03 | |
Good man, I like your style. | 0:06:03 | 0:06:05 | |
Charles's items didn't impress Mark at the last auction. | 0:06:05 | 0:06:09 | |
So, is he going for a change of tactic? | 0:06:09 | 0:06:11 | |
My tactics, now, as we're in Cambridgeshire | 0:06:11 | 0:06:15 | |
and a really rich area for antique enthusiasts, | 0:06:15 | 0:06:20 | |
is to really buy quality | 0:06:20 | 0:06:22 | |
and to show Mark what can be achieved | 0:06:22 | 0:06:24 | |
on a budget and stay away from, you know, | 0:06:24 | 0:06:27 | |
the more quirky end of collectables. | 0:06:27 | 0:06:30 | |
Buy quality, that's my plan. | 0:06:30 | 0:06:31 | |
And, talking of quality, these chairs over here, Stan, | 0:06:31 | 0:06:34 | |
-they're not old are they, these chairs? -No, they're just French. | 0:06:34 | 0:06:38 | |
-No age, Charles. -No age? So, they're almost brand-new... | 0:06:39 | 0:06:42 | |
-Yeah. -..ie 1980s? | 0:06:42 | 0:06:45 | |
-Yeah, they're just sort of... -Decorative display pieces. | 0:06:45 | 0:06:47 | |
-Definitely. -Quite attractive, aren't they? | 0:06:47 | 0:06:50 | |
But furniture is just in the doldrums. | 0:06:50 | 0:06:52 | |
They need total renovation. | 0:06:52 | 0:06:54 | |
Oh, crikey. | 0:06:54 | 0:06:56 | |
I thought you were going for quality, Charles? | 0:06:56 | 0:06:58 | |
It looks like these chairs have seen better days. | 0:06:58 | 0:07:01 | |
-What's your best price on them? -£70 the pair, Charles. | 0:07:01 | 0:07:04 | |
Do you know what? I think they're tired | 0:07:04 | 0:07:07 | |
but they're alluring. | 0:07:07 | 0:07:09 | |
I hope I hope you know what you're doing, Charles. | 0:07:09 | 0:07:12 | |
If I say to you 60, are you happy with that? | 0:07:12 | 0:07:14 | |
Charles, I'll do you 60 because you're such a top chap. | 0:07:14 | 0:07:17 | |
Are you sure? Look at me. | 0:07:17 | 0:07:18 | |
-You're a top chap, all right. -Yeah? Shall we say going, | 0:07:18 | 0:07:21 | |
going, | 0:07:21 | 0:07:22 | |
gone? Sold! Good man. | 0:07:22 | 0:07:24 | |
-Oh, they're great! -Cheers, buddy. | 0:07:24 | 0:07:25 | |
May I take one outside now for a quick look in the light... | 0:07:25 | 0:07:28 | |
-Yeah, by all means. -..and leave that one with you, here? | 0:07:28 | 0:07:30 | |
-Great. Follow me. -We've shaken hands, Charles, so yes. | 0:07:30 | 0:07:33 | |
-The deal's done. -Take it into the light. | 0:07:33 | 0:07:35 | |
What's he up to now? | 0:07:35 | 0:07:36 | |
I bought these chairs and I looked and thought, yeah, | 0:07:38 | 0:07:42 | |
they're probably 1980s from the exterior. | 0:07:42 | 0:07:44 | |
But when I turned them up, | 0:07:44 | 0:07:47 | |
I had a little heartbeat | 0:07:47 | 0:07:48 | |
because they are horse hair filled, | 0:07:48 | 0:07:51 | |
strung as well. | 0:07:51 | 0:07:54 | |
You can see this springing is probably, | 0:07:54 | 0:07:57 | |
at the very latest, 1920s. | 0:07:57 | 0:07:59 | |
I think they're worth, hopefully, | 0:07:59 | 0:08:03 | |
on a really good day, between 150 and 250. | 0:08:03 | 0:08:06 | |
I could be quids in here. | 0:08:06 | 0:08:07 | |
Ah, good spot then, Charles. | 0:08:07 | 0:08:09 | |
And to think I ever doubted you. | 0:08:09 | 0:08:11 | |
But he's not finished there. | 0:08:11 | 0:08:13 | |
Back inside, Charles has spotted something that reminded him | 0:08:13 | 0:08:16 | |
of his treasure hunting days as a child. | 0:08:16 | 0:08:18 | |
How sweet. | 0:08:18 | 0:08:20 | |
So, Stan, tell me, if I bought this whole little tray hoard, | 0:08:20 | 0:08:23 | |
which I could almost call a Hanson hoard of Roman | 0:08:23 | 0:08:27 | |
and later bronze remnants | 0:08:27 | 0:08:30 | |
and all sorts of curios... | 0:08:30 | 0:08:33 | |
And what's a joy is just to handle | 0:08:33 | 0:08:36 | |
these objects from a bygone time. | 0:08:36 | 0:08:38 | |
And you grip tight, don't you, | 0:08:38 | 0:08:40 | |
and you just think, | 0:08:40 | 0:08:42 | |
who last held these objects? Don't you? | 0:08:42 | 0:08:44 | |
-I do, Charles, yes. -You've also got other little | 0:08:44 | 0:08:47 | |
trays of finds in here and, erm, | 0:08:47 | 0:08:49 | |
I think a tray that's drawn my eye, | 0:08:49 | 0:08:52 | |
looking in this cabinet, is this one here as well, Stan. | 0:08:52 | 0:08:55 | |
And you've got more coins in here, | 0:08:55 | 0:08:57 | |
you've got bits of old flint. | 0:08:57 | 0:08:58 | |
So, Stan, if I said to you... | 0:08:58 | 0:09:00 | |
Two trays, | 0:09:00 | 0:09:01 | |
there's an abundance of volume and description, | 0:09:01 | 0:09:05 | |
but value maybe not so much. | 0:09:05 | 0:09:06 | |
..if I said to you, what's the best on that whole horde together, | 0:09:06 | 0:09:11 | |
what would you say? | 0:09:11 | 0:09:12 | |
-40 quid, all in. -Wow. | 0:09:12 | 0:09:15 | |
Is it worth a gamble at 40? | 0:09:15 | 0:09:18 | |
It probably is. | 0:09:18 | 0:09:19 | |
So, I think I'm going to buy these for 40 because sometimes, | 0:09:19 | 0:09:23 | |
with a passion from a childhood, you can't say no. | 0:09:23 | 0:09:26 | |
Charles, I'm not gift-wrapping every item. OK. | 0:09:26 | 0:09:29 | |
-Thanks a lot. -Nice one. | 0:09:29 | 0:09:30 | |
And, do you know, I just thrive on history. | 0:09:30 | 0:09:33 | |
You breathe history in my business and that is one big breath, isn't it? | 0:09:35 | 0:09:39 | |
Nothing like the smell of antiques in the morning, eh? | 0:09:39 | 0:09:43 | |
Now, Mark's been making his way 32 miles south-west | 0:09:43 | 0:09:46 | |
to the charming riverside town of St Neots. | 0:09:46 | 0:09:50 | |
St Neots' Emporium may look small from the outside | 0:09:50 | 0:09:53 | |
but inside there's over 1,400 square feet of floor space | 0:09:53 | 0:09:57 | |
and 24 dealers offering items to suit all needs and pockets. | 0:09:57 | 0:10:01 | |
And with £151.80 in his, | 0:10:01 | 0:10:05 | |
Mark needs to start catching up. | 0:10:05 | 0:10:07 | |
-Hello. -I'm Mark. -Welcome. | 0:10:07 | 0:10:10 | |
-And you are? -I'm Jacqueline. -Jacqueline. | 0:10:10 | 0:10:12 | |
Now, what's your role in this lovely emporium? | 0:10:12 | 0:10:14 | |
-I own it. -You own it? -Yes. | 0:10:14 | 0:10:17 | |
Well, I shall give you a cuddle. | 0:10:17 | 0:10:19 | |
-Because that might mean bigger discounts. -What an old smoothie. | 0:10:19 | 0:10:23 | |
He knows all the tricks to get the owners on side. | 0:10:23 | 0:10:26 | |
Right, best find something to get a discount on, then. | 0:10:26 | 0:10:29 | |
Ha! Looks like more Victorian goodies have caught Mark's eye. | 0:10:35 | 0:10:40 | |
This is very typical Victorian, isn't it? | 0:10:40 | 0:10:44 | |
You see you've got this little decoration on the top here | 0:10:44 | 0:10:47 | |
of a little child with a bouquet of flowers. | 0:10:47 | 0:10:53 | |
This late 19th-century French parasol has a porcelain handle | 0:10:53 | 0:10:56 | |
and mount in the Sevres style and would have been | 0:10:56 | 0:10:59 | |
produced in a factory on the outskirts of gay Paris. | 0:10:59 | 0:11:02 | |
You will notice, of course, that the actual parasol bit | 0:11:04 | 0:11:07 | |
is completely lacking. | 0:11:07 | 0:11:09 | |
-So, what do you do with that? -Tell me. | 0:11:09 | 0:11:12 | |
You can, of course, get a new silk put on it, | 0:11:12 | 0:11:15 | |
which would be very expensive. | 0:11:15 | 0:11:17 | |
Or you could try and turn it into a very elegant walking stick... | 0:11:17 | 0:11:20 | |
Well, you need to turn it into a profit, Mark. | 0:11:20 | 0:11:22 | |
-And with £80 on the ticket, let's get Jacqueline involved. -Hello. | 0:11:22 | 0:11:26 | |
Hello again. What would you let me have it for? | 0:11:26 | 0:11:29 | |
-Would you consider £40? -I'd CONSIDER it. | 0:11:31 | 0:11:36 | |
I would LOVE to buy it for £30. | 0:11:36 | 0:11:38 | |
-Thank you, Jacqueline. -Deal. | 0:11:39 | 0:11:41 | |
Come rain or shine, Mark, that's a nice little buy. | 0:11:41 | 0:11:44 | |
Well, all I can say is... | 0:11:44 | 0:11:46 | |
-..I'm singing in the rain, aren't I? -Well, it won't keep you... | 0:11:46 | 0:11:49 | |
No, it won't keep me dry. | 0:11:49 | 0:11:51 | |
It won't keep you dry, no. | 0:11:51 | 0:11:52 | |
Meanwhile, Charles has made his way to Cambridge to discover | 0:11:55 | 0:11:58 | |
a story of rivalry between two exploring pioneers, | 0:11:58 | 0:12:02 | |
whose search for planet Earth's coldest and deadliest place, | 0:12:02 | 0:12:07 | |
the South Pole, ended in triumph and tragedy. | 0:12:07 | 0:12:10 | |
Professor Julian Dowdeswell is going to show Charles | 0:12:12 | 0:12:15 | |
around the Polar Museum at the Scott Polar Research Institute. | 0:12:15 | 0:12:20 | |
-Charles. -Professor Julian Dowdeswell. | 0:12:20 | 0:12:22 | |
Welcome to the Scott Polar Research Institute | 0:12:22 | 0:12:24 | |
in Cambridge University. | 0:12:24 | 0:12:25 | |
Wonderful, and what a beautiful hallway. | 0:12:25 | 0:12:28 | |
This impressive memorial hall depicts the Arctic and Antarctic as | 0:12:28 | 0:12:33 | |
they were believed to have looked | 0:12:33 | 0:12:35 | |
when the building was opened in 1934. | 0:12:35 | 0:12:37 | |
It also commemorates famous expeditions and explorers. | 0:12:37 | 0:12:41 | |
Charles has come to hear the story of the doomed | 0:12:41 | 0:12:43 | |
1912 Polar expedition | 0:12:43 | 0:12:45 | |
of Robert Falcon Scott and Roald Amundsen. | 0:12:45 | 0:12:50 | |
This is the ship's bell of Scott's Terra Nova, | 0:12:50 | 0:12:53 | |
which was the ship that transported them on Scott's second | 0:12:53 | 0:12:57 | |
and fateful last expedition to Antarctica. | 0:12:57 | 0:13:00 | |
Having already carried out significant scientific | 0:13:01 | 0:13:04 | |
research in Antarctica, Scott returned a decade later, | 0:13:04 | 0:13:07 | |
determined to be the first man to reach the South Pole. | 0:13:07 | 0:13:10 | |
Whilst Scott made his plans public, Norwegian explorer Roald Amundsen | 0:13:12 | 0:13:17 | |
quietly set off on his own quest to get there first | 0:13:17 | 0:13:20 | |
and steal the glory, reaching the South Pole 33 days | 0:13:20 | 0:13:24 | |
before his British rival. | 0:13:24 | 0:13:26 | |
When Scott finally arrived, | 0:13:26 | 0:13:28 | |
he was greeted with the flags left by the Norwegian team. | 0:13:28 | 0:13:32 | |
This black flag was found by Scott | 0:13:32 | 0:13:34 | |
and his companions as they approach the South Pole. | 0:13:34 | 0:13:37 | |
We don't know whether it was the first thing that they saw that | 0:13:37 | 0:13:40 | |
told them that they were preceded, | 0:13:40 | 0:13:42 | |
but one of the black flags and ski tracks were certainly those things. | 0:13:42 | 0:13:46 | |
It was the contrasting fates of the two teams' | 0:13:47 | 0:13:50 | |
respective journeys back from the Pole that sets them apart. | 0:13:50 | 0:13:54 | |
Exactly why Amundsen's team completed the return journey | 0:13:54 | 0:13:58 | |
and Scott's trip ended in tragedy, with the loss of five men, | 0:13:58 | 0:14:02 | |
including himself, has been the source of fierce debate ever since. | 0:14:02 | 0:14:06 | |
Amundsen's team benefited from arguably more experienced | 0:14:08 | 0:14:11 | |
personnel, better supplies and didn't hit bad weather. | 0:14:11 | 0:14:15 | |
Scott's team included scientists and seamen. | 0:14:15 | 0:14:19 | |
Captain Lawrence Oates formed part of Scott's party | 0:14:19 | 0:14:22 | |
and suffered terribly from frostbite. | 0:14:22 | 0:14:24 | |
His sleeping bag can be seen on display in the Institute. | 0:14:24 | 0:14:27 | |
Oates' very famously, | 0:14:29 | 0:14:30 | |
and this is one of the archetypes of British heroism and sacrifice, | 0:14:30 | 0:14:34 | |
walked out of the tent in a blizzard to sacrifice himself, | 0:14:34 | 0:14:38 | |
in order that the three remaining in the party, | 0:14:38 | 0:14:41 | |
Scott, Wilson and Bowers, could move forward. | 0:14:41 | 0:14:43 | |
The reason he did that is | 0:14:43 | 0:14:45 | |
because his leg was terribly badly frostbitten. | 0:14:45 | 0:14:48 | |
He knew he couldn't go on. | 0:14:48 | 0:14:49 | |
The reason that we have the sleeping bag and, indeed, you can | 0:14:49 | 0:14:52 | |
see that the sleeping bag is slit down one side, | 0:14:52 | 0:14:55 | |
reflecting the problems that Oates was having with his legs. | 0:14:55 | 0:14:58 | |
So, it really is a study in tragedy in itself. | 0:14:58 | 0:15:02 | |
Of course, the trip grew even more tragic when | 0:15:02 | 0:15:05 | |
Scott, Wilson and Bowers perished in their tent, | 0:15:05 | 0:15:08 | |
dehydrated and pinned down by blizzards, | 0:15:08 | 0:15:11 | |
11 miles from the safety of their depot. | 0:15:11 | 0:15:14 | |
The grim consequences of their return journey from the Pole | 0:15:14 | 0:15:17 | |
had been blamed on their poor preparations. | 0:15:17 | 0:15:20 | |
Eight months on from the explorers' demise, the relief party, | 0:15:20 | 0:15:24 | |
led by Lieutenant Atkinson, a Royal Naval surgeon, | 0:15:24 | 0:15:27 | |
discovered the three men inside their tent. | 0:15:27 | 0:15:30 | |
The bodies of the other two members of the team were never recovered. | 0:15:30 | 0:15:34 | |
They made the decision that they would actually... | 0:15:34 | 0:15:38 | |
..leave the bodies of Scott, Wilson and Bowers in Antarctica. | 0:15:38 | 0:15:43 | |
And they said a burial service over their bodies. | 0:15:43 | 0:15:46 | |
They built a beautiful snow cairn with a cross over the top | 0:15:46 | 0:15:50 | |
of the three bodies. | 0:15:50 | 0:15:52 | |
And there they remain in Antarctica today. | 0:15:52 | 0:15:56 | |
While the relief party could do little for the explorers, | 0:15:56 | 0:15:58 | |
they did recover some important artefacts from the tent, including | 0:15:58 | 0:16:02 | |
the last letters written by Scott to the wives and families of his party. | 0:16:02 | 0:16:07 | |
All of those things expressed Scott's regret at what had happened, | 0:16:07 | 0:16:12 | |
but also his pride in how much had been achieved during the expedition. | 0:16:12 | 0:16:18 | |
The South Pole was achieved. | 0:16:18 | 0:16:21 | |
Although he failed to be the first at the South Pole, Scott's | 0:16:21 | 0:16:24 | |
legacy is in his contribution to science. | 0:16:24 | 0:16:27 | |
He collected meteorological data and geological specimens | 0:16:27 | 0:16:31 | |
and also samples of over 2,000 animals, | 0:16:31 | 0:16:35 | |
of which almost 400 were new to science. | 0:16:35 | 0:16:38 | |
Scott's polar achievements | 0:16:38 | 0:16:40 | |
and the risks he took under the most extreme circumstances | 0:16:40 | 0:16:43 | |
epitomise a spirit of daring scientific investigation that, | 0:16:43 | 0:16:47 | |
arguably, has not been matched since. | 0:16:47 | 0:16:50 | |
It's the end of Charles's visit. | 0:16:55 | 0:16:56 | |
Time to rest up and dream of the antique discoveries that lie ahead. | 0:16:56 | 0:17:00 | |
Night-night. | 0:17:00 | 0:17:01 | |
Morning has broken and our intrepid duo are back on the road. | 0:17:06 | 0:17:10 | |
Well, they would be, if Mark could work out how to get a car moving. | 0:17:11 | 0:17:15 | |
Ignition, turn... | 0:17:15 | 0:17:17 | |
THE ENGINE TURNS OVER | 0:17:17 | 0:17:18 | |
Yeah, it starts perfectly. That's fine. | 0:17:18 | 0:17:21 | |
And now, just find the clutch bite. | 0:17:21 | 0:17:23 | |
Yeah, and now just let it go. | 0:17:23 | 0:17:26 | |
-Oops-a-daisy. -I did. And it's gone. | 0:17:26 | 0:17:28 | |
Try it again. | 0:17:28 | 0:17:30 | |
Don't! If we... THE CAR SKIDS, GEARS GRIND | 0:17:33 | 0:17:35 | |
-I'm not on the brake! -You're on the brake. | 0:17:35 | 0:17:38 | |
This is the accelerator, Charlie. | 0:17:38 | 0:17:40 | |
-The break is in the middle, I'm not near the brake. -Oh, try it again. | 0:17:40 | 0:17:44 | |
-Charles, I'm not touching the brake. -You are. -I'm not. -You were. | 0:17:44 | 0:17:48 | |
Charles, I'm not touching the brake. | 0:17:48 | 0:17:50 | |
They are struggling with that car, ha! | 0:17:50 | 0:17:52 | |
Charles has been liberal with his lolly so far, | 0:17:52 | 0:17:54 | |
forking out £100 on a pair of armchairs | 0:17:54 | 0:17:57 | |
and a horde of Roman booty. | 0:17:57 | 0:17:59 | |
That leaves him with £126.80 still to spend. | 0:17:59 | 0:18:03 | |
Mark, in contrast, is being more conservative, spending £80 on | 0:18:03 | 0:18:07 | |
three items, the scent bottle, a crested ware kennel and a parasol. | 0:18:07 | 0:18:11 | |
He's got some catching up to do, but still has £121.80 to do it with. | 0:18:11 | 0:18:15 | |
Hanson and Stacey are en route to Leicester, | 0:18:21 | 0:18:23 | |
the county town of Leicestershire, and Charles has his eyes peeled. | 0:18:23 | 0:18:27 | |
-Do you know, I keep looking, Mark, for a car park. -Why? | 0:18:27 | 0:18:32 | |
Because, don't forget, Leicester, I suppose, rose to prominence in recent | 0:18:32 | 0:18:36 | |
times because Richard III was buried in Leicester car park. | 0:18:36 | 0:18:41 | |
Can you believe that? | 0:18:41 | 0:18:42 | |
The body of a king, to me, would be the ultimate Antiques Road Trip find. | 0:18:42 | 0:18:47 | |
Yep, it's good to dream big, but one of you will just have to | 0:18:47 | 0:18:51 | |
settle for being king of the road trip instead. Ha! | 0:18:51 | 0:18:54 | |
Charles's next stop is Hidden Treasures, | 0:18:54 | 0:18:55 | |
a small and friendly shop with lots of varied and interesting objects. | 0:18:55 | 0:19:00 | |
That's it. | 0:19:00 | 0:19:02 | |
Beautiful. | 0:19:02 | 0:19:04 | |
-Beautiful. -There we are, Charles, how's that? -Wonderful. | 0:19:04 | 0:19:08 | |
-Thank you so much, Mark. -And inside is another Mark, owner Mark Knight. | 0:19:08 | 0:19:12 | |
-Good morning. I recognise your face. -Good morning, Charles. How are you? | 0:19:12 | 0:19:16 | |
-I know you from my sale room. -I do know you from there. | 0:19:16 | 0:19:18 | |
-Yeah, it's good to see you. -And yourself. -So good to see you. | 0:19:18 | 0:19:22 | |
Pleasantries out of the way, Charlie wastes no time in looking | 0:19:22 | 0:19:25 | |
for something to spend his remaining £126.80 on. | 0:19:25 | 0:19:29 | |
-That's quite interesting, isn't it? -Yes, a little riding crop. | 0:19:32 | 0:19:35 | |
I think it's a Charles riding crop. | 0:19:35 | 0:19:37 | |
That's quite nice, because you've got here the bone, which is | 0:19:37 | 0:19:41 | |
novelty in the sense that, rather than being a fairly mundane handle, | 0:19:41 | 0:19:45 | |
it's been embellished with silver mounts. | 0:19:45 | 0:19:48 | |
And, more so, it's formed a whistle, which makes it quite novel... | 0:19:48 | 0:19:53 | |
-I think it's quite unique. -..with a dual purpose. | 0:19:53 | 0:19:56 | |
-Yeah, the whistle for the blowing of the dogs. -I almost need this | 0:19:56 | 0:19:59 | |
in the car with Mark Stacey you know, I say, | 0:19:59 | 0:20:01 | |
"Mark, come on. Push that car, come on." | 0:20:01 | 0:20:04 | |
It's ticketed at £50 and in the crack of the whip, | 0:20:04 | 0:20:07 | |
Charles gets straight down to business. | 0:20:07 | 0:20:09 | |
If I was asking you what your best price would be, you would | 0:20:09 | 0:20:12 | |
look at me and say... | 0:20:12 | 0:20:14 | |
-Make me an offer. -Make you an offer. OK. Make you an offer. OK, Mark. | 0:20:14 | 0:20:19 | |
-OK, I will do. I probably will do in a short while. -OK. | 0:20:19 | 0:20:22 | |
Not sure, eh? | 0:20:22 | 0:20:24 | |
How about something else to help sweeten the deal? | 0:20:24 | 0:20:27 | |
OK, here we are. | 0:20:27 | 0:20:28 | |
Goodness me, she is peculiar. | 0:20:32 | 0:20:34 | |
Mmm. | 0:20:34 | 0:20:35 | |
This girl has culture. | 0:20:35 | 0:20:38 | |
This lady, I suspect... | 0:20:38 | 0:20:41 | |
Charles, I'm not sure that's a girl, actually. | 0:20:42 | 0:20:45 | |
I didn't realise, I thought it had three legs for a second. Sorry. | 0:20:45 | 0:20:48 | |
I have to interrupt - he's a man. | 0:20:48 | 0:20:50 | |
Ha! I thought that might have been obvious, Charles. | 0:20:50 | 0:20:53 | |
I think, Mark, he represents... | 0:20:54 | 0:20:57 | |
-fertility. -Fertility. | 0:20:57 | 0:21:00 | |
What I like about this tribal figure is the fact that - | 0:21:00 | 0:21:03 | |
look at the way you've got wear and tear here | 0:21:03 | 0:21:06 | |
on the extremities of the shoulder, you've got losses on the back. | 0:21:06 | 0:21:11 | |
It's carved in a softwood and - | 0:21:11 | 0:21:14 | |
look at the wrinkles on the forehead. That's caused by the shrinkage | 0:21:14 | 0:21:19 | |
of the timber going into different atmospheres within homes. | 0:21:19 | 0:21:24 | |
This fertility figure, possibly Cameroonian, could be quite a find. | 0:21:25 | 0:21:29 | |
There's an increased interest in ethnographic objects | 0:21:29 | 0:21:32 | |
that once upon a time inspired the Impressionists. | 0:21:32 | 0:21:35 | |
Interesting subject and further research could be quite spurious. | 0:21:36 | 0:21:41 | |
I'm going to ask the question to you, Mark, what's your best price? | 0:21:41 | 0:21:45 | |
45. | 0:21:47 | 0:21:48 | |
Hmmm, OK. | 0:21:48 | 0:21:50 | |
That's quite interesting. | 0:21:50 | 0:21:52 | |
I think what's key to its success is an online exposure... | 0:21:52 | 0:21:58 | |
-Yep. -And if we can get this object on the internet and really | 0:21:58 | 0:22:03 | |
-worked up... -Yep, with some research. | 0:22:03 | 0:22:05 | |
It's something which Canadian, American collectors might really go for. | 0:22:05 | 0:22:12 | |
You wouldn't take £30 for it, would you, Mark? Would £30 be... | 0:22:12 | 0:22:15 | |
Could you do £35? | 0:22:15 | 0:22:17 | |
Can I do £35? I'm going to say, | 0:22:17 | 0:22:19 | |
because he is so interesting, | 0:22:21 | 0:22:23 | |
he's telling me, "Don't be startled, get me bought." | 0:22:23 | 0:22:25 | |
I'll take him. Thanks a lot. | 0:22:25 | 0:22:27 | |
-OK, lovely, thanks very much. -Thanks, Mark, I'll see you shortly. | 0:22:27 | 0:22:30 | |
So that's your third item bought, Charles. | 0:22:30 | 0:22:32 | |
Now, how about that riding crop? It has a ticket price of £50 - | 0:22:32 | 0:22:35 | |
are you going to make an offer? Go on, crack on. | 0:22:35 | 0:22:37 | |
If this came in to an auction, because it isn't hallmarked, | 0:22:37 | 0:22:41 | |
I would say to my vendor it's a hunting, rural, | 0:22:41 | 0:22:45 | |
country pursuit interest. It's probably worth between £30-£50. | 0:22:45 | 0:22:50 | |
-Uh-huh. -What's your best price, Mark, on this? | 0:22:50 | 0:22:53 | |
-I could do it for 30. -Could you really? | 0:22:54 | 0:22:56 | |
-Do you know - I think it's novel, it's neat... -Yep. | 0:22:56 | 0:22:59 | |
-I'll take it for £30. -OK, thanks very much, Charles, thank you. -You're a good man. Thanks a lot, Mark. | 0:22:59 | 0:23:03 | |
That's £65 all-in for the fertility figure and the crop. | 0:23:03 | 0:23:07 | |
Meanwhile, Mark's made his way north of Leicester | 0:23:10 | 0:23:13 | |
to look back at the history of rocketry - | 0:23:13 | 0:23:16 | |
specifically how a British inventor developed the rocket | 0:23:16 | 0:23:19 | |
which eventually led to man's voyage into space | 0:23:19 | 0:23:22 | |
with a little help of some canine friends. | 0:23:22 | 0:23:25 | |
Mark's meeting communications officer Josh Barker | 0:23:27 | 0:23:30 | |
at the National Space Centre - one of the United Kingdom's | 0:23:30 | 0:23:33 | |
leading visitor attractions devoted to space, science and astronomy. | 0:23:33 | 0:23:39 | |
-Hello, Josh. -Hello, Mark. -Lovely to meet you. -Nice to see you, too. | 0:23:39 | 0:23:42 | |
Thank you for inviting us to the Space Centre - is that what it's called? | 0:23:42 | 0:23:45 | |
-It is and you're very welcome, it's a pleasure having you here. -Wonderful, tell me about it. | 0:23:45 | 0:23:49 | |
So we were set up in 2001 as part of one of the millennium commissioned projects across the UK. | 0:23:49 | 0:23:53 | |
We're a centre dedicated to educating and teaching people about space, | 0:23:53 | 0:23:57 | |
specifically the British contribution to it. | 0:23:57 | 0:23:59 | |
Well I know about the American and the Russian | 0:23:59 | 0:24:01 | |
and maybe the European contribution, but the UK contribution? | 0:24:01 | 0:24:04 | |
We are actually still world leaders in satellite technology | 0:24:04 | 0:24:07 | |
and British rocketry's been around for about 200 years. | 0:24:07 | 0:24:09 | |
200 years? | 0:24:09 | 0:24:11 | |
-I don't believe you, Josh. -200 years is correct. | 0:24:11 | 0:24:13 | |
We've got some of the artefacts to prove that, which we'll show you today. | 0:24:13 | 0:24:16 | |
-I'd love to go and see it. -Let's go and see them. | 0:24:16 | 0:24:19 | |
By the late 1700s, Indian forces had developed | 0:24:20 | 0:24:24 | |
iron rockets from Chinese-invented fireworks. | 0:24:24 | 0:24:26 | |
These were used against the British in the Mysore Wars. | 0:24:26 | 0:24:30 | |
This in turn inspired one English inventor, Sir William Congreve, | 0:24:30 | 0:24:35 | |
to develop the technology further to create the Congreve Rocket. | 0:24:35 | 0:24:39 | |
So, we have here some examples of some of Britain's earliest rockets. | 0:24:40 | 0:24:44 | |
It looks very Blue Peter to me. | 0:24:44 | 0:24:46 | |
They are very primitive compared to the rockets that would go up into space. | 0:24:46 | 0:24:51 | |
William Congreve refined his rockets at the Royal Laboratory in Kent. | 0:24:53 | 0:24:58 | |
In 1806, the rockets were used to great effect against the French at Boulogne, | 0:24:58 | 0:25:02 | |
firing over 2,000 missiles from British ships without reply. | 0:25:02 | 0:25:08 | |
So these were used a lot by the British Army and the British Navy. | 0:25:08 | 0:25:11 | |
They used them in the Napoleonic era against Napoleon. | 0:25:11 | 0:25:15 | |
The Congreve Rockets were also used by the British | 0:25:15 | 0:25:18 | |
in the bombardment of Fort McHenry in the United States in 1814 - | 0:25:18 | 0:25:23 | |
an event that inspired the line from the American national anthem, | 0:25:23 | 0:25:26 | |
"And the rockets' red glare, the bombs bursting in air." | 0:25:26 | 0:25:30 | |
For the next hundred years, rockets played an increasing part in warfare | 0:25:34 | 0:25:38 | |
and it was in the Second World War that Britain found itself | 0:25:38 | 0:25:41 | |
on the receiving end of the rocket's power. | 0:25:41 | 0:25:44 | |
The Germans deployed the world's first long-range missile - | 0:25:44 | 0:25:47 | |
the V-2 rocket. | 0:25:47 | 0:25:49 | |
It was used against Allied targets, | 0:25:49 | 0:25:52 | |
most devastatingly in its destruction of great parts of London. | 0:25:52 | 0:25:56 | |
Well, what's this mangled piece of old metal? | 0:25:56 | 0:25:58 | |
So this is actually a bomb-damaged part of a V-2 rocket. | 0:25:58 | 0:26:02 | |
The V-2's greatest impact, however, may have been after the War. | 0:26:02 | 0:26:06 | |
The teams behind developing the technology were then used to develop our own rocketry programme | 0:26:06 | 0:26:10 | |
to advance from the Congreve Rockets we saw earlier, primitive ones that could barely reach a kilometre, | 0:26:10 | 0:26:15 | |
to these ones which can actually get all the way up into a low Earth orbit. | 0:26:15 | 0:26:18 | |
This was the turning point in rocket technology | 0:26:18 | 0:26:21 | |
as the need for longer reaching missiles was replaced | 0:26:21 | 0:26:25 | |
with the dream of reaching outer space, thus kick-starting the Space Race | 0:26:25 | 0:26:30 | |
and a new age in which man would set foot on another planet. | 0:26:30 | 0:26:34 | |
So this is really the final chapter in the story of early rocketry | 0:26:35 | 0:26:38 | |
and this leads us to the 1950s and 1960s with the start of the Space Race - | 0:26:38 | 0:26:42 | |
the really big competition between Russia and America to get into space. | 0:26:42 | 0:26:46 | |
The Russians launched what was called the Vostok programme. | 0:26:46 | 0:26:49 | |
The Vostok programme was a project to put the first man into orbit. | 0:26:49 | 0:26:54 | |
Competing against the United States, the Russians won the race - | 0:26:54 | 0:26:57 | |
placing Yuri Gagarin into space in 1961. | 0:26:57 | 0:27:01 | |
But before Gagarin launched himself into the history books, | 0:27:01 | 0:27:05 | |
early test flights saw dogs blast off. | 0:27:05 | 0:27:09 | |
-We can see here an example of a dog high altitude suit. -Oh, gosh! | 0:27:09 | 0:27:12 | |
So this was the preliminary tests to see | 0:27:12 | 0:27:14 | |
whether they could get the animals to survive in high altitudes, | 0:27:14 | 0:27:17 | |
in the area of fighter jets and things like that - | 0:27:17 | 0:27:19 | |
ready to then make the next step up into space. | 0:27:19 | 0:27:21 | |
I must admit, that looks rather excruciating. | 0:27:21 | 0:27:23 | |
The poor dog must have been terrified. | 0:27:23 | 0:27:25 | |
Yeah, unfortunately it's not one of the rosier chapters | 0:27:25 | 0:27:28 | |
of the Space Race. As with all things, | 0:27:28 | 0:27:30 | |
there has to be some sacrifice. | 0:27:30 | 0:27:31 | |
Laika, a stray dog from the streets of Moscow, | 0:27:31 | 0:27:34 | |
became the first animal to orbit the Earth and bravely paved the way | 0:27:34 | 0:27:38 | |
for Yuri Gagarin's seminal journey into space. | 0:27:38 | 0:27:41 | |
Well, the wonderful thing of course is they say, | 0:27:42 | 0:27:45 | |
"dog is a man's best friend", and I think, in this case, | 0:27:45 | 0:27:48 | |
-they really are, aren't they? -I think they are, they really paved the way. | 0:27:48 | 0:27:52 | |
Ha. In just 210 years, | 0:27:52 | 0:27:54 | |
from one British man's major contribution to rocket technology, | 0:27:54 | 0:27:58 | |
through advancements first in warfare and then space exploration, | 0:27:58 | 0:28:02 | |
we're now heralding the latest generation of rockets | 0:28:02 | 0:28:05 | |
designed to carry astronauts to Earth's orbit and beyond. | 0:28:05 | 0:28:09 | |
Who knows - | 0:28:09 | 0:28:10 | |
without William Congreve, none of this would ever have been possible. | 0:28:10 | 0:28:14 | |
And with that our space odyssey is done. | 0:28:14 | 0:28:17 | |
Meanwhile, Mark's Road Trip rival is making his way | 0:28:19 | 0:28:22 | |
to the Leicester hamlet of Shenton, near Market Bosworth. | 0:28:22 | 0:28:26 | |
With £61.80 left to spend, | 0:28:26 | 0:28:30 | |
Charles is checking out the Whitemoors Antiques and Craft Centre. | 0:28:30 | 0:28:34 | |
-Afternoon. How are you? -Hi, Charles. Good to have you here at Whitemoors. | 0:28:34 | 0:28:37 | |
-Now your name is? -Robert. -Robert, good to see you. | 0:28:37 | 0:28:39 | |
There are 45 dealers in this centre | 0:28:39 | 0:28:41 | |
but Robert Simpson is looking after Charles today. | 0:28:41 | 0:28:44 | |
Need to get finding. | 0:28:48 | 0:28:49 | |
OK, this is quite nice, this mirror. | 0:28:57 | 0:29:00 | |
I like this. All depends on the age. | 0:29:00 | 0:29:03 | |
From the exterior, it looks to be an attractive, | 0:29:03 | 0:29:08 | |
"come and get me, Hanson" | 0:29:08 | 0:29:10 | |
Georgian wall mirror with this wonderful pierced, | 0:29:10 | 0:29:14 | |
almost cut fret pediment. | 0:29:14 | 0:29:18 | |
I would say this mirror dates to probably 1790, 1820. | 0:29:18 | 0:29:24 | |
And the description on the label reads, "ornate mirror". | 0:29:24 | 0:29:27 | |
It's priced at 40. | 0:29:27 | 0:29:30 | |
I'm going to find Robert and ask him | 0:29:31 | 0:29:34 | |
what the very, very, very best price is on the mirror. | 0:29:34 | 0:29:38 | |
-Hi, Robert. -Hi, Charles. -You're still here. -I'm still here. -That's OK. | 0:29:41 | 0:29:45 | |
-In the container over there... -Yep. | 0:29:45 | 0:29:47 | |
-there is a mirror... -Right. | 0:29:47 | 0:29:49 | |
-on the wall... -OK. | 0:29:49 | 0:29:51 | |
and it says you could be the fairest of them all, | 0:29:51 | 0:29:54 | |
-if you give me a good price for it. -We'll see what we can do. | 0:29:54 | 0:29:56 | |
Robert gets on the phone to John, the dealer who owns the mirror. | 0:29:56 | 0:30:00 | |
Could you possible do 25, John? | 0:30:01 | 0:30:04 | |
-Get lost. -28? | 0:30:04 | 0:30:05 | |
Get lost. I like your style. | 0:30:05 | 0:30:07 | |
-28, go on. -Go on, he says. | 0:30:07 | 0:30:09 | |
We want him to win, John. | 0:30:09 | 0:30:12 | |
And with that ringing endorsement Robert strikes a deal for £28. | 0:30:12 | 0:30:16 | |
It's a nice thing. | 0:30:16 | 0:30:17 | |
It's traditional, it's a nice thing, it's quality | 0:30:17 | 0:30:20 | |
and for £28 it's a super lot and I commend you for that negotiation. | 0:30:20 | 0:30:24 | |
-You're very welcome. -Look at me, you did well. Thanks a lot. See you. | 0:30:24 | 0:30:28 | |
With Charles all done shopping, | 0:30:28 | 0:30:30 | |
Mark's playing catch-up and is heading south to Kibworth. | 0:30:30 | 0:30:34 | |
The purpose of his visit is Kibworth Antiques Centre | 0:30:34 | 0:30:37 | |
but with only three items bought so far he's got his work cut out. | 0:30:37 | 0:30:40 | |
-Hello, I'm Mark. -Hello, I'm Sharon. -Nice to meet you, Sharon. -And you. | 0:30:42 | 0:30:45 | |
This family-owned centre is one of South Leicestershire's largest antique retail outlets - | 0:30:45 | 0:30:51 | |
so there should be plenty here to tempt our Mark. | 0:30:51 | 0:30:54 | |
He's gone to check out the new den out the back. | 0:30:54 | 0:30:57 | |
Oh, look - red, amber and green. I hope it's green for profit. | 0:30:57 | 0:31:00 | |
Ha. Talking of greens, Mark's quick to spot a selection of fruit and veg | 0:31:00 | 0:31:04 | |
of the Italian vintage handmade variety, of course. | 0:31:04 | 0:31:09 | |
Wow, look at that. | 0:31:09 | 0:31:10 | |
I mean, they are ceramic - but they're a bit wacky, aren't they? | 0:31:13 | 0:31:17 | |
Look, there's even a little mushroom. | 0:31:17 | 0:31:19 | |
Don't ask me what type it is, but... | 0:31:19 | 0:31:22 | |
It's not edible, I know that. | 0:31:22 | 0:31:25 | |
Actually, I think those are quite fun. | 0:31:25 | 0:31:28 | |
I can't buy a load of fruit and veg, can I? | 0:31:30 | 0:31:33 | |
They don't say "antique" to me | 0:31:33 | 0:31:35 | |
but quirky items haven't done Charles any harm so far. | 0:31:35 | 0:31:39 | |
I mean, look - they're £1.99 each or five for £8, | 0:31:39 | 0:31:41 | |
but they've been reduced cos they were £2.50 each or five for £10 | 0:31:41 | 0:31:46 | |
so maybe... | 0:31:46 | 0:31:48 | |
they'd accept a fruity offer. | 0:31:48 | 0:31:50 | |
Well, Sharon's the lady to ask. | 0:31:50 | 0:31:52 | |
Now I've fallen in love... | 0:31:52 | 0:31:55 | |
with those vegetables. | 0:31:55 | 0:31:57 | |
-And I love the fact that they're in an old box. -OK. | 0:31:59 | 0:32:02 | |
-And one or two of them are chipped. -Yes, yes. | 0:32:02 | 0:32:05 | |
-They're past their shop sell-by date, really. -Right, OK. | 0:32:05 | 0:32:08 | |
-You see where I'm going with this? -Yes, need to go in the reduced corner. | 0:32:08 | 0:32:11 | |
-I would love you to ask the dealer... -OK. | 0:32:11 | 0:32:16 | |
-How much for the whole... -..how much they would sell the whole lot for. | 0:32:16 | 0:32:20 | |
The whole lot comes to £48 but Mark is looking for nearer £30, | 0:32:20 | 0:32:24 | |
so Sharon makes a call and Mark waits nervously for the response. | 0:32:24 | 0:32:27 | |
So I'm left like... | 0:32:30 | 0:32:32 | |
an act in Eurovision, waiting for the results, waiting for the... | 0:32:32 | 0:32:36 | |
..Leicestershire jury to cast their votes. | 0:32:38 | 0:32:41 | |
Hmm. The suspense is killing me(!) | 0:32:41 | 0:32:43 | |
but will it be "nul points" for Mark? | 0:32:43 | 0:32:46 | |
Sharon, Sharon, Sharon. | 0:32:46 | 0:32:48 | |
-I've managed to speak to her. -Oh, have you? | 0:32:48 | 0:32:50 | |
-Please tell me it's good news. -It is good news. | 0:32:50 | 0:32:52 | |
She says you can have them... | 0:32:52 | 0:32:54 | |
but she really needs £34 for them. | 0:32:54 | 0:32:58 | |
-£34, 34... -She needs £34. -And I get the box as well? | 0:32:58 | 0:33:02 | |
You can have the box as well, but she does need 34. | 0:33:02 | 0:33:05 | |
-Well I can't not have them for £4, can I? -No. -Do you know what I mean? | 0:33:05 | 0:33:08 | |
-It'd be silly not to have them for £4. -I'd be silly not to have them. | 0:33:08 | 0:33:10 | |
-Will you thank her very much for me? -Of course I will. | 0:33:10 | 0:33:13 | |
-I really appreciate it. -Yep, no problem. | 0:33:13 | 0:33:15 | |
So Mark's final purchase sets him back £34 | 0:33:15 | 0:33:19 | |
and, with that, the shopping's all done. | 0:33:19 | 0:33:21 | |
But what did they buy? | 0:33:21 | 0:33:23 | |
Charles bought five lots, comprising | 0:33:23 | 0:33:25 | |
a pair of Louis XVI style armchairs, | 0:33:25 | 0:33:28 | |
a collection of Roman coins and curios | 0:33:28 | 0:33:31 | |
an African fertility statue, | 0:33:31 | 0:33:33 | |
a bone and silver riding crop | 0:33:33 | 0:33:35 | |
and a George III mirror. | 0:33:35 | 0:33:37 | |
He spent a total of £193. | 0:33:38 | 0:33:41 | |
Whilst Mark invested in a scent bottle, | 0:33:45 | 0:33:47 | |
a crested ware dog kennel, | 0:33:47 | 0:33:49 | |
a French parasol | 0:33:49 | 0:33:51 | |
and a collection of handmade ceramic fruit and veg. | 0:33:51 | 0:33:54 | |
That lot cost him just £114. | 0:33:55 | 0:34:01 | |
So what did the fellas make of each other's buys? | 0:34:01 | 0:34:04 | |
The scent bottle I quite like but I feel it's quite middle-rate. | 0:34:04 | 0:34:09 | |
The Shelley is very sweet and it's also got a great World War interest | 0:34:09 | 0:34:13 | |
so I think that at £20 and the scent bottle at 30 might do quite well. | 0:34:13 | 0:34:17 | |
The collection of coins is quite interesting and, you know, | 0:34:17 | 0:34:20 | |
you never know if there's one or two unusual in there - | 0:34:20 | 0:34:23 | |
paid £40 for them, there could be a good profit in there. | 0:34:23 | 0:34:26 | |
It's a wide-open game, still, but I think I've bought the | 0:34:26 | 0:34:29 | |
more spurious, the more speculative, which could really take off. | 0:34:29 | 0:34:33 | |
Charles, what can I say? Good luck, my friend. | 0:34:33 | 0:34:36 | |
It's time to get back on the road and head to auction. | 0:34:36 | 0:34:39 | |
It's been a jaunty journey for our chaps, kicking off in Ely in Cambridgeshire, | 0:34:39 | 0:34:43 | |
meandering in and around Leicester | 0:34:43 | 0:34:45 | |
and ending in Bourne End for their second auction. | 0:34:45 | 0:34:49 | |
Bourne End in Buckinghamshire is a thriving village outside London | 0:34:50 | 0:34:54 | |
where the Wye flows into the Thames. | 0:34:54 | 0:34:56 | |
Look, I think we both ought to go to this auction with great hope... | 0:34:56 | 0:35:01 | |
-Positive. -With great expectation. | 0:35:01 | 0:35:03 | |
-Positivity. -The journey is alive and firing. | 0:35:03 | 0:35:05 | |
Yeah, but will their positivity last at the auction at Bourne End Auction Rooms? | 0:35:05 | 0:35:11 | |
Established over 20 years ago, they offer general weekly auctions | 0:35:11 | 0:35:14 | |
and monthly antique and specialised sales. | 0:35:14 | 0:35:17 | |
They also auction on the internet. | 0:35:17 | 0:35:19 | |
Come on, Mark. It's competition time, OK? | 0:35:21 | 0:35:25 | |
It certainly is. | 0:35:25 | 0:35:27 | |
Putting our pair under the hammer at today's auction is Simon Phillip Brown. | 0:35:27 | 0:35:31 | |
The fruit and vegetable - that's a difficult one. | 0:35:33 | 0:35:35 | |
That's a real seat of the pants. | 0:35:35 | 0:35:38 | |
30, £40? Might do a little more than that but it's a nice piece. | 0:35:38 | 0:35:43 | |
Possibly the best item will be the tribal piece. | 0:35:43 | 0:35:47 | |
That will make the money. | 0:35:47 | 0:35:49 | |
We'll soon find out. | 0:35:49 | 0:35:51 | |
The boys are taking their seats and the auction's about to begin. | 0:35:51 | 0:35:55 | |
Round two. | 0:35:55 | 0:35:57 | |
First up is Hanson's Roman hoard, being sold as | 0:35:57 | 0:36:00 | |
"of metal-detecting interest." | 0:36:00 | 0:36:02 | |
Here they are. What are they worth? | 0:36:02 | 0:36:04 | |
I don't know because I haven't seen them! | 0:36:04 | 0:36:06 | |
-Who'll start me at £50? -Come on, let's go. | 0:36:06 | 0:36:08 | |
They cost me 40. Come on, let's go. Come on. | 0:36:08 | 0:36:11 | |
-Yours at 50 on my left. -Oh, £50, bid. | 0:36:11 | 0:36:13 | |
55, 60, 65... | 0:36:13 | 0:36:15 | |
70, 75, 80... | 0:36:15 | 0:36:18 | |
-85... -Cost me £40! | 0:36:18 | 0:36:19 | |
-90, 95, 100. -I'm happy now, Mark. | 0:36:19 | 0:36:21 | |
110... | 0:36:21 | 0:36:22 | |
£100, now selling at 100. | 0:36:22 | 0:36:25 | |
Are we all done at 100? On my left now at £100... | 0:36:25 | 0:36:28 | |
Great start - ooh, he'll be chuffed with that. | 0:36:29 | 0:36:33 | |
-Well done, Charles. -So that's given me a £60 start... -Profit. | 0:36:33 | 0:36:36 | |
I'm over the moon. | 0:36:36 | 0:36:37 | |
Now for Mark's scent bottle. | 0:36:37 | 0:36:39 | |
Can he get a whiff of a profit, too? | 0:36:39 | 0:36:41 | |
Start me at £20, please, for this lot. | 0:36:41 | 0:36:44 | |
10 to start, £10. 10 I'm bid... | 0:36:44 | 0:36:46 | |
12, 14, 16... | 0:36:46 | 0:36:47 | |
-We're rolling, Mark. -18, 20, 22... | 0:36:47 | 0:36:50 | |
£20, now. | 0:36:50 | 0:36:51 | |
22, 25, 27... | 0:36:51 | 0:36:54 | |
30, 32, 35... | 0:36:54 | 0:36:56 | |
-Wow, Mark, you're flying. -37, 40, 42... | 0:36:56 | 0:36:59 | |
45, 47, 50... | 0:36:59 | 0:37:02 | |
55. 60, sir? | 0:37:02 | 0:37:04 | |
65. 70, sir? | 0:37:04 | 0:37:06 | |
80, 85, 90... | 0:37:06 | 0:37:09 | |
95, 100... | 0:37:09 | 0:37:11 | |
-95 with the lady... -Congratulations, that's amazing. | 0:37:13 | 0:37:15 | |
Selling at 95, all done at 95... | 0:37:15 | 0:37:17 | |
Yours at 95, madam, are we all done now? | 0:37:17 | 0:37:20 | |
Wow, another great profit. | 0:37:20 | 0:37:22 | |
They're certainly getting their bang in Bucks. | 0:37:22 | 0:37:25 | |
-That's really good. How do you feel? -I feel quite good. | 0:37:25 | 0:37:28 | |
I think that's a good start. We're both having a good start today. | 0:37:28 | 0:37:31 | |
Can Charles keep up the good feeling? | 0:37:31 | 0:37:33 | |
It's his George III mirror next. | 0:37:33 | 0:37:35 | |
£20, please, for this lot. 20 to start. | 0:37:35 | 0:37:37 | |
Oh, it cost me £28. | 0:37:37 | 0:37:38 | |
-20, anybody interested? -Come on. | 0:37:38 | 0:37:40 | |
Nobody interested. 20 with the lady. | 0:37:40 | 0:37:42 | |
Selling at 20, yours at 20... Oh, no. | 0:37:42 | 0:37:44 | |
-Have we all done at 20 on my left... -That's cheap. | 0:37:44 | 0:37:47 | |
22, 25, 27... | 0:37:47 | 0:37:49 | |
30, sir. 30, 32, 35... | 0:37:49 | 0:37:51 | |
-Cost me 28. -37. 37... | 0:37:51 | 0:37:54 | |
40, 42, 45... | 0:37:54 | 0:37:56 | |
47, 50, 55... | 0:37:56 | 0:38:00 | |
60, 65... | 0:38:00 | 0:38:02 | |
£60. Now selling at 60, with the lady at 60... | 0:38:02 | 0:38:05 | |
Have we all done at 60 on my left now, thank you. | 0:38:05 | 0:38:09 | |
Well, well. Doubled your outlay there, boy. | 0:38:09 | 0:38:12 | |
Mark's fruit and veg are up next. The auctioneer liked this lot. | 0:38:12 | 0:38:16 | |
Who'll start me at £50, please? For this lot, 50 I'm bid. | 0:38:16 | 0:38:21 | |
Yours at 50, are we all done? | 0:38:21 | 0:38:22 | |
55, 60, 65... | 0:38:22 | 0:38:25 | |
-£60 on my right. -It's all right. | 0:38:25 | 0:38:27 | |
Selling at 65. 65, 70... | 0:38:27 | 0:38:30 | |
75, 80, 85... | 0:38:30 | 0:38:34 | |
-90, 95... -Wonderful, Mark. | 0:38:34 | 0:38:38 | |
-£90 now. Selling at 90, on my right at 90... -Bit more! | 0:38:39 | 0:38:43 | |
-Are we all done at 90... -Hungry for more, Mark? | 0:38:43 | 0:38:45 | |
Are we all done now? | 0:38:45 | 0:38:48 | |
Yet another stonking profit - and that puts Mark in the lead. | 0:38:48 | 0:38:51 | |
-Mark, you're flying high. -I'm happy with that. | 0:38:51 | 0:38:54 | |
Charles' riding crop is next. Will the profits keep coming? | 0:38:54 | 0:38:58 | |
Start me at £30, please. For this lot 30 I'm bid... | 0:38:58 | 0:39:01 | |
Yours at 30, 32, 35... | 0:39:01 | 0:39:05 | |
37, 40, 42... | 0:39:05 | 0:39:06 | |
45, 47, 50... | 0:39:06 | 0:39:09 | |
55... | 0:39:09 | 0:39:12 | |
(Go on!) | 0:39:12 | 0:39:13 | |
£50 now, 55, 60... | 0:39:13 | 0:39:16 | |
-This is going to go on, Charles. -It's not. | 0:39:16 | 0:39:18 | |
-65, 70... -Yes, it is. | 0:39:18 | 0:39:19 | |
65 on my right. Selling at 65... | 0:39:19 | 0:39:22 | |
Are we all done at 65? Selling at 65 on my right... | 0:39:22 | 0:39:24 | |
Got you at 65 now... | 0:39:24 | 0:39:27 | |
Whip-crack-away, eh! | 0:39:27 | 0:39:29 | |
There's no calamity here - another tidy profit. | 0:39:29 | 0:39:32 | |
-Well done, you made a £35 profit on that. -I'm delighted, Mark, you know. | 0:39:32 | 0:39:35 | |
-That's a good profit. -I'm delighted. -But I think that might have... | 0:39:35 | 0:39:38 | |
-I think that was quite a reasonable buy for someone. -Yeah, yeah. | 0:39:38 | 0:39:41 | |
Next under the gavel is | 0:39:41 | 0:39:42 | |
Mark's Shelley dog kennel, | 0:39:42 | 0:39:44 | |
"of military interest." | 0:39:44 | 0:39:46 | |
Start me at £20, please. For this lot, 20... | 0:39:46 | 0:39:49 | |
-10 to start. £10, anybody interested? -Oh, come on. | 0:39:49 | 0:39:52 | |
10, 10 I'm bid. Yours at 10, sir. | 0:39:52 | 0:39:54 | |
Have we all done at 10? 12, 14... | 0:39:54 | 0:39:56 | |
16, 18. 18 on my right... | 0:39:56 | 0:39:59 | |
-Oh, come on, it could get a bit more. -Selling at 18. | 0:39:59 | 0:40:01 | |
-Have we all done at 18 on my right... -Oh, no. -£18 now... | 0:40:01 | 0:40:03 | |
CHARLES WHINES LIKE A DOG | 0:40:03 | 0:40:06 | |
Oh. First loss of the day. | 0:40:06 | 0:40:07 | |
Has that left Mark in the doghouse, I wonder? | 0:40:07 | 0:40:10 | |
-Never buy knobby knick-knacks... -OK, I won't buy knobby knick-knacks. | 0:40:10 | 0:40:13 | |
-because when you buy, you know... -It wasn't... | 0:40:13 | 0:40:16 | |
yet it makes a profit in your case. | 0:40:16 | 0:40:19 | |
Now it's the fertility statue that the auctioneer thinks | 0:40:19 | 0:40:22 | |
could do very well indeed. | 0:40:22 | 0:40:25 | |
-50, 50 I'm bid. -Come on, let's go. | 0:40:25 | 0:40:26 | |
Got you at 50, yours at 50. Are we all done on my right? | 0:40:26 | 0:40:29 | |
-Come on. -50, 55, 60... | 0:40:29 | 0:40:31 | |
65, 70, 75... | 0:40:31 | 0:40:34 | |
£70 now. 75, 80... | 0:40:35 | 0:40:38 | |
-Let's go. -85, 90, 95... | 0:40:38 | 0:40:41 | |
-100. -There we go, Mark, off we go. -110, 120... | 0:40:41 | 0:40:43 | |
-Think antique and let's roll on. -130. At 120 on my right, | 0:40:43 | 0:40:46 | |
Selling at 120. Are we all done at 120? Yours at 120 now... | 0:40:46 | 0:40:50 | |
That profit's driven Charles into a huge lead. | 0:40:52 | 0:40:55 | |
-We're steering our way to a profit. -Well, you are. -Look at me. | 0:40:55 | 0:40:59 | |
Unbelievable. | 0:40:59 | 0:41:00 | |
Let's see if your parasol can put a smile back on your face, Mark. | 0:41:00 | 0:41:04 | |
£50, please, for this lot. 50, anybody interested? | 0:41:04 | 0:41:07 | |
-We're rolling, Mark. -30, then, to start... | 0:41:07 | 0:41:10 | |
-30 I'm bid, yours at 30. -Watch it go now, 35, 40... | 0:41:10 | 0:41:12 | |
Are we all done? 32, 35, 37... | 0:41:12 | 0:41:14 | |
40, 42... | 0:41:14 | 0:41:16 | |
-£40. Got you at 40, yours at 40... -It's going to roll. | 0:41:16 | 0:41:19 | |
That's it, your profit. | 0:41:19 | 0:41:20 | |
Are we all done at 40? Selling at 40, | 0:41:20 | 0:41:22 | |
yours at 40 now... Are we all done? | 0:41:22 | 0:41:24 | |
Back making a profit, Mark - | 0:41:24 | 0:41:26 | |
but it won't be much of one | 0:41:26 | 0:41:27 | |
after auction costs. | 0:41:27 | 0:41:29 | |
Good work, profit. | 0:41:29 | 0:41:31 | |
-What do I have to do? -Put it there. -No, I'm not, Charles. | 0:41:31 | 0:41:34 | |
-It was £10, Charles. -Profit! | 0:41:34 | 0:41:38 | |
Charles thinks he's got a real find with these chairs | 0:41:38 | 0:41:41 | |
but will the bidders see past their tattered state? | 0:41:41 | 0:41:45 | |
Who'll start me at £50, please, for this lot? | 0:41:45 | 0:41:47 | |
50 I'm bid, yours at 50, | 0:41:47 | 0:41:49 | |
-Have we all done at 50... -Should go on from there. | 0:41:49 | 0:41:51 | |
55, 60, 60 with William. | 0:41:51 | 0:41:53 | |
Yours at 60, have we all done at 60? | 0:41:53 | 0:41:56 | |
65, 70, 75... | 0:41:56 | 0:41:58 | |
80, 85... | 0:41:58 | 0:42:00 | |
£80 now with William, selling at 80. Have we all done at 80? | 0:42:00 | 0:42:04 | |
Yours at 80 now... | 0:42:04 | 0:42:06 | |
That's a clean sweep for Charles, profits all the way. | 0:42:07 | 0:42:11 | |
Charles, well done. Second auction to you. | 0:42:11 | 0:42:14 | |
Listen, but at least for the two of us it's onwards and upwards. | 0:42:14 | 0:42:17 | |
Come on... | 0:42:17 | 0:42:18 | |
After paying auction costs, | 0:42:20 | 0:42:22 | |
Mark Stacey has made a very respectable profit of £85.26. | 0:42:22 | 0:42:26 | |
As a result, Mark has £287.06 to carry forward. | 0:42:26 | 0:42:30 | |
It hasn't stopped Charles storming further ahead though, | 0:42:32 | 0:42:35 | |
making another fantastic profit of £155.50 after costs. | 0:42:35 | 0:42:40 | |
Mr Hanson has claimed today's victory | 0:42:40 | 0:42:42 | |
and has £382.30 to start the next leg. | 0:42:42 | 0:42:47 | |
The boys head for Hereford | 0:42:47 | 0:42:49 | |
and it's probably best Charles is back behind the wheel. | 0:42:49 | 0:42:53 | |
So, Mark - Hereford, here we come. MARK LAUGHS | 0:42:53 | 0:42:56 | |
Charles, I thought you were going to say heaven. | 0:42:56 | 0:42:58 | |
But, of course, which Hereford is. | 0:42:58 | 0:43:02 | |
Next time, our experts can't wait to get back on the road again. | 0:43:07 | 0:43:11 | |
# Just the two of us... # | 0:43:11 | 0:43:12 | |
Mark Stacey is begging for a bargain. | 0:43:12 | 0:43:14 | |
Please, please, please... | 0:43:14 | 0:43:16 | |
Charles Hanson pushes the boat out... | 0:43:16 | 0:43:18 | |
Would you take three hundred... | 0:43:18 | 0:43:21 | |
pence? | 0:43:21 | 0:43:22 |